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Ergonomic Territories

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LOTOCOHO COLLECTIONS

Ergonomic Territories RevieWood

Ergonomic Territories is an infinite system of creation. Comprised of an idea that relates nature, artificial and abstract in a constant learning game. It is a field of opportunities where the act of derivative use in enjoyment causes expertise in stories accumulated trapped about “mountains” or its most basic geological structures (diamond-rocks). Decontextualized landscapes are built in scale and multiplied in knowledge. The mountains contain stories not seen. We have extended the collection “Ergonomic Territories Reviewood” developing it in wood.70% handmade. Painted and finished by hand.

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LOTOCOHO COLLECTIONS

Ergonomic Territories ReviewGold

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Ergonomic Territories ReviewSilver

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Alhambra

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LOTOCOHO COLLECTIONS

Alhambra ”My water is fused beads, ice that you see running (keep that to large great)” (Ibn Zamrak, 1333 - 1393) We create a conversation between the geometrical constructions of the Alhambra (Islamic Art) with the Ulm School. We are describing generated geometric spaces applied to the body, a staging of different discourses: operative realism. Representing their reality applied to the body. To function like a jewel and show itself off, giving itself the use of an aesthetic object like geometric research of the strategists of the Alhambra and Ulm. The factor of production, the economic and the symbolic is at stake as Maldonado says. Plastic quality vs operational relevance: Ornamentation as a result of the mathematical Arab – Ulm research whose aim was to break the two-dimensional space: in Islamic architecture, the space is never separated from the shape. It is not the materialization of the abstract Euclide coordenates which provides a framework where the “forms-formalization” are “located”. The space is defined by the contours-and-methods- that are found in it. Looking for the link between the meanings of the word ma´na: meaning and intangible. Representing a space between two complementary moments in the history of geometry and spatial analysis, developing some union simulations. The geometrical figures and numbers which are not only what they quantitatively appear: they have a symbolic aspect that, far from being imaginary, is as much a part of reality as it is to its material side. The body becomes prosthetic, as Maldonado said. And the study of semiotics...

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LOTOCOHO COLLECTIONS

Alhambra Black

”My water is fused beads, ice that you see running (keep that to large great)” (Ibn Zamrak, 1333 - 1393)

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Visions & Paradox

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Visions & Paradox ”Zero weight, infinite light:

Things lie just like your pictures.” (Le Ricolais, 1894 - 1977)

The construction of a theory of nostalgia on visual perversions. Modifying your vision and constructive paradoxes of the method. A method of description of three-dimensional objects that transports the scope of two dimensions: from line to volume or from volume to line, in this way resolving an issue that art of all ages. Perceptual hints that are provided by both eyes ... understanding depth as of the object perpendicular to the given surface. Physiological or psychological?? The isometric projection arises in the industrial revolution in Great Britain (19 century) in order to present complex machinery designs in a way that could facilitate mass production. (Paradox: Modernity as if in ruins, the offense of the eternal present.) Scientific perspective methods are accurate to the observer, while the isometric projection is with respect to the observed object. But neither the drawing methods nor the one using isometric perspective, are able to express the complex truth, intact, the one that really exists. The two begin to break down where the visual and the volumetric converge. These pieces exist in a dimension between two worlds, illusory, in the country that’s not completely flat, where multiple, and even contradictory, viewpoints can exist simultaneously without destroying the whole structure. We leave you with the list of axioms: “It is clear that the drawing of a person is not a person, but the drawing of a line is a line.” The drawing of a line without being a line. “Transmitting the form without the space” Transmit the space without form.

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“Using simple shapes to not interfere with the ability of this grammar to convey ideas.” Using simple ideas to convey formalizations. “The shape as a carrier of ideas” Ideas as carriers of formalization.

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Summer Hue - RedGold

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Summer Hue RedGold

”Marble used to be a bird at one time; the gold, calls; the crystal, air or tear. Are they crying for their loss of breath? Aren’t they the memories of themselves and stopped they are observed forever?”

Tribute to Enrique Morente and his red fortress La Alhambra through the poem by María Zambrano: “Self-absorbed Water”

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which creates the song “Generalife”.

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Linesheet Catalog

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Ergonomic Territories / RevieWood / ReviewGold

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A- III WOOD RING

SCHRECKHORN BROOCH

MATTERHORN BROOCH

W1001

W1002

W1003

W1004

85.-€

50.-€

70.-€

70.-€

EVEREST BROOCH

NABAIN BRACELET I

W1005

W1006

TINDAYA NECKLACE

A-III WOOD-BRASS NECKLACE

W1009

W1010

PRISM MIXED BARS EARRINGS RG1001

A-I MIXED BARS RING RG1002

TINDAYA MIXED NECKLACE

TINDAYA SMALLER MIXED NECKLACE

RG1005

RG1006

VESUVIUS BRASS TUBE NECKLACE

VESUVIUS BRACELET

RG1007

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NABAIN BROOCH

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RG1008

NABAIN BRACELET II W1007

TINDAYA MIXED BARS NECKLACE RG1003

TINDAYA BRACELET W1008

A-I MIXED RING RG1004

A-VII RING RG1009

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Ergonomic Territories / ReviewGold / ReviewSilver

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CASA EARRINGS

CASA RING

CASA SOLID NECKLACE

RG1010

RG1011

RG1012

PC-ELISA EARRINGS

ALHAMBRA EARRINGS

GEOMETRIC DOUBLE RING I

RS1001

A1001

RS1002

ALHAMBRA NECKLACE 5CM A1001

MT SAINT HELEN NECKLACE RS1004

MT SAINT HELEN SOLID NECKLACE RS1005

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CASA BIG NECKLACE RG1013

NABAIN SOLID BRACELET/ARMBAND RS1003

GEO-TUBE NECKLACE RS1006

K2 TUBE NECKLACE RS1007

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DODECAHEDRON NECKLACE

CASAS SOLID RINGS - UNIQUE

CASAS SOLID RINGS - FROM MOLD

ALHAMBRA-ULM DOUBLE RING III

SH1001

SH1002

SH1002b

A1024

ALHAMBRA NECKLACE 5CM

P-VII NECKLACE

PRISM SOLID RING

A1001

SH1005

SH1006

MT SAINT HELEN NECKLACE SH1007

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ALHAMBRA EARRINGS

ALHAMBRA-ULM EARRINGS

ALHAMBRA SIMPLE RINGS

A1001

A1002

A1003

PYRAMID RING

HOURGLASS RING

A1005

A1006

ALHAMBRA BOWTIE NECKLACE

ALHAMBRA HEXAGON NECKLACE

A1008

A1010

ALHAMBRA VERTICAL NECKLACE I A1013

ALHAMBRA-ULM DOUBLE RING II A1017

ALHAMBRA GEO-PEARL DOUBLE RING A1021

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ALHAMBRA VERICAL NECKLACE II A1014

ALHAMBRA TRIANGULAR DOUBLE RING I A1018

ALHAMBRA HORIZONTAL NECKLACE

SPHERE RING A1004

ALHAMBRA NECKLACE 10CM

A1007

A1008

ALHAMBRA TRIPLE NECKLACE

ALHAMBRA IRREGULAR NECKLACE

A1011

A1012

ALHAMBRA BRACELET

ALHAMBRA-ULM DOUBLE RING I

A1015

A1016

ALHAMBRA RHOMBUS DOUBLE RING I A1019

GEOMETRIC DOUBLE RING II A1020

ALHAMBRA LINEAR-PEARL DOUBLE RING A1022

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ALHAMBRA WIDE RING A1023

ALHAMBRA-ULM DOUBLE RING III A1024

ALHAMBRA NECKLACE 10CM A1025

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ALHAMBRA EARPIECE A1026

ALHAMBRA CHOKER A1027

DODECAHEDRON SMALL EARRINGS

DODECAHEDRON LARGE EARRINGS

DODECAHEDRON NECKLACE

D1001

D1002

D1003

DODECAHEDRON WIRE RING

DODECAHEDRON SOLID RING

D1004

D1005

PRISM EARRINGS

PRISM WIRE RING / PENDANT

P1001

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DODECAHEDRON FLAT WIRE RING D1006

DODECAHEDRON MIXED RING D1007

PRISM DOUBLE RING / PENDANT

PRISM SOLID DOUBLE RING / PENDANT

P1003

P1004

GEO-PRISM RING

GEO-PRISM SOLID RING

PRISM HEXAGON RING

PRISM HEXAGON SOLID RING

P1005

P1006

P1007

P1008

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LOTOCOHO 2426 Nantucket Dr. 77057. Houston, TX (USA) Paseo de la Castellana 215. B. 28046. Madrid (Spain)

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anna@lotocoho.com jorge@lotocoho.com

AMF SHOWROOM Global Sales LOTOCOHO 5 Jackson and Joseph Building 8 Princelet Street London E1 6QH United Kingdom

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+44 (0) 207 2471496 anthony@amfshowroom.com

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