The Cleveland Orchestra - Miami

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Honoring the Founders of Cleveland Orchestra Miami We pay special tribute to the inspired leadership of these families and organiza­tions, with special appreciation to Cleveland Orchestra Miami’s Founding Chairman, Dan Lewis, and his wife Jan. Daniel R. Lewis, Founding Chairman Michael and Judy Adler Cesar Alvarez Florence and Sheldon Anderson J. Ricky Arriola Jayusia and Alan Bernstein Marsha and Brian Bilzin Irma and Norman Braman Martha and Bruce Clinton The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation Colleen and Richard Fain Hector D. Fortun Francie and David Horvitz Tati and Ezra Katz Shulamit and Chaim Katzman Janet and Gerald Kelfer Pamela Garrison and R. Kirk Landon Shirley and William Lehman Jan R. and Daniel R. Lewis Susan Miller Muriel Rosen* Northern Trust Karyn and Dr. James Schwade Judy and Sherwood* Weiser Jody Wolfe *deceased Janet and Richard Yulman Beginning in 2004, a remarkable group of leaders came together to support the concept of an annual program of concerts and education activities by The Cleveland Orchestra in Miami. Following two years of planning, Cleveland Orchestra Miami was launched in August 2006 with the Orchestra taking the central role in acoustic testing of the state-of-the-art John S. and James L. Knight Concert Hall at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County.

Public performances by The Cleveland Orchestra in Miami were launched in January 2007, including subscription series, family and education concerts, and a growing variety of musical presentations and collaborations throughout the community. We salute the visionary leadership of these Founding Donors.

2012-13 Cleveland Orchestra Miami

Cl ev e C e ll a an ndd O r c h O h ee ss tt rr aa

Franz Welser-Möst

Giancarlo Guerrero

Music Director

Principal Guest Conductor

November 2012 Since 2007, Miami has been privileged to claim part-time stewardship of the world-renowned Cleveland Orchestra. Through the extraordinary generosity and dedication of our twenty-six Founding Donors, Miami-Dade County has been able to enjoy the great musical artistry of this acclaimed ensemble.

Today, I am proud to say that gifts from contributors beyond the Founding Donors are approaching 40% of funds raised each year. We know Miami as one of the best, most culturally outstanding cities in the world. And by aligning ourselves with The Cleveland Orchestra — and its world-class music-making — we are moving Greater Miami forward.

With continued support from our donors, we can continue to grow this partnership.

This week, we send a special thank you to the musicians of The Cleveland Orch­estra, who donated their services to perform two education concerts for students here in Knight Concert Hall. We can all be profoundly grateful for the collaborative spirit and sense of dedication this represents.

Cleveland Orchestra Miami is truly a one-of-a-kind organization. With your support, we can count on a vibrant future for The Cleveland Orchestra in Miami and for the artistic and cultural growth of our great community.

Sincerely,

Sheldon T. Anderson President Miami Music Association

Cleveland Orchestra Miami 2012-13

From the President

Miami Music Association The Miami Music Association (MMA) is governed by its Board of Directors, comprised of leading Miamians motivated by the idea that as a worldclass city Miami’s cultural life should always include orchestral performances at the very highest international level. No orchestra in America — indeed, perhaps no other orchestra in the world — is more ideally suited to partner with MMA in achieving these goals than The Cleveland Orchestra. Securing and building support for Cleveland Orchestra Miami will ensure that MMA succeeds in creating a culture of passionate and dedicated concert-going in Miami among the broadest constituency.

Officers and Board of Directors Daniel R. Lewis, Chair and Treasurer Sheldon T. Anderson, President Norman Braman, Vice Chair Hector D. Fortun, Vice Chair Marsha Bilzin, Secretary

Brian Bilzin Alicia Celorio Bruce Clinton Martha Clinton Mike S. Eidson Jeffrey Feldman Susan Feldman Francisco A. Garcia David Horvitz

Francie Horvitz Ezra Katz Tati Katz Gerald Kelfer Tina Kislak R. Kirk Landon Shirley Lehman William Lehman Jan R. Lewis

Miami Music Association

Peter B. Lewis Sue Miller Janet Rosel Karyn Schwade Richard P. Tonkinson Gary L. Wasserman E. Richard Yulman

2012-13 Cleveland Orchestra Miami

Cleveland O r c h e s t r a The Miami Music Association gratefully acknowledges these donors for their contributions to Cleveland Orchestra Miami in the past year. As of October 31, 2012.

Founders Council

$50,000 and more

Sheldon and Florence Anderson Irma and Norman Braman Hector D. Fortun David and Francie Horvitz Family Foundation, Inc. R. Kirk Landon and Pamela Garrison Daniel R. and Jan R. Lewis Peter B. Lewis and Janet Rosel The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation Susan Miller Janet and Richard Yulman

Chairman’s Council $15,000 to $49,999

Daniel and Trish Bell Do Unto Others Trust Colleen and Richard Fain Tati and Ezra Katz Jonathan and Tina Kislak John D. and Giuliana C. Koch Miami-Dade County Department of Cultural Affairs National Endowment for the Arts Northern Trust Bank of Florida Peacock Foundation, Inc. Mary M. Spencer Rick, Margarita and Steven Tonkinson Gary L. Wasserman and Charles A. Kashner

Patrons Council

$2,500 to $14,999

Mr. and Mrs. Stanley H. Arkin Kerrin and Peter Bermont Jayusia and Alan Bernstein Marsha and Brian Bilzin Carmen Bishopric Martha and Bruce Clinton Bruce Coppock and Lucia P. May Peter D. and Julie Fisher Cummings Family Foundation James Deering Danielson Foundation Charles and Fanny Dascal Ms. Nancy J. Davis Mr. Mike S. Eidson, Esq and Dr. Margaret Eidson Feldman Gale, P.A. Jeffrey and Susan Feldman Christopher Findlater Monte Friedkin Marvin Ross Friedman and Adrienne bon Haes Funding Arts Network

Cleveland Orchestra Miami 2012-13

Francisco A. Garcia and Elizabeth Pearson Joan Getz Nancy Green Gary Hanson and Barbara Klante Mary and Jon Heider Richard Horvitz and Erica Hartman-Horvitz Foundation Houck Anderson P.A. Mark and Ruth Houck Bob and Edith Hudson Hunton & Williams, LLP Elizabeth B. Juliano Janet and Gerald Kelfer Angela Kelsey and Michael Zealy Victor Kendall, Friends of WLRN Mr. and Mrs. Dennis W. LaBarre Shirley and William Lehman Marianne Luedeking Meredith T. Marshall Roger and Helen Michelson Robert Moss Mort and Milly Nyman Rosanne and Gary Oatey Nedra and Mark Oren James P. Ostryniec Claudia and Steven Perles Alfonso Conrado Rey Barbara S. Robinson Dr. and Mrs. Michael Rosenberg Charles E. Seitz Ms. Linda M. Smith Howard Stark M.D. and Rene Rodriguez Mrs. Barbara Stiefel Charles B. and Rosalyn Stuzin The Batchelor Foundation, Inc. Parker D. Thomson Esq. United Automobile Insurance Company Ver Ploeg & Lumpkin, P.A. Brenton Ver Ploeg Teresa Galang-Viñas and Joaquin Viñas Bill Appert and Chris Wallace Ricky and Sarit Warman ­ – Papa John’s Pizza Ms. Ginger Warner

Leadership Council $1,000 to $2,499

Anonymous (3) Ana L. Arellano Ms. Ruby M. Bacardi Robert and Ana Barlick John M. Barrow and Salvador F. Robleto Kalman and Irma Bass Mr. and Mrs. Donald Bercu Helene Berger Jaime A. Bianchi Julia and David Bianchi Irving and Joan M. Bolotin In dedication to Donald Carlin

Annual Fund Contributors

Michael and Lorena Clark Stanley and Gala Cohen Terence and Julie Connor Douglas S. Cramer / Hubert S. Bush III Maria-Cristina Del-Valle Andrew dePass and William Jurberg Andrea and Chuck Edelstein Susan Fawcett and Richard Donovan Francisco J. and Clara B. Fernandez Joseph Z. and Betty Fleming Gail and Alan Franklin Morris and Miriam Futernick Sue Gallagher Robert and Adrienne Gang Mario G. and María E. García Lenore Gaynor Dr. and Mrs. Edward C. Gelber Niety and Gary R. Gerson Irving and Yetta Geszel Jaime Gilinski Rose Ellen and Gerald Greene Jack and Beth Greenman Nancy Gross and Michael Boberschmidt Alfredo and Luz Maria Gutierrez Douglas M. and Amy Halsey Robert D. and Jill Hertzberg Mr. and Mrs. Barry Hesser Roberto and Betty Horwitz Richard and Judy Jacobs Dr. and Mrs. Norman Jaffe Dr. Michael and Gail Kaplan Gerald and Jane Katcher Kevin Kelly Cynthia Knight Dr. and Mrs. Frederick Knoll Jeff and Terri Krasnoff Dr. and Mrs. Stephen Kulvin Mr. and Mrs. Israel Lapciuc Ronald and Harriet Lassin Mr. and Mrs. Marvin H. Leibowitz Ivonete Leite Barbara C. Levin Mr. and Mrs. Carlos Lopez-Cantera Ana and Raul Marmol Dr. Isidoro Morjaim Selma and Jeff Newman Mrs. Patricia M. Papper Robert Pinkert Maribel A. Piza Guillermo and Maggie Retchkiman Charles and Linda Sands Philip Scaturro Raquel and Michael Scheck Henrietta and Robert Schwartz M.D. Mr. and Mrs. David Serviansky Donna E. Shalala Steven and Ruth Shere Victoria and Robert L. Simons Michalis and Alejandra Stavrinides William and Sheila Steiner Mr. and Mrs. Stanley G. Tate Kathy and Sidney Taurel listing continues

CLEVELAND ORCHESTRA MIAMI

Friends

listing continued Judith Rood Traum and Sydney S. Traum Mr. and Mrs. Robert H. Traurig Lisa Treister Florence and Robert Werner The Israel, Rose, Henry, and Robert Wiener Charitable Foundation, Inc. Allan and Norma Wilson Betty and Michael Wohl Ms. Henrietta Zabner Jerry and Catherine Zank Loly and Isaac Zelcer

Partners $500 to $999

Anonymous Dr. Kip and Mrs. Barbara Amazon Denise Anderson Linda Angell Benjamin and Dr. Rodney Benjamin Montserrat Balseiro Amparo Bellon-Champ Rhoda and Henri Bertuch Terry Blechman Mr. and Mrs. Eric Buermann Etain Elisabeth Connor Gary and Lilly Dix Shahnaz and Ranjan Duara Bernard Eckstein Mr. and Mrs. Steven Elias Firestone Family Foundation Iris Fisher Mr. Marcus Flanagan and Mr. William Flanagan Jill and Harold Gaffin Perla Gilinski Rafael and Mar Gosalbez John F. Hamilton Deborah Harris Jorge Hine William and Frankie Hipp Carin Kahgan Dr. Gerard and Mrs. Joyce Kaiser Hideko and Harold Klebanoff Richard L.* and Wendy Lapidus Norman and Nancy Lipoff Derek and Mary Lyth Robert and Judith Maynes Judith and Robert Mezey Sylvia Minchew Paulette Mintz Harve and Alesia Mogul Robert and Wilhelmina Myerburg Dr. Michael D. Norenberg and Dr. Carol K. Petito Melody Sawyer Richardson Andrew Rohlfling Alec and Silvia Rosen Elizabeth Rothfield David Schaecter and Sydney Carpel Dr. Robin Schaffer Ronald E. Schrager and Wendy Hart Robert I. Shapiro Dr. Jon Shaw Lois H. Siegel Mr. and Mrs. Jose R. Tarajano VCN Corporation Mr. and Mrs. Charles B. Wheeler Haim Wiener Dr. Jack and Mrs. Barbara Wolfsdorf Sora and Cary Yelin

up to $499

Anonymous (4) Juan Acosta and Hiram Colas Marjorie H. Adler Eleanor Aibel Ricardo Alsina Rosalie Altmark and Herbert Kornreich John and Sarah Anderson Dr. Simon and Mrs. Isabella Angeli Margarita Anthoine Dr. Jorge and Gigi AntuĂąez de Mayolo Jose-Eloy Anzola Marc and Brigid Arel Adrian Arkin Arthur Aronstein William V. Ashley and Diane de Vries Ashley Evelyn K. Axler Daniel Ayers and Tony Seguino Susan Bannon Zilney T. Barbosa Karla M. Barnes Dr. Earl Barron and Ms. Donna Barron Stephen Barrow and Janis Manley Sanra and Arturo Belkind Dr. and Mrs. Samuel Berkowitz Brian Berman Neil Bernstein and Julie Schwartzbard Robert Berrin Dr. Louis W. Bloise Mr. Mario Bosi Carolina Botello Ardis Bourland Michael T. Brazda and Lourdes M. Ramon Marleen Brody Alfred Brooks Chris Brown and Stephanie Demos-Brown David Buckner Mr. and Mrs. Alfred A. Bunge Gene Bunge Brent Burdick Dr. MarĂ­a Bustillo Rita Butterman James and Christina Carpenter Philip and Kathryn Carroll Maria I. Castro Harold Chambers Daphne Charbonneau The Chen Family Carole J. Cholasta Mathew and Lisa Cicero Leonard and Barbara Cohan Joan Cohen Phyllis Cohen Lane H. Convey Nathan Counts William R. Cranshaw Marcella Cruz Mercedes Cubas Gabino Cuevas Wesley Dallas Sergio da Silva Jennie Dautermann Alberto DeCardenas Teresa Del Moral Berta Del Pino Lisa Detournay Mr. and Mrs. Maximo J. Diaz Luis Dikes M. Donald Drescher and Marilynn Drescher Michael A. and Lori B. Dribin Dr. Melvyn Drucker

Annual Fund Contributors

Robert Durham Dr. Edward Gross and Karla Ebenbach Dorothy M. Evans Dr. Carl Fabian Martha Falgout Jose Luciano Fallad Josefina Farias Klara Farkas Mrs. Carol Fass Murray H. Feigenbaum Bennett Feldman Dr. Robert P. and Mrs. Sylvia Feltman Suzanne Ferguson J. Field Ingrid Fils Rana Fine Isaac Fisher Dr. and Mrs. Lawrence M. Fishman Ronaldo Flank Mary Francis Dr. and Mrs. Rudolph J. Frei Dr. and Mrs. Semyon Friedman Michael and Carolyn Friedman Malcolm and Doree Fromberg Victor and Sandra Fuller Allen and Gayle Giese Margaret Gerloff Johnny Ghibril Emily Gibson Judy M. Gilbert-Gould and Gerald Gould Carlos Felix Gimbernard Mr. Salomon Gold Barbara Goldin Sue and Howard Goldman Barbara R. Goldstein Elizabeth Fenjves and Donald Goodstein Barry Gordon Jason Gordon Patti Gordon Galina Gorokhovsky Dr. Pepi Granat Stephen B. Grundstein Christian Gutierrez Susan Guzman Sky Hackett George and Vicki Halliwell Dr. Juliet Hananian Vincent Handal, Jr. and Michael Wilcox David Harrison Claus and Barbara Haubold Dr. and Mrs. Mark J. Hauser Dr. Gail A. Hawks Shirley Helems Benjamin Herrera David Hevia Barbara L. Hobbs Greg Holtz Bernard and Kara Horowitz Dr. Michael C. Hughes Lawrence R. Hyer Fund at The Miami Foundation Timothy Iszler Melanie Jacobson Justin Jimenez Joan and Milton Baxt Foundation Inc. Lester and Susan Johnson Dr. Bruce and Mrs. Joyce Julien Shirley and Jack Kaplan Michele Karsenti Clarita Kassin James Kaufman Seymour Keith

2012-13 Cleveland Orchestra Miami

CLEVELAND ORCHESTRA MIAMI William Kelley Olga Khamzina Isaac and Lily Kislevich Anita Konig Lisa Kornse and August Wasserscheid Elane Kostecki Ernesto Jorge and Laura Kuperman Steven C. Kurtz Carolyn C. Lampl Mr. and Mrs. Robert Landon Anton Lee Rebecca and Elliot Lemelman Sandra and Vance Lemmon Judge Barbara Levenson Dr. and Mrs. Stanley Levick Dr. and Mrs. Melvin Levinson Mark Levy Lauren Licata Monica Link Raul and Juanita Lopez Arthur A. Lorch William and Carmen Lord Edward and Kay Lores Ruy MacIel Richard Mahfood Lewis and Dodie Mahoney Luisa Maichel Marisol Manito Leon Manne Charistine Marin Anthony Marinelli Sherrill Rigot Marks Loretta J. Marshall Mariana Martinasevic Hector Martinez Laureano J. Martinez Patricia Martinez Carlos Martinez-Christensen Oscar Mas Tamara Masferrer Mr. and Mrs. Stephen Masson Edward Mast Budd and Nanette Mayer Alan E. Maynard Carter and Laura McDowell Dr. Gwenn E. McLaughlin Alina Meledina Alice and Oded Meltzer Dr. and Mrs. Jorge Mendia Evelyn Milledge Daniel Mintz Oscar Mitnik Pierre and Mary Moffroid Edgardo Monterrosa Marisol Morales Dr. Michele Morris and Dr. Joel Fishman Judith Moscu Mrs. Hope Myers Narea Family Mr. and Mrs. D. Allan Nichols Ara and Violet Nisanian Tove Nord Robert Nuzzo and Neilus Scannell Stephen Nygard John and Sarah Nyitray Dr. Jules Oaklander Larry Ousley Dr. and Mrs. Larry K. Page Larry and Marnie Paikin Ruth M. Parry Maria Patino Stephen F. Patterson

George Paxton Beatriz Perez Marcos and Rose Perez Jason Perline Richard Pettigrew Michael and Mary Ellen Peyton Ferdinand and Barbara Phillips Nelson Piludu Teresa Pollak Suzan and Ronald Ponzoli Jonah and Judith S. Pruitt Regina D. Rabin Laura L. Rampey and Ronald W. Cox Robert Rearden Augustin and Isis Recio Mr. and Mrs. Burt Redlus Erika Richter Pedro A. Rios Lillian Robinson Angela Rodriguez Horacio Rodriguez Leslie Rogowsky Juan Rondon David and Susan Rosen Barbara and Eugene Rostov Stephen and Heidi Rowland Karen Rumberg Lawrence H. Rustin Alex Ryshawy Mr. Michael and Dr. Tamah Sadick Pilar Sanchez Hank Sanchez-Resnik Mary and Saul Sanders Dr. Diane Sard Janet Schiff Dr. Markus Schmidmeier Louis Schneider and Rosalie Ehrenberg Krystyna Schnier Mr. Peter and Mrs. Ortrud Schumann Alex Schwaner John and Zelda Schwebel Margaret Searcy Mike and Ronna Segal Anthony and Carol-Ann Segura Margaret Seroppian Humberto Sevilla Norman and Arlene Shabel Dr. and Mrs. Vincent Shankey Brenda Shapiro and Javier Bray Michael Sherman Dr. John and Gerri Shook Anica and David Shpilberg Ernest Siesel Rafael and Sulamita Simkovicius Robert Smith Dr. Gordon D. Sokoloff Ilene and Jay Sosenko Mary Ann Flores Shirley Spector Lucie and Jay Spieler Stanley and Betty Spieler Issac Sredni Nick St. Cavish Patty and Harold Stanley Ms. Holly Strawbridge Edwin L. and Elsa Stringer Caroline Sullivan Francis Switzer Michael Tannhauser and Lily Noches Stephen Tatom Richard Taylor Mr. Gabriel Teran

Cleveland Orchestra Miami 2012-13

Daniel and Cristin Thorogood Charlotte Tomic Alicia M. Tremols Miguel Triay Dr. and Mrs. Michael B. Troner Dale Underwood Yarima Upshaw Steven A. Vajda Daniel Vander Woude Video Fame Herbert W. and Peggy F. Vogelsang Barbara B. Voight Roberto Von Sohsten Frank Voyek Dr. Mario Werbin Jeanne Westphal Jill S. White Peter J. White, Jr. Robert and Ronni Whitebook Mr. and Mrs. Arthur Whittaker Brant Wigger Jennifer Williams Sid and Ethel Winokoor Laura A. Woodside Christian Wunsch Allan Yudacufski Dr. Sheldon and Elaine Zane Eloina D. Zayas-Bazan Chidong Zhang Amy Zimmerman Marlene Zuckerman    * deceased

Cleveland Orchestra Miami relies on the generosity of its patrons for our continued success. Ticket purchases cover less than half of expenses, and your philanthropic support is essential to cover the difference. Your contribution enables the Miami Music Association to present Cleveland Orchestra concerts, education programs, and community activities here in Miami-Dade County. Please consider a gift today by calling 305-372-7747 or visit online at clevelandorchestramiami.com.

Annual Fund Contributors

C l e v e l a n d

T h e

Franz Welser-MĂśst

M u s i c D i r e c t oR

giancarlo guerrero

Kelvin Smith Family Chair

Principal guest conductoR C leve l an d Orc h estr a M iam i

James feddeck

assistant conductor

Elizabeth Ring and William Gwinn Mather Chair

FIRST VIOLINS William Preucil concertmaster

Blossom-Lee Chair

Yoko Moore

assistant concertmaster

Clara G. and George P. Bickford Chair

Peter Otto

First associate concertmaster

Jung-Min Amy Lee

Associate concertmaster

Gretchen D. and Ward Smith Chair

Takako Masame

Paul and Lucille Jones Chair

Wei-Fang Gu

Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez

Elizabeth and Leslie Kondorossy Chair

Chul-In Park

Harriet T. and David L. Simon Chair

Miho Hashizume

Theodore Rautenberg Chair

Jeanne Preucil Rose

Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz

Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan

Patty and John Collinson Chair

Isabel Trautwein

Trevor and Jennie Jones Chair

Mark Dumm

Gladys B. Goetz Chair

Alexandra Preucil Katherine Bormann Ying Fu

SECOND VIOLINS Stephen Rose *

cellos Mark Kosower*

Alfred M. and Clara T. Rankin Chair

Louis D. Beaumont Chair

Richard Weiss 1

Emilio Llinas 2

The GAR Foundation Chair

James and Donna Reid Chair

Eli Matthews

Charles Bernard 2

1

Helen Weil Ross Chair

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Bryan Dumm

Muriel and Noah Butkin Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff *

Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1

Mary E. and F. Joseph Callahan Chair

VIOLAS Robert Vernon *

Mark Atherton Thomas Sperl Henry Peyrebrune

ChaillĂŠ H. and Richard B. Tullis Chair

Lynne Ramsey 1

Charles M. and Janet G. Kimball Chair

Stanley Konopka Mark Jackobs

Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky

2

Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

HARP Trina Struble *

Alice Chalifoux Chair

2012-13 Cleveland Orchestra Miami

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SEASON

O r c h e s t r a FLUTES Joshua Smith *

Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink

Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2

Everett D. and Eugenia S. McCurdy Chair

Robert Walters english horn Robert Walters

Samuel C. and Bernette K. Jaffe Chair

clarinets Franklin Cohen *

Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2

Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-flat clarinet Daniel McKelway

Stanley L. and Eloise M. Morgan Chair

horns Richard King *

George Szell Memorial Chair

Michael Mayhew

§

Knight Foundation Chair

Jesse McCormick Hans Clebsch Richard Solis Alan DeMattia

Otto G. and Corinne T. Voss Chair

Tom Freer 2

percussion Jacob Nissly *

Margaret Allen Ireland Chair

TRUMPETS Michael Sachs *

Donald Miller Tom Freer Marc Damoulakis

Jack Sutte Lyle Steelman2

keyboard instruments Joela Jones *

Robert and Eunice Podis Weiskopf Chair

James P. and Dolores D. Storer Chair

Michael Miller CORNETs Michael Sachs *

Rudolf Serkin Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

Michael Miller

librarians Robert O’Brien Donald Miller

TROMBONES Massimo La Rosa*

orchestra Personnel Carol Lee Iott

Mary Elizabeth and G. Robert Klein Chair

Gilbert W. and Louise I. Humphrey Chair

Richard Stout

Alexander and Marianna C. McAfee Chair

Shachar Israel 2

bass trombone Thomas Klaber

bass clarINEt Linnea Nereim

euphonium and bass trumpet Richard Stout

bassoons John Clouser *

tuba Yasuhito Sugiyama*

Louise Harkness Ingalls Chair

timpani Paul Yancich *

Barrick Stees 2

Sandra L. Haslinger Chair

Nathalie C. Spence and Nathalie S. Boswell Chair

Jonathan Sherwin

director

Karyn Garvin Manager

Endowed chairs currently unoccupied assistant concertmaster

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

assistant principal harp

Sunshine Chair

* Principal §

1 2

Associate Principal First Assistant Principal Assistant Principal

contrabassoon Jonathan Sherwin

Cleveland Orchestra Miami 2012-13

The Orchestra

Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

The 2012-13 season marks Franz Welser-Möst’s eleventh year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. He holds the Orchestra’s Kelvin Smith Family Endowed Chair. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is presented in a series of ongoing residencies in the United States and Europe, continues its championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his Cleveland post, Mr. Welser-Möst is general music director of the Vienna State Opera.

Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has launched a series of residencies in important cultural locations around the world. These include residencies at Vienna’s Musikverein and Switzerland’s Lucerne Festival, as well as programs at the Lincoln Center Festival and Indiana University’s Jacobs School of Music. The Orchestra’s annual residency in Miami, under the name Cleveland Orchestra Miami, features multiple weeks of concerts coupled with an extended variety of community activities and educational programs.

Mr. Welser-Möst has led a series of opera performances during his tenure in Cleveland. Following six opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas. In May 2012, he led the Orchestra and an international cast of singers in acclaimed concert performances of Strauss’s Salome.

In addition to serving as general music director of the Vienna State Opera, Mr. Welser-Möst maintains an ongoing relationship with the Vienna Philharmonic Orch­ estra. Recent concert performances with the Philharmonic include appearances at the Lucerne Festival and Salzburg Festival, in Tokyo, and at La Scala, as well as leading the Philharmonic’s 2011 New Year’s concert, telecast worldwide; he will conduct the New Year’s Day concert again in 2013.

Mr. Welser-Möst’s recordings and videos have won international awards and two Grammy nominations. He has led The Cleveland Orchestra in video recordings of live performances of Bruckner’s symphonies nos. 4, 5, 7, 8, and 9, and also released albums featuring Beethoven’s Ninth Symphony and music by Wagner.

Franz Welser-Möst has been recognized by the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

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Music Director

2012-13 Cleveland Orchestra Miami

The Cleveland Orchestra Under the leadership of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festival, in ongoing residencies from Miami to Vienna, and on tour around the world, the Orchestra sets the highest standards of artistic excellence, creative programming, and community engagement.

The Cleveland Orchestra has a long and distinguished recording and broadcast history. A series of DVD and CD recordings under the direction of Mr. Welser-Möst has recently been added to an extensive and widely praised catalog of audio recordings made during the tenures of the ensemble’s former music directors. In addition, Cleveland Orchestra concerts are heard in syndication each season on radio stations throughout North America and Europe.

The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s top rank of symphony orchestras.

Over the next decades, the Orchestra grew from a fine regional organization to one of the most admired symphonic ensembles in the world. Seven music directors (Nikolai Sokoloff, 1918–1933; Artur Rodziński, 1933–1943; Erich Leins­dorf, 1943–1946; George Szell, 1946–1970; Lorin Maazel, 1972–1982; Christoph von Dohnányi, 1984–2002; and Franz Welser-Möst, since 2002) have guided and shaped the ensemble’s growth and sound. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality with the first Blossom Festival in 1968, presented at an award-winning, purpose-built outdoor facility located just south of the Cleveland metropolitan area near Akron, Ohio. Today, touring, residencies, radio broadcasts, and recordings provide access to the Orchestra’s music making to a broad and loyal constituency around the world.

Visit ClevelandOrchestraMiami.com for more information.

Cleveland Orchestra Miami 2012-13

The Cleveland Orchestra

11

Giancarlo Guerrero Principal Guest Conductor Cleveland Orchestra Miami

The 2012-13 season marks Giancarlo Guerrero’s fourth year as music director of the Nashville Symphony and second year as principal guest conductor of Cleveland Orchestra Miami. He made his Cleveland Orchestra debut in May 2006. He has led the Orchestra in concerts in Miami, at Severance Hall, at the summertime Blossom Festival, and in its annual downtown community concert in Cleveland.

Mr. Guerrero’s recent seasons in Nashville have included an opening gala with Yo-Yo Ma, as well as world premieres of a new work by Richard Danielpour, a Béla Fleck banjo concerto, and a Terry Riley concerto for electric violin. This season, in addition to his work conducting concerts and in community engagement activities with Cleveland Orch­estra Miami, he makes his debuts with the BBC Symphony Orchestra and Deutsches Symphonie Berlin, and has return engagements with the orchestras of Boston, Philadelphia, Toronto, and São Paulo. Internationally, he led a five-city European tour with the Monte Carlo Philharmonic last season, and this year leads performances in Australia with the Adelaide Symphony and Auckland Philharmonic.

A fervent advocate of new music and contemporary composers, Mr. Guerrero has collaborated with and conducted works by some of America’s most respected composers, including John Adams, John Corigliano, Michael Daugherty, Osvaldo Golijov, Jennifer Higdon, Aaron Jay Kernis, and Roberto Sierra. His first album with the Nashville Symphony, on Naxos, featured works by Daugherty and won three 2011 Grammy Awards. Two more albums have been released, of music by Argentine legend Astor Piazzolla and by American composer Joseph Schwantner; the latter recording received a Grammy Award earlier this year.

A strong proponent of young musicians and music education, Mr. Guerrero returns annually to Caracas, Venezuela, to conduct the Orquesta Sinfónica Simón Bolívar and to work with young musicians in the country’s much-lauded El Sistema music education program. This season he will also work with student orchestras at the Curtis Institute of Music in Philadelphia and the Colburn School in California.

Born in Nicaragua and raised in Costa Rica, Giancarlo Guerrero received a bachelor’s degree in percussion from Baylor University and his master’s degree in conducting from Northwestern University. He was music director of Oregon’s Eugene Symphony (2003-09) and served as associate conductor of the Minnesota Orchestra (1999-2004). He received the American Symphony Orchestra League’s Helen M. Thompson Award recognizing outstanding achievement among young conductors. Prior to his tenure in Minnesota, he was music director of the Táchira Symphony Orchestra in Venezuela.

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Principal Guest Conductor

2012-13 Cleveland Orchestra Miami

CLEVELAND ORCHESTRA MIAMI

Concert Prelude A free performance featuring musicians of The Cleveland Orchestra playing chamber music works, presented before the evening’s orchestral concert.

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SEASON

Friday, November 16, 2012, at 7:00 p.m.

Saturday, November 17, 2012, at 7:00 p.m.

Theme and Variations

by Olivier Messiaen (1908-1992)

1.

2.

3.

4.

5.

6.

Thème: Modéré Variation No. 1: Modéré Variation No. 2: Un peu moins modéré Variation No. 3: Modéré, avec éclat Variation No. 4: Vif et passionné Variation No. 5: Très modéré

Eli Matthews, violin Joela Jones, piano

Trio in B-flat major, Opus 11 (for clarinet, cello, and piano)

by Ludwig van Beethoven (1770-1827)

1. Allegro con brio 2. Adagio 3. Tema con variazioni: Allegretto (“Pria ch’io l’impegno”)

Robert Woolfrey, clarinet Tanya Ell, cello Carolyn Gadiel Warner, piano

The Cle v el and Orchestra In addition to rehearsals and concerts throughout the year, many Cleveland Orchestra musicians donate performance time in support of community engagement, fundraising, education, and audience development activities — including these Concert Preludes. We are pleased to recognize these musicians, listed below, who are volunteering for such events and presentations during the 2011-12 and 2012-13 seasons.

Martha Baldwin Charles Bernard Katherine Bormann Charles Carleton Hans Clebsch Patrick Connolly Ralph Curry Marc Damoulakis Scott Dixon Bryan Dumm Mark Dumm

Tanya Ell Ying Fu Kim Gomez Joela Jones Alicia Koelz Stanley Konopka Mark Kosower Paul Kushious Jung-Min Amy Lee Eli Matthews Sonja Braaten Molloy

Cleveland Orchestra Miami 2012-13

Jacob Nissly Peter Otto Joanna Patterson Zakany Henry Peyrebrune Alexandra Preucil William Preucil Lynne Ramsey Marisela Sager Jonathan Sherwin Emma Shook Joshua Smith

Concert Prelude

Barrick Stees Trina Struble Brian Thornton Isabel Trautwein Carolyn Gadiel Warner Stephen Warner Robert Woolfrey Derek Zadinsky Jeffrey Zehngut

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A healthy performing arts community is music to our ears.

For over 120 years, we’ve relied on our strength and stability to hit the right notes with our clients and, just as importantly, our community. For that very reason, we’re proud and honored to support the Miami Music Association and The Cleveland Orchestra.

For more information, visit northerntrust.com or contact: Sheldon T. Anderson President and CEO – Southeast Region 700 Brickell Avenue, Miami, FL 33131 305-372-1000 Wealth & Investment Management | Trust & Estate Services | Private Banking | Family Office Services

nt1022_CO_5.375x8.indd 1

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11/1/12 10:16 AM

2012-13 Cleveland Orchestra Miami

Friday evening, November 16, 2012, at 8:00 p.m.

Saturday evening, November 17, 2012, at 8:00 p.m.

John S. and James L. Knight Concert Hall Sherwood M. and Judy Weiser Auditorium

The Miami Music Association and the Adrienne Arsht Center present

The Cleveland Orchestra Franz Welser-Möst, conductor gustav mahler

Symphony No. 3

Part One. 1. Kräftig, entschieden. [Forceful, decisive.]

(1860-1911)

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SEASON

Part Two. 2. Tempo di Menuetto. Sehr mässig. [Very moderate.]

3. Comodo. Scherzando. Ohne Hast. [Without haste.]

4. Sehr langsam [Very slow], misterioso — 5. Lustig im Tempo und keck im Ausdruck —

[Joyous in tempo and jaunty in expression] 6. Langsam, ruhevoll, empfunden.

[Slow, peaceful, deeply felt.]

BERNARDA FINK, mezzo-soprano

Women of the FROST SYMPHONIC CHORALE

and the MASTER CHORALE OF SOUTH FLORIDA Karen Kennedy, director

MIAMI CHILDREN’S chorus Timothy A. Sharp, director

Saturday evening’s concert is being broadcast live on WCLV 104.9 FM Cleveland.

The taking of photographs or any other recording is strictly prohibited.

Cleveland Orchestra Miami 2012-13

Concert Program

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i n t rod u c i n g t he pro g r a m

A Brief Look at a Long Symphony

as an instrumental appetizer for an opera or an oratorio, the musical genre called symphony grew in expressive and philosophical capacity through the works of Haydn, Mozart, Beethoven, Brahms, Bruckner, and Tchaikovsky (to name a few of the form’s master architects). Most historians would agree that this trend reached its zenith in the symphonies of Gustav Mahler, with their multiplicity of movements and vastness of instrumental (and often vocal) forces.

Mahler’s Third Symphony holds the distinction of being the longest of this composer’s nine symphonies, or indeed of any piece by that title in the standard repertoire. Present-day audiences, accustomed to sitting through a movie for an hour and a half, generally have no problem with the Third’s similar duration, especially since the composer has filled the work’s six movements with a wonderful variety of instrumental color and emotional expression.

Composed during Mahler’s summer holiday at Lake Attersee in 1896, the Third Symphony is rooted in that region’s spectacular Alpine scenery, which provided the inspiration for a mode of expression that strives constantly upward. As the composer succinctly put it, over the course of the work he “imagined the constantly increasing articulation of feeling, from the brooding, rigid, elementary forces of nature, to the tender creations of the human heart, which in turn reach out beyond themselves, pointing the way to God.”

Mahler once summarized the first movement as “Summer marches in,” and indeed two march themes (a Mahler favorite rhythm) contend for dominance, one dirge-like, the other full of hope. In keeping with the character of this symphony, hope wins out in the end.

Relief from this mighty symphonic battle comes with a delicate second movement in minuet tempo, whose piquant instrumental colors were (the composer suggested) inspired by Alpine wildflowers.

The third movement is a bustle of human activity with interludes featuring a posthorn, an instrument with rustic and nostalgic connotations for an Austrian audience circa 1900, much as a train whistle would from i t s h u mble be g i n n i n g s

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Introducing the Program

2012-13 Cleveland Orchestra Miami

have for many Americans today.

Continuing to turn his gaze upward, Mahler closes the symphony with three linked movements that call the listener to spiritual realms.

A mysterious setting of a nocturnal poem by Friedrich Nietzsche gives way to sparkling sunshine and the sound of children’s voices proclaiming salvation in a text derived from Austrian folk poetry.

The closing adagio movement evokes what the composer called the “higher form of ‘quiet being’,” by transforming the symphony’s vigorous opening theme into one of those achingly tender, endless Mahler melodies that lift the listener upward and upward, through one circle after another of harmonic and orchestral color.

—David Wright

Symphony No. 3 in D minor composed 1895-96

in august 1896,

by

Gustav

MAHLER born July 7, 1860 Kalischt, Bohemia (now Kalištì in the Czech Republic) died May 18, 1911 Vienna

the young conductor Bruno Walter visited Gustav Mahler in the Carinthian Alps, shortly after the composer had completed his Third Symphony. As he later recalled, Walter stood gaping at the spectacular mountain scenery, and Mahler said to him, “No need to look! I have already composed it all!”

Mahler’s eagerness to embrace in his music everything in nature, in heaven, in hell, and in the human heart can be seen as the last fling of Romantic idealism. But perhaps, given the irony and “relativity” that Mahler also keenly felt — one might even say suffered from — his artistic goals were an Einsteinlike effort to make sense of the seemingly anomalous, to find a unified theory of everything. That would make Mahler very much a citizen of the 20th century.

There were no jokes about the scenery a few hours later in Walter’s visit, when the composer sat at the piano to play his new symphony for his guest. (We might think it impossible for anyone, even the composer himself, to reproduce the sound of a hundred-piece orchestra and chorus with just ten fingers on a keyboard; but Mahler’s clear, lean orchestral style, with its open counterpoint and sparing use of instrumental colors, actually translates well to the piano.) As Walter recalled forty

Cleveland Orchestra Miami 2012-13

About the Music

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In the Third Symphony, Mahler said he “imagined the constantly increasing articulation of feeling, from the brooding, rigid, elementary forces of nature, to the tender creations of the human heart, which in turn reach out beyond themselves, pointing the way to God.”

years later in his book on Mahler, he felt an aura of greatness in the room: “Thanks to our talks, full of the overflow of the creative frenzy of his morning’s work, I was familiar with the spiritual atmosphere of the Symphony long before I knew its musical content. Yet it was a shattering experience to hear him play it at the piano. . . . This music made me feel I recognized him for the first time; his whole being seemed to breathe a mysterious affinity with the forces of nature. I had already guessed its depths, its elemental quality; now, in the range of his creativity, I felt it directly. . . . I saw him as Pan. At the same time, however — this in the last three movements — I was in contact with the longing of the human spirit to pass beyond its earthly and temporal bonds. Light streamed from him onto his work, and from his work onto him.”

Unfortunately for Mahler, not all ears were as attuned to his music then as Walter’s were. In his zeal to be understood — it was, after all, the age of Richard Strauss’s very explicit program music — Mahler made several attempts to offer literary metaphors as movement titles for this symphony, both in print and in conversations with friends. The music is quite understandable without them, and in fact Mahler suppressed them at the time of the premiere of the full symphony, which he conducted in the Rhineland town of Krefeld on June 9, 1902.

(Individual movements, particularly the second, had been performed previously in Berlin, Leipzig, and Budapest, to a mixed reception.) Like many composers, Mahler did not have much patience with explanations. Later that year, he wrote to another conductor: “I have now given up for good any further commentating, analyzing, or providing any listener’s aid whatever!”

Nonetheless, if we agree not to take them too literally, Mahler’s titles can give us some clues to the expressive progress of the symphony, and its philosophical underpinnings. While writing it, he used the working title Die fröhliche Wissenschaft (“The Joyful Knowledge”), after Nietzsche’s book of the same name, and added the Shakespearean subtitle “A Summer Morning’s Dream.”

Individually, Mahler referred to the movements by various titles at different times; his last version, published in the program for a performance of the second movement in Berlin on November 9, 1896, reads as follows: The symphony consists of the following six movements:

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About the Music

2012-13 Cleveland Orchestra Miami

Introduction: “Pan awakes.”

No. 1. “Summer marches in.” (Bacchic procession.)

No. 2. “What the flowers in the meadow tell me.” (Minuet.)

No. 3. “What the animals in the forest tell me.” (Rondeau.)

No. 4. “What man tells me.” (Alto solo.)

No. 5. “What the angels tell me.” (Women’s chorus with alto solo.)

No. 6 (Finale). “What love tells me.” (Adagio.)

As this scheme suggests, and the music confirms, Mahler has composed a fundamentally optimistic work, pointing ever upward. In an impatient letter trying to describe the work to a friend, he said that his titles offer “some suggestion of how I imagined the constantly increasing articulation of feeling, from the brooding, rigid, elementary forces of nature, to the tender creations of the human heart, which in turn reach out beyond themselves, pointing the way to God.” And who would begrudge Mahler an hour and a half to cover that much ground? Although this is the longest symphony in the standard repertoire — and today this is not such a test of attention as it used to be, since many movies are longer than this piece — Mahler keeps it interesting by creating six strongly characterized movements and, within each of them, much variety of expression and orchestral color.

The first movement is based on two march themes, one funereal, one optimistic. Mahler was particularly attracted to marches, and to their various meanings and functions in daily life. This extensive movement comes off as a titanic, even cinematic struggle between dark and light, the former represented by a piercingly dissonant short phrase that strikes again and again in D minor and the latter by a buoyant march tune announced at the top of the movement, inhibited at first but then blossoming, and subjected to remarkable variations at mid-movement, in place of a more conventional development section.

Mahler’s mastery of razor-sharp modern orchestration is everywhere in evidence; it is just a few steps down the road from this music to Shostakovich’s mordant wit and fury. The dirge-like D-minor theme, with its dire trombones and muffled drums, is recapitulated right where it should be in classic sonata form; the effect in this case is to suppress the lively, imaginative spirit of the development. But the irrepressible march theme sprouts again, quietly, from the cold ground, then swells inexorably, almost frighteningly, to the movement’s sudden, fierce conclusion.

The first movement by itself constitutes Part I of the symphony, after which Mahler’s score requests a long pause. The remaining five movements make up Part II.

The delicate second movement, marked Tempo di menuetto, starts out very much like the corresponding movement of Brahms’s Second Symphony, but ventures off into exotically colored variations à la Borodin or Rimsky-KorCleveland Orchestra Miami 2012-13

About the Music

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Gustav Mahler 1860-1911

Gustav Mahler, at age five (below left) in the earliest known photograph; with beard at age twenty-one in 1881; (right top) his wife, Alma, and their two daughters, Maria and Anna, in 1906; at the coast (bottom right) of the North Sea; and in a cartoon making fun of the unusual instruments (including cowbell and forging hammer) he orchestrated into his Sixth Symphony.

sakov. When the texture dwindles to just a few string or wind instruments, we are especially aware of those telling touches of percussion that are Mahler’s hallmark.

The third movement is also in a moderate tempo between slow movement and scherzo, but closer to the latter. Mahler uses a “developing variation” technique with his dainty theme that stems from Brahms, but with his own repertoire of orchestral sounds and harmonic twists. The variation-interlude for a valved posthorn (a regular trumpet is occasionally substituted), repeated later in the movement, serves the purpose of a trio section for this quasi-scherzo. For a turn-of-the-century Austrian audience, the posthorn, which announced the daily arrival of the mail coach, recalled both bygone times and economic expansion, much as a train whistle does for Americans of a certain age today. Mahler’s posthorn casts a mood of nostalgia over the end of the movement, but another fierce coda for the full orchestra strongly marks the end of the first section of Part II.

The concluding three movements are a poetic cycle in themselves, performed without a break. (In an earlier version of his metaphorical titles, Mahler digressed from his evolutionary plan to explore psychic and spiritual states of human beings, calling the fourth movement “What night tells me” and the fifth “What the morning bells tell me.”)

With this change come actual words in the music — a nightsong from Nietzsche’s Also sprach Zarathustra, set in dark hues for a low female voice, and a cheerful song about angels from Des Knaben Wunderhorn (“The Youth’s Magic Horn”), a classic collection of folk poetry that was Mahler’s touchstone for composition during these same years. The composer’s tempo indication of “Very slow, mysterious” describes the fourth movement’s rapt, hovering feeling; the music is also touched with those unexpected moments of sudden tender emotion that are another Mahler hallmark. The euphonious horns, a link to the previous movement, seem to lift the singer up, against a background of shimmering strings.

More horns and strings, joined by a glockenspiel that glints like the rising sun, evoke dawn in the fifth movement.

Its jaunty rhythm and bright colors of children’s and women’s voices bring a message of salvation that is all the happier because it overcomes moments of doubt and fear at mid-movement.

The closing sixth-movement adagio (marked “Slow, peaceCleveland Orchestra Miami 2012-13

About the Music

When questioned why he ended this symphony with a slow movement instead of the more usual fast finale, Mahler responded that “in fast movements . . . everything is motion, change, flow,” while a slow movement represents the “higher form of ‘quiet being’.”

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ful, with feeling”) transforms the symphony’s vigorous opening theme into one of those achingly tender, endless Mahler melodies that lift the listener through one circle after another of harmonic and orchestral color. As the opening bars suggest, Beethoven is the model for adagios on this immense scale, although Mahler has a sense of dramatic timing and orchestral space that is entirely his own. Critics, of course, demanded to know why he ended his symphony with a slow movement instead of a fast finale (as if Tchaikovsky hadn’t just done so, to profound effect, in his Sixth Symphony). Mahler responded that “in fast movements . . . everything is motion, change, flow,” while a slow movement represents the “higher form of ‘quiet being’.”

Although this quiet is interrupted now and then by emotions recalled from earlier movements (but not by the actual themes from those movements), all is carried upward in the rising spiral of affirmation toward a D-major conclusion that is as peaceful, in the inward sense, as it is fortissimo for the full orchestra.

—David Wright © 2012 David Wright lives and writes in Wellesley, Massachusetts. He pre viously served as program annotator for the New York Philharmonic.

At a Glance Mahler wrote his Third Symphony over the course of two summers; movements 2 through 6 were written in 1895, the first movement in 1896. However, as early as 1893, he had sketched two musical themes that eventually found their way into the first movement. In addition, the song “Ablösung im Sommer” (“Relief in Summer”), on which the third movement was based, was written about 1890.

Although movements from this symphony were performed at concerts in 1896 (movement 2) and 1897 (mvts. 2, 3, and 6), the composer conducted the premiere of the complete work on June 9, 1902, at Krefeld.

This symphony runs about 95 minutes, without intermission, in performance. Mahler scored it for 4 flutes (2 doubling piccolos),

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4 oboes (one doubling english horn), 3 clarinets (one doubling bass clarinet), 2 high clarinets in E flat, 4 bassoons (one doubling contrabassoon), 8 horns, 4 trumpets, posthorn, 4 trombones, contrabass tuba, timpani, percussion (glockenspiel, snare drum, triangle, tambourine, bass drum, suspended cymbals, cymbal attached to the bass drum, tam-tam, birch brush), 2 harps, strings, contralto solo, women’s chorus, and children’s chorus.

The Cleveland Orchestra, Chorus, and Children’s Chorus first performed Mahler’s Third Symphony in October 1969, under the direction of Louis Lane. The most recent performances were under the direction of Franz Welser-Möst in September 2012 at Severance Hall in Cleveland.

About the Music

2012-13 Cleveland Orchestra Miami

Symphony No. 3 by Gustav Mahler

IV. Fourth Movement “Midnight Song” text from Also sprach Zarathustra

by Friedrich Nietzsche (1844-1900) alt solo O Mensch! Gib acht!

Was spricht die tiefe Mitternacht?

Ich schlief!

Aus tiefem Traum bin ich erwacht!

Die Welt ist tief!

Und tiefer, als der Tag gedacht!

O Mensch! Tief!

Tief ist ihr Weh! Lust tiefer noch als Herzeleid!

Weh spricht: Vergeh!

Doch alle Lust will Ewigkeit!

Will tiefe, tiefe Ewigkeit!

alto solo Oh human, give heed!

What does deep midnight say?

I slept!

From deepest dream I have awakened!

The world is deep!

And deeper than the day had thought!

Oh human! Deep!

Deep is its woe!

Joy deeper still than heartbreak!

Pain speaks: Vanish!

But all joy seeks eternity, Seeks deep, deep eternity.

V. Fifth Movement Text from Des Knaben Wunderhorn poems edited by Clemens Brentano (1778-1842) and Ludwig Achim van Arnim (1781-1831) knabenchor Bimm, bamm, bimm, bamm.

children’s choir Ding, dong, ding, dong.

frauenchor Es sungen drei Engel einen süssen Gesang, Mit Freuden es selig in dem Himmel klang, Sie jauchzten fröhlich auch dabei, Dass Petrus sei von Sünden frei.

women’s choir Three angels were singing a sweet song; With joy it resounded blissfully in heaven.

They happily shouted with joy all together, That Peter was absolved from sin.

Und als der Herr Jesus zu Tische sass, Mit seinen zwölf Jüngern das Abendmahl ass, Da sprach der Herr Jesus:

For as Lord Jesus sat at table, With his twelve disciples to eat supper, So spoke Lord Jesus: P L E A S E T U R N P A G E Q U I E T LY

Cleveland Orchestra Miami 2012-13

Sung Text

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“Was stehst du denn hier?

Wenn ich dich anseh, so weinest du mir!“

“Why are you standing here?

When I look at you, you weep!”

alt solo Und sollt ich nicht weinen, du gütiger Gott?

alto solo And should I not weep, you kind God?

frauenchor Du sollst ja nicht weinen!

women’s choir No, you mustn’t weep!

alt solo Ich hab übertreten die zehn Gebot.

Ich gehe und weine ja bitterlich.

alto solo I have trespassed against the Ten Commandments.

I go and weep bitterly.

frauenchor Du sollst ja nicht weinen!

women’s choir No, you mustn’t weep!

alt solo Ach komm und erbarme dich über mich!

alto solo Ah, come and have mercy upon me!

knabenchor und frauenchor Bimm, bamm, bimm, bamm.

children’s and women’s choirs Ding, dong, ding, dong.

frauenchor Hast du denn übertreten die zehn Gebot, So fall auf die Knie und bete zu Gott, Liebe nur Gott in alle Zeit, So wirst du erlangen die himmlische Freud’.

women’s choir If you have trespassed against the Ten Commandments, Then fall on your knees and pray to God, Love only God forever, And you will attain heavenly joy.

knabenchor Liebe nur Gott!

Die himmlische Freud’ ist eine selige Stadt, Die himmlische Freud’, die kein Ende mehr hat,

children’s choir Love only God! Heavenly joy is a blessed city, Heavenly joy that has no end.

knabenchor und frauenchor Die himmlische Freud’ war Petro bereit’t Durch Jesum und Allen zur Seligkeit.

children’s and women’s choirs Heavenly joy was prepared for Peter

By Jesus and for the salvation of all.

Bimm, bamm, bimm, bamm . . .

Ding, dong, ding, dong . . .

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Sung Text

2012-13 Cleveland Orchestra Miami

Bernarda Fink Mezzo-soprano Bernarda Fink’s repertoire ranges from ancient music to music of the 20th and 21st centuries. She frequently appears with orchestras across Europe and the United States, including recent engagements with Amsterdam’s Royal Concertgebouw Orchestra, Berlin Philharmonic, Czech Philharmonic, Staatskapelle Dresden, London Philharmonic, Philadelphia Orchestra, and Vienna Philharmonic.

Bernarda Fink has appeared to widespread critical acclaim in Argentina and at major opera houses in Europe.

She regularly appears in recitals at the Vienna Musikverein and Konzerthaus, Schubertiade Schwarzenberg, Concertgebouw Amsterdam, and at Wigmore Hall in London.

During the 2012-13 season, Ms. Fink returns to Wigmore Hall as artist-in-residence, featuring a schedule of recitals (solo and with her brother Marcos Fink) and concerts with the Hugo Wolf Quartet and the Academy of Ancient Music. She also sings recitals in Vienna, Berlin, and Stuttgart, as well as additional duo-recitals with Marcos Fink in Fribourg, Schwarzenberg, and Lille. In the United States, her appearances include recitals in Philadelphia and New York City, as well as orchestral performances with the Chicago Symphony Orchestra (Beethoven’s Missa Solemnis and Mahler’s Third Symphony) and the Houston Symphony (Mahler’s Second). In Europe, she sings Bach’s St. Matthew Passion in a tour across Europe, as well as performances of Missa Solemnis with Herbert Blomstedt in Germany, Schumann’s Paradies und die Peri with Simon Rattle and the Vienna Philharmonic, Mozart’s Requiem with Louis Langrée in Salzburg, and Mendelssohn’s Second Symphony with Riccardo Chailly in Amsterdam.

Ms. Fink’s discography of nearly fifty recordings has proved worthy of many prizes, including Diapason d’Or and Grammy awards.

Born in Buenos Aires to Slovene parents, Bernarda Fink received her vocal and musical education at the Instituto Superior de Arte del Teatro Colón. In 2006, she was awarded the Austrian Honorary Medal for Arts and Science.

Cleveland Orchestra Miami 2012-13

Guest Soloist

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university of miami frost school of music

Frost Symphonic Chorale Karen Kennedy, Director

The Frost Symphonic Chorale is an auditioned chorus specializing in repertoire for large chorus and orchestra. The chorus has recently performed with the Frost Symphony Orchestra and the Miami Bach Society. The women of the Symphonic Chorale are performing several concerts of repertoire for treble voices this season, in addition to these performances with The Cleveland Orchestra.

WOMEN’S CHORUS — MAHLER THIRD SYMPHONY SOPRANOS

Diana Arato Andrea Brook Amanda Capps Bianca Chery Ella Doty Molly Gorman Gianna Horak Joy Lakin

Jamie Levine Emma Marzen Deanna Mavis Emily Minkow Gabby Rodriguez Alyson Scherding Traia Thiel Shelby Wedelich

ALTOS

Alix Bigley Asha Brown Natalie Cole Sierra Farquar Rebecca Felman Mariah Forde Shannon Greenman Sylvia Guzman

Meghan Motley Hannah O’Connor Melissa Olsson Amber Robb Jeanette Straeter Kaitlin Tunney Belle Zhang Kayla Zuckerman

Master Chorale of South Florida Karen Kennedy, Artistic Director

The Master Chorale is comprised of the finest classical singers in Broward, Miami-Dade, and Palm Beach Counties. The group was formed in 2003 to ensure that world-class performances of major works written for chorus and orchestra would remain part of South Florida’s cultural fabric. The ensemble’s many performances have included The Cleveland Orchestra’s inaugural concerts at the Adrienne Arsht Center in 2007, singing Beethoven’s Ninth Symphony.

WOMEN’S CHORUS — MAHLER THIRD SYMPHONY SOPRANOS

Eileen Averkiou Fiona Cohen Jennie Dautermann Natalie Fernandez Nancy Gates-Lee Gabriella Grof Kathleen Hartung Stephanie Kawzenuk Judi Lemoine

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ALTOS

Lucy McVeigh Alice K. Montford Lea Rasabi Carole Sandvos Holly Strawbridge Susan L. Trevarthen Marlene Wepf

Rocio Abello Monique L. Belch Allison Bisco Nancy Butler Ella Carr Carol Ann Casey Chai Lee Chien Carolyn DeSanti Lynn Domack Laura Ficorilli Jeanne Filosa Renee Michelle Goertzen Janet Grubel Nicole Hamaoui Mary Kilbreath

About the Artists

Caron Litten Teresa Lucchese Nanci Mitchell Roslyn T. Osborne Amanda Rothman Melanie Schley Norma Segal Rachel Snell Marina Tendler Alexandra von Szadkowski Jenna Weisberg Dale R. Wilkerson Debbie Wirges

2012-13 Cleveland Orchestra Miami

Karen Kennedy

Director, Frost Symphonic Chorale Artistic Director, Master Chorale of South Florida

Karen Kennedy is associate professor and director of choral studies at the University of Miami Frost School of Music, where she conducts the Frost Chorale and other choral ensembles. She is also artistic director of the Master Chorale of South Florida. Ms. Kennedy previously held the positions of chorus director for the Honolulu Symphony, director of choral activities at the University of Hawaii at Manoa, and director of choral activities at Towson University. She earned a doctorate in choral music from Arizona State University, a master’s degree in choral conducting from Butler University, and a bachelor’s degree in music education from DePauw University.

Ms. Kennedy has received many awards for teaching, including the University of Hawaii Chancellor’s Citation for Meritorious Teaching, Arizona State University’s Manzanita “Top Prof” Award, and Butler University’s Faculty Distinction Award. She is well known as a choral clinician and adjudicator for all-state and festival honor choirs. She served as the ACDA Eastern Division Collegiate Repertoire and Standards Chair and as a founding member of the National Collegiate Choral Organization.

Timothy A. Sharp Music Director, Miami Children’s Chorus

Timothy A. Sharp has served as music director of the award-winning Miami Children’s Chorus for more than two decades. In addition to his work with Miami Children’s Chorus, Mr. Sharp teaches general music at Vineland K-8 Center in Miami-Dade County. As a performer, he appeared with the chorus of Florida Grand Opera for five seasons. He continues his FGO work preparing children to appear in opera productions, including this season’s La Bohème and The Magic Flute.

Mr. Sharp earned his bachelor’s degree in music education from BethuneCookman University and a master’s degree from the University of Illinois at Champaign-Urbana, and received an artist-teacher diploma from the Choral Music Experience Institute for Choral Teacher Education. He has presented workshops for Miami-Dade County Public Schools as well as across the country for various choral and educators groups. At the Adrienne Arsht Center, he has conducted workshops on developing children’s voices and twice each year leads the MCC project Sing Miami! He appears annually at the Arsht Center as a professional development facilitator for the Miami-Dade County Public Schools Division of Social Sciences, speaking on African-American Spirituals.

Cleveland Orchestra Miami 2012-13

About the Artists

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Miami Children’s Chorus Timothy A. Sharp, Director Alan G. Ngim, Principal Accompanist Analy Mendez, Artistic Administrator

Established in 1965, the award-winning Miami Children’s Chorus (MCC) offers the children of Miami-Dade County the opportunity to study and perform standard and experimental forms of choral music. Through this study the children learn musicianship, vocal technique, discipline, commitment, and the rewards of sustained and dedicated effort. In weekly rehearsals the children also learn that there is no greater result than giving their personal best.

MCC can be heard singing background on recordings of Raul di Blasio, Gloria Estefan, Christian Castro, and the Frost Chorale. They appeared with Queen Latifah as part of the pre-game show for Super Bowl XXIV in 2010 and perform regularly throughout South Florida, partnering with many organizations including the Florida Grand Opera. The group has toured nationally and internationally, performing in Argentina, Austria, Brazil, Czech Republic, Italy, the United Kingdom, and throughout the United States, including New York’s Carnegie Hall.

MAHLER THIRD SYMPHONY Christopher Abello Alexandra Alfonso Lauren Amat Juliana Bach Kaiya Ballard Irene Bilbao Sofia Castiilo Stephen de Jesus Tiffany Donates Samantha Dutoit Melissa Echenique Isabella Fernandez Natalie Garcia Alicia Gendron Henry Gendron Maria Guia Shaloma Gutierrez Ramy Hanna Gabriela Hernandez-Fumero Rubie Hertzig

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David Junco Vania Junco Liza Kanter Mariana Kellogg Mia Lam Marco Lanz Catherine Levy Ariella Lindenfeld Jeremy Lindendfeld Alexandra Manresa Adriana Mantilla Aaron Mares Afsaana Mohammed Erika Negro Kristen Noa Sophia Paredes Emily Pasteris Iris Peterson Phanesia Pharel Sophia Pope

About the Artists

Lilia Pretto Sabrina Rabi Femke Reniers Tiffany Rigby Edmond Rodriguez Melinda Rodriguez Dana Rohlfs Hannah Saenz Gabriel Salazar Sabrina Salinas Erika Sassmann Ryan Sensale Isabel Silva Jessica Smith Naomie Valme Daisy Vazquez Alejandra Vivanco Diana Wynne

2012-13 Cleveland Orchestra Miami

Everybody’s a dreamer . . . and everybody’s a star . . . and everybody’s in show biz . . . it doesn’t matter who you are . . . and those who are successful . . . be always on your guard . . . success walks hand in hand with failure along Hollywood Boulevard.

(From the song “Celluloid Heroes” by The Kinks)

If you have ever felt this way, call me. —Rick Tonkinson

RICK TONKINSON STEVEN TONKINSON

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Cleveland O r c h e s t r a

Special Thanks Cleveland Orchestra Miami acknowledges the support of: The Batchelor Foundation, Inc. Feldman Gale, P.A. Funding Arts Network Houck Anderson, P.A. John S. and James L. Knight Foundation Miami-Dade County Public Schools National Endowment for the Arts Northern Trust Bank of Florida Papa John’s Pizza­ Peacock Foundation, Inc. United Automobile Insurance Company Ver Ploeg & Lumpkin, PA

Generous Foundation support provided

by The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation Support for Cleveland Orchestra Miami is provided by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, and the Miami-Dade County Mayor and Board of County Commissioners.

Cleveland Orchestra Miami education programs are funded in part by The Children’s Trust.

The Trust is a dedicated source of revenue established by voter referendum to improve the lives of children and families in Miami-Dade County.

Program Book Copyright © 2012 by The Cleveland Orchestra and Miami Music Association.

Eric Sellen, Program Book Editor e-mail: esellen@clevelandorchestra.com Program books for Cleveland Orchestra Miami concerts are produced

by The Cleveland Orchestra and distributed free to attending audiences.

Program book advertising is sold through Live Publishing Company.

For further information and ad rates, please call 216-721-1800

30

Appreciation

2012-13 Cleveland Orchestra Miami

Classical Classical Classical Music.

Music.

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Classical Classical Music.

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PROUD MEDIA PARTNER OF CLEVELAND ORCHESTRA MIAMI. d PROUD PROUD PROUD MEDIA MEDIA MEDIA PARTNER PARTNER PARTNER OF THE OF OF THE CLEVELAND THE CLEVELAND CLEVELAND ORCHESTRA ORCHESTRA ORCHESTRA MIAMI MIAMI RESIDENCY. MIAMI RESIDENCY. RESIDENCY. PROUDPROUD MEDIA MEDIA PARTNER PARTNER OF THEOF CLEVELAND THE CLEVELAND ORCHESTRA ORCHESTRA MIAMI RESIDENCY. MIAMI RESIDENCY.

PERFORMING ARTS CENTER TRUST, INC. PERFORMINGOfficers ARTS CENTER of theTRUST, Board INC. INFORMATION

Officers of the Board

Mike Eidson

ACCESSIBILITY Chairman Mike Eidson Adrienne Arsht Center is fully accessible. When purchasing tickets, patrons who have special needs should Chairman Alan H. Fein James M.customer Herron, service representative.

J. Ricky call (305) 949-6722 or (866) 949-6722 and inform their (786)Arriola, 468-2011(TTY).

Chair-Elect

Alan H.Secretary Fein

Immediate Past Chair James M. Herron,

J. Rick

DINING Chair-Elect Secretary Immediat Emery B. BY Sheer Penny Thurer, Parker D. menu Thomson, Enjoy PRELUDE BARTON G. in a whole new way, featuring new prices, an updated of Prelude Treasurer Assistant Founding Chair menu Emery B. SheerSecretary Thurer,“premium�

Parker D classics mixed with innovative new dishes, a sumptuous selection of speciallyPenny prepared Treasurer Secretary Foundi options and the ultimate pre- and post-show dining experience! PRELUDEAssistant

BY BARTON G. now features Directors a two-course dinner including an appetizer Board and a of main course for just $29 (plus tax and gratuity). CALL Matilde Aguirre or visit arshtcenter.org/prelude.

The Honorable Donald L. Graham Beverly A. Parker Ronald A. Silver 305.357.7900 Board of Directors Pierre R. Apollon EvelynMatilde Greer Aguirre JorgeThe A. Plasencia Honorable Honorable Donald L. Graham The Michelle BeverlySpence-Jones A. Parker Ronald A EMERGENCIES Magalie Desroches Austin Mitchell Kaplan Abigail Pollak Pierre Apollon Greer and securityAlexander Jorge I.A.Tachmes Plasencia The Hon Emergency exits are clearly marked throughout the building. personnel will provide The Honorable Oscar Braynon II Hank Klein R.Desroches JesusEvelyn “Jay�Ushers Pons Magalie Austin Mitchell Kaplan Abigail Pollak Mich Armando J. Bucelo, Nathan Leight The Honorable Raquel Regalado Carole Ann Taylor instructions in Jr. the event of an emergency.

Contact an usher or a member of the house staff if you require TheLitthcut Honorable Oscar Braynon II LarryHank Klein Jesus “Jay� Pons Alexand Felix Garcia Florene Nichols Rice Raul G. Valdes-Fauli medical assistance.

J. Bucelo, Jr. Nathan Leight Honorable Raquel Regalado Carole A The Honorable Rene Garcia CarlosArmando C. Lopez-Cantera Adriana Sabino Judy The Weiser Felix Garcia Florene Litthcut Nichols Larry Rice Raul G. V FACILITIES RENTALS Sergio M. Gonzalez Richard C. Milstein Mario Ernesto Sanchez Miles C. Wilkin TheNeves Honorable Rene Garcia Carlos C. Lopez-Cantera Sabino Judy We Rosie Gordon-Wallace Gilberto The Honorable D.terraces, Sarnoff plazasAdriana Persons or organizations interested lounges, or other Sergioin M. renting Gonzalez the auditoriums, Richard C.Marc Milstein Mario Ernestospaces Sanchez for Miles C. private and public events at Adrienne Arsht Center should contact Rosie Gordon-Wallace Gilberto(786) Neves 468-2287 or rentals@arshtcenter.org.

The Honorable Marc D. Sarnoff ADRIENNE CENTER FOUNDATION, INC. BOARD OF DIRECTORS HEARING AIDSARSHT AND OTHER HEARING-ENHANCEMENT DEVICES ADRIENNE ARSHT FOUNDATION, INC.produce BOARD OF DIRECTORS Please reduce the volume on hearing aids and CENTER other a noise that would disturb Officers of devices the Boardthat may other patrons or the performers. Assistive Listening Devices are available in the lobby; please ask an usher Officers of the Board Adrienne Arsht Richard E. Schatz for assistance.

Founding Chairman Chairman Adrienne Arsht Richard E. Schatz LATE SEATING Founding Chairman Chairman RonaldArsht Esserman Davidbegin Rockerpromptly as Sherwood M. As Weiser* Jason Williams Adrienne Center performances scheduled. a courtesy to the performers and audience members already seated, Ronald patronsEsserman who arrive late will beDavid asked to wait in the lobby until aM. suitable Rocker Sherwood Weiser* J RESIDENT ALLIANCEto be determined in consultation with the performing artists. Until the seating break in COMPANIES the performance break, latercomers may watch RESIDENT the performance via closed-circuit monitors conveniently situated in the Sheldon Anderson Jerome J. Cohen COMPANIES ALLIANCE Robert F. Hudson, Jr. Aaron S. Podhurst, Esq. OREELHV 7R FRQÂżUP VWDUWLQJ WLPHV IRU $GULHQQH $UVKW &HQWHU SHUIRUPDQFHV SOHDVH FKHFN \RXU WLFNHW YLVLW Adrienne Arsht Stanley CohenAnderson DarylJerome L. JonesJ. Cohen Charles Porter Sheldon F. Hudson, Jr. Aaron S. www.de arshtcenter.org, or callSusan (305) 949-6722.

Diane Vries Ashley T. Danis Edie Laquer Jane Robert A. Robinson Adrienne Arsht Stanley Cohen Daryl L. Jones Charles P Robert T. Barlick, Jr. Nancy J. Davis Donald E. Lefton Richard E. Schatz MEMBERSHIP Diane de Vries Ashley Susan T. Danis Edie Laquer Jane A. R Fred Berens - VISIONARY SOCIETY Ronald Esserman Rhoda Levitt Sherry Spalding-Fardie Robert T.the Barlick, Jr. Nancy J. Davis a wide variety E. Lefton Richard Individuals support Adrienne ArshtGeorge Center through ofDonald membership levels, Sia Bozorgi can participate and Oscar Feldenkreis L. Lindemann Robert H. Traurig, Esq. FredGardiner Berens Ronald Esserman RhodaM.Levitt Sherry S HDFK GHVLJQHG WR HQKDQFH \RXU H[SHULHQFH DW WKH &HQWHU 0HPEHUV UHFHLYH EHQHÂżWV UDQJLQJ IURP DGYDQFH Norman Braman Pamela Carlos C. Lopez-Cantera Sherwood Weiser* SiaF.Bozorgi Oscar Feldenkreis L. Lindemann Robert H Sheila Jerrold Goodman PedroThese A. Martin, Esq. tax-deductible Lynn George Wolfson noticeBroser of performances to invitations to Braman exclusive receptions. annual gifts C. help ensure the Norman Pamela Gardiner Carlos Lopez-Cantera Sherwoo Robert Rose Ellen Greene Mendelson futureS.ofBrunn the Center. Visionary Society membership startsArlene at $75, with various giving levelsPedro through $5,000.

To Sheila Broser Jerrold F. Goodman A. Martin, Esq. Lynn Wo M. Anthony Burns ArthurRobert J. Halleran, Jr. Nedra Oren *deceased S. Brunn email membership@arshtcenter.org RosePeĂąa, EllenEsq. Greene Mendelson join the Visionary Society, callHoward (786)Herring 468-2040, or visitArlene arshtcenter.org/join.

Donald Carlin J. David M. Anthony Burns Arthur J. Halleran, Jr. Nedra Oren Donald Carlin Howard Herring J. David PeĂąa, Esq.

Carlos A. Gimenez Phone Numbers Mayor Carlos A. Gimenez Accessibility (786) 468-2011(TTY) Mayor MIAMI-DADE BOARD OF COUNTY COMMISSIONERS Advertising (786) 468-2232 MIAMI-DADE BOARD OF COUNTY COMMISSIO $GPLQLVWUDWLRQ 2IÂżFHV Joe A. Martinez Audrey M. Edmonson

Chairman Vice Chairwoman

Joe%R[ 2I¿FH A. Martinez Audrey M. Edmons (866) 949-6722 Chairman Vice Chairwoma Bruno A. Barreiro M – F 10am – 6pm Photo by Robin Hill

Barbara J. Jordan District 1 Jean Monestime District 2 Audrey M. Edmonson District 3 Sally A. Heyman District 4

Anna Murch fountain in the

Harvey Ruvin Thomson Plaza for the Arts Clerk of Courts 10 32

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District 5 Rebeca Sosa Rental Facilities Barbara J. Jordan District 6 District 1Development Xavier L. Suarez Jean Monestime Group Sales District District 2 7 Membership Lynda Bell Audrey M. Edmonson District 8 District 3Parking Dennis C. Moss Sally A. Heyman District District 4 9

Sat. Sun. noon to Curtain Javier D. Souto Bruno A.–Barreiro District District 5 10 (786) 468-2287 Javier D Joe A. Sosa Martinez Distric Rebeca (786) 468-2250 District District 6 11 Joe A. M (786) 468-2326 JosĂŠL.“Pepeâ€?

Diaz Distric Xavier Suarez (786) 468-2040 District District 7 12 JosĂŠ “Pep (305) 949-6722 Esteban Bovo, Jr. Distric Lynda Bell (866) 949-6722 District District 8 13 or visit www. arshtcenter.org Esteban B Distric Prelude by Barton G. Dennis C. Moss (305) 357-7900 District Pedro J. Garcia Robert A.9Cuevas Jr. Security

Property Appraiser Harvey Ruvin Clerk of Courts

(786) 468-2081

County Attorney Pedro J. Garcia Property Appraiser

Robert A. County

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Arsht Center Information

2012-13 Cleveland Orchestra Miami

PERFORMING ARTS CENTER TRUST, INC.

Officers of the Board INFORMATION

Alan H. Fein Chair-Elect Emery B. Sheer Treasurer

Mike Eidson LOST AND FOUND LOST AND FOUND Chairman Patrons should check with the House Manager in the theaterPatrons lobby should chec prior to James leaving theater, otherwise pleaseJ.call theArriola, Adrienneprior Arsht to leaving the th M.the Herron, Ricky Center main security number (786) 468-2081.

LostPast articles will be main security Secretary Immediate ChairCenter held for 30 days. held for 30 days.

Photo by Mitchell Zachs

Photo by Mitchell Zachs

INFORMATION

Penny Thurer,

Parker D. Thomson,

Assistant Founding Chair MEMBERS FIRST! MEMBERS FIRST! Secretary As a member of the Adrienne Arsht Center Visionary Society, As you a member of the have Board exclusive access to members-only ticket pre-sales and havesoexclusive acce of Directors muchL.more!

786.468.2040 or visit much andmore! To join, Matilde Aguirre The Honorable Donald Graham To join, Beverlycall A. Parker Ronaldarshtcenter.org A. Silver click “Become a Mem Pierre R. Apollon Evelyn Greer click “Become a Member.�

Jorge A. Plasencia The Honorable Magalie Desroches Austin Mitchell Kaplan Abigail Pollak Michelle Spence-Jones The Honorable Oscar Braynon II Hank Klein PAGERS, CELL PHONES AND JesusOTHER “Jay�LISTENING Pons Alexander I. Tachmes PAGERS, CELL PHONES AND O DEVICES Armando J. Bucelo, Jr. Nathan Leight The Honorable Raquel Regalado Carole Ann Taylor electronic and devices—including pagers, All PDAs, electronic and m Felix Garcia Florene LitthcutAll Nichols Larrymechanical Rice Raul G. Valdes-Fauli cellular telephones, cellular off telephones, The Honorable Rene Garcia Carlos C. Lopez-Cantera Adrianaand Sabinowristwatch alarms—must Judy Weiser be turned Sergio M. Gonzalez Richard C. Milstein Mario Ernesto Sanchez Miles C. Wilkin while in the auditoriums. while in the auditoriu Rosie Gordon-Wallace Gilberto Neves The Honorable Marc D. Sarnoff PHOTOGRAPHY, VIDEOGRAPHY, AND RECORDING PHOTOGRAPHY, VIDEOGRAPH ADRIENNE ARSHT CENTER FOUNDATION, INC. TheBOARD takingOFofDIRECTORS photographs and the use of audio or video recording The taking of photog inside the auditoriums are strictly prohibited. inside the auditorium Officers of the Board

Adrienne Arsht

Founding Chairman TICKETS Ronald Esserman Patrons may purchase tickets David Rocker

Richard E. Schatz

TICKETS Chairman Sherwood M. Weiser* Jason Williams Patrons may purchase tickets

‡2QOLQH ZZZ DUVKWFHQWHU RUJ ‡2QOLQH ZZZ DUVKWFHQWHU RUJ ‡%\ 3KRQH RU D P S P ZHHNGD\V ‡%\ 3KRQH RU D P S RESIDENT COMPANIES ALLIANCE beginning at noon on weekend perfomance days. beginning at noon on weekend perfomance days.

Sheldon Anderson Jerome J. Cohen Robert F.‡$W WKH %R[ 2I¿FH WKH $GULHQQH $UVKW &HQWHU %R[ 2I¿FH Hudson, Jr. Aaron S. Podhurst, Esq. ‡$W WKH %R[ 2I¿FH WKH $GULHQQH $UVKW &HQWHU %R[ 2I¿FH LV ORFDWHG LQ WKH =LII %DOOHW 2SHUD +RXVH OREE\ Adrienne Arsht Stanley Cohen Daryl L. Jones Charles Porter (main entrance on NE 13th between Biscayne Blvd. and NE (main 2nd entrance Ave.) the on Adrienne NE between Center Biscayne Box Blvd. and Diane de Vries Ashley Susan T. Danis Edie Laquer Jane13th A. Arsht Robinson Robert T. Barlick, Jr. Nancy J. Davis Donald E.2I¿FH LV RSHQ D P S P 0RQGD\ )ULGD\ QRRQ WR FXUW Lefton Richard E. Schatz 2I¿FH LV RSHQ D P S P 0RQGD\ )ULGD\ QRRQ WR FXUWDLQ RQ ZHHNHQGV ZKHQ WKHUH LV D SHUIRUPDQFH Fred Esserman Rhoda Levitt Spalding-Fardie andBerens two hours before everyRonald performance. and two hours beforeSherry every performance.

Sia Bozorgi Oscar Feldenkreis George L.‡*URXSV RI RU PRUH SHRSOH

Lindemann Robert H. Traurig, Esq. ‡*URXSV RI RU PRUH SHRSOH

Norman Braman Pamela Gardiner Carlos C. Lopez-Cantera Sherwood M. Weiser* Sheila Broser Jerrold F. Goodman Pedro A. Martin, Esq. Lynn Wolfson TOURS S. Brunn TOURS Robert Rose Ellen Greene Arlene Mendelson M. Anthony Burns Arthur J. Halleran, Jr. Nedra Oren *deceased Arsht Center c Free behind-the-scene tours of the Adrienne Arsht Center complex Free behind-the-scene are given every Monday tours ofand the Adrienne Saturday Donald Carlinstarting in the Ziff Howard David PeĂąa, Esq. starting at noon, Ballet Herring Opera House Lobby.J.No reservations at noon, necessary. in the Ziff Ballet Opera House Lobby. No

Carlos A. Gimenez VOLUNTEERS VOLUNTEERS Volunteers play a central role at the Adrienne Arsht Center.Mayor For Volunteers more information, play a central call role (786) at468-2285 the Adrienne or Arsht Cente email volunteers@arshtcenter.org. volunteers@arshtcenter.org.

MIAMI-DADE BOARD OF email COUNTY COMMISSIONERS

WEBSITE WEBSITE Joe A. AudreyAlso, M. join Edmonson Visit www.arshtcenter.org forMartinez the most up-to-date performance Visit schedule. www.arshtcenter.org our mailing for the most list and up-to-date we performa Chairman Vice Chairwoman will send performance notices directly to you. When you join,will you send may performance choose the types notices of directly shows about to you. When you jo ZKLFK \RX ZDQW WR EH QRWLÂżHG DQG XSGDWH WKRVH FKRLFHV DW DQ\ WLPH ,I \RXÂśYH DOUHDG\ VLJQHG XS PDNH ZKLFK \RX ZDQW WR EH QRWLÂżHG DQG XSGDWH WKRVH FKRLFHV D Bruno A. Barreiro sure you add email@arshtcenter.org to your address book sure you safeadd list.email@arshtcenter.org to your address book District 5 and/or Barbara J. Jordan Javier D. Souto Visit www.arshtcenter.org today.

Visit www.arshtcenter.org today.

District 1

Rebeca Sosa

District 10

District 2

Xavier L. Suarez

District 11

District 3 Sally A. Heyman District 4

Lynda Bell District 8 Dennis C. Moss District 9

District 12 Esteban Bovo, Jr. District 13

District 6 6WHLQZD\ 6RQV 7KH 2IÂżFLDO 3LDQR RI WKH $GULHQQH $UVKW Jean Monestime Joe A. Martinez 6WHLQZD\ 6RQV 7KH 2IÂżFLDO 3LDQR RI WKH $GULHQQH $UVKW &HQWHU

District Adrienne Arsht M. Center Uniforms, an EcoArtFashion project7by Luis Adrienne Valenzuela, Arsht Center www.luisvalenzuelausa.com Uniforms, an EcoArtFashion project b Audrey Edmonson JosĂŠ “Pepeâ€? Diaz

Harvey Ruvin Clerk of Courts 10

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Cleveland Orchestra Miami 2012-13

Pedro J. Garcia Property Appraiser

34

Robert A. Cuevas Jr. County Attorney

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Arsht Center Information

33

ADRIENNE ARSHT CENTER FOR THE PERFORMING ARTS OF MIAMI-DADE COUNTY M. John Richard President & CEO Scott Shiller Executive Vice President Trish Brennan Vice President, Human Resources John Burnett Vice President, Finance/CFO

Administration Jayne Allen Chantal HonorĂŠ Joanie Rivera -RDQQH 0DWVXXUD Thyra Joseph

Andrew Goldberg Vice President, Marketing Ken Harris Vice President, Operations Valerie Riles Vice President, Board and Government Relations

Associate General Counsel Manager of Board Relations Executive Assistant to the President & CEO 0DQDJHU 2IÂżFH RI WKH ([HFXWLYH 9LFH 3UHVLGHQW Receptionist

Advancement Munisha Underhill Senior Director, Advancement ChurĂŠ Gladwell Senior Director, Advancement Felicia Hernandez Director, Member Relations and Donor Relations Rita Martin Manager of Special Events Jodi Mailander Farrell Senior Director, Foundation Relations Christine Brown Manager, Advancement Services Carrie Rueda Executive Assistant to the Vice President of Advancement Kalyn James Corporate Sponsorship Coordinator Emily Greene Member Relations Assistant Finance Teresa Randolph Antonio Necuze Bill McKenna Kimba King Aida Rodriguez Roberta Llorente Isabel Melo Francisca Squiabro Audience Services Alice Arslanian Fifelski Neal Hoffson Rodolfo Mendible Pauline Goldsmith Carolyn Woodyer Nicole Keating Maria Usaga Nadinne Farinas David Saifman Laura White Julia Turner Bryan Lindeman Fernanda Arocena Diego Delatorre Mario Acevedo Melissa Almaguer Ashley Araujo Heather Brummer Maritza Castro Leyda Castro Casey Craig Lina Delgado Christy Francois Vanessa Ferrando Adam Garner Mabel Gonzalez Diana Herrera Nubia Mora Fabiana Parra Oscar Quesada Theo Reyna Logan Smiley Nadia Zehtabi Information Technology James J. Thompson Michael Sampson Francisco Pichardo Renville Williams Marco Franceschi Michael Vigorito

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Senior Director of Finance & Controller Accounting Director Event Accountant Manager of Human Resources Staff Accountant Human Resources Assistant Payroll Accountant Payables Accountant Theater Manager House Manager House Manager House Manager Volunteer Services Coordinator Senior Director, Ticket Services Ticket Services Manager Ticket Services Manager Ticket Services Manager Ticket Services Manager Ticket Services Supervisor Ticket Services Supervisor Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Customer Service Representative Assistant Vice President, Information Technology Director, Applications Information Systems Manager Junior Developer IT Systems Administrator IT Support Technician

Suzanna Valdez Vice President, Advancement Louis Tertocha General Counsel

Marketing Suzette Espinosa Fuentes

Assistant Vice President, Public Relations Senior Director of Marketing Director, Creative Services Director of Marketing Director of Marketing Promotions Manager e-Marketing Manager Graphic Designer Graphic Designer Graphic Designer Publicist Public Relations Coordinator Marketing Coordinator Creative Services Coordinator Marketing Administrative Assistant Group Sales Assistant e-Marketing Assistant

Crystal Brewe Luis Palomares John Copeland Eva Bordeaux Silverstein Morgan Stockmayer Fernando Olalla David Chang Raul Vilaboa Sam Hall Gino Campodonico Claudia Tuck Nicole Smith Natalia Ortiz Brittany J. Confer Keidy Diaz Natalie Perez

Operations Daniel Alzuri Senior Director, Operations Nick Tigue Senior Director, Engineering Thomas McCoy Engineering Manger Lucy Hargadon Executive Assistant to the Vice President, Operations Jack Crespo Engineer Carlos De la Torre Engineer Jose Hurtado Engineer Levensait Pedro Engineer Jimmy Panchana Engineer Xavier Ross Engineer Alberto Vega Engineer Pedro Villalta Engineer Production Jeremy Shubrook Janice Lane Michael Matthews Andres Puigbo Melissa Santiago-Keenan Daniel McMenamin John Mulvaney Ralph Cambon Frederick Schwendel Michael Feldman Tony Tur Jon Goss Luke Klingberg Ross LaBrie

Director, Production Technical Director Technical Director Technical Director Assistant Technical Director Head Carpenter, Ziff Ballet Opera House Assistant Carpenter/Head Flyman Ziff Ballet Opera House Head Audio Video Technician, Ziff Ballet Opera House Head Carpenter, Knight Concert Hall Head Audio Video Technician, Knight Concert Hall Head Electrician, Knight Concert Hall Head Electrician, Ziff Ballet Opera House Head Electrician, Studio Theater Head Audio Engineer, Studio Theater

Programming Liz Wallace Assistant Vice President, Programming Ed Limia Director, Programming Brian Moore Director, Programming Jairo Ontiveros Director, Education and Community Engagement Esther Park Director, Programming Ann Koslow Engagement Manager Jan Melzer Thomas Engagement Manager Renei Suarez Facility and Rental Schedule Manager Tessa Schultz Programming Coordinator Facility Management Performing Arts Catering AlliedBarton Pritchard Sports and Entertainment Goldstein Schechter Koch

Arsht Center

2012-13 Cleveland Orchestra Miami

PERFORMING ARTS CENTER TRUST,PERFORMING INC. ARTS CENTER TRUST, INC.

Officers of the Board Mike Eidson

Officers of the Board Mike Eidson

Chairman

PERFORMING Alan H.ARTS FeinCENTER TRUST, INC.

Chairman

AlanJames H. Fein M. Herron, Chair-Elect Secretary Officers of the Board Mike Eidson Emery B. Penny Sheer Thurer, Chairman Treasurer Assistant Secretary

Chair-Elect

Emery B. Sheer Treasurer Alan H. Fein Chair-Elect

James M. J. Ricky Herron, Arriola, Immediate Secretary Past Chair Penny Parker Thurer, D. Thomson, Assistant Founding Secretary Chair

James M. Herron,

Matilde Aguirre Emery B. Sheer Pierre R. Apollon Treasurer Magalie Desroches Austin The Honorable Oscar Braynon II Armando J. Bucelo, Jr. Matilde Aguirre Felix Garcia Pierre R. Rene ApollonGarcia The Honorable Desroches Austin Sergio Magalie M. Gonzalez The Honorable Oscar Braynon II Rosie Gordon-Wallace

J. Rick Immediate

Parker D Foundi

J. Ricky Arriola,

BoardSecretary of Directors

Immediate Past Chair Board of Directors

The Honorable Matilde Aguirre Donald L. Graham Beverly TheA.Honorable Parker Donald L. Graham Ronald A. Silver A. Parker Penny Thurer, Parker D.Beverly Thomson, EvelynPierre GreerR. Apollon Assistant Secretary JorgeEvelyn A. Plasencia Greer The Honorable Jorge A. Plasencia Founding Chair Mitchell Magalie Kaplan Desroches Austin Abigail Mitchell PollakKaplan Michelle Abigail Pollak Spence-Jones HankThe Klein Honorable Oscar Braynon II JesusHank “Jay”Klein Pons Alexander Jesus I.“Jay” Tachmes Pons of Directors Nathan Armando Leight J. Bucelo,Board Jr. The Honorable Nathan Leight Raquel Regalado CaroleTheAnn Honorable Taylor Raquel Regalado TheFelix Honorable Donald L. Graham Beverly A. Parker Ronald Silver Florene Litthcut GarciaNichols LarryFlorene Rice Litthcut Nichols RaulA.Larry G. Valdes-Fauli Rice Evelyn Greer Jorge A. Plasencia The Honorable Carlos The C. Honorable Lopez-Cantera Rene Garcia Adriana Carlos Sabino C. Lopez-Cantera Judy Adriana Weiser Sabino Mitchell Kaplan Abigail Pollak C.Sanchez Michelle Richard Sergio C. Milstein M. Gonzalez MarioRichard Ernesto Milstein MilesMario C.Spence-Jones Wilkin Ernesto Sanchez Hank Klein Jesus “Jay” Pons I. Tachmes Gilberto Rosie Neves Gordon-Wallace The Honorable Gilberto Neves Marc D. Sarnoff AlexanderThe Honorable Marc D. Sarnoff

Ronald A The Hono Mich Alexande Carole An Raul G. V Judy We Miles C. W

Armando J. Bucelo, Jr. Nathan Leight The Honorable Raquel Regalado Carole Ann Taylor Felix Garcia Florene Litthcut Nichols Larry Rice Raul G. Valdes-Fauli The Honorable Garcia FOUNDATION, Carlos C. Lopez-Cantera Adriana Sabino JudyDIRECTORS Weiser ADRIENNE ARSHTRene CENTER ADRIENNE INC. ARSHT BOARDCENTER OF DIRECTORS FOUNDATION, INC. BOARD OF Sergio M. Gonzalez Richard C. Milstein Mario Ernesto Sanchez Miles C. Wilkin Rosie Gordon-Wallace Gilberto Neves The Honorable Officers of the Board Marc D. SarnoffOfficers of the Board

Arsht AdrienneRichard Arsht ADRIENNE ARSHT CENTERAdrienne FOUNDATION, INC. BOARD OF DIRECTORS

E. Schatz

Founding Chairman Founding Chairman Chairman Officers of the Board David Ronald Rocker Esserman Sherwood David M. Weiser* Rocker Adrienne Arsht Richard E. Schatz

Ronald Esserman

Founding Chairman Chairman RESIDENT COMPANIES ALLIANCE David Rocker Sherwood M. Weiser*

RESIDENT COMPANIES ALLIANCE Ronald Esserman

Sheldon Anderson Jerome Sheldon J. Cohen Anderson Adrienne Arsht COMPANIES ALLIANCE Stanley Adrienne Cohen Arsht RESIDENT Diane de Vries Ashley SusanDiane T. Danis de Vries Ashley Anderson Jerome J. T.Cohen Robert Sheldon T. Barlick, Jr. Nancy Robert J. Davis Barlick, Jr. Adrienne Arsht Stanley Cohen Fred Berens Ronald Fred Esserman Berens Diane de Vries Ashley Susan T. Danis Sia Bozorgi OscarSia Feldenkreis Bozorgi T. Barlick, Jr. Nancy J. Davis NormanRobert Braman Pamela Norman Gardiner Braman Fred Berens Ronald Esserman Sheila Broser Jerrold Sheila F. Goodman Broser Sia Bozorgi Oscar Feldenkreis Robert Norman S. BrunnBraman RosePamela Robert Ellen Gardiner Greene S. Brunn M. Anthony Arthur M.J.Anthony Halleran, Burns Jr. SheilaBurns Broser Jerrold F. Goodman DonaldRobert CarlinS. Brunn Howard Donald Herring Carlin Rose Ellen Greene M. Anthony Burns Donald Carlin

Arthur J. Halleran, Jr. Howard Herring

RobertJerome F. Hudson, J. Cohen Jr. DarylStanley L. JonesCohen Edie Laquer Susan T. Danis Robert F.E.Hudson, Jr. Donald Nancy Lefton J. Davis Daryl L. Levitt JonesEsserman RhodaRonald Edie Laquer George Oscar L. Lindemann Feldenkreis Donald E. Lefton CarlosPamela C. Lopez-Cantera Gardiner Rhoda Levitt Pedro Jerrold A. Martin, F. Goodman Esq. George L. Lindemann ArleneRose Ellen Greene Carlos C.Mendelson Lopez-Cantera NedraArthur J. Halleran, Jr. Pedro A.Oren Martin, Esq. J. David Howard Peña,Herring Esq. Arlene Mendelson Nedra Oren

Richard E. Schatz

Chairman Jason Sherwood Williams M. Weiser* Jason Williams

AaronRobert S. Podhurst, F. Hudson, Esq. Jr. Charles Daryl Porter L. Jones Jane Edie A. Robinson Laquer Aaron S. Podhurst, Richard Donald E. Schatz E.Esq. Lefton Charles Porter SherryRhoda Spalding-Fardie Levitt JaneRobert A. Robinson George H. Traurig, L. Lindemann Esq. Richard E.Carlos SchatzM.C.Weiser* Sherwood Lopez-Cantera Sherry Spalding-Fardie Lynn Pedro Wolfson A. Martin, Esq. Robert H. Traurig, Esq. Mendelson SherwoodArlene M. Weiser* Nedra Oren *deceased Lynn Wolfson J. David Peña, Esq.

MIAMI-DADE BOARD OF COUNTY COMMISSIONERS

Chairman

Barbara J. Jordan Barbara DistrictJ.1 Jordan District 1 Jean Monestime Jean Monestime District 2 2 District Audrey M. Edmonson Audrey M. Edmonson District 3 3 District Sally A. Heyman Sally A. Heyman District District 4 4 Harvey Ruvin Harvey Ruvin Clerk of Courts Clerk of Courts 10

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Aaron S. Charles P Jane A. R Richard E Sherry S Robert H Sherwoo Lynn Wo

*deceased

J. David Peña, Esq. Carlos A. Gimenez Carlos A. Gimenez Mayor Mayor Carlos A. Gimenez Mayor MIAMI-DADE BOARD OF MIAMI-DADE COUNTY COMMISSIONERS BOARD OF COUNTY COMMISSIO

Joe A. Martinez Joe A. Martinez Chairman

10

J

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Cleveland Orchestra Miami 2012-13

Joe A. Martinez Audrey M. Edmonson Audrey Edmonson Chairman ViceM. Chairwoman

Bruno A. Barreiro Bruno Barreiro District 5 Barbara J.A.Jordan District 5 District Rebeca1 Sosa Rebeca Sosa District Jean Monestime District 66 District Xavier Suarez Xavier L. L.2Suarez Audrey M.District Edmonson District 77 District Lynda Bell Lynda3Bell District 88 Sally A.District Heyman Dennis C. District 4 Moss Dennis Moss District 99 District Pedro J. Garcia Harvey Pedro Ruvin J. Garcia Property Appraiser Clerk Property of Courts Appraiser

Audrey M. Edmons Vice Chairwoma

Vice Chairwoman Bruno A. Barreiro DistrictD.5 Souto Javier JavierDistrict D. Souto 10 Rebeca DistrictSosa 10 District 6 Joe A. Martinez Joe A. Martinez District Xavier L. Suarez District 11 11 District José “Pepe” José “Pepe”7DiazDiaz District Lynda Bell District 12 12 District 8 Jr. Jr. Esteban Bovo, Esteban Bovo, District District 13 Dennis C. 13 Moss District 9 Robert A. Jr. Jr. Pedro Robert J. Cuevas Garcia A. Cuevas County Attorney Property County Appraiser Attorney

Javier D. Distric Joe A. M Distric José “Pep Distric Esteban B Distric

Robert A. County

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