November 3, 2017

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Loyola University • New Orleans • Volume 96 • Issue 8 • October 27, 2017

THE MAROON FOR A GREATER LOYOLA

Change comes for Caroline Loyola University Theatre Arts Departments partners with Jefferson Performing Arts Society to perform Tony Kushner's "Caroline, Or Change" By Davis Walden jdwalden@my.loyno,edu @daviswald

A musical discussing a toppled Confederate monument, racial inequality and a struggle to make social change happen sounds like something new, but for Tony Kushner and Jeanine Tesori’s musical “Caroline, or Change,” it was already happening in 2003. It took 14 years for the Tony award-winning musical to premiere in the greater New Orleans area. The musical follows Caroline, a maid with four children, in 1963 and her life with her employers. “Caroline, or Change” discusses racial inequality, oppression and features a sub-plot about a defaced and toppled Confederate monument. “A lot of the things we see in ‘Caroline, or Change’ are still things that happen to people,” Josie Gautier, dramaturg (a student researcher) and theatre arts sophomore, said. “It was already relevant because of racial tensions in America. Two weeks after I was assigned as dramaturg, the rally in Charlottesville happened.” “Caroline, or Change” is being co-produced by Loyola’s Department of Theatre Arts and Dance and the Jefferson Performance Arts Society. “I just wanted someone to do it. Nobody was biting. It’s always been on the back of my mind as a wishlist, and then we got this musical theatre program,” Laura Hope, director of “Caroline, or Change,”

said. “We, in 2016, when I became chair [of the department], made a commitment to making more social justice theater to tie in with the mission of the university.” Hope, along with faculty member Patrick Gendusa, attempted to find a way to put on the musical despite its size and budgetary needs. “It’s a very complex musical score,” Briana Thompson, who plays Caroline’s friend Dottie, said. “I feel like it’s a really important show. Especially with the nature of society right now. There’s a new revolution with the African-American community and this play highlights revolution and civil rights.” Dottie is a younger maid that goes to college during the Civil Rights movement. “She shows the side of the African-Americans who supported the change, while Caroline is the foil to that change,” Thompson said. “She (Caroline) wants to stay where she is and she is afraid, if she steps out of her boundaries, she’ll be persecuted as many people were.” The play brings up issues about race and inequality that are talked of today. “That musical now feels like it was written five minutes ago, even though it’s about the past, because we’re cleaning up now,” Hope said. “We’re cleaning up some of the stuff that’s never been resolved and has been sublimated and pushed aside in the mainstream culture and media and now it’s back with a vengeance.” "Caroline, or Change" was nominated for six Tony awards including best musical, best original score

See CAROLINE, OR CHANGE, page 6

Illustrations by Hayley Hynes

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