P O RT F L I 2 O 2 O LOURDES NARCISO
2 ACADEMIC OCAD UNIVERSITY SATELLITE CAMPUS TRANSFORM REST HUB THESIS HOUSE DETAIL MODEL INDUSTRY ASHATANGA YOGA CORNER DWA PAVILLION GEARS BIKESHOP COMPETITIONS WINTER STATIONS 484038302010434 LOURDES NARCISO contact information 15 Grand Forest Drive, Barrie lnarciso30@gmail.comON416.435.4844
3 A C A D E M I C PROJECTS
OCAD U is reimagined as a destination and the interactive spaces between
OCAD U is a hub for learning and activity. Filled with lively program, the campus will bring a new face to the Lower Junction Triangle. Inspired by William Whyte, successful spaces are largely determined by the variation of program and the density of the space. Contrary to popular belief, it is not the idealized “large open space” that is popular, but the dense, compressed, and intimate spaces that are widely used. In conjunction with a rich program, the design includes elements such as; ledges for pedestrian use, water features, food vendors, visual connectivity and movement, historic significance, and vegetation all play a great role in attracting the public. The design strives to incorporate numerous new programs and activities to the neigh bourhood, while visually framing the main features of the buildings, displaying them as destinations. These are representated as enclosed boxes, containing controlled program such as workshops, studios, and classes/offices. They are stacked and placed closed together, squeezing the spaces in between and releasing them into small pockets of open programmed areas. These spaces are displayed as open, negative space areas with glazed walls and free flowing circulation.
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OCAD UNIVERSITY SATELITTE CAMPUS ASC 620, PARTNER KATHLEEN CRISOL, WINTER SEMESTER 2019 REVIT, RHINO, AUTOCAD, ILLUSTRATOR, INDESIGN
5 DN DN DN TO LEV LIBRARY 3 6 7 10 11 12 13 14 15 16 17 18 22201921OUTDOOR SEATING AREA QUIETAREASTUDY RECEPTIONGENERAL OFFICESADMINPRINTINGROOM STORAGEROOM CAFE MATERIAL SHOP LOADINGDOCK GARBAGEROOM WATER FEATURE SEATING SEATING STERLING ROAD PERTH AVENUE ASC620 OCAD UNIVERSITY FLOOR 1.5 & GROUND FLOOR 1:100 KATHLEEN CRISOL LOURDES NARCISO FLOOR PLAN
6 SOUTH ELEVATION 1 TO 100 ASC620 OCAD UNIVERSITY ELEVATIONS KATHLEEN CRISOL LOURDES NARCISO SOUTH ELEVATION 1 TO 100 SOUTH ELEVATION 1 TO 100 ASC620 OCAD UNIVERSITY ELEVATIONS KATHLEEN CRISOL LOURDES NARCISO SOUTH ELEVATION NORTH ELEVATION
BUILDING FACADE
A TYPICAL ALUMINUM COMPOSITE MATERIAL WALL ASSEMBLY 5/32” ALUMITEX JADE/LIGHT GREY ACM PANEL ONTARIO PANELIZATION ENVIROCLIP ADJUSTABLE STEEL ANGLE FASTENED TO STEEL STUD WALL (WITH NEOPRENE THERMAL BREAK BETWEEN WHITE16MM2”X8”VAPOUR150MMWATERPROOFINGFASTENER)MEMBRANERIGIDINSULATIONBARRIERSTEELSTUDSGYPSUMBOARDLATEXPAINTFINISH C MAIN ROOF RIGIDWATERPROOFASSEMBLYMEMBRANEINSULATIONAT2%SLOPE
TYPICAL ALUMINUM COMPOSITE MATERIAL WALL ASSEMBLY C MAIN ROOF SUSPENDEDASSEMBLYRAMPASSEMBLYTYPICALALUMINUMCOMPOSITE
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MIN. 150MM SMITH ROOF DRAIN WITH ADJUSTABLE EXTENSION SLEEVE VAPOUR BARRIER 19 MM EXTERIOR GRADE PLYWOOD 4” 6-PLY CLT SLAB J SUSPENDED RAMP ASSEMBLY THREADED STEEL ROD SPACE FRAME SUPPORT STEEL O-RING STEEL HOOK STEEL SCREW CONNECTOR STEEL INDUSTRIALHOOKSUSPENSION RODS CROSS BEAM SECTION SCREW NUT CONNECTION
MATERIAL WALL ASSEMBLY TYPICAL ALUMINUM COMPOSITE MATERIAL WALL ASSEMBLY SPANDREL PANEL ALUMICOR TRUELINE900 WINDOW FRAME DOUBLE GLAZED WINDOW ALUMICOR TRUELINE900 WINDOW FRAME DOUBLE GLAZED WINDOW
ALUMICOR TRUELINE900 WINDOW FRAME DOUBLE GLAZED WINDOW 500X500 CLT COLUMN WEEP CONCRETEHOLEFOOTING500MM CONCRETE SLABVAPOUR BARRIER 200MM INSULATION ASC620 OCAD UNIVERSITY WALL SECTION 1:20 LOURDES NARCISO FULL WALL SECTION 1:150
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9 SECTION A-A | 1 TO 100 ASC620 | OCAD UNIVERSITY | BUILDING SECTION | KATHLEEN CRISOL | LOURDES NARCISO BUILDING SECTION
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The main goal of the Interactive Cultural Centre is to provide a relaxing and enjoyable place once a traveler has arrived in the city they are visiting. The building provides an educational and positive first impression on the city of Toronto, where they can learn the city’s history, its multiple cultures, and overall identity.
The main aspect of the building is the interactive facade that moves in a ripple motion similar to an airplane taking off into flight. When a visitor walks near the facade from the interior, the interactive fins are signalled to move, attracting others to also interact with it.
TAKE-OFF TRANSFORMABLE REST HUB ASC720, INDIVIDUAL WORK, FALL SEMESTER 2019 RHINO, VRAY RENDER, AUTOCAD, PHOTOSHOP, ILLUSTRATOR, INDESIGN Take-Off is an Interactive Cultural Centre located on-site within Toronto Pearson In ternational Airport. The building is located adjacent to the main parking structure of Terminal 1, and points of access to the building will be bridges connecting Terminal 1 to the parking structure, and via the Terminal Link Train from Terminal 2 and 3.
11 LOCATION PLAN
12 DN DN MOVEDGALLERYSPACE LOUNGELIBRARY SPACEAA LOBBY SPACEGATHERINGINDIGENOUSCENTREPRESENTATION CAFERECEPTIONRESTORATION LABTECHNICIAN SPACE SECTIONWALL FLOOR PLAN
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14 NORTH ELEVATION
15 WEST
TRANSVERSEELEVATIONSECTION
16 MECHNICALFINSYSTEMDETAILSOFFITDETAILFINSOFFITMECHANICALSYSTEMSYSTEM
17 MOVEMENT OF ROTATING RODS POSITION 1 POSITION 2 POSITION 3 POSITION 4 FIN BRACING TYPE 1 TYPE 2 TYPE 3 FACADE MODULE EXPLODED FACADE MODULE
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HYBRID HOUSE ASC 820, INDIVIDUAL WORK, WINTER SEMESTER 2020
RHINO, ENSCAPE RENDER, AUTOCAD, PHOTOSHOP, ILLUSTRATOR, INDESIGN
The concept of the house being designed aims to create a hybrid architecture that in tegrates Canadian and Philippine residential styles. The spatial organization is based on Filipino culture and way of life, whereas the expression and physical elements takes precedent from Canadian buildings.
The focal point of the design is the large main space, where every activity is possible (Philippine culture), and is combined with extraordinary views (Canadian design) that compliment the interior space, with all supplementary program organized around it. The expressive drawing showcases a panoramic view of the main living space, accen tuating the number of views available, and the proximity of other daily activities that is within close reach to the main living space. The windows are highlighted to emphasize their locations within a space, and where the views are looking towards to. The floors are highlighted to denote the areas that are high activity and can hold a larger capacity of people.
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21 AXONOMETRIC SITE ANALYSIS
22 + FORM GENERATION PHILIPPINE THEMES SPATIAL CANADIAN THEMES PHYSICAL GABLE ROOF LARGESPACESGATHERING CONNECTEDSPACESEXTERIOR CANADIANMATERIALS CONSTRUCTIONMETHODS FRAMINGVIEWSEXTERIOR
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24 FLOOR PLAN
25 NORTH ELEVATION SOUTH ELEVATION
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27 SECTION AA 1:50 D-1 D-3 D-2 D-4 D-5 DETAIL 1 1:5 CORRUGATED STEEL ROOFING 1” x 1” ROOF BATTENS 2” x 10” WOOD RAFTER 300 x 600 TIMBER BEAM 1” STUCCO 2” x 6” WOOD STUDS 1/2” DRYWALL DETAIL 2 1:5 1” STUCCO 2” x 6” WOOD STUDS 1/2” DRY WALL 8” x 10” TIMBER BEAM 1” STUCCO 2” x 6” WOOD STUDS 1/2” DRY WALL DOUBLE WINDOWGLAZINGFRAME 2” x 6” WOOD STUDS 1” STUCCOSIGNIFICANTSECTION DETAILS DETAIL 1 DETAIL 2
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CONSTRUCTION CASE STUDIES 730, INDIVIDUAL WORK, FALL SEMESTER 2019 CONCRETE WORK, MODEL MAKING, DETAILING
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ASC
The project reinvents the detail so that the COR-TEN Steel goes deeper into the drain age curb, versus ending at ground level.
The project consists of researching COR-TEN Steel as a material and its application, effect, and history of use from past to present buildings. The assignment was to build a 1:1 model of a detail that showcases this material. The Fort York Visitor Centre was chosen as a case study to base upon the research, where the project was to redesign a detail of the building using COR-TEN Steel. The drainage detail was explored as it is a very important building design component when using COR-TEN Steel as an exterior facade. The material tends to stain any surround ing surfaces when it is not properly attached to the building, and if the drainage is not properly designed.
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33 P R O F E S S I O N A L PROJECTS
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ASHTANGA YOGA CENTRE OF TORONTO SIMONJAMES, INDIVIDUAL DESIGN, TORONTO, 2019 RHINO, AUTOCAD, ILLUSTRATOR
The Ashtanga Yoga Centre mural was commissioned to solve the reocurring problem of smoke residue from candles burning, that left undesirable marks on the wall once blown out. As the existing walls were painted white, the clients requested a simple modern design to cover up that area.
The design consists of geometric shapes that are tied to significant points on the wall, the centre where the existing shelf is installed, needed to be black or the darkest colour, which needed to be used in combination to the brand’s colours, and lastly the mural needed to consider human scale as an important part of the process.
ITERATION 2
The centre black shape was rede signed to cover more area in the corner of the wall.
The design was further changed to simplify the overall geometric shapes in the centre of the wall. The previous colours were con tinued to be used, but switched around to see different combi Thenations.centre black shape was again redesigned to matched the amount of vertices other shapes in the composition have.
The design was extended to the lower part of the wall to balance the top and bottom areas visually. The colours were changed to more muted tones so that they are com plimentary of each other.
ITERATION 3
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ITERATION 1 Inspiration for the design is based on the smoke a candle emits once blown out. The colours were chosen to match the branding of the yoga studio.
can
36 305 516156 407 934 330610 790 176 610 653 608 974821 582339 LENGTH OF CEILING LINE CONNECTS TO THE END OF SIDE WALL LINE 1162 478 1233 642 1086 919 1673 580 2236 591695705 398
The final design incorporates majority of the elements in the third iteration, including the co lour combination. The only design change was to include both top and lower areas to wrap around the wall so that the corners of the mural be seen from the hallway
beside it.BLACK 2022-40BANANAHC-171WICKHAM2134-50GULL2128-10BEAUTYWINGGRAYGRAYYELLOW
FINAL ITERATION
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A team of Ryerson students fabricated and erected the installation at PCL Construction prior to the showcase. The Ryerson team worked collaboratively with the firm and PCL to successfully construct the installation on schedule, while learning various woodworking, heavy machinery skills, and integral collaboration skills with different fields. The entire process of fabrication to final erection at Metro Toronto Convention Centre, took one month.
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TORONTO INTERIOR DESIGN SHOW DESIGN WORKSHOP ARCHITECTS, BUILD TEAM, TORONTO, 2018 HEAVY MACHINERY, WOOD WORKING
The “How Bright is Our Future” installation envisioned by DWA uses new technologies that conceptualizes the future of human society. The installtion invites visitors into a dark space where five glowing blades read various statements that either spark ‘hope’ or ‘fear’ for our future. The visitors are welcome to interact with the blades inputting their response to the various statements, where the answers are projected onto a screen.
39 TOM ARBAN PHOTOGRAPHY
Gears Bikeshop retail and bicycle goods store is planning on opening another location in the Burlington area, and this project consists of redesigning a tire storage warehouse, into a functioning modern retail and workshop. The project encompasses three major areas; the retail store, the bicycle workshop/as sembly, and the storage warehouse. These drawings reflect the permit submission phase in late 2020. I was responsible for creating store front elevation options, building floor plans and sections, all interior elevations, wall construction details, and storage racking details.
SIMONJAMES, ARCHITECTURAL INTERN, BURLINGTON, 2021
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GEARS BIKESHOP BURLINGTON
AUTOCAD, ILLUSTRATOR
41 GUN METAL GREY SIDINGBLACK METAL CANOPY WINDOW GRID BARS SHRUBS DESIGN 01 WEST ELEVATION 1:100JULY 6, 2020 WAREHOUSE AND SHOWROOM RENOVATION 5510 HARVESTER ROAD BURLINGTON, ON DATE:SCALE: STORE FRONT ELEVATION ITERATIONS DESIGN 02 WEST ELEVATION 1:100NOVEMBER 24, 2020 WAREHOUSE AND SHOWROOM RENOVATION 5510 HARVESTER ROAD BURLINGTON, ON DATE:SCALE: GUN METAL GREY SIDING YELLOW COMPOSITE PANELS STEEL MESH SIDING WITH LIGHTS
42 ENLARGED PROPOSED FLOOR PLAN A-A B-B
43 SECTION A-A SECTION B-B SECTIONS THROUGH RETAIL AND BICYCLE WORKSHOP
44 SOUTH ELEVATION RETAIL AREA - INTERIOR ELEVATIONS EAST ELEVATION SOUTH ELEVATION
45 WAREHOUSE BICYCLE RACKING DRAWINGS
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47 P E R S O N A L COMPETITIONS
TETRA SHELL WINTER STATIONS, PARTNER PATRICK SANDBERG, TORONTO, 2021 RHINO, VRAY RENDER, ILLUSTRATOR, PHOTOSHOP
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The materials chosen are purposefully muted to highlight the red lifeguard tower within, creating a blurred reveal of what is inside. The varying transparencies are used to create different degrees of visual separation from the exterior to interior, and vice versa. Once inside, the visitor is physically isolated from the exterior public space, but is still able to interact with those around it. The objective of the interior experience is to create a cave-like environment that envelops the visitor, making them safe and covered during the harsh winter weather.
Tetra Shell is inspired by the tetra-pods placed along coastlines that are meant to protect the city beyond it. With the theme of refuge, the form of the winter station is a dome-like structure made up of these tetra-pods. Tetra-pods act as a physical barrier from natural elements, but within this design it aims to emulate protection and safety from our current harsh realities.
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50 FLOOR PLAN
51 FRONT SECTIONELEVATION
52 AXONOMETRIC WOOD TETRA-POD MESH TETRA-POD VINYL WOODTETRA-PODSTRUCTURAL FRAMING
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55 T H A N K YOU