Interior Design Portfolio - Lola Osunneye

INTERIOR ARCHITECTURE PORTFOLIO BA Interior Architecture - 2015-2018 Oxford Brookes University

Lola Osunneye

EDUCATION

INTERIOR ARCHITECTURE BA (HONS)

LOLA OSUNNEYE

Upper Second Class Degree (2:1) Oxford Brookes University 2015-2018 A-LEVELS + BTEC A Level Interior Design (A) (B) BTEC Art & Design (D* D* D) Havering Sixth Form College 2011-2013 GCSE’S

52, Norfolk Place, Chafford Hundred, Grays, Essex, RM16 6DE. lolaosunneye@gmail.com

5A’s (including English) 2B’s (including Maths) & 4C’s Chafford Hundred Campus 2005-2010

+44(0)7950112053 https://www.linkedin.com/in/lola-osunneye-6b4134a0/

Available for immediate start

PROFILE

INTERIOR ARCHITECTURE GRADUATE I am a dedicated Interior Architecture graduate striving to become exceptional in the design field. My work experience has provided a dynamic environment that creates an opportunity and advantage to exploit my skills. I am ambitious and started my own buisness that specialises in fine art portraits. I take pride in my work and performances and always deliver to high standards.

KEY SKILLS

Rhinoceros 5, Vray, Flamingo AutoCAD 2018 Adobe InDesign CC 2018 Adobe Photoshop CS6 Adobe Illustrator CC 2018 Intriguing attention to detail Ability to work independently as well as team collaborations.

Good communication skills.

Excellent photography skills Model making skills including hand models, casting (plaser), lasercutting, foam board, mount board.

EXPERIENCE

Junior Interior Designer - SEQUOIA LONDON (Jan 2019 – Feb 2019) Location: Third Floor, Lansdowne House, 57 Berkeley Square, W1J 6ER

I had the opportunity to develop conceptual design for a Private Client.

My daily routine was working on elevation drawings . I had the chance to understand creating mood boards and learning about different fabric and wallpaper designers. Additionally, I was able to create FF&E presentations with the use of Photoshop & Indesign. I learnt how to read spec sheets as well as drawing up sepc sheets for particular sets of rooms. I was capable of working on plans and elevations using AutoCAD, elevating walls and drawing bespoke furniture specifically vanity’s for bathrooms. Each drawing was reported to the design director to be signed for approval. Further, I had a brief introduction to the software ESTI PC which deals with invoices, supplier and client estimates and information. Lastly, I had the chance to visit a delivery warehouse to supervise all products matched their references as well as collecting all damages. I was in contact with suppliers requesting new price and catalogue information to use for future preferences and logging in any new samples received with the use of Microsoft Excel.

Interior Design Intern - FIONA BARRATT INTERIORS (Sept 2018 – Oct 2018) Location: 12, Francis Street, Westminister , London SW1P 1QN

Offered the opportunity to participate in a six-week internship with an objective of learning the inner workings of the design studio. Fiona Barratt also has a furniture company under the name FBC , I was working alongside their studio in the media and marketing area. With the use of photoshop and Indesign , working on the catalogues, sorting out in Situ images and preparing them for a new website launch. In the interior design studio, I had the opportunity to learn about suppliers, in contact with suppliers and requesting quotes and trade prices. Attending meetings as well as ordering samples and collecting them for particular design projects. Lastly, I was able to work on plans and elevations using autocad, cleaning up plans. In addition, working on electrical and lighting plans, placing sockets on elevations with the correct measurements, ready for an accurate installment by construction workers.

Sales Advisor - TOPSHOP TOPMAN - (Jul 2017 – Jan 2019) Location: Oxford/Essex, United Kingdom

Initially employed as a temp, later presented a permanent position after 3week contract. Involved in the interior design development (Model Store). Working overnight shifts dealing with deliveries and new stock. Till trained and ability to interact with customers. Working in fitting rooms , ensuring all customers are given correct tag numbers and coming out with the correct amount of items taken in. Keeping the shop floor neat and tidy with the expected standards. Dealing with transfers and offering excellent customer service.

INTERESTS

Artist

May 2016 – Duration 2 yr 3 mos Location: Essex, United Kingdom Producing artistic portraits for my clients.

Exploration of detailed and delicate lines with the use of watercolour painting and fine liner pen. Using lines to form a harmonious representation of shading.

Sold over a 300 copies/drawings.

All drawings are framed upon request.

Collage [Photoshop, vintage advert, vintage illustration, IVAR london interiors] Osunneye, L, (2018)

contents MODULAR SYSTEMS + CANTEEN PROJECT

Design concerned with modular forms in order to create a design proposal with functions that complement a local school children's canteen.

[2-13]

MATERIAL RESEARCH

Study of a specific chosen material in order to understand its limitations and abilities to perform as a spacial quality.

[14-17]

CONTEMPORARY PAVILLION

A sensitive approach to theraputic architecture with the study of Maggie Centers. Concerning a design proposal for people who suffer from cancer.

[18-27]

DIORAMA PROJECT

Study of Hong Kong Maggie Centre in order to re-create a specific space in the building.

[28-29]

FIONA BARRATT INTERIORS

Six-week internship at an interior design company, working on various projects to gain experience in areas that inculde design strategy, presentation and administration.

[30-35]

SEQUOIA LONDON

Job opportunity to gain experience in concept design, bespoke furniture and areas that include presentation and administration.

[36-57]

COLLABORATION PROJECTS

Collages designed based on surrealism for an interior design company.

[58-61]

COMMISSIONED DRAWINGS

An insight into my personal brand specialising in fine art drawings

[62-63]

MODELS + ARCHITECTURE DRAWINGS

A selection of model making, cad drawings and hand drawings

[64-71]

CHAPTER ONE MODULAR SYSTEMS - CANTEEN RE-DEVELOPMENT

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modular systems

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Modular System

1 mod .+ ular

SYSTEMS canteen project [ YEAR

2017 ]

The brief required a design proposal from a previous project to transform aspects of that design into a modular system. Subdividing an object into smaller parts called modules. These parts can then be independently designed and then used in different configurations. My idea stemmed from shutters inspired by a trip to Palermo and the traditional style of italian windows. The development led to japanese style and their use of transparency and shadows.

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Initial modular system design showing spacial qualities and components in which children can use to play, read and sleep.

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'IN PRAISE OF SHADOWS'

“We find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates" Juichiro Tanizaki, [1977]

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[ section model 1:100 ] Plan view of a canteen space, showing modular forms, pathways and the play of shadows inspired by japanese architecture.

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CHAPTER ONE MODULAR SYSTEMS - CANTEEN RE-DEVELOPMENT

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1 re. development

CANTEEN PROJECT Location | Botley School, Oxford [ YEAR

2017 ]

After successfully designing a modular system to be used as various functions, this brief was introduced to apply the modular system as a canteen space for children. The idea of the shutters were duplicated and developed into timber panels that create lovely shadows into the building. Light was one of the most under-developed part of the existing canteen so it was essential to consider many ways light can come in.

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Interior view of canteen space showing movement in the space and how the children are able to access the counter as well as areas in which they sit.

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2 ma . terial

RESEARCH

Location | Lye Valley, Oxford [ YEAR

2018 ]

The brief was based on the study of a material to be placed as part of a design proposal. The initial design brief is connected to theraputic architecture and the materials purpose is to act as a 1:1 scale solution. I chose to work with Fabric bandages and plaster to create where one can go to clear their mind whilst embracing the atmosphere of nature, sky light, water and fabric bandage plaster walls.

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The fabric bandage walls were intended to be touched and felt by the people who use the space. The combination of the plaster and bandage creates these lovely textures. This image shows an Interior view of pod with the proposed distorted fabric walls. When light is reflected onto the bandages the texture of the plaster are revealed.

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1

1

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The material I studied was plaster and fabric bandages. In order to develop my fabric bandage walls , it was essential to understand the materials potential to be used in various scales. The wire mesh as well as a timber frame behind, allowed a structural element to the design. The bandage walls also left the surface of the fabric to be touched.

ENTRANCE

TIMBER STRUCTURE

FABRIC BANDAGES

WIRE MESH

POND

[ section drawing 1:20 ]

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3

. con

temporary

PAVILION

Location | Lye Valley, Oxford [ YEAR

2018 ]

The brief required a design inspired by maggie centers which specialise in accomodating people who suffer from cancer. My design development was inspired by Frank Gehry in terms of form and shape. The primary colours are used as a form of healing by the intention of changing an individuals mood and creating a peaceful but playful atmosphere.

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'MAGGIE CENTRE HONG KONG'

“People with cancer need places like this"

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The garden space was the most significant because it opens a world of colour. Where someone who is dealing with an illness such as cancer are able to cope, embrace the nature surrounding as well as having areas in which to sit , read and heal.

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Interior views into the contemporary pavilion showing how the colours complement the space as well as it being in context in the valley site.

Collage showing access to the building as well as how the colour may attract someone into visiting the building.

Interior view of living space

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CONTEMPORARY PAVILLION

CHAPTER THREE

[ Hand model ] A view of the pavillion showing the large pond as well as transparency into the building, corrolating with the context of the valley.

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. dio rama

project

HONG KONG MAGGIE CENTRE [ YEAR

2018 ]

In relation to the contemporary pavilion project, the purpose was to study an existing maggie centre and create a diorama or a particular space in the building. I was assigned to the Hong Kong Maggie centre and I chose to layer together images from the centre in order to re-create the space and attempt the same atmosphere. Concentrating on where light comes in and also areas in which you can look in to see what happens in the space.

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[ section model ]

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4

. in terior

design

FIONA BARRATT INTERIORS Location | 12, Francis Street, Westminister, London, SW1P, 1QN [ YEAR

2018 ]

As a design intern, had the opportunity to learn about the inner workings of an interior design studio. Working alongside the interior design team as well as the media and marketing team. With the experience of AutoCAD, InDesign and Photoshop working on different projects at a time, helping out the team and aiming for a successful outcome.

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mood board

furniture selection

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FIONA BARRATT INTERIORS

CHAPTER FOUR

Concept interior view of shelving

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I was provided with an office space intended for a masculine theme. I was asked to find accesories that can be used in the office. I looked at suppliers such as katherine pooley , artemest, lux deco e.t.c. I chose to go with gold, black and cream theme.

Lastly I presented a photoshop visual that shows how they might look on the shelving provided.

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In this project , the Client requested a fire place with metal panels. I worked on the elevations to show the client a play around of metal panelling in a vague way and this was the outcome.

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5 con. ceptual design SEQUOIA LONDON

Location | 12, Francis Street, Westminister, London, SW1P, 1QN [ YEAR

2019 ]

I had the opportunity to work with a small interior design team. Producing concept ideas for a private client's apartment, with the use of InDesign and Photoshop. I also helped by producing drawings of bespoke furniture following the required spec sheets.

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mood board

Fabric and wallpaper selection

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furniture & lighting

[ master bedroom ]

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. ma ster

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bedroom two

mood board

Fabric and wallpaper selection

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furniture & lighting

[ master bedroom 2 ]

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. li ving

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room

mood board

Fabric and wallpaper selection

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furniture & lighting

[ living

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room ]

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. di ning

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room

mood board

Fabric and wallpaper selection

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furniture & lighting

[ dining room

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]

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. be spoke

furniture

BATHROOM DESIGN [ YEAR

54 |

2019 ]

mood board

VANITY UNIT ELEVATION

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1 A MIRROR - SILVER

WINDOW

ROSE GOLD BASIN MIXER MARBLE DETAIL AIR GAP MIRROR DETAIL WHITE MARBLE BASIN BOTTLE TRAP

VANITY UNIT SECTION 1:20

1 A

VANITY UNIT ELEVATION 1:20

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VANITY UNIT ISOMETRIC DRAWING

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6 co . llaboration projects IVAR LONDON [ YEAR

2018 ]

The interior design company called IVAR LONDON requested working with me after seeing my artistic portraits on instagram. They asked that I produced some collages representing their brand. After researching the company , I noticed the luxurious style of their interior spaces and further decided to use vintage illustrations in order to create these beautiful interesting surreal collages.

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Photoshop, vintage advert, vintage illustration, IVAR london interiors.

Osunneye, L, (2018)

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COLLABORATION PROJECTS

CHAPTER SIX

Photoshop, vintage advert, vintage illustration, IVAR london interiors.

Osunneye, L, (2018)

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Photoshop, vintage advert, vintage illustration, IVAR london interiors.

Osunneye, L, (2018)

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7 co . mmissioned drawings ARTIST

[ YEAR 2016 ] Started my own buisness that involves producing artistic portraits for my clients. The drawings are an exploration of detailed and delicate lines with the use of watercolour painting and fine liner pen. Occasionally I use different mediums such as acrylic paint, ink and marker pens. The use of lines help to form a harmonious representation of shading.

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"Melanin"

Watercolour , Fine liner Pen, Ink , Coffee ' H 297mm x W 210mm ' [ 2018 ]

"Secret Compassion" Watercolour , Fine liner Pen, Ink ' H 297mm x W 210mm ' [ 2018 ]

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8 mo. dels + architecture drawings An insight into architectural models using different techniques such as laser cutting and hand made models.

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Technical hand made model of Kiosk design in a form of timber frame using balsa wood.

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[ pencil sketches ]

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[ pen drawing ] Sketches of Oxford City using fine liner pen.

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Hurley House

By Greta Grossman

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Linkedin Issuu Instagram Email

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THANK YOU

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