Mersey News Live 1:5 November 3 2021

MNL

Mersey News Live FROM THE HEART OF THE CITY

THIS WEEK

ARTS

LIFESTYLE

Powered by LJMU journalists

3 November 2021

STEP INTO STYLE WITH OUR WINTER WARMERS A TASTE OF LIVERPOOL’S VEGAN OFFERINGS LAUNCH OF THE SCOUSE SLEEPING BEAUTY

EXCLUSIVE:

POLICE CHIEF SETS OUT HER VISION

> Behind the scenes at the Chief Constable’s visit: pp 4-5

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CONTENTS 6

THIS WEEK

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4&5 Chief Constable speaks to MNL 6 Taste of World Vegan Day 7 Lights to celebrates lives 8 Why masks must be worn 9 Agency’s minority focus 10&11 Wrap up in winter style

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LIFE & ARTS 12 13 14 15

Katumba’s drumming up a crowd Getting laughs out of letters It’s Scouse Sleeping Beauty!

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Ben’s a class comedy act

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elcome back to this week’s edition of MNL. Some students were lucky enough to attend a lecture given by Merseyside Chief Constable Serena Kennedy, who was outlining her main strategy for policing.

Considering Covid-19 infection rates are on the rise again, we discuss whether the return of masks will help make travellers safer on trains and why people choose not to wear them now.

As more businesses are on the lookout for diversity within their industries, it has led to a newly established creative agency for female creatives and under-

It’s fun, fashion and laughter represented communities to get their work out there.

We get to know one of Liverpool’s young and bright new talent on the comedy scene, Bill Hodge, who delves into his comedy work and how he dealt with becoming transgender.

As we move swiftly into November, the fun and vibrant festival Homotopia is back to showcase the finest queer talent such as comedian Will Jackson.

Life in Liverpool would not be complete without attending a lively

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scouse Christmas panto, and ‘The Scouse Sleeping Beauty’ fits the bill perfectly.

We take the time to celebrate world vegan day this year as more people are choosing the meat free life.

To round off the spooky celebrations of Halloween, we attended the Katumba carnival embracing African drums and artform creating fun for all the family.

Saskia Fryer, Arts reporter

LIFE

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Chief constable puts community partnership at the heart of policing Merseyside Police’s Serena Kennedy held the eighth Chief Constable’s lecture at Liverpool John Moores University, this week. HARLEY MULLEN AND EMMA DUKES report on MerseyNewsLive’s exclusive interview.

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erseyside chief constable Serena Kennedy on Monday outlined her six-point strategy for policing, putting communities firmly at the heart of her force’s activities.

Following in the footsteps of her predecessor Andy Cooke by delivering the eighth Chief Constable’s lecture, she told her audience at Liverpool John Moores University that the force had to put the needs of communities first and that ‘prevention is better than cure’.

In attendance were police chiefs past and present, including former Merseyside Chief Constable Sir Jon Murphy, who is now professor of advanced policing studies at Liverpool John Moores University.

Chief Executive Officer of the College of Policing, Andy Marsh, was also a guest, as well as North Wales Chief Constable, Carl Foulkes.

In Serena Kennedy’s hour-long lecture, she delved back into history talking about Sir Robert Peel, founder of the modern police force, right up to her 28 years in service.

She stressed the importance she puts on not just telling communities what the police priorities were, but on listening: “We listen to the view of our communities, in terms of the issues and their priorities and we involve them in our work with partners to solve problems.”

Before the lecture, the Chief Constable spoke to MerseyNewsLive

The Chief Constable’s six-point strategy: 1. Tackling serious and organised crime 2. Community engagement 3. Vulnerability 4. Inclusion 5. Wellbeing 6. Preventative Policing:

about how her strategy will focus on early intervention and where the money will come from.

In her exclusive interview she said: “We need to be brave and bold and look at can we, across the partnerships, are we willing to top slice some of our budget and put it into early intervention and preventative solutions.”

“I think it’s difficult to achieve but if we are ever going to tackle equality and the equality gap here in Merseyside, which is worse than anywhere else in the country, it’s that whole system reform that we need.”

As well as a new Chief Constable, Merseyside Police have welcomed a new headquarters, costing £48m.

Serena Kennedy told MNL that the new headquarters are an investment that will save money in the long run.

She explained, “It is a big investment for the force but in terms of the current headquarters, it is not fit for purpose.

“It’s really expensive to run, it’s not efficient and effective, in terms of the way in which we are working.

“The new headquarters give us a purpose-built, brand new facility that meets the needs of a modern police force.

“It’s part of our mid-term financial strategy so then we are able to make savings, because we can sell off the old headquarters and we also have brought staff from across Merseyside into that building.

“It’s a very green building as well, so from a sustainability perspective, it ensures we’re meeting our sustainability target.”

Merseyside has suffered £15m in budget cuts from the Government this year, making the Chief Constable even more determined to create a united front with the local community.

Above: Chief Constable Serena Kennedy talking to MNL during her visit to Liverpool John Moores University

Pictured right: Chief Executive Officer of the College of Policing Andy Marsh at LJMU.

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Chief Constable Serena Kennedy and team arriving at Liverpol John Moores University’s Redmonds Building

Concerns about safety as ‘really worrying trend’ takes over the city

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ollowing a rise in night-club spiking and hate crimes towards young people across the nation, residents of Merseyside are becoming increasingly concerned about their safety.

Since September, 17 people have reported their drinks being spiked in Merseyside alone, three of which are being actively investigated.

With this comes fears that the police aren’t doing enough to combat the issue and that young people don’t feel enough confidence in the force to report similar incidents.

However, the Chief Constable disagrees, arguing that a recent rise in reporting shows an increase in police confidence.

She said: “I have been pleased to see an increase in reporting because to me that demonstrates that people have got trust and confidence with us.

“We’ve asked people to contact us straight away, as soon as they think they’ve been spiked, so we can get that early evidence and that’s exactly what happened over Halloween weekend.”

The mother of two further expressed her concerns: “The new thing that we’re seeing around being spiked with a hypodermic needle

is a really worrying trend.

“I’ve got two children myself – two daughters – who’ve had the ‘mum lecture’ from me about being careful when going out.

“It’s a really important message that we get out but this for me is about not blaming women, and it’s not just happening to women.

“Whilst the victims are predominantly women, we are seeing a number of men also reporting spiking.”

Alongside this, there has been an increase in homophobic attacks in Liverpool city centre.

The Chief Constable reiterated the importance of working in partnership to reduce these incidents.

She said: “It’s been horrendous in terms of the rise we’ve seen around hate crime, there’s been some really nasty incidents.

“What was really pleasing was the way in which our partnerships and our communities stood up very quickly and stood together.

“It’s not just a policing challenge, yes there needs to be a physical presence of police officers in the city centre and we are there every weekend, but we can’t be everywhere.

“This is about a whole system sustained

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approach to hate crime. It’s about education, it’s about bystanders, it’s about licensed premises, local authorities, taxi queues, street pastors.

“What’s brilliant in Merseyside and in particular Liverpool is the strength of those relationships.”

For more information contact Merseyside Police at www.merseysidepolice.uk

Chief Constable Serena Kennedy, talking to MNL

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VEGAN VIBES FOR TOP BONFIRE NIGHT TREATS MNL reccomends some of the best places to grab vegan foods and enjoy the tastes of natural goodness! By MAIA NODEN

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t the start of the week the plant-eaters of the world celebrated World Vegan day. Liverpool is an upcoming city where vegan places are becoming the norm.

On Monday Liverpool student Zoe Wheeler went to the Frost Burger restaurant in honour of World Vegan day. The John Moores’ student became vegan four years ago after being influenced by her friends.

Veganism originated in england in 1994, with the vegan society first registering as a charity in august 1964.

Zoe has found settling down in Liverpool unexpectedly pleasing.

The 20-years-old student said: “when I am at uni here in Liverpool, it is a lot easier, I think there is a lot more options. But I find when I’m at home because I live in a smaller town with a lot of independent small places it can be hard with vegan options.”

The Vibe Café is a popular food place located in Liverpool. 20-Yearold student, Zoe has found this café to be one of her favourites in the city.

Zoe has tried many of Liverpool’s vegan cafes and restaurants as-well as eating at bigger chains, as she says, “You obviously have the main restaurants like yo sushi and wagamama’s which are pretty good,” Being vegan in Merseyside is easier

than ever, with new shops and restaurants opening all the time including vegan options in more mainstream places. Veganism is becoming more and more popular the city is adapting to this as menus start to reflect.

The third year student recently found a new chinese on Lark Lane.

She said: “Woo Tan Scran, that’s a new one, like a chinese/chippy place, I think that one is quite good; there is not really much like that anywhere so it’s quite cool to have that in Liverpool.”

A new report released by the vegan society has revealed 97% of British shoppers are desperate For more vegan foods. But what about for this weekend’s food?

As bonfire night starts the weekend with a bang, so should your food. Zoe will be making s’mores for her and her boyfriend this year as she tells us the recipe is from Fresh off the Grid.

Nothing captures bonfire night more than a firework display followed by surrounding yourself around a cosy fire. A classic s’mores moment is the perfect sweet treat for your vegan loved ones this year. The simple vegan recipe is as easy as it sounds! Grab yourself smoreables graham crackers from whole foods, a packet of dandies marshmallows and a bar of vegan chocolate to create this indulging firework night essential.

The Vibe Cafe Food,

Vegan Bonfire Night top treats 1. Homemade toffee apples - the hidden vegetables 2. Pumpkin soup – veganuary 3. Irish vegetable soup – veganuary 4. Treacle toffee – wallflower kitchen 5. S’mores – fresh off the grid

Photos © Zoe Wheeler

Four best vegan venues Down the Hatch This restaurant is located on Duke Street and has a menu which is 80% vegan. Down the Hatch offers classic junk food with a vegan twist.

Fat Hippo If you fancy a burger and chips, head down to Bold Street, where there is an options of five different plant based burgers!

Woo Tan Scran An entirely vegan chinese takeaway based on Lark Lane.

Organico A juice bar and eatery on Bold Street serving locally sourced food.

Vegan food from the Baltic Markets

The MNL podcast is here LISTEN TO THE LATEST NEWS AND VIEWS FROM THE MNL TEAM

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Light fantastic way to celebrate a loved one’s life

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By EMMA DUKES irral Hospice St John’s is celebrating 25 years of Light Up a Life next month..

Since 1996, the people of Wirral have joined together to switch on 10,000 beautiful lights around the hospice gardens and trees.

Each light represents a lost loved one and offers family and friends a way to remember them together.

Sponsoring a light is a minimum donation of £5 and allows people to look up at the lights and think of those they have lost or those who are currently patients.

Ordinarily, Light Up a Life is a large event, with stalls offering cakes, gifts, and cards.

However, the ongoing Covid pandemic has unfortunately stopped this being possible.

This year, and last year, Wirral Hospice, in Bebington, are pre-recording the event and creating a virtual service, allowing everyone to enjoy the stunning lights, whilst keeping patients safe.

The service will be available to watch at 6pm on December 5 via the hospice’s website.

MerseyNewsLive spoke to Billy Howard, Senior Marketing and Communications Officer at Wirral Hospice. He said: “Sometimes people view hospices as a place people go to die, but that isn’t the case.

“Our hospice is a safe place that allows people with life-altering illnesses to live their lives with support. Our inpatient services are designed to help patients become well enough to go home, not just for end-of-life care.

“The people of the Wirral know how important the work we do is, and Light Up a Life is looked forward to every year. “ It’s like naming a star after a lost loved one, it represents that little bit of light after darkness.

“Last year, people were of-course disappointed they couldn’t see the lights in person, but the pandemic actually made people even more generous with donations and contributions, everyone really came together.”

Although the switch-on is virtual, Billy told MNL that families are able to see the lights in person, in a way that protects vulnerable patients: “This year, we’re offering little 15-minute slots for loved ones to walk through the lights.

“Starting from the following day, families will be able to visit the gardens in small groups.

“The slots are available from December 6-10 and are to be booked online - more information can be found on our website.”

Featured in the virtual service will be Wirral Hospice St John’s choir, singing Let it Be and Have Yourself

“It’s like naming a

star, it represents that little bit of light after darkness.”

2021 Keepsake Decoration.

Photo: Wirral Hospice St John’s

a Merry Little Christmas, as well as stories and readings from patients, staff and volunteers.

Julie Evans, the hospice’s fundraising manager said, “For the past 25 years, Light up a Life has brought people together to remember our loved ones and reflect the loss we all feel, especially around Christmas time.

“Although we can’t host a full outdoor switch on service yet, we’ll look forward to seeing those who can visit for a short walk through the lights this year. “ We really cannot thank people enough as they continue to make their kind and thoughtful donations for Light up a Life which makes a massive contribution to the specialist care the hospice provides to our patients, their families and friends.”

always keen for volunteers.

“Some roles are limited due to Covid, such as volunteering to keep patients company, but there are always opportunities to help the hospice.”

Light Up a Life keepsake decorations are also available every Christmas for a donation of £5.

This year, the design is a rose gold star, with a velvet dark green loop for hanging on a tree.

• For more information about Light up a Life, visit https://www.wirralhospice.org/lightupalife/

D Light Up a Life 2020.

onations from Light Up a Life are very important to Wirral Hospice St John’s and provide funds for many of their services such as Hospice to Home and in-patient services.

Over 500 volunteers contribute to the hospice, with roles ranging from working in one of their seven charity shops or simply bringing patients cups of tea.

Billy said, “Sponsor a ligh - that would be lovely, but we’re also

Photo: Wirral Hospice St John’s

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Photo: Morgane Le Breton on Unsplash

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Is the return of masks the answer to staying safe?

MNL OPINION: DANNIELLE JONES reports on the issue of rising Covid cases and the debate around wearing masks

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n recent times, we have become all too familiar with staying safe, keeping two metres and most of all wearing masks because of the coronavirus pandemic.

Since July however, masks and rules on ‘staying safe’ were softened when PM Boris Johnson announced his life after lockdown plans which meant that masks were no longer a legal requirement for shops, crowded spaces and on public transport but more of a personal choice.

But now, as cases are on the rise again, the question on masks and if they should be made mandatory is sparking debate.

Personally, as an avid user of trains I opt to wear a mask when in busy carriages or if I am travelling in peak times. However, one thing I have noticed is the lack of people wearing them regardless of crowds and even with services having posters and announcements on promoting their usage.

Now, don’t get me wrong sometimes I do forget to put my mask on, and I think this is down to human nature as having a cover over your face isn’t something that would stick in most people’s heads as a necessity.

Although, after spending almost two years following rules about protecting ourselves you would think more people would remember to wear a mask espe-

cially in busy areas like on trains.

The NHS have always advised people to wear masks and recommend still that people choose to wear them as they are one of the most effective ways of combatting covid: “We expect and recommend that members of the public continue to wear face coverings in crowded and enclosed spaces where you come into contact with people you don’t normally meet.

For example, on public transport.”

And now with covid cases on the rise again despite over 50 million people being vaccinated (BBC News Website reports) to try and prevent the spread, maybe the ‘old-fashioned’ two metres and wearing a mask is the answer to combatting cases this winter.

On Monday there was a reported 40,077 new cases of coronavirus in the UK (statistics from Worldometers Website) which is a scary number to think about considering at the beginning of lockdown in March 2020 there was only a daily average of around 2,000 (Coronavirus data from Gov website).

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his makes me think why masks aren’t worn as much as they were a few months ago and whether not wearing them is making the issue worse.

From the data, it is clear to say that covid cases do increase the less we try

Travelling and wearing a mask in general has been a normality during the pandemic. Photo Credit: Linpaul Rodney on Unsplash and keep our distance. This is obvious.

But, considering the scary number of cases per day now and looking back on how many a day there were when we were in lockdown it makes you wonder if we need to take a step backwards to go forwards again.

These decisions of protecting the spread may be down to personal choice however, as no plans from the government have yet to be announced about battling the winter window of covid.

So, what I would say is learn from the past. When we wore masks in shops, on trains, in schools and busy areas it made a difference. We were protecting others and they were protecting us.

The effectiveness of masks has always been an obvious protection since the beginning of the pandemic and even though masks aren’t legal now, wearing them in hospitals is still a procedure you have to follow… so why can’t we follow it anywhere else?

For me, it comes down to doing what we did before. Wearing masks, keeping contact with strangers to a minimum and testing regularly using lateral flows. But most importantly, I think masks is the number one step to staying safe for us during winter, especially when Christmas shopping, attending markets and doing all the fun activities that arrive when December hits.

Train services are still asking people to wear masks.

Photo credit: Dannielle Jones

“For me, it comes down to doing what we did before. But most importantly, I think masks is the number one step to staying safe during winter...”

The debate around whether masks should become legal again has sparked due to rising covid cases.

Photo Credit: Isaac Quesada on Unsplash

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Female-led agency aims to shake up the industry

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By LOUISE LEMOINE

newly-established creative agency in Liverpool aims to give a platform to female creators and underrepresented communities.

Aurora is ‘proudly female-led with diversity and honesty at its core’. At the heart of their new venture, they say they are driven by a desire for ‘radical diversity and fearless candor’ and they are very passionate about working with young, new talents and bringing diversity into the industry.

Launching their new creative agency recently, co-founders Dawn Paine and Valerie Bounds are keen to shake up the industry.

The Department for Culture, Media and Sport reports that the creative economy employs a lower proportion of women than the wider UK economy, with just 37.1% of jobs in the creative industries filled by women compared to 46.9% in the UK as a whole. Moreover, in 2016 it was recorded that BAME (black, Asian and minority ethnic) employees made up just 11 per cent of the creative industry.

Dawn and Valerie plan on discovering new talents to bring women and underrepresented communities into creative work. They aim to be a beacon for global creativity, and describe their agency as “an agile and dynamic collective bringing together some of the world’s greatest digital and creative practitioners to create jaw-dropping, awe-inspiring work for clients”.

During Coronavirus imposed lockdowns, many sectors were faced with the obstacle of working from home. This has led to an increase of businesses combining remote working and office time. Established in 2020, Aurora adopts a hybrid model, which they say is ‘in response to a changing world.’

Founders of Aurora. Dawn Paine (pictured left) and Valerie Bounds (pictured right). Photo by Aurora.

With their headquarters in Liverpool and an office in Canada, they are able to work with freelancers around the world.

For women and communities who feel underrepresented in the industry, working remotely allows them to share their talents wherever they are.

Aurora’s website says: “We believe the traditional agency model is broken- ambitious brands deserve much, much better.

“So we have designed our agency bottom-up with input from some of the world’s biggest brands to create something rather radical and powerful.”

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he benefits of hybrid working models have been widely reported, with some finding that the model can ‘offer flexibility for employees and empower them to work to their strengths’.

Aurora’s founders say that: “With lockdowns and the rise of inhouse agencies, a collective model began to move from a novel idea to be the way forward. The pandemic has exposed weaknesses that plague many advertising agencies.”

Both founders have more than 25 years of experience each, working with global brands such as Universal Pictures and Code Computerlove.

So far, they have worked alongside brands such as: Lego Ventures, The Official Charts Company, red wigwam and the University of Liverpool.

Valerie Bounds explained: “As well as our core creative team we try to bring an eclectic mix of unexpected people for a fresh perspective on each brief- that might mean working with academics, futurists, DJs, sci-fi writers.”

It’s hoped that agencies such as Aurora can reduce the divide between minority communities and the creative industry as demand increases.

‘With lockdowns and the rise of in-house agencies, a collective model began to move from a novel idea to be the way forward. The pandemic has exposed weaknesses that plague many advertising agencies’ Photos via Unsplash.

Royal Liver Building. By Louise Lemoine

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Snow Fashion 2021 10 WINTER FASHION TRENDS

If you think that during sweater weather, you must sacrifice being warm and cosy in order to look stylish… think again!

The fashion trends for winter 2021-2022 are all about adaptability as you can wear them for any occasion, from a cosy family night in, to a frosty ski holiday or a winter staycation.

Ahead we’ve got 10 of our favourite winter trends that you can start shopping now even on a low budget.

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2. Double the Fun

It may not sound like a good idea but pairing trousers and a dress or a skirt could look very stylish and can also keep you warm. If you haven’t noticed yet on your Instagram or Facebook feed, you can also wear sweater vests over shirts which creates a sophisticated but expensive look.

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5. The Return of the Mini’s

Miniskirts became popular in 1960s and ever since have been popular among the younger women, however this year mini skirts have been more popular than ever and women of all ages started styling them with thick tights, long boots, a warm winter sweater tucked in, and a long winter coat with a scarf to match the boots.

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Because of the air pockets created by the bulk of the feathers that allow the retention of warm air puffer jackets used to be worn by mountain explorers. However now they’re everyone’s obsession.

Everyone you know has one and wants a new one more stylish one every year.

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EXTRA TIPS AND TRICKS FROM A FASHION DESIGN STUDENT 11

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Drumming up carnival fun this Hallowe’en

Liverpool hosted a number of spooky and spectacular events in the city centre this Hallowe’en. ZOE WHEELER went along to see more

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rom performing with fire, to drummers and Afro-Brazilian dancers the city celebrated the spooky season in style this Hallowe’en.

The evening kicked off at Albert Dock where Afro-Brazilian drumming group, Batala Mersey, performed a number of exciting drum sets. Batala Mersey are a voluntary based band of around 65 percussionists formed in 2015 and is part of a worldwide community of Batala groups, known as Batala Mundo.

Merey News Live spoke to the Musical Director of Batala Mersey, David Varnom and Proficient Caller, April Molyneux about the group’s performance on Sunday.

The band performed their high energy drum set dressed up as skeletons to get into the Halloween spirit. David and April told Mersey News Live: “As Batala Mersey, we’ve performed

at the Albert Docks over a number of years and our Halloween gig has become a favourite,” they added: “Halloween is a great way to bring the sound of the drums to the street and show off some of the creativity and enthusiasm of our members and engage and chat to people as well.”

Performing outside of the maritime museum, MLK building and the Anchor Courtyard, the group drummed up attention from all different age ranges who stopped by to watch the show.

The group were dressed in spooky attire and said: “For Halloween of course, we go full-on scary, so we encourage our members to express their creativity and the ghouls and skeletons on show on the night were a testament to that.”

The cold and wet weather didn’t stop the group from giving a show stopping performance and David and April said it was “amazing to see

Drumming group Batala Mersey the smiles on people’s faces.” They added: “We spoke to a number of international visitors to Liverpool after our sets and it always reaffirms that the language of drums is universal…even in near horizontal rain, the music energises you and makes you want to move!”

After being unable to rehearse for the majority of last year, David and April spoke about how they were “overjoyed” when they were able to drum together once more. They said: “We rehearse at least once a week throughout the year and preparations for some of the newer music that we played on Sunday have been going on for a few months.”

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Katumba Halloween Carnival. Photo: Zoe Wheeler

atala Mersey have a number of events lined up because “[their] members always love a chance to dress up” so David and April said: “In December, we have our next opportunities for fancy dress when everything Christmas comes around, with a number of local Christmas parades, including our regular Christmas fundraiser in Liverpool One, where we collect for Merseyside charities.”

More information about Batala Mersey can be found on their website, www.batalamersey.com.

Later in the evening, the streets of Liverpool were filled with the sound of rhythmic drums once again as Katumba’s Halloween Carnival began.

Katumba are a Liverpool based, Afro-Brazilian drumming group who host an annual parade through the city centre.

On their website, Katumba says the Halloween carnival merges ‘a variety of incredible combined arts, we bring

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Photos © Zoe Wheeler professional artists from across the UK to work with the local community in delivering an imaginative outdoor, immersive spectacle’.

The parade featured a variety of different performers such as, dancers from Viva Brazil Samba and Movema, drums from Katumba and Liverpool Samba School and many others.

The performers were dressed in all kinds of scary and sensational costumes from angels to skeletons and everything in between.

The parade kicked off at Church St whilst performers made their way down to the Liverpool One steps for the grand finale at 9pm.

The spirit was not dampened by the weather as the carnival finale was met by cheers of encouragement by the crowds that had gathered, with many dancing along to the music.

After being cancelled due to coronavirus restrictions last year, this year’s carnival did not disappoint.

However, this year was a little different. The carnival commenced black history month and a two-week long festival held by Katumba, ‘Routes and Roots – Festival of the African Diaspora’ in partnership with Black and Brown Social Traders Network (BlaST).

Katumba described the ‘Routes and Roots’ festival on their website as ‘two weeks of free family-friendly cultural, arts and wellbeing activities and events across Liverpool’.

The festival included a myriad of workshop activities, from spoken word to dance and lantern making and capoeira, an Afro-Brazilian artform which combines movement, dance, martial arts, music and play.

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Why Will’s postal performance is meant most sincerely - and queerly

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BY SASKIA FRYER queer performer is putting his stamp on this year’s Homotopia festival – quite literally.

Will Jackson’s one-man show “Yours Sincerely” follows what happened after Will accidently “stole” 300 second-class stamps from the Post Office.

He then writes letters to various people, from ex-boyfriends, friends and even the marketing department at John Lewis.

He uses the real correspondences he received from some of these contacts to create this funny and witty performance.This queer coming of age comedy about the complications of 21st century communication, is part of Liverpool’s longest running LGBTQIA festival.

Homotopia 2021 has returned for its annual celebration of LGBTQIA arts and culture, where people come together in Liverpool city region to learn and appreciate the work of artists from the community.

The festival takes place throughout this month showcasing different talents across the UK, including, comedians, writers, and activists. MNL talked to Will about his show.

So, Will, how did you become a part of Homotopia festival this year?

Will Jackson: “There was a call out for queer work for theatre and I sent my application off earlier this year.

They’re the longest running queer arts festival in the UK, I’m very honoured to be a part of the festival this year with ‘Yours Sincerely’ “

comedy writing and performing? “When I was at university, I

started doing bits of stand-up and then made some shows. It began with friends from university and then it just kept getting bigger and bigger and now I’m touring the UK with my own show”

How did you come up with the material for the show? “It is

semi-autobiographical, there’s some stuff that happened to me and so I wrote about it. Quite often my work’s driven by music, so I often listen to songs or if there’s an artist I really like, I’ll try think of a world it could work around their music”

Do you find it daunting doing a one-man performance? “It was

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your industry has always been accepting towards your work?

“I’ve been very lucky, with theatre where I do most of my work, that I really feel like I’m standing on the shoulders of giants that came before me and had a lot of trouble getting their stuff out there. I feel privileged that people who have come before me have really had to fight the fight and that’s why I feel very honoured to make my work proudly queer”

Where do you draw your inspiration from for your work? “I love the band Scissor Sisters, there’s always something of theirs in my work. I also love the campness of some characters in their work, like Jennifer Saunders”

Do you have any more shows that you’re working on for after ‘Yours Sincerley’? “I’ve

definitely daunting when I started doing it. I’ve been doing this show since 2018, but what I really love about doing it is just talking and chatting to people in the audience, which is what it kind of turns in to.

Once you get in front of the audience and start having fun with it, then the nerves evaporate”

got two new shows I’m working on; one is a new solo show for me called ‘Confetti’, a rom com about an events planner planning his best friend’s wedding. The second is one that I have written and directed but won’t be starring in, called ‘Fashion Spies’ where the audience help save the fashion world with help of the fashion spies, which will be at Vault festival next spring”

Have you faced any challenges doing your job? “I think the

pandemics been a huge hard thing to adapt to for everyone. With ‘Yours Sincerely’ I started taking it to pubs and libraries just because their restrictions lifted a lot sooner than other venues. However, one thing I love about doing comedy in a theatre space is you can be a lot more ambitious and a bit wilder with it”

Have you found with being openly queer and writing material relating to that, that

When did you start to get into

Homotopia festival: Some of the shows not to be missed Thursday, November 4 - HEART - A one - woman performance written and performed by Jade Anouka. She uses poetry to reflect a real life story of our heroine as she trys to navigate a life of a seemingly perfect marriage whilst dealing with a secret. - Unity Theatre Friday, November 5 - YOU OTTER KNOW: LIVE - Created by Harry Clayton - Wright, showcasing an official print edition launch, of ‘You Otter Know: The Omnibus’. Inspired by vintage pornographic magazines and graphic designs from top publications. This night will feature special guests and live art to celebrate queer artwork. - Unity Theatre Saturday, November 6 - AN EVENING WITH DAVID HOYLE & FRIENDS - A festival favourite, David Hoyle joins the stage with other like minded queer friends to present a performance filled with art and politics - Unity Theatre

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I feel very honoured to make my work proudly queer

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Lastly, what is your favourite part of the show? “Without giving too much away, there’s a bit in the show where there’s a pitch to John Lewis about their Christmas advert.

Our music composer, Tom Rackham, made this amazing Christmas instrumental cover of Cheryl Cole ‘Fight For This Love’ which plays throughout the whole scene. I think that’s one of my favourite parts in the show.”

Will is taking the show to five more locations as part of his Autumn 2021 UK tour. He will be performing ‘Yours Sincerely’ at Unity Theatre in Liverpool tonight (Wednesday, November 3) at 7:30pm. You can get your tickets through the Homotopia 2021 website for this fun and wild show full of laughs and lip-sync cabaret to feast your eyes and ears on.

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The Scouse Sleeping Beauty awakens!

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By BETH LINDOP he quintessential Scouse Christmas wouldn’t be complete without a trip to the Royal Court to take in their frolicsome festive offering.

The venue has attained a distinguished reputation for delivering stellar productions with a distinctive regional twist, with shows such as ‘The Scouse Nativity’ garnering rave reviews in front of packed-out houses.

After the Coronavirus lockdown prevented the mounting of the Royal Court’s traditional full-scale panto last year, the company are back and better than ever with their production of ‘The Scouse Sleeping Beauty’.

Running for ten weeks from Friday November 5, this cracker of a Christmas show charts the tale of Princess Ora as she embarks on a quest to break an evil curse with true love’s kiss.

“If you’re expecting to see anything remotely relating to the title, expect to leave very confused,” actor Michael Fletcher told Mersey News Live.

“The only thing we really take from the original story are the character names and a very, very rough plotline – the rest is up to us.”

Michael, who has established himself as something of a Royal Court favourite over the years, is taking on the role of Scouse, the affable Buttons-esque character who helps Princess Ora on her journey.

The LIPA graduate is part of a nine-person company that includes a host of esteemed panto regulars including Andrew Schofield, Lindzi Germain and Keddy Sutton.

“The way rehearsals work is that we get given a script on day one and, in the four weeks that we’re rehearsing for, we rip it apart and we suggest new things,” Michael explained.

“It’s always a laugh-a-minute.

There are lots of very local references however we try and do it in a way that doesn’t alienate people from outside of the area.”

Certainly, a hearty dose of the trademark Scouse humour is one of the things that makes the Royal Court’s Christmas shows so unique, with people travelling from all over the

country to get their annual festive fix.

After an incredibly challenging couple of years for the performing arts sector, ‘The Scouse Sleeping Beauty’ promises to be a gift-wrapped bundle of pure escapism, and Michael is welcoming this tentative return to normality.

“Last year, the direction meant that we weren’t allowed to come within two metres of each other, even on stage, which was very different because a lot of the gags are normally close proximity,” he explained.

“The kisses, the choreography, everything was socially-distanced.

But thankfully this year, because the rules have changed, although we still need to be vigilant, it’s far more normal.”

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It’s always a laugh-aminute!

I know it sounds corny but it’s genuinely like a family

“It’s great,” he said.

“I think some people may struggle with that dynamic but we’re both able to switch off that part of our brains and you learn to do a job.

“We’ve all worked alongside Ste as an actor – he’s usually in the shows – and so he knows how we all tick and what our strengths are. There’s no awkwardness and nothing but respect because he’s brilliant.”

In addition to his work as an actor and director, Stephen is also the founder of Life in Theatre Productions and a champion of promoting local stories and artists.

“It’s lovely to look on and see the progression, and deserved progression, that he’s made,” Michael enthused.

“We all trust him, and I think that’s important. And of course, my mum and dad are absolutely made up as well!”

Earlier this year, a report published by the Creative UK group estimated

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Whilst last year’s ‘Royal Court Selection Box’ enabled the venue to spread a much-needed sprinkling of Christmas spirit, strict Covid regulations resulted in a much more clinical rehearsal process, with the usual cast being divided into two smaller companies.

For many of the actors involved, ‘The Scouse Sleeping Beauty’ signals an eighth Christmas production together, and Runcorn-native Michael is delighted to once again be operating as one big cast.

“Half of the fun of doing a job is the bonding that you do off stage,” he enthused.

“If a line’s not working or a joke’s been said wrong there’s no preciousness or diva mentality. It’s lovely and, I know it sounds corny, but it’s genuinely like a family.”

This sense of familial camaraderie rings particularly true for Michael, whose older brother Stephen is directing the show.

Catch ‘The Scouse Sleeping Beauty’ at Liverpool’s Royal Court from November 5 to January 15

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that the performing arts industry had lost a staggering £4 billion in gross value added to the UK economy during the Coronavirus pandemic. With over 80,000 job losses in the sector, Michael believes that the importance of keeping local theatre alive cannot be overstated.

“I think it’s important to reiterate the need to support local theatre and support an industry that, at one point, had a huge question mark over its survival.”

He added: “Even if it’s just your local theatre that you always drive past on your way to the shop, pop your head in and see what’s on, because that’s the only way that the industry will survive and thrive.”

With the Scouse Sleeping Beauty preparing to rise from her slumber this week, there can be little doubt that the company at the Royal Court are central to ensuring that the Liverpool theatre scene continues to thrive for years to come.

The company of ‘The Scouse Sleeping Beauty’ Photo: Michael Fletcher 14

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Bright star Ben laughs off early challenges

By DANNY BALL

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t 21, Ben Hodge from Prescot is one of young, bright lights on the North West comedy scene.

I know Ben through our days at Rainhill High School, so naturally our conversation started there. Did he remember me? Our school was a tough environment - how did it shape him?

“Yes, I remember you at school!

I honestly felt a few different ways about school. On one hand, I enjoyed getting involved in the activities like student council and anti-bullying ambassadors and taking an active part in campaigning.

“But, on the other hand, I was bullied relentlessly right the way through and found it hard to be myself in the environment that was given.”

Ben added.: “I went home a lot in year 11 as I tried to suppress this part of myself so much it gave me a lot of anxiety.

“My year staff team were great in meeting my needs for mental health, but senior management really didn’t want to allow LGBT education in the school which not only would’ve helped me, but a lot of other people.”

The next natural question to ask Ben was at what point did he make the decision to transition?

“So, I was first referred to a gender

clinic (GIC) in July 2017, and I was lucky that I could access something called a bridging prescription (which is basically receiving hormones between your referral and first appointment with the GIC) in December 2017. I think, without that bridging prescription, I just would not have been able to cope.”

Ben did concede that transitioning had been mentally challenging at times: “It took it out of me. Justifying myself to different people.”

Luckily for Ben he had services that he could contact to help him, and he seemed incredibly grateful for this help: “places such as GYRO in Liverpool and The Proud Trust in Manchester, as I don’t think I would have gotten through it as well without the strong support network they gave me.”

Comedy is a tough, unforgiving business so the one question that I was dying was to ask Ben was: “How on Earth did you get involved in this?”

Ben explained: “I always tried to be the funny one in class, so that people laughed ‘with’ me and not ‘at’ me.

“When I went to university, I picked Salford and their Media and Performance course as it had everything I needed, acting, filmmaking, and aspects of comedy.

“I then joined the Comedy Society in my first year of uni and started to

try stand up and caught the bug. Not long after that, I auditioned to be a part of the university troupe that would go to the Edinburgh Fringe and perform for 2 weeks and got in! It was then that I really started to focus on stand up as, not only a hobby, but a possible future.

It is clear Ben is incredibly grateful for the comedy community and sees it as a welcoming place: “I have had the odd person say a questionable comment or make an offensive joke on-stage where my community is the butt of the joke, but a lot of promoters are really good allies so will just not book that person again (or at least...we hope).”

Aside from Comedy Ben has other aspirations career aspirations as in theatre and TV: “I’ve been given the opportunity to create my own piece of theatre. With it, I’m going to create a multimedia piece around being trans and dealing with fertility and reproduction.

Ben Hodge: “I always tried to be the funny one”

“I also work in TV as a runner, so I’ve worked on quite a few different shows”.

It is clear Ben has an incredible amount of passion for his craft and the future looks incredibly bright for this ambitious young comedian.

To follow Ben’s work or to get in touch about working with Ben, follow his Twitter. and instagram @ benton_media.

Ben at work entertaining an audience

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Royal Albert Dock © Zoe Wheeler