London in Stereo // April 2015

APRIL 2015 ISSUE 25 // FREE

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GEORGE CLINTON & PARLIAMENT FUNKADELIC

+ ARKON FLY + REDINHO

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(23 APRIL)

T SOLD OU THURSDAY 23 & FRIDAY 24 APRIL

ISLINGTON ASSEMBLY HALL

AND SPECIAL GUESTS

WED 15 APRIL

KOKO

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T H U R S D AY 3 0 A P R I L

TUE 28 APRIL • SCALA gigsandtours.com / ticketweb.co.uk

Debut album ‘A Flourish And A Spoil’ out now thedistrictsband.com by arrangement with ATC Live

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BY A R R A N G E M E N T W I T H P R I M A RY TA L E N T I N T E R N AT I O N A L

P R I O R I T Y B O O K I N GS

WELCOME

NADINE SHAH

This month we’ve got the hugely talented Nadine Shah on the cover. She releases her second album in April and it’s a perfect example of an ever-improving, ever-growing writer, her powerful vocals never overpowering the beautiful instrumentation.

Make sure you give it a listen, you’d be a fool to miss out. There are just a few fantastic albums out this month (read: huge amounts) and for some reason the bulk of them come out on the 6th, so prepare yourself to be bombarded with some of the finest music this year very, very soon.

HOP ALONG

We’re also super excited to announce we’ll be working with the fantastic Visions Festival again this year, with a bunch of our favourite promoters coming together to create the third annual edition. It features its strongest line-up yet, with no less than three previous London in Stereo cover acts playing. To say we’re a little excited already, would be a huge understatement.

STAFF ON REPEAT the tracks we can’t stop listening to this month JESS: COLLEAGUES - SOMEWHERE DAVE: HOP ALONG - WAITRESS LOKI: FORT LEAN - QUIET DAY DANNY: WAXAHATCHEE - LA LOOSE GEMMA: TAME IMPALA - LET IT HAPPEN LiS 03

CONTENTS 08. ON THE STEREO

LONDON IN STEREO IS:

13. NEW SOUNDS

Editor: Jess Partridge jess@londoninstereo.co.uk

15. TALES FROM THE CITY

Deputy Editor: Dave Rowlinson dave@londoninstereo.co.uk

20. THE MOUNTAIN GOATS

Sub-Editor/Sales: Loki Lillistone loki@londoninstereo.co.uk

24. NADINE SHAH

Staff Writers: Danny Wright Gemma Samways Jack Urwin

30. ALBUM REVIEWS 38. EVENTS

Photography: Nadine Shah cover story: Lucy Johnston

43. GIGS OF THE MONTH 46. LIVE LISTINGS 65. IN LONDON 66. LIVE REVIEWS 69. PENNY FOR YOUR THOUGHTS

Contributors: Grant Bailey, Tim Hakki, George O’Brien, Amy Gravelle, Thomas Hannan, Hayley Scott, Francesca Baker, Geoff Cowart, Simone Scott Warren, Nick Mee, Woodrow Whyte, Gareth Ware, Oli Knowles.

THE MOUNTAIN GOATS

londoninstereo.com

@LondonInStereo

/londoninstereo

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londoninstereo LiS 05

— F RI 0 3 A P R —

— FRI 1 5 MAY —

THE SUNSHINE UNDERGROUND

POPES OF CHILLITOWN

— WED 08 APR —

— TH U 21 MAY —

THE SNARE

ETCHES + PUMA ROSA + CLUB.THE.MAMMOTH. DJS

FUTURE SOUNDS OF HIP HOP WITH PUSHA T LITTLE SIMZ + JAY PRINCE + DJ SEMTEX

BOMBS

THE GREASY SLICKS + PEYOTE + CHAZ THOROGOOD + DJ JIMI NEEDLES

— FRI 25 MAY —

THE SOFT MOON

— THU 09 APR —

SCOTT WEILAND

NOVELLA + BLUSH_RESPONSE

— F R I 17 A P R —

— TUE 26 MAY —

JOSH FLOWERS & THE WILD + TOM PRIOR + CLUB.THE.MAMMOTH. DJS

BABY GODZILLA + CREEPER

— THU 23 APR —

STRAND OF OAKS

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— W ED 27 MAY —

HUNDREDS

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— W ED 0 3 J UN —

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(EP LAUNCH PARTY)

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MANDEVILLE

— FRI 0 5 J UN —

THE MIDNIGHT BARBERS + HONEYMILK + POCKET MONEY

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— SAT 0 6 J UN —

— T HU 30 A P R —

THE EARLY NOVEMBER

THE HUMMINGBIRDS

— F RI 01 M AY —

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YOU BLEW IT! + A GREAT BIG PILE OF LEAVES

THE GORGEOUS CHANS

— TH U 11 J UN —

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SO LD O U T

SAY LOU LOU HEAVEN WED 08 APR

TORO Y MOI OVAL SPACE WED 08 APR

WALKING ON CARS SCALA THU 09 APR

GEORGE THE POET PURPLE FERDINAND MT WOLF SCALA THE COURTYARD CECIL SHARP HOUSE TUE 14 APR TUE 14 APR WED 15 APR

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IMAGINE DRAGONS BILLIE BLACK THE O2 THE WAITING ROOM WED 04/THU 05 NOV WED 08 JUL

JOHN GRANT EVENTIM APOLLO HAMMERSMITH THU 12 NOV

b u y t i c ke t s at l i ve n at i o n .co. u k

SUFJAN STEVENS

JOHN WAYNE GACY JR. This is one of my favourite Sufjan tracks; I love the way he is able to sing so sweetly, or bitter sweetly, about this horrific serial killer.

There aren’t many people who could create a song about this man without coming across as trite. I’m very happy to have him at the festival this year - Carrie & Lowell is fast becoming one of my favourite Sufjan records. I’ve been asking him to play since 2007 and I guess persistence paid off.

FUZZ

WHAT’S IN MY HEAD

SUFJAN STEVENS

I’ve always been a massive Ty Segall fan, and the addictive, ferocious psychedelia he makes with his band Fuzz is just as incredible. What’s In My Head is just a real fun track that makes me want to be a teenager again. Makes me want to go buy a car from an auction for £80 just so I can smash the shit out of it while listening to The Sonics.

JESSICA PRATT

GAME THAT I PLAY I love her self-titled debut album, though her new record, On Your Own Love Again, seems like a step up. She has moved away from that purer lo-fi sound and towards the 60s Greenwich Village blues folk of artists like Karen Dalton - this song in particular has the same torn emotion.

SAINT ETIENNE ONLY LOVE CAN BREAK YOUR HEART When I first heard this I was put off because I was such a huge Neil Young fan at that time and I thought they had butchered it. Now though when I hear it, it sounds timeless.

Hearing them play Foxbase Alpha, on the Garden Stage, in full, is going to be pretty special.

JESSICA PRATT

ULTIMATE PAINTING

TAKING CENTRAL PARK BLUES I got this album last year and it just gets better every time I put it on.

The band is made up from members of Veronica Falls and Mazes and they wrote it in their down time while touring the U.S. together, I believe.

This song sounds like the Velvet Underground but has a distinctly British feel too. words: EOTR co-founder and curator, Simon Taffe End Of The Road: September 4th-6th, Larmer Tree Gardens, Dorset. facebook.com/EOTRFestival // @EOTR endoftheroadfestival.com

ULTIMATE PAINTING LiS 09

NEW SOUNDS by Gemma Samways

BLACK HONEY In a fiercely-competitive industry, where every young artist has to clamour to be heard, Black Honey’s reluctance to play the game is intriguing. At the time of writing, the Brighton band have shared scant biographical information, seem to be studiously avoiding interviews, and have initially limited their latest double A-side single (Madonna/Spinning Wheel) to just five CD copies, which were auctioned-off on eBay. The cynic in you might suspect that all this evasiveness is simply a ploy to make them appear more enigmatic, except they’ve also published a phone number online so fans can engage with them directly. This seeming predilection for the contradictory bleeds beautifully into their songwriting.

Aptly summed-up on their SoundCloud page as a “Sweet.Taste.Of.Darkness,” the quartet’s compositions occupy a liminal space between light and dark, power and vulnerability. Soaring, indie-pop melodies

like Bloodlust arrive deliberately scuffed with squalling feedback. The love-struck euphoria of The Taste is lent grittiness with grunge-y guitar textures. Even at their most buoyant - on the psychedelic, 60s-inspired sugar-rush of Teenager - the sweetness is tempered by Izzy B Phillips’ mercurial vocal performance, which ricochets thrillingly between wide-eyed and sneering.

For a band who reportedly only formed last summer, Black Honey display an impressive grasp of melody. In fact, it’s so remarkable that it justifies their somewhat lackadaisical approach to marketing: when you already possess material this strong, who needs an in-depth back-story to add further interest?

LISTEN TO: Madonna ONLINE: @BLACKHONEYUK facebook.com/BlackHoneyUK LiS 13

TALES FROM THE CITY by Speedy Ortiz

For someone as restless as I can be, always halfway flaking from a travel itch, touring in a band is alternately sating and irksome. I get to hang out in all kinds of places that, in my not-so-far-away past life teaching college kiddos, I’d never otherwise have an excuse to kick around (North Dakota, por ejemplo). On the other hand, there are certain cities London included - that are so saturated with bloggers, radio stations, and print publications that have thankfully neglected to kick the bucket, we wind up inundated with press commitments and barely have a second to ourselves to do all the things we’d otherwise like to do shopping at Rough Trade, eating at Dishoom, or checking out the Tate Modern (all of which we’d like to do, like, on the reg). The Tate - it was so elusive, our first trip to London! We were playing two consecutive nights, with nary a moment to ourselves in the daytime, and had a video session booked at NME offices. Through the grace of some higher power, we managed to arrive about twenty minutes early. “The Tate’s just a few blocks from here,” our tour manager told us, “though you’re not gonna have time to see anything.” Nonetheless, we sprinted.

I remember running through a surrealist wing with my bandmates, Godard-style,

trying to take in as much as possible in ten minutes, all the while maintaining a heart rate that might’ve been induced by a treadmill. It was cool, but we were pretty dissatisfied - in truth, we’d barely cracked the surface of their collection.

A return trip to the Tate became my monomaniacal focus (perhaps to the annoyance of our incredibly patient tour manager, David). When we played London again a few months later, it didn’t work out; I’m sure I was petulant and grumpy about this. Finally, when we returned to London in August for a Jabberwocky festival that was - surprise! - cancelled last minute, we found ourselves with a few free hours. Victory! Mike and I abandoned our bandmates and van in traffic near London Bridge and hauled ass a few miles on foot to the museum, spending hours scribbling notes about pieces by Rachel Harrison, Aleksandra Mir, Cy Twombly… it was some kind of heaven, a welcome change from our usual trips to London.

Later on we played the 100 Club and drank chocolate milk mixed with whiskey at Ben from Wichita Records’ house.

Which was just as heavenly. Sadie Dupuis Speedy Ortiz release Foil Deer, April 20th via Carpark Records.

LiS 15

Upcoming London Shows www.rockfeedbackconcerts.com

[PIAS] NITES: OTHER LIVES AND MORE

JACCO GARDNER

Red Gallery Shoreditch Saturday 18th April

OSLO Hackney Thursday 23rd April

1OO Club Soho Friday 24th April

FOOL’S GOLD

SPRING KING

CHEATAHS + NO JOY

OSLO Hackney Saturday 2nd May

The Victoria Dalston Thursday 7th May

OSLO Hackney Monday 11th May

HAPPYNESS

SHE KEEPS BEES

SAINT MOTEL

Boston Music Room

Bush Hall Friday 15th May

Dingwalls Camden Tuesday 19th May

SHLOHMO

SWANS

JAM CITY

Oval Space Hackney Thursday 21st May

Roundhouse Camden Thursday 21st May

ICA The Mall Friday 5th June

WAXAHATCHEE

BOXED IN

LIIMA

Electric Ballroom Camden Wed 1Oth June

OSLO Hackney Thursday 11th June

Village Underground

NATALIE PRASS

COSMO SHELDRAKE

Islington Assembly Hall

Wed 24th June

XOYO Shoreditch Thursday 2nd July

1OO Club Soho

ALVVAYS

FATHER JOHN MISTY

O2 Shepherds Bush Empire Fri 11th Sep

SONGHOY BLUES

O2 Shepherds Bush KokoCamden Empire Thu 29th Oct Wednesday 4th Nov

YUMI ZOUMA

Tufnell Park Wed

13th May

Monday 15th June

PISSED JEANS Thu 18th & Fri 19th Aug

Get tickets and full info at: www.rockfeedbackconcerts.com

THE MOUNTAIN GOATS

words: Jack Urwin

Trying to explain the appeal of wrestling to an outsider isn’t the easiest task.

For John Darnielle, who built the latest Mountain Goats album Beat The Champ around the sport, there are countless reasons to love it, not least its place as “a more democratic form of theatre”. In the 20th century, Darnielle explains, theatre lost “what makes art vital, which is that it can reach anybody. Art that can only reach some people is diminished.”

Wrestling, by contrast, was accessible to all, and unlike other sports it provided the story arcs, choreography and drama of theatre, as well as a talented cast of performers.

“The wrestlers were told loosely what the outline was and to run with it, but they’d be making stuff up off the top of their heads.

They usually didn’t have cue cards, so it’s a form of improv, y’know? Improv is a very heady space artistically, it’s super interesting: the idea of making something up based on a couple of loose ideas and doing it with the camera rolling, doing it in front of people. You could feel that there was always a possibility that they could fall on their faces - that’s exciting.”

‘Improv’ isn’t a word you’d typically associate with the Mountain Goats, in musical terms at least (Darnielle acknowledges that for the first decade of his career he was just “playing D, G and A”) so it’s a neat parallel that one of the most exciting moments on the new album is the instrumental ending of Heel Turn 2, ad-libbed by Darnielle after recording his main piano part for the track.

“I just kept playing until we were done, as far as we could go with it and then I reached

what sounded like an ending point and stopped playing. And we all went ‘Wow, that was crazy!’ It is probably the most improvised thing you’re gonna hear on an indie rock record.”

Singling out praise for what’s essentially an accident might be a little insulting, I realise, and start making apologetic noises.

“Oh, no no no! I’m actually very excited about that, ’cause that’s like what we were talking about in wrestling. Nothing can be more from your heart than the stuff you just make up off the top of your head.”

Improvised or otherwise, Beat The Champ is hands down the most musically accomplished record the Mountain Goats have ever made. In the last few years Darnielle has taken time to develop his talent, and it shows, but even more clear is how much he has started to draw from and feed off those around him.

“That collaborative feel that I think we’ve had on the last couple records, it makes for some special moments,” he says, praising bandmates Peter Hughes and Jon Wurster with whom he “developed a sort of musical language”. Elsewhere, enlisting Megafaun’s Brad and Phil Cook as backing singers proved an important move.

“Being in the studio with somebody who hits a harmony vocal that sweet is so inspiring, you really try to reach for the unreachable.

Crosby, Stills, Nash & Young, these guys are great musicians right, but you don’t normally think ‘well I’ll go and try doing something like that’, because you assume you can’t.

But you hear Brad and Phil, you think ‘well why not? Why can’t we get these big rich chords, let’s try!’ and it’s inspiring.”

“It’s weird, when you make as many records as I do, to make one where you go: ‘No, I think this is the one, this is it’.”

LiS 19

Safe to say, Darnielle is happy with the result: “It’s my favourite one,” he declares.

“It’s weird, when you make as many records as I do, to make one where you go: ‘No, I think this is the one, this is it’.”

Lyrically, it’ll come as no surprise to fans that Beat The Champ explores themes far grander than sport. Like most Mountain Goats records, it’s painful but optimistic and very human, revealing more about the mind of its creator than you might expect from an album about pro-wrestling.

Darnielle explains, for example, how he was drawn to the story of the late Luna Vachon while researching her grandfather André The Giant: “She was a person who could never quite shake free of her addiction, and I relate to people like that”.

Even as a mere concept the record is remarkably personal, such is wrestling’s link with Darnielle’s childhood and his abusive stepfather, a chapter of his life documented on The Sunset Tree. It’s fitting that he returns to this period the same month The Sunset Tree turns ten, and highlights the legacy of the most popular Mountain Goats to date.

“It’s a funny way to put it, but that’s the record God put me on this Earth to write.

It’s reached people for whom it is very valuable and that’s such an honour to have made something that’s useful, so yeah, it’s a super special record to me. I didn’t make the record on purpose, I just started writing songs after my stepfather died and that’s what came out.”

It seems unbelievable now, but at the time the singer was making preparations to return to day work, fearing such a confessional record would end his career.

As John Darnielle tells me the lesson The Sunset Tree taught him, I’m reminded of his earlier sentiments on the honesty of improv.

“If you let the part that is actually you speak, often what it says will be human enough that other people will latch onto it.”

A decade on, this is as true as it ever was.

Beat the Champ is released April 13th via Merge.

The full version of this interview can be found at londoninstereo.com

HOXTON SQUARE BAR AND KITCHEN GIG LISTINGS FRI 03 APR 8PM 18+ £7

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NADINE SHAH

words: Grant Bailey photography: Lucy Johnston

“Is it a love album? “I’m not so sure. It’s more a collection of portraits of people that I love.”

Much has changed since we last heard from Nadine Shah in 2013. Love Your Dum and Mad was a brutally candid album rooted in personal tragedy. It was a record weighed heavy with earnest emotion that introduced us to a voice praised by critics, and a talent that garnered widespread acclaim for the Whitburn native.

The impression of her first release cast a long shadow, but 2015 sees Nadine armed with a new noise and a new outlook.

Prepare for a colourful second act...

“I said to him ‘Try to imagine the Italian horror films from the 70s. I want really vibrant, vivid colour’ and he got it spot on.”

Nadine Shah is explaining to me the brief she gave for the striking artwork accompanying Fast Food. As we speak she is travelling through London on her way to meet the artist, David Stith, for some beers and a chat at an exclusive event in Soho.

The vision behind the artwork is strong, and with some talented help the pieces have come to life. Blood drips, layers splice, colours burst; a statement of intent before we even hear a note. Soon these images will grace the sleeve of Fast Food on its release later this month.

For anyone who knows the context in which Nadine’s first album, Love Your Dum and Mad, came to be, this injection of life is welcome. Much of her earlier material was written in dire times, a period of grief after the death of two close friends. For Nadine the album provided some much-needed catharsis.

“Many of the songs were never intended to be heard. There were some shows where I would find it hard to manage my emotions, but it was an important thing for me to do. It was difficult sometimes but I’m glad I did it.”

The dark, dusky nature of Nadine’s music and the natural gravitas of her vocal performance inspired some enviable comparisons in her early career. Her sound has been likened to that of PJ Harvey and Nick Cave, a fact that Nadine calls “a huge compliment but a lot to live up to. Now that we have recognition I want to keep it. It’s kind of awful!”

Her music is an interesting composite of influences. Her childhood soundscape was a melting pot of the farsi and urdu Ghazals of her father, “sad, sorrowful love songs”, and the 1950s era pop and rock of her mother. She was initiated into music early on, taking part in amateur productions at weekends with a local production company, before joining a gospel group and following her interest in jazz.

“I decided to move to London when I was sixteen to become a professional jazz singer. Of course, I got bored with singing other people’s songs after a few years, and art had always been a hobby, so I decided to go to art school instead.”

This was hardly a move away from music however. It was at Camberwell College of Art, where Nadine studied painting and photography, that she was first encouraged to experiment with the piano after one

“Now that we have recognition I want to keep it.

It’s kind of awful!”

LiS 25

of her tutors heard her sing. Much like the approach Nadine takes to her lyrics and subject matter, her aim when incorporating the piano was to extract its simple beauty.

“Piano is one of the most daunting instruments ever with connotations of all these talented musicians. But it’s also a very visual instrument.

It was an experiment for me to try and create something simple but also beautiful,” she says as we talk about the melodies that became such an integral part of her early sound.

With new skills and a reinvigorated interest in her art in tow, next came the invaluable proving ground of the Pizza Express Jazz Club. Nadine quite rightly states “It doesn’t sound like a very cool place at all!” but it provided the ideal environment for a young jazz singer. Nadine became a regular at the club, learning from the other performers and taking her chances to hone her skills on the stage. She also had the chance to bend the ear of the greats.

“I remember Georgie Fame and Mose Allison coming in from time to time. They gave me some fantastic advice. It was the best experience a young musician could have. It was wonderful.”

So what should listeners expect from Fast Food?

Before the release of her first album Nadine was an unknown quantity. Now there are expectations to surpass or subvert.

“It’s a coming of age record of sorts, though I hate the phrase! At its core it’s really about a succession of short-lived, intense love affairs.”

Nadine sounds slightly uncomfortable discussing the meaning behind her work which is to be expected. Her songs are often unflinching and introspective, and with the subject of past love there are bound to be some wounds still yet to fully heal.

“I’m at an age now where I’m starting to care less about a lot of things. I’ve started to look at love differently the older I get and I’ve learned some important lessons. You come to realise that you’re never going to be someone’s first love ever again.”

There won’t be any pulled punches, then, as latest single Fool demonstrates. More overtly postpunk than previous work, scathing and nihilistic,

Fool is the sound of relationship fallout, made all the more cutting by the restraint in the vocal performance. To get a clearer sense of the album as a whole it would be better to look to track one: Stealing Cars. Its composition and the musical choices made here give insight into the factor that really shaped the album: the live performance.

“There were certain tracks when we played live on tour, like To Be A Young Man, where I really enjoyed being able to make the crowd move. I wanted to write more songs where my band would be able to let loose and get into the performance more.”

Fast Food is an album crafted to ‘raise the energy in the room.’ This means more guitars for those intense dynamic build- ups and less time spent at the piano, perhaps reflecting the thematic shift between Nadine’s first and second albums from the sombre tones of loss and mourning to the trepidation of love and lust.

But it’s not all change. Behind the scenes there is stability as Nadine and Ben Hillier, who was also at the helm for Love Your Dum And Mad, reunite for the record. Written in a shorter space of time, “It’s a much better representation of where i’m at musically than the first record was”.

With only days to go until Fast Food’s release, there are contrasting feelings in

Nadine’s camp; nerves, anticipation, but also pride in her creation.

“It doesn’t get any easier. You get more anxious if anything! But there’s a glimmer of hope. The album has some more uplifting, universal themes this time and I am happy with what we’ve managed to do.

I hope people enjoy listening to it.”

Fast Food is released April 7th via Apollo.

Nadine plays: Rough Trade East, April 7th.

Oslo, April 16th.

Union Chapel, October 1st.

Many thanks to Farr's School of Dancing for the use of their premises for the photoshoot.

LiS 27

ALBUMS

RECORD OF THE MONTH WAXAHATCHEE IVY TRIPP

Channelling her inner indie Gandhi, Katie Crutchfield has said that she wants to be “the kind of musician I want to see in the world”. Ivy Tripp (a term she made up for the directionless-ness she sees in the world around her) is another step on her way to creating a legacy of literate, pure odes to life and trying to get some clarity.

It’s an album of poise and poetry. And, while sonically it’s clearly the sound of someone at home with their art, lyrically it’s about being on ‘shaky ground’ – it’s almost as if most of these songs have been written to reassure her that she’s in control. It begins with opener Breathless a track which is all moody tension with its ominous fuzz, organ thuds and hiss as she sings “I’m not trying to have it all”. You think it might set the murky atmosphere for the record. But the joy of the album is how it slips between moods, held together by Crutchfield’s Wichita Recordings tender voice and graceful insight. She’s described the April 6th album as like a ‘gas’ compared to the ‘solid’ of previous Stand Out Tracks: album Cerulean Salt and that makes sense. There’s a La Loose directionless in the sense that the record shifts deftly Under A Rock between moods and tempos, as the album veers between < fragile piano ballads and stomping rockers. The upbeat alt Stale By Noon rock of Under A Rock could be twin sister Allison’s band @k_crutchfield Swearin’ while La Loose’s drum machine and ‘Ooh ooh ooh facebook.com/waxahatchee oohs’ are fantastic – reminiscent of The Blow and an album highlight. “I know that I feel more than you do / I selfishly Live: Electric Ballroom, want you here to stick to,” she sings and it sounds joyful.

June 10th.

The strum of Summer of Love (‘the summer of love is a photo of us’) is Neutral-Milk-Hotel-beautiful while the fluid, disintegrating ramshackle on the Pavement-esque Less Than (or ‘<’ as it’s cleverly marked as) seems to capture the feeling of the album. Yet it’s the jewellery box twinkle of Stale By Noon where her voice truly cuts through. Naked and vulnerable she sings “I get lost looking up” over a shaky piano. You can imagine her sitting next to the creek her Waxahatchee moniker is taken from, staring at the stars and singing this, a line which seems like both a universal truth and an epiphany. It’s not understanding your past exactly but knowing the future has a lot in store. With Ivy Tripp she’s found herself through the songs and by the end of the record you feel like you know her like a best friend too. Danny Wright LiS 30

BRAWLERS

ROMANTIC ERRORS OF OUR YOUTH Alcopop! Records // April 6th If a record could sell itself in two words, I'm pretty sure “PAY ATTENTION” would be Brawlers’ sales pitch. Their debut album is a wonderfully-charged explosion of two-minute song smashes, full of frustrations regarding the opposite sex. Tracks such as Drink & Dial lead you through an empathetic tale of how not to win the girl, but are delivered with heavy rhythm guitar and cymbal crashes to keep the punk-rock flair, rather than tailing off to something flatter. Amidst the constant oomph of energy you’ll find elements that are even more auspicious than you’d expect; including vocal stylings similar to The Smashing Pumpkins during High Again, and unexpected guitar head-banging spasms in No Rest. If you’re looking for your new favourite punk band, then you’ve probably found them. Amy Gravelle

YOUNG FATHERS WHITE MEN ARE BLACK MEN TOO Ninja Tunes // April 6th Gaining the biggest exposure of their careers from last year’s Mercury win, Young Fathers could be seen as displaying characteristic disdain for their new found spotlight – for one thing, albums with titles like this are rarely the sort that win a Best Album BRIT Award. However they now have a platform from which to thrust their most daring ideas yet on as many people as possible – a position they seem to revel in. The rappers have called this their “pop” record, but thankfully, that’s bollocks (there’s very little melody here, 27 aside, and even that talks of being “27 and not in heaven… I killed a man with my bare hands”). Instead, it’s another decent, weird, angry album from a weird, angry band. Thomas Hannan

MILKY WIMPSHAKE

ENCORE, UN EFFORT! Fortuna Pop! // April 6th Milky Wimpshake’s wry brand of acerbic, melodic indie-pop has a tendency to attract the kind of misinformed journalistic clichés every band residing under the indie-pop bracket has had to endure at some point, with the twee tag in particular being too often wrongly ascribed to any band with female vocal contributions, ever since the early days of Sarah Records.

Yet as much as Pete Dale and Sophie Evans’ accented cadences are a little on the dewy side, Encore, Un Effort! is as aesthetically punk as it is sentimental: politics are at the fore on Le Revolution Politique and homophobia is wonderfully berated on Homosexuality Is A Construct. Still indebted to the unfailing euphony of C86, Encore, Un Effort! is smart, noisy and typically lyrically hilarious. Hayley Scott LiS 31

WAND

GOLEM In The Red // April 6th Wand’s first album for In The Red is both a bittersweet disappointment and an experiment in fusion gone terribly awry. Opener The Unexplored Map attempts to marry Pond-style psychedelia with the nu-metal guitar tones of Korn to limited appeal. This forms the basis for much of the rest of the album, though that’s not to say it’s completely charmless. But when faced with the memory of the band that Wand once were, on blistering songs like Flying Golem or Broken Candle from last year’s debut LP Ganglion Reef, the likes of Reaper Invert and Planet Golem fall tragically short. There’s energy and a playful tendency throughout, which means Wand ultimately haven’t lost it, they’ll just need to fish for influences elsewhere. Tim Hakki

THIS IS THE KIT

MEW

Brassland // April 6th

Play It Again Sam // April 27th

This Is The Kit is not so much a whole band as an alias for Kate Stables, a singer blessed with the sort of luxuriant voice that deserves its own dressing room. Her third album is produced by The National’s Aaron Dessner, who plays to her strengths, spotlighting Stables’ glimmering vocal up-close and intimate; an organic folksy performer that breathes sensuality into such unlikely lyrical hooks as “Probably the opposite, in fact” on All In Cahoots.

The backing – all rootsy percussive acoustica, sustained guitar harmonics and music-box effects – submits in loving deference, although when more forceful, as on the beatific Magic Spell and Cold & Got Colder, it helps Stables blossom from silky Sandy Denny into sovereign of rapturous ambient pop.

Nick Mee

Just what are you expecting from Mew? Melding a sound that teeters on the edge of (whisper it) prog with shimmering pop production?

Here's album opener Satellites, at your service. Occasional flirtations with self indulgence? Why, hello there, Rows, aren't you quite the anthemic ten minutes? Fancy coming to a few festivals this summer? We'd like to wave lighters at you. And for a change in tempo, Russell from Bloc Party adds a welcome sense of urgency (in the form of an art-rocking guitar hook) on My Complications. Despite the six year wait, +- won't disappoint, but whilst existing fans will be happy to pump this beauty into their earholes, the chances of it winning them a bigger following seems slight. Which is a shame indeed.

Simone Scott Warren

BASHED OUT

+-

LiS 33

PASSION PIT KINDRED Sony // April 20th

When Passion Pit emerged with Sleepyhead in 2008 something awoke. The song, with its beautifully hypnotic Mary O’Hara vocal sample, felt like something of a tipping point, helping barge open the floodgates for electronic pop.

There was, and still is, something instantly alluring about the frantic, kinetic energy this Massachusetts group can conjure-up. The well-documented bipolar nature of the project’s main man Michael Angelakos sadly makes sense in line with that early work (written as a Valentines gift to his then-girlfriend. Top that…). Since then, Passion Pit has morphed through a number of set-ups, but one thing has remained: the sonic ecstasy that pours out from their music, and which initially drew us in. Kindred kicks-off with Angelakos crying out with that immediately distinctive tone: “1985 was a good year” he screams and we’re off, flying through their bouncing, magical hue. Until We Can’t (Let’s Go) is quintessential PP, brash and building into a blistering chorus that defies the listener not to move to its industrially electronic cacophony. Don’t be fooled though. There’s always a depth to his songwriting, as Kindred offers-up the thoughtful The Shins-esque Looks Like Rain and epic album closer Ten Feet Tall (II) serving as potent reminders of the underlying melancholy to this apparent merriment; there remains so much more than first meets the ear with Passion Pit. George O’Brien

LAPALUX LUSTMORE Brainfeeder // April 6th

If ‘sexy’ isn’t the go-to word to describe glitchy hip-hop-filtered-ambience (if it, indeed, ever had a go-to word) then perhaps Lustmore, the latest full-length from Lapalux, could help pump up its profile over the coming year.

This is the second album from Essex-native Stuart Howard, to be released on Brainfeeder, the revered LA label helmed by beat-maker kingpin Flying Lotus. Clearly a pervert for portmanteaus (Lapalux shortens 'lap of luxury' whilst debut album Nolstalchic merged 'nostalgic and chic'), Lustmore follows in this tradition. In the press release, Howard describes, “a lovelessness, searching for something more lustful and fleeting” in the genesis of this record. So does Lustmore give us the horn? In short, yes. Nolstalchic was a mercurial pool of densely layered sonics whereas Lustmore finds Howard applying more focus to structure and arrangements, though woozy, deconstructed oeuvres are still his bread and butter. The mix of styles aides the record's hypnagogia narrative; a state of limbo of consciousness between being awake and asleep. Andreya Triana and Szjerdene both provide potent melodies on U Never Know and Closure respectively, that offer something more direct, lucid. Elsewhere, beat heads can still get lost in warped, unpredictable, dream-like soundscapes like Make Money, a contorted orgy of weighty bass and rat-a-tat snares whilst Midnight Peelers provides colourful, gleaming synths that stay just on the right side of gaudy. Lustmore makes for an absorbing, late-night affair, and sees Lapalux move closer still to stepping outside FlyLo's shadow. Woodrow Whyte LiS 34

PETER BRODERICK COLOURS OF THE NIGHT Bella Union // April 27th

“Peter Broderick’s album is beautiful.” Dave said to me.

Deferring to my deputy editor’s judgement, I decided to give it a go: Recorded over three weeks with local musicians in Lucerne, Switzerland, Colours Of The Night blurs Broderick’s passion for story-telling folk music, orchestral strings and intricacies, stratospheric film soundtracks, and pulsing hip-hop. Opening track Red Earth blurs analogue and digital, Colours of the Night is dappled with Afro beats, there’s a definite swing to The Reconnection, whilst Our Best bounces with its brass and horn section. Sparseness is at play, like on the a cappella If I Sinned - which consists of over 30 tracks of Broderick's voice - and the instrumental album closer Rotebode, played on piano with field recordings from the surrounding Swiss mountains. Oh, and it’s beautiful. Turns out Dave was right. Francesca Baker

GNOD INFINITY MACHINES Rocket Recordings // April 20th

Where is this going? Will it ever end? Three hours into the Salford band’s fifth album and these thoughts will inevitably cross your mind. Patience helps unlock the sprawling, intense music littered with disturbing spoken-word passages – but only if you can stomach their claustrophobic low-end grooves and trance-inducing drone rock. Crafted by a revolving quartet of Islington Mill psychedelic pranksters, the album’s seventeen minute opener Control Systems sees a circular jam expertly disrupted by the searing and positively shamanic saxophone playing of Dave McLean, who regularly sidetracks the band’s mind-melting apocalyptic trip with perfectly judged interventions. However when Gnod play it concise – such as on the five-minute power romp Breaking the Hex – they prove that resistance to their metronomic mission is indeed futile. Geoff Cowart

FEVER DREAM MOYAMOYA Club AC30 // April 27th

On their debut EP, Fever Dream demonstrated just how much noise three people can make when they set their mind to it (see the furious, shoegaze-end-of-the-world of Poyekhali! for proof). On their first full album, the basic elements remain – swathes of Sonic Youth-esque guitars and distant, otherworldly vocals underpinned by a remorseless rhythm section – but have a more nuanced, fully-formed feel. The results manifest themselves in a record at once varied and consistent, from the driving lead single Serotonin Hit to the skittering, yearning closer Vapours via the likes of Glue building to a crescendo of barely-contained fury. Taught and ambitious, Moyamoya is an album which instantly validates the buzz that has been building up around this band. Gareth Ware LiS 35

EVENTS

a selection of new stuff we’re excited about: LAND OF KINGS FESTIVAL 2015 When you think about it, Dalston’s a pretty spectacular place in terms of arts and culture venues, from the Arcola Theatre to Servant Jazz Quarters to Dalston Roof Park and many more.

Land of Kings Festival returns this year to take advantage of this richness, bringing together a selection of big hitters like Tom Vek and Nathan Fake and a bunch of our favourite new acts, such as Koreless. It’s not all about music though; the programme’s full of all sorts of ways to fill your sixteen hours, with the Rio Cinema’s late show of shorts by local directors, and ‘Royal Thoughts’, a salon of talks, interviews and ideas. Clever futurists Let’s Be Brief also bring their creative forum to the mix.

Street Feast’s traders will be on hand to ensure no one goes hungry, too. There’s basically no excuse not to get lost in this day which celebrates creativity, ideas and innovation in Dalston like no other.

May 3rd // Various Venues, Dalston @LANDOFKINGSFEST // landofkings.co.uk ZEBRA KATZ

RED BULL MUSIC ACADEMY UK TOUR This month the London leg of the RBMA UK Tour takes place over four days, featuring a diverse range of events, from a tropical roller disco with JME, Skepta and more, to eye-opening events such as a workshop by Broadwalk Records head-honcho and bass alchemist Julio Bashmore. There’s a lecture with Harlem’s vanguard MC A$AP Rocky as he chats with Academy team member Benji B. And, just to emphasise the forward thinking nature of the festival, there’s a future sounds of hip-hop showcase with Little Simz alongside Semtex, Jay Prince and Pusha T. Elsewhere Chapter 10 deliver their take on a traditional tea dance, with live performances from Poisonous Relationship and Zebra Katz. The Red Bull Music Academy UK Tour is about celebrating the ever-evolving, ever-expanding, sky-rocketing breadth of talent that comes from these fair shores, so join in and celebrate with them.

April 8th-12th // Various venues @RBMA // redbullmusicacademy.com

LiS 38

CHICK’N’SOURS It feels like we’ve been chasing Carl Clarke’s pop-up adventures (lobster rolls, classy dining, incredible burgers, and more) over London for years now. So hearing he’s settling down in Dalston with a fried chicken restaurant (using some of the best poultry you can possibly find) is real exciting news.

There will be his own classic fry, alongside revolving takes on fried chicken from around the world, plus, of course, hot wings. The sours part of the name?

Well, that’s the booze; sours based on tequila, bourbon, pisco, and more? Well, yes please.

Opens April 17th, with soft launch April 14-16th.

390 Kingsland Rd @ChicknSours // chicknsours.co.uk

HACKNEY FULL MOON SWIM Night swimming, opined REM, deserves a quiet night.

We’re not sure if this event will provide all the tranquillity Mr Stipe craves, but you can’t always worry about keeping him happy. Instead this jaunt, from the Secret Adventures team, promises idyllic nocturnal splashing about in London Field’s floodlight lido, followed by a pub trip. You’ll need to book in advance, but if you can’t make this one, it happens each full moon in different locations. Actually, keep an eye on all their events, which include such kicks as canoe trips to Hackney Wick’s Crate Brewery.

April 4th, 7pm // £10pp // London Fields Lido @scretadventures // secretadventures.org

SECRET CINEMA: THE EMPIRE STRIKES BACK Yes, it’s £75. Yes, we remember the palaver last year. But, but...c’mon, it’s The Empire Strikes Back, and you just know it’s gonna be so much Jar Jar Binks-free fun. Constructing incredible, immersive environments, encouraging participation and approaching everything with huge ambition, the Secret Cinema people are sure to make this an unforgettable experience. Dress as Han or dress as Leia. Fulfil your destiny. What’s that? You’ll try to go? No. Try not. Do...or do not. There is no try. (sorry).

June 4th-September 27th // £75 pp // Venue TBA @secretcinema // secretcinema.org LiS 39

ONE ALBUM PER HOUR

MON 20 & TUE 21 APRIL THE JAZZ CAFE CAMDEN

TUESDAY 13 MAY ELECTROWERKZ

PITY SEX CREEPOID PUPPY HOX TON SQ UARE BAR & KITCH EN MON DAY 1 8 MAY

PLUS SPECIAL GUESTS

MODEL SOCIETY

THURSDAY 2 APRIL ELECTRIC BALLROOM

DAR WILLIAMS plus very special guest

Lucy Wainwright Roche

TUESDAY 26 MAY THE JAZZ CAFE CAMDEN

SATURDAY 16 MAY THE BORDERLINE

ANNEKE VAN GIERSBERGEN PRESENTS

THE GENTLE STORM THURSDAY 23 APRIL THE GARAGE HIGHBURY

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SEKUOIA THURS 2 APRIL THE LEXINGTON

MAIIANS TUES 21 APRIL THE LEXINGTON

FOXYGEN TUES 12 MAY ELECTRIC BALLROOM

STRAND OF OAKS WED 27 MAY THE GARAGE

THE KVB WED 8 APRIL DALSTON VICTORIA

K-X-P WED 22 APRIL THE LEXINGTON

STEVE GUNN MON 18 MAY THE LEXINGTON

PALACE OUT THURS SO 9LDAPRIL & FRI 10 APRIL RED GALLERY

DEMOB HAPPY THURS 23 APRIL THE LEXINGTON

HINDS (FKA DEERS) TUES 19 MAY SCALA

JOSE GONZALEZ THURS 28 MAY O2 SHEPHERD’S BUSH EMPIRE

BLACK YAYA THURS 9 APRIL THE LEXINGTON

SHARON VAN ETTEN WED 29 APRIL O2 SHEPHERD’S BUSH EMPIRE

DOLDRUMS WED 20 MAY ELECTROWERKZ

LONELADY FRI 10 APRIL OSLO HACKNEY

ROZI PLAIN TUES 5 MAY THE LEXINGTON

SLUG MON 13 APRIL THE LEXINGTON

SIINAI TUES 5 MAY THE WAITING ROOM

BEACH BABY THURS 16 APRIL SEBRIGHT ARMS

YOUNG WONDER THURS 7 MAY ELECTROWERKZ

LA FEMME THURS 21 MAY KOKO FROKEDAL TUES 26 MAY THE WAITING ROOM ASTRONAUTALIS WED 27 MAY 100 CLUB

JUNGLE WED 3 JUNE O2 ACADEMY BRIXTON LORD HURON WED 3 JUNE KOKO EZRA FURMAN THURS 22 OCT O2 SHEPHERD’S BUSH EMPIRE THIS IS THE KIT WED 25 NOV SCALA

PARALLELLINESPROMOTIONS.COM

GIGS OF THE MONTH

OUR PICK OF THE BEST SHOWS HAPPENING IN APRIL

SHACKLEWELL ARMS THE MAGIC GANG

16/04/15 £6adv @Shacklewell Arms DALSTON KINGSLAND/JUNCTION

Brighton’s bringers of much guitar-pop party arrive at the natural home of guitar-pop party.

THE LEXINGTON

CORSICA STUDIOS

A shot of pure pop brilliance, Femme is here to bring her ridiculously catchy, self-written, self-produced tracks to the stage.

The revered psych-stoners, Tweak Bird, play their first UK show in three years.

FEMME

29/04/15 £6.50adv @thelexington

TWEAK BIRD // WORKIN' MAN NOISE UNIT 08/04/15 £8.50adv @Corsica_Studios

ELEPHANT AND CASTLE

ANGEL

TWERPS

O2 SHEPHERDS BUSH EMPIRE

PURITY RING // BORN GOLD Last month's cover stars come to London to celebrate the release of their stunning new album ‘Another Eternity’.

30/04/15 £15adv @o2sbe

SHEPHERDS BUSH

BRIXTON WINDMILL TWERPS

Hailing from Melbourne this quartet make the kind of confessional guitar pop you'd put on a mixtape.

19/04/15 £7.50adv @windmillbrixton

BRIXTON

THE GARAGE

THE EARLY NOVEMBER // YOU BLEW IT! The Early November embrace everything that was great about their early emo anthems at The Garage.

30/04/15 £13adv @TheGarageHQ HIGHBURY AND ISLINGTON LiS 43

SERVANT JAZZ QUARTERS WILL JOSEPH COOK

An accomplished and touching songwriter at just 17, SJQ is the perfect venue for his intimate sound.

22/04/15 £7adv @ServantJazz DALSTON KINGSLAND/JUNCTION

HOXTON BAR AND KITCHEN

OSLO

Clarence Clarity brings his fantastically off-kilter pop to Hoxton to bring new album ‘No Now’ to life.

With the jittery energy, intricately layered beats and bass of Lonelady's latest album Hinterland, her live show promises to be spectacular.

CLARENCE CLARITY

09/04/15 £8adv @HoxtonHQ

OLD STREET

LONELADY

10/04/15 £9adv @OsloHackney

HACKNEY CENTRAL

O2 ISLINGTON ACADEMY

THE GOOD SHIP

Rescheduled from November, the New Jersey band finally bring their voracious pop-punk to London.

See this outstanding swing band for the incredible price of £5 in aid of Marie Curie Cancer Care.

24/04/15 £9adv @O2Islington

14/04/15 £5adv @thegoodshipNW6

MAN OVERBOARD // MOOSEBLOOD

ANGEL

NADINE SHAH

FORCE 7

KILBURN

ROUGH TRADE EAST NADINE SHAH

Our wonderful cover star takes to the Rough Trade stage for an intimate show to celebrate the release of her second album.

07/04/15 7pm FREE @RoughTrade

LIVERPOOL STREET

BORDERLINE

SECTION 25 // JEZ KERR Classic post-punk electronica from Manchester, playing a special show with A Certain Ratio's Jez Kerr supporting.

11/04/15 £15adv @theborderline LiS 44

TOTTENHAM COURT ROAD

FABRIC

ELIJAH & SKILLIAM // ROYAL T // D DOUBLE E // MUMDANCE & MORE Grime returns to Fabric this month, and in some style; highlighting the strength of the scene in 2015 with Butterz taking over Room One and Mumdance doing the honours with some more experimental themes in Room Two. 10/04/15 £19adv @fabriclondon

FARRINGDON

100 CLUB

JACCO GARDNER + VENN A first look at his new material from the award-winning Gardner.

ELIJAH & SKILLIAM

24/04/15 £9adv @100clubLondon

THE FINSBURY

THE GREASY SLICKS Lovers of blues and rock'n'roll bringing a unique edge to the sound.

TOTTENHAM COURT ROAD

21/04/15 £3adv @TheFinPub MANOR HOUSE

THE LOCK TAVERN

STRONGROOM

An incredible array of bands come together for easily the best free festival of new music you'll find.

Souterrain bring three brand new acts to Strongroom for another night of musical discovery.

02/04/15-05/04/15 FREE @thelocktavern

08/04/15 FREE @StrongroomBar

THE LOCK TAVERN FESTIVAL:

CHALK FARM / CAMDEN TOWN

KALINA // JAMES DA WAVE & MORE

LIVERPOOL STREET

BIRTHDAYS

WAITING ROOM

The best I'm-dancing-and-I-don't-care-ifanyone's-watching pop we've heard in ages, Petite Mellor is one of a kind.

London-based electronic artist Bearcubs heads to The Waiting Room to debut some much anticipated new music.

29/04/15 £9adv @_Birthdays

15/04/15 FREE (RSVP) @WaitingRoomN16

PETITE MELLOR

BEARCUBS

DALSTON JUNCTION/ KINGSLAND

DALSTON JUNCTION/ KINGSLAND LiS 45

WEDNESDAY 1ST APRIL WEDNESDAY 1ST APRIL FLAKO £9.50ADV / 8.00PM / BIRTHDAYS CHAMPS + CHARLOTTE CARPENTER + TALLULAH SMITH £9ADV / 8.00PM / THE BORDERLINE STARA RZEKA + DIKEMAN + LISLE + SERRIES £8ADV / 8.00PM / CAFE OTO SWIM DEEP SOLD OUT / 7.30PM / ELECTROWERKZ FORMATION £6.50ADV / 7.30PM / ELECTROWERKZ BO NINGEN + FUFANU + GRIMM GRIMM £12.50ADV / 8.00PM / HOXTON SQUARE BAR & KITCHEN THE ELWINS £7.50ADV / 7.30PM / THE ISLINGTON LEE "SCRATCH" PERRY £25ADV / 7.00PM / THE JAZZ CAFE THE CORONAS £14ADV / 7.00PM / KOKO THOMAS TRUAX + FLIPRON + EKRANOPLAN £6ADV / 8.00PM / THE LEXINGTON

PORTICO FREE / 7.00PM / ROUGH TRADE EAST RIVAL SONS + THE LONDON SOULS £18.50ADV / 7.30PM / ROUNDHOUSE THERAPY? £18.50ADV / 7.30PM / SCALA PAT DAM SMYTH + POLLYANNA VALENTINE £5ADV / 7.30PM / SERVANT JAZZ QUARTERS SULK £5OTD / 7.00PM / THE SOCIAL OTTI & THE VOICES + STICK IN THE WHEEL + ANIARA FREE / 8.00PM / STRONGROOM FREDDIE DICKSON & THE GUARD £8ADV / 8.00PM / THE WAITING ROOM THURSDAY 2ND APRIL THURSDAY 2ND APRIL NEW MOTION + SUCH STRANGE ARTS £6.50ADV / 7.30PM / BARFLY HOUSE OF LIONS + H2NY + DUTCH CLUB £6ADV / 7.30PM / THE BORDERLINE JOHN TALABOT FROM £12.50ADV / 10.00PM / ELECTRIC BRIXTON CARL COX + JON RUNDELL + CARLO LIO + MONIKA

PERIPHERY + XERATH + RED SEAS FIRE

KRUSE

SOLD OUT / 7.00PM / O2 ACADEMY ISLINGTON

£25 / 11.00PM / FABRIC

CATFISH AND THE BOTTLEMEN

VIOLETIC

SOLD OUT / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE

FREE / 7.00PM / THE FINSBURY

KIMMIE RHODES

TREMORHEART + TOM PRIOR

£12ADV / 7.30PM / OLD QUEENS HEAD

£6ADV / 6.00PM / THE GARAGE

KNOWER + THEM & US £5ADV / 8.00PM / HOXTON SQUARE BAR & KITCHEN LEE "SCRATCH" PERRY £25ADV / 7.00PM / THE JAZZ CAFE SEKUOIA £6ADV / 8.00PM / THE LEXINGTON FLOWERS + JAGAARA + C DUNCAN + OUR GIRL FREE / 5.00PM / THE LOCK TAVERN THE SUBWAYS + KILL IT KID + PURPLE + DUNE RATS £15ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE ERRORS SOLD OUT / 7.30PM / OSLO JOEY FOURR

FRIDAY 3RD APRIL FRIDAY 3RD APRIL HEJIRA £10ADV / 8.00PM / 100 CLUB THE FURROW COLLECTIVE £14ADV / 7.30PM / THE BORDERLINE YOUNGHUSBAND + VENERA 4 + THE SEE SEE + THE DRINK + FIRESTATIONS + THE NEAR DEATH EXPERIENCE + WITCHING WAVES + EXTRA LIVES + TWIN DIALS £9ADV / 3.00PM / BRIXTON WINDMILL SUB FOCUS & MC I.D. + BREAKAGE + DISMANTLE + KOVE + MEFJUS B2B EMPEROR + FABIO FROM £19ADV / 11.00PM / FABRIC THE LOVE BARONS

FREE / 8.00PM / POWER LUNCHES

FREE / 7.00PM / THE FINSBURY

VENERA 4

BUFFALO SUMMER + BUCK & EVANS

FREE / 1.00PM / ROUGH TRADE EAST RONE FREE / 7.00PM / ROUGH TRADE EAST HERO FISHER + FUFANU £7ADV / 7.30PM / SEBRIGHT ARMS RALEGH LONG + CITIZEN HELENE £8ADV / 7.30PM / SERVANT JAZZ QUARTERS ANDREYA TRIANA £15.50ADV / 7.30PM / VILLAGE UNDERGROUND RAIME + DEMDIKE STARE £5ADV / 9.00PM / THE WAITING ROOM

£8.50ADV / 7.00PM / THE GARAGE THE SUNSHINE UNDERGROUND + ETCHES £12ADV / 8.00PM / THE GARAGE THE DIRTY BLONDS + LA TRAPPISTINE + EMILY CAPELL + DAVID SANDERS £5ADV / 7.30PM / THE GOOD SHIP ROBERT BEARSBY + BETHAN LEADLEY + LIANNE KAYE + MEADOWS EVER BLEEDING £7ADV / 7.00PM / HOXTON SQUARE BAR & KITCHEN AS ELEPHANTS ARE + HIGH TYDE £5ADV / 10.00PM / KOKO GABY MORENO £14ADV / 8.00PM / THE LEXINGTON

FICKLE FRIENDS + SNOW GHOSTS + WILLIAM

JUBILEE COURTS

ARCANE + POST LOUIS

FREE / 7.00PM / THE FINSBURY

FREE / 3.00PM / THE LOCK TAVERN

DEAD SHED JOKERS + FROM THE ASHES +

MIKE SKINNER + MS DYNAMITE

CRHØMA + GEORGE PELHAM

SOLD OUT / 9.00PM / THE NEST

£5ADV / 7.30PM / THE GOOD SHIP

WOLF ALICE

SWEYN JUPITER + LAFAWNDAH + MOLESKIN +

£14ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE

BOARDGAME JAMES

ARTFUL DODGER £5ADV / 8.00PM / OLD QUEENS HEAD LAPALUX £16.50ADV / 8.00PM / RICHMIX ALASDAIR WEST FREE / 5.00PM / ROUGH TRADE WEST SARAH TANDY TRIO FREE / 7.30PM / SERVANT JAZZ QUARTERS RUSTIE £12.50ADV / 9.00PM / VILLAGE UNDERGROUND BRODINSKI + MYD + GUILLAUME BERG £13.50ADV / 9.00PM / XOYO SATURDAY 4TH APRIL SATURDAY 4TH APRIL KIN. + ISLAND OF SIRENS £6ADV / 6.00PM / THE BORDERLINE ENABLERS & SWEET WILLIAMS £9ADV / 7.00PM / ELECTROWERKZ CRAIG RICHARDS + SETH TROXLER + THE MARTINEZ BROTHERS + TERRY FRANCIS + ROBERT HOOD + KARENN £21ADV / 11.00PM / FABRIC

FREE / 11.00PM / THE LAUNDRY THE DARLING BUDS + THE POPINJAYS + COLOUR ME WEDNESDAY £15ADV / 7.00PM / THE LEXINGTON THE VOYEURS + PROM + SKINNY GIRL DIET + THE DRINK + FRANCOBOLLO + LUPO FREE / 3.00PM / THE LOCK TAVERN DENNEY + MAZE & MASTERS £5ADV / 10.00PM / THE NEST U.D.O + SISTER SIN + GARAGE DAYS £18ADV / 6.00PM / O2 ACADEMY ISLINGTON THE MEN THEY COULDN'T HANG + MERRY HELL + THE LONDON SEWAGE COMPANY £18ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE KRISTA PAPISTA + FABLE FREE / 8.00PM / THE OLD BLUE LAST TRASH KIT + THE DYKENESS + COMMISERATIONS + KINKY + AS ONDAS £6ADV / 7.00PM / POWER LUNCHES LUNACRE £6ADV / 7.30PM / SEBRIGHT ARMS HUNDREDS + TUSKS + NATHAN BALL + SHADOW CULTURE FREE / 3.00PM / THE SHACKLEWELL ARMS

MICHAEL SEBASTIAN

SOLSINE

£6ADV / 8.00PM / THE WAITING ROOM

FREE / 7.00PM / THE SOCIAL

BENJI B + SKEPTA £13.50OTD / 9.00PM / XOYO

MONDAY 6TH APRIL DANIEL CARTER + JOHN COXON + ASHLEY WALES

SUNDAY 5TH APRIL SUNDAY 5TH APRIL

£10ADV / 7.30PM / CAFE OTO

ANTWON

HATTIE WHITEHEAD BAND

£10ADV / 7.30PM / BIRTHDAYS

FREE / 7.00PM / THE FINSBURY

JOE LYNN TURNER

IMPERIAL LEISURE

£18ADV / 7.30PM / THE BORDERLINE

£10ADV / 7.30PM / THE LEXINGTON

DAVID AUGUST + STIMMING + EJECA + JACOB

DUNE RATS

HUSLEY + PETER PIXZEL

£7ADV / 8.00PM / THE OLD BLUE LAST

£15ADV / 11.00PM / FABRIC HOTGOTHIC FREE / 7.00PM / THE FINSBURY THE DARLING BUDS + THE FLATMATES + THE LOST

SLUM OF LEGS + GRUBS £5OTD / 7.00PM / POWER LUNCHES NELSON CAN FREE / 5.00PM / THE SHACKLEWELL ARMS

BOYS £15ADV / 7.00PM / THE LEXINGTON

TUESDAY 7TH APRIL

WYLES & SIMPSON + PINACT + LAZY DAY

RETOX + WARSAWWASRAW

FREE / 3.00PM / THE LOCK TAVERN

£10ADV / 8.00PM / BIRTHDAYS

OH SO QUIET + GULF + THE BEACH + LUKE

VENTENNER + MERRIN + YOU THE LIVING

CUSATO + ALIBIS + MISTY MILLER

£3ADV / 8.00PM / BRIXTON WINDMILL

£8ADV / 6.00PM / NOTTING HILL ARTS CLUB LORDI + DIRTY PASSION + HOLLYWOOD GROUPIES £19ADV / 6.30PM / O2 ACADEMY ISLINGTON MULLTUTE + FAGGOT + WOOLF + HATE FUCK + HUMOUSEXUAL £6ADV / 4.00PM / POWER LUNCHES PART TIME + THE RHUBARB TRIANGLE + LEAVE THE PLANET + GANG £5ADV / 3.00PM / THE SHACKLEWELL ARMS

DANIEL CARTER + THURSTON MOORE £10ADV / 7.30PM / CAFE OTO TOM PRICE-STEPHENS FREE / 7.00PM / THE FINSBURY FROGBELLY AND SYMPHONY £5ADV / 7.30PM / THE GOOD SHIP AMATORSKI + ANTENNA HAPPY + ELASTIC SLEEP £6ADV / 8.00PM / HOXTON SQUARE BAR & KITCHEN

MIGOS + FEKKY

THE KVB

£15ADV / 7.00PM / KOKO

£10ADV / 7.30PM / DALSTON VICTORIA

CYMBALS

PUSHA T + LITTLE SIMZ + JAY PRINCE

£12ADV / 7.30PM / THE LEXINGTON

£17.50ADV / 7.00PM / THE GARAGE

SUBURBAN LEGENDS

NEW MANHATTAN + TOMMYANDMARY + PLASTIC

£13.50ADV / 7.00PM / O2 ACADEMY ISLINGTON

NOIR

SAMOANS + QUIET LIONS FREE / 8.00PM / THE OLD BLUE LAST NADINE SHAH FREE / 7.00PM / ROUGH TRADE EAST MORTON VALENCE + LIL LOST LOU £7ADV / 7.30PM / SERVANT JAZZ QUARTERS JOYA + DIRTY WHITE FEVER FREE / 8.00PM / THE SHACKLEWELL ARMS MOVIE + DAKOTA FREE / 7.00PM / THE SOCIAL NNEKA £18ADV / 7.30PM / VILLAGE UNDERGROUND

£5ADV / 7.30PM / THE GOOD SHIP SAY LOU LOU £10ADV / 7.00PM / HEAVEN PHANTOM RUNNERS + PINK FILM £6ADV / 8.00PM / HOXTON SQUARE BAR & KITCHEN CYPHER16 + A HIGHER DEMISE £8ADV / 7.00PM / O2 ACADEMY ISLINGTON JAMES BAY SOLD OUT / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE TORO Y MOI £16.50ADV / 7.00PM / OVAL SPACE A GRAVE WITH NO NAME + CARRIAGES £5ADV / 8.00PM / POWER LUNCHES

WEDNESDAY 8TH APRIL TELESCOPES £6ADV / 7.30PM / 100 CLUB BLACK PEAKS + BROKER + CHARLIE BARNES £6ADV / 7.30PM / BARFLY

DRENGE FREE / 7.00PM / ROUGH TRADE EAST SATYRICON £17.50ADV / 7.30PM / SCALA NATHAN BALL + THE HALF EARTH + GEORGE

SHY FOR SHORES

COSBY

£4ADV / 8.00PM / BIRTHDAYS

£5ADV / 7.30PM / SEBRIGHT ARMS

BRIBRY

THE BOHICAS

£10ADV / 7.30PM / THE BORDERLINE

£5ADV / 7.00PM / THE SOCIAL

TWEAK BIRD + WORKIN' MAN NOISE UNIT

JESSICA PRATT

£8.50ADV / 7.30PM / CORSICA STUDIOS

SOLD OUT / 7.30PM / ST JOHN ON BETHNAL GREEN

KALINA + JAMES DA WAVE + KOTU

BLACK YAYA + LAIL ARAD

FREE / 8.00PM / STRONGROOM

£10ADV / 7.30PM / THE LEXINGTON

POLAR BEAR

SILVERSTEIN + POLAR + BLOOD YOUTH

£14.50ADV / 7.30PM / VILLAGE UNDERGROUND

£14ADV / 7.00PM / O2 ACADEMY ISLINGTON

THURSDAY 9TH APRIL BILL LAURANCE & FRIENDS £10ADV / 7.30PM / 100 CLUB JAMES HOLDEN + KORELESS + LUKE ABBOTT FROM £15ADV / 7.30PM / BARBICAN CENTRE MARCHING CHURCH £8ADV / 8.00PM / BIRTHDAYS BROKEN RECORDS £9ADV / 7.00PM / THE BORDERLINE GHOSTPOET + CRUSHED BEAKS £15ADV / 7.30PM / ELECTRIC BRIXTON SKY BETWEEN LEAVES FREE / 7.00PM / THE FINSBURY LUNA DRIVE + VELUDO PLANES + KIERA LAWLOR + GAVIN CHAPPELL-BATES £5ADV / 7.30PM / THE GOOD SHIP SUPERFOOD + YAK + BLACK HONEY £12.50ADV / 7.00PM / HEAVEN CLARENCE CLARITY + SPECIAL GUESTS £8ADV / 8.00PM / HOXTON SQUARE BAR & KITCHEN ANALOGUE COPS + FANTASTIC MAN & DJ NOEMA + WE ARE SHINING + IMAN OMARI + BLACKFOOT PHOENIX £8ADV / 8.00PM / KOKO

JAMES BAY SOLD OUT / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE BRITAIN + THE MIDNIGHT BARBERS + ORANGE VISION FREE / 7.30PM / OLD QUEENS HEAD A PLACE TO BURY STRANGERS £11.50ADV / 7.30PM / OSLO HAPPY MEALS £5ADV / 8.00PM / POWER LUNCHES PALACE SOLD OUT / 7.00PM / RED GALLERY DAMON & NAOMI FREE / 1.00PM / ROUGH TRADE EAST CHILLY GONZALES FREE / 7.00PM / ROUGH TRADE EAST WALKING ON CARS £10ADV / 7.30PM / SCALA SERGEANT BUZFUZ + TOMORROW'S BACON + HUNGRY DOG BAND FREE / 7.30PM / SERVANT JAZZ QUARTERS LE VOLUME COURBE + BRITAIN FREE / 8.00PM / THE SHACKLEWELL ARMS SAN CISCO + I AM HARLEQUIN £12.50ADV / 8.00PM / TUFNELL PARK DOME B TRAITS + MAK & PASTEMAN £6ADV / 9.00PM / XOYO

FRIDAY 10TH APRIL WHITE HILLS + BROKEN DC £12ADV / 8.00PM / BIRTHDAYS NIK TURNER’S NEW SPACE RITUAL £17.50ADV / 7.00PM / THE BORDERLINE ELIJAH & SKILLIAM + ROYAL T W. + D DOUBLE E + P MONEY + JOKER + BIG NARSTIE + DARQ E FREAKER FROM £19ADV / 11.00PM / FABRIC MOON FREE / 7.00PM / THE FINSBURY ÜBERKILL + SUPERFECTA £5ADV / 7.00PM / THE GARAGE JUDAS + THE BEAUTIFUL GAME + THE GOOD TENANTS + THE MILK CRISIS + CHRISTOPHER BARBICAN JAMES £5ADV / 7.30PM / THE GOOD SHIP GAVIN JAMES SOLD OUT / 7.30PM / HOXTON SQUARE BAR & KITCHEN DUTCH UNCLES + OSCAR & THE WOLF £13.50ADV / 6.00PM / KOKO COSMO SHELDRAKE SOLD OUT / 7.30PM / THE LEXINGTON WOLF & LAMB + SAN SODA £10ADV / 10.00PM / THE NEST AFNAN PRINCE £10ADV / 6.00PM / O2 ACADEMY ISLINGTON ARCHIVE £22.50ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE

THE CORRESPONDENTS £5ADV / 8.00PM / OLD QUEENS HEAD LONELADY £9ADV / 8.00PM / OSLO PALACE £8.50ADV / 7.30PM / RED GALLERY A PLACE TO BURY STRANGERS FREE / 6.30PM / ROUGH TRADE EAST CLAWMARKS £5ADV / 8.00PM / THE SHACKLEWELL ARMS JONAS RATHSMAN + ISAAC TICHAUER + DARIUS £13.50OTD / 9.00PM / XOYO SATURDAY 11TH APRIL CHILLY GONZALES & KAISER QUARTETT SOLD OUT / 7.00PM / BARBICAN CENTRE KALEIDA + APRIL TOWERS FREE / 8.00PM / BIRTHDAYS SECTION 25 + JEZ KERR £15ADV / 7.00PM / THE BORDERLINE SLEAZE + SHAME + NITCH + NIGHT GAMES £3ADV / 8.00PM / BRIXTON WINDMILL ZOMBIE ZOMBIE + HELLO SKINNY £7ADV / 10.00PM / BUSSEY BUILDING CRAIG RICHARDS + NINA KRAVIZ + MR G + EXOS + PREMIESKU £21ADV / 11.00PM / FABRIC SOL FLARE FREE / 7.00PM / THE FINSBURY

THIEVES + THE MAIDA VALES

CHILLY GONZALES & KAISER QUARTETT

£5ADV / 7.00PM / THE GARAGE

SOLD OUT / 7.00PM / BARBICAN CENTRE

HAPPYSAD

BSK LIVE + BRIXTON SOUP KITCHEN

£17ADV / 7.00PM / THE GARAGE

£10ADV / 7.00PM / THE BORDERLINE

CELLARS + BERNACCIA + BLUE MOTEL + THE

HASH HENDREX + PETER GLASSPOOL + PETER

SECOND ECHO + THE AZALEAS

PIXZEL + JACOB HUSLEY

£5ADV / 7.30PM / THE GOOD SHIP

£7ADV / 11.00PM / FABRIC

MANDEM ON THE WALL

LAZY HEART PARADE

£8ADV / 7.00PM / HACKNEY EMPIRE

FREE / 7.00PM / THE FINSBURY

GAVIN JAMES

BENOIT VIELLEFON & HIS ORCHESTRA

£9ADV / 7.30PM / HOXTON SQUARE BAR & KITCHEN

£12ADV / 5.00PM / THE LEXINGTON

SUPERETS + RIVIERA

DOG EAT DOG + THE RUFFES

TBC / TBC / THE LEXINGTON

£17.50ADV / 7.00PM / THE UNDERWORLD

SEVERINO + RIOTOUS ROCKERS + ALVIN C FREE / 8.00PM / THE LOCK TAVERN SHIFT K3Y + BILLON + JOE HERTZ £5ADV / 10.00PM / THE NEST BROTHER & BONES £13ADV / 6.00PM / O2 ACADEMY ISLINGTON TIGERCUB + TAKE TURNS FREE / 8.00PM / THE OLD BLUE LAST CORNERS + MORNING SMOKE £7ADV / 7.00PM / THE SHACKLEWELL ARMS BENJI B + FOUR TET + FLOATING POINTS £20OTD / 9.00PM / XOYO

MONDAY 13TH APRIL MONDAY 13TH APRIL STEVEN JAMES ADAMS £10ADV / 7.30PM / 100 CLUB SINÉAD O’CONNOR FROM £20ADV / 7.30PM / BARBICAN CENTRE CHILLY GONZALES & KAISER QUARTETT SOLD OUT / 7.00PM / BARBICAN CENTRE GECKO FREE / 7.00PM / THE FINSBURY SLUG £6.50ADV / 7.30PM / THE LEXINGTON MEGHAN TRAINOR

SUNDAY 12TH APRIL

SOLD OUT / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE

MIKE SANCHEZ & HIS BAND

STORNOWAY

£14ADV / 7.30PM / 100 CLUB

FREE / 7.00PM / ROUGH TRADE EAST

DEVIN TOWNSEND PROJECT PRESENTS 'THE

GEORGE THE POET

RETURN OF ZILTOID'

£12ADV / 7.30PM / SCALA

SOLD OUT / 6.45PM / ROYAL ALBERT HALL TRUST FUND

SINKANE £9.50ADV / 9.00PM / XOYO

£6.50ADV / 7.30PM / SEBRIGHT ARMS GEORGE THE POET SOLD OUT / 7.30PM / VILLAGE UNDERGROUND

WEDNESDAY 15TH APRIL WEDNESDAY 15TH APRIL DEVILSKIN £10ADV / 7.00PM / THE BORDERLINE

TUESDAY 14TH APRIL TUESDAY 14TH APRIL BUSINESS AS USUALLY £12ADV / 7.30PM / 100 CLUB ALEX WILEY £10ADV / 8.00PM / BIRTHDAYS

STAER + BRUTAL BLUES + MXLX £5ADV / 8.00PM / BRIXTON WINDMILL MT. WOLF £10ADV / 7.00PM / CECIL SHARP HOUSE GUNNING + WE BECAME SILHOUETTES + SUFFER

HONEY RYDER + DEXETER

NO FOOLS + DEAD MONEY

£9ADV / 7.00PM / THE BORDERLINE

£4ADV / 7.30PM / THE GOOD SHIP

NEON WALTZ

FLAGS + NATIVE PEOPLE + ALEX LANYON

£6ADV / 7.00PM / ELECTROWERKZ

£6ADV / 8.00PM / HOXTON SQUARE BAR & KITCHEN

SEASICK STEVE

THE LEISURE SOCIETY + BENEDICT BENJAMIN

£25ADV / 7.00PM / EVENTIM APOLLO

£18.50ADV / 7.30PM / ISLINGTON ASSEMBLY HALL

LEWIS FIELDHOUSE

GEORGE CLINTON & PARLIAMENT FUNKADELIC

FREE / 7.00PM / THE FINSBURY

£22.50ADV / 7.00PM / KOKO

FORCE 7

KENNY WAYNE SHEPHERD BAND

£5ADV / 7.30PM / THE GOOD SHIP

£25ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE

DANIEL LANOIS + ROCCO DELUCA

JULY TALK + HIDDEN CHARMS

£19.50ADV / 7.30PM / ISLINGTON ASSEMBLY HALL

SOLD OUT / 8.00PM / THE OLD BLUE LAST

THE AIRBORNE TOXIC EVENT

THE MISPERS

£17.50ADV / 7.00PM / KOKO

£10ADV / 7.00PM / OSLO

BALTHAZAR

CARL BARAT AND THE JACKALS

£7ADV / 7.30PM / OSLO

£17.50ADV / 7.30PM / SCALA

ALFIE CONNOR

BIPOLAR SUNSHINE

£6ADV / 7.30PM / SERVANT JAZZ QUARTERS

£12.50ADV / 7.00PM / HEAVEN

MARKER STARLING

NADINE SHAH

£7ADV / 8.00PM / THE SHACKLEWELL ARMS

SOLD OUT / 7.30PM / OSLO

THE BOHICAS

BEACH BABY + HONEY MOON

£5ADV / 7.00PM / THE SOCIAL

£5ADV / 7.30PM / SEBRIGHT ARMS

ROSIE LOWE

THE MAGIC GANG

SOLD OUT / 7.00PM / ST PANCRAS OLD CHURCH

£5ADV / 8.00PM / THE SHACKLEWELL ARMS

THE HEALING + JACK POUT

DUKE GARWOOD

FREE / 8.00PM / STRONGROOM

SOLD OUT / 7.00PM / ST PANCRAS OLD CHURCH

BEARCUBS

THE NECKS

FREE / 8.00PM / THE WAITING ROOM

£16.50ADV / 8.00PM / VILLAGE UNDERGROUND

MOUNTIES

SONIC JESUS

£12.50ADV / 8.00PM / XOYO

£8.50ADV / 8.00PM / THE WAITING ROOM

THURSDAY 16TH APRIL THURSDAY 16TH APRIL

CITIZENS £10ADV / 7.00PM / XOYO

SPECTOR SOLD OUT / 7.30PM / 100 CLUB

FRIDAY 17TH APRIL FRIDAY 17TH APRIL

DUOLOGUE + FRETT + NIVEN.

THE COCKNEY REJECTS

£6ADV / 8.00PM / BIRTHDAYS

£18.50ADV / 7.30PM / 100 CLUB

I AM GIANT + THE INTERSPHERE

NAI HARVEST + BEST FRIENDS

£8ADV / 7.00PM / THE BORDERLINE

£7ADV / 7.00PM / BIRTHDAYS

HUNCK

BREACH + MARQUIS HAWKES + CINNAMAN + JON

FREE / 7.00PM / THE FINSBURY

RUST + HACKMAN + LORCA

FELDSPAR + BROKEN BOAT £5ADV / 7.00PM / THE GARAGE DARWIN + ANISEED TREATS + DESERT CLOUDS +

FROM £16ADV / 11.00PM / FABRIC SPIT SHAKE SISTERS FREE / 7.00PM / THE FINSBURY

OF EMBLA

PLANES + JOSH FLOWERS & THE WILD

£5ADV / 7.30PM / THE GOOD SHIP

£8ADV / 7.00PM / THE GARAGE

HALFPENNY PASS + L.E.A + JJ DRAPER + SOPHIE

DAMN DICE + A NEW TOMORROW

DEBATTISTA

£5ADV / 7.00PM / THE BORDERLINE

£5ADV / 7.30PM / THE GOOD SHIP BELLA FIGURA + SHRINES £7.50ADV / 7.30PM / HOXTON SQUARE BAR & KITCHEN SCRATCH PERVERTS + THROWING SNOW £10ADV / 10.00PM / HOXTON SQUARE BAR & KITCHEN COLIN STETSON & SARAH NEUFELD + EX-EASTER ISLAND HEAD £16ADV / 7.30PM / ISLINGTON ASSEMBLY HALL JULY TALK + GET INUIT £5ADV / 10.00PM / KOKO ECLAIR FIFI & NINA LAS VEGAS + JOSEPH MARINETTI £7ADV / 10.00PM / THE NEST STORMZY SOLD OUT / 7.00PM / O2 ACADEMY ISLINGTON CIRCA WAVES + RAT BOY £12.50ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE BETE NOIRE FREE / 8.00PM / THE SHACKLEWELL ARMS BARLI £5ADV / 7.00PM / THE WAITING ROOM HENRIK SCHWARZ + MATHIAS KADEN + HARRI £13.50ADV / 9.00PM / XOYO SATURDAY 18TH APRIL SATURDAY 18TH APRIL JUSTIN ROBERTSON + D/R/U/G/S £4ADV / 9.00PM / BIRTHDAYS

BLAIR DUNLOP + EMMA STEVENS £14.50ADV / 7.30PM / BUSH HALL GNOD + HUM + RIVER SLAUGHTER + SAM WEAVER SOLD OUT / 7.30PM / CAFE OTO TERENCE FIXMER + REDSHAPE + WOO YORK £12.50ADV / 10.00PM / CORSICA STUDIOS DAN GHENACIA + SHONKY + DYED SOUNDOROM + AMIR JAVASOUL + TERRY FRANCIS + SLAM £19ADV / 11.00PM / FABRIC BONFIRE NIGHTS FREE / 7.00PM / THE FINSBURY HUE & CRY + MASSAD £23ADV / 7.00PM / THE GARAGE THE BUG + MALA + DUB PHIZIX + STRATEGY £17.50ADV / 9.00PM / KOKO LXURY + TAYO + K.R.D £5ADV / 10.00PM / THE NEST UB40 + THE BRAND NEW HEAVIES + INDICA CAMPBELL £32.50ADV / 7.30PM / O2 ACADEMY BRIXTON THE LIMERENCE + STALKIN HAWKIN + THESE CERTAIN PEOPLE £10ADV / 6.00PM / O2 ACADEMY ISLINGTON ELECTRIC WIRE HUSTLE £14.50ADV / 6.30PM / OSLO YUMI ZOUMA £8ADV / 7.30PM / RED GALLERY

RYLEY WALKER

MALPAS

£7.50ADV / 8.00PM / SEBRIGHT ARMS

£5ADV / 7.30PM / SEBRIGHT ARMS

BENJI B + TODD EDWARDS + ZINC

OSCA

£13.50ADV / 9.00PM / XOYO

£6.50ADV / 7.30PM / SERVANT JAZZ QUARTERS

SUNDAY 19TH APRIL SUNDAY 19TH APRIL

MATTHEW E WHITE SOLD OUT / 7.30PM / VILLAGE UNDERGROUND

TOYAH AND THE HUMANS £20ADV / 7.30PM / 100 CLUB

TUESDAY 21ST APRIL TUESDAY 21ST APRIL

ANDREA GIUDICE + MATTHIEU MIRANDE + PETER

XYLOURIS WHITE

PIXZEL + JACOB HUSLEY

£12ADV / 8.00PM / ACE HOTEL

£7ADV / 11.00PM / FABRIC CODAC FREE / 7.00PM / THE FINSBURY MONDAY 20TH APRIL MONDAY 20TH APRIL THE XCERTS £9.50ADV / 7.00PM / THE BORDERLINE DANIEL BACHMAN £6ADV / 8.00PM / BRIXTON WINDMILL GENERATE FREE / 7.00PM / THE FINSBURY MANY THINGS £6ADV / 8.00PM / THE LEXINGTON GODSPEED YOU! BLACK EMPEROR £22.50ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE LAURA MARLING £30ADV / 7.00PM / QUEEN ELIZABETH HALL THE TWILIGHT SAD £13.50ADV / 7.30PM / SCALA

JAKE ISAAC + EVA STONE £8.50ADV / 7.30PM / BARFLY LO FANG £11.50ADV / 7.30PM / BUSH HALL THE GREASY SLICKS £5ADV / 7.00PM / THE FINSBURY IMAGINARY WAR + LIONFACE + SOL FLARE £6ADV / 7.00PM / THE GARAGE EVERING + ANNA REST EASY + SONDER + JUST ZOE + ELLYS £5ADV / 7.30PM / THE GOOD SHIP FRANKO FRAIZE £6ADV / 8.00PM / HOXTON SQUARE BAR & KITCHEN MAIIANS £7ADV / 7.30PM / THE LEXINGTON THE SKINTS £12.50ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE OWS £15ADV / 7.30PM / OSLO

LAURA MARLING

LINN ÖBERG + LUNA GREEN + HONEYMILK

£30ADV / 7.00PM / QUEEN ELIZABETH HALL

FREE / 8.00PM / THE LOCK TAVERN

COMPNY

BLUES PILLS

£7ADV / 7.30PM / SEBRIGHT ARMS

£15ADV / 7.00PM / O2 ACADEMY ISLINGTON

NUTSHELL

MISTAJAM + ELLIE INGRAM + ZAK ABEL

£5ADV / 7.30PM / SERVANT JAZZ QUARTERS

TBC / 7.00PM / OSLO

YOUTH MAN

WILL BUTLER

TBC / 8.00PM / THE STILLERY

£15ADV / 7.30PM / SCALA

MATTHEW E WHITE

CAPE CUB + ALBERT GOLD

£15ADV / 7.30PM / VILLAGE UNDERGROUND

£5ADV / 8.00PM / SEBRIGHT ARMS

DEVON LOCH

WILL JOSEPH COOK

FREE / 8.00PM / THE WAITING ROOM

£7ADV / 7.30PM / SERVANT JAZZ QUARTERS

WEDNESDAY 22ND APRIL WEDNESDAY 22ND APRIL MIKEY GEORGESON & THE CIVILISED SCENE + SIMON LOVE £8ADV / 7.00PM / THE BORDERLINE GAZELLE TWIN + SOME TRUTHS £9ADV / 8.00PM / ELECTROWERKZ SPACE ELEVATOR + SHADY BLUE ORPHANS £5ADV / 7.00PM / THE GARAGE MARCO MESTICHELLA + MEMO + WATER KNOT + WISE KEBABS £5ADV / 7.30PM / THE GOOD SHIP TOVE STYRKE £8ADV / 7.00PM / HOXTON SQUARE BAR & KITCHEN OF MONTREAL + HOLY FAMILY £17ADV / 7.30PM / ISLINGTON ASSEMBLY HALL K-X-P £8ADV / 7.00PM / THE LEXINGTON

PET PORTRAIT FREE / 8.00PM / THE SHACKLEWELL ARMS THE BOHICAS £5ADV / 7.00PM / THE SOCIAL MEILYR JONES FREE / 8.00PM / THE WAITING ROOM THURSDAY 23RD APRIL THURSDAY 23RD APRIL THE MIGHTY MOCAMBOS £12.50ADV / 7.30PM / 100 CLUB ME VS HERO £8ADV / 7.00PM / BARFLY MIKAEL SEIFU + DESERT SOUND COLONY FREE / 8.00PM / BIRTHDAYS MOSS & SLABDRAGGER £9ADV / 7.30PM / CORSICA STUDIOS MARTHA BEAN FREE / 7.00PM / THE FINSBURY

ANNEKE VAN GIERSBERGEN

THE FALL

£17ADV / 7.00PM / THE GARAGE

£23ADV / 7.30PM / ELECTRIC BRIXTON

HUNDREDS + MISSINCAT

DJ HYPE + HAZARD + PASCAL + BREAK +

£8ADV / 7.00PM / THE GARAGE

GROOVERIDER + LTJ BUKEM + MARCUS INTALEX

ECHOSMITH £10ADV / 7.00PM / HEAVEN STORNOWAY SOLD OUT / 7.30PM / ISLINGTON ASSEMBLY HALL DEMOB HAPPY £6.50ADV / 7.30PM / THE LEXINGTON BLONDE BUNNY FREE / 8.00PM / THE LOCK TAVERN PRONG + STEAK NUMBER EIGHT + HARK £16ADV / 7.00PM / O2 ACADEMY ISLINGTON OTHER LIVES + CHAMPS + BERNARD & EDITH £15ADV / 8.00PM / OSLO JOANNA GRUESOME + KING OF CATS £11ADV / 7.30PM / SCALA GROUPER £15ADV / 7.30PM / ST JOHN AT HACKNEY LYVES £5ADV / 7.30PM / THE WAITING ROOM

FROM £16ADV / 11.00PM / FABRIC THEE MVPS FREE / 7.00PM / THE FINSBURY MANDEVILLE + HONEYMILK £4ADV / 8.00PM / THE GARAGE STORNOWAY £18ADV / 7.30PM / ISLINGTON ASSEMBLY HALL DEXTERS £5ADV / 10.00PM / KOKO SCREAMING FEMALES + GLOBELAMP £8ADV / 8.00PM / THE LEXINGTON JON HOPKINS + EAST INDIA YOUTH + UNTOLD SOLD OUT / 7.00PM / O2 ACADEMY BRIXTON MAN OVERBOARD + MOOSE BLOOD + ROAM + SMILE AND BURN £9ADV / 7.00PM / O2 ACADEMY ISLINGTON FIVE £27.50ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE KAGOULE + SEX HANDS

FRIDAY 24TH APRIL FRIDAY 24TH APRIL

FREE / 7.00PM / THE SHACKLEWELL ARMS

JACCO GARDNER

ANDHIM

£9ADV / 7.30PM / 100 CLUB

£16.50ADV / 9.00PM / XOYO

DAEDELUS + BAMBOOMAN £15ADV / 8.00PM / BIRTHDAYS DAVID KNOPFLER £16.50ADV / 7.00PM / THE BORDERLINE

SATURDAY 25TH APRIL SATURDAY 25TH APRIL THE FABULOUS LOUNGE SWINGERS £14ADV / 7.30PM / 100 CLUB

ZERVAS & PEPPER

COLIN CHIDDLE + ODD + JACOB HUSLEY B2B

£12ADV / 7.00PM / THE BORDERLINE

PETER PIXZEL

MATT TOLFREY + CASSY + NAIL + KERB STALLER +

£7ADV / 11.00PM / FABRIC

TERRY FRANCIS + ALAN FITZPATRICK + GREGOR

JAKUBOWSKI

TRESHER

FREE / 7.00PM / THE FINSBURY

FROM £16ADV / 11.00PM / FABRIC JETTBLACK FREE / 7.00PM / THE FINSBURY SATELLITES + A TOYS ORCHESTRA

SCANDAL £32.50ADV / 7.00PM / O2 ACADEMY ISLINGTON WILKO JOHNSON £25ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE

£8ADV / 7.30PM / THE GARAGE JAKOB £9ADV / 7.30PM / HOXTON SQUARE BAR & KITCHEN EARL GREY FREE / 8.00PM / THE LOCK TAVERN LOW STEPPA + GOTSOME + SAVAGE ANIMAL

MONDAY 27TH APRIL MONDAY 27TH APRIL DAN PATLANSKY + TRISTAN MACKAY £14ADV / 7.00PM / THE BORDERLINE RYAN BOLDT + KACY & CLAYTON £7ADV / 8.00PM / BRIXTON WINDMILL

SOUNDS

YVONNE

£5ADV / 10.00PM / THE NEST

FREE / 7.00PM / THE FINSBURY

CHEATAHS + THE PARROTS + BLUEPRINT BLUE

MULL HISTORICAL SOCIETY + SORREN MACLEAN

FREE / 4.00PM / THE SHACKLEWELL ARMS

£14ADV / 7.45PM / THE LEXINGTON

CYRIL HAHN

THE INTERRUPTERS

£10ADV / 10.00PM / VILLAGE UNDERGROUND

£16ADV / 7.00PM / O2 ACADEMY ISLINGTON

BENJI B + WILEY + ZOMBY + KODE9

MELISSA ETHERIDGE

£13.50ADV / 9.00PM / XOYO

£35ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE

SUNDAY 26TH APRIL SUNDAY 26TH APRIL THE KADT + SHOT! + THE MIGRAINES + DARWIN AND THE DINOSAUR + CEREAL BOX HEROES + BAPTIST KILLING SPREE £5ADV / 3.00PM / BRIXTON WINDMILL

RYAN O'REILLY £6ADV / 7.30PM / SERVANT JAZZ QUARTERS ICEAGE + FIRST HATE £12ADV / 7.30PM / VILLAGE UNDERGROUND

TUESDAY 28TH APRIL TUESDAY 28TH APRIL STARGAZE: THE DODOS ORCHESTRAL + DEERHOOF CHAMBER £20ADV / 7.30PM / BARBICAN CENTRE

CHARLOTTE OC + FREDDIE DICKSON + TENTERHOOK + FRANCES £12ADV / 7.00PM / ST STEPHENS CHURCH DEAD CANNONS £5ADV / 8.00PM / THE WAITING ROOM

CC SMUGGLERS £10ADV / 7.00PM / THE BORDERLINE

WEDNESDAY 29TH APRIL WEDNESDAY 29TH APRIL

MORE ICE & HONEY

THE BREW

FREE / 7.00PM / THE FINSBURY

£11ADV / 7.30PM / 100 CLUB

SOLUS 3 + OLIVIA'S OWLS + SACHA MORGAN

PETITE MELLER

£5ADV / 7.30PM / THE GOOD SHIP

£9ADV / 8.00PM / BIRTHDAYS

MICHAEL MALARKEY

THE CRUNCH + THE PUKES + SCRAPS

£12.50ADV / 8.00PM / HOXTON SQUARE BAR &

£10ADV / 7.00PM / THE BORDERLINE

KITCHEN HOLLIE MCNISH + KATE TEMPEST SOLD OUT / 7.00PM / LEICESTER SQUARE THEATRE WOODEN ARMS £7.50ADV / 7.30PM / THE LEXINGTON

THE ONCE £9ADV / 7.30PM / BUSH HALL AMERICAN NIGHTMARE £19.50ADV / 8.00PM / ELECTRIC BALLROOM ESCAPE CODE + MOUTHPARTS + VAGA-LUME +

CALEXICO + THE BARR BROTHERS

ROMAN TYPO

£22.50ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE

£5ADV / 7.30PM / THE GOOD SHIP

HIGH HAZELS

DARKNESS FALLS + KETO + LITTLE DEATH

FREE / 6.00PM / ROUGH TRADE WEST

MACHINE

THE DISTRICTS £12.50ADV / 7.30PM / SCALA HEYROCCO FREE / 8.00PM / SEBRIGHT ARMS ROBERT CHANEY £5ADV / 7.30PM / SERVANT JAZZ QUARTERS

£6.50ADV / 8.00PM / HOXTON SQUARE BAR & KITCHEN FEMME £6.50ADV / 7.30PM / THE LEXINGTON SHARON VAN ETTEN £19.50ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE GEOFF MULDAUR £10ADV / 8.00PM / OLD QUEENS HEAD

LAURA MARLING

WHILE SHE SLEEPS + CANCER BATS + HUNDREDTH

£30ADV / 7.00PM / QUEEN ELIZABETH HALL

+ OATHBREAKER

TERAKAFT £16.50ADV / 8.00PM / RICHMIX AMBER RUN £10ADV / 7.30PM / SCALA TIM VANTOL £6ADV / 8.00PM / SEBRIGHT ARMS PABLO NOUVELLE TBC / 7.30PM / SERVANT JAZZ QUARTERS RAKETKANON £5ADV / 8.00PM / THE SHACKLEWELL ARMS THE BOHICAS £5ADV / 7.00PM / THE SOCIAL HOUDINI DAX + RORY BUTLER FREE / 8.00PM / STRONGROOM LJOVA £15ADV / 7.30PM / VILLAGE UNDERGROUND

£16.50ADV / 6.30PM / THE FORUM THE EARLY NOVEMBER + YOU BLEW IT! £13ADV / 7.00PM / THE GARAGE QUADRUPEDE + BEARDED YOUTH QUEST £5ADV / 7.30PM / THE GOOD SHIP DAN MANGAN + BLACKSMITH £15ADV / 7.30PM / ISLINGTON ASSEMBLY HALL SHAKKA £12ADV / 7.00PM / O2 ACADEMY ISLINGTON PURITY RING + BORN GOLD £15ADV / 7.00PM / O2 SHEPHERD'S BUSH EMPIRE TELLISON £10ADV / 7.30PM / OSLO BEN FROST + A U R O R A + MFO + LAUREL HALO £17.50ADV / 8.00PM / OVAL SPACE SILENT FRONT £5ADV / 7.30PM / POWER LUNCHES

THURSDAY 30TH APRIL THURSDAY 30TH APRIL ONLY REAL £12.50ADV / 7.30PM / 100 CLUB

BY THE RIVERS + SHANTY £8ADV / 7.00PM / THE BORDERLINE AMERICAN NIGHTMARE £19.50ADV / 8.00PM / ELECTRIC BALLROOM THE DRAYTONES FREE / 7.00PM / THE FINSBURY

THEORY OF A DEADMAN £16ADV / 7.30PM / SCALA ALPHABETIC £6ADV / 8.00PM / SEBRIGHT ARMS DIRTY FENCES £8ADV / 8.00PM / THE SHACKLEWELL ARMS MOON DUO £12ADV / 7.30PM / VILLAGE UNDERGROUND

FOR THE LATEST LISTINGS, AND TO SIGN UP TO OUR GIGS OF THE WEEK EMAIL, VISIT LONDONINSTEREO.COM

Orange Yard, off Manette St, London W1D 4JB Orange Yard, Manette London W1D 4JB Orange Yard, offoff Manette St,St, London W1D 4JB

Follow us @theborderline and facebook.com/theborderline Followusus@borderline_mama @borderline_mamaand and Follow facebook.com/mamaco.theborderline facebook.com/mamaco.theborderline Tickets from theborderlinelondon.com or 0844 847 2465 (24hr) Ticketsfrom from Tickets mamacolive.com/theborderline mamacolive.com/theborderline 0844847 8472465 2465(24hr) (24hr) oror0844 WED 01 APR 7PM 14+ £9 ADV

CHAMPS Fri 20 Feb 7pm £8 adv

SAT 16 MAY 7PM 14+ £15 ADV

SPACE

Fri 20 Feb 7pm £8 adv

Thurs 05Mar Mar 7pm£15 £15adv adv Thurs 7pm THE 05 MODEL SOCIETY

CORYBRANAN BRANAN + +CORY +SAM SAMRUSSO RUSSO +COLLECTIVE THU APR 7PM£6 14+ £9 ADV Sat2109 21Feb Feb 7pm £6adv adv Sat 7pm

SUN 17 MAY 7PM 14+ £8 ADV LAURENCE JONES + +LAURENCE JONES

Weds2525Feb Feb7pm 7pm£16 £16adv adv Weds

BIRDTO TOWHISTLE WHISTLETOUR TOUR BIRD ALBERT JONES + +ALBERT JONES THU 21 MAY 7PM 14+ £10 ADV

FRI 03 APR 7PM 14+ £14 ADV

TIMBARRY BARRY TIM THE FURROW

BROKEN RECORDS FORTHOPE HOPE FORT SAT 11 APR 7PM 14+ £15 ADV SECTION 25

THE TREACHEROUS JEZ KERR (A CERTAIN RATIO) THE TREACHEROUS TUE 14 APR 7PM 14+ £9 ADV ORCHESTRA ORCHESTRA

HONEY RYDER Thurs26 26Feb Feb 7pm£7£7adv adv Thurs 7pm DEXETER

FIERCE PANDA’S FIERCE PANDA’S MON 20 APR 7PM 14+ £9.50 ADV 21ST BIRTHDAY 21ST BIRTHDAY THE XCERTS

+ EVIL BLIZZARD KING KING KING KING

MASKED INTRUDER

Sat Mar7pm 7pm£16 £16adv adv THE MURDERBURGERS Sat 1414 Mar

WEDS 20 MAY 7PM 14+ £11 ADV MARTIN MARTIN TRANSITBAND HARLEY BAND HARLEY & SUCH GOLD

THE HOTELIER Weds Apr7pm 7pm£9 £9adv adv Weds 0101Apr FRI 22 MAY 7PM 14+ £24 CHAMPS CHAMPS FAIRPORT

Fri 03Apr Apr7pm 7pm£14 £14adv adv Fri 03 CONVENTION

FT. LONGFELLOW FT. SATLONGFELLOW 25 APR 7PM 14+ £12 ADV PLUS SPECIALGUESTS GUESTS PLUS SPECIAL

TUE 26 MAY 7PM 14+ £10 ADV THE FURROW THE FURROW MIRIAM JONES COLLECTIVE COLLECTIVE

Mon02 02Mar Mar7pm 7pm£9.50 £9.50adv adv Mon

Sat Apr7pm 7pm£12 £12adv adv Sat 2525Apr COCO LOVERS

ZERVAS & PEPPER MON 27 APR 7PM 14+ £14 ADV

KIMCHURCHILL CHURCHILL KIM DAN PATLANSKY

THU 28 MAY 7PM 14+ £10 ADV

ZERVAS PEPPER ZERVAS &&14+ PEPPER SAT 30 MAY 7PM £10 ADV

TRISTAN MACKAY

ESO

WED 06 MAY 7PM 14+ £8 ADV

SAT 06 JUN 7PM 14+ £15ADV

EL BORN + THE KNIEVEL DEAD

THOUSAND YARD STARE

SUN 10 MAY 7PM 14+ £14 ADV

THU 30 JUL 7PM 14+ £16 ADV

VITA & THE VICIOUS INME

TUES 12 MAY 7PM 14+ £15 ADV

BELA HARDY

ANGALEENA PRESLEY (PISTOL ANNIES)

...IN LONDON with EAST INDIA YOUTH Your perfect day in London?

Sunday is my favourite day to spend in London, so probably battling the frenzy of the flower market and breaking through to the other side to catch the bus to Homerton and get a fine roast at The Adam and Eve on Homerton High Street, followed by evening pints at The Birdcage on Columbia Road.

Favourite gig venue?

Sebright Arms. The best small room in the city with an excellent pub above it. Friendly staff, great sound and great beer selection.

The holy trinity of music venues.

You’re in London, it’s sunny out, where do you go?

Haggerston Park has offered many a marvellous summer Saturday picnic.

Does London ever influence the music you write?

Absolutely. I'm generally influenced by environment anyway wherever that may be, but I've been describing Culture Of Volume as being my 'London album'. The intensity and the pace of it has played a large role in the sound of this album. The album wouldn't be as vibrant and colourful without it.

Where do you like to drink?

Redchurch Brewery Tap Room, Poyser Street.

Redchurch are one of the best breweries to come out of the recent microbrewery explosion in the East end. Theirs is one of class and style that doesn't reflect the misconception that the craft beer scene is full of ‘hipsters’. Their IPA is one of the finest you can find in the city, and one of the best produced in England. The tap room serves only their (fantastic) beers but it's a great place and there's usually a marvellous DJ on.

How do you get the most out of London?

It's too big a city to try to experience all of it in great detail. It was born out of expanding villages melding into each other, which means each area has its own very distinct feel. Find which area makes you tick the most and really delve into the community there. It's a very rewarding thing to do.

Culture Of Volume is released April 6th via XL. Live: Village Underground, June 4th.

LiS 65

LIVE

LEON BRIDGES The Lexington // March 2nd Hearing Leon Bridges’ debut Coming Home single for the first time is like stumbling across a rare old R&B record in a dusty attic in the Midwest. It smacks of an authenticity and simplicity unfettered by the trivialities of modern life. And like that rare old record, you’ll want to buy it (or steal it) from its present owners, run home and spin it to anyone that comes over for tea. It’s this same mentality that’s led journalists and Radio 1 DJs alike to have the song on constant rotation in the hope that all roads will lead Bridges here.

They didn’t hope in vain. This evening, the handsome and

METZ The 100 Club // March 3rd METZ are one of those bands who still manage to catch you off-guard even if you’ve seen them a hundred times before, like some kind of glorious sucker punch. The room is thick with tension before they’ve started as punks in their numbers wait, restlessly, for the frantic disorder to be set upon them.

Dirty Shirt opens the set and after about 0.1 seconds the room is upside down. The band ruthlessly plough through tracks of their selftitled debut, keeping the pace up with Get Off and laying the sludge on thick with Wasted before

impeccably dressed 27-year-old Texan can probably hardly believe his luck. Eighteen months ago he was a plongeur in a Tex-Mex restaurant and tonight he’s the dapper marquee star, playing his first UK show decked in a natty two-piece gray suit with a seven-piece band behind him. Shy to the point of timidity, he launches straight into Coming Home flipside Better Man with a nonchalance that almost belies the effortless grace of the song.

But that’s the point. He has better songs.

The jewel in this blistering set is the soul crawl Lisa Sawyer with its haunting doo wop strains and after-hours sax sounding almost Lynchian in its strange beauty.

When the music finally recedes like some half-forgotten dream or a lost and flickering silver screen Hollywood romance, one thing is clear: Leon Bridges is in a league of his own. Tim Hakki

showcasing tracks from the upcoming METZ II. Spit It Out, and the excellently titled Kicking A Can Of Worms change the pace of the set but they are no less brilliant, and certainly no less vicious. The sweat is basically dripping off the ceiling by the time they come around to closing with the unforgiving wig-out of Wet Blanket and Alex Edkins continues to unleash howl after howl down the microphone, convulsing uncontrollably as he does so. When the lights come up, the crowd limp away slowly, breathing heavily, probably thinking to themselves ‘I really thought I was ready this time…’, or ‘where the fuck has my shoe gone?’. Everyone’s beat up, either physically, or mentally, but every face seems to share the same, satisfied grin. Oli Knowles

Leon Bridges photograph: Sebastian Barros

LiS 67

LAGUNITAS, FIELD DAY, BEACONS FESTIVAL & LANZAROTE PRESENTS

Bad Vibrations & Lanzarote presents

THE LOCK TAVERN FESTIVAL THURS 2 — SUN 5 APR 20 15 3P M — 3A M EVERY DAY / FREE ENTRY

THE VOYEURS / FLOWERS JAGAARA / WILLIAM ARCANE

C DUNCAN / PROM / SKINNY GIRL DIET PINACT / THE DRINK / LAZY DAY OUR GIRL / POST LOUIS + MANY MORE SOME OF THE MOST EXCITING NEW AND ESTABLISHED BANDS AND ELECTRONIC ACTS PLAYING LIVE / SOME OF THE BEST DJS AROUND PLAYING TIL LATE...

POP UP FOOD & DRINK IN THE BACK GARDEN FROM: SPIT & ROAST, MAMAS JERK STATION, MADE OF DOUGH, FUNDI PIZZA, LAGUNITAS IPA AND MORE...

FUN AND GAMES PROVIDED THROUGHOUT THE WEEKEND BY THE HOUSE OF HOT BREATH THE LOCK TAVERN 35 Chalk Farm Rd London NW1 lock-tavern.com thelocktavern

Dirty Fences + special Guests Monday 30th March 8pm • £7.50 The Shacklewell Arms

What’s In A Name? by Jack Urwin Primarily a listings mag, every issue of London In Stereo requires one gruelling night of data entry; manually recording the hundreds of upcoming gigs. Doing this means I see a lot of band names, many of which are so poor that I went to the effort of creating the Twitter account Your Band Name Is Kinda Bad (@ybnikb) to raise awareness.

From the baffling Ravioli Me Away, to the ungoogleable Hugh (FYI, mononyms only work if you’re Madonna or Cher), it’s clear this industry has a bigger problem with monikers than Hillary Clinton (that joke would’ve slayed in 1998). Food names are some of the worst offenders (admittedly, Tilapia supporting Brunch at Power Lunches was inspired), superseded only by genitalia (Milk Dick, My Cock Your Problem, The Front Bottoms, and the frankly stunning 100% Beefcock And The TitsBurster). Awful as they are, they’re also pretty fucking funny and, ultimately, harmless - unlike genuinely troubling acts such as Child Abuse, Prostitute Disfigurement, Rape Blossoms and more.

Last month, a college promoter in Ohio cancelled a Viet Cong gig after consulting Vietnamese students and concluding that due to their name it would be unsuitable to proceed with the show. While the band almost certainly didn’t mean to offend, I applaud the promoter’s informed decision, if only for highlighting a wider problem in music.

Take Slaves, for example, two unrepentant white men who had the nerve to brand someone else ignorant for calling out the historical, racial implications of their name.

But what can we do? Any attempt at censorship would give them free publicity, and they won’t listen to reasoned argument. Put simply, bands like this aren’t going anywhere, but as people with a social conscience, we can future-proof ourselves. When the next edgy-named white dudes come along, as fans and as industry folk, we heed the warning of (the ironically badly named) Urwin’s Law: any band dumb enough to continue using a problematic name will never produce something worth listening to.

Based on the Slaves songs I’ve heard so far, I’d say this holds up. (They’re shit, in case that wasn’t clear.)

LiS 69

PRESENTS

SOLD OUT

TICKETS AVAILABLE AT KILILIVE.COM

PRESENTS

ti ck ets £15 kingsplace.co.uk/olivia

OLIVIA CHANEY TUE 19 MAY 8PM

HALL ONE, KINGS PLACE THE LONGEST RIVER ALBUM LAUNCH SHOW

TICKETS AVAILABLE AT KILILIVE.COM

T H E S TAV E S IF I WAS

T H E S TAV E S IF I WAS

The New Album 23rd March Includes Blood I Bled and Black & White