Cleveland Orchestra Miami

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Cleveland Orchestra Miami is grateful to the John S. and James L. Knight Foundation for their continued support of the arts in Miami.

Thank you.

Through a new five-year, $2 million challenge grant to expand programming in our community, Knight Foundation will match any new and increased gifts to Cleveland Orchestra Miami.

Your support through this grant will help ensure Cleveland Orchestra Miami’s ongoing success.

Please visit www.ClevelandOrchestraMiami.com to donate or call 305.372.7747.

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March 2013 Welcome to these final concerts of our 2012-13 season. It has been an extraordinary year. In addition to a series of great concerts and ongoing community activities, we are very pleased with the recent strong vote of confidence from the Knight Foundation. In December, the foundation awarded us a new $2 million challenge grant for our work in the Miami-Dade community. This gift — the largest we have ever received — will support Cleveland Orchestra Miami efforts to strengthen our financial base for sustaining educational and cultural offerings. New and increased giving will help fund and encourage the development of our performances, educational programs, and community engagement activities with one of the world’s top orchestras.

Knight Foundation’s generosity recognizes the great strides made by Cleveland Orchestra Miami in the past six years. Not only do we bring music of the highest quality to Miami-Dade County at a fraction of the cost of supporting a full-time orchestra, we also serve the community through education initiatives that have touched the lives of more than 25,000 children and families since 2007.

We send a special thank you to the musicians of The Cleveland Orchestra, who have donated their services to perform several concerts this season, including this week’s Adrienne Arsht Center’s Ziff Classical Music Series presentation of Beethoven’s Ninth Symphony on Thursday evening, as well as daytime Education Concerts for students here in Knight Concert Hall this season. We can all be profoundly grateful for the collaborative spirit and sense of dedication this represents.

We have just announced our concert season for 2013-14. Franz WelserMĂśst and Giancarlo Guerrero have planned another year of four exceptional weekends with an outstanding group of world-renowned soloists. Complete details are available online and are being mailed to all current season ticketholders. Your support and attendance is the lifeblood with which we are building a vibrant future for great symphonic music.

Sincerely,

Sheldon T. Anderson President Miami Music Association Cleveland Orchestra Miami 2012-13

From the President

3

Miami Music Association The Miami Music Association (MMA) is governed by its Board of Directors, comprised of leading Miamians motivated by the idea that as a worldclass city Miami’s cultural life should always include orchestral performances at the very highest international level. No orchestra in America — indeed, perhaps no other orchestra in the world — is more ideally suited to partner with MMA in achieving these goals than The Cleveland Orchestra. Securing and building support for Cleveland Orchestra Miami will ensure that MMA succeeds in creating a culture of passionate and dedicated concert-going in Miami among the broadest constituency.

Officers and Board of Directors Sheldon T. Anderson, President Daniel R. Lewis, Chair and Treasurer Norman Braman, Vice Chair Hector D. Fortun, Vice Chair Marsha Bilzin, Secretary

Brian Bilzin Alicia Celorio Bruce Clinton Martha Clinton Mike S. Eidson Jeffrey Feldman Susan Feldman Francisco A. Garcia David Horvitz

Francie Horvitz Ezra Katz Tati Katz Gerald Kelfer Tina Kislak R. Kirk Landon Shirley Lehman William Lehman Jan R. Lewis

Miami Music Association

Peter B. Lewis Sue Miller Janet Rosel Karyn Schwade Richard P. Tonkinson Gary L. Wasserman E. Richard Yulman

2012-13 Cleveland Orchestra Miami

Cleveland O r c h e s t r a The Miami Music Association gratefully acknowledges these donors for their contributions to Cleveland Orchestra Miami in the past year. As of February 20, 2013.

Founders Council

$50,000 and more

Sheldon and Florence Anderson Irma and Norman Braman Hector D. Fortun David and Francie Horvitz Family Foundation, Inc. R. Kirk Landon and Pamela Garrison Daniel R. and Jan R. Lewis Peter B. Lewis and Janet Rosel The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation Susan Miller Janet and Richard Yulman

Chairman’s Council $15,000 to $49,999

Daniel and Trish Bell Martha and Bruce Clinton Do Unto Others Trust Colleen and Richard Fain Tati and Ezra Katz Jonathan and Tina Kislak John D. and Giuliana C. Koch Miami-Dade County Department of Cultural Affairs Joy P. and Thomas Murdough, Jr. National Endowment for the Arts Northern Trust Bank of Florida Peacock Foundation, Inc. Mary M. Spencer Rick, Margarita and Steven Tonkinson Gary L. Wasserman and Charles A. Kashner

Patrons Council

$2,500 to $14,999

Mr. and Mrs. Stanley H. Arkin Kerrin and Peter Bermont Jayusia and Alan Bernstein Marsha and Brian Bilzin Carmen Bishopric Bruce Coppock and Lucia P. May Peter D. and Julie Fisher Cummings Family Foundation James Deering Danielson Foundation Charles and Fanny Dascal Ms. Nancy J. Davis Mr. Mike S. Eidson, Esq and Dr. Margaret Eidson Feldman Gale, P.A. Jeffrey and Susan Feldman Christopher Findlater Monte Friedkin Marvin Ross Friedman and Adrienne bon Haes

Cleveland Orchestra Miami 2012-13

Funding Arts Network Francisco A. Garcia and Elizabeth Pearson Joan Getz Nancy Green Gary Hanson and Barbara Klante Mary and Jon Heider Richard Horvitz and Erica Hartman-Horvitz Foundation Houck Anderson P.A. Mark and Ruth Houck Bob and Edith Hudson Hunton & Williams, LLP Elizabeth B. Juliano Janet and Gerald Kelfer Angela Kelsey and Michael Zealy Victor Kendall, Friends of WLRN Mr. and Mrs. Dennis W. LaBarre Judy and Donald Lefton Melony and Adam Lewis Shirley and William Lehman Marianne Luedeking Meredith T. Marshall Roger and Helen Michelson Robert Moss Mort* and Milly Nyman Rosanne and Gary Oatey Nedra and Mark Oren James P. Ostryniec Claudia and Steven Perles Maribel A. Piza Alfonso Conrado Rey Barbara S. Robinson Dr. and Mrs. Michael Rosenberg Charles E. Seitz Ms. Linda M. Smith Howard Stark M.D. and Rene Rodriguez Mrs. Barbara Stiefel Charles B. and Rosalyn Stuzin The Batchelor Foundation, Inc. Parker D. Thomson Esq. United Automobile Insurance Company Ver Ploeg & Lumpkin, P.A. Brenton Ver Ploeg Teresa Galang-Viñas and Joaquin Viñas Bill Appert and Chris Wallace Ricky and Sarit Warman ­– Papa John’s Pizza Ms. Ginger Warner

Leadership Council $1,000 to $2,499

Anonymous (3) Ana L. Arellano Ms. Ruby M. Bacardi Alfonso Baez-Montero Robert and Ana Barlick John M. Barrow and Salvador F. Robleto Kalman and Irma Bass Mr. and Mrs. Donald Bercu Helene Berger

Annual Fund Contributors

Jaime A. Bianchi Julia and David Bianchi Irving and Joan M. Bolotin Raul Casares (RC Aluminum Industries Inc.) In dedication to Donald Carlin Michael and Lorena Clark Stanley and Gala Cohen Douglas S. Cramer / Hubert S. Bush III Maria-Cristina Del-Valle Andrew dePass and William Jurberg Andrea and Chuck Edelstein Susan Fawcett and Richard Donovan Francisco J. and Clara B. Fernandez Joseph Z. and Betty Fleming Gail and Alan Franklin Morris and Miriam Futernick Sue Gallagher Robert and Adrienne Gang Mario G. and María E. García Lenore Gaynor Dr. and Mrs. Edward C. Gelber Niety and Gary R. Gerson Irving and Yetta Geszel Jaime Gilinski Rose Ellen and Gerald Greene Jack and Beth Greenman Nancy Gross and Michael Boberschmidt Alfredo and Luz Maria Gutierrez Douglas M. and Amy Halsey Robert D. and Jill Hertzberg Mr. and Mrs. Barry Hesser Roberto and Betty Horwitz Richard and Judy Jacobs Dr. and Mrs. Norman Jaffe Dr. Michael and Gail Kaplan Gerald and Jane Katcher Kevin Kelly Cynthia Knight Dr. and Mrs. Frederick Knoll Jacqueline and Irwin Kott Jeff and Terri Krasnoff Dr. and Mrs. Stephen Kulvin Mr. and Mrs. Israel Lapciuc Ronald and Harriet Lassin Mr. and Mrs. Marvin H. Leibowitz Ivonete Leite Barbara C. Levin Mr. and Mrs. Carlos Lopez-Cantera Ana and Raul Marmol Dr. Isidoro Morjaim Selma and Jeff Newman Mrs. Patricia M. Papper Robert Pinkert Guillermo and Maggie Retchkiman Charles and Linda Sands Philip Scaturro Raquel and Michael Scheck Henrietta and Robert Schwartz M.D. Mr. and Mrs. David Serviansky Donna E. Shalala Steven and Ruth Shere Victoria and Robert L. Simons listing continues

CLEVELAND ORCHESTRA MIAMI listing continued Richard and Nancy Sneed Jorge Solano Dr. Bertram Spiwak Michalis and Alejandra Stavrinides William and Sheila Steiner Mr. and Mrs. Stanley G. Tate Kathy and Sidney Taurel Judith Rood Traum and Sydney S. Traum Mr. and Mrs. Robert H. Traurig Lisa Treister Florence and Robert Werner The Israel, Rose, Henry, and Robert Wiener Charitable Foundation, Inc. Allan and Norma Wilson Betty and Michael Wohl Ms. Henrietta Zabner Jerry and Catherine Zank Loly and Isaac Zelcer John Zick

Partners $500 to $999

Anonymous Dr. Kip and Mrs. Barbara Amazon Denise Anderson Linda Angell Benjamin and Dr. Rodney Benjamin Montserrat Balseiro Amparo Bellon-Champ Rhoda and Henri Bertuch Terry Blechman Mr. and Mrs. Eric Buermann Etain Elisabeth Connor Terence and Julie Connor Gary and Lilly Dix Shahnaz and Ranjan Duara Bernard Eckstein Mr. and Mrs. Steven Elias Firestone Family Foundation Iris Fisher Mr. Marcus Flanagan and Mr. William Flanagan Jill and Harold Gaffin Perla Gilinski Rafael and Mar Gosalbez Eric Gros-Dubois John F. Hamilton Deborah Harris Lawrence R. Hyer Fund at The Miami Foundation Jorge Hine William and Frankie Hipp Carin Kahgan Dr. Gerard and Mrs. Joyce Kaiser Hideko and Harold Klebanoff Richard L.* and Wendy Lapidus Norman and Nancy Lipoff Derek and Mary Lyth Robert and Judith Maynes Nicola Meyer Judith and Robert Mezey Sylvia Minchew Paulette Mintz Harve and Alesia Mogul Robert and Wilhelmina Myerburg David Nisely Dr. Michael D. Norenberg and Dr. Carol K. Petito Melody Sawyer Richardson Fred Rawicz

Andrew Rohlfling Alec and Silvia Rosen David Schaecter and Sydney Carpel Dr. Robin Schaffer Ronald E. Schrager and Wendy Hart Dr. Jon Shaw Lois H. Siegel Mr. and Mrs. Jose R. Tarajano VCN Corporation Mr. and Mrs. Charles B. Wheeler Haim Wiener Dr. Jack and Mrs. Barbara Wolfsdorf Sora and Cary Yelin

Friends up to $499

Anonymous (4) Juan Acosta and Hiram Colas Juan Acosta and Hiram Colas Marjorie H. Adler Eleanor Aibel Ricardo Alsina Rosalie Altmark and Herbert Kornreich John and Sarah Anderson Ken Anderson Dr. Simon and Mrs. Isabella Angeli Margarita Anthoine Dr. Jorge and Gigi AntuĂąez de Mayolo Jose-Eloy Anzola Marc and Brigid Arel Adrian Arkin Arthur Aronstein William V. Ashley and Diane de Vries Ashley Evelyn K. Axler Daniel Ayers and Tony Seguino Ted and Carolann Baldyga Susan Bannon Zilney T. Barbosa Karla M. Barnes Dr. Earl Barron and Ms. Donna Barron Stephen Barrow and Janis Manley Joan and Milton Baxt Foundation Inc. Christopher Beaton Sanra and Arturo Belkind Carlos Benitez Dr. and Mrs. Samuel Berkowitz Brian Berman Neil Bernstein and Julie Schwartzbard Robert Berrin Dr. Louis W. Bloise Mr. Mario Bosi Carolina Botello Ardis Bourland Michael T. Brazda and Lourdes M. Ramon Marleen Brody Alfred Brooks Chris Brown and Stephanie Demos-Brown David Buckner Mr. and Mrs. Alfred A. Bunge Gene Bunge Brent Burdick Dr. MarĂ­a Bustillo Rita Butterman James Calogeras Gustavo Capiro Patricia Carlin James and Christina Carpenter Philip and Kathryn Carroll Maria I. Castro Fernando Chacon Harold Chambers

Annual Fund Contributors

Daphne Charbonneau The Chen Family Nicole Chipi Carole J. Cholasta Mathew and Lisa Cicero Leonard and Barbara Cohan Joan Cohen Phyllis Cohen Cormac Connor Kristin Connor Guido Conterno Lane H. Convey Nathan Counts William R. Cranshaw Virginia Cronk Marcella Cruz Mercedes Cubas Gabino Cuevas Wesley Dallas Sergio da Silva Jennie Dautermann Ellen Davis John De Leon Alberto DeCardenas Teresa Del Moral Berta Del Pino Jessica Delgado Odalys Delgado Lisa Detournay Mr. and Mrs. Maximo J. Diaz Luis Dikes Caroline Dodson M. Donald Drescher and Marilynn Drescher Silvia Dreyfuss Michael A. and Lori B. Dribin Dr. Melvyn Drucker Diana Dubrovsky David Dunn Robert Durham Maxine Earle Dr. Edward Gross and Karla Ebenbach Joyce Einbender Maria Erhardt Marta Estevez Dorothy M. Evans Dr. Carl Fabian Martha Falgout Jose Luciano Fallad Josefina Farias Klara Farkas Mrs. Carol Fass Murray H. Feigenbaum Bernard Feinberg Bennett Feldman Dr. Robert P. and Mrs. Sylvia Feltman Suzanne Ferguson J. Field Ingrid Fils Rana Fine Isaac Fisher Dr. and Mrs. Lawrence M. Fishman Ronaldo Flank Joseph Z. and Betty Fleming Gerardo Florez Mary Francis Mary Anne Franks Dr. and Mrs. Rudolph J. Frei Denise Freitas Dr. and Mrs. Semyon Friedman Michael and Carolyn Friedman Paul Friedmann Malcolm and Doree Fromberg

2012-13 Cleveland Orchestra Miami

CLEVELAND ORCHESTRA MIAMI Emily Fuller Victor and Sandra Fuller Harriett Galvin David Ganz Marlon Garnett Allen and Gayle Giese Margaret Gerloff Johnny Ghibril Emily Gibson Judy M. Gilbert-Gould and Gerald Gould Carlos Felix Gimbernard Mr. Salomon Gold Barbara Goldin Sue and Howard Goldman Barbara R. Goldstein Elizabeth Fenjves and Donald Goodstein Barry Gordon Jason Gordon Patti Gordon Galina Gorokhovsky Dr. Pepi Granat Sergio and Sophia Grobler Stephen B. Grundstein Aldo Guerrera Christian Gutierrez Susan Guzman Sky Hackett George and Vicki Halliwell Dr. Juliet Hananian Vincent Handal, Jr. and Michael Wilcox John Hanek David Harrison Nicolae Harsanyi Claus and Barbara Haubold Leslie Hauser Dr. and Mrs. Mark J. Hauser Dr. Gail A. Hawks Shirley Helems Luis Hernandez Benjamin Herrera David Hevia Barbara L. Hobbs Greg Holtz Bernard and Kara Horowitz Dr. Michael C. Hughes Lawrence R. Hyer Fund at The Miami Foundation Dr. Norito Irei Timothy Iszler Helena Iturralde Melanie Jacobson Juan Jimemez Justin Jimenez Lester and Susan Johnson Dr. Bruce and Mrs. Joyce Julien Shirley and Jack Kaplan Michele Karsenti Clarita Kassin Harold Katzman James Kaufman Lois Kaufman Seymour Keith William Kelley Olga Khamzina Isaac and Lily Kislevich Buddy Klein Anita Konig Lisa Kornse and August Wasserscheid Elane Kostecki Guillermo Kubler Mark Kuller Ernesto Jorge and Laura Kuperman

Steven C. Kurtz Carolyn C. Lampl Mr. and Mrs. Robert Landon Judit Landtman Rosa Lang Nicoletta Lazzaro Anton Lee Barbara Leibell Rebecca and Elliot Lemelman Sandra and Vance Lemmon Judge Barbara Levenson Dr. and Mrs. Stanley Levick Dr. and Mrs. Melvin Levinson Mark Levy Lauren Licata Dan Lin Monica Link Alexander Lipin Maxine Long Raul and Juanita Lopez Arthur A. Lorch William and Carmen Lord Edward and Kay Lores Carlo Lubin Janir Lucchese Elaine Luxenberg Ruy MacIel Richard Mahfood Lewis and Dodie Mahoney Luisa Maichel Marisol Manito Leon Manne Charistine Marin Anthony Marinelli Susan Marino Sherrill Rigot Marks Tobe Marmorstein Loretta J. Marshall Mariana Martinasevic Hector Martinez Laureano J. Martinez Patricia Martinez Carlos Martinez-Christensen Oscar Mas Tamara Masferrer Mr. and Mrs. Stephen Masson Edward Mast Budd and Nanette Mayer Robert Mayer Alan E. Maynard Mary McCorkhill David McCrea Carter and Laura McDowell Dr. Gwenn E. McLaughlin Alina Meledina Alice and Oded Meltzer Dr. and Mrs. Jorge Mendia Evelyn Milledge Daniel Mintz Oscar Mitnik Pierre and Mary Moffroid Edgardo Monterrosa Marisol Morales Miriam Morales Dr. Alicia Moreyra Cory Morgan Dr. Michele Morris and Dr. Joel Fishman Judith Moscu Peter and Marion Mosheim Samuel and Charlotte Mowerman Mrs. Hope Myers Narea Family

Cleveland Orchestra Miami 2012-13

Mr. and Mrs. D. Allan Nichols Ara and Violet Nisanian Tove Nord Isaac Notrika Robert Nuzzo and Neilus Scannell Stephen Nygard John and Sarah Nyitray Dr. Jules Oaklander Adolfo Olivo Lester Ortega Larry Ousley Dr. and Mrs. Larry K. Page Larry and Marnie Paikin Ruth M. Parry Maria Patino Stephen F. Patterson George Paxton Alex Perez Beatriz Perez Marcos and Rose Perez Jason Perline Richard Pettigrew Michael and Mary Ellen Peyton Ferdinand and Barbara Phillips Dr. Ronald Picur Nelson Piludu Teresa Pollak Suzan and Ronald Ponzoli Ernesto Pretto Jonah and Judith S. Pruitt Thomas Quaid Regina D. Rabin Laura L. Rampey and Ronald W. Cox Robert Rearden Augustin and Isis Recio Mr. and Mrs. Burt Redlus Erika Richter Pedro A. Rios Luisa Robel Lillian Robinson Alex Rodriguez Angela Rodriguez Hector Rodriguez Horacio Rodriguez Margarita Rodriguez Julio Rodriguez-Luis Edward Rogers Leslie Rogowsky Jacques Rollet Juan Rondon David and Susan Rosen Virginia Rosen Dulce Roses and Olga Nazario Barbara and Eugene Rostov Elizabeth Rothfield Stephen and Heidi Rowland Karen Rumberg Jesus Ruspoli Lawrence H. Rustin Alex Ryshawy Mr. Michael and Dr. Tamah Sadick Anonymous Pilar Sanchez Hank Sanchez-Resnik Mary and Saul Sanders Dr. Diane Sard Robert and Edna Schenkel Janet Schiff Dr. Markus Schmidmeier Louis Schneider and Rosalie Ehrenberg Steven Schneider Krystyna Schnier

Annual Fund Contributors

CLEVELAND ORCHESTRA MIAMI listing continued Mr. Peter and Mrs. Ortrud Schumann Alex Schwaner John and Zelda Schwebel Margaret Searcy Mike and Ronna Segal Carlos Segrera Anthony and Carol-Ann Segura John C. Seipp Margaret Seroppian Humberto Sevilla Norman and Arlene Shabel Cheryl Shalom Dr. and Mrs. Vincent Shankey Brenda Shapiro and Javier Bray Robert I. Shapiro Richard Sharpstein Roger and Barbara Shatanof Robert Shelley Michael Sherman Dr. John and Gerri Shook Anica and David Shpilberg David Shulman David A. Siegel Robert and Marian Siegel Ernest Siesel Alvaro Silva and Gloria Erdmann Stanley Silver Rafael and Sulamita Simkovicius Dorothy Sklaroff Robert Smith Dr. Gilbert B. Snyder Dr. Gordon D. Sokoloff Laurel Sonnenklar Alex Soriano Ilene and Jay Sosenko Mary Ann Flores Mary Ann Flores Shirley Spector Lucie and Jay Spieler Stanley and Betty Spieler Issac Sredni Nick St. Cavish Patty and Harold Stanley Marilyn Stein Martha Steinkamp William Stern Mirta Steuart Beverly Stone Ms. Holly Strawbridge Edwin L. and Elsa Stringer Jaime and Carol Suchlicki Caroline Sullivan Francis Switzer Maria Luisa Taleno Michael Tannhauser and Lily Noches Stephen Tatom Harvey Taylor Richard Taylor Mr. Gabriel Teran Daniel and Cristin Thorogood Jiska Timmer Charlotte Tomic Friend Alicia M. Tremols Miguel Triay Dr. and Mrs. Michael B. Troner Liat Tzur Dale Underwood Yarima Upshaw Janice Uriarte

Steven A. Vajda Dr. Carolyn M. Van Vliet Daniel Vander Woude Video Fame Suzanne Villano Carlos Vincentelli Anonymous Herbert W. and Peggy F. Vogelsang Barbara B. Voight Roberto Von Sohsten Frank Voyek John Wallace Dr. Mario Werbin Mr. and Mrs. A. L. Westervelt Jeanne Westphal Jill S. White Peter J. White, Jr. Robert and Ronni Whitebook Mr. and Mrs. Arthur Whittaker Brant Wigger Jennifer Williams Howard Willis Sid and Ethel Winokoor Anonymous Laura A. Woodside Christian Wunsch Allan Yudacufski Ilan and Kimberlei Zachar Dr. Sheldon and Elaine Zane Eloina D. Zayas-Bazan Chidong Zhang Amy Zimmerman Jerry Zimmerman Marlene Zuckerman    * deceased

Cleveland Orchestra Miami relies on the generosity of its patrons for our continued success. Ticket purchases cover less than half of expenses, and your philanthropic support is essential to cover the difference. Your contribution enables the Miami Music Association to present Cleveland Orchestra concerts, education programs, and community activities here in Miami-Dade County. Please consider a gift today by calling 305-372-7747 or visit online at ClevelandOrchestraMiami.com.

Annual Fund Contributors

2012-13 Cleveland Orchestra Miami

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

The 2012-13 season marks Franz Welser-Möst’s eleventh year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is presented in a series of ongoing residencies in the United States and Europe, continues its championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his Cleveland post, Mr. Welser-Möst is general music director of the Vienna State Opera.

Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has launched a series of residencies in important cultural locations around the world. These include residencies at Vienna’s Musikverein and Switzerland’s Lucerne Festival, as well as programs at the Lincoln Center Festival and Indiana University’s Jacobs School of Music. The Orchestra’s annual residency in Miami, under the name Cleveland Orchestra Miami, features multiple weeks of concerts coupled with an extended variety of community activities and educational programs.

Mr. Welser-Möst has led a series of opera performances during his tenure in Cleveland. Following six opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas. In May 2012, he led the Orchestra and an international cast of singers in acclaimed concert performances of Strauss’s Salome.

In addition to serving as general music director of the Vienna State Opera, Mr. Welser-Möst maintains an ongoing relationship with the Vienna Philharmonic Orch­ estra. Recent concert performances with the Philharmonic include appearances at the Lucerne Festival and Salzburg Festival, in Tokyo, and at La Scala, as well as leading the Philharmonic’s 2011 New Year’s concert, telecast worldwide; he conducted the New Year’s Day concert again in 2013, and also led the Philharmonic in concerts at Carnegie Hall in early March.

Mr. Welser-Möst’s recordings and videos have won international awards and two Grammy nominations. He has led The Cleveland Orchestra in video recordings of live performances of Bruckner’s symphonies nos. 4, 5, 7, 8, and 9, and also released albums featuring Beethoven’s Ninth Symphony and music by Wagner.

Franz Welser-Möst has been recognized by the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

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Music Director

2012-13 Cleveland Orchestra Miami

The Cleveland Orchestra Under the leadership of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festival, in ongoing residencies from Miami to Vienna, and on tour around the world, the Orchestra sets the highest standards of artistic excellence, creative programming, and community engagement.

The Cleveland Orchestra has a long and distinguished recording and broadcast history. A series of DVD and CD recordings under the direction of Mr. Welser-Möst has recently been added to an extensive and widely praised catalog of audio recordings made during the tenures of the ensemble’s former music directors. In addition, Cleveland Orchestra concerts are heard in syndication each season on radio stations throughout North America and Europe.

The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s top rank of symphony orchestras.

Over the next decades, the Orchestra grew from a fine regional organization to one of the most admired symphonic ensembles in the world. Seven music directors (Nikolai Sokoloff, 1918–1933; Artur Rodziński, 1933–1943; Erich Leins­dorf, 1943–1946; George Szell, 1946–1970; Lorin Maazel, 1972–1982; Christoph von Dohnányi, 1984–2002; and Franz Welser-Möst, since 2002) have guided and shaped the ensemble’s growth and sound. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality with the first Blossom Festival in 1968, presented at an award-winning, purpose-built outdoor facility located just south of the Cleveland metropolitan area near Akron, Ohio. Today, touring, residencies, radio broadcasts, and recordings provide access to the Orchestra’s music making to a broad and loyal constituency around the world.

Visit ClevelandOrchestraMiami.com for more information.

Cleveland Orchestra Miami 2012-13

The Cleveland Orchestra

11

Giancarlo Guerrero Principal Guest Conductor Cleveland Orchestra Miami

The 2012-13 season marks Giancarlo Guerrero’s fourth year as music director of the Nashville Symphony and second year as principal guest conductor of Cleveland Orchestra Miami. He made his Cleveland Orchestra debut in May 2006. He has led the Orchestra in concerts in Miami, at Severance Hall, at the summertime Blossom Music Festival, and in its annual downtown community concert in Cleveland.

Mr. Guerrero’s recent seasons in Nashville have included an opening gala with Yo-Yo Ma, as well as world premieres of a new work by Richard Danielpour, a Béla Fleck banjo concerto, and a Terry Riley concerto for electric violin. This season, in addition to his work conducting concerts and in community engagement activities with Cleveland Orch­estra Miami, he makes his debuts with the BBC Symphony Orchestra and Deutsches Symphonie Berlin, and has return engagements with the orchestras of Boston, Philadelphia, Toronto, and São Paulo. Internationally, he led a five-city European tour with the Monte Carlo Philharmonic last season, and this year leads performances in Australia with the Adelaide Symphony and Auckland Philharmonic.

A fervent advocate of new music and contemporary composers, Mr. Guerrero has collaborated with and conducted works by some of America’s most respected composers, including John Adams, John Corigliano, Michael Daugherty, Osvaldo Golijov, Jennifer Higdon, Aaron Jay Kernis, and Roberto Sierra. His first album with the Nashville Symphony, on Naxos, featured works by Daugherty and won three 2011 Grammy Awards. Two more albums have been released, of music by Argentine legend Astor Piazzolla and by American composer Joseph Schwantner; the latter recording received a Grammy Award in 2012.

A strong proponent of young musicians and music education, Mr. Guerrero returns annually to Caracas, Venezuela, to conduct the Orquesta Sinfónica Simón Bolívar and to work with young musicians in the country’s much-lauded El Sistema music education program. This season he will also work with student orchestras at the Curtis Institute of Music in Philadelphia and the Colburn School in California.

Born in Nicaragua and raised in Costa Rica, Giancarlo Guerrero received a bachelor’s degree in percussion from Baylor University and his master’s degree in conducting from Northwestern University. He was music director of Oregon’s Eugene Symphony (2003-09) and served as associate conductor of the Minnesota Orchestra (1999-2004). He received the American Symphony Orchestra League’s Helen M. Thompson Award recognizing outstanding achievement among young conductors. Prior to his tenure in Minnesota, he was music director of the Táchira Symphony Orchestra in Venezuela.

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Principal Guest Conductor

2012-13 Cleveland Orchestra Miami

CLEVELAND ORCHESTRA MIAMI

Concert Prelude A free performance featuring musicians from this weekend’s Cleveland Orchestra concert, presented before the evening’s orchestral program.

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SEASON

Friday, March 15, 2013, at 7:00 p.m.

Saturday, March 16, 2013, at 7:00 p.m.

The Master Chorale of TAMPA BAY conducted by James K. Bass “Jauchzet dem Herrn” [Make a Joyful Noise to the Lord]

by Felix mendelssohn (1809-1847)

“Abendlied” [Evening Song]

by josef rheinberger (1839-1901)

“Bogoróditse Devo” [Rejoice, O Virgin] from All-Night Vigil, Opus 37 by sergei rachmaninoff (1873-1943)

“Lux Aurumque” [Light and Gold]

by Eric Whitacre (b. 1970)

Information about The Master Chorale of Tampa Bay can be found on page 33-34.

Concert Preludes are free to ticketholders to each Cleveland Orchestra Miami concert.

Cleveland Orchestra Miami 2012-13

March Concert Prelude

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11/1/12 10:16 AM

2012-13 Cleveland Orchestra Miami

Thursday evening, March 14, 2013, at 8:00 p.m.

Friday evening, March 15, 2013, at 8:00 p.m.

Saturday evening, March 16, 2013, at 8:00 p.m.

John S. and James L. Knight Concert Hall Sherwood M. and Judy Weiser Auditorium

The Miami Music Association and the Adrienne Arsht Center present

The Cleveland Orchestra Giancarlo Guerrero, conductor

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SEASON

Neruda Songs

peter lieberson (1946-2011)

1. If your eyes were not the color of the moon.

2. Love, love, the clouds went up the tower of the sky like triumphant washerwomen.

3. Don’t go far off, not even for a day.

4. And now you’re mine. Rest with your dream in my dream.

5. My love, if I die and you don’t.

Elizabeth DeShong, mezzo-soprano

INTERMISSION

ludwig van beethoven

Symphony No. 9 (“Choral”) in D minor, Opus 125

(1770-1827)

1.

2.

3.

4.

Allegro ma non troppo, un poco maestoso Molto vivace — Presto — Tempo I Adagio molto e cantabile — Andante maestoso Presto — Allegro assai — Presto (Finale on Schiller’s “Ode to Joy”)

Nicole cabell, soprano Elizabeth DEshong, mezzo-soprano Garrett Sorenson, tenor RAYMOND ACETO, bass

master chorale of south florida Alec Schumacker, director

THE Master chorale of Tampa BAY James K. Bass, director

Saturday evening’s concert is being broadcast live on WCLV 104.9 FM Cleveland.

The taking of photographs or any other recording is strictly prohibited.

Cleveland Orchestra Miami 2012-13

March Program

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C l e v e l a n d

T h e

Franz Welser-MĂśst

M u s i c D i r e c t oR

giancarlo guerrero

Kelvin Smith Family Chair

Principal guest conductoR C leve l an d Orc h estr a M iam i

James feddeck

assistant conductor

Elizabeth Ring and William Gwinn Mather Chair

FIRST VIOLINS William Preucil concertmaster

Blossom-Lee Chair

Yoko Moore

assistant concertmaster

Clara G. and George P. Bickford Chair

Peter Otto

First associate concertmaster

Jung-Min Amy Lee

Associate concertmaster

Gretchen D. and Ward Smith Chair

Takako Masame

Paul and Lucille Jones Chair

Wei-Fang Gu

Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez

Elizabeth and Leslie Kondorossy Chair

Chul-In Park

Harriet T. and David L. Simon Chair

Miho Hashizume

Theodore Rautenberg Chair

Jeanne Preucil Rose

Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz

Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan

Patty and John Collinson Chair

Isabel Trautwein

Trevor and Jennie Jones Chair

Mark Dumm

Gladys B. Goetz Chair

Alexandra Preucil Katherine Bormann Ying Fu

16

SECOND VIOLINS Stephen Rose *

cellos Mark Kosower*

Alfred M. and Clara T. Rankin Chair

Louis D. Beaumont Chair

Richard Weiss 1

Emilio Llinas 2

The GAR Foundation Chair

James and Donna Reid Chair

Eli Matthews

Charles Bernard 2

1

Helen Weil Ross Chair

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Bryan Dumm

Muriel and Noah Butkin Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff *

Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1

Mary E. and F. Joseph Callahan Chair

VIOLAS Robert Vernon *

Mark Atherton Thomas Sperl Henry Peyrebrune

ChaillĂŠ H. and Richard B. Tullis Chair

Lynne Ramsey 1

Charles M. and Janet G. Kimball Chair

Stanley Konopka Mark Jackobs

Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky

2

Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

HARP Trina Struble *

Alice Chalifoux Chair

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12 13

SEASON

O r c h e s t r a FLUTES Joshua Smith *

Elizabeth M. and William C. Treuhaft Chair

horns Richard King *

George Szell Memorial Chair

Saeran St. Christopher Marisela Sager 2

Michael Mayhew

Mary Kay Fink

Jesse McCormick Hans Clebsch Alan DeMattia

Austin B. and Ellen W. Chinn Chair

PICCOLO Mary Kay Fink

Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2

Everett D. and Eugenia S. McCurdy Chair

Robert Walters english horn Robert Walters

Samuel C. and Bernette K. Jaffe Chair

§

Knight Foundation Chair

timpani Paul Yancich *

Otto G. and Corinne T. Voss Chair

Tom Freer 2

percussion Jacob Nissly *

Margaret Allen Ireland Chair

TRUMPETS Michael Sachs *

Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2

James P. and Dolores D. Storer Chair

Michael Miller CORNETs Michael Sachs *

Mary Elizabeth and G. Robert Klein Chair

Michael Miller

clarinets Franklin Cohen *

TROMBONES Massimo La Rosa*

Robert Woolfrey Daniel McKelway 2

Richard Stout

Gilbert W. and Louise I. Humphrey Chair

Robert Marcellus Chair

Alexander and Marianna C. McAfee Chair

Robert R. and Vilma L. Kohn Chair

Donald Miller Tom Freer Marc Damoulakis keyboard instruments Joela Jones *

Rudolf Serkin Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

librarians Robert O’Brien Donald Miller orchestra Personnel Carol Lee Iott director

Karyn Garvin Manager

Linnea Nereim

Shachar Israel

E-flat clarinet Daniel McKelway

bass trombone Thomas Klaber

Endowed chairs currently unoccupied

euphonium and bass trumpet Richard Stout

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Stanley L. and Eloise M. Morgan Chair

bass clarINEt Linnea Nereim bassoons John Clouser *

2

tuba Yasuhito Sugiyama*

Louise Harkness Ingalls Chair

William Hestand Barrick Stees 2

Nathalie C. Spence and Nathalie S. Boswell Chair

Sidney and Doris Dworkin Chair Sunshine Chair

* Principal §

1 2

Sandra L. Haslinger Chair

Associate Principal First Assistant Principal Assistant Principal

Jonathan Sherwin contrabassoon Jonathan Sherwin

Cleveland Orchestra Miami 2012-13

The Orchestra

17

introducing the program

Love& Brotherhood

feature works written two-hundred years apart — joined together by extraordinary music, poetry, symbolism, and . . . love. Beethoven’s Ninth Symphony has grown in stature and meaning from its first performance. Its groundbreaking music includes the famous “Ode to Joy” finale filled with hope and celebration of the goodness inherent in human potential, of a beneficent joining together into one world of peace and commitment. The evening opens with five songs of mostly quiet contemplation, focusing on the bonds between a man and his wife, a poet and his muse, a composer and his voice, of the joy that can be nourished and held between two lovers, the pain of loss, the fulfillment of complementary — and understanding — beings.

T h i s weeke n d ’ s c o NCe r t s

Neruda Songs composed 2004-05

Composer Peter Lieberson wrote the following comments about his Neruda Songs, explaining his feelings about the poetry and love themes therein. His wife, soprano Lorraine Hunt Lieberson, sang the world premiere performances with the Los Angeles Philharmonic in May 2005. Her death the following year from breast cancer — followed by his own death just five years later of lymphoma — has imbued this work with additional depth of meaning, as love songs of memory, of feeling, of touch and image and emotion in memoriam: by

Peter

Lieberson born October 25, 1946 New York City died April 23, 2011 Tel Aviv, Israel

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i d i s c o ve r ed the love poems of the Chilean writer Pablo Neruda by chance in the Albuquerque airport. The book had a pink cover and drew me in. As I glanced through the poems I immediately thought that I must set some of these for my wife, Lorraine. Years later the opportunity came when the Los Angeles Philharmonic and the Boston Symphony Orchestra co-commissioned this piece from me, to be written specifically for Lorraine.

Each of the five poems that I set to music seemed to me to reflect a different face in love’s mirror. The first poem, “If your About the Music

2012-13 Cleveland Orchestra Miami

eyes were not the color of the moon,” is pure appreciation of the beloved. The second, “Love, love, the clouds went up the tower of the sky like triumphant washerwomen,” is joyful and also mysterious in its evocation of nature’s elements — fire, water, wind, and luminous space.

The third poem, “Don’t go far off, not even for a day,” reflects the anguish of love, the fear and pain of separation. The fourth poem, “And now you’re mine. Rest with your dream in my dream,” is complex in its emotional tone. First there is the exultance of passion. Then, gentle, soothing words lead the beloved into the world of rest, sleep and dream.

Finally, the fifth poem, “My love, if I die and you don’t,” is very sad and peaceful at the same time. There is the recognition that no matter how blessed one is with love, there will be a time when we must part from those whom we cherish so much. Still, Neruda reminds one that love has not ended. In truth there is no real death to love nor even a birth: “It is like a long river, only changing lands, and changing lips.”

I am so grateful for Neruda’s beautiful poetry, for although these poems were written to another, to Matilde Urrutia, Neruda’s lover and wife, when I set them I was speaking directly to my own beloved Lorraine.

—Peter Lieberson, 2005 left Lorraine Hunt Lieberson, for whom the Neruda Songs were written by her husband. below Lorraine and Peter in a snapshot together, long before cancer took both their lives.

Cleveland Orchestra Miami 2012-13

About the Music

At a Glance Lieberson wrote his Neruda Songs in 2004-05 on a joint commission for the Los Angeles Philharmonic and Boston Symphony Orchestra, choosing to set five poems from Cien sonetos de amor (“One Hundred Love Sonnets”) by the Chilean poet Pablo Neruda (1904-1973).

Lieberson’s wife, Lorraine Hunt Lieberson, sang the work’s first performances, in May 2005 with the Los Angeles Philharmonic and in November 2005 with the Boston Symphony Orchestra.

This set of five songs runs about 25 minutes in performance. Lieberson scored them for 2 flutes (second doubling piccolo), oboe, english horn, 2 clarinets (second doubling bass clarinet), 2 bassoons, 2 horns, 2 trumpets, percussion (vibraphone, suspended cymbal, maracas, glockenspiel, crotales, conga), harp, piano, and strings, plus mezzo-soprano soloist.

The Cleveland Orchestra performed Lieberson’s Neruda Songs in December 2005 at Severance Hall, with Lorraine Hunt Lieberson as soloist under the direction of Robert Spano.

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Neruda Songs

music by Peter Lieberson texts from “100 Love Sonnets” by Pablo Neruda

1.

1.

Si no fuera porque tus ojos tienen color de luna, de día con arcilla, con trabajo, con fuego, y aprisionada tienes la agilidad del aire, si no fuera porque eres una semana de ámbar,

If your eyes were not the color of the moon, of a day full of clay, and work, and fire, if even held-in you did not move in agile grace like the air, if you were not an amber week,

si no fuera porque eres el momento amarillo en que el otoño sube porlas enredaderas y eres aún el pan que la luna fragrante elabora paseando su harina por el cielo,

if you were not the yellow moment when autumn climbs up through the vines; if you were not that bread the fragrant moon kneads, sprinkling its flour across the sky,

oh, bienamada, yo no te amaría!

En tu abrazo yo abrazo lo que existe, La arena, el tiempo, el árbol de la lluvia,

oh, my dearest, I could not love you so!

But when I hold you I hold everything that is— sand, time, the tree of the rain,

y todo vive para que yo viva sin ir tan lejos puedo verlo todo: veo en tu vida todo lo viviente.

everything is alive so that I can be alive; without moving I can see it all: in your life I see everything that lives.

Oh, bienamada, yo no te amaría!

Oh, my dearest, I could not love you so!

2.

2.

Amor, amor, las nubes a la torre del cielo subieron como triunfantes lavanderas, y todo ardió en azul, todo fue estrella: el mar, la nave, el día se desterraron juntos.

Love, love, the clouds went up the tower of the sky like triumphant washerwomen, and it all glowed in blue, all like a single star; the sea, the ship, the day were all exiled together.

Ven a ver los cerezos del agua constelada y la clave redonda del rápido universo, ven a tocar el fuego del azul instantáneo, ven antes de que sus pétalos se consuman.

Come see the cherries of the water in the weather, the round key to the universe, which is so quick; come touch the fire of this momentary blue, before its petals wither.

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Sung Text and Translation

2012-13 Cleveland Orchestra Miami

No hay aquí sino luz, cantitades, racimos, espacio abierto por las virtudes del viento hasta entregar los últimos secretos de la espuma.

There’s nothing here but light, quantities, clusters, space opened by the graces of the wind till it gives up the final secret of the foam.

Y entre tantos azules celestes, sumergidos, se pierden nuestros ojos adivinando apenas los poderes del aire, las llaves submarinas.

Among so many blues — heavenly blues, sunken blues — our eyes are a little confused: they can hardly divine the powers of the air, the keys to the secrets in the sea.

3.

3.

No estés lejos de mi un solo día, porque cómo, porque, no sé decirlo, es largo el día, y te estaré esperando como en las estaciones cuando en alguna parte se durmieron los trenes.

Don’t go far off, not even for a day, because — because — I don’t know how to say it: a day is long and I will be waiting for you, as in an empty station when the trains are parked off somewhere else, asleep.

No te vayas por una hora porque entonces en esa hora se juntan las gotas del desvelo y tal vez todo el humo que anda buscando casa venga a matar aún mi corazón perdido.

Don’t leave me, even for an hour, because then the little drops of anguish will all run together, the smoke that roams looking for a home will drift into me, choking my lost heart.

No estés lejos de mi un solo día.

Don’t go far off, not even for a day.

Ay que no se quebrante tu silueta en la arena, ay que no vuelen tus párpados en la ausencia: no te vayas por un minuto, bienamada,

Oh, may your silhouette never dissolve on the beach; may your eyelids never flutter into the empty distance.

Don’t leave me for a second, my dearest,

porque in ese minuto te habrás ido tan lejos que yo cruzaré toda la tierra preguntando si volverás o si me dejarás muriendo.

because in that moment you’ll have gone so far I’ll wander mazily over all the earth, asking, Will you come back?

Will you leave me here, dying?

No estés lejos de mi.

Don’t go far off. pl e as e t u r n pa g e q u i e tly

Cleveland Orchestra Miami 2012-13

Sung Text and Translation

21

4.

4.

Ya eres mía.

Reposa con tu sueño en mi sueño.

Amor, dolor, trabajos, deben dormir ahora.

Gira la noche sobra sus invisibles ruedas y junto a mí eres pura como el ámbar dormido.

And now you’re mine.

Rest with your dream in my dream.

Love and pain and work should all sleep, now.

The night turns on its invisible wheels, and you are pure beside me as a sleeping amber.

Ninguna más, amor, dormirá con mis sueños.

Irás, iremos juntos por las aguas del tiempo.

Ninguna viajará por la sombra conmigo, sólo tú, siempreviva, siempre sol, siempre luna.

No one else, Love, will sleep in my dreams.

You will go, we will go together, over the waters of time.

No one else will travel through the shadows with me, only you, evergreen, ever sun, ever moon.

Ya tus manos abrieron los puños delicados y dejaron caer suaves signos sin rumbo, tus ojos se cerraron como dos alas grises,

Your hands have already opened their delicate fists and let their soft drifting signs drop away; your eyes closed like two grey wings, and I move

mientras yo sigo el agua que llevas y me lleva: la noche, el mundo, el viento devanan su destino, y ya no soy sin ti sino sólo tu sueño.

after, following the folding water you carry, that carries me away.

The night, the world, the wind spin out their destiny.

Without you, I am your dream, only that, and that is all.

Reposa con tu sueño en mi sueño.

Rest with your dream in my dream.

5.

5.

Amor mío, si muero y tú no mueres, amor mío, si mueres y no muero, no demos al dolor más territorio: no hay extensión como la que vivimos.

My love, if I die and you don’t —, My love, if you die and I don’t —, let’s not give grief an even greater field.

No expanse is greater than where we live.

Polvo en el trigo arena en las arenas el tiempo, el agua errante, el viento vago nos llevó como grano navegante.

Pudimos no encontrarnos en el tiempo.

Dust in the wheat, sand in the deserts, time, wandering water, the vague wind swept us on like sailing seeds.

We might not have found another in time.

Esta pradera en que nos encontramos, oh pequeño infinito! Devolvemos.

Pero este amor, amor, no ha terminado,

This meadow where we find ourselves, O little infinity! we give it back.

But Love, this love has not ended:

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Sung Text and Translation

2012-13 Cleveland Orchestra Miami

y así como no tuvo nacimiento no tiene muerte, es como un largo río, sólo cambia de tierras y de labios.

just as it never had a birth, it has no death: it is like a long river, only changing lands, and changing lips.

Amor.

Love.

The texts by Pablo Neruda are reprinted by arrangement with Associated Music Publishers Inc., in association with la Fundación Pablo Neruda.

English texts from 100 Love Sonnets by Pablo Neruda, translated

by Stephen Tapscott, copyright © Pablo Neruda 1959 and Fundación Pablo Neruda, copyright © 1986 by the University of Texas Press.

Elizabeth DeShong Mezzo-soprano Elizabeth DeShong has earned high praise across North America and Europe. In the summer of 2012, she appeared at England’s famed Glyndebourne Festival in the title role of Rossini’s La Cen­e­rentola. In the 2012-13 season, her performances include a return engagement with Lyric Opera of Chicago and her company debut with Michigan Opera Theatre as Rosina in Rossini’s The Barber of Seville.

She opened the previous season as Maffio Orsini in Donizetti’s Lucrezia Borgia for San Francisco Opera and returned to the Metropolitan Opera, where she was heard as Hermia in the new Baroque-pastiche opera production titled The Enchanted Island. Additional recent performances include Suzuki in Puc­cini’s Madama Butterfly with Veroza Company in Japan.

Ms. DeShong is a graduate of the Lyric Opera of Chicago’s Ryan Opera Center. She has gone on to sing with many famous opera companies, including the Met, Lyric Opera of Chicago, English National Opera in London, and Washington National Opera. She has also appeared as an orchestra soloist on both sides of the Atlantic, including singing Beethoven’s Missa Solemnis with the Chamber Orchestra of Europe (a presentation recorded for release on DVD) and in performances of Beethoven’s Ninth Symphony.

Elizabeth DeShong was awarded first prize by the American Opera Society of Chicago and has also received the Union League Competition’s Rose Ann Grundman Award (2006) and the Sullivan Foundation Award (2006). She also holds awards from the Dayton Opera Guild, National Association of Teachers of Singing, Opera Columbus, and Orpheus National Music Competition. Ms. DeShong is an alumna of the Oberlin Conservatory of Music and the Curtis Institute of Music.

She first sang with The Cleveland Orchestra in February 2004, in performances of Act II of Wagner’s Parsifal under the direction of Pierre Boulez.

For further information, visit www.elizabethdeshong.com.

Cleveland Orchestra Miami 2012-13

Soloist

23

Symphony No. 9 (“Choral”) in D minor, Opus 125 composed 1822-24

by

Ludwig van

BEETHOVEN born December 16, 1770 Bonn died March 26, 1827 Vienna

24

o n e o f t h e g r e a t public events of Beethoven’s career took place in the Kärtnertor Theater in Vienna on May 7, 1824. It was announced as a “Grand Musical Concert by Herr L.v. Beethoven,” consisting of “A Grand Overture,” “Three Grand Hymns with Solo and Chorus Voices,” and “A Grand Symphony with Solo and Chorus Voices entering in the finale on Schiller’s ‘Ode to Joy’.” The overture was the one that Beethoven had written in 1822 titled Die Weihe des Hauses (“The Consecration of the House”). The “Hymns” were three movements — the Kyrie, Credo, and Agnus Dei — from his great Missa Solemnis, and the concert would be the first time any of this work was heard in Vienna, although there had been a complete performance in St. Petersburg the previous month. The symphony was, of course, Beethoven’s Ninth and last, and it was receiving its first performance only a few weeks after it had been completed.

The concert was arranged as a benefit for Beethoven, whose financial situation was far from comfortable at this period. It was preceded by many difficult negotiations, made more difficult by the composer’s deafness and frequent ill temper. In its wake came further unpleasantness, Beethoven angrily accusing the management of cheating him out of some of the revenue due to him. The performance itself, however, was a great success, with a large audience assembled not only to hear the music, but also to pay homage to a celebrated figure who was now rarely seen in public. Beethoven stood on the platform, turning the pages of the score and beating time; but the conductor had warned the performers to take no notice of him. By now he was so deaf that he could not even hear the huge applause.

A famous story tells how he had to be turned gently around by one of the soloists to acknowledge it.

Most of the composition of the Ninth Symphony followed almost immediately on the completion of the Missa Solemnis at the beginning of 1823. It had been sparked off by a commission for a new symphony that Beethoven had received from the Philharmonic Society of London towards the end of 1822.

The first draft of the symphony was completed by September 1823, and the final score was ready in March 1824. This was an astonishing rate of progress for a work of such dimensions and such originality, the more so as it followed so closely the

About the Music

2012-13 Cleveland Orchestra Miami

composer’s mighty labors on the Missa Solemnis.

But although it grew so quickly, the roots of the Ninth Symphony extend deep into Beethoven’s career. One of his notebooks dating from 1818 includes plans for what were at that stage two distinct symphonies — a revival of interest in a form that he had not attempted since completing the Seventh and Eighth Symphonies in 1812. One of these new works was planned to be in D minor, and the other was to incorporate a chorus in the slow movement and finale, singing texts based on classical mythology.

Beethoven seems to have worked on the first movement of the projected D-minor symphony at that time, and to have returned to it during 1822. Even before the concept of the symphony (or symphonies) had been formulated, the first three measures of the main theme of the scherzo were jotted in a notebook of 1815, and again in 1817. And the wonderfully strong and simple main theme of the finale is clearly anticipated in the similar theme of the closing section of the Choral Fantasia of 1808, and even earlier than that in a little song called Gegenliebe (“Requited Love”) that Beethoven wrote in the mid-1790s.

It was in the 1790s, too, that Beethoven first conceived the idea of setting the “Ode to Joy” (An die Freude) by Friedrich Schiller. This “elevated Trinklied” or drinking song, as Beethoven’s biographer Maynard Solomon describes it, had been published in 1786. The much repeated suggestion that it was originally intended as an ode not to joy (Freude) but to freedom (Freiheit) seems to have originated after Schiller’s (and Beethoven’s) time — but even so the poem’s mood of exultation at the brotherhood of mankind must have appealed to the young and idealistic composer. He may even have already completed a setting of it for voice and piano — in 1793, one of his friends in his native Bonn told Schiller’s wife in a letter that Beethoven intended to do so; and in 1803, one of the composer’s associates in Vienna offered a publisher such a setting as one of a number of songs Beethoven had written in the previous four years.

Later, Beethoven’s sketchbooks include several references to the Ode, now apparently in connection with a choral overture.

But it may only have been at a comparatively late stage that he decided to bring together the idea of a setting of the Ode (or at least, of a selection of stanzas amounting to about a third of the poem) with the project for a Symphony in D minor.

The Ninth Symphony, then, represents the culmination of a long creative process, and maybe even a conscious summingCleveland Orchestra Miami 2012-13

About the Music

The concert that featured the premiere of Beethoven’s Ninth was arranged as a benefit for the composer, whose financial situation was far from comfortable at the time. Ironically for a symphony filled with joy, it was preceded by many difficult negotiations, made more difficult by the composer’s deafness and frequent ill temper.

25

At a Glance A theme from the Ninth Symphony appears in Beet­hoven’s sketchbooks as early as 1815, and there are some extended sketches of the first movement dating from 1817-18. However, Beethoven did not begin concentrated work on the symphony until 1822, and completed the score in February 1824. It was first performed on May 7, 1824, at Vienna’s Kärtnertor, conducted by Michael Umlauf (although Beethoven was also onstage beating time).

This symphony runs about 70 minutes in performance. Beethoven scored it for 2 flutes and piccolo, 2 oboes, 2 clarinets, 2 bassoons and contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, percussion (triangle, cymbals, and bass drum), and strings, plus a vocal quartet and 4-part chorus.

The Cleveland Orchestra has recorded Beethoven’s Ninth four times: in 1961 with George Szell, in 1978 with Lorin Maazel, in 1985 with Christoph von Dohnányi, and in 2007 with Franz WelserMöst.

26

up of a symphonic career. Beethoven was seriously ill in 1824, after his massive efforts of the previous five years. And although he was to live another three years, he completed no more music for orchestra. He abandoned his sketches for a possible Tenth Symphony and instead concentrated almost all of his remaining energy on the medium of the string quartet. the music

The overwhelming impression created by the Ninth Symphony is of its vast scale. This is obvious right at the start, where fragments of arpeggios are gradually assembled against a sustained background, as if out of a mist, in a crescendo from softest pianissimo to the loudest fortissimo statement of the first subject. This opening movement, a sonata structure with an expansive coda as well as a full-scale development section, establishes the three tonal centers of the whole work: D minor, its basic key; B-flat major, the (unconventional) key in which the second subject is introduced; and D major, which is glimpsed only occasionally, notably in a brief blaze of light at the start of the recapitulation — a moment that looks forward to Mahler as clearly as the opening does to Bruckner.

The second movement is a scherzo on a comparably large scale, its D-minor outer sections in a sonata form of their own, its Trio a self-contained section in a contrasting tempo (Presto), key (D major), and even time-signature (2/2). This sense of polar opposition between sections of the same movement even extends to the slow third movement, which alternates between a serene 4/4 Adagio in B-flat major and a more expressive 3/4 Andante in (initially) D major — a plan that resembles a massively expanded version of one of Haydn’s sets of double variations.

Thus far, in fact, the Viennese audience of 1824 would have acknowledged all three movements as belonging to recognizable symphonic movement types, albeit on an unprecedented scale, in an unconventional order, and with many unusual features of instrumentation. Among the instrumental innovations are, in the scherzo, the melodic use of the timpani, tuned not to the customary tonic and dominant, D and A, but to two Fs an octave apart; and in the slow movement, the extended and wide-ranging solo for the fourth horn at the second return of the Adagio, which may have been intended for an early model of the valve-horn.

The fourth-movement finale, however, would have seemed to its first audiences something altogether new — and not only About the Music

2012-13 Cleveland Orchestra Miami

because of the introduction of voices. To start with, there is the blazingly discordant opening (on a D-minor triad with an added B flat). This leads to a review of the main themes of the previous movements, linked by passages of instrumental recitative on cellos and basses, and then to the quiet first statement and gradual blossoming of the great main hymn tune in D major.

Only after a return of the opening cacophony, now even more stridently discordant, does the solo bass-baritone enter, putting words of Beethoven’s own to the recitative in an invitation to join in more joyful sounds. So begins the choral finale proper, a highly original combination of free variation and rondo forms. Its wide range encompasses an extended episode in 6/8 march time (in B-flat major, and including the percussion instruments known at the time as “Turkish music”), followed by a fierce fugato (leading back to D major); then later a solemn treatment of the more visionary verses that Beethoven selected from Schiller’s Ode; and finally an irresistible affirmation of joy.

—Anthony Burton © 2013 Anthony Burton is a British writer on music. After studying at Cambridge, he began his career in the United States at the Hopkins Center of Dartmouth College.

He subsequently worked in production and as a broadcaster on BBC Radio 3 and BBC World Service.

Program Book Copyright © 2013 by The Cleveland Orchestra and Miami Music Association.

Eric Sellen, Program Book Editor e-mail: esellen@clevelandorchestra.com Program books for Cleveland Orchestra Miami concerts are produced

by The Cleveland Orchestra and distributed free to attending audiences.

Program book advertising is sold through Live Publishing Company.

For further information and ad rates, please call 216-721-1800

Cleveland Orchestra Miami education programs are funded in part by The Children’s Trust.

The Trust is a dedicated source of revenue established by voter referendum to improve the lives of children and families in Miami-Dade County.

Support for Cleveland Orchestra Miami is provided by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, and the Miami-Dade County Mayor and Board of County Commissioners.

Cleveland Orchestra Miami 2012-13

About the Music

27

Symphony No. 9 (“Choral”) music by Ludwig van Beethoven texts adapted from An die Freude (“Ode to Joy”)

by Friedrich von Schiller

bass recitative (text by Beethoven)

O Freunde, nicht diese Töne!

Sondern lasst uns angenehmere anstimmen, Und freudenvollere.

O friends, not these sounds!

Let us sing more pleasant and more joyful ones instead.

bass solo and chorus (remainder of text by Schiller)

Freude, schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken, Himmlische, dein Heiligtum.

Deine Zauber binden wieder Was die Mode streng geteilt, Alle Menschen werden Brüder Wo dein sanfter Flügel weilt. solo quartet and chorus

Wem der grosse Wurf gelungen, Eines Freundes Freund zu sein, Wer ein holdes Weib errungen, Mische seinen Jubel ein!

Ja — wer auch nur eine Seele Sein nennt auf dem Erdenrund!

Und wer’s nie gekonnt, der stehle Weinend sich aus diesem Bund.

Anyone who has been greatly fortunate to be a true friend to a friend, each man who’s found a gracious wife, should rejoice with us!

Yes, anyone who can claim but a single soul as his or her own in all the world!

But anyone who has known none of this, must steal away, weeping, from our company.

Freude trinken alle Wesen An den Brüsten der Natur, Alle Guten, alle Bösen Folgen ihrer Rosenspur.

Küsse gab sie uns und Reben, Einen Freund, geprüft im Tod, Wollust ward dem Wurm gegeben, Und der Cherub steht vor Gott.

All beings drink of Joy at Nature’s breasts, all good creatures, all evil creatures follow her rosy path.

She has given us kisses and vines, a friend loyal unto death, pleasure was given to the worm, and the angel stands before God.

tenor solo and men ’ s chorus

Tenor Happily as the sun flies across the sky’s magnificent expanse, hurry, brothers, along your path, joyfully, like a hero to the conquest.

Froh, wie seine Sonnen fliegen Durch des Himmels prächt’gen Plan, Laufet, Brüder, eure Bahn, Freudig, wie ein Held zum Siegen.

28

Joy, beautiful divine spark, daughter from Paradise, We enter, drunk with fire, Heavenly One, into your sanctuary.

Your magic reunites what daily life has rigorously kept apart, All men become brothers wherever your gentle wings abide.

Sung Text and Translation

2012-13 Cleveland Orchestra Miami

chorus

Freude, schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken, Himmlische, dein Heiligtum.

Deine Zauber binden wieder Was die Mode streng geteilt, Alle Menschen werden Brüder Wo dein sanfter Flügel weilt.

Joy, beautiful divine spark, daughter from Paradise, We enter, drunk with fire, Heavenly One, into your sanctuary.

Your magic reunites what daily life has rigorously kept apart, All men become brothers wherever your gentle wings abide.

Seid umschlungen, Millionen!

Diesen Kuss der ganzen Welt!

Brüder — überm Sternenzelt Muss ein lieber Vater wohnen.

Be embraced, you millions!

This kiss for the entire world!

Brothers — beyond the starry canopy a loving Father must dwell.

chorus

Ihr stürzt nieder, Millionen?

Ahnest du den Schöpfer, Welt?

Such’ ihn überm Sternenzelt! Über Sternen muss er wohnen.

Do you fall to your knees, you millions?

Do you sense the Creator, world?

Seek Him above the starry canopy, beyond the stars he must dwell.

Freude, schöner Götterfunken, Tochter aus Elysium, Wir betreten feuertrunken, Himmlische, dein Heiligtum.

Joy, beautiful divine spark, daughter from Paradise, We enter, drunk with fire, Heavenly One, into your sanctuary.

Seid umschlungen, Millionen!

Diesen Kuss der ganzen Welt!

Be embraced, you millions!

This kiss for the whole world!

Ihr stürzt nieder, Millionen?

Ahnest du den Schöpfer, Welt?

Brüder — überm Sternenzelt Muss ein lieber Vater wohnen.

Do you fall to your knees, you millions?

Do you sense the Creator, world?

Brothers — beyond the starry canopy a loving Father must dwell.

solo quartet and chorus

Freude, Tochter aus Elysium, Deine Zauber binden wieder Was die Mode streng geteilt, Alle Menschen werden Brüder Wo dein sanfter Flügel weilt.

Solo Joy, daughter of Elysium, Your magic reunites what daily life has rigorously kept apart, All men become brothers wherever your gentle wings abide.

Seid umschlungen, Millionen!

Diesen Kuss der ganzen Welt!

Brüder — überm Sternenzelt Muss ein lieber Vater wohnen.

Freude, schöner Götterfunken, Tochter aus Elysium, Freude, schöner Götterfunken!

Be embraced, all people!

This kiss for the whole world!

Brothers — beyond the starry canopy a loving Father must dwell.

Joy, beautiful divine spark!

Daughter from Paradise!

Joy, beautiful divine spark!

Cleveland Orchestra Miami 2012-13

(English translation by Eric Sellen)

Sung Text and Translation

29

Nicole Cabell American lyric soprano Nicole Cabell performs to acclaim on concert and opera stages throughout the United States and Europe. She made her Cleveland Orchestra debut in November 2009. The California native began voice lessons in high school, earned a bachelor’s degree from the Eastman School of Music, and was a member of Lyric Opera of Chicago’s Center for American Artists. Her honors include winning the 2005 BBC Singer of the World Competition. Ms. Cabell has performed on the opera stages of Berlin, Chicago, Cincinnati, Cologne, London, Montreal, New York, Santa Fe, Tokyo, and Washington D.C. In concert, she has appeared with the orchestras of Baltimore, Chicago, Florida, Indianapolis, Minnesota, Oregon, Oslo, and Singapore, and with the Bavarian Radio Symphony Orchestra, National Academy of St. Cecilia, and the Orchestra of St. Luke’s. She has also participated in the Bard Music Festival, BBC Proms, Ravinia Festival, and Spoleto Festival U.S.A. She has sung as a crossover artist in pops programs with the Orange County Performing Arts Center, Compton Heights Band, New York Pops, and the Pasadena Pops. For more information, visit www.nicole-cabell.com.

Garrett Sorenson American tenor Garrett Sorenson is a graduate of Texas Tech University, the Metropolitan Opera’s Lindemann Young Artist Development Program, and the Santa Fe Opera Apprentice Program. He has performed on the opera stages of Arizona, Boston, Chicago, Houston, Los Angeles, New Orleans, New York, San Francisco, St. Louis, and Santa Fe, and with the Canadian Opera and West Australia Opera.

His repertoire includes works by Bizet, Donizetti, Janáček, Mozart, Puccini, Schoenberg, Richard Strauss, Tchaikovsky, Verdi, and Wagner. In 2010-2011, Garrett Sorenson made his Broadway debut in Terrance McNally’s play Master Class. In concert, his appearances have included engagements with the orchestras of Alabama, Baltimore, Boston, Houston, New York, San Francisco, South Dakota, and Utah, and at the Verbier Festival. He is a winner of the 2003 George London Foundation Competition, a finalist in the Metropolitan Opera National Council Auditions, and recipient of a Sara Tucker Study Grant and Richard Tucker Foundation Career Grant. Garrett Sorenson made his Cleveland Orchestra debut in May 2004, and most recently sang with the ensemble in May 2012 as Narraboth in Richard Strauss’s Salome.

30

Soloists

2012-13 Cleveland Orchestra Miami

Raymond Aceto Ohio-born bass Raymond Aceto has established an important presence among the world’s leading opera companies and orchestras. He first performed with The Cleveland Orchestra in July 1997 and, most recently, in May 2012. Mr. Aceto is a graduate of the Metropolitan Opera’s Lindemann Young Artist Development Program. In both 1995 and 1996, he was awarded Richard Tucker Foundation Career Grants, and has also received a Sullivan Foundation Award.

Mr. Aceto appears frequently with the Canadian Opera Company, Dallas Opera, Houston Grand Opera, Lyric Opera of Chicago, Metropolitan Opera, L’Opéra de Montréal, San Francisco Opera, and Santa Fe Opera. In Europe, he has appeared with Deutsche Oper Berlin, Netherlands Opera, Royal Opera Covent Garden, Madrid’s Teatro Real, and the Vienna State Opera. Raymond Aceto has also sung in concert with the orchestras of Boston, Dallas, Minnesota, St. Louis, and San Francisco. His discography includes recordings of Bellini’s I Capuleti e i Montecchi and Stravinsky’s The Rake’s Progress. For further information, visit www.raymondaceto.com.

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Cleveland Orchestra Miami 2012-13

Soloists

31

Master Chorale of South Florida Alec Schumacker, Interim Conductor

The Master Chorale of South Florida is an auditioned ensemble comprised of the finest classical singers in Broward, Miami-Dade, and Palm Beach Counties. The group was formed in 2003 to ensure that world-class performances of major works written for chorus and orchestra would remain part of South Florida’s cultural fabric. Jo-Michael Scheibe served as the first artistic director for the new group. The ensemble performs throughout the tri-county area (Broward, Miami-Dade, and Palm Beach Counties) with local and visiting orchestras, including the New World Symphony and The Cleveland Orchestra. The Chorale’s many performances have included The Cleveland Orchestra’s inaugural concerts at the Adrienne Arsht Center in 2007, singing Beethoven’s Ninth Symphony, as well as appearing with the Orchestra again earlier this season in Mahler’s Third Symphony.

BEETHOVEN NINTH SYMPHONY SOPRANO

Candy Collins Jennie Dautermann Natalie Fernandez Darlene Fetzer Nancy Gates-Lee Fran Goldenberg Gabriella Grof Kathleen Hartung Susan Hoffmeier Rhona Hunter Stephanie Kawzenuk Alice K. Montford Jennifer Pollack Rella Ringler Carole Sandvos Susan L. Trevarthen Marlene Wepf

32

alto

Rocio Abello Amy Barrow Monique L. Belch Allison Bisco Nancy Butler Ella Carr Carol Ann Casey Chai Chien Carolyn DeSanti Lynn Domack Laura Ficorilli Janet Grubel Nicole Hamaoui Mary Kilbreath Caron Salerno Litten Teresa Lucchese Nanci Mitchell Nina Motta Harriet Ottenheimer Amanda Rothman Norma Segal Rachel Snell Marina Tendler Jenna Weisberg Jeannie Weiss Sarah Young

Guest Ensemble

TENOR

Hector Barrera Tate Garrett Mark W. Glickman Eddie Konawicz David Levey Brandon Mowry Tim Peterson Julio V. Rodriguez Greg Scherba Hugh Strachan Brian Wagstaff David Williams

BASS

Uhriel Bedoya Greg Boals Thomas Cochran Lew Crampton Jim Davidson Fabian Diaz Walter Dickey Carmine Giordano Stan Hoch Paul Morris Dennis Ryan Ross Scalese Jim Sebastian Rick Stewart Jeff Streitfeld Peter Strouss Ryan Strouss David R. Thompson Jonathan Tweneboah John E. Wright Don Zuhlke

2012-13 Cleveland Orchestra Miami

The Master Chorale of Tampa Bay James K. Bass, Music Director /Artistic Director

The Master Chorale of Tampa Bay is an auditioned, highly select 150-voice volunteer chorus embracing a broad representation of singers from the entire Tampa Bay area. The organization serves Tampa Bay and west central Florida with a mission to advance the art of choral music by performing great works of the past, commissioning and performing new literature, and sharing the joy and power of choral music with new and existing audiences and singers.

Founded in 1979 by Robert Summer, the ensemble was designated in 1989 as the principal chorus of the Florida Orchestra and is featured annually on that ensemble’s season. In 1999, the Chorale was appointed as artist-in-residence at the College of the Arts School of Music at the University of South Florida. They regularly commission new works from important contemporary composers and have been featured in recording projects with the Florida Orchestra and the Atlanta Symphony Orchestra.

BEETHOVEN NINTH SYMPHONY SOPRANO

Deborah Avanzato Julia Marie Spadafora Badala Susann Brady Angela M. D’Agostino Hannah E. Dahlquist Kara M. Dwyer Deadra Johnson Griffeth Heather Haskell Amanda Henderson Rosslyn Sims Hicks Kerrie Hoening Joanna Kauer Lauren K. Krockta Margaret Litten Deah McReynolds* Sue Mello Janet Moore Kathryn Mullaney Janet Ondina Cynthia Orozco Dianna Prichard Deborah Renfroe Elena M. Richter Stephanie Joy Schulman Nancy Scott Sue Shuck Dhyana Viscardi Nancy White Adrienne Wills Kathy Wills

ALTO

Nancy Campbell Peg Chappars Deborah Collins Diane M. Coté Elizabeth Curry Ines de Erausquin Christine Epps Christine Fiorillo Susan Gill K. Jane Gonzalez Siri Gundersen Kalen Hodges Paula James Debbie B. Katt Andrea Kiehl Chantal Marie Lester Mindy E. Mabry Kerry Mayo Rose Marie Michel Elizabeth Osborn Andrea Peacock* Marjorie Peak Susan Raabe Mari Reive Sandra L. Reynolds Elizabeth Roth Maxine Roy Laura Smith-Weyl Blythe Sobel Susan Wellner Michelle Whitmire

Season Sponsor:

Moffitt Cancer Center

Cleveland Orchestra Miami 2012-13

tenor

Bill Bingham Richard Bonk Scott M. Brown* Bert Bruce Joey Canessa John Day Thomas Desmond Michael Dwyer Kevin Hansen Ron Haynes Robert B. Hicks Thomas A. Jackman Brett Karlin Joseph Mendolia Marvin Moore Joshua P. Perez William Renfroe Zechariah Shrum Arthur J. Stagg, Jr. Jay B. Starkey, Jr. Kyle G. Stevens Thayne Washburn Jeff Welch Chadford Woodruff Brian Wright Don C. Yost *section leader

Bass

Jonathon Bock Jason Burke* Drew Casey Jay Clayton Steven Florio Boyd Fulmer Kyle Goyens Joey Harper Brian Hathaway James B. Heck William R. Honea John L. Hoyt Scott Kier John S. Linkogle Robert Macar Brandon Martin Robert Martin Ronald Medvin Joel Mercer Doug Roth James Sawyers, Jr. Mark Schippits Ralph Shafer A. Glenn Sheffield Thomas Shubick Denny Smith Scott Stritzinger Claude Tison Matthew Vogel Wayne J. Yates

Brett Karlin, Assistant Conductor Robert Winslow, Accompanist

Guest Ensemble

33

James K. Bass

Artistic Director, The Master Chorale of Tampa Bay

James Bass is the director of choral studies in the School of Music at the University of South Florida and serves as artistic director of The Master Chorale of Tampa Bay. At USF, he conducts the University Chamber Singers, Collegium, and the Collegiate Singers, in addition to teaching graduate and undergraduate courses in choral conducting, philosophy, and literature. He was previously a faculty member at Western Michigan University and the University of Central Florida in Orlando. Mr. Bass earned a doctor of musical arts degree from the University of Miami-Florida, and master of music and bachelor of science degrees from the University of South Florida. He is a graduate of the Interlochen Arts Academy.

Mr. Bass is a singer and chorus master for Seraphic Fire, the Miami-based professional choir, and was appointed choirmaster for the Classical Music Festival in Eisenstadt, Austria. During the summer of 2011, he co-founded the Professional Choral Institute at the University of South Florida. In its inaugural year of recording, Seraphic Fire and PCI received a Grammy nomination for Best Choral Performance for their recording of Johannes Brahms’s A German Requiem. He is an active bass soloist, and has been chosen as a singer in many select choral groups.

Alec Schumacker

Interim Conductor, Master Chorale of South Florida

Alec Schumacker is pursuing a doctor of musical arts degree at the University of Miami, where he teaches undergraduate courses in aural skills and leads the Maelstrom Men’s Chorus. He earned his master of music degree in choral conducting from the University of Miami and is a graduate in music from Williams College in Williams­ town, Massachusetts.

An active composer published by Alliance Music Publications, Mr. Schu­ macker was awarded the 2011-2012 Lee Kjelson Choral Commission by the Civic Chorale of Greater Miami for his work, Flights of Hope. In 2008, he won the Robert G. Barrow Memorial Prize for Composition for his orchestral and choral piece, Mass on American Poets. He has done many arrangements and performing editions for groups including the Santa Fe Desert Chorale, New World Symphony, Master Chorale of South Florida, University of Miami Frost Chorale, and the Williams College Chamber Choir.

34

Guest Ensembles

2012-13 Cleveland Orchestra Miami

Classical Classical Classical Music.

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classicalsouthflorida.org classicalsouthflorida.org classicalsouthflorida.org classicalsouthflorida.org classicalsouthflorida.org

PROUD MEDIA PARTNER OF CLEVELAND ORCHESTRA MIAMI. d PROUD PROUD PROUD MEDIA MEDIA MEDIA PARTNER PARTNER PARTNER OF THE OF OF THE CLEVELAND THE CLEVELAND CLEVELAND ORCHESTRA ORCHESTRA ORCHESTRA MIAMI MIAMI RESIDENCY. MIAMI RESIDENCY. RESIDENCY. PROUDPROUD MEDIA MEDIA PARTNER PARTNER OF THEOF CLEVELAND THE CLEVELAND ORCHESTRA ORCHESTRA MIAMI RESIDENCY. MIAMI RESIDENCY.

PERFORMING ARTS CENTER TRUST, INC. PERFORMINGOfficers ARTS CENTER of theTRUST, Board INC. INFORMATION

Officers of the Board

Mike Eidson

ACCESSIBILITY Chairman Mike Eidson Adrienne Arsht Center is fully accessible. When purchasing tickets, patrons who have special needs should Chairman Alan H. Fein James M.customer Herron, service representative.

J. Ricky call (305) 949-6722 or (866) 949-6722 and inform their (786)Arriola, 468-2011(TTY).

Chair-Elect

Alan H.Secretary Fein

Immediate Past Chair James M. Herron,

J. Rick

DINING Chair-Elect Secretary Immediat Emery B. BY Sheer Penny Thurer, Parker D. menu Thomson, Enjoy PRELUDE BARTON G. in a whole new way, featuring new prices, an updated of Prelude Treasurer Assistant Founding Chair menu Emery B. SheerSecretary Thurer,“premium�

Parker D classics mixed with innovative new dishes, a sumptuous selection of speciallyPenny prepared Treasurer Secretary Foundi options and the ultimate pre- and post-show dining experience! PRELUDEAssistant

BY BARTON G. now features Directors a two-course dinner including an appetizer Board and a of main course for just $29 (plus tax and gratuity). CALL Matilde Aguirre or visit arshtcenter.org/prelude.

The Honorable Donald L. Graham Beverly A. Parker Ronald A. Silver 305.357.7900 Board of Directors Pierre R. Apollon EvelynMatilde Greer Aguirre JorgeThe A. Plasencia Honorable Honorable Donald L. Graham The Michelle BeverlySpence-Jones A. Parker Ronald A EMERGENCIES Magalie Desroches Austin Mitchell Kaplan Abigail Pollak Pierre Apollon Greer and securityAlexander Jorge I.A.Tachmes Plasencia The Hon Emergency exits are clearly marked throughout the building. personnel will provide The Honorable Oscar Braynon II Hank Klein R.Desroches JesusEvelyn “Jay�Ushers Pons Magalie Austin Mitchell Kaplan Abigail Pollak Mich Armando J. Bucelo, Nathan Leight The Honorable Raquel Regalado Carole Ann Taylor instructions in Jr. the event of an emergency.

Contact an usher or a member of the house staff if you require TheLitthcut Honorable Oscar Braynon II LarryHank Klein Jesus “Jay� Pons Alexand Felix Garcia Florene Nichols Rice Raul G. Valdes-Fauli medical assistance.

J. Bucelo, Jr. Nathan Leight Honorable Raquel Regalado Carole A The Honorable Rene Garcia CarlosArmando C. Lopez-Cantera Adriana Sabino Judy The Weiser Felix Garcia Florene Litthcut Nichols Larry Rice Raul G. V FACILITIES RENTALS Sergio M. Gonzalez Richard C. Milstein Mario Ernesto Sanchez Miles C. Wilkin TheNeves Honorable Rene Garcia Carlos C. Lopez-Cantera Sabino Judy We Rosie Gordon-Wallace Gilberto The Honorable D.terraces, Sarnoff plazasAdriana Persons or organizations interested lounges, or other Sergioin M. renting Gonzalez the auditoriums, Richard C.Marc Milstein Mario Ernestospaces Sanchez for Miles C. private and public events at Adrienne Arsht Center should contact Rosie Gordon-Wallace Gilberto(786) Neves 468-2287 or rentals@arshtcenter.org.

The Honorable Marc D. Sarnoff ADRIENNE CENTER FOUNDATION, INC. BOARD OF DIRECTORS HEARING AIDSARSHT AND OTHER HEARING-ENHANCEMENT DEVICES ADRIENNE ARSHT FOUNDATION, INC.produce BOARD OF DIRECTORS Please reduce the volume on hearing aids and CENTER other a noise that would disturb Officers of devices the Boardthat may other patrons or the performers. Assistive Listening Devices are available in the lobby; please ask an usher Officers of the Board Adrienne Arsht Richard E. Schatz for assistance.

Founding Chairman Chairman Adrienne Arsht Richard E. Schatz LATE SEATING Founding Chairman Chairman RonaldArsht Esserman Davidbegin Rockerpromptly as Sherwood M. As Weiser* Jason Williams Adrienne Center performances scheduled. a courtesy to the performers and audience members already seated, Ronald patronsEsserman who arrive late will beDavid asked to wait in the lobby until aM. suitable Rocker Sherwood Weiser* J RESIDENT ALLIANCEto be determined in consultation with the performing artists. Until the seating break in COMPANIES the performance break, latercomers may watch RESIDENT the performance via closed-circuit monitors conveniently situated in the Sheldon Anderson Jerome J. Cohen COMPANIES ALLIANCE Robert F. Hudson, Jr. Aaron S. Podhurst, Esq. OREELHV 7R FRQÂżUP VWDUWLQJ WLPHV IRU $GULHQQH $UVKW &HQWHU SHUIRUPDQFHV SOHDVH FKHFN \RXU WLFNHW YLVLW Adrienne Arsht Stanley CohenAnderson DarylJerome L. JonesJ. Cohen Charles Porter Sheldon F. Hudson, Jr. Aaron S. www.de arshtcenter.org, or callSusan (305) 949-6722.

Diane Vries Ashley T. Danis Edie Laquer Jane Robert A. Robinson Adrienne Arsht Stanley Cohen Daryl L. Jones Charles P Robert T. Barlick, Jr. Nancy J. Davis Donald E. Lefton Richard E. Schatz MEMBERSHIP Diane de Vries Ashley Susan T. Danis Edie Laquer Jane A. R Fred Berens - VISIONARY SOCIETY Ronald Esserman Rhoda Levitt Sherry Spalding-Fardie Robert T.the Barlick, Jr. Nancy J. Davis a wide variety E. Lefton Richard Individuals support Adrienne ArshtGeorge Center through ofDonald membership levels, Sia Bozorgi can participate and Oscar Feldenkreis L. Lindemann Robert H. Traurig, Esq. FredGardiner Berens Ronald Esserman RhodaM.Levitt Sherry S HDFK GHVLJQHG WR HQKDQFH \RXU H[SHULHQFH DW WKH &HQWHU 0HPEHUV UHFHLYH EHQHÂżWV UDQJLQJ IURP DGYDQFH Norman Braman Pamela Carlos C. Lopez-Cantera Sherwood Weiser* SiaF.Bozorgi Oscar Feldenkreis L. Lindemann Robert H Sheila Jerrold Goodman PedroThese A. Martin, Esq. tax-deductible Lynn George Wolfson noticeBroser of performances to invitations to Braman exclusive receptions. annual gifts C. help ensure the Norman Pamela Gardiner Carlos Lopez-Cantera Sherwoo Robert Rose Ellen Greene Mendelson futureS.ofBrunn the Center. Visionary Society membership startsArlene at $75, with various giving levelsPedro through $5,000.

To Sheila Broser Jerrold F. Goodman A. Martin, Esq. Lynn Wo M. Anthony Burns ArthurRobert J. Halleran, Jr. Nedra Oren *deceased S. Brunn email membership@arshtcenter.org RosePeĂąa, EllenEsq. Greene Mendelson join the Visionary Society, callHoward (786)Herring 468-2040, or visitArlene arshtcenter.org/join.

Donald Carlin J. David M. Anthony Burns Arthur J. Halleran, Jr. Nedra Oren Donald Carlin Howard Herring J. David PeĂąa, Esq.

Carlos A. Gimenez Phone Numbers Mayor Carlos A. Gimenez Accessibility (786) 468-2011(TTY) Mayor MIAMI-DADE BOARD OF COUNTY COMMISSIONERS Advertising (786) 468-2232 MIAMI-DADE BOARD OF COUNTY COMMISSIO $GPLQLVWUDWLRQ 2IÂżFHV Joe A. Martinez Audrey M. Edmonson

Chairman Vice Chairwoman

Joe%R[ 2I¿FH A. Martinez Audrey M. Edmons (866) 949-6722 Chairman Vice Chairwoma Bruno A. Barreiro M – F 10am – 6pm Photo by Robin Hill

Barbara J. Jordan District 1 Jean Monestime District 2 Audrey M. Edmonson District 3 Sally A. Heyman District 4

Anna Murch fountain in the

Harvey Ruvin Thomson Plaza for the Arts Clerk of Courts 10 32

36

PLAYBILL PLAYBILL

10

District 5 Rebeca Sosa Rental Facilities Barbara J. Jordan District 6 District 1Development Xavier L. Suarez Jean Monestime Group Sales District District 2 7 Membership Lynda Bell Audrey M. Edmonson District 8 District 3Parking Dennis C. Moss Sally A. Heyman District District 4 9

Sat. Sun. noon to Curtain Javier D. Souto Bruno A.–Barreiro District District 5 10 (786) 468-2287 Javier D Joe A. Sosa Martinez Distric Rebeca (786) 468-2250 District District 6 11 Joe A. M (786) 468-2326 JosĂŠL.“Pepeâ€?

Diaz Distric Xavier Suarez (786) 468-2040 District District 7 12 JosĂŠ “Pep (305) 949-6722 Esteban Bovo, Jr. Distric Lynda Bell (866) 949-6722 District District 8 13 or visit www. arshtcenter.org Esteban B Distric Prelude by Barton G. Dennis C. Moss (305) 357-7900 District Pedro J. Garcia Robert A.9Cuevas Jr. Security

Property Appraiser Harvey Ruvin Clerk of Courts

(786) 468-2081

County Attorney Pedro J. Garcia Property Appraiser

Robert A. County

PLAYBILL

Arsht Center Information

2012-13 Cleveland Orchestra Miami

PERFORMING ARTS CENTER TRUST, INC.

Officers of the Board INFORMATION

Alan H. Fein Chair-Elect Emery B. Sheer Treasurer

Mike Eidson LOST AND FOUND LOST AND FOUND Chairman Patrons should check with the House Manager in the theaterPatrons lobby should chec prior to James leaving theater, otherwise pleaseJ.call theArriola, Adrienneprior Arsht to leaving the th M.the Herron, Ricky Center main security number (786) 468-2081.

LostPast articles will be main security Secretary Immediate ChairCenter held for 30 days. held for 30 days.

Photo by Mitchell Zachs

Photo by Mitchell Zachs

INFORMATION

Penny Thurer,

Parker D. Thomson,

Assistant Founding Chair MEMBERS FIRST! MEMBERS FIRST! Secretary As a member of the Adrienne Arsht Center Visionary Society, As you a member of the have Board exclusive access to members-only ticket pre-sales and havesoexclusive acce of Directors muchL.more!

786.468.2040 or visit much andmore! To join, Matilde Aguirre The Honorable Donald Graham To join, Beverlycall A. Parker Ronaldarshtcenter.org A. Silver click “Become a Mem Pierre R. Apollon Evelyn Greer click “Become a Member.�

Jorge A. Plasencia The Honorable Magalie Desroches Austin Mitchell Kaplan Abigail Pollak Michelle Spence-Jones The Honorable Oscar Braynon II Hank Klein PAGERS, CELL PHONES AND JesusOTHER “Jay�LISTENING Pons Alexander I. Tachmes PAGERS, CELL PHONES AND O DEVICES Armando J. Bucelo, Jr. Nathan Leight The Honorable Raquel Regalado Carole Ann Taylor electronic and devices—including pagers, All PDAs, electronic and m Felix Garcia Florene LitthcutAll Nichols Larrymechanical Rice Raul G. Valdes-Fauli cellular telephones, cellular off telephones, The Honorable Rene Garcia Carlos C. Lopez-Cantera Adrianaand Sabinowristwatch alarms—must Judy Weiser be turned Sergio M. Gonzalez Richard C. Milstein Mario Ernesto Sanchez Miles C. Wilkin while in the auditoriums. while in the auditoriu Rosie Gordon-Wallace Gilberto Neves The Honorable Marc D. Sarnoff PHOTOGRAPHY, VIDEOGRAPHY, AND RECORDING PHOTOGRAPHY, VIDEOGRAPH ADRIENNE ARSHT CENTER FOUNDATION, INC. TheBOARD takingOFofDIRECTORS photographs and the use of audio or video recording The taking of photog inside the auditoriums are strictly prohibited. inside the auditorium Officers of the Board

Adrienne Arsht

Founding Chairman TICKETS Ronald Esserman Patrons may purchase tickets David Rocker

Richard E. Schatz

TICKETS Chairman Sherwood M. Weiser* Jason Williams Patrons may purchase tickets

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Sheldon Anderson Jerome J. Cohen Robert F.‡$W WKH %R[ 2I¿FH WKH $GULHQQH $UVKW &HQWHU %R[ 2I¿FH Hudson, Jr. Aaron S. Podhurst, Esq. ‡$W WKH %R[ 2I¿FH WKH $GULHQQH $UVKW &HQWHU %R[ 2I¿FH LV ORFDWHG LQ WKH =LII %DOOHW 2SHUD +RXVH OREE\ Adrienne Arsht Stanley Cohen Daryl L. Jones Charles Porter (main entrance on NE 13th between Biscayne Blvd. and NE (main 2nd entrance Ave.) the on Adrienne NE between Center Biscayne Box Blvd. and Diane de Vries Ashley Susan T. Danis Edie Laquer Jane13th A. Arsht Robinson Robert T. Barlick, Jr. Nancy J. Davis Donald E.2I¿FH LV RSHQ D P S P 0RQGD\ )ULGD\ QRRQ WR FXUW Lefton Richard E. Schatz 2I¿FH LV RSHQ D P S P 0RQGD\ )ULGD\ QRRQ WR FXUWDLQ RQ ZHHNHQGV ZKHQ WKHUH LV D SHUIRUPDQFH Fred Esserman Rhoda Levitt Spalding-Fardie andBerens two hours before everyRonald performance. and two hours beforeSherry every performance.

Sia Bozorgi Oscar Feldenkreis George L.‡*URXSV RI RU PRUH SHRSOH

Lindemann Robert H. Traurig, Esq. ‡*URXSV RI RU PRUH SHRSOH

Norman Braman Pamela Gardiner Carlos C. Lopez-Cantera Sherwood M. Weiser* Sheila Broser Jerrold F. Goodman Pedro A. Martin, Esq. Lynn Wolfson TOURS S. Brunn TOURS Robert Rose Ellen Greene Arlene Mendelson M. Anthony Burns Arthur J. Halleran, Jr. Nedra Oren *deceased Arsht Center c Free behind-the-scene tours of the Adrienne Arsht Center complex Free behind-the-scene are given every Monday tours ofand the Adrienne Saturday Donald Carlinstarting in the Ziff Howard David PeĂąa, Esq. starting at noon, Ballet Herring Opera House Lobby.J.No reservations at noon, necessary. in the Ziff Ballet Opera House Lobby. No

Carlos A. Gimenez VOLUNTEERS VOLUNTEERS Volunteers play a central role at the Adrienne Arsht Center.Mayor For Volunteers more information, play a central call role (786) at468-2285 the Adrienne or Arsht Cente email volunteers@arshtcenter.org. volunteers@arshtcenter.org.

MIAMI-DADE BOARD OF email COUNTY COMMISSIONERS

WEBSITE WEBSITE Joe A. AudreyAlso, M. join Edmonson Visit www.arshtcenter.org forMartinez the most up-to-date performance Visit schedule. www.arshtcenter.org our mailing for the most list and up-to-date we performa Chairman Vice Chairwoman will send performance notices directly to you. When you join,will you send may performance choose the types notices of directly shows about to you. When you jo ZKLFK \RX ZDQW WR EH QRWLÂżHG DQG XSGDWH WKRVH FKRLFHV DW DQ\ WLPH ,I \RXÂśYH DOUHDG\ VLJQHG XS PDNH ZKLFK \RX ZDQW WR EH QRWLÂżHG DQG XSGDWH WKRVH FKRLFHV D Bruno A. Barreiro sure you add email@arshtcenter.org to your address book sure you safeadd list.email@arshtcenter.org to your address book District 5 and/or Barbara J. Jordan Javier D. Souto Visit www.arshtcenter.org today.

Visit www.arshtcenter.org today.

District 1

Rebeca Sosa

District 10

District 2

Xavier L. Suarez

District 11

District 3 Sally A. Heyman District 4

Lynda Bell District 8 Dennis C. Moss District 9

District 12 Esteban Bovo, Jr. District 13

District 6 6WHLQZD\ 6RQV 7KH 2IÂżFLDO 3LDQR RI WKH $GULHQQH $UVKW Jean Monestime Joe A. Martinez 6WHLQZD\ 6RQV 7KH 2IÂżFLDO 3LDQR RI WKH $GULHQQH $UVKW &HQWHU

District Adrienne Arsht M. Center Uniforms, an EcoArtFashion project7by Luis Adrienne Valenzuela, Arsht Center www.luisvalenzuelausa.com Uniforms, an EcoArtFashion project b Audrey Edmonson JosĂŠ “Pepeâ€? Diaz

Harvey Ruvin Clerk of Courts 10

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Cleveland Orchestra Miami 2012-13

Pedro J. Garcia Property Appraiser

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Robert A. Cuevas Jr. County Attorney

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Arsht Center Information

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ADRIENNE ADRIENNE ARSHT ARSHT CENTER CENTER FOR FOR THE THE PERFORMING PERFORMING ARTS ARTS OF OF MIAMI-DADE MIAMI-DADE COUNTY COUNTY M. M. John John Richard Richard President President & & CEO CEO Scott Scott Shiller Shiller Executive Executive Vice Vice President President Trish Trish Brennan Brennan Vice Vice President, President, Human Human Resources Resources John John Burnett Burnett Vice President, Vice President, Finance/CFO Finance/CFO

Administration Administration Chantal Chantal HonorĂŠ HonorĂŠ Joanie Joanie Rivera Rivera -RDQQH 0DWVXXUD -RDQQH 0DWVXXUD Thyra Thyra Joseph Joseph

Andrew Andrew Goldberg Goldberg Vice Vice President, President, Marketing Marketing Ken Harris Ken Harris Vice President, Operations Vice President, Operations

Manager Manager of of Board Board Relations Relations Executive Executive Assistant Assistant to to the the President President & & CEO CEO 0DQDJHU 2IÂżFH RI WKH ([HFXWLYH 9LFH 3UHVLGHQW 0DQDJHU 2IÂżFH RI WKH ([HFXWLYH 9LFH 3UHVLGHQW Receptionist Receptionist

Advancement Advancement Munisha Senior Munisha Underhill Underhill Senior Director, Director, Advancement Advancement ChurĂŠ Senior ChurĂŠ Gladwell Gladwell Senior Director, Director, Advancement Advancement Felicia Hernandez Director, Member Relations and Donor Felicia Hernandez Director, Member Relations and Donor Relations Relations Rita Manager Rita Martin Martin Manager of of Special Special Events Events Jodi Senior Jodi Mailander Mailander Farrell Farrell Senior Director, Director, Foundation Foundation Relations Relations Eva Director Eva Bordeaux Bordeaux Silverstein Silverstein Director of of Advancement, Advancement, Campaign Campaign Development Development & & Partnerships Partnerships Christine Manager, Christine Brown Brown Manager, Advancement Advancement Services Services Carrie Executive Carrie Rueda Rueda Executive Assistant Assistant to to the the Vice Vice President President of of Advancement Advancement Kalyn Corporate Kalyn James James Corporate Sponsorship Sponsorship Coordinator Coordinator Finance Finance Teresa Teresa Randolph Randolph Antonio Antonio Necuze Necuze Bill Bill McKenna McKenna Kimba Kimba King King Aida Aida Rodriguez Rodriguez Roberta Roberta Llorente Llorente Francisca Francisca Squiabro Squiabro Heather Heather St. St. Fleur Fleur Audience Audience Services Services Alice Alice Arslanian Arslanian Fifelski Fifelski Neal Hoffson Neal Hoffson Rodolfo Rodolfo Mendible Mendible Pauline Pauline Goldsmith Goldsmith Carolyn Carolyn Woodyer Woodyer Nicole Nicole Keating Keating Maria Usaga Maria Usaga Nadinne Nadinne Farinas Farinas David David Saifman Saifman Laura Laura White White Julia Julia Turner Turner Bryan Bryan Lindeman Lindeman Fernanda Fernanda Arocena Arocena Diego Diego Delatorre Delatorre Mario Mario Acevedo Acevedo Melissa Melissa Almaguer Almaguer Ashley Ashley Araujo Araujo Heather Heather Brummer Brummer Maritza Maritza Castro Castro Leyda Leyda Castro Castro Casey Casey Craig Craig Giovany Giovany Delgado Delgado Adam Adam Garner Garner Mabel Gonzalez Mabel Gonzalez Diana Diana Herrera Herrera Nubia Nubia Mora Mora Fabiana Fabiana Parra Parra Oscar Oscar Quesada Quesada Theo Reyna Theo Reyna Logan Logan Smiley Smiley Nadia Nadia Zehtabi Zehtabi Information Information Technology Technology James James J. J. Thompson Thompson Michael Michael Sampson Sampson Francisco Francisco Pichardo Pichardo Renville Renville Williams Williams Marco Franceschi Marco Franceschi Michael Michael Vigorito Vigorito

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Senior Senior Director Director of of Finance Finance & & Controller Controller Accounting Accounting Director Director Event Event Accountant Accountant Manager Manager of of Human Human Resources Resources Staff Staff Accountant Accountant Human Human Resources Resources Assistant Assistant Payroll Accountant Payroll Accountant Payables Payables Accountant Accountant Theater Theater Manager Manager House House Manager Manager House House Manager Manager House House Manager Manager Volunteer Volunteer Services Services Coordinator Coordinator Senior Director, Senior Director, Ticket Ticket Services Services Ticket Ticket Services Services Manager Manager Ticket Ticket Services Services Manager Manager Ticket Ticket Services Services Manager Manager Ticket Ticket Services Services Manager Manager Ticket Services Ticket Services Supervisor Supervisor Ticket Services Supervisor Ticket Services Supervisor Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Service Customer Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Service Customer Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Customer Service Customer Service Representative Representative Customer Customer Service Service Representative Representative Customer Customer Service Service Representative Representative Assistant Assistant Vice Vice President, President, Information Information Technology Technology Director, Director, Applications Applications Information Information Systems Systems Manager Manager Developer Developer IT Systems Administrator IT Systems Administrator IT IT Support Support Technician Technician

Valerie Valerie Riles Riles Vice Vice President, President, Board Board and and Government Government Relations Relations Suzanna Valdez Suzanna Valdez Vice Vice President, President, Advancement Advancement

Marketing Marketing Suzette Suzette Espinosa Espinosa Fuentes Fuentes

Assistant Assistant Vice Vice President, President, Public Public Relations Relations Senior Director Senior Director of of Marketing Marketing Director, Creative Director, Creative Services Services Director Director of of Marketing Marketing Group Group Sales Sales Manager Manager Promotions Promotions Manager Manager e-Marketing e-Marketing Manager Manager Graphic Designer Graphic Designer Graphic Graphic Designer Designer Graphic Graphic Designer Designer Publicist Publicist Public Public Relations Relations Coordinator Coordinator Marketing Coordinator Marketing Coordinator Creative Creative Services Services Coordinator Coordinator Group Group Sales Sales Assistant Assistant e-Marketing e-Marketing Assistant Assistant

Crystal Crystal Brewe Brewe Luis Luis Palomares Palomares John John Copeland Copeland Alexander Alexander Ramos Ramos Morgan Morgan Stockmayer Stockmayer Fernando Fernando Olalla Olalla David David Chang Chang Raul Raul Vilaboa Vilaboa Sam Sam Hall Hall Gino Gino Campodonico Campodonico Claudia Claudia Tuck Tuck Nicole Nicole Smith Smith Natalia Natalia Ortiz Ortiz Keidy Keidy Diaz Diaz Natalie Natalie Perez Perez

Operations Operations Daniel Senior Daniel Alzuri Alzuri Senior Director, Director, Operations Operations Nick Senior Nick Tigue Tigue Senior Director, Director, Engineering Engineering Thomas Engineering Thomas McCoy McCoy Engineering Manger Manger Lucy Executive Lucy Hargadon Hargadon Executive Assistant Assistant to to the the Vice Vice President, President, Operations Operations Jack Engineer Jack Crespo Crespo Engineer Carlos Engineer Carlos De De la la Torre Torre Engineer Isaac Engineer Isaac Dominguez Dominguez Engineer Alfredo Engineer Alfredo Horta Horta Engineer Jose Hurtado Engineer Jose Hurtado Engineer Wilner Engineer Wilner Montina Montina Engineer Jimmy Panchana Engineer Jimmy Panchana Engineer Xavier Ross Engineer Xavier Ross Engineer Alberto Engineer Alberto Vega Vega Engineer Pedro Villalta Engineer Pedro Villalta Engineer Production Production Jeremy Jeremy Shubrook Shubrook Lauren Lauren Acker Acker Janice Janice Lane Lane Michael Michael Matthews Matthews Andres Andres Puigbo Puigbo Melissa Santiago-Keenan Melissa Santiago-Keenan Daniel Daniel McMenamin McMenamin John John Mulvaney Mulvaney Ralph Ralph Cambon Cambon Frederick Frederick Schwendel Schwendel Michael Michael Feldman Feldman Tony Tony Tur Tur Jon Jon Goss Goss Luke Luke Klingberg Klingberg Ross Ross LaBrie LaBrie

Director, Director, Production Production Technical Technical Director Director Technical Technical Director Director Technical Technical Director Director Technical Technical Director Director Assistant Technical Assistant Technical Director Director Head Head Carpenter, Carpenter, Ziff Ziff Ballet Ballet Opera Opera House House Assistant Assistant Carpenter/Head Carpenter/Head Flyman Flyman Ziff Ziff Ballet Ballet Opera Opera House House Head Head Audio Audio Video Video Technician, Technician, Ziff Ziff Ballet Ballet Opera Opera House House Head Carpenter, Knight Head Carpenter, Knight Concert Concert Hall Hall Head Audio Video Technician, Head Audio Video Technician, Knight Knight Concert Concert Hall Hall Head Head Electrician, Electrician, Knight Knight Concert Concert Hall Hall Head Head Electrician, Electrician, Ziff Ziff Ballet Ballet Opera Opera House House Head Electrician, Studio Head Electrician, Studio Theater Theater Head Head Audio Audio Engineer, Engineer, Studio Studio Theater Theater

Programming Programming Liz Assistant Liz Wallace Wallace Assistant Vice Vice President, President, Programming Programming Ed Director, Ed Limia Limia Director, Programming Programming Brian Moore Director, Brian Moore Director, Programming Programming Jairo Director, Education Jairo Ontiveros Ontiveros Director, Education and and Community Community Engagement Engagement Esther Director, Esther Park Park Director, Programming Programming LisaMichelle Engagement LisaMichelle Eigler Eigler Engagement Manager Manager Ann Engagement Ann Koslow Koslow Engagement Manager Manager Jan Melzer Thomas Engagement Jan Melzer Thomas Engagement Manager Manager Renei Facility and Renei Suarez Suarez Facility and Rental Rental Schedule Schedule Manager Manager Tessa Administrative Tessa Schultz Schultz Administrative Programming Programming Manager Manager Facility Facility Management Management Performing Performing Arts Arts Catering Catering AlliedBarton AlliedBarton Pritchard Sports Pritchard Sports and and Entertainment Entertainment Goldstein Goldstein Schechter Schechter Koch Koch

Arsht Center

2012-13 Cleveland Orchestra Miami

PERFORMING ARTS CENTER TRUST,PERFORMING INC. ARTS CENTER TRUST, INC.

Officers of the Board Mike Eidson

Officers of the Board Mike Eidson

Chairman

PERFORMING Alan H.ARTS FeinCENTER TRUST, INC.

Chairman

AlanJames H. Fein M. Herron, Chair-Elect Secretary Officers of the Board Mike Eidson Emery B. Penny Sheer Thurer, Chairman Treasurer Assistant Secretary

Chair-Elect

Emery B. Sheer Treasurer Alan H. Fein Chair-Elect

James M. J. Ricky Herron, Arriola, Immediate Secretary Past Chair Penny Parker Thurer, D. Thomson, Assistant Founding Secretary Chair

James M. Herron,

Matilde Aguirre Emery B. Sheer Pierre R. Apollon Treasurer Magalie Desroches Austin The Honorable Oscar Braynon II Armando J. Bucelo, Jr. Matilde Aguirre Felix Garcia Pierre R. Rene ApollonGarcia The Honorable Desroches Austin Sergio Magalie M. Gonzalez The Honorable Oscar Braynon II Rosie Gordon-Wallace

J. Rick Immediate

Parker D Foundi

J. Ricky Arriola,

BoardSecretary of Directors

Immediate Past Chair Board of Directors

The Honorable Matilde Aguirre Donald L. Graham Beverly TheA.Honorable Parker Donald L. Graham Ronald A. Silver A. Parker Penny Thurer, Parker D.Beverly Thomson, EvelynPierre GreerR. Apollon Assistant Secretary JorgeEvelyn A. Plasencia Greer The Honorable Jorge A. Plasencia Founding Chair Mitchell Magalie Kaplan Desroches Austin Abigail Mitchell PollakKaplan Michelle Abigail Pollak Spence-Jones HankThe Klein Honorable Oscar Braynon II JesusHank “Jay”Klein Pons Alexander Jesus I.“Jay” Tachmes Pons of Directors Nathan Armando Leight J. Bucelo,Board Jr. The Honorable Nathan Leight Raquel Regalado CaroleTheAnn Honorable Taylor Raquel Regalado TheFelix Honorable Donald L. Graham Beverly A. Parker Ronald Silver Florene Litthcut GarciaNichols LarryFlorene Rice Litthcut Nichols RaulA.Larry G. Valdes-Fauli Rice Evelyn Greer Jorge A. Plasencia The Honorable Carlos The C. Honorable Lopez-Cantera Rene Garcia Adriana Carlos Sabino C. Lopez-Cantera Judy Adriana Weiser Sabino Mitchell Kaplan Abigail Pollak C.Sanchez Michelle Richard Sergio C. Milstein M. Gonzalez MarioRichard Ernesto Milstein MilesMario C.Spence-Jones Wilkin Ernesto Sanchez Hank Klein Jesus “Jay” Pons I. Tachmes Gilberto Rosie Neves Gordon-Wallace The Honorable Gilberto Neves Marc D. Sarnoff AlexanderThe Honorable Marc D. Sarnoff

Ronald A The Hono Mich Alexande Carole An Raul G. V Judy We Miles C. W

Armando J. Bucelo, Jr. Nathan Leight The Honorable Raquel Regalado Carole Ann Taylor Felix Garcia Florene Litthcut Nichols Larry Rice Raul G. Valdes-Fauli The Honorable Garcia FOUNDATION, Carlos C. Lopez-Cantera Adriana Sabino JudyDIRECTORS Weiser ADRIENNE ARSHTRene CENTER ADRIENNE INC. ARSHT BOARDCENTER OF DIRECTORS FOUNDATION, INC. BOARD OF Sergio M. Gonzalez Richard C. Milstein Mario Ernesto Sanchez Miles C. Wilkin Rosie Gordon-Wallace Gilberto Neves The Honorable Officers of the Board Marc D. SarnoffOfficers of the Board

Arsht AdrienneRichard Arsht ADRIENNE ARSHT CENTERAdrienne FOUNDATION, INC. BOARD OF DIRECTORS

E. Schatz

Founding Chairman Founding Chairman Chairman Officers of the Board David Ronald Rocker Esserman Sherwood David M. Weiser* Rocker Adrienne Arsht Richard E. Schatz

Ronald Esserman

Founding Chairman Chairman RESIDENT COMPANIES ALLIANCE David Rocker Sherwood M. Weiser*

RESIDENT COMPANIES ALLIANCE Ronald Esserman

Sheldon Anderson Jerome Sheldon J. Cohen Anderson Adrienne Arsht COMPANIES ALLIANCE Stanley Adrienne Cohen Arsht RESIDENT Diane de Vries Ashley SusanDiane T. Danis de Vries Ashley Anderson Jerome J. T.Cohen Robert Sheldon T. Barlick, Jr. Nancy Robert J. Davis Barlick, Jr. Adrienne Arsht Stanley Cohen Fred Berens Ronald Fred Esserman Berens Diane de Vries Ashley Susan T. Danis Sia Bozorgi OscarSia Feldenkreis Bozorgi T. Barlick, Jr. Nancy J. Davis NormanRobert Braman Pamela Norman Gardiner Braman Fred Berens Ronald Esserman Sheila Broser Jerrold Sheila F. Goodman Broser Sia Bozorgi Oscar Feldenkreis Robert Norman S. BrunnBraman RosePamela Robert Ellen Gardiner Greene S. Brunn M. Anthony Arthur M.J.Anthony Halleran, Burns Jr. SheilaBurns Broser Jerrold F. Goodman DonaldRobert CarlinS. Brunn Howard Donald Herring Carlin Rose Ellen Greene M. Anthony Burns Donald Carlin

Arthur J. Halleran, Jr. Howard Herring

RobertJerome F. Hudson, J. Cohen Jr. DarylStanley L. JonesCohen Edie Laquer Susan T. Danis Robert F.E.Hudson, Jr. Donald Nancy Lefton J. Davis Daryl L. Levitt JonesEsserman RhodaRonald Edie Laquer George Oscar L. Lindemann Feldenkreis Donald E. Lefton CarlosPamela C. Lopez-Cantera Gardiner Rhoda Levitt Pedro Jerrold A. Martin, F. Goodman Esq. George L. Lindemann ArleneRose Ellen Greene Carlos C.Mendelson Lopez-Cantera NedraArthur J. Halleran, Jr. Pedro A.Oren Martin, Esq. J. David Howard Peña,Herring Esq. Arlene Mendelson Nedra Oren

Richard E. Schatz

Chairman Jason Sherwood Williams M. Weiser* Jason Williams

AaronRobert S. Podhurst, F. Hudson, Esq. Jr. Charles Daryl Porter L. Jones Jane Edie A. Robinson Laquer Aaron S. Podhurst, Richard Donald E. Schatz E.Esq. Lefton Charles Porter SherryRhoda Spalding-Fardie Levitt JaneRobert A. Robinson George H. Traurig, L. Lindemann Esq. Richard E.Carlos SchatzM.C.Weiser* Sherwood Lopez-Cantera Sherry Spalding-Fardie Lynn Pedro Wolfson A. Martin, Esq. Robert H. Traurig, Esq. Mendelson SherwoodArlene M. Weiser* Nedra Oren *deceased Lynn Wolfson J. David Peña, Esq.

MIAMI-DADE BOARD OF COUNTY COMMISSIONERS

Chairman

Barbara J. Jordan Barbara DistrictJ.1 Jordan District 1 Jean Monestime Jean Monestime District 2 2 District Audrey M. Edmonson Audrey M. Edmonson District 3 3 District Sally A. Heyman Sally A. Heyman District District 4 4 Harvey Ruvin Harvey Ruvin Clerk of Courts Clerk of Courts 10

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Aaron S. Charles P Jane A. R Richard E Sherry S Robert H Sherwoo Lynn Wo

*deceased

J. David Peña, Esq. Carlos A. Gimenez Carlos A. Gimenez Mayor Mayor Carlos A. Gimenez Mayor MIAMI-DADE BOARD OF MIAMI-DADE COUNTY COMMISSIONERS BOARD OF COUNTY COMMISSIO

Joe A. Martinez Joe A. Martinez Chairman

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Cleveland Orchestra Miami 2012-13

Joe A. Martinez Audrey M. Edmonson Audrey Edmonson Chairman ViceM. Chairwoman

Bruno A. Barreiro Bruno Barreiro District 5 Barbara J.A.Jordan District 5 District Rebeca1 Sosa Rebeca Sosa District Jean Monestime District 66 District Xavier Suarez Xavier L. L.2Suarez Audrey M.District Edmonson District 77 District Lynda Bell Lynda3Bell District 88 Sally A.District Heyman Dennis C. District 4 Moss Dennis Moss District 99 District Pedro J. Garcia Harvey Pedro Ruvin J. Garcia Property Appraiser Clerk Property of Courts Appraiser

Audrey M. Edmons Vice Chairwoma

Vice Chairwoman Bruno A. Barreiro DistrictD.5 Souto Javier JavierDistrict D. Souto 10 Rebeca DistrictSosa 10 District 6 Joe A. Martinez Joe A. Martinez District Xavier L. Suarez District 11 11 District José “Pepe” José “Pepe”7DiazDiaz District Lynda Bell District 12 12 District 8 Jr. Jr. Esteban Bovo, Esteban Bovo, District District 13 Dennis C. 13 Moss District 9 Robert A. Jr. Jr. Pedro Robert J. Cuevas Garcia A. Cuevas County Attorney Property County Appraiser Attorney

Javier D. Distric Joe A. M Distric José “Pep Distric Esteban B Distric

Robert A. County

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! ife g l n i t por a s

Miami Design District 175 North East 40th Street (305) 868-0118 Hermes.com