CONTENTS
14
32 22
37
48
60
24 14 The Antique Heriz features in our new Antiquarian Collection. This venerable design is shown in an unusual Avlu Green interpretation.
42 Check the new Streaks design in our Atlantic Collection. Inspired by the sandy shores of Long Island and New Jersey. Whipped by the winter gales they almost look like abstract paintings!
Antique Bakhtiari is a floral diamond pattern with feather shaped frames. This Topkapi Multi version is an explosion of colours and shapes!
52 Marie Bathellier is a paintress living off the Atlantic coast of France , on the Isle of Yeu (sounds like‌). Love her Sur f creation, crashing down your wall or rolling over your floor !
57 New rug in the Mad Men series, this Cracks pattern is cloaked in the hues of a dark pinewood forest.
32 Nobody can explain the success of our 7-8-2 Hadschlu rug. Fact is: it works! We have re-edited the design and the colour in this distressed, flat woven version. Inspired by a classical persian design, this version matches with young, personalized European furniture just as easily as with the more traditional interiors, proving the universality of the concept.
CONTENTS
83
95
76 104
134 95
76 « All that is gold does not glitte r… », but have a closer look at this bestseller. It gives that little extra punch that you love.
1 04 The next generation of the Fading World collection has a similar medallion, but now twisted and twined in bold colours and assymetric streaks to express your taste for individuality.
147
83 The rungs of our Jacob’s Ladder are now coloured in Black on White. Neutral yet classic co mbination that fits any interior.
134 We did not invent the patchwork rug, but we gave it its «lettres de noblesse», with an eclectic mix of Oriental designs and original European 18th centur y archives.
The Babylon design has multiple layers : floral, arabic geometric, distressed . The total look is set in soft hues.
147 The Fair field classic medallion has its origin in Louis De Poor tere’s archives. It has an elaborate border, par tly erased as if it hasn’t been used for decades and just been rediscoverd in the attic.
IT’S L I K E T HE UNE XP E CT E D T R OVE AMO NG S T
M E T E R . PA L M E T T E S IN W H ICH T H E S H A P E
THE CO NFUSE D DI SP L AY AT T HE A NT IQ UA -
O F A T URT L E S E E M S TO B E S UG G E S T E D.
RI AN’S.
B O UG H S ,
AN O L D RUG ,
SHO W I NG A FA M I-
L E AV E D
T W IG S ,
S TA L K S
A ND
LI AR, YE T AL M OST FORG OT T E N PAT T E R N…
F LO W E R S , A H E R IZ , D IS T R E S S E D BY AG E
A L AR G E C E NT RAL M E DAL L I ON, R O S E T T E
A ND W IT H ITS O R IG IN IN A Z E R I PE R S I A .
SH APE D W IT H A STAI R PAT T E RNE D P E R I-
- 7 -
140 x 200 cm 4’7” x 6’7”
230 x 330 cm 7’6” x 10’8”
200 x 280 cm 6’7” x 9’2”
170 x 240 cm 5’7” x 7’10”
290 x 390 cm 9’5” x 12’8”
- 9 -
- 10 -
- 11 -
- 12 -
- 13 -
- 15 -
- 16 -
- 18 -
- 19 -
THE
B AK HT I ARI
TAI NO US FAH A N
PART
L I VE OF
P ROVI NC E S
IN
T HE
K HUZ I STAN IN
I R AN.
M O UN A ND
THE
F E AT H E R S H A P E D F R A M E S . T H E D E S IG N
IS -
WA S R E T R IE V E D F R O M T H E “ M US K A B A D
R UG
A R CH IV E S ” O F LO UIS D E P O O RT E R E A ND
SHOW S A FLORAL DI AM O ND PAT T E R N IN
- 21 -
G IV E N
THE
“ D IS T R E S S E D
T R E AT M E NT ” .
- 23 -
- 24 -
- 25 -
- 28 -
- 29 -
THE
L E GE N DARY
782- H ADSC HLU
FROM
IT B L E ND S INTO A CL A S S IC NOTA RY S T U -
LOUI S DE P OORT E R E I S R E - E DIT E D IN ITS
DY, A S E L E G A NT LY A S IN A S L E E K , M INIM A -
FL AT W E AVE , DI ST R E SSE D VE RSI O N. S O -
L IS T YUP P IE INT E R IO R . IT J US T A D D S T H AT
M ETI M E S C AL L E D “T HE NOTARY R UG ” , O UR
CL A S S Y TO UCH T H AT S AYS YO U K NO W
H ADS C HLU H AS T HE PART I C UL AR IT Y T H AT
W H AT YO U WA NT.
- 31 -
- 33 -
- 34 -
- 35 -
- 36 -
- 37 -
AT L A NTIC CO L L E CT IO N STREAKS THE
SANDY
AND
LO NG
THE
W I NT E R
PLES IF
AND
THE Y
SHO RE S I SL AND GAL E S,
ST R E AK S W E RE
OF
NEW
ARE
JERSEY
W HI P P E D
DE SI GNI NG IN
T HE
AB ST RACT
BY R IP -
S A ND
AS
PAINT ING S .
OVER A C E NT URY OF SK I L L AND C R A F TS M ANSHI P
IS
W OVE N
I NTO
E VE RY
R UG
- 39 -
WE
P R O D UCE .
W OV E N
ON
JACQ UA R D
LO O M S W IT H COT TO N CH E N IL L E YA R NS , E ACH PLE
B E AUT IF UL L AY E R S
AREAS
A ND
OF
R UG
HAS
T E X T UR E ,
INT R ICAT E
M ULT I-
D IS T R E S S E D
S T ITCH ING
DE-
TA IL TO G IV E A T R UE ‘ V INTAG E ’ LO O K .
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- 43 -
- 44 -
- 45 -
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- 47 -
- 49 -
MARIE BATHELLIER IS AN ARTIST LIVING AND
CRAFTSMANSHIP IS WOVEN INTO EVERY RUG WE
PAINTING ON THE ISLE OF YEU OFF THE ATLANTIC
PRODUCE. WOVEN ON JACQUARD LOOMS WITH
COAST OF FRANCE. SURF, SAND AND DRIFTWOOD
COTTON CHENILLE YARNS, EACH BEAUTIFUL RUG
ARE HER DAILY SOURCE OF INSPIRATION AND HAVE
HAS MULTIPLE LAYERS OF TEXTURE, DISTRESSED
BEEN TRANSFORMED INTO TWO RUG DESIGNS :
AREAS AND INTRICATE STITCHING DETAIL TO GIVE
SURF AND OCEAN. OVER A CENTURY OF SKILL AND
A TRUE ‘VINTAGE’ LOOK.
- 51 -
NOT E : COLOURS AN D CONTRAST M AY VARY DUE TO TH E C O M P O S ITI O N A ND S TR UCTUR E O F TH E FI B R E S . @2018 DE PO O RTE R E DE C O S . A A L L D E S IGN, PATENT AND OTH ER INTELLECTUAL PR O P E RT Y R I G HTS A R E E X P R E S S LY R E S E RV E D - PATE NTS (PE NDI NG ) - LEG AL ACTION WILL BE TA K E N AG A I NS T A NY UN AUTH O R I ZE D US E -
- 53 -
- 54 -
- 55 -
A NEW DE SI GN FO R T HE M AD M E N CO L L E C-
T H E M A D - IS O N M E N W E R E T H E G O L D E N
TI ON. IT SHOW S A SUR FAC E O F C R ACK E D
B OYS O F T H E S I X T IE S , W H O “ D R E A M E D
I CE , AS ON T HE I C E RI NK OF R O CK E F E L -
UP ” T H E IM AG E S O F T H E ICO NIC B R A ND S
LER SQUAR E . IT AL SO R E P R E SE NTS T H E
O F T H E US A . INS P IR E D BY T H IS T H E M E , D E
WORLD B E LO W T HE SURFAC E , T H E D E E P
P O O RT E R E H A S CR E AT E D A NE W CO L L E CT I-
BLUE O F T HE ABYSS, T HE DAR K NE S S O F
O N O F “ V INTAG E S I X T IE S ” R UG S . A M I X O F
THE M I NE SH AFT W IT H T HE LODE O F G O L D
S T R A IG HT A ND B R O K E N L INE S , O F D UL L
AT TH E BOT TOM , O R T HE FAR C ORNE R S O F
A ND S H IN ING YA R NS , O F S M O OT H A ND
A P I NE W OOD FORE ST.
R AG G E D PE NCIL S T R O K E S .
- 57 -
- 59 -
- 61 -
- 62 -
- 63 -
8723 DA R K P INE
M ADI SO N AVE NUE R UN S B E T W E E N PA R K
O F D UL L A ND S H IN ING YA R NS , O F S M O OT H
AVENUE AN D FI FT H AVE NUE I N M A NH AT-
A ND R AG G E D P E NCIL S T R O K E S .
TAN. SI NC E T HE T W E NT I E S, IT H A S B E E N THE CE NT R E OF T HE AM E R I C AN A DV E RT I-
G R IF F
SI NG I NDUST RY. T HE M AD- I SON M E N W E R E
H E R E W E F IND A N IND ICAT IO N O F PA IN
THE GOL DE N BOYS OF T HE SI XT I E S , W H O
A ND D IS O R D E R , O F T H E R IF TS A ND B IG
“DREAM E D UP ” T HE I M AGE S OF T HE ICO NIC
CH A N G E S L IK E W O M E N ’ S L IB , V IE T N A M ,
BRANDS O F T HE USA. I NSP I R E D BY T H IS
T H E B L ACK PA NT H E R S , A ND M AY 6 8 B UT
THEME , DE P OORT E R E H AS C RE AT E D A NE W
A L S O O F T H E CR E AT IV E E NE R G Y O F AC-
COLL E CT I ON O F “VI NTAGE SI XT I E S ” R UG S .
T IO N
A M I X OF ST RAI G HT AN D B ROK E N L INE S ,
- 67 -
PA INT ING
IN
THE
L AT E
S I X T IE S .
- 68 -
- 70 -
8785 C ONC R ETE JUNGLE
- 71 -
- 72 -
- 73 -
- 74 -
- 75 -
- 76 -
- 77 -
- 78 -
- 79 -
M ADI SO N AVE NUE R UN S B E T W E E N PA R K
O F D UL L A ND S H IN ING YA R NS , O F S M O OT H
AVENUE AN D FI FT H AVE NUE I N M A NH AT-
A ND R AG G E D P E NCIL S T R O K E S .
TAN. SI NC E T HE T W E NT I E S, IT H A S B E E N THE CE NT R E OF T HE AM E R I C AN A DV E RT I-
JACO B’ S L A D D E R
SI NG I NDUST RY. T HE M AD- I SON M E N W E R E
S TA ND S F O R T H E UNE A S Y BUT E X H IL A R A -
THE GOL DE N BOYS OF T HE SI XT I E S , W H O
T ING CL IM B O N T H E S O CI A L L A D D E R . IT IS
“DREAM E D UP ” T HE I M AGE S OF T HE ICO NIC
T H E WAY T H E A DV E RT IS ING IND US T RY P IC-
BRANDS O F T HE USA. I NSP I R E D BY T H IS
T UR E S S O CIE T Y : M O R E , B E T T E R , H IG H E R ,
THEME , DE P OORT E R E H AS C RE AT E D A NE W
R ICH E R , . . . B UT T H E CL IM B CA N B E T R ICK Y,
COLL E CT I ON O F “VI NTAGE SI XT I E S ” R UG S .
EVEN
A M I X OF ST RAI G HT AN D B ROK E N L INE S ,
- 81 -
IF
THE
R UNG S
ARE
G L IT T E R ING .
- 82 -
- 83 -
- 84 -
8652 BL ACK O N W HIT E
- 85 -
- 86 -
- 87 -
- 89 -
- 90 -
- 91 -
FA D ING W OR L D CO L L E CT IO N B A BY LO N THE TI
B ABYLON L AYE R E D
ARABI C SED
DE SI GN
H AS
C OM P OSIT I ON
GE O M E T R I C
E L E M E NTS,
SE T
OF
AND IN
A
M UL -
F LO R A L , D IS T R E S -
SO FT
H UE S .
WE
P R O D UCE .
W OV E N
ON
JACQ UA R D
LO O M S W IT H COT TO N CH E N IL L E YA R NS , E ACH PLE
B E AUT IF UL L AY E R S
HAS
T E X T UR E ,
D IS T R E S S E D
AREAS
M ANS HI P
TA IL TO G IV E A T R UE ‘ V INTAG E ’ LO O K .
W OVE N
I NTO
E VE RY
R UG
- 93 -
INT R ICAT E
M ULT I-
OVER A C E NT URY OF SK I L L AND C R A F TS IS
A ND
OF
R UG
S T ITCH ING
DE-
FA D ING W OR L D CO L L E CT IO N B A BY LO N
- 95 -
- 96 -
- 98 -
- 99 -
THE NE XT G E NE R AT I O N O F T HE FA D ING
OV E R A CE NT URY O F S K IL L A ND CR A F TS -
WORL D C O L L E CT I ON H AS L I NK S WIT H T H E
M A NS H IP
DI SRUP T I VE
WE
E VE NTS
OF
T HE
S I X T IE S ,
IS
W OV E N
P R O D UCE .
INTO
W OV E N
E V E RY
ON
R UG
JACQ UA R D
WHEN T HE UP C OM I NG G E NE R AT I O N UPS E T
LO O M S W IT H COT TO N CH E N IL L E YA R NS ,
THE E STAB L I SHM E NT. HE NC E T H E B O L D
E ACH
STRE AK S AN D T HE “AGG RE SSI ON O F T IM E ”
PLE
ON THE C OLO URS AND T HE C L A S S ICA L
AREAS
DESI G N .
TA IL TO G IV E A T R UE ‘ V INTAG E ’ LO O K .
- 101 -
B E AUT IF UL L AY E R S A ND
OF
R UG
HAS
T E X T UR E ,
INT R ICAT E
M ULT I-
D IS T R E S S E D
S T ITCH ING
DE-
- 104 -
- 105 -
- 106 -
THE CE NT RAL PAT T E RN OR M E DALL IO N O F
OV E R A CE NT URY O F S K IL L A ND CR A F TS -
THI S R UG I S AN ANC I E NT C L ASSI C . WE AV ING
M A NS H IP
I N DIST R E SSE D AR E AS AND T HE E R A S ING
WE
OF PAT T E R N SE CT I O NS I N T HI S DE S IG N A L -
LO O M S W IT H COT TO N CH E N IL L E YA R NS ,
LOWS YO U TO I NC ORP ORAT E A P I E C E O F H IS -
E ACH
TORY I N YOUR HOM E . W HI L E T HE A D D IT IO N
PLE
OF VIB RANT C O LOUR AC C E NTS M A K E T H E
AREAS
RUGS B OT H C ONT E M P O RARY AND S T Y L IS H .
TA IL TO G IV E A T R UE ‘ V INTAG E ’ LO O K .
- 111 -
IS
W OV E N
P R O D UCE .
W OV E N
B E AUT IF UL L AY E R S A ND
OF
INTO ON
R UG
R UG
JACQ UA R D
HAS
T E X T UR E ,
INT R ICAT E
E V E RY
M ULT I-
D IS T R E S S E D
S T ITCH ING
DE-
- 112 -
- 113 -
- 114 -
- 116 -
- 117 -
- 120 -
- 122 -
- 125 -
A “FA RRAG O” I S A C O NFUSE D M I XT UR E A ND
F O R T H E T R A D IT IO N A L T E NT US E D BY T H E
REFER S TO T HE M I X O F DE SI G NS US E D IN
NO M A D IC T R IB E S IN T H E D E S E RT. BY E X-
THI S
BA L A NCE D
T E NS IO N , IT A L S O S TA ND S F O R T H E FA M ILY,
PATCHW O RK . IT I S A BL ANK E T O F D IF F E -
T H E H O M E O R T H E T R IB E A S A W H O L E . T H E
RENT T RI B AL PAT T E R NS, E XE C UT E D IN A N
F LO O R ING W O UL D CO NS IS T O F R UG S F O R
OVERDYE C OLO RAT I O N.
CO M F O RT A ND PA RT LY F O R D E CO R AT IO N
E XC E P T I ON AL LY
WELL
K H AYM A S TA ND S
TO O
- 127 -
140 x 200 cm 4’7” x 6’7”
200 x 280 cm 6’7” x 9’2”
170 x 240 cm 5’7” x 7’10”
230 x 330 cm 7’6” x 10’8”
- 128 -
- 131 -
- 133 -
- 134 -
- 138 -
THE FAI RFI E L D DE SI GN I S A C L AS S IC M E -
F O R T H E T R A D IT IO N A L T E NT US E D BY T H E
DALLIO N O F T HE LOUI S DE P O ORT E R E A R -
NO M A D IC T R IB E S IN T H E D E S E RT. BY E X-
CHI VE , FE AT UR I NG AN E L AB ORAT E BO R D E R .
T E NS IO N , IT A L S O S TA N D S F O R T H E FA -
IT I S PART LY E RASE D AS I F IT H ASN’ T B E E N
M ILY, T H E H O M E O R T H E T R IB E A S A W H O L E .
USED FO R DE C ADE S AND T HE N B E E N R E D IS -
THE FLOORING WOULD CONSIST OF RUGS FOR
COVER E D I N T HE AT T I C .
CONFORT AND PARTLY FOR DECORATION TOO.
K H AYM A S TA ND S
- 143 -
- 144 -
- 148 -
TRI BA L
DE SI GNS
GI ON,
RE C OLO RE D
WI NG
M I XE S,
PAT TE RN
G RI D
OF
T HE IN
W IT H L AI D
AT L A S
AM AZ I N G A O UT
REF LO -
DI STINCT IV E ON
TO P.
WE
P R O D UCE .
W OV E N
ON
JACQ UA R D
LO O M S W IT H COT TO N CH E N IL L E YA R NS , E ACH PLE
B E AUT IF UL L AY E R S
HAS
T E X T UR E ,
D IS T R E S S E D
AREAS
M ANS HI P
TA IL TO G IV E A T R UE ‘ V INTAG E ’ LO O K .
W OVE N
I NTO
E VE RY
R UG
INT R ICAT E
M ULT I-
OVER A C E NT URY OF SK I L L AND C R A F TS IS
A ND
OF
R UG
S T ITCH ING
DE-
OUR “PATCHWORK” RUGS ARE INSPIRED BY AN
OVER
ECLECTIC MIX OF DESIGNS FROM THE EAST,
MANSHIP IS WOVEN INTO EVERY RUG WE PRO-
COMBINED WITH ORIGINAL EUROPEAN ARCHI-
DUCE. WOVEN ON JACQUARD LOOMS IN A COM-
VES OF THE 18TH CENTURY. THIS BEAUTIFUL
BINATION OF PURE NEW WOOL AND COTTON
COMBINATION OF DESIGN GIVES A RICH FLA-
CHENILLE, EACH BEAUTIFUL RUG HAS MULTI-
VOUR OF OUR HISTORIC PAST. THE MODERN
PLE LAYERS OF TEXTURE, DISTRESSED AREAS
AND RUSTIC COLOURS ALLOW OUR RUGS TO BE
AND INTRICATE STITCHING DETAIL TO GIVE A
TEAMED WITH EVERY POSSIBLE INTERIOR STYLE.
TRUE ‘VINTAGE’ LOOK.
- 159 -
A
CENTURY
OF
SKILL
AND
CRAFTS-
- 161 -
- 162 -
60 x 90 cm 24” x 35”
200 x 280 cm 6’7” x 9’2”
80 x 150 cm 31” x 59”
140 x 200 cm 4’7” x 6’7”
230 x 330 cm 7’6” x 10’8”
170 x 240 cm 5’7” x 7’10”
280 x 360 cm 9’2” x 11’10”
- 163 -
- 164 -
- 165 -
- 166 -
8101 B L AC K & W H ITE
- 170 -
- 172 -
WHET HE R YOU N AM E IT G USTAVI A N, R O -
E A S T, CO M B INE D W IT H O R IG IN A L E UR O P E A N
M ANTI C OR SH AB BY C HI C . . . T HE S O F T CO -
A R CH IV E S O F T H E 1 8 T H CE NT URY. T H IS B E -
LOUR S O F ‘T HE C AM E O C OL L E CT I O N ’ G IV E
AUT IF UL CO M B IN AT IO N O F D E S IG N G IV E S
A TOUC H OF ‘DOLC E VITA’ TO YO UR INT E -
A R ICH F L AVO UR O F O UR H IS TO R IC PA S T.
RI OR. T HE HUE S ARE SO OT HI NG, E V E N CO -
T H E M O D E R N A N D R U S T IC CO LO UR S A L -
COONI NG, T HE DE SI G NS ARE UNI V E R S A L .
LO W
OUR “ PATC HW ORK ” RUG S AR E I NSPIR E D BY
E V E RY
AN ECL E CT I C M I X OF DE SI G N S FR O M T H E
- 175 -
O UR
R UG S
P O S S IBL E
TO
BE
TEAMED
INT E R IO R
W IT H STYLE.
60 x 90 cm 24” x 35”
200 x 280 cm 6’7” x 9’2”
80 x 150 cm 31” x 59”
140 x 200 cm 4’7” x 6’7”
230 x 330 cm 7’6” x 10’8”
170 x 240 cm 5’7” x 7’10”
280 x 360 cm 9’2” x 11’10”
- 177 -
- 178 -
- 179 -
- 180 -
1611062 Centexbel
- 182 -
8703
8704
8705
8706
8707
8708
8711
8712
8713
8719
8720
8685
8686
8667
8687
8668
8673
8714
8715
8716
8688
8781
8669
8670
8674
8676
871 7
8718
8782
8678
8783
8784
8679
8677
8486
8640
8663
8383
8382
8381
8258
8255
8254
8633
8956
8635
8926
8652
8263
8636
8419
8425
8259
8261
8260
8545
8546
8547
8548
8638
842 0
8637
8928
8618
8634
8925
8421
8927
8723
8257
8929
8629
8639
8785
8951
8655