Selected work 2012 - 2018 by Tsz Lok TO

SPATIAL

FRAGMENT

2018

SLECETED WORK 2011-2018 LOK TO HK + UK

! Tsz Lok TO 1988 09 21 Tel : 07 463118815 loklook@ymail.com

;

L WORKING EXPERIENCE ARVA ARCHITECTURE

GRAPHIC DESIGN FREELENACER

EDUCATION

SOFTWARE

UNIVERSITY OF OXFORD BROOKES - RIBA PART 2 MARCH

1D:

UNIVERSITY OF BRIGHTON - RIBA PART 1 BA(HONS)

2D :

HKU SPACE - PROFESSIONAL DIPLOMA IN ARCHITECTURAL STUDIES

3D :

Architectural Assistant 2016 -

2008 - 2010

ECE ARCHITECTURE

Graphic designer 2008 - 2010 -

013 - 2015 2 -

ERIC CHAN DEISGN CO LTD.

007 - 2010 2 -

Architectural Assistant 2015 - 2016 -

STUDIO OFF

Architecture / Interior designer 2012 - 2013 -

STUDIO ZHAI

Architecture / Interior designer 2010 - 2011 -

SINSO DEISGN CO LTD.

Graphic designer 2007 - 2008 -

CO1 SCHOOL OF VISUAL ART

Drawing tutor 2007 - 2008

2016 - 2018

CO1 SCHOOL OF VISUAL ARTS - DIPLOMA IN VISUAL ART

2005 - 2007

Words / Power Point / Excel

Photoshop / Indesign / Ai /

Autocad / Revit / Rihno / Google Sketchup V Ray / Podium /

EDIT : After Effect / Premium

INFRASTRUCTURE INBETWEEN LAND AND RIVER.

THE ARCHITECTURE HERE IS [BY PICK ON SMALL SCALE PROCESS ON A NATURAL BOUNDARY IN THE LANDSCAPE OF INDUSTRIAL ZONE, ] THAT IT WILL BE CHANGED SIGNIFICANTLY IN THE UNCERTAIN FUTURE. THAT RESULT OF THOSE ARCHITECTURE OBJECTS, THAT CHANGE / PROTECT / MAINTAIN ANAKLIA IN THE FUTURE, WITH A CONTRAST OF DEEP SEA PORT . THE PROJECT CONTRASTS TO THE WAY THE PORT WILL BE FORCIBLY INSERTED TO THE LANDSCAPE. THE OBJECTS ARE INSERTED INTO THE RIVER GENTALLY AND HIGHLIGHT AND REFRAME THE EXISTING LANDSCAPE WITH ITS TIME CYCLES.

: [ ARTICULATION ]

CINEMATIC ARCHIPELAGO

INTRODUCTION :

PROJECT STATMENT

PROJECT :

RUSSIA

MArch 2

SITE LOCATION :

ANAKLIA, GEORGIA

YEAR:

â&#x20AC;&#x2039;2017/8

Caucasus Mountain

ANAKLIA Black Sea

GEORGIA

NATURE BOUNDARY

WHO

CHOREOGRAPH

Cacauss Mountain

Tourist

Axis

Programs

A symbolic boundary of Russia and Georgia. and Orientation with Sun Rise.

During the Summer Large group of tourist come for the largest music festival in euro, Tourist not just bring in economic, but, Require a large group of accommodation which became part of izzue in the future....

The mouth of the river as a space that carry multi axis that related to the mountain, black sea, border and deep sea port. That space, architecturally also as a natural opening, natural corridor, natural boundary that from north south.

A new riverscape with a Lighthouse, Water Tower, Fisherman House with Campsite, Markets.

Enguri River

Fisherman

Stimulation

Choreograph(y)

A loss historical routine for Anaklian

During the trip, found local fisherman has lost the connection with the

To create a new riverscape that relate the mouth of the river, simulation the boundary, set up a series of space to frame the inbetween space.

To simulate the River, Use the technique of choreographic of time and Cinematic, sequence, frame, orientation to achieve the simulation.

Black Sea Sun Set view on herizon. coastline used by Tourist during summer.

Existing Natural Elements of Anaklia

Junctions of Anaklia

the Map show the river as a physical nature boundary within the site.

Early Study found the relationship of site axis, visual connection, natural boundary, wayfinding, lighting and junctions arround Anakia.

Junction and Visual Connection

Statment

Studied drawings for existinf visual connection and inbetween space.

throught those studied, found the mouth of the river have a multi connection with both natural elements, river, mountain, sea. Also, as a natural corridor that as a buffer between north and south, Which the border and deepsea port.

Sea View Market

Black Sea

Enguri River Lighthouse Cinema

Tidal Entrance

Enguri River existing Anaklia Bridge

Delta Entrance to Water Tower

Fisherman and Tourist Arch

Enguri River

Copper facade with timber structure frame

Cable hanging the roof of cinema

Steel Frame with tensile structure

timber Roof With pully structure for tidal entrance

Cable connect to copper facade

Stout connect to copper facade

Stout connect to Cinema

Core cable connect to founcdation

Concerete

[ The Cinema and Lighthouse ] The lighthouse cinema locate between end of the coastline from the border, and the edge of river mouth. It set up a axis with the bridge, water tower and the mountain, The axis of the edge of day and night. [The facade] The edge facade cut parallel to the bridge, The front facade facing to Black Sea and sunset view. Give a strong territory at the coastline. [Entrance sequence] Visitor can entrance from the edge beach or using a floating platform to arrive tower. First you pass though the ticket counter, and have a performance space able to use during gem fest. On top of it is a cinema. there

is a balcony behind the scene. And a rooftop observation deck. The cinema will became a illmutate object for the lighthouse, light up the coastline. [Conclusion] The cinema as a object that project light in cinema/ project out to black sea.. One create event, and the other create boundary. Set up a territory from / to black sea that both visitor and the captain from the black sea.

Copper sheet

Cable structure

Water Tank Metal Branch

metal branch

festen

The Copper Facade is hanging by metal branch

Concerete

[ The Water Tower ]

[Entrance sequence]

The water tower sit between the edge of the delta and river. The water tower itself, one of the object in between the axis, It hidden in the river view from the town centre. Pop up on the river view from the bridge. It as a wayfinding that lead people go the delta from the arrival of town and enhance other elements. Also, Through the experience the water tower, it became a monument on the edge..

The Entrance is hidden in the trees of the delta,, with a passage on the river connected to core. the roof of the gate framing the contrast between human and utility On top of the second water tank is a viewing deck that view to the surround arch. And the upper water tank able the visitor see beyond the old town and the mountain.

[The [AXIS] facade ] The facade cut parallel to the bridge, same a the lighthouse but facing to the mountain and sunrise. also a radius point of the market and the fisherman house. It also able to see from the drop of point of the town center between the hotel

Cable connected to Main core

Continuous Horizontal Steel Structure

Light Wieght timber Structure

Skylight

Buttress Concrete Foundation with steel structure in river

River < Quiet

Bridge < toruist FISHING PLATFROM

ROOMS

NOISE > OLD TOWN

ROOMS

ENTRANCE

TOILET

KITCHEN

BAR

MOORING

DAILY OBJ SELL SPACE connection to Function room //

AUCTION FOURM

FLOATING PLATFORM

Fishing machine house

connection to Fish Market // visitor experence the fishing progress

connection to OLD TOWN DROP OFF //

supply / drop off point from city

[ Live work Fisherman House ] On top the edge of two deltas, and hanging on the river by the cables and buttress. And centralize to the water tower. [The facade and Sun / View ]

from quiet and noise. Where fisherman work and close to the river and A outdoor cinema and restaurant / bar sit next to the entrance. End of the arch is a drop off point that connected to the town. Next to the river. [ Frame with nature ]

The fisherman house have two store, one is enclose for fisherman, and the roof top use as a camping site during the summer. And have a panorama view to the mountain and sun rise view with a river below. End of the arch that framing the black sea and sun set, and where the fisherman work.

The Arch carry a daily route of fisherman and oriented to the sun angle. The sun lighting of the dawn that framed by the entrance of the river, emphasise the time of beginning of work. The roof angle is changing continues to get more daylight. And enhance the entrance. From the river and from the delta.

[Entrance sequence]

[Tech / Material ]

The fisherman house is tie to the water tower with cable and The entrance from the delta is same the water tower buttress to the river, the house is use timber as a lightweight entrance hidden in the trees. One side for live and other for work. Program arranged structure put in to middle of the structure to reduce the loads.

Timber flooring

Steel Structure

Bicycle Wheel Structure

Light Wieght timber Structure

Cable connected to Main core

Upper Floor Linear market

Continuous Horizontal Steel Structure

Sea View Balcony

Timber flooring

Timber partition with glass in between

Storage

Pop Up Market

Sea View Balcony Linear market

Entrance Lobby Viewing Deck

Entrnace from Anaklila Bridge Multi Function space for Festival Billboard Facade

[ Sea View Market ] Connect with existing bridge, Oriente to the black sea and .in front of the water tower, and use mountain as backdrop of the internal view. [The facade] Thr market that parallel the anaklia bridge, with balcony open facing the black sea and the existing monuments and sunset. The facade have capture the day lighting with mountain view to and the black sea view on each side. [Entrance and framing sequence] Entrance from the bridge, people can see the bill board, and the market before entrance the building. It act as a display of performance of daily life in anaklia that both tourists and fisherman can use. Inside, have few type of market that fit the future sue and different product in the future.

Volume Supported by Bicycle Wheel structure

Using timbler structure to devide layers of opening, to get different day light.

Continuous Horizontal Steel Structure

CINEMATIC SET OF WONG KAR WAI

DECONSTURCTION OF WONG KAR-WAI January

July

Jane

1:50000 location plan

Wong Kar-wai, a filmmaker from Hong Kong, his cinema emphasises the strong relationship between space and time which are critical throughout architectural design in general. Therefore, this project aims to transform different dialogues from Wong’s movies into a number of new ‘scenes’ and thus creates a series of architectural film sets in 12 different chosen sites in Hong Kong. In terms of Wong’s theory, dates (in the form of numbers) are used to mark the existence of ‘time’ in Wong’s films. In this project, ‘time’ also relates to ‘weather’ which builds the atmosphere of each ‘Sets’.

March

May

February

12 UNEXPECTED SETS IN BETWEEN HONG KONG December

YEAR:

2016/7

November

The main design principal is to create a sense of hunting by using ‘sight’ and ‘sound’, which represents ‘On Screen’ and ‘Off Screen’ respectively. Each ‘Set’ in the masterplan are visually connected to each other and has different orders of spaces in order to the sound as a tool to arise the experience of the space in a particular time or event.

April

SITE LOCATION :

12 Places Hong Kong

August

In a film, architecture is how directors uses to construct the story, moreover, environment becomes the part of the background to boost emotion to both actors and audiences. Subsequently, this project constructs each ‘Set’ with a specific day or time in the 12 chosen sites which relate to different climate conditions directly or indirectly over a year.

September

PROJECT :

MArch first year

October

INTRODUCTION :

Glass Panel frames to the other Sets

Existing building roof top Rythumic structure based on the existing view and lead to the other sets abstractly.

Existing building

Bird View from the roof

1 : 100 Section Existing building

Mirror with reflection to the performance space and the plant.

SET 2

Frame create a limited view into the corridor which allow audience focus on the performance.

A plant gives a sense of nature in between the urban Skyline.

SOUND OF SUNSET 8CO 17:00

Angled panels improves the echo for the performance

View er Set to Oth

w Vie

Existing building

er Set to Oth

er Oth

View

Existing building

He remembers those vanished years. As though looking through a dusty window pane, the past is something he could see, but not touch and everything he sees is blurred and indistinct. He has been yearning everything of the past. If only he could break through that dusty window, he would have gone back into the vanished years.

Plant

Performance space

In the Mood for Love (Wong, 2004) 1

Set 2 : Sound of Sunset Location plan / Site plan / View from Street

Performance space

Stair for the performer

Existing building roof top

Existing building

Bird View from the roof

1 : 50 Section

Existing building

SET 4

The curved mirror reflects the ground

The panel frames the view of outside for character within the set Seating area for character to see the whole view

1 APRIL 25CO 23:00

Seat

w Vie to er Oth t Se

w Vie to er Oth Se t

When you coopreate with someone too long, you will get used to his hobby. I remember this perfume, but I donâ&#x20AC;&#x2122;t get used to caught a whiff from other girls.

isti ng bu il

din g

Stai

rq ueu

e to

clu bb in g

Plant

Fallen Angles (Wong, 1994)

Pe rf

um eV oid

isti ng bu il

din g

ce tran En

of ing bb Clu

Set 4 : Midnight Poison Location plan / Site plan / View from Street

isti ng bu il

din g

Walkway

The void that captures the perfume from the ground

SET 8

View to

other set

415 METRE 19CO 13:00

SET 8 Location plan / Site plan / View from Street

View to Other Set

View to

Other

Set

Existing building 3

er Oth

r se

w Vie

View to Other Set

That night, electricity stops suddenly. “Shit.” “Don’t set fire to anything. Watch those candles.” “This is your fault. What’s gotten into you lately? Why didn’t you pay the elctricity bill? Where have you been getting to everyday?” “I went to see doctor.” “Really? You haven’t been taking medicine.” “Of course I have. You just didn’t notice.” “And did the doctor tell you when you’d get better?” “Anytime now.” ChungKing express (Wong, 1997)

View

to oth er set

othe

LAYERING VOID/ BY TRANFORMATION OF HAHA WALL

: DETAIL TRANSFORMATION

INTRODUCTION : PROJECT :

Bachelor third year

SITE LOCATION :

Stammer Park, Brighton

YEAR:

â&#x20AC;&#x2039;2014

SPATIAL FRAGMENT

This is a initiate project of third year. Our studio startde the project from a random image that the tutor given. and start to explore any possiblilty that we could imagine from the image. Which allow us to find a langague. As a result, this studied couldl lead us to a uncertainty program. Which allow the next project came from a totally difference appoach.

random image to start explore.

TRANSPARANCE STUDIED VIEW IN / OUT

LIGHTING AND MATERIAL

Through making of the detail model, observate the detail caould be scaless and orientationless.

CONCEPT Transfromation the Orginal detail section to a concept section.

Level different and layering void

STUDIED MODEL Thought the development, and the site condition. A more simplfic concept have much more respect to the english landscape.

CONCEPTAL DIAGAM:

A more repect to eh English landscape and the site, a reference idea of landscape deisgn â&#x20AC;&#x153;HA HA WALLâ&#x20AC;? became the main langague. And mixing with the studied of level different and making of void.

PLAN VIEW OF MODEL :

Exploring the possible of define difference open space in a large piece of landscape as much as simply.

SITE PLAN: STAMMER PARK, BRIGHTON

Perception of site

: BIPOLAR

INTRODUCTION : PROJECT :

Bachelor final year

SITE LOCATION :

Brighton stammer park

YEAR:

2015

PERCEPTION OF LIFE AND DEATH

Brighton is a festive town full of various celebrations throughout a year. However, there is not any on the topic of death. Furthermore, the cemeteries in the area are mostly full already. The site of the project, Stanmer Park, is located at the edge of Brighton and it was designed as an English landscape. The main event takes place here in the Stanmer church and Stanmer house is the celebration of weddings. I found out the ritual and the spatial sequence of the celebration of death - funerals - and wedding to be similar, which would be explained further below. Both events are marked by a significant progression. For weddings, couples walk down the aisle to the altar to be unified whereas

for funerals friends and family come to farewell their beloved one. Although the two programs are similar in the sense that they both offer a unique promenade, the rituals are based on different culture. Brighton, being a multi-cultured city, would therefore require a neutral and multi-function building that could accommodate both events. The challenge is to differentiate the approach of users for the seemingly bi-polar programs. The design is based on creating a series of perception on how to approach the main hall of celebration. Through the use of ‘frame the frame’, a space frames another space and hints the way to the next space. To respond to the English landscape, the promenade is divided into different spaces and will be placed like objects located separately on the site, allowing the people to freely join in the events. Those who specifically came for the events could be blended with those who casually happened to be here. Also allow a the routes cross through. The views brought about by the careful orientation of the frames allow visitors to choose whether they want to witness the happenings. A wall is used as a tool to separate the events of life and death, meanwhile acting as a frame peeking through the program interacting with the landscape.

SITE AND PROGRAM AND HISTORY

POPULATION OF DEATH

finding the local life and death related open space.

SITE SURROUNDING Transfromation the Orginal detail section to a concept section.

TYPOLOGY OF GROUND BURIAL

STUDIED OF WEDDING AND FUNERAL SPATIAL RITUAL

the selected site at the large peice of the park, is a area surrounded by different higha dn density of trees, also, the apporched level have two different direction. this area also as a juction cponnect to multure local and non local users. see from the images taken from the site, the shadow of trees given different mood, which can develop to specific program or activities.

A THE MAKING OF VOID BRING LIFE, HOPE.

Jounary of two porgram and shown the perception how to create by the landscape and other spaces.

OPENING TOWARD THE SKY, THE TREES, GIVEN A MEANING OF LIFE AND FUTURE. B THE MAKING OF BRING IN SUBTLE SUNLIGHTING. OPENING TO THE GROUND, GIVEN A PERCEPTION TOWARD FURTHER.

MATERIAL / OPENING / LANDSCAPE/ LIGHTING The opening is opened towards the sky and the ground to symbol life or death. As the opening is framed towards the sky, the monumental old tree and smoke from the chimney could be seen from the hall during funeral. For the open close to the ground, attention could be drawn towards the bride and the groom with an indirect skylight. It also allows a peep to the landscape and the grass, giving a hint to move on to the outdoor.

UP DOWN

Wedding party and reception area.

Memorial space Local material like flints stone and brick are used to create two feelings in the building. Responding to traditional English churches constructions and facades, a contemporary technique is used to collect flint stones. Mixing the stones with glass and cement allows the sun to come through the building from the side in a subtle way.

the old trees became the more meaning by the new spatial setting. Funeral service adn lobby reception

HONOURABLE MENTION TOP 10

: MESH

INTRODUCTION : PROJECT :

COMPETITION

SITE LOCATION :

Medellin, Colombia

YEAR:

â&#x20AC;&#x2039;2014

LAYERING HYBRID DYNAMIC LIVING COMMUNITY

Idea - Layering of open spaces The site faces three types of busy street: a street full of public street life and commercial activities; a main road with busy pedestrian flow; and a desolated street with heavy traffic. Drawing from the complexity found in the site context and the inspiration from the traditional Columbian house- Hacienda, a layer of different open spaces and accesses are applied to attract different people to the site. The open spaces include private gardens, public square, terraces, patios and balconies. And each of these has its own dynamic qualities so as to generate a new series of housing hybrids.

Site Renewal In order to re-vitalize the site, the original car park is transformed into a public internal plaza, which would gather pedestrians from the surrounding busy streets. The existing church is preserved to form an iconic landmark while defining the main entrance of the housing complex at the same time. Adaptable System Considering there might be future development plans, an adaptable hinge block is adopted to allow flexible growth in the future. The individual service core system and flexible layout allow users to establish a living or working space according to their specific needs.

Existing church gathering square which becomes a meeting point for pedestrians View is clear from the plaza all the way to the market. The covered walkway guides the circulation and draw people to the shops.

TYPICAL HOUSING PROTOTYPE

ROPOSED HOUSING PROTOTYPE

PROGRAMMATIC ARRANGEMENT

Mixed use units mainly for housing possible to share or use for Perimeter Block

SUN LIGHTING AND ORIENTATION season

time

winter

12:00 15:00

60o 35o

summer

1 15:00

2:00 7 45o

Mixed use residential

un angle wind directing winter summer

Low Rise Clusters

Open Space

Adaptive Live Work Units

Shop / restaurant / retail Mixed use unit : Shop / restaurant / retail

Tower Block

Row Houses

Hybrid Blocks

Upper housing units Working garden

Public plaza

Share square Internal courtyard Social patio private access - worker Church Secondary access - Residents

A typical Hacienda system As a small self-supporting community, they have their own working space and living space. The church act as an icon of this community. By studying the relationship between the open space and programs, each characters. A church, acts also as an icon of this community. The access can pass through

Main access - Public

Main street Shops

existing church

Voids would create cross ventilation through the linear courtyard. This allows the wind to pass through both the plaza and the residential street. The voids can also form visual corridor between the public and private areas, so the public street life can always be seen in the living space.

BUILDING FORM IN RELATED TO SURROUNDING STREETS CHARACTER

OPEN SPACE

TRANSFORMATION OF HYBRID STREE

LD BLOCK / NEW PROGRA M

Mixed use private courtyard

Linear private backyard

welcom as a dir second

Public Square Existing block the Church, as a new landmark keep the shop structure, change the program

Residential street

bring i

Social gathering plaza

New block the new block in the middle, as a role that can create a series of open spaces

and vis a shift

OCCUPATION SPACE

Public node area

SCENARIO OF MIXED US E A B C D

COVERED SPAC E

House + private garden + shop House | private courtyard + shop House > share courtyard < shop House + courtyard | shop

FRONT DOOR PRIVATE / PUBLIC CIRCULATION

church gathering space shop + retail House Mixed h h w

the courtyard as a mixed use area, it can be owned by the house unit, or by shop unit, or shared between the two units at the same time. and it becomes a semi commercial, semi private living space.

-provides shading from the high angled sun and hot weather, thus encouraging pedestrians to go to the shops -draw people from the main space to the semi public space, the plaza

housing units face the mixed use housing units, creating a private zone for both, and a shared gallery creates a sense of belonging, allowing people to occupy the street. the public area, shop and mixed use of shop, facing each other, and better utilize the plaza

Covered shop front walkway, facing the social market, allow people to get rest or sell products, so as to bring in the traditional social street life in South America. Due to the pedestrian network connection of the plaza, it becomes a node which encourage pedestrians to stay.

Unit Type 1 Transitional Living Unit s

Unit Type 2

Unit Type 3 Adaptive Live Work Units

used courtyard

Unit Type 4 Live Units + Marketplac e

Flexible System Individual service core is applied to the adaptive live work block.

Transparency and openness of facade The facade and shopfront are highly transparent to the internal courtyard for lighting. Foldable doors allow to extend the shopfront to the outdoor.

Flexable facade of shopfront allows the space extension to the outdoor

Individual Service Core pocket space

T Liv rans e W for or ma k B bl Co ter lo e ur nal ck ty M ar ix d us ed

Centralized Communal Service Core Interlocking Circulation System Circulation is separated into private path for living and semi-private path for both live and work. They are visually conneted but physically disconnected.

Sh op

/B ar

vertical Interlocking openspace

tio ec nn o co ht g l ca ig rti nl Ve w su lo Al

rri co

Liv in g In Un Co tern it ur al ty M ar ix d us ed

l ua

Occupation Scenarios

H B ing W lock e or fo k r

Visual Axis Extended communal balconies with acoustic barriers are aligned in an axis parallel to the street, so as to form a visual corridor, which provide the quiet open spaces for residents.

Adaptive Scenarios The size, facades and layouts can be freely adopted according to their needs.

Hard Edge Elevated private garden and the arch facade are adopted to form a hard boundary between residents and public, but visual connection is maintained between them. Interlocking of open space The open spaces, including pocket spaces, individual and shared balconies, are arranged to form a facade facing to the inner residential street and visually connected.

In daytime, shop/ restaurant extend to the internal courtyard for commercial activity.

Residents and the customers can share the courtyard at the same times.

At night, the residents occupy the courtyard with neighbours.

Living Space

Informal Work (Studio)

(2 Units)

Covered walkway can draw the public getting into the inner market and provide an informal space for public street life and commercial activity

: FROM THE CITY TO FRONT DOOR

INTRODUCTION : PROJECT :

Bachelor final year

SITE LOCATION :

Robinhood Garden

YEAR:

2014

SPATIAL SEQUENCE FROM THE CITY TO FRONT DOOR

In our Studio area of research interest is the interrelationship between spatial practices (what we do in space) and spatial forms (the specific configurations of solids and voids). Spatial forms are neither neutral nor ‘pure’ expressions nor outcomes of social, economic and political forces. Rather, we see them as contributing to the formation of social, political and cultural identity both on an individual and collective basis. This research grows out of the work of Henri Lefebvre, Michel de Certeau and Richard Sennett in tandem with an interest in language and semiotics (structuralism, speech-act theory, visual semiotics). Collective housing, public programs and

the urban landscape are used as arenas where the everyday practices of inhabitants and users can be examined against the spatial configurations which are both produced and consumed by them. Daily rituals and routines are often used as the basis of establishing territorial strategies from which architectural propositions are formed. This approach often draws from a set of theories ranging from the picturesque promenade, the ‘promenade architecturale’, unism and psychogeography.

SITE LOCATION

MAPPING OF THE JOURNEY BETWEEN THE CITY AND FRONT DOOR

ROBINHOOD GARDEN

MAPPING OF THE PROGRAM BETWEEN THE CITY AND FRONT

STUDIED OF ROBINHOOD GARDEN FACADE AND UNIT

MY HOME : TUNG CHUNG, JOURNEY

A NEW SPATIAL ARRAGEMENT REFROM THE ROBBINHOOD GARDEN AREA

TYPICAL SECTION

BALCONY / COVERAGE / PATH / SOCIAL CORRIDOR

UNFOLDED SECTION SHOWN THE SPATIAL SEQUENCE

TYPICAL UNIT PLAN

JUNCTION OF FRONT DOOR / BACKYARD / ENTRANCE OF ROBBINHOOD GARDEN

G/F

2/F

1/F

3/F

SITE SECTION A NEW ENTRANCE OPEN SPACE : COMMERICAL

SITE SECTION B

SITE SECTION C

ACTIVITY OPEN SPACE : DAILY USE

RESIDENTIAL OPEN SPACE : NEW CONNECTION TO NORTH NEIGHBOUR

COMPLEMENT recreate a two open space to active the existing central garden of RobbinHood Garden.

: STRUCTURE AND ZONING

BOOKCORE

INTRODUCTION : PROJECT :

HKUS final year

SITE LOCATION :

North Point, Hong Kong

YEAR:

â&#x20AC;&#x2039;2010

difference of the distrubution glass related to how the zoning needs, lighting and private.

QUIET SPACE

The quiet reading spac is create for some reader whos reading for period, it provide enough sunlight,, green space suuround, large central void at the middle, see thought to another level.

BOOK CORRIDOR

The reader can walk thouoght the book core, it also create a pocket space for the reader have a quick read.

: MEMORIAL OF SENSE AND PERCEPTION

INTRODUCTION : PROJECT :

HKUSPACE final year

SITE LOCATION : TST HK

YEAR:

â&#x20AC;&#x2039;2010

A MEMORIAL FOR THE VICTIMS OF THE BUS HIJACKING IN MANILA

A short project that trying to use a hidden massage by the journey to let the visit repsect to the death. Use simply element , considerable material and sun angle arrange a vision.

APPROACH

This location can help draw away the sae view and the city, behind the sea and the city, and face ti again after the memorial.

NEEDS

slient / bless / treasure life /resepct / flowers / positive /

WORKING EXPERIENCE SELECTED AWARD PROJECT -

AWARDS -

THE INTERNATIONAL INTERIOR DESIGN ASSOCIATION (IIDA) ASISAN PACIFIC DESIGN AWARDS WINNER - SPA & SPORTS CENTRES CATEGORY

1/31/2016

Google Maps

: SWIMMING COMPLEX OF VANKE CENTRE

INTRODUCTION : PROJECT :

Rainbow Fraction

CLIENT:

CHina Vanke co. LTD

SITE LOCATION :

China Vanke headquarters

YEAR:

2015

VANKE HEADQUARTERS -

A interior project of swimming complex and lobby design. Idea of tranformation from natural elements, to create different mood with water.

VANKE HEADQUARTERS LOCATION

China.

A highly experiment project of light, materials, transparance, reflection of water and sun llight. https://www.google.co.uk/maps/@22.5416541,114.234578,117766m/data=!3m1!1e3

10 km

FEATURE STAIR AT LOBBY

OVERALL ELEMENT

PLAN

SUNLIGHT VOLUME THE DIAGRAM SHOWN THE LIGHT VOLUME IN CHANGING IN DIFFERENT SEASON. WHICH, WE CAN BASIC ON THAT TO DESIGN A SEASONAL LIGHTING .

PATTERN TRANSFORMATION CLOUD / WATER / STONE

tranfromation from a local material of china. Pixelation the images and apply on different element and scale.

RENDERING AND MATERIAL STUDIED

RAINBOW FRACTION

: NEW LAND MARK - RECONSTRUCT SUGAR INDUSTRY

INTRODUCTION : PROJECT :

Sudio OFF

SITE LOCATION : China

YEAR:

â&#x20AC;&#x2039;2013

HOTEL BETWEEN BAMBOO

INTRODUCTION : PROJECT :

Studio Zhai

SITE LOCATION : China

YEAR:

â&#x20AC;&#x2039;2012

WM-01

CO-WORKING SPACE

DL01

LT-01

INTRODUCTION :

WALL GLASS

WG-02

FEATURE WALL TRANSLUCENT GLASS

WB-01

WALL - WHITE BRICK WALL

WT-01

WALL ALUMINUM Black FRAME

WT-02

WALL ALUMINUM FRAME

PT-01

EMULSION PAINTED GYPSUM BOARD CEILING

FF-01

LOBBY FLOOR

LEGEND

LT01

Lift Wall Light REFERENCE TO LIGHTING LIST

LT02

Lobby Ceiling Down Light REFERENCE TO LIGHTING LIST

LT-03

FIXED TYPE CCTV

1200 x 150 LINEAR AIR GRILLE FOR SUPPLY AIR

1200 x 150 LINEAR AIR GRILLE FOR RETURN AIR

LED Strip REFERENCE TO LIGHTING LIST

LINEAR AIR GRILLE AT VERTICAL SIDE FOR SUPPLY AND RETURN AIR

PT-01

DL01

LT-02 RA/SA

F.C.L. +3400

F.C.L. +2900

PROJECT :

F.C.L. +2900

F.C.L. +2650

Freelance

WB-01

F.C.L. +2400

500

300 IN CASE OF FIRE DO NOT USE THE LIFT

DO NOT USE THE LIFT IN CASE OF FIRE

2650

WM-01 625

900

如遇火警切勿使用升降機

SITE LOCATION :

E.Q.

切勿使用升降機如遇火警

E.Q.

Hong Hong

YEAR:

2016

LEGEND WALL MARBLE

WG-01

LEGEND

3 EL

G/F F.F.L. +0.00

S.F.L. -50

DL15022

LIFT LOBBY - ELEVATION

1 :50

sions

Single ply membrane roof finish

Allow for white painted 18mm thick wbp plywood fascia boards

Supply and install black plastic gutters and downpipes to new flat roofs, including connections into existing drainage system.

New steel ridge beam to be installed as per structural engineer's drawings. To sit on padstone in party wall with number 34 Beaumont Avenue and steel post suppoted off new steel beam in floor zone below at party wall with 38 Beaumont Avenue.

SW03

Existing plaster to be removed. wall lined with 2 layer 15mm sound block and new skim coat plaster.

New Velux roof window. See Schedule of works for spcification.

Contractor to supply and install new combi boiler and link into system. Boiler to be from high quality reputable contractor, and sized correctly for the extended property.

Existing boiler to be removed and disposed of.

Existing ceiling and structure removed to make way for new floor structure to second floor. Ceiling to be replaced in 12.5mm plasterboard and skim coat. Allow for 100mm acoustic insluation above ceiling For doubled up joists required in ceiling please see structural engineer's drawing

Area where steelwork is installed in ceiling is to be lined with 12.5mm fire line board and given skim coat.

Construct new stud wall. 100mm tanalised timber studs at 400mm centres, lined on bedroom side with 12.5mm plasterboard and skim coat. Studwork to be fully filled with acoustic insulation. Allow for supply and install of new skirting board to match rest of room.

Floor in kitchen area only to be lined with 6mm wbp plywood screwed to floorboards, screws to be at 150mm centres across boards, all screwheads to be countersunk and covered with silicone to avoid causing damage to new floor finish. New floor finish to kitchen area to be Forbo Surestep Wood Decibel, rustic oak finish. To be fully adhered to plywood using acrylic adhesive, Eurocol 540 or similar approved.

Bedroom 2

FW02

FR05

Existing window retained New radiator New wet heated towel rail

Radiator removed

Bathroom 1

Bedroom 1 FR03 FW01 Existing window retained

New radiator

Wall demolished + cupboards removed

FR04

Existing plastic curtain poles removed. Supply and install white painted softwood curtain poles similar to Kitchen/Living/dining space.

New Shower tray + Enclosure

Floor to be lined with 6mm wbp plywood screwed to floorboards, screws to be at 150mm centres across boards, all screwheads to be countersunk and covered with silicone to avoid causing damage to new floor finish. Forbo Surestep Wood Decibel, rustic oak finish. to be laid on top of plywood. To be fully adhered to plywood using acrylic adhesive, Eurocol 540 or similar approved.

Existing door to be replaced with fire door. (FD30). See schedule of works for spec

A Existing chimneybreast removed and supported on new beam above ceiling

Plaster to be removed along crack to expose joint between solid masonry and timber construction. Replaster using expanded metal mesh reinforcement at joint to avoid future cracking. Loft hatch removed and Landing 1 ceiling made FR01 good

SR02

Existing plaster to be removed. wall lined with 2 layer 15mm sound block and new skim coat plaster. Side wall of dormer constructed off new timber joists

New steel beam to support chimney stack

FR06 Supply and install ceramic Black Satin Small (PRS13) Tiles from the Prismatics Satin Natural range by Lux (www.wallsandfloors.co.uk) (100mm x 100mm) to form 300mm high splashback along length of new kitchen worktop. Mapei Keraflex Maxi S1 adhesive, and Mapei Ultra Colourplus 120 grout, black.

FD04

FW06

Existing window retained

New floor structure for Bedroom 3 to be 200x50mm C24 joists at 400mm centres lined with 18mm glued and screwed wbp plywood.

Kitchen/Living/Dining

Existing walls made good where wardrobes removed prior to redecoration.

All external walls to dormers to be built internal finish of 12.5mm plasterboad wit 24mm tanalised timber battens @ 400 c/ in wall DuPont Airguard Reflective, Vapour Con New timber frame wall to be constructe timber studs at 400mm centres. Timber studwork to be fully filled with C insulation Externally the stud wall should be lined w Houswrap Breather Membrane 24mm vertial tanalised timber battens 24mm horizontal tanalised timber counte hung slates to match existing roof finish ( from original roof if possible)

Bedroom 3

Existing door to be replaced with fire door. (FD30). See schedule of works for spec

FR07

New uPVC window

Existing window retained

For doubled up joists required in ceiling please see structural engineer's drawing

Under stair cupboard

Staircase 1

FR05

FW05

New uPVC window

- Existing kitchen removed and disposed of. - Kitchen units and appliances will be supplied by client. - contractor to allow for installation of services as required for new kitchen. - New kitchen units, appliances and kitchen worktop to be installed as per enclosed details.

Bedroom 2

Existing door to be replaced with fire door. (FD30). See schedule of works for spec

FR02

Area where steelwork is installed in ceiling is to be lined with 12.5mm fire line board and given skim coat.

For doubled up joists required in ceiling please see structural engineer's drawing

Bedroom 1 FR03

Staircase 3

Existing chimneybreast removed and supported on new beam above ceiling

Steelwork in ceiling void as per engineer's specification

FW04

Area where steelwork is installed in ceiling is to be lined with 12.5mm fire line board and given skim coat.

Retain existing timber curtain poles and paint as per other woodwork above.

New radiator

FR06

FD03 For doubled up joists required in ceiling please see structural engineer's drawing Landing 2

Staircase 2

Existing window retained

Kitchen/Living/Dining

Existing Purlin to be removed and replaced with a new load bearing stud wall built off the new floor structure 1870mm from inside face of front external wall to support existing rafters

Bedroom 4 floor structure to be constucted of new 200x50 tanalised timber C24 joists @ 300mm c/c. Floor to be lined with glued and screwed 18mm wbp plywood.

Curved metal threshold at curved edge between carpet and Forbo flooring. Schluter Systems L aluminium Tile Edge Trim, Item #: 457401, Model #: R/ATK100ATGB

New steel above see engineer's drawing.

FD02

For doubled up joists required in ceiling please see structural engineer's drawing

FD01

Area where steelwork is installed in ceiling is to be lined with 12.5mm fire line board and given skim coat.

Client to supply new sanitaryware and fittings. Contractor to allow for installation

Area where steelwork is installed in ceiling is to be lined with 12.5mm fire line board and given skim coat.

2 Walls surrounding shower to be lined with Hardie Backer 500 tile backer board and all joints sealed and taped with waterproof joint tape, two coats of Mapei Aquadefense flexible liquid waterproof membrane applied prior to tiling. Mapei band tape to be used at corners and where tiling will meet shower tray. 2 walls around shower to be tiled up to height of shower enclosure, and full width of wall. Tiles: Swave White Tile (Topps Tiles) 200mm x 600mm. Use Mapei Keraflex Maxi S1 adhesive, and Mapei Ultra Colourplus 100 grout, white.

Bedroom 4 SR06

Supply and install ceramic Black Satin Small (PRS13) Tiles from the Prismatics Satin Natural range by Lux (www.wallsandfloors.co.uk) (100mm x 100mm) to form 300mm high splashback along length of new kitchen worktop. Mapei Keraflex Maxi S1 adhesive, and Mapei Ultra Colourplus 120 grout, black.

Existing walls made good where wardrobes removed prior to redecoration.

Existing plastic curtain poles removed. Supply and install white painted softwood curtain poles similar to Kitchen/Living/dining space.

FW03 Existing window retained

Slate clad dormer

Where dormers are not being added the existing roof fabric should be retained and modified as follows. Existing slates, battens, roof felt and rafters retained 50mm airspace to be left at top of space between existing rafters. Eaves and ridge to be modified to allow for this space to be fully ventilated. 50mm Celotex FR5000 insulation installed in between existing rafters Continuous layer of 75mm thick FR5000 insulation installed below existing rafters with taped joints to create Vapour Control Layer and air leakage barrier. Roof lined internally with 12.5mm plasterboard.

Plasterwork to party wall to be removed approximately 500mm either side of crack. Wall to be re-plastered following installation of helibar reinforcement as per engineer's specification.

Tanalised timber stud wall with 12.5mm plaster board + skim coat.

Underside of staircase 3 to be plastered and decorated

Cupboard + railing removed and disposed of.

Supply and install primed softwood timber staircase (Staircase 3) leading from First Floor Landing 2, up to Second Floor Landing 3. Staircase is to have cut stringer, nosing, spindles, newel posts and handrail to match existing Staircase 2.

- All existing floor finishes inside flat to be removed - Inspect floorboards and Contractor to advise architect if any repair/replacement is required.

- Unless otherwise specified, supply and install new carpet throughpout. Prepare floor, install gripper strips and plates, 9mm polymer underlay, Carpet: Cormar, Sensation Twist, colour TBC.

- Decorate/Re-decorate all walls and ceilings. Allow for repair to existing plasterwork. Undercoat + 3 coats of emulsion (Dulux or similar) Colours TBC (allow for brilliant white). - All woodwork to be painted/re-painted. Prepare wood thoroughly, prime and knotting on knots, 2 undercoats plus 1 coat satin white.

job title

34 Beaumont Avenue

revisions

Design developed and annotation added

36 Beaumont Avenue MICHAEL JONES ARCHITECTS ltd

19/5/16

tel 020 8948 1863 fax 020 8948 4069 info@mjarchitects.co.uk www.mjarchitects.co.uk

129 kew road richmond surrey tw9 2pn

36 Beaumont Avenue

38 Beaumont Avenue

client

Chartered Practice

Keshu Karavadra

Ground Floor Flat not surveyed

drawing title

scale

1:25 @ A1

Proposed First Floor Plan

date

May 2016

drawing number :

sheet

rev

1080.10.06.Gen.023.A

drawn by

checked by

Fully adhered Section B'B single ply membrane roof finish Celotex Crown-Fix insulation with thermally broken Scale:120mm 1:25 fixings

Section C'C Scale: 1:25

Vapour control layer appropriate for roof membrane 18mm WBP plywood glued and screwed to joists

New roofbuild-up as follows: 12.5mm plasterboard with skim coat internal finish Doubled up 100mm x 50mm (C24) tanalised timber joists at 400mm centres Firrings to achieve 1:60 fall Vapour control layer 120mm Celotex Crown-Fix insulation with thermally broken fixings Single ply membrane roof finish

Firrings to creat fall of 1:60

Doubled up 100x50mm (c24) tanalised timber joists

12.5mm plasterboard with skim coat Roof trim

Allow for white painted 18mm thick wbp plywood fascia boards

18mm painted wbp plywood Fascia board

129 kew road richmond surrey tw9 2pn

24mm Vertical Battens DuPont Tyvek Houswrap Breather Membrane 150 x 50 c24 tantalized timber stud wall fully filled with Celotex XR4000 DuPont Airguard Reflective, Vapour Control Layer

revisions

Detail 2

Supply and install black plastic gutters and downpipes to new flat roofs, including connections into existing drainage system.

1080.10.06.Gen.040

job title

MICHAEL JONES ARCHITECTS

Hung slates 24mm Horizontal Battens

drawing title

Proposed Section BB & CC

drawing number :

client

Chartered Practice

sca

Allow for replacement of ridge tile with apprpriate ridge tile to ventilate air space

36 Beaumont Avenue

ltd

tel 020 8948 1863 fax 020 8948 4069 info@mjarchitects.co.uk Allow for white painted 18mm thick wbp plywood fascia boards www.mjarchitects.co.uk

1080.10.06.Gen.041

Keshu Karavadra

Supply and install black plastic gutters and downpipes to new flat roofs, including connections into existing drainage system.

24mm Vertical batters creating services void 15mm Plasterboard + skim coat

Detail 1 1080.10.06.Gen.040

Dormer Roof/Wall Junction

New roofbuild-up as follows: 12.5mm plasterboard with skim coat internal finish Doubled up 100mm x 50mm (C24) tanalised timber joists at 300mm centres Firrings to achieve 1:60 fall Appropriate vapour control layer for roof membrane 120mm Celotex Crown-Fix insulation with thermally broken fixings Single ply membrane roof finish

SW05 New uPVC window

1:10

dat

sheet Where dormers are not being added the existing roof fabric should be retained and modified as follows. Existing slates, battens, roof felt and rafters retained 50mm airspace to be left at top of space between existing rafters. Eaves to be modified to provide adequate ventilation to air space. Allow for replacement of ridge tile with apprpriate ridge tile to ventilate air space 50mm Celotex FR5000 insulation installed in between existing rafters Continuous layer of 75mm thick FR5000 insulation installed below existing rafters with taped joints to create Vapour Control Layer and air leakage barrier. Roof lined internally with 12.5mm plasterboard.

rev

Landing 4

2027

SR03

LOCAL HOUSES IN UK MICHAEL JONES ARCHITECTS

job title

5 129 kew road richmond surrey tw9 2pn

INTRODUCTION : PROJECT : MJA

36 Beaumont Avenue

ltd

tel 020 8948 1863 fax 020 8948 4069 info@mjarchitects.co.uk www.mjarchitects.co.uk

Chartered Practice

1080.10.06.Gen.060

Staircase 4

Eaves Storage

Bedroom 3 SR02

Existing slates and battens retained

Eaves to be modified to provide adequate ventilation to air space.

Existing roof membrane retained

Proposed Front Elevation

drawing number :

Keshu Karavadra

Structural stud wall as specified by engineer

Where rear facing roof is removed existing roof membrane to wrap up to meet single ply memrbrane roof finish

drawing title

client

Bathroom 2 SR04

Allow for replacement of ridge tile with apprpriate ridge tile to ventilate air space

2079

Single ply membrane roof to meet existing roof just below ridge tile height.

sheet rev

A3 _

scale

1:50 @ A3

date

Dec 2015

drawn by

checked by

Existing 100mm deep rafters retained. 50mm ventilated air gap created in between rafters

Landing 3 SR01 100mm mineral wool acoustic insulation to be installed above new ceilings

New steel ridge beam install up to underside of existing timber ridge Fire line board internal finish

Ridge Detail 1:10

Staircase 3

Kitchen/Living/Dining

Landing 2

75mm thick Celotex FR5000 insulation installed below rafters. Joints taped to form vapour control layer

FR06

FR02

100mm mineral wool acoustic insulation to be installed above new ceilings

50mm thick Celotex FR5000 insulation installed in between rafters

12.5mm plasterboard and skim coat

Bedroom 1

Landing 1

FR03

Staircase 2

FR01

SITE LOCATION :

36 BEAUMONT AVENUE, RICHMOND, LONDON

Front door to Ground Floor Flat

Ground Floor Flat not surveyed

YEAR:

â&#x20AC;&#x2039;2015

Section C'C Scale: 1:25

Staircase 1

Private Entrance Lobby

GR02

Communal Entrance Lobby

GR01

dra

che

RESIDENTIAL

INTRODUCTION : PROJECT : Arva.

SITE LOCATION : China

YEAR:

â&#x20AC;&#x2039;2017

MASTER PLAN INTRODUCTION : PROJECT : ECE

SITE LOCATION : LONDON YEAR:

â&#x20AC;&#x2039;2015

; END