Greater Denton Arts Council 2015

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2 New director wants Greater Denton Arts Council

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to throw doors of arts council open

“I’d like for us to look at ways we might give more, do more, for the community and the artists.” — Tracy Bays-Boothe, new executive director of the Greater Denton Arts Council

By Lucinda Breeding Features Editor cbreeding@dentonrc.com

Tracy Bays-Boothe, the new executive director of the Greater Denton Arts Council, remembers the moment that took “the blue-haired test” from a pejorative about the American arts booster being over age 50 (and prudish, and rigid) to a new guideline for arts programming. It was during the centennial celebration of the Dallas Museum of Arts in 2003, when BaysBoothe and her staff of two took an idea from the director of security to keep the museum open for 100 hours. “We were doing 12-hour shifts and sleeping in our offices because the museum was fully programed for five days straight,” Bays-Boothe recalled. “And so about day three, it was about 1 or 2 in the morning. I went into the galleries, and there was an older gentleman standing, looking at a Sigmar Polke painting. Which is another story in itself, because we were told the general public wouldn’t ‘get’ a Sigmar Polke. It was too esoteric, too abstract. “So he was standing there. He had this beautiful blue-gray hair, a blue sweater. Then next to him was a woman with a baby in a blue stroller and she was standing next to, then, a younger gentleman who was probably in his mid 20s who had a bright blue-aqua Mohawk and the piercings and the whole thing. But the color blue struck me. They looked like an art exhibit in among themselves.” Bays-Boothe eavesdropped on the four viewers. “I realized they didn’t come together,” she said. “They had met in the galleries, and it was the experience of the art that brought them together. It was the programming that brought those characters together, in a place they didn’t feel like they were awkward [in] this inclu-

TRACY BAYS-BOOTHE Hometown: Bridge City Education: Studied studio & graphic design at Lamar University from 1991-1993; studied French & French civilization at Sorbonne University in 1996; BFA in Art History from University of North Texas, 1993-1997; MA in Art Education with Museum Certification at UNT 1998-2002. Professional experience: Amon Carter Museum of American Art, Conduit Gallery, Dallas Museum of Art and Crow Collection of Asian Art Family: Scott Boothe, husband; Max, son Officers of the Executive Board of the Greater Denton Arts Council President: Don Edwards Vice presidents: Kristin Johnson, Donna Trammell and Duke York Secretary: Cathy Kerley Treasurer: Judy Willis Board members: Daniel Abasolo, Roni Beaseley, John Booth, Peggy Capps, Linda Eaddy, Bob Garrison, Joey Hawkins, Jan Hillman, Kimberly Carl, Carolyn Mohair, Joanne Moses, Andy Odom, Carol Phillips, Adam Reece, Donna Trammell, Michael Upshaw and Johnny Williams.

sive, welcoming place.” Bays-Boothe said she’s brought “the blue-haired test” with her to Denton, a city with its old timers and the constantly renewing group of college students — and she’s not likely to forget the young parents pushing strollers or patiently shepherding children through the galleries and creative spaces of Denton. Bays-Boothe is the youngest executive director to serve the council in more than 10 years. She’s at about the same age as her predecessor Herbert Holl when he first served the council (he left Denton for a spell and later returned to serve as exec-

Lucinda Breeding/Denton Record-Chronicle

Tracy Bays-Boothe, center, the new executive director of the Greater Denton Arts Council, chatted with Nanci Kimmey and Karin Seligmann at the reception held to introduce the new director. utive director again). Before she married and had her young son, Bays-Boothe was an art history and education student at the University of North Texas. She was an ambitious student, snagging internships at the Amon Carter Museum of American Art in Fort Worth in 1997 and the Dallas Museum of Art in 1999. She won the Edward and Betty Marcus Foundation Fellowship in 1989. While she was a student at UNT, Bays-Boothe said she spent many a night queuing up outside of Rubber Gloves Rehearsal Studios, and Fry Street venues where music seemed to play constantly. She also caught the “happenings” staged by Denton’s Good/Bad Art Collective, an association of smart, industrious UNT students who grew famous among

the college set for staging onenight-only exhibits, concerts and cheeky performance pieces meant to amuse and test. Her ambitions were to be an art educator, preferably in a museum. She landed at the Dallas Museum of Art as the manager of public programs in 1999, a job that evolved to be director of programs and multi-media services in 2002. Bays-Boothe weathered some low times in Dallas, when the museum scene seemed more about serving donors than challenging and engaging the city’s residents. She said she was all but brushing off her resume when Bonnie Pitman was hired as the director of the Dallas Museum of Art. With Pitman came a rush of energy around not just the Dallas museum, but a new

way of seeing the museum’s mission. With Pitman, Bays-Boothe said she found a role model. “She was always out on the floor, interacting with everyone in the museum. And I mean everyone from the staff to the visitors,” Bays-Boothe said. “She was the person who made you say ‘yes, this is the reason I'm doing this.’ She looked at the museum as a place where anyone could come and have an experience.” Pitman joined the museum as the deputy director in 2000 and then moved into her directorship in 2008. In 2012, she left the museum and now works at the University of Texas at Dallas. Pitman’s democratic way of seeing the museum inspired Bays-Boothe, and when the staff See BAYS-BOOTHE on 3


Lucinda Breeding/Denton Record-Chronicle

Bob and Joanne Moses created this Andy Warhol-style treatment of a portrait of Tracy Bays-Boothe, the new executive director of the Greater Denton Arts Council. Bays-Boothe is a University of North Texas graduate who spent many a night in Denton’s various music venues. After she graduated, she directed the programming at the Dallas Museum of Art.

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Bays-Boothe took on the challenge to keep the doors open for 100 hours straight, Bays-Boothe said the team had to get inventive. “What was freeing about that, and what changed the way I programmed from there on out, is that there are no rules at 2 a.m.,” Bays-Boothe said. “There are no models of programs that you could really look to as examples. So we were completely free to create an experience. And what we did, because we as individuals couldn’t populate that programming on a shoestring budget with scheduled, standard programming, we reached out to the community.” This was in 2003, before the Nasher Sculpture Center was built and the arts district as developed as it is. Bays-Boothe said she and her two staffers reached out to the museum’s neighbors. A Dallas folklorico ballet performed in the galleries, and instructors used the museum for their tai chi and yoga classes. Power walkers hurried through the museum, logging miles while looking at paintings and

“Sometimes, it’s about letting go of the ego and finding out what people really think. ... You have to learn from them, and then go with that. That’s how people have fun with the arts.” — Tracy Bays-Boothe, new executive director of the Greater Denton Arts Council sculpture. “It was kind of that model that REI and Starbucks uses, that this is your second home. It was really just opening the doors,” she said. “You can have an everyday experience in an art gallery. You know, it doesn’t have to be, I called it dose-of-culturecaster-oil-type thing. You know? That whole ‘It’s good for you! You’re gonna like it! It's gonna make you a better person!’ No. If it’s not fun, they’re not gonna come. You should be able to go to a museum and have fun. You should go to an arts facility and have fun.” Bays-Boothe was the education director of the Crow Collection of Asian Art from 2009 to 2011, before heading back to Denton. Throwing the doors of the arts council open, Bays-Boothe said, means reviewing a lot of council practices, policies (and

even the budget, which is just under $500,000 annually). It means re-thinking the gallery hours and the way the council’s central building — the Patterson-Appleton Center for the Visual Arts — is used. “This building is just screaming for those types of things,” she said. “It’s so big and so wonderful. And you have studios and dance studios and you have this beautiful open public gathering space in the middle. And you have the galleries. I’d love to see something happening here morning, noon and night.” The time for experimenting with the space is at hand. Festival Hall, the central gathering space in the arts center, will be a venue for two shows during 35 Denton, the four-day music festival in March. “The galleries are going to be open at the same time, and some of these people may have never

been in one of the galleries here,” Bays-Boothe said. “That’s a perfect moment to open the doors and say ‘just come in. Check out what we have going on.’” Bays-Boothe has other ideas for the Denton arts council, too. She dreams of an additional grant program that would be available for the city’s indie musicians, and for the visual artists who need money to take their art to the next level. And BaysBoothe said she’ll be looking to build bridges between what she calls the city’s cultural cornerstones — groups such as the Visual Arts Society of Texas, the local nonprofit theater companies and festivals — with the artists who usually orbit around the established scene. Bays-Boothe counts the hip-hop artists, DJs, dance collectives and experimental theater groups as the arts outliers who produce outside of the council’s typical grant

program recipients. The new director hadn’t been here long before she was surveying the council and the people she met for the city’s music venues — hoping to strike up relationships with club owners and managers and seeing where they lead. (The council will honor Dan Mojica, the owner of Dan’s Silverleaf, with the Community Arts Recognition Award. It will be the first time a music club owner will have won the award.) “I’d like for us to look at ways we might give more, do more, for the community and the artists,” she said. “And I think we can. I think it’s entirely possible.” Visitors to the art center can expect to be polled about the programs they take part in. BaysBoothe said evaluations can help the council gauge the interest in its programs and identify needs among its constituents. “You look at something like ‘Sketch with an Artist’ programs we had in the museum. We brought an artist into the galleries and invited artists to come into the galleries and sketch with them,” she said. “When we got back our evaluations, what we found, over and over again, was that what meant the most to people was being with other artists, working together. It wasn’t necessarily the exposure to the artist we brought in.” Bays-Boothe said asking questions and watching people as they engage with the arts — whether that’s at a festival or in a gallery watching a dancer perform a piece designed to continue the themes and ideas presented in a painting or sculpture in the galleries — is the key to keeping the council relevant and productive. Relationships will also help the council make art something all Denton residents can see, hear, taste and touch. “Sometimes, it’s about letting go of the ego and finding out what people really think, and what they really like — even if it’s not what you planned or expected. Sometimes, the things that speak to people when they’re having an experience with the arts isn’t what you thought would speak to them. That’s OK. You have to learn from them, and then go with that. That’s how people have fun with the arts.”

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MEMBER ORGANIZATIONS Denton African American Scholarship Foundation Inc. Producers of the Denton Black Film Festival Date founded: 1984 Mission and vision: The Denton African American Scholarship Foundation provides scholarships to graduating black students from Denton public high schools. Who do you serve? The Denton African American Scholarship Foundation, Inc. produces the Denton Black Film Festival and serves the broader community of Denton by providing yearly scholarships to graduating Black students from Denton public high schools. Primary activities and events: Denton Black Film Festival, Jan. 30-31 Valentine Event “A Night to Remember in Paris” spotlighting Josephine Baker, Feb. 14 Leadership: Harry Eaddy, President How can someone get involved? Contact Harry Eaddy at 940380-0761 or email hleaddy@hotmail.com Contact information:

Founding committee members of the first Denton Black Film Festival gather at Morse Street Baptist Church on Jan. 15. Kristen Watson/DRC 940-380-0761 hleaddy@hotmail.com www.dentonaasf.org Upcoming public events and offerings: Denton Black Film Festival (DBFF) Jan. 30-31, Campus Theatre The Denton Black Film Festival (DBFF) is a 2-day event of engaging and entertaining films and events. The Festival offers programming for anyone interested in seeing in-

dependent Black films. DBFF seeks to offer the works of local, national and international filmmakers that often are not seen by a broad audience and may not be recognized through major theatrical release. DBFF will showcase films that entertain, educate, inspire, and communicate Black cultural themes to the broader community as expressed through movies and art that reflect cultural mindset and changes through several genera-

tions of film-making. All access tickets available online now; single ticket sales online Jan. 10. For details, visit www.dentonbff.com or www.facebook.com/DentonBlackFilmFestival Valentine Event “A Night to Remember in Paris” spotlighting Josephine Baker Feb. 14, Patterson-Appleton Center for the Visual Arts Rejoignez-nous pour le dîner et la danse! Tickets available online

now. For details, visit www.dentonaasf.org

Denton Bach Society Date founded: Aug. 1976 Mission and vision: The Denton Bach Society offers fine choral and instrumental music to the Greater Denton Community. Who do you serve? Greater Denton Community

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28th Annual

Greater Denton Arts Council

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February 6 - April 2

{

THE PATTERSON-APPLETON CENTER FOR THE VISUAL ARTS

GREATER DENTON ARTS COUNCIL 550,000 people who attend a

GDAC sponsored event each year

$1.5 million grant dollars

given since 1980

15,000 students who attend a

GDAC educational program each year

Each year hundreds of individuals, families, businesses and organizations partner with the Greater Denton Arts Council to support the arts in Denton.

JOIN US BECOME A MEMBER TODAY Visit dentonarts.com or call (940) 382-2787 A2


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Denton Bach Society members rehearse for “Der Weihnachtsoratorium” in Flinn Hall at First United Methodist Church of Denton in 2012. David Minton/DRC

Continued from Page 4 Primary activities and events: The Denton Bach Society offers five to six concerts each season and hosts a competition for young artists each spring. Leadership: Arturo Ortega, President Heidi Dietrich Klein, Vice-President (Student Competition)

Bob Michaelsen, Treasurer Victoria Jones, Secretary Henry Gibbons, Music Director Andrew Justice, Director Denton Bach Players Andrew Dittman, Associate Choir Director At large: Herbert Holl David K Pierce Fritz Schwalm (Program ads) Richard Shuster

Christopher Walker How can someone get involved? Community members are invited to become patrons, members of the choir (auditions for singers are held at the beginning of each semester), or serve on the board. Contact information: Denton Bach Society P.O. Box 1385 Denton, Texas 76202-1385

940-382-3636 www.dentonbach.com Upcoming public events and offerings: Scaling the Twin Peaks of Parnassus Feb. 13, 6:30 p.m., The Denton Woman’s Club Orazio Vecchi’s L’Amfiparnaso is one of the best-known examples of the madrigal comedy genre, which flourished for a short time

around 1600. Following last year’s well-received presentation of Il Festino as composed by Adriano Banchieri, we invite you to join us for this carnival entertainment of music, poetry, food, laughter and good fun. J.S. Bach, The Passion According to St. Matthew March 29, 3 p.m., Murchison Performing Arts Center, University of North Texas Probably first performed in 1727, the St. Matthew Passion is generally regarded as one of the highest achievements in Western musical art, though the revival efforts of Felix Mendelssohn over 100 years later played an integral role in securing Bach’s legacy. Given the magnitude and profundity of the work, the paraphrased words of Johann Wolfgang von Goethe seem most appropriate: “Bach allows us to hear all of creation, as if the eternal harmony were conversing with itself.” We are proud to present this masterpiece in its entirety and share its sublime inspiration with the Denton community. Competition for Young Artists April 18, Texas Women’s University Mother’s Day Concert May 10, time and location to be announced

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Denton Bell Band, Inc. Date founded: Sept. 26, 2000 Mission and vision: The Denton Bell Band’s mission is to provide structured leisure time activities for adults with intellectual disabilities. We strive to promote a positive image in the minds of those who hear us perform. We serve anyone who expresses interest. No auditions are required. Who do you serve? Members of the choir are adults with intellectual disabilities. Primary activities and events: Most performances are for audiences who cannot get out and about for other local presentations – nursing homes, senior care facilities and state facilities. We also perform at the Arts & Jazz Festival. Leadership: Joseph Pinson, President How can someone get involved? We welcome persons to visit one of our rehearsals where they can get involved with ringing handbells. If they like the experience, they are welcome to join. Contact information: 940-453-3273 joseph.pinson@verizon.net

www.bellband.org Upcoming public events and offerings: Definite dates for events are not yet finalized.

Denton Celtic Dancers Date founded: The Denton Celtic Dancers have been a part of the local culture for more than 25 years. Mission and vision: The Denton Celtic Dancers’ mission is to have fun through learning new and old Scottish social dances. Scottish country dancing is danced in sets, usually made up of four couples. It is similar to American square and contra dance, English country dance, and Irish ceilidh dance. Our vision is to promote Scottish dance in the community by offering a warm and accepting teaching environment. We believe anyone can learn Scottish country dance. If you know right from left, can count to eight, and are in reasonably good health, you can Scottish dance! Who do you serve? The Denton Celtic Dancers serve the community by teaching dance and by performing at community events. Singles, couples, and all ethnic backgrounds are welcome. We keep the cost low ($1 donation) and classes are free to high school and college students (mini-

mum age, 13). Primary activities and events: We dance every Sunday evening from 5 p.m. to 7 p.m. at the Patterson-Appleton Center for the Visual Arts (corner of Bell Avenue and Hickory Street). We dance for fun and for healthy exercise, to the beat of contemporary Celtic music. In addition to our regular Sunday sessions, we also have dance parties, often with live music. We perform at the Denton Arts & Jazz Festival each April. Leadership: The Denton Celtic Dancers operate by consensus and voting. How can someone get involved? Just show up any Sunday evening at the Visual Arts Center in Denton. We teach advanced dances from 5 p.m. to 6 p.m. (all welcome to observe), and beginners from 6 p.m. to 7 p.m. Bring or wear comfortable shoes. You don’t need a partner, just the willingness to try something different. The first time is free; after that, $1 donation per session. Students (age 13 and up) always free. Join us and find your inner Braveheart. Contact information: Contact Becca at becca6d@aol.com or June at 940-3210012 www.DentonCelticDancers.org

Upcoming public events and offerings: Scottish Country Dance Sessions Sundays, Feb. 1, Feb. 8, Feb. 15, Feb. 22, March 1, March 8, March 15, 5-7 p.m. Patterson-Appleton Center for the Visual Arts

Denton Community Band Date founded: 1976 Mission and vision: The Denton Community Band provides an enjoyable and challenging musical outlet for our musicians through rehearsals and performances. At the same time, we offer a variety of performances for those in the Denton area and beyond. Currently, there are 54 musicians associated with the full band and the jazz band combined. Who do you serve? The Denton Community Band offers a variety of performances for those in the Denton area and beyond. This includes leading the community (typically 5,000-8,000 people in attendance) in the singing of Christmas Carols each year just prior to the lighting of the town Christmas Tree at the Courthouseon-the Square, Santa Serenades by appointment for companies/families/parties/retirement homes in December, formal concerts

throughout the year (including Patriotic Concerts for July 4 or Sept. 11) for the full concert band, appearances at the Denton Arts & Jazz Festival in April for the DCB Jazz Ensemble, and providing Big Band music for the Hearts for the Hungry Dinner/Dance, a benefit for Our Daily Bread. Primary activities and events: The Denton Community Band has been in existence since 1976 with Carol Lynn Mizell as its Conductor since 1978. Over the years, the organization has performed numerous concerts in Denton and the surrounding area for such events as: Denton Festival of Carols, Denton Festival Foundation Christmas Tree Lighting Ceremony, Starrise Series (Co-sponsored by the Denton Parks & Recreation Department) Goblins Galore (annual Children’s Concert co-sponsored by Denton Parks & Recreation Department) Denton Arts & Jazz Festival Robson Ranch Patriotic Concert Sanger Sellebration Peterbilt Motors Children’s Christmas Party Kiwanis Children’s Clinic Fireworks Show

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Carol Lynn Mizell, left, leads the Denton Community Band during a practice at Strickland Middle School. Continued from Page 7 Dedication of the All-War Memorial at the Courthouse on the Square Dedication of the Flag Pole at the I.O.O.F. Cemetery CARA (Community Arts Recognition Award – Greater Denton Arts Council) Cumberland Presbyterian Children’s Home Lawn Party and worship services in area churches The DCB was a part of the enter-

tainment for Senator Jane Nelson’s Governor for a Day Celebration on the Capitol steps in Austin in April, 2004. The DCB’s annual Santa Serenades travel throughout the Denton area with Christmas Carols for the person/family/party of the donor’s choice, and for several years, the annual Sweetheart Serenade for Valentine’s Day provided a romantic evening of Big Band favorites played by the DCB Jazz Ensemble. The Denton Community Band

Jazz Ensemble has also provided Big Band music for the dinner/ dance benefiting Our Daily Bread: Hearts for the Hungry (Next date: March 28) The DCB has collaborated for concerts with the Texas Woman’s University Flute Choir, the Denton Community Chorus, Denton Civic Ballet, Handbell Choirs from local churches, the Middle School Bands from Strickland MS, Calhoun MS, and McMath MS, the Drama Department of Strickland MS, the

Trumpet Choir from the University of North Texas, the Liz Gallego School of Dance, the Robson Ranch Choir, the bands of Krum High School and Krum Middle School, and Concert Bells of Fort Worth. In 1986, the DCB was named the Official Sesquicentennial Band of Denton County. Leadership: Carol Lynn Mizell, Conductor Dr. Gary Taylor, President Bob Mizell, Vice-President Dave Wolfe, Secretary William (Bill) Cooksey, Treasurer Dr. Gary Taylor, Librarian Bill Knight, Equipment Manager How can someone get involved? Membership in the band is open to adult players in the community and surrounding area. Contact information: 940-367-6411 carollynn.mizell@gmail.com www.dentoncommunityband.net Upcoming public events and offerings: Hearts for the Hungry – Dinner and Big Band Dance Benefit for Our Daily Bread, March 28 Joint Concert: Denton Community Band and Strickland Middle School Honor Band, April 2, 7 p.m., Strickland MS Auditorium DCB Jazz Ensemble, Denton

Arts & Jazz, Celebration Stage, April 25, 10-10:50 a.m. Patriotic Concert, Robson Ranch Clubhouse, July 4, 7 p.m. Worship Service at First United Methodist Church, July 5, 11 a.m. Fall Concert, Denton, to be announced Fall Concert, Gainesville, to be announced Christmas Tree Lighting, Courthouse-on-the-Square, Dec. 4, 5:30 p.m.

Denton Community Chorus Date founded: 1970 Mission and vision: The Denton Community Chorus’ mission is to educate the members in the art and technique of fine choral music and to offer this opportunity to all adults of the Greater Denton area, and to provide the community at large opportunities to experience fine choral music. Who do you serve? The music loving public of the Denton area. Primary activities and events of organization: Choral concerts three times per year with silent auctions, refreshments, and audience participation activities. Leadership: Monty Naylor, President

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Continued from Page 8 Tim McGaugh, Conductor The DCC is currently under the direction of Mr. Tim McGaugh, a longtime member of the DCC and a music minister since 2003 with the Argyle Church of Christ. Tim was formerly the DCC's accompanist and has performed locally with area high schools and been a part of choral groups since the age of 12. He holds a bachelor’s degree from UNT. How can someone get involved? Simply come to rehearsals on Monday nights (beginning again Jan. 19) at 7 a.m. We are non-audition group, only that you have a love of music. We do have $25/semester ($50/year) dues. Contact information: Tim McGaugh, Conductor (also secretary of the DCC Board) 940-367-8881 malan9127@aol.com www.dentoncommunitychor us.org Upcoming public events and offerings: Spring Concert: “For the Beauty of the Earth” May 16, 5 p.m., Christ the Servant Lutheran Church Free admission (donations accepted), silent auction, and refreshments

Denton Community Theatre (DCT) Date founded: 1969 Mission and vision: Denton Community Theatre’s mission is to contribute to the cultural life of the community through theatrical experiences. Denton Community Theatre, Inc. shall promote education and interest in theatre and the performing arts; and manage and operate the Campus Theatre owned by the Greater Denton Arts Council. This mission includes, but is not limited to the following: 1. Promoting education in the theatre and performing arts by producing high quality plays and musicals 2. Encouraging and educating children, youth and adults in all aspects of theatre arts and related fields 3. Providing North Texas region residents with opportunities to gain a greater appreciation of the performing arts 4. Providing North Texas area residents with opportunities to participate with the performing arts 5. Contributing to the quality of life in the North Texas region Who do you serve: The community of Denton and the surrounding areas. How can someone get involved

with your organization: There are many volunteer opportunities both on stage and off. For example: • Acting in a show – come to auditions – no experience required • Working on a crew – lights, sound, set changes, costume building/gathering, prop gathering/ making, and set construction are a few – just come to auditions and introduce yourself • Front of house – distributing pre-paid, will-call tickets – just contact the office to get on the email list for volunteer calls Leadership: Denton Community Theatre has a Governing Board and a Production Board Liz Seibt, Governing Board President Dr. Jim Laney, Production Board President Contact information: 940-382-7014 thedctteam@campustheatre.com www.dentoncommunitytheatre.com Upcoming public events and offerings: The Food Chain by Nicky Silver, Feb. 6-8, POINTBank Black Box Theatre A Feminine Ending by Sarah Treem, March 27-29, POINTBank Black Box Theatre

Rent Music/Lyrics by Jonathan Larson based on Giacomo Puccini’s opera La boheme, April 10-19, Campus Theatre Stuart Little, adapted by Joseph Robinette, based on the book by E.B. White, May 22-24, Campus Theatre (Theatre School Production Class) Enchanted April, adapted for the stage by Matthew Barber, from the novel by Elizabeth von Arnim, June 5-14, Campus Theatre Encore 8 – Upstage, Downstage by Donna Trammell, June 26-28, Campus Theatre Shrek The Musical Jr., music by Jeanine Tesori, lyrics by David Lindsay-Abaire, based on the Drea.m. Works Film and William Steig’s book, July 24-26, Campus Theatre (Theatre School Production Class) Take Ten Play Festival, July 31Aug. 2, POINTBank Black Box Theatre Big River book by William Hauptman, music/lyrics by Roger Miller, Aug. 7-16, Campus Theatre

Denton County Office of History and Culture (formerly Denton County Museums) Date founded: 1979 Mission and vision: The mission of the Denton County Office of History and Cul-

ture is to enhance the quality of life of residents and visitors through educational programs that acquire, preserve, protect, promote, and interpret the history and culture of Denton County. Who do you serve? Residents of Denton County and visitors Primary activities and events of organization: Historical exhibits and programs Leadership: Hon. Mary Horn, Denton County Judge Hon. Andy Eads, Museums Committee Chairman Peggy Riddle, Director How can someone get involved? Docent program, research projects, and various other museum activities Contact information: Gretel L’Heureux, Tourism and Education Coordinator 940-349-2854 gretel.l’heureux@dentoncounty.com www.chos.com Upcoming public events and offerings: U.S. History Based on the Succession of the Presidency, Tom Tweeddale, Feb. 18

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10 Denton’s arts scene

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has deep roots By Lucinda Breeding Features Editor cbreeding@dentonrc.com

Some member organizations of the Greater Denton Arts Council have been making art for a long time. Music Theatre of Denton is heading into its 30th season. The Visual Arts Society of Texas, which got its start in Denton as the North Texas Area Art League, has just opened its 40th year. The two groups are part of a small group of organizations that are the cornerstones of Denton’s cultural organizations. Denton Comunity Theatre is in its 46th year, and the Denton Bach Society is in its 39th. The Tejas Storytelling Association has been staging the Texas Storytelling Festival for about 33 years. Music Theatre of Denton and the Visual Arts Society of Denton have something in common -- both organizations have managed sweeping change and attracted new energy to their projects and their leadership. And as the groups managed sweeping changes, they leaned on the arts council for grant funding, partnership and space. The arts society exhibits in the Patterson-Appleton Center for the Visual Arts, and the theater company hosts some auditions and logs a lot of hours in evening rehearsals in the center’s Festival Hall. When the theater company was established in the early 1980s, its mission was to produce entertaining musicals for a broad audience, with each season anchored by a Gilbert & Sullivan operetta. Under the name of Denton Light Opera Company, this plucky first cousin to Denton Community Theatre devoted its time and talent to performing musicals -- often with classically-trained voices in the lead -- that were heavy on technique and vocal quality and light for the heart. The company produced fare like The Mikado, a broad comic light opera, and Das Barbecue, a trib-

ute to Texas culture by voices ready for the opera chorus. Terry Nobles, the vice president of membership for Music Theatre of Denton, said the company was intentional in moving from the days of Gilbert & Sullivan to a company that sold out performances of Avenue Q and scored healthy houses for I Love You, You’re Perfect, Now Change -- shows that deal with adult themes. And last year, the company staged Spring Awakening, a libretto that didn’t chase audiences away, even with a song that included a whole lot of “F-bombs.” “For me, I almist feel like Sweeney Todd was when we, as a company, got up and walked. We were crawling before that, and having John Priddy [director of the music ministry at First United Methodist Church] come to town and join our board made a huge difference for us.” Nobles joined the company board in 1996, and watched the leadership go from having a few volunteers take on every aspect of the company’s management in three-hour meetings to a more efficient company. Nobles said the leadership split into a governing board, which set the policies and balanced the micro-budget, and a production board that would shape the three-show season. The company changed its name and put music first in its brand. Nobles said the company never selected shows just to shock its subscriber base, a group of people who are graying around the temples and presumed to be more conservative in their tastes. But the board was populated by theater buffs who were visiting Broadway and seeing the hit shows. It was that leadership that suggested the company add shows like The Best Little Whorehouse in Texas to the season. “I remember when we did Whorehouse, I went into the [Campus Theatre] lobby and seeing this older man sitting there,” Nobles said.

He asked the man if he was all right, and the man said he didn’t like the profane language. “The language was pretty much G-Ds all the way through, but it bothered his religious sensibilities,” Nobles said. Then came the clencher - the man’s wife was still in the auditorium, watching the Texas A &M football team “romance” the ladies of the Chicken Ranch. “You can take away what you do for the long-time people,” Nobles said. “You add to it.” Spring Awakening was the first time locals saw a romantic kiss between two male characters. (Denton Community Theatre took a chance with a scene from August: Osage County in which a thirtysomething man has a tryst with an underage teenager. The theater companies have advanced together in some literary risks.) Audiences have joined Music Theatre of Denton for the ride. Les Miserables, a musical that some dubious onlookers claimed the company couldn’t mount on its own, was the first show in the Campus Theatre to sell out completely before opening night, Nobles said. About a decade ago, the Visual Arts Society of Texas grew from an informal collective of serious artists with a specifically North Texas focus into a professionalized arts organization that organizes one national show each year and one regional exhibit a year. And as the arts society increased its depth and breadth, it recruited jurors to select its exhibitions. Society President Jo Williams said the arts council was important to the group in the early days. “GDAC originated what finally became our national exhibition,” Williams said. “At first it was a non-juried community exhibition known as the Spring Art Exhibit originally held in the mezzanine at the Civic Center.” The late Martha Robbins became President of what was

Courtesy photo/Denton Community Theatre

John Rodgers plays Secretary William Russell in Denton Community Theatre’s recent production of “The Best Man,” a comedy about an ethical man running for president against an unscrupulous politician in the summer of 1960. then the art league in 1979. Robbins requested that the council give the art league sponsorship the Spring exhibit. “We have always had a close relationship with GDAC,” Williams said, “and it certainly became a very concrete one when the art center was renovated and opened in the mid 1980s. Our Spring Exhibition first took place there in 1985. We have always enjoyed and needed the support of GDAC to do what we do.” When the league because the society, the leadership grew in breadth, and committees took over the different activities - exhibits, membership, monthly demonstrations and community outreach. The art council’s partnership remained. “As GDAC members, we benefit from the use of the space at the arts center,” Williams said. “We have been meeting there since it opened, have use of the Craft Room for workshops and have space for two of our three major exhibitions a year.” Williams said there is room for growth. The community’s needs of the council show no signs of shrinking. “I think the arts council could do more in the way of community outreach making their presence known in the

community and to all of the arts organizations,” she said. “I get a sense that has become a major goal. There is also a need for more space for exhibitions.” Nobles said arts leaders broaching significant change should consider some things before committing. “You need to have a board retreat outside the normal setting. Take a couple of hours on a Saturday morning and just talk. Talk about what you were when you started and where you want to go,” he said. “And have a moderator to keep you on track. But talk things out. Talk about everything.” Nobles said an adage from a motivational speaker he can no longer name has stuck with him. “When you’re green, you’re growing. When you’re ripe, you rot. You have to stay green,” he said. “You have to freshen what you’re doing. You have to put younger people than you on your board and then you have to listen to them and - listen to this - you let them make some decisions. You can’t have a bunch of people your age and older on a board.” “I’m at the point where I’m kind of hanging out on the board,” Nobles said. “I’m trying my best to mentor younger people on our board.”


Continued from Page 9 Denton County During the Civil War Reconstruction Period, Shaun Treat, March 18 Chisholm Trail, Lloyd Webb and Alan Schiegg, April 15, Denton County Heritage Festival, April 18, 10 a.m.-2 p.m., Courthouse-on-the-Square

Denton Festival Foundation, Inc. A 501(c)3 non-profit organization that produces the annual Denton Arts & Jazz Festival Date founded: 1980 Mission and vision: The mission of the Denton Festival Foundation, Inc. is to plan, promote and produce the annual Denton Arts & Jazz Festival the last weekend in April that is FREE to the public. The Denton Arts & Jazz Festival helps facilitate the growth and enrichment of the cultural environment and advances the quality of life in our community. The annual festival has become one of the largest tourist attractions in North Texas and Denton’s signature event featuring jazz, rhythm and blues, cross cultural music, children’s art and music activities and the finest art and crafts in the country. The Denton Arts & Jazz Festival nurtures the study and

promotion of the performing and visual arts in a multi-disciplined, educational and culturally diverse format. The festival has been credited for encouraging new works and leveraging careers while making a significant economic impact for Denton. The annual event has received regional and national recognition for its quality programming and has become a tradition for Denton and a destination for hundreds of thousands of visitors each year. The festival is truly a community wide endeavor. Who do you serve? Over 225,000 guests attend the annual Denton Arts & Jazz Festival. In 2014, 80 percent of our guests, artists, and vendors were from out of town and out of state (Arkansas, Arizona, Colorado, Florida, Idaho, Iowa, Kansas, Louisiana, Michigan, Minnesota, Missouri, New Mexico, North Carolina, Ohio, Oklahoma, South Dakota, Texas, Utah & Wisconsin). We serve everyone who attends and participates at the event. Primary activities and events: Denton Arts & Jazz Festival – April 24, 25 & 26, • Wells Fargo/Budweiser Jazz Stage: Professional Jazz Musicians • Budweiser Courtyard Stage: Professional R&B Musicians • KNTU-FM 88.1 Radio Roving

River Stage: Professional Musicians perform culturally diverse and acoustic music • Wells Fargo Celebration Stage: Community, school and university bands • Denton Record-Chronicle Festival Stage: Community, school and university dance and performance groups • Center Stage: Community and school choral groups and bands • University of North Texas Showcase Stage: UNT College of Music performance groups • Children’s Art Tent: Hands on art activities coordinated by SCRAP, Inc. volunteers • Steve Gryb and his Percussion “Petting Zoo”: Hands on music with percussion instruments • Joel Reese, the Singing Cowboy • Al Curlett, Magician and Balloon Sculptor • Games for all ages • Roving clowns Leadership: The Denton Festival Foundation is governed by 35 members elected to the Board of Trustees with the Leadership of Executive Director Carol Short, Assistant Director Kevin Lechler and President Lisa Miller. How can someone get involved? Since the festival is FREE for all who attend with free entertain-

ment on 7 stages showcasing professional, amateur, community, university and school performances, we encourage and welcome individual and corporate involvement through sponsorships and memberships. The annual expenses for the promotion and production of a venue of this magnitude are tremendous. We depend on the contributions from our sponsors and members. Last year we had 250 sponsors and there were 405 members (“Top Hands”) who volunteered during the festival at booths sponsored by our organization. Join us as member and/or sponsor through our website: www.dentonjazzfest.com or call 940-565-0931 for more information. Contact information: 940-565-0931 info@dentonjazzfest.com www.dentonjazzfest.com. Upcoming public events and offerings: The Denton Arts & Jazz Festival is scheduled for April 24, 25 & 26, in Quakertown Park at 321 E. McKinney Street in Denton, Texas 76201.

Denton Handweavers Guild Date founded: March, 1970 Mission and vision: The purpose of this non-profit organization is to promote interest

in handweaving by means of an educational program. Who do you serve? Members and the public Primary activities and events of organization: Members enjoy exchanging ideas and inspiration, and through various outreach programs educate the public relative to and weaving, spinning, felting, basketry and other fiber arts. We meet primarily on the first Saturday of the even numbered months at 1:30 p.m. with programs that are primarily hand-on learning experiences. Leadership: Rebecca Shanks, Current President How can someone get involved? Attend a meeting to learn more about our organization. Contact information: Rebecca Shanks 817-914-3275 rshanks@verizon.net Upcoming public events and offerings: Bobbin Lace presented by Claudia Taenzler: Hands-on Simple Lace Making, Feb. 7, 1:30 p.m. for refreshments, 2 p.m. for meeting with program. Diversified Plain Weave by Hinke Schroen: Hands-on Pick-Up

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Programs speakers include Karen Stone, Alice Wilhoit, Tricia Cribbs, Sue Garman To register, contact Pat Shelton at 940-458-5064

Greater Denton Arts Council

The Festival Ballet of North Central Texas

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A past exhibit by Denton Handweavers Guild members includes Hillary Brown’s “Pink Poncho,” Judy Ann Drought’s “Meditation #3,” and Shannon Hardy's “In the Pink,” as well as work by other artists. Continued from Page 11 Pattern on Three Shafts, April 25, 1:30 p.m. for refreshments, 2 p.m. for meeting with program.

Denton Quilt Guild Date founded: 1982 Mission and vision: The Denton Quilt Guild’s mission is to preserve heritage of quilt making, be a source of information and inspiration, and perpetuate high quality of excellence in quilting. Who do you serve? Men and women who love quilts and quilting, working on creating a group for children and teens Primary activities and events: Meetings on the third Thursday each month, 7 p.m. at the Patter-

son-Appleton Center for the Visual Arts Two Quilt retreats at Texas Woman’s University Hubbard Hall Classes and "sew days" monthly Leadership: Mary Haler, President 972-658-5500 president@dentonquiltguild.org How can someone get involved? Come to a meeting or contact Gloria Jackson at 940-391-3029 or newsletter@dentonquiltguild.org Contact information: membership@dentonquiltguild.org www.dentonquiltguild.org Upcoming public events and offerings: Winter Retreat, Jan. 29-Feb. 1, Hubbard Hall, TWU

Date founded: 1988 Mission and vision: The Festival Ballet seeks to provide school children from Denton and its surrounding areas with a resident classical ballet company for educational, cultural, and artistic enrichment. Additionally, the mission of The Festival Ballet of North Central Texas is to provide area dance students with an opportunity to perform in a professional setting, thereby providing them with valuable experience for any future endeavors in performance that they might seek. The professional quality of this production reflects well on the city of Denton. In addition, our dancers, who represent every dance school in the area, have the opportunity to perform in a ballet that teaches them about the art as well as the profession. Also, through our free public school performances and paid performances, our audience (which encompasses a 30 mile radius surrounding Denton), is able to enjoy an entertaining rendition of The Nutcracker ballet right here in its own city. Since our first Nutcracker production 27 years ago, The Festival Ballet has spearheaded a program to bring disadvantaged children from orphanages, county and religious daycare centers, and other social service agencies. This year, we plan to once again host children referred to us from local organizations. Who do you serve?

The general public who is interested in cultural enrichment, local dancers who are seeking a performance venue that will challenge their skills as a performer and artist, and school children who might otherwise not have the opportunity to experience a presentation by a ballet company. Primary activities and events: The Festival Ballet of North Central Texas is planning a presentation of a full-length production of The Nutcracker ballet at the Margo Jones Auditorium on the TWU campus This production utilizes complete sets for three scenes. It is presented in two Acts with one 15-minute intermission. Approximately 210 dancers from local dance schools, ranging in age from 5 to professional, make up the cast. Leadership: Cindy Meyering and Eldar Valiev How can someone get involved? There are many volunteer opportunities with Festival Ballet of North Central Texas. For example, many parents and volunteers get involved with theatre production and set preparations. This gives the individual a chance to experience behind the stage activities before, during and after production. There is involvement in costume management, procurement of dance wear and dance shop items. Marketing, advertisement, and sales are very influential in our organization and provide an entry-level exposure to the field. Contact information: 940-891-0830 eldarvaliev@hotmail.com www.festivalballet.net Upcoming public events and offerings: The Nutcracker ballet

Golden Triangle Woodturners

Courtesy photo

Tonya Littmann’s art quilt “Ghost Clouds” is one of many types of quilts made by Denton Quilt Guild members.

Date founded: May 2003 Mission and vision: The Golden Triangle Woodturners is a chapter of The American Association of Woodturners (AAW). We are a not-for-profit organization dedicated to provide education, information and organization to those interested in woodturning, promote community interest in woodturning and provide guidance and aid to woodturners through the combined resources, knowledge and experience of our members. Who do you serve? Those interested the craft and art of turned wooden objects Primary activities and events: We turn and donate wooden bowls for Empty Bowls of Denton whom supply meals to fight hunger for the unfortunate of our city. We participate in Denton Arts and Jazz where we turn toy cars and tops then give to the children who visit

our tent Leadership: Sam Slovak, President The governing body is a board of directors consisting of a president, vice president, past president secretary, treasurer. Additional board of directors’ positions may include a librarian, newsletter editor and others as deemed necessary by the membership. How can someone get involved? Anyone interested in woodturning, regardless of their level of skill or experience, shall be eligible to join. Contact information: Sam Slovak, President 713-494-4212 sslovak7@msn.com www.goldentrianglewoodturners.org YouTube: Denton Turners

Leil Nahar Mid-Eastern Dance Troupe Date founded: 1983 Mission and vision: The Leil Nahar Mid-Eastern Dance Troupe’s mission is to promote Middle Eastern Dance in the Denton Area and raise awareness of “Belly Dance" as an art form and cultural event. Who do you serve? Audiences at the Denton/DFW festivals, Senior living/nursing centers and schools. Primary activities and events: The Spring Fling in 1989, Denton Arts Festival 1991 through 1994 and the Denton Arts and Jazz Festival starting in 1995 through 2014 Lebanese Food Festival in Lewisville, Texas International Festivals Dallas and UNT Leadership: Catherine M. Williams and Rory Williams, Co-Founders How can someone get involved? Membership in the performing dance troupe is by invitation. Performing members are teachers and offer classes in the Denton area. Contact information: Catherine M. Williams 940-382-7891 cwilliams.dance@gmail.com. Upcoming public events and offerings: Denton Arts and Jazz Festival, Saturday, April 25 World Belly Dance Day, Saturday, May 9

Music Theatre of Denton Date founded: November 1985 Mission and vision: Music Theatre of Denton is a volunteer, 501 (c) 3 non-profit organization dedicated to producing top quality musical theatre produc-

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Continued from Page 12 tions. We are also dedicated to giving those involved in our productions a rewarding and enjoyable experience. We invite you to come along as volunteers, members, season subscribers, patrons and advertisers. Who do you serve? The citizens of Denton and surrounding cities, theatre patrons, drama mavens, and the occasional lost soul wandering the square. Primary activities and events of organization: MTD produces three mainstage musicals a year. We also host an annual public board meeting, often in November, with performances and refreshments. The Musical Moments fundraiser with food, dancing and numbers from past and future shows is often in Feb. . Occasionally there will be a summer fundraiser inviting and involving the entire community Leadership: David K Pierce, Managing Director Vicki Kirkley, President Terry Nobles, VP Membership Jim Laney, Secretary Jason Joos, VP Production Ada.m. Reese, VP Develop.m.ent Darhyl Ra.m.sey, VP Outreach Kristy Vivian, VP Public Rela-

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tions Bonnie Franz, Treasurer Max Morley, Olivia Norine, Randy Schmidt, At large How can someone get involved? Call or email the organization or simply tell any MTD volunteer. MTD’s lifeblood are volunteers. Contact information: 940-381-3562 mtd@musictheatreofdenton.com www.musictheatreofdenton.com Upcoming public events and offerings: The Pageant, March 6, 7, 8, 13, 14, & 15 Campus Theatre The Wedding Singer, May 1, 2, 3, 8, 9, & 10, Campus Theatre The Addams Family, October 23, 24, 25, 30, 31 & November 1, Campus Theatre

Greater Denton Arts Council

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North Texas Book Festival, Inc. Date founded: 2000 Mission and vision: The purpose of this organization is to raise funds, to promote literacy, and to encourage family interaction that will foster reading and the love of books. Who do you serve? Public and school libraries and

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Kelsey Johnson/Sundown Collaborative Theatre

Death (Cesar Valesco, left) is unimpressed by the fussy energy of Life (Nathan Perkins) in “Said/Done,” the second play of the company’s seventh season.


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David Minton/DRC file photo

Judy Allton lies about being a chef at the South Pole during the Liars Contest of the 29th Annual Texas Storytelling Festival on March 8, 2014, at the Denton Civic Center. Continued from Page 13 literacy programs in the North Texas area. Primary activities and events: Book Trails Dinner – Grants and awards presented North Texas Book Festival – a gathering of authors who will sign their books and talk with their readers Leadership: Crystal Wood, President Fred Funk, Vice President Jan Sikes, Secretary Katherine Boyer, Treasurer How can someone get involved? Email us at ntbf10@verizon.net Contact information: 940-387-5605 ntbf10@verizon.net www.ntbf.org Upcoming public events and

offerings: Book Trails Dinner, April 10, Patterson-Appleton Center for the Visual Arts North Texas Book Festival, April 11, Patterson-Appleton Center for the Visual Arts

Sundown Collaborative Theatre Date founded: December 2007 Mission and vision: Sundown Collaborative Theatre strives to produce plays as holistic pieces of art that evolve from a collaborative process. We want to explore contemporary and classical theatre along with poetry, music, and dance to present innovative performances. By truly working as a collective of artists and utilizing all of our individual abilities, we believe we can create shows that are

relevant to whom we are both artistically and personally. The visceral experience of a Sundown Collaborative Theatre production should impact audiences by provoking thought and inciting discussion. Who do you serve? Members of the Denton community who are seeking independent and educational theatre. Primary activities and events: We present approximately four full productions a year. Our shows include devised theatre, original scripts, and established scripts with unique perspective. We also brought back our annual short works festival in 2014, which encourages performance art of all kinds. Leadership: Tashina Richardson, Artistic Director

Tiffany Hillan, Managing Director Nicholas Ross, Marketing Director Robert Linder, Grants Director Chloe McDowell, Technical Director Tashina Richardson, Artistic Director (joined 2009). Tashina cofounded Blank Line Collective in 2003, a theatre company rooted in Denton that moved to Chicago in 2007. In addition to acting as CoArtistic Director and Finance Manager, she created over a dozen devised pieces with the company. Since 2008, Tashina has been acting, directing, designing, stagemanaging, and much more for Sundown. Productions of note include The Shape of Things by Neil LaBute, True West by Sa.m. Shepard, No Exit by Jean-Paul Sartre, 4.48 Psychosis by Sarah Kane, Stop Kiss by Di-

ana Son, pool (no water) by Mark Ravenhill, an adaptation of William Shakespeare titled (The Winter’s Tale), and multiple devised pieces. Before becoming Artistic Director in 2013, she was the Marketing Director for several years, and had a major hand in drafting documents for the company's 501(c)3 status. Tashina was instrumental in forging a relationship between Sundown and Audacity Theatre Lab, an independent Dallas theatre company. Tiffany Khampheenuwat Hillan, Managing Director (joined 2008). As Managing Director, Tiffany’s responsibilities include setting the agenda for and leading biweekly Artistic Executive meetings, reviewing and approving contracts, and overseeing the company's informa-

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David Minton/DRC file photo

The crowd waves their hands while Blue the Misfit performs at Hailey’s during Thin Line Fest in February 2014. Continued from Page 14 tion technology systems. She works very closely with the Artistic Director in leading initiatives and monitoring the Company’s strategic plan. As Treasurer, she maintains the company bank account, tracks finances and budgets, oversees box office and front of house operations, processes expense reports, and chairs the Finance and Resource Management Committee. She has worked as Stage Manager for Sundown's productions of Fool For Love by Sam Shepard and Anthony Burgess's A Clockwork Orange, as Costume Designer for True West by Sam Shepard, as Properties Designer for Raised in Captivity by Nicky Silver and Women and Wallace by Jonathan Marc Sherman, and Director of Rabbit by Nina Raine and Stop Kiss by Diana Son. Nicholas Ross, Marketing Director (joined 2012). Nicholas previously served as Marketing Director for season 5, and acted as Associate Artistic Director before reclaiming his current position. His focus with the company is to forge relationships with local businesses and organizations, as well as heading up outreach events at universities and regional events. Some of his past acting credits with the company include Stop Kiss, Happily Ever After, (The Winter’s Tale), and conceiving devised pieces The 7 and done/undone. His directorial debut with the company was Grue-

some Playground Injuries. Robert Linder, Grants Director (joined 2009). Robert is responsible for seeking out grants that Sundown is eligible for and composing letters of inquiry and applications. Since becoming Grants Director, Sundown has been approved for grants from The Puffin Foundation and Denton Benefit League. Robert became passionate about Sundown in late 2008, joining the company in 2009. He has appeared in several Sundown productions, including Anthony Burgess’s A Clockwork Orange, Raised in Captivity by Nicky Silver, Mr. Marmalade by Noah Haidle, Deathwatch by Jean Genet, Macbeth and (The Winter’s Tale) by William Shakespeare, Carter Stubbs Takes Flight by Brad McEntire of Audacity Theatre Lab, and two devised pieces. He played the role of Rumpel in Happily Ever After at the 15th Annual New York International Fringe Festival in Aug. 2011. He was the Assistant Director of Sundown’s production of Savage/Love by Sam Shepard. He has written, directed, and performed for Sundown’s first two short play festivals. Chloe McDowell, Technical Director (joined 2014). Chloe was an Artistic Associate with Sundown before joining the Executive group. She is responsible for ensuring that the technical aspects of the shows run smoothly and helps to acclimate designers new to working with Sundown. Chloe is a visual art-

ist and has done the set design for Sundown’s 4.48 Psychosis and Carter Stubbs Takes Flight. She was also a designer/creator for done/ undone and recently stage-managed (The Winter’s Tale). She enjoys the challenges that her position affords her and looks forward to her future within the company. How can someone get involved? Volunteers are always welcome in any capacity and they can contact us at any time for more information. In order to become a member of Sundown, a person must first have an involved role in one of our productions. This role can be as an actor, director, designer, or any other technician. Contact information: info@sundowntheatre.org 940-220-9302 www.sundowntheatre.org Upcoming public events and offerings: LOVE An Original Sundown Creation directed by Collin Miller Feb. 20-22, Feb. 27-March 1, Green Space Arts Collective, 529 Malone, Denton Just after Valentine's Day, Sundown presents a devised piece based on the concept of love and the many ways it is defined. During each scene, performers will pick slips of paper from a jar. The words written on the paper will form the basis of improvised vignettes on the subject of love and actors will

use dialogue, movement and improvisation to explore and demonstrate the words that can define and impact romantic relationships. Far Away Written by Caryl Churchill and directed by Tashina Richardson May 1-3, 8-10, 1828 Westchester, Denton A girl named Joan witnesses a horrific incident involving her uncle as a child, which she is told to ignore for the good of "the cause." As she grows older, this act proves to be part of a literal world war, with all elements of nature taking sides. Performed promenade-style in a house, Far Away explores how one action can represent an escalation into global catastrophe.

Tejas Storytelling Association (TSA) Date founded: 1986 Mission and vision: Tejas Storytelling Association is a non-profit organization dedicated to fostering the appreciation of storytelling as an oral tradition, a performing art, and an educational tool. Who do you serve? We serve adults and children of all ages in the Denton area; our festival brings storytellers and story listeners from the state, the region and nationally to the Denton community. Primary activities and events: TSA’s flagship event is the an-

nual Texas Storytelling Festival, occurring in March. TSA presents storytelling programs in the Denton area, K-12 schools through the Tellers in the Schools progra.m., and at community events in partnership with the City of Denton Parks and Recreation Department. TSA also sponsors workshops and conferences for storytellers and other professionals who use storytelling in their work. These include teachers, librarians, counselors, attorneys, clergy and spoken word artists. Leadership: Richard Nash, President of the Board of Directors How can someone get involved? Individuals may attend or volunteer at the festival or other events, or become members by paying the membership fee. Contact information : 940-380-9320 tsa@tejasstorytelling.com or tejasprez@gmail.com www.tejasstorytelling.com Upcoming public events and offerings: 30th Annual Texas Storytelling Festival, March 12-15, Denton Civic Center

Thin Line Fest Date founded: June 3, 2004 Mission and vision: The Thin Line Fest’s mission is

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Continued from Page 15 to educate our community through the screening of documentary films and other related arts. Who do you serve? All art-loving North Texas residents Primary activities and events: Thin Line Fest, Feb. 18- 22, is a film, music, and photo festival held over 5 days in Denton, Texas. Leadership: Joshua Butler How can someone get involved? www.thinline.us We need lots of volunteers to make each year's festival a success! Contact information: 888-893-4560 info@thinline.us www.thinline.us Upcoming public events and offerings: Thin Line Fest, Feb. 18-22

Texas Woman’s University Drama Program Date founded: University founded in 1901, theatre has been part of the university in one form or another since its

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Courtesy photo

Midlake guitarist and vocalist Eric Pulido performs at Dan's Silverleaf in 2013 in this scene from the documentary “Midlake: Live in Denton, TX.” The documentary makes its Texas debut at this year’s Thin Line.


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Continued from Page 16 founding Mission and vision: The TWU Drama Program develops well-rounded theatre artists who have the ability to function creatively and skillfully in the many roles required in producing and teaching theatre. Committed to top quality theatre performance and excellence in the classroom, the program provides practical as well as academic training for students pursuing careers in professional and educational theatre. The Drama Program produces four main stage shows a season at the Redbud Theatre on the Denton Campus of TWU. Who do you serve? The Students, staff, faculty and community of TWU and Denton. Primary activities and events: Four shows per year between September and April. Leadership: Dr. Patrick Bynane, Dra.m.a Program Director How can someone get involved? By enrolling at TWU as student or by contacting the program director in order to set up an audition or any volunteer service. Contact information: 940-898-2510 drama@twu.edu www.twu.edu/drama Upcoming public events and offerings: Endgame w/Play by Samuel Beckett, Feb. 18-22, Redbud Theatre Henry V by William. Shakespeare, April 15-19, Redbud Theatre

Texas Woman’s University Department of Visual Arts Date founded: TWU/1901 Mission and vision: The Department of Visual Arts will educate and empower students, especially ensuring opportunities for women and minorities, to become leaders in our society through excellence in the visual arts. Visual Arts offers students a variety of ways to engage in art making through practical experience with materials, the study of art theory and history, and critical thinking. Students generate new viewpoints within the art disciplines and are encouraged to contribute to their communities utilizing a new dialogue developed through visual art. Graduates of the Bachelors and Masters programs serve as teachers, leaders, and art professionals in a variety of fine art, educational and commercial art fields. Who do you serve? Undergraduate and graduate art students at TWU, the community of TWU and Denton/Dallas/Fort Worth. Primary activities and

David Minton/DRC

Texas Woman’s University presented “Bunnicula,” a play about a dangerous bunny and the pair of house pets who try to figure out the rabbit’s secret, in summer 2013. events: Education of art students. Exhibitions of international, national and regional artists with lectures and workshops, and exhibitions of student work. Leadership: Ms. Michelle Hays, Chair, Department of Visual Arts How can someone get involved? Attend exhibitions at the galleries of the department or attend school at TWU. Contact information: 940-898-2530 visualarts@twu.edu www.twu.edu/visual-arts Upcoming public events and offerings: Supranatural Realistic: Sculpture by Helen Altman, Kana Harada, Celia Eberle, Beverly Penn and Linda Ridgway, Jan. 12-Feb. 4, Joyce Elaine Grant Juried Photography Exhibition, Feb. 16-March 11, Reception: Feb. 17, 5-8 p.m. Weinkein Student Juried Exhibition, March 23-April 2, Reception: April 8, 5-7 p.m. BFA Graduating Exhibition, April 7-April 11, Reception: April 8, 5-8 p.m. Visual Arts Graduate Open Stu-

dios, April 15, 11 a.m.-2 p.m. MA & MFA Graduating Exhibitions, April 15 - April 23, Reception: April 16, 5-8 p.m. MA & MFA Graduating Exhibitions, April 29 to May 8, Reception: April 29, 5-8 p.m.

University of North Texas Art Galleries Date founded: 1975 Mission and vision: The UNT Art Galleries support the educational mission of the university, enrich the aesthetic environment of the community and serve as a cultural resource for the public at large. With a focus on curatorial and student-led projects involving vanguard professional and academic contemporary art, the galleries challenge and promote the current discourse surrounding living artists and their work. The Galleries include the UNT Art Gallery and three student exhibition spaces, Lightwell Gallery, North Gallery and Cora Stafford Gallery, in Denton; and in Dallas, UNT ArtSpace Dallas. The UNT Art Galleries (UNTAG) is an inherent participant in the curriculum of the College of Visual Arts

and Design at the University of North Texas (UNT) and in the cultural life of surrounding North Texas communities. The Galleries program enjoys a rich history exhibiting works by artists who have defined the contemporary world, as well as young artists just beginning their careers. Opening a new exhibition space in 1972 and working with UNT faculty and students and collaborating curators and organizations, the program has featured works by such visual art masters as Vito Acconci, Eric Fischl, Wenda Gu, Jenny Holzer, Anish Kapoor, Masa.m.i Teraoka, Edgar Heap of Birds and Marina Abramovic, among others. Alongside such institutions as the Dallas Museum of Art and the Modern Art Museum of Fort Worth, the UNT Galleries program has interpreted major art movements from Constructivism to Post Modernism, making it essential to the vitality of the arts in North Texas for four decades. At the beginning of a new century, the Galleries continue the legacy of considering how art helps us understand a complex and diverse world. The Galleries employ timely strategies of interdisciplinary collaboration, digital exploration, and an expanded view of visu-

al culture in the ongoing mission to serve the UNT and North Texas communities. UNT ArtSpace Dallas The UNT College of Visual Arts and Design’s ArtSpace concept moves and grows with possibilities to use spaces in the communities that surround us, where our alumni, students and faculty live and work and where we serve audiences with opportunities to engage with art and design. The ArtSpace mission is to showcase visionary projects initiated by CVAD students, alumni, faculty and centers, institutes, and collections. Innovative in outlook, the UNT ArtSpace exhibition program offers artists and designers opportunities to present experimental, pivotal, and breakthrough projects, and serves to build connections between UNT and the North Texas arts and civic communities. Who do you serve? University of North Texas students, faculty and staff and members of the Denton and surrounding communities Primary activities and

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Continued from Page 18 events: Visual art exhibitions and lectures, within the CVAD Visiting Artist and Scholar Series Leadership: Eric Ligon, Dean, College of Visual Arts and Design Tracee eadership. Robertson, Director, UNT Art Galleries How can someone get involved? All events are free and open to the public. Contact information: 940-565-4005 gallery@unt.edu www.gallery.unt.edu Upcoming public events and offerings: Lost in Trans Jan. 29 - March 7, UNT Art Gallery Guest Curator, Tempest Hazel Opening Reception, Jan. 29, 5-7 p.m., Gallery Talks starting at 6 p.m. Jeffrey Michael Austin Derric Clemmons Annette Lawrence With works from the CVAD Lending and Permanent Collections by John T. Biggers, David Blow, Patrick Caulfield, Chryssa, Henri Chopin, Warrington Colescott, Vernon Fisher, John Furnival, Ronald King,

Carlos Merida, Billy Miles, Susan Miller, Graham Ovenden, Eduardo Paolozzi, and Ed Schutz as well as unknown artists. Lost In Trans is an exhibition that explores the intersections between viewer interpretation and artist intention, using as the primary vehicle artworks from the Lending and Permanent collections at the University of North Texas College of Visual Arts and Design. In response to the circumstantial nature of the Lending collection, which has varying amounts of information on the artworks and artists who made them, this exhibition embraces erasure by limiting the amount of didactic information provided and pairing works in a way that invites and supports the viewer to create new narratives for the artworks. Lost In Trans indulges the curator's curiosity in the malleability of meaning and what happens when the provenance and context of art is removed. By design, this exhibition becomes a celebration of the limitless story-making capabilities of the CVAD collections and privileges the viewer's individual and experiential intelligence above all. In its 7th season, the CVAD Collections, Cultures, Collaborations research and exhibition series engages with students enrolled in

CVAD's graduate-level art history and art education courses, to study artworks first-hand from private, public or corporate collections, under the direction of Dr. Jennifer Way. Saturday Series Chris Irving, Collage Art Project, Feb. 7, 1-3 p.m. David Herman, Photography Workshop, April 11, 1-3 p.m. UNT Art Gallery, 1201 W Mulberry St, Denton Saturdays in the UNT Galleries at the UNT College of Visual Arts and Design presents family programs on four weekends each year, inviting audiences to experience visual art exhibitions in the UNT Art Gallery through guided interpretive activities. Events include interactive activities led by a visiting artist, such as poetry reading, storytelling, improvisation and photography, as well as art-making activities designed for K-12 students. All events are free and open to the public. Space is limited. Please RSVP to gallery@unt.edu. G-STEAM Including Difference: Building Capacities for Translateability, Sense-ability and Responseability Feb. 25, 5:30 p.m. UNT Art Building, Room 223 Professor of art education and

women's studies at the Pennsylvania State University, Dr. Keifer-Boyd will discuss the work of scholars, artists, and students working on, with, and at the borders of technology, science, media, and visual studies, and feminism. Her talk will focus on FemTechNet’s Distributed Open Collaborative Course (DOCC), a model of open access, multimodal publishing, collaborative research and publication, and transdisciplinary and transcultural pedagogy. A DOCC approach fosters the kind of challenging dialogue and stakeholder inclusiveness necessary to imagine, and then create, a more equitable and socially just educational model in the digital world. Keifer-Boyd presents her interinstitutional collaborations in developing FemTechNet’s DOCC model in teaching G-STEAM (fall 2013) and Including Difference (fall 2014). In addition, Keifer-Boyd will meet with art education students to discuss strategies for the inclusion of individuals who experience moderate to severe disabilities into the art class community in a fully participatory ways. Organized by Dr. Adetty Perez-Miles, Assistant Professor, Art Education. 8TH Annual D. Jack Davis Lecture in Art Education: Dr. Elliott KaiKee

March 3, , 5 PM UNT Art Building, Room 223 Dr. Elliott Kai-Kee is an Education Specialist at the J. Paul Getty Museum. He is also an educator with the Teaching Institute in Museum Education (TIME) at the Art Institute and the School of the Art Institute of Chicago and at TIMEMexico in Mexico City. Along with his colleague Rika Burnham, he is author of the highly influential Teaching in the Art Museum: Interpretation as Experience. Organized by the Art Education program, with additional funding from the D. Jack Davis Lecture in Art Education Endowment. Print Research Institute of North Texas (P.R.I.N.T. Press) Sedrick Huckaby and Brian Garner, Residency Collaboration March 30-April 3, by appointment P.R.I.N.T. Press, 1120 W Oak St, Denton Lecture March 2, 12 p.m. and 1 p.m., Sage Hall, Room 116 OPEN HOUSE April 2, 4-6 p.m., P.R.I.N.T. Press, 1120 W Oak St, Denton DISCUSSION April 3, 9 a.m., UNT Art Building, Room 226

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Continued from Page 20 Sedrick Huckaby and Brian Garner will create a limited edition of hand-pulled prints while working with students and the public to promote the art of collaborative printmaking. Brian Garner is the founder and Master Printer of Litho Shop, a fully equipped printmaking studio. Currently based at the University of North Carolina at Chapel Hill, Garner earned a Professional Printers certificate from the Tamarind Institute, a BFA from the Maryland Institute College of Art, and an MFA from the University of Maryland, Baltimore. Sedrick Huckaby is a painter who draws inspiration from his African-American roots, assigning new significance to his family history by recontextualizing artifacts and heirlooms. He received an MFA from Yale and a BFA from Boston University and is currently Assistant Professor at the University of Texas at Arlington. Organized by P.R.I.N.T Press, with additional support from the CVAD Art Education, Art History Department; Core Drawing Program; Interdisciplinary Art and Design Studies (IADS); and the CVAD Printmaking Program. Kyle DeCamp: Urban Renewal

March 25, 3 p.m. and March 26, 6 p.m., UNT Art Gallery Both one-hour performances are followed by a conversation with the artist. Urban Renewal is a multimedia solo performance work about perception, public policy, and the significance of the buildings we live in, told from the rigorously unsentimental point of view of a child. Using technology as a source, subject, and theatrical tool for storytelling, Kyle deCamp’s interdisciplinary work engages with multiple perspectives to investigate the intersections of art, history, and individual lives. This piece narrates observations from urban life, telling a particular story of both private and public experiences of the phenomenon of urban renewal, in the architecturally iconic city of Chicago. The ways in which deCamp addresses the topic illuminate the connections between suburban and rural experiences and those of many people in major cities, opening imaginations to the human experience around the world. URBAN RENEWAL premiered in the US and Europe in the fall of 2013 at Crossing the Line Festival/fiaf in New York City and at Theater de la Cite Internationale New Settings Festival in Paris. 2014 presentations include the Museum of Contemporary Art Santa Barbara, Automata Arts in Los Angeles, Barnard/Co-

lumbia University, and OnEdge Festival Chicago. Kyle deCamp is a Bessie Award winning performance artist who works with dance, theater, and media students and professionals in the United States and Europe and is currently on faculty at the Barnard/ Columbia Theater Department, Sarah Lawrence College, and at Movement Research in New York City. She earned her BA at Sarah Lawrence College and her MFA in Electronic Arts at Rensselaer Polytechnic Institute. 55th Annual Voertman Student Art Competition Juror, Sara-Jayne Parsons April 7-25, UNT Art Gallery Award Ceremony, April 9, 5 p.m. followed by Gallery Talk at 5:30 p.m. and reception through 7 p.m. Prior to joining the TCU Art Galleries as Curator in Aug. 2014, SaraJayne Parsons was the Exhibitions Curator at the Bluecoat in Liverpool, United Kingdom, where for six years she produced a diverse contemporary exhibition program. In that time she was also a collaborative member of the curatorial team for the Liverpool Biennial, the largest international contemporary art festival in the UK. Parsons has worked directly with many international artists to develop exhibitions and produce new works, including Ayman Baalbaki, Sonia Boyce, Gina

Czarnecki, Hew Locke, Janek Schaefer, Emily Speed and Laura ElTantawy. She has also written for various contemporary art magazines including Source and Art Monthly Australia. Sara-Jayne Parsons received an MA in Art History from the University of North Texas (1996) and is currently completing a PhD in Art History at the University of Texas at Austin. This exhibition is sponsored by Voertman’s Store, “a North Texas Tradition since 1925.” UNT ArtSpace Dallas For a schedule of exhibitions at UNT ArtSpace Dallas, please see eadership.gallery.unt.edu.

University of North Texas College of Music Date founded: 1890 Mission and vision: Mission Statement of the UNT College of Music To provide a dynamic, diverse, and comprehensive learning environment for both future professionals and the broader university community in which each student’s fullest musical potential may be achieved. To promote the highest standards of excellence and to generate the most significant professional impact in all areas of scholarly and artistic activity.

To cultivate new music, interdisciplinary collaborations, and new approaches to scholarship, performance, and education. To affirm the fundamental value of music in educational settings and in society at large, going beyond advocacy to enhance the musical life of the broader community, from local to international. Vision Statement of the UNT College of Music The College of Music will have an enhanced reputation nationally and internationally, based on recognition of the comprehensiveness, diversity, and quality of the full span of its programs. Students and faculty will develop, have access to, and engage in the latest technological and pedagogical innovations in the field of music in an environment that retains and strengthens the values of musical artistry and humanistic scholarship. We will find new ways to engage with and transform the musical and intellectual life of the broader community through our performances and other activities. We will foster an educational environment characterized by a diverse student and faculty profile, and by musical and academic experiences

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Continued from Page 21 that resonate with a broad spectrum of historical, cultural, and stylistic perspectives. Our students, faculty, and staff will work in an environment known for its attention to the preservation of professional health. Who do you serve? The UNT College of Music is proud to be a vital component of the North Texas arts community. The College is recognized nationally and internationally as a worldclass training ground for musicians and is famous for its ensembles, such as the One O’Clock Lab Band, Symphony Orchestra, Wind Symphony, A Cappella Choir, Opera program, and Baroque Orchestra. Each year the College of Music serves over 1,700 students, schedules over 1,000 concert events, and provides a dynamic learning environment of academic and artistic excellence. Primary activities and events: Our primary mission is the education of young musicians and music scholars, allowing them to reach their fullest musical potential. As a consequence of our work to fulfill this mission, the college presents over 1,000 concerts annually. While we consider each and every concert significant, there are some events/series of concerts that may have greater appeal to the general public. Leadership: James C. Scott, Dean Upcoming public events and offerings: This spring, the College of Music celebrates the human voice and the works of living composers. Celebrating the human voice Ten-time Gra.m.my-award winning musician Bobby McFerrin will join the One O’Clock Lab Band led by Jay Saunders with a jazz choir directed by Jennifer Barnes on Thursday, Feb. 5, . McFerrin is a musicindustry rebel who singlehandedly redefined the role of the human voice with his a cappella hit “Don’t Worry, Be Happy”; his collaborations with Yo-Yo Ma, Chick Corea and the Vienna Philharmonic; his improvising choir Voicestra; and his legendary solo vocal performances. The UNT Opera will present Les contes d’Hoffmann (The Tales of Hoffmann) with the Concert Orchestra on Feb. 27 and March 1, 6 and 8. The great Romantic poet E.T.A. Hoffmann becomes the protagonist in his own stories of love, adventure and intrigue in this wellloved opera by Jacques Offenbach. From the Doll’s Aria to the Barcarolle, lush music and theatrical genius transport us to a world of enchanting magic and haunting beauty. Featuring world-renowned tenor William Joyner in the title role, this production of the classic tale of love and loss will take place in the intimate Lyric Theater and will be

performed in French. A pair of recitals will feature the two newest members of the UNT voice faculty: soprano Molly Fillmore and tenor William Joyner with collaborative pianist and professor Elvia Puccinelli. Fillmore, whose performance will take place on March 7, is a Gra.m.my award-winning artist who made her Metropolitan Opera debut in 2011 as Helmwige in Die Walküre. Audiences will be delighted to hear William. Joyner as he performs his recital on March 28. Joyner has given nearly 550 performances of some 55 different roles over the course of his career. The One O’Clock Lab Band and the UNT Jazz Singers perform on April 16 and 17, in concerts celebrating the music of Gene Puerling, a Gra.m.my-award winning vocal arranger whose collection of musical scores, instrumental arrangements and other memorabilia was recently donated to the UNT Music Library. The Symphony Orchestra and Grand Chorus will join forces with members of the UNT voice faculty on April 29, to present a program of dramatic, large-scale masterpieces. The program will begin with Ralph Vaughan Williams’ Five Mystical Songs featuring Jeffrey Snider and will continue with Beethoven’s Symphony No. 9 in D minor, featuring Carol Wilson, Molly Fillmore, William. Joyner and Stephen Morscheck. Celebrating the music of living composers BioMediation, a concert of interactive media, is sure to excite those interested in electronic music and multimedia art. Guest artists Yago de Quay and João Data will present a work that uses brain wave controlled live sound and visuals. Also featuring the works of music faculty members Panayiotis Kokoras and David Stout and new media art professor Martin Back, this concert takes place on Jan. 26, in the Merrill Ellis Intermedia Theater. The UNT Symphony Orchestra concert on Feb. 4, conducted by David Itkin, will feature UNT composer Kirsten Broberg’s Celestial Dawning. The program continues its cosmic theme with a performance of Holst’s The Planets. Eugene Migliaro Corporon will conduct the Wind Symphony on Feb. 26, in a special musical and visual journey entitled Anna’s Gift: The Way of Passion by Andrés Martín and Martin Scofield, featuring guest artists soprano Jennifer Ciobanu, double bassist Barry Green and narrator Mary Tarbell-Green. On Feb. 25, Barry Green, the author of The Inner G.me of Music, will present a lecture in the Recital Hall. April 16, hear the Wind Symphony again, featuring UNT faculty clarinetist Kimberly Cole Luevano in Brooklyn Bridge by Gra.m.my award winner and UNT alumnus Michael Daugherty. In his notes,

Daugherty states, “As I have lingered and walked across the Brooklyn Bridge over the years, the stunning vistas of the New York skyline have inspired me to compose a panoramic clarinet concerto.” How can someone get involved? Join our mailing lists: http://music.unt.edu/mailing-list Like us on Facebook: https: // www.facebook.com/untcollegeofmusic Follow us on Twitter: /UNTCoM Watch our concerts live online: http://recording.music.unt.edu/ live Watch our YouTube videos: https://www.youtube.com/user/ untrecserv Visit us for a concert or event: http://music.unt.edu/calendar/ Shop our online store: https:// music.unt.edu/store Make a gift now: https://development.unt.edu/givenow/givenow_com.php Contact information: College of Music Main Office music.information@unt.edu 940-565-2791 Box Office and Concert Information 940-369-7802 www.theMPAC.com https://music.unt.edu

UNT on the Square

Date founded: 2009 Mission and vision: UNT on the Square is an arts and meeting space devoted to presenting UNT arts programming in service to the university and to the community at large. UNT on the Square also houses the UNT Institute for the Advancement of the Arts. Who do you serve? The North Texas area Primary activities and events: To showcase the arts at UNT through public exhibitions, concerts, programs featuring faculty, students, alumni and invited guests. We also collaborate with civic and area arts organizations. Leadership: Herbert Holl, Director How can someone get involved? By phone at 940-369-8257 or join us on Facebook or sign up for our monthly e-letter at untonthesquare.unt.edu Contact information: Meredith.Buie@unt.edu or Herbert.Holl@unt.edu 940-369-8257 untonthesquare.unt.edu Upcoming public events and offerings: All listed events are at UNT on the Square 109 N. Elm- all are free and open to the public

Exhibitions: Vincent Falsetta: Agendas – Several Decades of Painting, through Feb. 21 Photography from Alexander Hemon’s novel, The Lazarus Project, Velibor Bozovic, photographer, Feb. 27-March 27 UNT Graduate Student Painting and Drawing Exhibition, April 3-30 Mesa Verde Project (Photography, film and poetry), May 6-9 Student Art Exhibition, May 1422, Photography of Joe Clark, JuneJuly, (dates to be announced) Events: Literary reading with UNT Faculty members, Corey Marks and Miroslav Penkov, Feb. 6, 7 p.m. “Thursday Night Music” informal concerts featuring student, faculty and alumni performers, Thursday nights in March and April, 7-9 p.m. Visual Arts Society of Texas (VAST) Date founded: 1975 The Visual Arts Society of Texas (VAST), organized in 1975, is based in Denton, Texas, and functions as a non-profit, professional organization dedicated to supporting artists and art lovers. VAST is registered as a 501(c)(3) organization with the In-

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SELL IT FAST IN THE CLASSIFIEDS Merchandise Under $3000 Runs Free • 10 days Denton Record-Chronicle • 10 days DentonRC.com • Free Print Photo and Online Color Photos Over $3000? 10 day print plus online with free photos. Rates starting at $27.00 To place an ad, visit DentonRC.com/classifieds or call 940-387-7755.


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Continued from Page 22 ternal Revenue Service and donations to VAST are tax-deductible. Mission and vision: This organization is dedicated to increasing community appreciation for the visual arts, continue improvement of individual artistic expression, and offering fellowship with people of similar interests. The mission statement of this organization is: Artists and community connecting to create and celebrate visual arts! Who do you serve? The organization serves primarily Denton and Denton County, but the membership consists of members from Denton, the surrounding area, throughout the metroplex and beyond. Primary activities and events: VAST coordinates a number of activities throughout the year to support the organizational mission statement and goals. Everyone is welcome to attend the monthly meetings, which are held at 7 p.m. on generally the first Thursday of each month (September through May) at the Patterson-Appleton Center for the Visual Arts in Denton. Members attend free and guests are charged $3 per meeting. Monthly meetings feature an art

demonstration/lecture given by artists of varying media. VAST members are encouraged to bring a piece of art to our monthly meetings for a member’s choice competition (mini-show). We vote on our favorite pieces during the break. At the conclusion of the program, we name Artist of the Month to our first place winner, who receives a $25 gift certificate from Asel Art Supply redeemable at any of their locations. The second place winner receives a $15 gift certificate from Asel. The mini-show does not take place at the meeting when we have our High School Art Competition. At the May meeting, all Artists of the Month bring back their winning piece, and from these pieces, we vote and select our Artist of the Year. In addition to the monthly meetings, other VAST activities include: annual calendar competition, workshops, monthly critique group, regional juried exhibition, open Members Exhibition, a collaborative exhibition of art and poetry with the Denton Poet’s Assembly, and exhibition opportunities at various public local venues, mini-competitions and more! VAST also sponsors an annual art competition for Denton County high school art students. Leadership: Jo Williams, President Isabel Cano, Vice President

Fran Shurtleff, Secretary Carol Rowley, Treasurer How can someone get involved? By becoming a member, the VAST membership year is June 1May 31. Anyone desiring membership in the organization may join by paying the required dues. Various levels of membership are available at http://vastarts.org/index.php/ members/vast-membership-levels. An online form or a downloadable membership form is available to join VAST or renew a membership. Contact information: Jo Williams, President 940-383-1092 VASTPresident@outlook.com ; texjo@msn.com http://www.vastarts.org Upcoming public events and offerings: Monthly Meeting, Presentation by artist Ta.m.ar Navama (jewelry), Jan. 8 Opening Reception 9th Annual 125-Mile Visual Arts Exhibition, Jan. 16, 5:30-7:30 p.m., Patterson-Appleton Center for the Visual Arts Monthly Meeting – Presentation by artist Allison Proulx (mixed media), Feb. 5 Monthly Meeting – Presentation by artist Jeff Good (watercolor), March 5 Monthly Meeting – Presenta-

tion by artist Julie Mortillano (collage), April 2 Opening Reception, Merging Visions: A Collaborative Exhibit of Art and Poetry, April 23, Patterson-Appleton Center for the Visual Arts Presentation by artist Dotty Za.m.ora (encaustic), May 7th

Vintage Jazz Society Date founded: 2005 Mission and vision: It is our mission to promote jazz education and performance in the City of Denton. Who do you serve? Our members are persons interested in vintage jazz - defined as jazz of the early 1900’s. Primary activities and events: Our members, musicians of all ages and abilities, attend meetings twice a month and present an annual performance to the public at Sweetwater Grill on Fat Tuesday. Leadership: Andy Cooper, President How can someone get involved? Membership is open to all interested persons. Being a musician is not necessary. There are no dues. One becomes a member by attending one of our meetings at GDAC. Contact information: Joseph Pinson, treasurer at

940-453-3273 or Thad Bonduris, Program Manager at 940-3206023 Upcoming public events and offerings: Meetings on the first and third Mondays at 9:30 a.m. at the Patterson-Appleton Center for the Visual Arts Performance on Fat Tuesday, Feb. 17, 6:30 - 9:30 p.m., Sweetwater Grill Most performances are for audiences who cannot get out and about for other local presentations – nursing homes, senior care facilities and state facilities. We also perform at the annual Arts & Jazz Festival. Leadership: Joseph Pinson, President How can someone get involved? We welcome persons to visit one of our rehearsals where they can get involved with ringing handbells. If they like the experience, they are welcome to join. Contact information: 940-453-3273 joseph.pinson@verizon.net www.bellband.org Upcoming public events and offerings: Definite dates for events are not yet finalized.


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SELL IT FAST IN THE CLASSIFIEDS Merchandise Under $3000 Runs Free • 10 days Denton Record-Chronicle • 10 days DentonRC.com • Free Print Photo and Online Color Photos Over $3000? 10 day print plus online with free photos. Rates starting at $27.00

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Michael Seman, left, and bandmates, Kerm Rivas and Jennifer Seman, from the band Shiny Around the Edges.

Go Figure Skate Productions/Courtesy photo

An economist’s musings on future of Denton’s art scene By Lucinda Breeding Staff Writer cbreeding@dentonrc.com

Denton’s creative scene has reached a critical mass of out-oftown curiosity. The city has been a finalist in a spate of tourism contests — we’re fun, we’re pretty and we’ve got a downtown to envy. And then there are the journalists who have sniffed out the music scene (which is sometimes a few decades out of date — yes, Meatloaf, Don Henley and Bowling for Soup have paid rent here). But the 2015 scene is fresher than that. Denton’s music scene invites comparisons to Austin, and occasionally, the indie artists making rock, Americana, Red Dirt, alt-country and hip-hop are mentioned as one of the city’s

“Our art and music scenes punch well above their collective weights.” — Michael Seman, a local guitarist, singer and economist most influential commodities. Michael Seman, a local guitarist and singer who also happens to be an economist, once said Denton could use a “music czar.” He was a panelist at a daytime program during the pivotal 2010 35 Denton music festival and conference. Seman was telling the big group who had gathered that Denton needed someone on the payroll who made local music a job. “Upon reflection, I think the more technically correct title

would be ‘music liaison,’” Seman said. “Basically someone who is knowledgeable and part of the music scene while also working on city staff.” There is a precedent for such a position, Seman said. Austin employs someone to study and monitor the music scene. “These positions are great, because music scenes are economic clusters and if treated as such, can help drive economic development in the city,” he said.

“In Austin, the liaison position is part of the city’s economic development department and also works closely with the chamber of commerce.” In Texas, small government types and pragmatists grumble at the idea of a government official having a job related to the arts; See the online grousing that met stories about Casey Monahan getting axed from his job as director of the Texas Music Office by Gov. Greg Abbott — much of the grousing was about a single cent paying someone to study and promote Texas music. Seman said city music liaisons often have clearly defined roles. “They make sure that festivals run smoothly, the city’s music industry is incorporated with local education institutions, and

that local musicians [and] bands are involved with many different community activities, among other tasks. I would love to see something like that in Denton. Heck, I would love to be that in Denton.” When the Denton RecordChronicle told Seman the new leadership at the Greater Denton Arts Council, Tracy BaysBoothe had a degree from the University of North Texas and an extra-curricular interest in local music circa Denton 1999, Seman signaled that her history would be a boon to the council and the city. “Denton has a rich heritage in forward-thinking artists, musicians and arts events,” he said. See SEMAN on 27


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Seman “It is also important to remember that the art and music scenes in Denton are intertwined and feed those respective scenes nationally.” Seman’s ready example? The Good/Bad Art Collective, a homegrown arts group that braided music and art together with nearly every one-night-only event it staged in the 1990s. One of the group’s more recent projects was to roll a read carpet through a Dallas museum, then dispatch members — none of whom are celebrities — to stroll through the space on the carpet, poised for the flash of cameras and any fanfare they might produce on curiosity alone. “Many members of that collective went on to places like New York City and Seattle and continue to have successful careers in art and music on national and global stages,” Seman said. “The work that Good/Bad produced while in Denton was aesthetically sophisticated and conceptual, on par with similar work around the world. It is imperative that we address our art and music scenes in the same way one would in a much larger market. “If you look at any of the major art and music scenes across the country, you will inevitably find members of those scenes who formerly cut their teeth in Denton,” Seman said. “It may be odd to think that a highly conceptual arts collective like Good/ Bad could succeed in a city of only 120,000 situated 40 miles north of Dallas, but it did because the concentration of likeminded artists and musicians is extraordinarily high in Denton.” The bulk of those artists and musicians are likely drawn to Denton by the art and music programs at UNT. Bays-Boothe could be the woman to bridge the indie art

“Denton has a rich heritage in forward-thinking artists, musicians and arts events. It is also important to remember that the art and music scenes in Denton are intertwined and feed those respective scenes nationally.” — Michael Seman, a local guitarist, singer and economist

and music scene with the established local cultural groups, he said. “Our art and music scenes punch well above their collective weights,” he said. “Someone who is a graduate of these scenes that has a first-hand appreciation of them is the perfect person to play a role in fostering them through official channels. Bonus points for having a spouse who is also a graduate of Denton’s music scene. I'm excited to see where Tracy Bays-Boothe leads the Council and our art scene.” When asked what advice he’d give the arts council board and its new director, Seman said the council should make connections and see what those relationships might bring. “Definitely interact with the city’s economic development department, chamber of commerce, and council,” he said. “It is important that as Denton moves forward with its stunning amount of growth and redevelopment that we retain our forward-thinking artistic spirit that has shaped the city thus far, and has earned our reputation as a fun place to visit and a great place to live, if you are creative and like being actively involved in a community that celebrates cultural production and diversity.” Growth tends to be holistic, Seman said, and without intention and work, the cultural scene could end up representing a nar-

row perspective. Seman said Bays-Boothe’s background gives her and the council an advantage — they can nurture partnerships that ultimately imbue Denton with a broad cultural scene that speaks to more people. Seman also had some ideas for nurturing artists who aren’t running nonprofit groups, but making and sharing projects. “Now, on a more micro-level, one thing I thought was great was a time when I was in Omaha for research and the esteemed Bemis Center for Contemporary Arts had a young, local indie band as their ‘resident artists’ for a period of time,” he said. “During their residency, the band, whose name escapes me, wrote some songs and made a recording in the center’s basement.” Seman said he was in Omaha as the band was ending its residency, and he attended a show that served as the finale for the band’s residency. “There I was in the basement of the Bemis with about 40 other people — most of who were half my age and likely not yet regular patrons of the center — enjoying a great evening of music,” he said “And then later, [an evening of] art as we all strolled around the center viewing their collection. Something like that would be very cool for Denton and a great way to acknowledge the fact that the art and music scene in our city are tightly woven together.”

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