Filip alexander loguin portfolio

Filip Alexander Loguin Portfolio 2015

The Royal Danish Academy of Fine Arts, School of Architecture

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.2

Ramverk

C.O.M.A

Artificial/Constructed

Compression Space

(Bachelor project)

- Tectonic study in Japanese context

- Cafe/Installation

- An urban framework

- Community center / Art Gallery

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.4

.5

.6

.7

.8

Redirection

Art

Form Finding

Matter

- A junction at Ă…boulevarden.

-

-

(Master thesis)

room

Recreational art space

Collection of minor work from bachelor program.

of

Light

- A Study in densification and daylight

Yamagata City, Japan

1:50 000

.4

Compression Space

.3

Artificial/Constructed

.1 .8* .2 .5 .6

Copenhagen, Denmark

1:50 000

Ramverk

Matter of Light

C.O.M.A

Redirection

Art room (Form Finding)

1:10 000

.1

Ramverk

1:10 000

.2

C.O.M.A

1:10 000

.3

Artificial/Constructed

1:10 000

.4

Compression Space

1:10 000

.5

Redirection

1:10 000

.6

Art room (Form Finding)

.1 Ramverk - An

urban framework

(9th semester) -Mixed-use facility (Transformation) With a new metro-line soon to be completed in Copenhagen, the immigrant and workingclass area surrounding Nørrebro station will stand victim of certain gentrification. This project tries to create a framework to allow local culture and identity to be preserved and materialized in a mixed-use facility.

Focus also lies on the typology (1970’s in situ office blocks). The project tries to work around the stigma and to prove their qualities and acceptance in the present day.

The project tries to, with the least amount of intervention, to transform the building to allow the new program to be established. In addition, allowing it to meet new technical requirements.

Plan 1 / Site plan. 1:400

Plan 2. 1:400

Plan 3. 1:400

Visualization, plan 3. Open programmable space.

Visualization, plan 3. Atrium connecting the floors physically and creating light hierarchy within the building.

Visualization, plan 2. Indoor gallery.

Visualization, plan 3. Activation of the facade. Allowing programs to extend and connect vertically through the building.

Spatial section. 1:250

10m

Elevation. 1:250

Spatial section. 1:250

Elevation. 1:250

Conceptual section. “Parallel street”.

3.

Community zone

2.

Elevated street

1.

Commercial zone

- Large scale - Spontaneous programming - Convocation - Flexible climate zone

- -

-

Functions alongside facade Expandable zone inside public transit area Flexible space plan by modular wall system

- Unspecified open program - Diverse scales - Local impression - Coherent service area;

Direct access to loading bay+storage

Minimal intervention. Structural “excavation� and additional outer layers.

A

B

9

1

7

4

2

6 5 3 8

Visualization of modular wall system.

A Tak

B

9

9

1

6 7

4

2 2

3 6

3 8

5 3

Golv

8

Technical drawings of modular wall system.

Pillar grid diagram.

Visualizations of tectonic detail and material transition.

Conceptual collage. Double facade.

.2 Bachelor Project [COMA] (6th semester) - Community center / Art Gallery In the heart of Copenhagen, aside one of the most hip areas lies the remains of a severe social building program, constructed in the 1980’s. The neighborhood suffers from growing poverty and crime levels and the program tries to in a subtle way connect these two worlds.

With focus on accessibility and social ownership, the project tries to dissolve the barrier between the realms, while simultaneously sustaining the inherent qualities.

The project is constructed within the current building restraints and works deliberately to morph and distinguish the scale of residential and public function.

Visualizations.

Plan 1.

Roof plan.

Plan 5.

A

B

Plan 4.

Plan 3.

B

Plan 2.

A

Elevation East. 1:200

Section A. 1:200

Elevation South.

Section B. 1:200

Elevation West.

Model photos. Primary structure

Section sketches. Transformative scale.

Section sketches. Transformative scale.

.3 Artificial/Constructed (7th semester) Exchange studies at TUAD, Yamagata, Japan - Tectonic study / Bath facility A self-study in Japanese architecture.

Working conceptually with hydro-tectonics, the project evolves around the transition and relationship between “artificial” and “natural”. The project tries to shed light on the vulnerability of both aspects, both our impact on environment, as well as the disintegration of artificial structures and the role of maintenance in architecture.

Water canal, Yamagata City.

A

A

B

Tectonic hierarchy, based on artificial persistence.

A

B

A

C

B

AC

B

D

C

B D

C

E

D

C E

D

E

D

E

E

Organic landscape. (River)

Artificial landscape (IKEA store)

Water flow transition; reverse hierarchy between natural and artificial landscape.

Artificially sustained A B Artificiality

C Temporarely

Permanent

D

A B C

E

D Naturally occuring

E

Time

Plan drawing. 1:200

A

B C

D

100 year floodplain level

Conceptual cross section. Tectonic hierarchy of building foundations.

E A

Terrace; Dry, Seasonal

B

Rain stone; Acustic, tactile

C

Aqveduct; Aucustic

D

Artificial pond; Stillness

E

Floodplain/Wetland; Submerged/Water-Saturated, High level of vegetation, Morphing, Eroding

Modal photos/Visualizations.

.4 Compression Space (7th semester) Exchange studies at TUAD, Yamagata, Japan - Cafe/Installation (Transformation) Following a survey of the site (Movie) a concept is produced to capture the essence, and to propose an enhancement of the current situation for pedestrians.

This results in an installation and transformation of one the present buildings, serving as a roadside cafe, established within one of the facades. The installation merges with the sidewalk and reflects the rhythm of the site.

Through parallax layers, mobile homogeneous elements creates a structure that with integrated furniture enables dynamic space relations and visual expression.

“Devouring the sidewalk�.

Isometric drawing.

Foldable chair (exploded wall element). Isometric drawing.

“Dynamic zones”. Plan diagram.

“Transparency”. Collage.

Inside view. Collage.

“The paralax”. Isometric drawing.

“Anatomy”. Section 1:50.

.5 Redirection (5th semester) - A junction at Ă…boulevarden.

This project is developed within a scenario where one of central Copenhagens most trafficed highways is submerged into a canyon to allow better bike and pedestrian transition in the area.

Acting as a bus terminal and orangery, the building and lanscape investigates how spaces and borderlands can be defined by tectonic, materiality and spatial coherence.

Model photos.

“Underground” passage- Collage.

Plans and sections

Sketches. Space, structure.

Sketches. Defining an edge.

Tectonic sketches,

Tectonic sketches. Isometric section.

Context analysis of the local landscape. Sections.

Element studies.

Context analysis. Plan.

Context analysis. Continental drift.

Element studies.

.6 Art

room (3rd semester)

-

A recreational exhibition hall

The projects concept surround the difficulties of establishing a larger facility at the waterfront while conserving public access and dynamic flow in its periphery.

The proposed building tries through variaty in scale, and with diffusion of interior and exterior space to stretch and connect the harbour area and canal.

Exterior visualization.

Conceptual flow, space and identity. Collage.

Space distribution and composition. Section.

Interior visualization.

.7 Form

finding (1st and 2nd semester)

-

A selection from first year projects.

During the first year of the studies (department 6) the focus lies in the fundamental understanding of architecture.

Space and Material Space and Scale Working mainly digitally, Learning to use the media as an immediate sketching and conceptualization tool.

Composing Mapping

Exterior visualization.

Case study: Brion-Vega Cemetery.

Landscape analysis. Sections.

Concept. Elevations.

Conceptual tectonic

.8 Matter

of

Light

(Master thesis) A study of light and an attempt to bring a new discourse to the discussion of densification; a critique to the progression of daylight-demand in Denmark.

diversity. With primary focus on the vertical section, in addition to a decomposition of light-quality, a catalogue of “filters” is proposed as an expression of this diversity.

Originating within a typology, characterized by late modernism tower-block developments, the project investigates the potential of connecting obsolescent areas with the city through refurbishment and introduction of new building mass; focusing on overcoming insufficient access of daylight, quantitatively and more particularly, qualitatively.

The study reflect on qualities of light, beyond pure intensity.

It suggest a strategy where consumption (absorption) of light can be reduced within the block, by identification and emphasis of qualitative aspects within contrast, “light-information”.

Furthermore, it investigates the contextual inherence of those aspects, holistically within the built environment; focusing on the phenomenological aspects of light and on light distribution.

Instead of a homogeneous view on light, the project aim to achieve even quality, through means of

Winter solstice 21 Dec Equinox 21 Mar/Sept 21 MAR 15:00 21 MAR 13:00

Summer solstice 21 Jun

15:00 14:00 13:00

10:00 11:00

12:00

09:00

21 MAR 15:00

09:00

11:00

13:00

15:00

09:00

11:00

13:00

15:00

Diagrams. Homogen vs diverse lightscapes.

Light Composite

2.5

UV

Visible

IR

2.0

Irradiance (W/m2/nm)

Solar radiation without atmospheric absorption

1.5 Sunlight at sea level

I

1.0

0.5

0.0

250

500

750

1000

1250

1500

1750

2000

2250

2500

Wavelenght (nm)

“Incident Light Composite”

G

Global Environmental

”Global Light Composite”

L

Local Environmental

“Local Light Composite”

F

Filter

“Filter Light Composite”

Light Composite

2.5

UV

Visible

IR

2.0

Irradiance (W/m2/nm)

Solar radiation without atmospheric absorption

1.5 Sunlight at sea level

I

1.0

0.5

0.0

“Incident Light Composite”

250

500

750

1000

1250

1500

1750

2000

2250

2500

Wavelenght (nm)

G

Global Environmental

”Global Light Composite”

I

G

L

Local Environmental

“Local Light Composite”

L

F

Filter

“Filter Light Composite”

F Conceptual section. “Building light-armature”. 1:200

Diagrams. “Light composite”.

Existing eq

General layers

Overstory

Quantitative light

Independent layer

Social light hierarchy

Observing layer

Global light composite

Light information

“Mono-exposure” (Unobstructed view)

Reflective layer

Semi-exposed layer

“Canopy”

Interdependent layer Local light composite

“Poly-exposure” (Layers of light information)

Understory

Floor level

Diagram. Layers of light composites.

Absorbing layer

Exposed layer

Light transmitting solar shading and intensity altering. Re/directing excess light downwards to the urban canyon.

Sky-dome/Visible sky

Sun direction

Filtered Light-Information

Normal zone

Exponential View angle

Raw Light-Information

Studio apartments. Panorama; skyline; direct sun

Projected space and transmitted light, through transparent design

Light-Information Hierarchy

C

Courtyard B

Service layer A

Extension of facade.

Increased variety of spatial relations.

A

Large, absorbing openings with controlled exposure (privacy)

Family apartments; direct access to courtyard in addition to visual connection.

Conceptual section. High diversity of filters and holistic interplay.

B

Conceptual sections. Social hierarchy; exposure.

A

ion Intensity)

Negative Light Information

B Negative Light Information

Oposite Light Information Exchange

t)

A

Transmitted

Reflected/Scattered/Distorted...

Transmitted

Direct

Transmitted

Captured Reflected/Scattered/Distorted...

Filtered Light Information

Direct

Transmitted

Captured

Captured

Direct

Returned Light Information Exchange

Captured

Direct

Filtering categories.

Light Information

“Deciphering”

Perceived light

Orientation Space

Movement

Intensity

Time Information composition

Information composition Perceived light

Orientation

“Deciphering”

Time

Orientation Orientation

Subjective Understanding

“Deciphering”

Perceived light

Orientation

Movement

Intensity

Subjective Understanding Spatial Information

Movement

Intensity

Time

y

Spatial Information

y

Diagram. “Light information”

Light Composite

2.5

UV

Visible

IR

2.0

Irradiance (W/m2/nm)

Solar radiation without atmospheric absorption

Light Composite

1.5 Sunlight at sea level

1.0

0.5

I

z x

Pictured Information

z x

Pictured Information

Resume

Awards

Education Master of Architecture Program The Royal Danish Academy of Fine Arts School of Architecture (KADK), Copenhagen, Denmark Department: Settlement, Ecology & Tectonics (SET) Fall 2014- Summer 2015 (Graduation) Bachelor of Architecture Program The Royal Danish Academy of Fine Arts School Department: 6 + 8 Fall 2010- Summer 2013

of

Architecture (KADK), Copenhagen, Denmark

and honors

Carl Erik Levins Stiftelse | Recipient 2010, 2013 Dreyers Fond | Recipient 2013 Velux grant (honorable mention) | Recipient 2015 (“Matter of Light”) Arkitektur N (Published work, Transborder Studio) | nr.4-2014, p.18-90 Skills Proficient Understanding 3D Studio Max, Vray, Rhino3d, Grasshopper, Adobe Pack, SketchUp, AutoCAD, Wood working equipment, Metal working equipment, Model making, Digital Photography.

High School Ållebergsgymnasiet, Falköping, Sweden | Elite Volleyball School / Nature Science Program Fall 2006- Summer 2009

Basic Understanding GIS, Ecotect Analysis, Revit, Visual Basic, C++, Web Design, Microelectronics.

Exchange Studies

Swedish Norwegian Danish English German

Tohoku University of Art Tohoku University of Art Fall 2013 - Spring 2014

and and

Design Design (TUAD), Department

of

Architecture, Yamagata City, Japan

| | | | |

Native Fluent Fluent Fluent Basic

Internship Transborder Studio Transborder studio AS, Oslo, Norway February 2014- August 2014 Relevant Experience Metal Worker SET, Swedish exposure technology, Stenkullen, Sweden April 2012- August 2012 Lead Artist | World Designer Mashiyu Entertainment, Seattle, USA (Working January 2012- August 2012

from

Sweden) | Independent Game Development

Activities Volleyball Swedish U21 Champion | Hylte Volleyball Club 2008 Swedish Men’s National Youth Volleyball Team 2008

Filip Alexander Loguin Björcksg 18, 416 52 Gothenburg, Sweden +46 (0) 723188991 filiploguin@gmail.com loguin.se