Hem Raj | Recent Works by Johnson Lowe Gallery

Hem Raj Recent Works

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Hem Raj

THE BILL LOWE GALLERY For three decades, Bill Lowe Gallery has served as a portal to global visual culture for art enthusiasts around the world. Our unique juxtaposition of style and substance is articulated in exhibitions that embrace universal and eternal considerations with great visual drama. This has earned the gallery recognition as a sanctuary for the cross-cultural intersection of beauty and meaning.

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It is with this mandate that we have assembled a world-class stable of artists who intuitively have their fingers on the pulse of the Universe. Their expression is not an ironic or satirical look at the human condition. Instead, the gallery’s program presents powerful, content-driven works that utilize technical mastery and a visual eloquence to transform the human heart and soul at intimate levels. For our collectors, the gallery is an oasis of beauty. Of civility. Of contemplation. This is coupled with a dynamism informed by a world view rooted in the metaphysical aspects of history, anthropology, spirituality, philosophy, psychology, and biology. Bill Lowe Gallery has a transformative impact that forever enlightens those who experience it.

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â&#x20AC;&#x153;In your light I learn how to love. In your beauty, how to make poems. You dance inside my chest, where no one sees you. But sometimes I do, and that sight becomes this art.â&#x20AC;? | Rumi

Hem Raj

Thou Thou 33 Oil on Canvas | 72 x 60 Inches

Voice of God 34 Oil on Canvas 48 x 36 Inches

Renowned Indian artist Hemrajâ&#x20AC;&#x2122;s paintings reflect duality; impressionistic enlightenments contradict expressionist discontent. What arises out of this duality or contradiction is a kind of chiaroscuro through which he delves deeper into existence.

His search revolves around a unitary point of exploration to find the truth behind the existential predicament. But truth is always intangible. So the prediction is always incomplete. Hemraj does not like to label his form with any fixed epithet because he thinks it leads to a sort of brink of closure. He chooses colour and its tone carefully and with intention; most of the time the major areas of his canvases are monotones.

Hem Raj

Voice of God 12 Oil on Canvas | 48 x 36 Inches

He essentially explores the ‘landscapic’ feeling with one colour and its countless tones. Each of his paintings has its own river, hills, waterfalls, smell of vegetation and its own independent entity.

Hemraj is a painter whose direct approach yields expressive results. He paints with lust that is revealed in the glory of colour. Every form has its own autonomy. Within this liberation the form can attain a universal significance transcending all local demarcation. When viewed in dramatic close up his work very deliberately depicts “a voice” to the voiceless in his paintings through melody, rhyme, rhythm and soul, all of which coalesce into a single whole.

Hem Raj

Voice of God 26 Oil on Canvas | 77 x 71 Inches

Hem Raj

METAMORPHOSIS & TRANSCENDENCY By Ernst W. Koelnsperger When talking to Hem Raj you feel like speaking to an artist with a conception of art dating back to a time long before secularization of art took pace. He emphasizes the “Dignity” in art, specially of painting, if it’s “aspiring vocation”. Remarkable for the oeuvre of the 1969 born Indian painter. His paintings gained early national and international recognition and appreciation; they deal in a liberal, almost cheerful way with transcendental bearings, along with an intensive abstraction, an almost purificatory style rarely found in today’s art world. A hint may be seen in the titles of his recent production: “Metamorphosis”, “Voice for voiceless” and “thou”. In all his work, starting with the early Tantric inspired paintings and leading to the recent large coloured squares, named by the ecclesiastical English title “Thou”, a respectful devotional invocation, he includes naïve drawings of animals, stylized sexual objects, pictograms of plants and animals. Sometimes they are scratched into a thick layer of paint, sometimes washed on top with a seemingly fast brush. Yet the picture planes are always distinctly organized and screened. Squares, spaces shoved against each other, graphic elements organize the canvas and put it to distinct order.

Voice of God 24 Oil on Canvas | 71 x 79 Inches

Tantra, the ecstatic way in Hindu and Buddhist philosophy, is all but far from Hem Raj’s meditative paintings. “Pictures”, he say, “ought to bring peace to the spectator as well as the painter”. He uses the ancient Indian team “Anand”, “bliss” in English, which can be translated with utmost happiness. Animals to Hem Raj are means to express wildness. To him men alike is driven by carnal desires even when trying to ignore them. Lingam and Yoni (male and female genitals), sperm, symbols of fertility like serpents and blossoms testify to this way of thinking. He is convinced that the artist is a medium, obliged to express truth and manifestations beyond common reality. His way to express this is paint and canvas. And then again paint and canvas are medium to him. Just think of Gertrud Stein’s famous line: “A rose is a rose is a rose…”. On first sight this concept of art is utterly astonishing. Should we step back to pre-renaissance art in order to discover such a philosophy? The artist a “Creator alter”? Not at all when you think of the theories e.g. of surrealism, initial essays of Kandinsky and early reflections on abstract art; all of this is very close to the thinking of Hem Raj.

Voice of God 27 Oil on Canvas | 78 x 48 Inches

During the recent years Hem Raj has somewhat moved away from the stern, highly defined construction of his paintings. The are very colourful and gained more freedom in configuration. Very large, often radiating monochrome spaces are arranged in daring combination. Numerous erotic sings and highly stylized presentations of animals are dancing along the rims as graphic design. They donâ&#x20AC;&#x2122;t push into the intensive coloured expanses which dominate the larger parts of the painting. The paintings thus become icons for meditation and transcendency. Munich, May 2004

Voice of God 29 Oil on Canvas | 59 x 42 Inches

Voice of God 25 Oil on Canvas | 71 x 77Inches

Hem Raj

Voice of God 23 Oil on Canvas | 71 x 77Inches

Hem Raj

Voice of God 32 Oil on Canvas | 59 x 71 Inches

Hem Raj

Voice of God 16 Oil on Canvas | 36 x 36 Inches

Voice of God 22 Oil on Canvas | 77 x 71 Inches

Hem Raj

ARTIST STATEMENT - HEM RAJ I would say, in a way my entry into visual art, that is, painting, was almost destined. Nobody in my family could think of sending me to an art college. Art â&#x20AC;&#x201C; painting, music or dance â&#x20AC;&#x201C; was not considered as a profession. But when I expressed my desire to enter College of Art (Delhi), instant support came from my father. Because he alone knew how deeply involved I was with painting and could make a professional career out of it. However, the saving grace was, that nobody opposed such a course for myself. That open and silent support for my desire has been my strength all along.

Voice of God 20 Oil on Canvas | 60 x 48 Inches

In the College, some of the teachers appreciated my abstract renderings and some were indifferent. But, I respected all of them, unreservedly, though liking those who were encouraging in their behavior more than others. Over all, things went in my favour all along. This was really a big gain. I am still very thankful to the late Sidheshwar Dayal, who ran a gallery at Mandi House, New Delhi, for hosting my first solo show while I was still a student at College of Art, Delhi the National Capital. And I am still deeply thankful to the then College Principal, Sh. O.P. Sharma, who suggested my name to Mr. Dayal. Both these facts helped my take off. In fact they cast a die in which my career as an artist was shaped.

Voice of God 31 Oil on Canvas | 79 x 51 Inches

I have, from my very first show at Siddheshwar Dayal’s L.T.G. Gallery, worked in the nature-oriented abstract idiom that leaves me free to culture my picture-space with whatever forms that I came to fancy or choose as a building bricks for my work. And such a free choice has been continually finding an echo in the hearts of those who appreciate and value abstract art (though I think that all art is abstract irrespective of its general categories such as figurative, surrealistic or realistic). Of course my sense of ‘abstract’ art is a bit different from what is generally considered as “abstract art”. I use the term abstract in terms of essence and not at all mean what can generally be described as non-figurative.

Voice of God 30 Oil on Canvas | 71 x 59 Inches

Hem Raj

My art evokes a different feeling because it is close to nature. It tends to provide a view with the intention of evoking a feeling which one gets when one roams about in an inviting landscape. I can therefore say that I provide my audience a scape that is engaging enough to compel them to peep and survey, to implore and explore and then return to a stake of enlightened equilibrium. And to relish what theyâ&#x20AC;&#x2122;ve surveyed like the after-taste of a good meal. My colours, my formal littering and my sense of space-culture are all there for providing my audience a romantic interlude apart from any intellectual pretentions. Itâ&#x20AC;&#x2122;s simple recourse to aesthetics or, one can say, rather a personal version of it.

Untitled 2 Oil on Canvas | 72 x 60 Inches

Voice of God 28 Oil on Canvas | 78 x 48 Inches

Voice of God 18 Oil on Canvas | 36 x 24 Inches

Voice of God 21 Oil on Canvas | 71 x 59 Inches

Voice of God Oil on Canvas | 47 x 47 Inches

Untitled 5 Oil on Canvas | 36 x 24 Inches

Hem Raj

Voice of God 33 Oil on Canvas | 71 x 59 Inches

Hem Raj

Omni Present 1 Oil on Canvas | 48 x 36 Inches

Hem Raj

Hem Raj

SELECTED SOLO SHOWS 2017 “The Voice of God,” Bill Lowe Gallery, Atlanta, GA, USA 2009 Avyakta-Vyakta:A Virtual Journey, Visual Art Gallery, New Delhi 2005 Galeria Muller and Plate, Germany 2004 Galeria Muller and Plate, Germany 2003 Blue Moon, Germany 2001 Delhi Art Gallery Shridharani Art Gallery, Delhi Son Et Lumiere, Mumbai 1996 Shridharani Art Gallery 1995 Alliance Franchaise de Delhi 1994 Dhoomi Mal Gallery Jahangir Art Gallery 1993 LTG Art Gallery

54 GROUP SHOWS 2007 Group show in Korea Delhi Art Gallery,New Delhi Dhoomi Mal Art Gallery,New Delhi, India Jung Art Gallery, South Korea Shanti Art Gallery, South Korea 70 years of Dhoomimal Art Gallery Garhi artist,Art Exhibition Organized by Lalit Kala Academy Delhi 2003 Indian Abstract Art at Shridharani Art Gallery–Indian Forum of Creative Artist Kite show – Dhoomi Mal Art Center ‘Project Time’, Painting Exhibition, Belgium, Europe Painting Show by Birla Academy Painting Show at Hyatt Regency Hotel by Damayanti International Miniatures Print Exhibition, Belgium. Indian Painting Exhibition at Galeria Borowski, Germany. Painting exhibition at Stadtische Galeria at Aserlohn Nandan Art Gallery, Kolkata

Hem Raj

55 2002 Joy of Life - Painting Exhibition, Art Alive Gallery, New Delhi Kalanjali Art Gallery, Delhi 1999-2004 Galeria Muller and Plate, Germany 1998 Enter Art Gallery, Korea 1995 Lalit Kala Rabindra Bhawan 1994-99 Dhoomi Mal Gallery 1993 Duet Show in Gallery Jharokha 1992 Jawahar Kala Kendra, Jaipur organized by ‘IPTA’. Green Wood Art Gallery Gallery Espace Group Show in Denmark

HEM RAJ

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Bo. Ovid ma que reicidempel minus. Sunt. Alitis sunt mincid que magnati atecatur? Icit endi aci dolo eatiis intendis vel ipsa velenih icabo. Ris que et quis eosseque doles si.

cullore, autas es quam, quis eliquo etur molor am, sa commos estiumquia qui dem estis et et inissit es escienihilic tem illuptis etur? Estibus alis sum rest, sandelest, vide venis ne porum esti reius sunti optusa venes venecepellit es am quossit libus, sitam faceriatus vit, offici discil ium estruptae ilibus, totae et venis volorum doluptatatur sunda volo temolo et rerfero reptatius. Ferferorem re pa qui ut excea quos eniscid mos por moluptam escillecerio volecto tatem.

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Edipicia quiditio mi, qui blam re volum que ra eum del ma sum que omnis ea consedi orature et ime et fugitem rereiusdae et unt ipicitatur a volora dic to blabo. Et liquam faccull orestia nisque lam si dolenimusam,

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Rateces mi, ulparum lab intibusdandi ratiori onsedit im atio

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BIG PINK, ROMA OIL, ACRYLIC, WAX CRAYON AND MIXED MEDIA ON CANVAS 79 x 72.5 Inches

B o r n i n N ew Yo r k Ci t y, t h e s o n of a Cze ch a rch i te ct a n d V i e n n e s e w r i te r, G a r y Ko m a r i n is a r is k t a ke r a n d co n s i d e re d a m o d e r n m a s te r i n p os t p a i nte r ly a bs t r a ct i o n . Ko m a r i n’s s t alwa r t i m a g e s h ave a n e p i c q u al i t y t h at g r i ps t h e v i ewe r w i t h t h e i d e a t h at h e o r s h e is lo o k i n g at a co nte m p o r a r y d e s cr i pt i o n of s o m et h i n g t i m e le s s . Fo r p a i nte r G a r y Ko m a r i n, a bs t r a ct i o n h a s n eve r b e e n a fo r m al d e a d e n d . Rat h e r, i t h a s al lowe d h i m to ch al le n g e t h e l i m i t at i o n s of t h e s t y le to m a ke p a i nt i n g ‘ i n clu d e m o re’ p re cis e ly b e c a us e a re co g n iza b le i m a g e exclu d e s to o m u ch . Ko m a r i n h a s ex h i b i te d ex te n s i ve ly t h ro u g h o u t t h e U n i te d St ate s, t h e U n i te d K i n g d o m, Eu ro p e a n d A s i a . H e re ce nt ly retu r n e d f ro m a s o lo m us e u m ex h i b i t i o n at t h e M us e e K i yo h a r u i n Ja p a n . T h e ex h i b i t i o n a n d c at alo g, M o o n Flows l i ke a W il low, wa s o rch e s t r ate d by t h e Yos h i Fo u n d at i o n i n To k yo a n d P a r is . M r. Ko m a r i n wa s al s o i nv i te d to s h ow h is wo r k at t h e p r i vate ly ow n e d M us e e M o u g i n s i n t h e S o u t h of Fr a n ce w h e re h e ex h i b i te d Ve s s e l p i e ce s f ro m Twe nt y Fo u r Ve s s e l s at K i t M a n d o r.