Cleveland Orchestra Miami, March 24-25 concerts

CLEVELAND ORCHESTRA FRANZ WELSER-MÖST MUSIC DIRECTOR

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S E A S O N

M A R C H 2 4 . 2 5 2 O17 Season Sponsor:

ClevelandOrchestraMiami.com

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CLEVELAND ORCHESTRA

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Table of Contents 3

About PAGE The Cleveland Orchestra in Miami

Annual Fund Donors . . . . . . . . . . . . . . . . . . . . 5-7 Miami Music Association . . . . . . . . . . . . . . . . . 18 Arsht Center . . . . . . . . . . . . . . . . . . . . . . . . . . 29-31

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Concert: March 24, 25

PAGE

Concert Prelude . . . . . . . . . . . . . . . . . . . . . . . . 12-13

Concert Program . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Introducing the Concert . . . . . . . . . . . . . . . . . . . . 17

mendelssohn Symphony No. 4 . . . . . . . . . . . . . . . . . . . . . . . . . . 19

verdi Ballet Music from

Macbeth and Don Carlos. . . . . . . . . . . . . . . . . . . 21

respighi Pines of Rome . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Conductor: Franz Welser-Möst . . . . . . . . . . . . . 8

9

About

The Cleveland Orchestra Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 About the Orchestra . . . . . . . . . . . . . . . . . . . . . . 9 Roster of Musicians . . . . . . . . . . . . . . . . . . . 10-11 PAGE

Cleveland Orchestra Miami is supported by the State of Florida, Department of State, Division of Cultural Affairs and by the Florida Council on Arts and Culture.

P R O G R A M B O O K S Copyright © 2017 by The Cleveland Orchestra.

Eric Sellen, Program Book Editor e-mail: esellen@clevelandorchestra.com Program books are distributed free of charge to attending audiences.

Cover photo copyright © Carl Juste / Iris Collective

Support for Cleveland Orchestra Miami is provided by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, and the Miami-Dade County Mayor and Board of County Commissioners.

Cleveland Orchestra Miami education programs are funded in part by The Children’s Trust. The Trust is a dedicated source of revenue established by voter referendum to improve the lives of children and families in Miami-Dade County.

CLEVELAND ORCHESTRA

Cleveland Orchestra Miami was created with the vision of serving Miami-Dade through an annual season of musical presentations by The Cleveland Orch­estra, featuring great orchestral concerts with world-renowned soloists, vibrant education programs for students from pre-school to college, and engaging community presentations for diverse populations throughout the region. Today, these programs touch the lives of over 20,000 children, students, and adults each year. We believe in the power of great orchestral music to engage, motivate, and enthrall.

Each season of Cleveland Orchestra Miami concerts is presented in partnership with the Adrienne Arsht Center for the Performing Arts of Miami-Dade County.

Cleveland Orchestra Miami 2016-17

Who We Are

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Great Music for a Great City

Sharing music with the South Florida community . . .

Your support makes Cleveland Orchestra Miami possible each year.

Annual Fund donations directly support the many ways Cleveland Orchestra Miami is making South Florida stronger.

In ten seasons, Cleveland Orchestra Miami has:

• touched the lives of over a quarter-million music lovers from across Miami.

• presented music programs for more than 65,000 young people across the county.

• engaged more than 40,000 students from

200 schools through music education concerts.

With your annual support, Cleveland Orchestra Miami will continue to change lives through the power of great music for years to come.

To make your Annual Fund pledge today for Cleveland Orchestra Miami, contact Bernice Mena by calling 305-372-7747 or sending an email to bmena@clevelandorchestra.com. Thank you!

CLEVELAND ORCHESTRA

CLEVELAND ORCHESTRA The Miami Music Association gratefully acknowledges these donors for their contributions to Cleveland Orchestra Miami in the past year. Listing as of March 5, 2017.

LEADERSHIP DONORS $100,000 and more

Irma and Norman Braman John S. and James L. Knight Foundation Sue Miller* Mr. Patrick Park Mary M. Spencer White & Case $50,000 to $99,999

Florida Division of Cultural Affairs David and Francie Horvitz Family Foundation, Inc. Jan R. Lewis Miami-Dade County Department of Cultural Affairs Janet* and Richard Yulman $25,000 to $49,999

The Batchelor Foundation Marsha and Brian Bilzin In dedication to Donald Carlin Adam Foslid/Greenberg Traurig Thomas E Lauria Marc and Rennie Saltzberg Rick, Margarita, and Steven Tonkinson Ms. Ginger Warner $10,000 to $24,999

Sheldon and Florence Anderson William Appert and Christopher Wallace Jayusia and Alan Bernstein Do Unto Others Trust The Cowles Charitable Trust Cozen O’Connor Mary Jo Eaton Mr. Mike S. Eidson, Esq and Dr. Margaret Eidson Jeffrey and Susan Feldman Isaac K. Fisher Kira and Neil Flanzraich Hector D. Fortun Linda and Lawrence D. Goodman Patti Gordon Mary and Jon Heider Ruth and Pedro Jimenez Cherie and Michael Joblove Tati and Ezra Katz Jonathan and Tina Kislak Alan Kluger and Amy Dean Eeva and Harri Kulovaara Shirley and William Lehman Moshe and Margalit Meidar Joy P. and Thomas G. Murdough, Jr.

Cleveland Orchestra Miami 2016-17

National Endowment for the Arts in partnership with Miami-Dade County Public Schools Mrs. Milly Nyman Andrés Rivero Michael and Chandra Rudd Drs. Michael and Judith Samuels Joseph and Gail Serota Howard Stark M.D. and Rene Rodriguez Ver Ploeg & Lumpkin Gary L. Wasserman and Charles A. Kashner Florence and Robert Werner Barbara and David Wolfort $5,000 to $9,999

Montserrat Balseiro Daniel and Trish Bell Jaime A. Bianchi and Paige A. Harper Maureen and George Collins Joseph Z. and Betty Fleming Alfredo and Luz Maria Gutierrez Richard Horvitz and Erica Hartman-Horvitz Foundation Jacqueline and Irwin* Kott Ivonete Leite Dr. R. Morgan and Dr. S. Weirich Georgia and Carlos Noble Jay Pelham Barbara S. Robinson Dr. and Mrs. Michael Rosenberg Southern Wine and Spirits Sidney Taurel United Automobile Insurance Company Teresa Galang-Viñas and Joaquin Viñas Mrs. Henrietta de Zabner $2,500 to $4,999

Mark and Maria Bagnall Michael and Lorena Clark Stanley and Gala Cohen John and Lianne Cunningham The Dascal Family Christian and Holly Hansen Andrew dePass and William Jurberg Dr. and Mrs. Edward C. Gelber David Hollander Douglas M. and Amy Halsey Mr. and Mrs. Dennis W. LaBarre Ana and Raul Marmol Roseanne and Gary Oatey James P. Ostryniec Maribel A. Piza James and LaTeshia Robinson

Annual Fund Contributors

Mr. Kevin Russell Charles E. Seitz Jorge Solano Michalis and Alejandra Stavrinides Brenton Ver Ploeg Suzanne and Carlos Viana $1,000 to $2,499

Paula and Carlos Alvarez Mr. and Mrs. Spencer Angel Rodney and Linda Benjamin Don and Jackie Bercu Helene Berger Carmen Bishopric Irving and Joan M. Bolotin Robert R. Brinker and Nancy S. Fleischman Matthew and Amy Brown John and Christine Carleton Raoul and Ana Maria Cantero James Carpenter — two seats (In memory of Christina) Mardy and Roxanne Cason Betty B. Chapman Ms. Angela Daker Maria Ines Dal Borgo Christopher Damian Nancy J. Davis Andrea and Chuck Edelstein Mr. and Mrs. Steven Elias Mr. George Feldenkreis and Ms. Marita Srebnick Mrs. Gabriele Fiorentino Morris and Miriam Futernick Mr. Michael Garcia Pamela Garrison Lenore Gaynor Niety and Gary R. Gerson Jeffrey Goldstein and Martha Austrich Alvaro Gomez and Cindy Mitch-Gomez Nancy F. Green Jack and Beth Greenman Roberto and Betty Horwitz Bob* and Edith Hudson Lawrence R. Hyer The Israel, Rose, Henry, and Robert Wiener Charitable Foundation, Inc. Gloria D.C. Johnson Dr. Michael and Gail Kaplan Richard Kebrdle and Ashley Jones Kebrdle Cynthia Knight Dr. and Mrs. Frederick Knoll Michael Kutsch and Tammy Cosselli listing continues

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CLEVELAND ORCHESTRA MIAMI listing continued

Mr. and Mrs. Israel Lapciuc Wendy G. Lapidus Ronald and Harriet Lassin Judy and Donnie Lefton Mr. and Mrs. Tom Lehman Mr. and Mrs. Marvin H. Leibowitz Barbara C. Levin Mr. and Mrs. Carlos Lopez-Cantera Sandi M. A. Macdonald and Henry J. Grzes Maureen McLaughlin Dr. Isidoro Morjaim Mr. Chris Pedersen and Ms. Teresa Buoniconti Mrs. Kristin Podack Guillermo and Eva Retchkiman

Alfonso Rey Donald and Shelley Rubin Charles and Linda Sands Eugene Schiff Mr. Eric Sellen and Mr. Ron Seidman Mr. and Mrs. David Serviansky Donna E. Shalala Dr. and Mrs. Gregory W. Sharp Michael C. Shepherd and Janet R. Fallon Lois H. Siegel Henry and Stania Smek Richard and Nancy Sneed Amal Solh Kabbani Nancy and Edward Stavis

Mr. Eduardo Stern Ms. Pat Strawgate Drs. Paul and Linda Sugrue Jaime and Sylvia Sznajder Parker D. Thomson Esq. Mr. and Mrs. Robert H. Traurig Dr. and Mrs. Michael B. Troner Raymond Tuoti Ricky and Sarit Warman Betty and Michael Wohl Dr. and Mrs. Jack Wolfsdorf Jason N. Zakia and Elizabeth S. Zakia Susan and Bob Zarchen Anonymous (3)

FRIENDS up to $999

Mr. and Mrs. Tomas Abreu John Actman Marjorie H. Adler Mr. Rafael Alcantara-Lansberg Juan Alfonso Christine Allen Emerson Allsworth Andrew and Laurie Alpert Rosalie Altmark and Herbert Kornreich Dr. Kip and Barbara Amazon John E. Anderson Lori Angus Ana L. Arellano Elaine Bachenheimer Ted and Carolann Baldyga Raul Barnett Lionel Baugh Linda Belgrave Elaine Bercu Randall and Carol Berg Joseph and Sue Berland Mrs. Helen Berne Neil Bernstein and Julie Schwartzbard Rhoda and Henri Bertuch Ken Bleakley Dr. Louis W. Bloise Rachel Bloomfield Sam Boldrick Mr. and Mrs. Eric Buermann Bernard Bullock Brent Burdick Nancy and Brad Burkhardt Florencio and Ada Busot Dr. MarĂ­a Bustillo Jose Calle Mr. Richard Cannon Philip and Kathryn Carroll Erich Cauller Lydia Chelala Britt and Jerry Chester Josephine Chianese Carole J. Cholasta Katherine Chouinard Leonard and Barbara Cohan Mark Cohan Phyllis Cohen Fernando Collar Guido Conterno Nathan Counts Mrs. Bonnie Craiglow-Clayton William R. Cranshaw

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Marcella Cruz Gabino Cuevas Paul and Cynthia Cummiskey Wesley Dallas George and Robbin Dalsheimer Jennie Dautermann Shaun Rogers and Nadine Davey-Rogers Ellen Davis Jose and Marta De la Torre Diane de Vries Ashley Ruben Del Cristo Teresa Del Moral Berta Del Pino Michael A. and Lori B. Dribin Shahnaz and Ranjan Duara Roberto Duran Bill Durham Dr. Edward Gross and Karla Ebenbach Bernard Eckstein Carlos Espinosa Eitan and Malka Evan Mr. and Mrs. Menashe Exelbirt Adam and Judit Faiwiszewski Murray H. Feigenbaum Katherine and Bennett Feldman Dr. Lawrence E. Feldman Drs. Douglas Feltman and Gwenn McLaughlin Suzanne Ferguson Mr. Thomas Ferstle J. Field Ingrid Fils and Benson Rakusin Corrine D. Finefrock Bruce and Martha Fischler Mr. Marcus Flanagan and Mr. William Flanagan Christiane and Ronaldo Flank Brian Fox Mary Jo Francis Dr. and Mrs. Rudolph J. Frei Dr. and Mrs. Michael Freundlich Daniel Fridman and Angelique Ortega Mr. and Mrs. Joel Friedland Marvin Ross Friedman and Adrienne bon Haes Friend Malcolm and Doree Fromberg Richard Fuchs Sue Gallagher Maria Galvez Christa Garavito Jose and Claudia Garcia Moreno Margaret Gerloff Dana Gerus

Annual Fund Contributors

Lisa Giles-Klein Perla Gilinski Mr. and Mrs. Salomon Gold Bobbi Goldin and Tim Downey Sue and Howard Goldman Pauline Goldsmith William Gonzalez Rafael and Maria Del Mar Gosalbez Dr. Pepi Granat Barbara Gray Linda and David Grunebaum Rev. Hans-Fredrik Gustafson, Ph.D. Nancy Haberman George and Vicki Halliwell Jack and Shirley Hammer Vincent Handal, Jr. Esq. and Michael Wilcox Nancy Handler John Hanek Kaitlin Hanger Dely and Ernest Harper Alan Harriet Nicolae Harsanyi Claus and Barbara Haubold Leslie Hauser Dr. Gail A. Hawks Arturo and Marjory Hendel Parissa Hidalgo Barbara L. Hobbs Lydia Hollander Gregory T. Holtz Mr. and Mrs. Bernard Horowitz Mr. and Mrs. Howard Dr. Michael C. Hughes Mrs. Carol Lee and Mr. James Iott Dr. and Mrs. Stanley Jacobs Anne Laurence Jaffee Nancy Jaimes Juan Jaramillo Mary and Richard Jevitt Thomas M. Jones Dr. Bruce and Mrs. Joyce Julien Dr. Marie Jureit-Beamish Mrs. Joyce Kaiser Mrs. Nedra Kalish Jack and Shirley Kaplan Phyllis Katz Harold G. and H. Iris Katzman Mr. Arthur S. Kaufman Meredith Kebaili and Heri Kletzenbauer David and Tammy Keinan Leon Kellner Dr. and Mrs. Frederick Kiechle

2016-17 Cleveland Orchestra Miami

CLEVELAND ORCHESTRA MIAMI Gilbert Klajman Buddy Klein Daniel and Marcia Kokiel Lisa Kornse and August Wasserscheid Kathleen Kowalski Thomas Krasner Robert D.W. Landon, III Alvin Lapidus Stephen and Terri Lazarus Terry S. Leet Mr. and Mrs. Elliot Lemelman Robert and Barbara Levenson Dr. and Mrs. Stanley Levick Melvin and Joan Levinson Linda Levy Harold and Ivy Lewis Mark Lieberfarb and Freya Silverstein Lieberfarb Carlos Llanos Mr. and Mrs. Emilio Llinas Judy Loft and Joe Reid Enrique Lopez and Monica Padilla-Lopez Raul and Juanita Lopez Arthur A. Lorch Edward and Kay Lores John and Natasha Lowell Christopher Lunding Richard Mahfood Sandy and John Mahoney John Makemson Mrs. Sherrill R. Marks Tobe Marmorstein Joan A. Marn Victor Marquez Yaneli Martija Mr. John Martin Paul Martin and Maria Abreu Teresa Martin-Boladeres and Ignacio H. Boladeres Alejandro Martinez Laureano J. Martinez Pedro Martinez Carlos Martinez-Christensen Beatriz Martinez-Fonts Mr. and Mrs. Stephen Masson Edward Mast Robert Mayer Ms. Sara Maymir Alan E. Maynard Robert and Judith Maynes Thomas and Geraldine McClary Edison Mejia Bernice Mena Kenneth Mendelsohn Dr. and Mrs. Jorge Mendia Pauline Menkes Nicola Meyer Evelyn H. Milledge Paulette Mintz In Memory of Yetta Mintz Harve and Alesia Mogul Fernando Montero Mr. Geronimo Montes Terri Moret Stephanie Moreton Dr. Michele Morris and Dr. Joel Fishman Judith Moscu Edgar Mosquera Samuel and Charlotte Mowerman Phillip and Hope Myers Ellen Nelson Karen Nicholls Ara and Violet Nisanian Dr. Daniel and Tamara Nixon Dr. Michael D. Norenberg and Dr. Carol K. Petito

Mr. and Mrs. Z. John Nyitray Dr. Jules Oaklander Larry and Marnie Paikin Dr. and Mrs. Larry K. Page Ruth M. Parry Stephen J. Parsons Stephen F. Patterson Robert and Christa Paul Marilyn Pearson Ruben Peñaranda Mrs. Beatriz Perez and Mr. Paul Knollmaier Ruso Perkins Henry Peyrebrune and Tracy Rowell Mr. and Mrs. Henry F. Pfister Ferdinand and Barbara Phillips Peter Pilotti and Joseph Rodano Robert Plessett Beatriz Pons Suzan and Ronald Ponzoli Thomas J. Porto and Eugene P. Walton Dr. Emmanuel Prepetit Edward Preston Ramon and Lorena Quesada Regina D. Rabin Lynne Rahn Albert Ray Douglas Reale Robert Rearden Matthew Reeg Jeffrey D. Reynolds Ms. Betty Rice Olga Robbin-Rogers Daniel Rodriguez Eduard Rodriguez Horacio Rodriguez Miriam Rodriguez Pedro Rodriguez Jacques Rollet Stephen and Heidi Rowland Karen Rumberg Larry Rustin Christian Salinas Mark Samberg Gonzalo Sanchez and Maria Gabriela Slik Saul and Mary Sanders George and Maria Claudia Savage Ernesto and Patricia Scerpella Sydney and David Schaecter Dr. Robin Schaffer James and Ita Schenkel Robert and Edna Schenkel Mr. Arnold Schiller Mr. and Mrs. Kyle R. Schlinsky Dr. Markus Schmidmeier Reuben Schneider Mr. Ronald E. Schrager and Ms. Wendy Hart Alex and Jeanne Schwaner Zachary Schwartz Adam Schwartzbaum David and Cathy Scott Margaret Searcy Scott Seeley Mike and Ronna Segal Esme Segel Humberto Sevilla Norman and Arlene Shabel Brenda Shapiro and Javier Bray Mr. Jeffrey B. Shapiro Robert I. Shapiro Roger and Bobi Shatanof Sergio da Silva Dr. and Mrs. David Shpilberg Stewart and Gina Shull Mr. Jerald Siegel Judge Paul Siegel

Cleveland Orchestra Miami 2016-17

Mr. Norris Siert Alvaro and Gloria Silva Rafael* and Sulamita Simkovicius Vicki and Bob Simons John Simpson Dr. Gilbert B. Snyder Mark Snyder Alex Soriano Clara Sredni DeKassin Carol and Isaac Sredni Nick and Molly St. Cavish Marilyn Mackson Stein Perry and Moune Stieglitz Holly Strawbridge Jaime and Carol Suchlicki Caroline Sullivan Joni and Stanley Tate Lori V. Thomas Maria Helena Thornburgh Jarrett Threadgill Fernando A. Torres Dr. Takeko Morishima Toyama Harvey Traison Judith Rood Traum and Sydney S. Traum Alicia M. Tremols Miguel Triay Mr. and Mrs. Art Trotman Stuart Tucker Tali and Liat Tzur Rita Ullman Dale Underwood VCN Corporation Andrea and Natalia Vasquez John C. Vaughn M. Therese Vento and Peter MacNamara Mr. Fabian Verea Inalby Vilarchao Herbert W. and Peggy F. Vogelsang John and Leslie Wallace David and Oreen Wallach James Weber Estelle Weinstein Miryam Weisberger John Wetterlow Bonnie Whited Mr. and Mrs. Arthur Whittaker Brant Wigger Mr. Mark Williams and Joseph Castellano Richard and Pamela Williamson Howard and Allegra Willis Ms. Debbie Wirges Christian Wunsch Mr. and Mrs. Guri Yavnieli Sora Yelin in memory of Cary F. Yelin Douglas Yoder Allan Yudacufski Eloina D. Zayas-Bazan Patricio Ziliano Sr. Illene Zweig Anonymous (16)

* deceased

Cleveland Orchestra Miami relies on the generosity of its patrons for our continued success.

Your contribution makes possible The Cleveland Orchestra’s concerts here in Miami-Dade County.

Please consider a gift today by calling 305-372-7747.

Annual Fund Contributors

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C L E V E L A N D

O R C H E S T R A

M I A M I

Franz Welser-Möst Franz Welser-Möst is among today’s most distinguished conductors. The 2016-17 season marks his fifteenth year as music director of The Cleveland Orchestra, with the future of this acclaimed partnership now extending into the next decade.

Under his leadership, the New York Times has declared Cleveland to be the “best American orchestra“ due to its virtuosity, elegance of sound, variety of color, and chamber-like musical cohesion. The Orchestra has been repeatedly praised for its innovative programming, support for new musical works, and for its recent success in semi-staged and staged opera productions. Franz Welser-Möst and The Cleveland Orchestra are frequent guests at many prestigious concert halls and festivals, including the Salzburg Festival and the Lucerne Festival. The Cleveland Orchestra has been hugely successful in building up a new and, notably, a young audience through its groundbreaking programs involving students and by working closely with universities.

As a guest conductor, Mr. Welser-Möst enjoys a close and productive relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include critically-acclaimed opera productions at the Salzburg Festival, as well as appearances at New York’s Carnegie Hall. He has conducted the Philharmonic’s celebrated annual New Year’s Day concert twice, viewed by millions worldwide. Mr. Welser-Möst also maintains relationships with a number of other major European orchestras, with recent engagements including performances with Munich’s Bavarian Radio Symphony Orchestra, Zurich’s Tonhalle Orchestra, and Amsterdam’s Royal Concertgebouw Orchestra.

From 2010 to 2014, Franz Welser-Möst served as general music director of the Vienna State Opera. His partnership with the company included an acclaimed new production of Wagner’s Ring cycle and a series of critically-praised new productions, as well as performances of a wide range of other operas, particularly works by Wagner and Richard Strauss. Prior to his years with the Vienna State Opera, Mr. Welser-Möst led the Zurich Opera across a decade-long tenure, culminating in three year as music director.

Franz Welser-Möst’s recordings and videos have won major awards, including a Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, his recordings include DVD recordings of live performances of five of Bruckner’s symphonies and a recently-released multiDVD set of major works by Brahms.

For his talents and dedication, Mr. Welser-Möst has received honors that include the Vienna Philharmonic’s “Ring of Honor,” as well as recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, and appointment as an Academician of the European Academy of Yuste.

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Music Director

2016-17 Cleveland Orchestra Miami

P H OTO BY M I C H A E L P O E H N

Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

C L E V E L A N D

O R C H E S T R A

M I A M I

The Cleveland Orchestra Under the leadership of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world, setting standards of artistic excellence, creative programming, and community engagement. In July 2015, the New York Times declared it “the best in America.” The strong and ongoing financial support of the ensemble’s home region is driving the Orchestra forward with renewed energy and focus, increasing the number of young people attending concerts, and bringing fresh attention to the Orchestra’s legendary sound and committed programming.

The Cleveland Orchestra has a long and distinguished recording and broadcast history. A series of DVD and CD recordings under the direction of Mr. Welser-­Möst continues to add to an extensive and widely praised catalog of audio recordings made during the tenures of the ensemble’s earlier music directors. In addition, Cleveland Orchestra concerts are heard in syndication each season on radio stations throughout North America and Europe.

The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s top rank of symphony orchestras. Over the next decades, the Orchestra grew from a fine regional organization to one of the most admired symphonic ensembles in the world. Seven music directors (Nikolai Soko­loff, 1918-1933; Artur Rodzinski, 1933-1943; Erich Leins­ dorf, 1943-1946; George Szell, 1946-1970; Lorin Maazel, 1972-1982; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002) have guided and shaped the ensemble’s growth and sound. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Today, touring, residencies, radio broadcasts, and recordings provide access to the Orchestra’s music-making to a broad and loyal constituency around the world.

Visit ClevelandOrchestraMiami.com for more information.

Cleveland Orchestra Miami 2016-17

The Cleveland Orchestra

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T H E

C L E V E L A N D

FRANZ WELSER-MÖST

MUSIC

DIRECTOR

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jessica Lee

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Takako Masame

Paul and Lucille Jones Chair

Wei-Fang Gu

Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez

Elizabeth and Leslie Kondorossy Chair

Chul-In Park

Harriet T. and David L. Simon Chair

Miho Hashizume

Theodore Rautenberg Chair

Jeanne Preucil Rose

Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz

Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan

Patty and John Collinson Chair

Isabel Trautwein

Trevor and Jennie Jones Chair

Mark Dumm

Gladys B. Goetz Chair

Alexandra Preucil Katherine Bormann Analisé Denise Kukelhan

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Kelvin Smith Family Chair

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

CELLOS Mark Kosower*

Louis D. Beaumont Chair

Richard Weiss 1

The GAR Foundation Chair

Emilio Llinás 2

Charles Bernard 2

Eli Matthews 1

Bryan Dumm

James and Donna Reid Chair

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Sonja Braaten Molloy Carolyn Gadiel Warner Elayna Duitman Ioana Missits Jeffrey Zehngut Vladimir Deninzon Sae Shiragami Scott Weber Kathleen Collins Beth Woodside Emma Shook Yun-Ting Lee Jiah Chung Chapdelaine VIOLAS Wesley Collins*

Helen Weil Ross Chair Muriel and Noah Butkin Chair

Tanya Ell

Thomas J. and Judith Fay Gruber Chair

Ralph Curry Brian Thornton

William P. Blair III Chair

David Alan Harrell Martha Baldwin Dane Johansen Paul Kushious BASSES Maximilian Dimoff *

Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1

Mary E. and F. Joseph Callahan Chair

Lynne Ramsey 1

Mark Atherton Thomas Sperl Henry Peyrebrune

Stanley Konopka 2 Mark Jackobs

Charles Carleton Scott Dixon Derek Zadinsky

Chaillé H. and Richard B. Tullis Chair Charles M. and Janet G. Kimball Chair

Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

Charles Barr Memorial Chair

HARP Trina Struble *

Alice Chalifoux Chair

This roster lists the fulltime members of The Cleveland Orchestra.

The number and seating of musicians onstage varies depending on the piece being performed.

2016-17 Cleveland Orchestra Miami

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S E A S O N

O R C H E S T R A FLUTES Joshua Smith *

Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink * PICCOLO Mary Kay Fink *

Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

HORNS Michael Mayhew §

PERCUSSION Marc Damoulakis*

Jesse McCormick

Donald Miller Tom Freer * Thomas Sherwood

Knight Foundation Chair Robert B. Benyo Chair

Hans Clebsch Richard King Alan DeMattia

KEYBOARD INSTRUMENTS Joela Jones *

TRUMPETS Michael Sachs *

Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2

James P. and Dolores D. Storer Chair

Corbin Stair Jeffrey Rathbun 2

Michael Miller

Robert Walters

CORNETS Michael Sachs *

ENGLISH HORN Robert Walters

Michael Miller

Everett D. and Eugenia S. McCurdy Chair

Samuel C. and Bernette K. Jaffe Chair

CLARINETS Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Mary Elizabeth and G. Robert Klein Chair

TROMBONES Massimo La Rosa*

Gilbert W. and Louise I. Humphrey Chair

Richard Stout

Alexander and Marianna C. McAfee Chair

ACTING PRINCIPAL

Robert Woolfrey

Shachar Israel

Yann Ghiro

BASS TROMBONE Thomas Klaber

ACTING ASSISTANT PRINCIPAL

E-FLAT CLARINET Daniel McKelway

Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Yann Ghiro

Louise Harkness Ingalls Chair

TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

Rudolf Serkin Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien

Joe and Marlene Toot Chair

Donald Miller ENDOWED CHAIRS CURRENTLY UNOCCUPIED Sidney and Doris Dworkin Chair Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair Sunshine Chair Robert Marcellus Chair George Szell Memorial Chair

* Principal § Associate Principal 1 2

*

First Assistant Principal Assistant Principal on sabbatical leave

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Brett Mitchell

ASSOCIATE CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

Gareth Thomas Barrick Stees 2

TIMPANI Paul Yancich *

Jonathan Sherwin

Tom Freer 2*

Sandra L. Haslinger Chair

2

EUPHONIUM AND BASS TRUMPET Richard Stout

BASSOONS John Clouser *

Margaret Allen Ireland Chair

CONTRABASSOON Jonathan Sherwin

Cleveland Orchestra Miami 2016-17

Otto G. and Corinne T. Voss Chair

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

Mr. and Mrs. Richard K. Smucker Chair

The Orchestra

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U N I V E R SI T Y O F M I A M I Frost School of Music

Frost School students’ works given world premiere performances

by Cleveland Orchestra musicians on March 24 and 25 . . .

Earlier in 2017, members of The Cleveland Orchestra participated in a reading session of several new works by composition students of the University of Miami’s Frost School of Music. From this, two compositions, written by Dylan Findley and by Julián Brijaldo, are being given their world premiere performances as part of this weekend’s Concert Preludes on March 24 and 25.

Dylan Findley (b. 1991) writes music “as a sacred act of expressing intangible truths through emotion.” He has written a number of commissions, including for New American Voices and the 2016 Atlantic Music Festival Contemporary Ensemble. He also wrote for the 2015 Imani Winds Chamber Music Festival and participated in the 2014 Beijing Modern Music Festival. He is currently writing for the Pulse Trio and the Transamerican Duo, and will write for Transient Canvas for the 2017 Alba Music Festival. He is completing his master’s degree in composition.

About his piece: “Yea, all things which come of the earth, in the season thereof, are made for the benefit and the use of humanity, both to please the eye and to gladden the heart; Yea, for food and for raiment, for taste and for smell, to strengthen the body and to enliven the soul.” (Doctrine and Covenants 59:18-19)

Julián Brijaldo (b. 1983) grew up surrounded by folk and popular music from different regions in Colombia, with his first experiences writing music as an arranger for his father’s salsa orchestra. He is pursuing a doctorate of musical arts in composition, holding a master’s degree from Florida Atlantic University and a bachelor’s from Universidad Javeriana, where he taught Music Theory, 2009-13. Through his work, he has been able to channel both passions for music theory and traditional music.

About his piece: From the Andes to the Caribbean, Latin America is a collage of cultures that have grown as a unit. Anatomy of Sur is inspired by its cultural diversity, bringing contrasting dances together through common elements. The instruments emulate percussion patterns, then move to a more airy dance intertwined with new musical ideas, finishing with a dance calling for five-legged dancers — presented as a fugue, with the five-legged melody endlessly chasing itself.

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March 24-25 Concert Preludes

2016-17 Cleveland Orchestra Miami

C L E V E L A N D

O R C H E S T R A

M I A M I

Concert Prelude A free performance featuring musicians of The Cleveland Orchestra, presented before the evening’s orchestral concert.

Friday evening, March 24, 2017, at 7:00 p.m.

Saturday evening, March 25, 2017, at 7:00 p.m.

strengthen the body/enliven the soul — WORLD PREMIERE

by DYLAN FINDLEY (b. 1991)

Kathleen Collins, violin

Dane Johansen, cello Saeran St. Christopher, flute

Daniel McKelway, clarinet Alicja Basinska, piano conducted by Brett Mitchell

from Sonatine (arranged for oboe and piano by David Walter)

by MAURICE RAVEL (1875-1937)

2. Mouvement de Menuet 3. Animé

Frank Rosenwein, oboe

Carolyn Warner, piano

Anatomy of Sur — WORLD PREMIERE

by JULIÁN BRIJALDO (b. 1983)

1. Hollow Hand (based on the Dominican Merengue) 2. Dreamy Dance (based on the Colombian Guabina) 3. Five Feet (based on Merengue from Caracas)

Kathleen Collins, violin

Dane Johansen, cello Saeran St. Christopher, flute

Daniel McKelway, clarinet Alicja Basinska, piano conducted by Brett Mitchell

Concert Preludes are free to ticketholders to that evening’s Cleveland Orchestra Miami concert.

Cleveland Orchestra Miami 2016-17

March 24-25 Concert Preludes

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2016-17 Cleveland Orchestra Miami

C L E V E L A N D

O R C H E S T R A

M I A M I

John S. and James L. Knight Concert Hall

Sherwood M. and Judy Weiser Auditorium

Miami Music Association and the Adrienne Arsht Center present

The Cleveland Orchestra Franz Welser-Möst, conductor Friday evening, March 24, 2017, at 8:00 p.m.

Saturday evening, March 25, 2017, at 8:00 p.m.

felix

No. 4 (“Italian”) in A major, Opus 90

mendelssohn Symphony

(1809-1847)

1. Allegro vivace

2. Andante con moto

3. Con moto moderato

4. Salterello: Presto

giuseppe verdi (1813-1901)

Ballet Music from Macbeth

Act 3, Scene 1: Ballet Music I — II — III: Allegro vivacissimo — Un poco ritenuto — Allegro — Andante — Allegro — Waltz: Allegro vivacissimo — Poco più mosso

I N T E R M IS S I O N

giuseppe verdi

Ballet Music from Don Carlos

Act 3, Scene 2: The Queen’s Ballet: La Pérégrina: Andante — Allegro — Waltz — Allegro agitato — Allegro brillante — Waltz — Allegro vivo — Prestissimo — Hymn: Allegro sostenuto assai — Finale: Prestissimo

ottorino

Pines of Rome

respighi (1879-1936)

1. The Pines of the Villa Borghese —

2. Pines Near a Catacomb —

3. The Pines of the Janiculum —

4. The Pines of the Appian Way

The concert will end at approximately 9:45 p.m.

Cleveland Orchestra Miami’s 2016-17 season sponsor is White & Case.

Friday’s concert is sponsored by Cozen O’Connor.

Cleveland Orchestra Miami 2016-17

Program: March 24-25

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Giuseppe Verid, in a painting by Giovanni Boldini, 1886.

I adore art. . . . When I am alone with my notes, my heart pounds and the tears stream from my eyes, and my emotion and my joys are too much to bear.

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About the Music —Giuseppe2016-17 Verdi Cleveland Orchestra Miami

March 24, 25

INTRODUCING THE CONCERT

Italian Sojourn: Sounds, Style& Dance

L A S T M O N T H at these concerts, The Cleveland Orchestra offered a mu-

sical visit to Scandinavia, via Sibelius’s Symphony No. 2 and Carl Nielsen’s Violin Concerto. This month’s offerings are Italian, in style, inspiration, or reality — with small touches of Scotland, France, and Spain dashed in.

Three composers (two Italian, one German) focus their imaginations on Italian musical forms, essence, and storytelling.

The evening begins with the musings of a young Felix Mendelssohn in his “Italian” Symphony from 1831-33. Completed when the composer was just 24 years old, this mature work was inspired by his first trip to “the South” of Europe — sea and sunshine, food and history, vibrant rhythms and spirited melodies. In this symphony, Mendelssohn distills all his thoughts into an effervescent postcard of Mediterranean life.

Full of captivating energy and warmed by the sun.

For the middle pieces of this concert, Franz Welser-Möst has chosen two lesser-known orchestral excerpts by the great Italian opera composer Giuseppe Verdi. Both are ballet music sequences added to operas specifically for presentation in Paris — where dance was required onstage in every opera. The ballet for Macbeth was added during revisions twenty years after the opera’s Italian premiere, while the opera Don Carlos was created for and originally premiered in Paris (on a story of French-Spanish royal succession). Both sequences of ballet music offer vibrant, colorful, and rhythmically-strong details — expertly orchestrated by the composer who dominated and steered Italian opera from the melodic beauty of bel canto of the 1820s and ’30s to the Romantic realism of verismo half a century later.

The evening ends powerfully with a 20th-century orchestral showpiece by Ottorino Respighi. In his Pines of Rome, this Italian details in music not just different locations in Rome, but also evokes the history and power of the past — marching the very essence of a full army of Roman legions and conquerers into the concert hall for an uplifting, spine-tingling finish.

—Eric Sellen .

Cleveland Orchestra Miami 2016-17

Introducing the Concerts

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Cleveland Orchestra Miami presented by the

M IAM I M US I C AS SOC IAT I O N The Miami Music Association (MMA) is a not-for-profit corporation, comprised of leading Miamians motivated by the idea that as a world-class city Miami’s cultural life should always include orchestral performances at the very highest international level. No orchestra in America — indeed, perhaps no other orchestra in the world — is more ideally suited to partner with MMA in achieving these goals than The Cleveland Orchestra.

Securing and building support for The Cleveland Orchestra’s performances here in Miami helps ensure that we succeed in creating a culture of passionate and dedicated concert-going in South Florida among the broadest constituency. Thank you for your support and commitment.

Miami Music Association Officers and Board of Directors

Jeffrey Feldman, President Hector D. Fortun, Vice Chairman Mary Jo Eaton, Secretary David Hollander, Treasurer Jon Batchelor Brian Bilzin Marsha Bilzin Mike S. Eidson Susan Feldman Adam M. Foslid Lawrence D. Goodman Pedro Jimenez

Michael Joblove Gerald Kelfer Tina Kislak Thomas E Lauria Shirley Lehman William Lehman Jan R. Lewis Sue Miller*

Patrick Park Andrés Rivero Michael D. Rudd Joseph Serota Howard A. Stark Richard P. Tonkinson Gary L. Wasserman E. Richard Yulman *deceased

Cleveland Orchestra Miami 2016-17 Advisory Council Created in 2015, the Advisory Council promotes Cleveland Orchestra Miami and its programs with individuals, academic and cultural institutions, businesses, and foundations throughout South Florida, encouraging broad participation and advising on growth strategies and future projects.

Michael Samuels, Chair Carlos Noble, Vice Chair Kevin Russell, Secretary Bill Appert Jaime Bianchi Betty Fleming Joseph Fleming

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Alfredo Gutierrez Luz Maria Gutierrez Douglas Halsey Amy Halsey Paige A. Harper Ivonete Leite Georgia Noble

Claudia Perles Steven Perles Diane Rosenberg Michael Rosenberg Judy Samuels Brenton Ver Ploeg Joaquin Viñas

Board of Directors / Advisory Council

Teresa Galang-Viñas Chris Wallace Adam M. Foslid, Liaison, Board of Directors

2016-17 Cleveland Orchestra Miami

February 2, 4

Symphony No. 4 (“Italian”) in A major, Opus 90 composed 1831-33

D U R I N G H I S S TAY I N I TA LY in 1830-31, Felix Mendelssohn

by

Felix

MENDELSSOHN born February 3, 1809 Hamburg died November 4, 1847 Leipzig

worked on two symphonies simultaneously. One was intended to capture the composer’s current impressions of Italy, which he toured from Milan to Naples, the other to reflect on his journey to Scotland back in 1829. The Roman climate being hardly conducive to work on a Northern subject, it is no wonder that Mendelssohn finished the “Italian” Symphony first (he himself referred to it by that name). The “Scottish” Symphony was not completed until much later, in 1842.

The two symphonies seem to complement one another in several ways. Not only were they inspired by two completely different landscapes, but some of their musical characteristics are also in contrast. The “Scottish” Symphony is in A minor with a last movement in A major, while the “Italian” Symphony is in A major with the finale in A minor (taking a symphony from minor to major was pretty common; doing it the other way ’round much more unusual — but Mendelssohn has his reasons and the musical progression makes perfect sense in both works).

Without an introduction, the first movement of the “Italian” Symphony begins with an exuberant melody bursting with youthful energy. A 19th-century commentator spoke about the “bright, sunny, laughing freshness” of the symphony, a quality established right at the very beginning. Other themes in the movement sing in parallel thirds, like a pair of lovers on an opera stage, or move about in light dance steps like the elves in A Midsummer Night’s Dream.

The second movement, marked Andante con moto, was probably inspired by a processional song Mendelssohn heard in Rome. It is occasionally dubbed “Pilgrim’s March,” because of a certain resemblance to the “Pilgrim’s March” from Berlioz’s Harold in Italy (another famous “Italian Symphony” from the 1830s). Another explanation was proposed by musicologist Eric Werner, who traced the theme of the Andante movement to a song by Mendelssohn’s teacher, Carl Friedrich Zelter. The text of the song (“There Was a King in Thule”) is from Goethe’s Faust, in which Gretchen sings it as a ballad about a king in a distant land who has lost his beloved. Goethe was an important mentor to the young Mendelssohn and, because both Goethe and Zelter died within a few months of each other in 1832, it is

Cleveland Orchestra Miami 2016-17

About the Music

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At a Glance ITALIAN SYMPHONY Mendelssohn began work on his “Italian” Symphony in Rome early in 1831 and completed it in Berlin in March 1833. It was premiered on May 13, 1833, in London at a concert of the Philharmonic Society.

Mendelssohn, however, was dissatisfied with the work and withdrew the score after three performances.

He revised movements 2-4 in 1834-35. He planned to revise the first movement as well, but apparently never did so. The score was published after Mendelssohn’s death without the revisions of 1834-35. It is best known and most often performed in the 1833 version.

This symphony runs about 25 minutes in performance. Mendelssohn scored it for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings.

possible that Mendelssohn intended this movement as a quiet, personal memorial to two men who had played important roles in his life.

The third movement, marked Con moto moderato, is a dance movement, with the expected Trio (a contrasting section, tracing its origins to a work written specifically for three instruments, but in a symphonic setting the number of instruments could be expanded). The main theme is a minuet, looking back with a touch of nostalgia to the days of Haydn and Mozart, when the third movement of most symphonies was most often based on a dance form. The Trio, with its Romantic horn calls and puckish violin-and-flute theme, is more distinctly Mendelssohnian.

After the recapitulation of the minuet, the Trio theme is hinted at once more, before the movement ends suddenly in a hushed pianissimo.

The Presto fourth-movement finale is titled “Saltarello,” after a quick folk dance of Southern Italy. Of its two main melodies, the first one is indeed a bouncing saltarello; the other, however, is a ceaselessly running tarantella (a different kind of Italian folk dance). Whether saltarello or tarantella, however, the dance character dominates the entire finale. It is only near the end that a more lyrical, slower-moving motif appears, but that too is soon swept up in the returning dance rhythms.

—Peter Laki

Copyright © Musical Arts Association

A 19th-century illustration of Mendelssohn as a child conducting family members in a musical evening. Mendelssohn’s childhood was comfortable financially, and his family encouraged him to discover interests across all the arts, including drawing, painting, and writing.

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About the Music

2016-17 Cleveland Orchestra Miami

March 24, 25

Ballet Music: from Macbeth

composed 1864-65, revising the opera first written 1846-47

from Don Carlos composed 1866-77

OPE R A WA S BORN in Italy, bringing together music and drama,

by

Giuseppe

VERDI

born October 10, 1813 Le Roncole, Parma died January 27, 1901 Milan, Italy

words and poetry. If the essential Italian ingredient could later be distilled out as melody, German composers took hold of opera’s orchestral accompaniment and turned it into symphonic poetry. And France — or at least Paris, as the capital — insisted on adding dance.

Two towering titans dominated operatic evolution in the 19th century, the Italian Giuseppe Verdi and the German Richard Wagner. They each pushed in new and different directions. They both succeeded, on different levels and with differing dreams.

And they both encountered Paris’s unbending desire for ballet.

Verdi’s course was, perhaps, easier to follow. But he, like Wagner, was a man of conflicting attributes and personality. The Italian composer was comfortable socializing but also pleased to be alone. He was often grumpy, but easily soothed by friends, by his work, and by the farming estate he owned and managed.

Kind and warm-hearted to a fault, he was genuinely interested in what was happening in the world, in his Italian homeland, and in the realms of new music.

Verdi negotiated shrewdly and made a comfortable fortune from his operas — a fortune that he, quite literally, ploughed back into his farm. He encouraged many Italian musicians through gifts and loans, often anonymously — even founding (and funding) a retirement home for aging singers and other musicians. Verdi was a sensitive artist, always writing music that would serve the drama onstage and not be showy for its own sake. He attended the Italian premiere of Wagner’s opera Lohengrin — and talked about aspects of Wagner’s musical ideas that he admired. He later saw Wagner’s Meistersinger as well. (Wagner, for his part, admitted to liking little of Verdi’s music, and asked those around him to never mention Verdi’s name in his presence.)

In politics, Verdi was a man of the people. He became a heroic symbol for a united Italy, and served in the Italian parliament (grudgingly in the lower house, where he was expected to actually participate, much more happily in the ceremonial Senate, where his name rather than his presence was what the

Cleveland Orchestra Miami 2016-17

About the Music

21

At a Glance MACBETH

Verdi composed his opera Macbeth in 1846-47 on a commission from the Teatro della Pergolo in Florence, to a libretto by Francesco Piave and Andrea Maffei. It was premiered on March 14, 1847.

Verdi revised it in 1864-65 for the Théâtre Lyrique in Paris, adding ballet music and extensively revising some arias and sections. That version was premiered on April 21, 1865.

The ballet music from Macbeth runs about 10 minutes in performance. The opera is scored for 2 flutes, 2 oboes (second doubling english horn), 2 clarinets (second doubling bass clarinet), 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, percussion, timpani, harp, and strings, plus solo singers and chorus. Some on-stage instrumentalists are also required in certain scenes.

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people wanted).

Verdi was quietly agnostic, bordering on doubt of God’s existence. Mostly, he was content to be concerned over people’s lives in this world, but understanding of the power — and drama — that faith could give.

Verdi’s success with opera was so universally acclaimed and in demand that he was commissioned to write new works to be performed in musical capitals across Europe and beyond — Milan, Rome, Venice, Naples, Florence, London, Paris, Saint Petersburg, and Cairo. (Wagner, in contrast, had enormous difficulties getting many of his operas produced ­— until he dreamed of and built his own theater. It was Wagner’s way, or not at all.

While Verdi, though demanding, could find ways to work with many different people and theaters.)

V E R D I , PA R I S , A N D B A L L E T

Verdi willingly (mostly) made alterations and additions to his operas for different cultural norms in different cities and countries. He expected the French version to be different from the Italian, and not just in the language. He added ballet music and scenes to several of his operas for Paris, carefully choosing how to fit some dancing into the action without bringing the storytelling to a complete stop, and taking the opportunity to revise other parts of the scores also. (Wagner added ballet for Paris only once, for Tannhäuser, and insisted on doing it as he saw fit, adding new music for ballet, but in the wrong part of the opera — too early in the evening, when important members of the audience had usually not even arrived, so that the people the ballet was for didn’t actually get to enjoy it).

Verdi wrote Macbeth in 1846-47. It was his tenth opera (out of the thirty or so that he eventually wrote, or re-wrote), created just as he was entering his first maturity as a composer.

Its great success helped cement Verdi as Italy’s greatest living opera composer — Rossini was still alive but no longer writing, Bellini had died in Paris a decade earlier, Donizetti was in declining health and would die within thirteen months of Macbeth’s premiere. For many years afterward, Verdi privately referred to Macbeth as his “favorite child,” even after writing a series of operas in the 1850s that were much more universally admired.

Verdi’s first creative work for Paris came in 1846, when he found himself agreeing to adapt the score for his fourth opera, I Lombardi (from 1843), for a French-language premiere at the Paris About the Music

2016-17 Cleveland Orchestra Miami

An early printed score to Verdi’s Macbeth.

Opéra. In addition to working with a revised storyline, modifying details in the music and structure, and renaming it Jérusalem, the composer also had to write music for a ballet scene, which audiences at Paris’s leading opera houses insisted be part of every production. The premiere in November 1847 was the first of seven different Verdi French-opera presentations, including two works created on commission for Paris and given their world premieres there, The Sicilian Vespers (1855) and Don Carlos (1867).

In 1864, he agreed to modify his favorite work, Macbeth, for Paris. This gave the older Verdi a chance to revisit and rewrite several of the opera’s numbers, including adding new music for Lady Macbeth and completely revising Macbeth’s Act III aria. He and his French librettist agonized for several months as to where to plausibly add in a ballet scene, in a location that would not seem out of place to the storyline, finally settling on a point in Act III, amidst ghostly apparitions and warnings of the future.

THE MUSIC

Written in close proximity, the ballet musics for Macbeth (1865) and Don Carlos (1867), though frequently omitted from opera productions today, provide strong testament to the quality and artistry of Verdi’s mature instrumental style. The prevailing needs of dance from the period called for strong rhythmical contours, occasionally giving the impression that the Cleveland Orchestra Miami 2016-17

About the Music

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music lacks imagination. But the composer’s sure hand at varying the orchestral layers and voices, and of handling transitions between sections clearly shows careful judgement and insight.

The Macbeth ballet sequence runs about ten minutes in performance. For this opera, the main body of which he’d written two decades earlier, he kept some of the tell-tale voicing from his original scoring, giving listeners the feeling that the ballet is in fact connected in music and texture to the specific storyline and opera.

The Don Carlos ballet is about 15 minutes in duration, befitting the overall larger (and longer) nature of this stage work.

The opera was, in fact, so long by the time Verdi finished it, that even for the world premiere in Paris some music was cut to bring it to a reasonable length. Of course, to please the French audience the ballet was kept intact. Verdi reworked the score for its Italian premiere, dropping one whole act as well as the ballet, and renaming it Don Carlo. The differences (and options) are still discussed and revisited for modern productions, which sometimes blend the French and Italian versions together, or for recordings, several of which have tried to document all the music that Verdi wrote for this fictional story of French-Spanish royal intrigue and mistaken (or mysterious) identity.

Adding a ballet to the story of Don Carlos was easier than with Macbeth’s dark and murderous plot borrowed from Shakespeare. Don Carlos is loosely based on a drama by the German poet and philosopher Friedrich Schiller, with some other ideas tossed in. The added ballet celebrates the story of a famously brilliant pearl, La Pérégrina (or “the Wanderer”), belonging to the Queen of Spain. This fit in as a nice divertissement from the heavier dramatic and emotional love scenes. The pearl, discovered in 1513 in Panama, was gifted among European royalty and, in the 20th century, belonged to Elizabeth Taylor (her dog’s teeth reportedly damaged it; the pearl was sold for close to $11 million as part of her estate).

—Eric Sellen © 2017

Cleveland Orchestra Miami 2016-17

About the Music

At a Glance DON CARLOS Verdi wrote his opera Don Carlos in 1866-67 on a commission for the Paris Opéra, with a French language libretto by Joseph Méry and Camille du Locle, based on the dramatic play

by Friedrich Schiller. It was premiered on March 11, 1867.

It was later adapted to an Italian version of the libretto under the title Don Carlo, with some modification and alterations to the musical score.

The ballet music from Don Carlos runs about 15 minutes in performance.

Verdi scored the opera for 3 flutes (third doubling piccolo), 2 oboes, english horn, 2 clarinets, 4 bassoons (third doubling contrabassoon), 4 horns, 4 trumpets, 3 trombones, tuba, percussion (including bells), timpani, harp, and strings, plus solo singers and chorus. Some on-stage instrumentalists and organ are also required in certain scenes.

The Cleveland Orchestra performed the complete opera Don Carlo in June 2003, as an opera-in-concert presentation at Severance Hall in Cleveland, under Franz Welser-Möst’s direction.

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March 24, 25

PInes of Rome [Pini di Roma] composed 1923-24

F O R A T L E A S T T H R E E H U N D R E D Y E A R S , Italy was the

by

Ottorino

RESPIGHI born July 9, 1879 Bologna, Italy died April 18, 1936 Rome

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musical center of Europe. It is no accident that most of Mozart’s operas are set to Italian librettos, that a lot of composers’ names we think of quickly end in “i” — Vivaldi, Scarlatti, Donizetti, Rossini, Bellini, Verdi, Puccini. And that the Italian language became the international standard for tempo markings — adagio, allegro, andante, moderato, vivacissimo! If you were a musician, you understood.

Italy was the center of the universe, musically, for many centuries. Yes, Beethoven, and Schubert and Schumann, among others, shifted some attention northward, but it wasn’t really until the later 19th century that the powerful influences of Wagner and then Schoenberg, and a growing group of Russian composers, tipped the musical scales in favor of the continent’s Central and Eastern nations. At which point younger Italian composers went with the groove, and learned to use Schoenberg’s twelve-tone method, while their elders trooped off to Bayreuth to hear Wagner’s operas, or to Moscow to learn orchestration from Rimsky-Korsakov.

Ottorino Respighi followed the latter course — literally taking coursework in Russia at the turn of the 19th to the 20th century. Respighi remains best known today as the composer of Romantic orchestral showpieces that take after Tchaikovsky, Rimsky-Korsakov, Richard Strauss, and perhaps most of all Mussorgsky’s Pictures at an Exhibition, with its vivid scenes of daily life and its taste for the grotesque. (This discussion, perhaps, is ignoring the influence of Paris and the French, which flitted in and out, strongly on and off across the decades — but musical life there was also greatly affected by Wagnerian harmonies and new Russian ideas.)

Back home in Rome, Respighi composed his breakthrough tone poem, Fountains of Rome, in 1915-16, soon followed by the first set of Ancient Airs and Dances. He then continued to experiment with other genres, including ballet, song, and the instrumental sonata, but the immense international success of Fountains of Rome pulled him back toward the symphonic poem.

In the next decade, he created two “sequels” — Pines of Rome (1924) and Roman Festivals (1928). All three (Fountains, Pines, and Festivals) are in four sections, modeled after the tradiAbout the Music

2016-17 Cleveland Orchestra Miami

Parts of the Appian Way road to Rome are still visible and tree-lined — and popular as a walking trail for tourists and Italians.

tional symphonic sequence of movements, played without breaks.

In Respighi’s conception of each, the contrasting “movements” become sort of a triptych-plus-one of painted Roman scenes, arranged to comment on one another and suggest the variety and depth of Roman life.

Individually and together, these works demonstrate Respighi’s great skill in orchestration and detailing, in contrast and juxtaposition, and in melodic and rhythmic pleasures. For performers, they represent a tour de force requiring skill and stamina, which are justly rewarded as great entertainment and in greatly inspiring sounds.

Across the three, Respighi utilized differing framings for connecting the movements. In Fountains of Rome, written first, each movement takes place at a different time of day, from morning to nighttime. In Pines of Rome, the traversal is geographic, with a strong sense of the historical past. While in Roman Festivals, the impressionistic touches of the earlier works fall away to full-on scene-painting in music — and the composer freely moves around in both space and time.

PINES OF ROME

If one hears more than a touch of Hollywood in the intensely

visual imagery of Pines of Rome, it’s important to remember that the movie industry was in its infancy during the early 1920s, and that later giants of film music — from Max Steiner and Erich Wolfgang Korngold to John Williams — have acknowledged their debt to Cleveland Orchestra Miami 2016-17

About the Music

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At a Glance PINES OF ROME Respighi wrote his symphonic poem Pini di Roma [“Pines of Rome”] in 1923-24. It was first performed on December 14, 1924, in Rome, conducted

by Bernardino Molinari.

Pines of Rome runs about 25 minutes in performance. Respighi scored it for 3 flutes (third doubling piccolo), 2 oboes, english horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, off-stage trumpet, 4 trombones, 6 buccine (Roman trumpets), timpani, percussion (triangle, small cymbals, tambourine, rattle, cymbals, bass drum, tam-tam, bells, celesta), gramophone (for recorded nightingale), harp, piano, organ, and strings.

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Respighi, not the other way around.

The vivid orchestration of Pines of Rome even calls for “6 buccine” — that is, six ancient Roman war horns. (The composer suggests modern flugelhorns as stand-ins for the buccine.) In one charmingly literal touch borrowed from the 1920s avantgarde, Respighi specifies that the nightingale’s song in the third section of Pines of Rome be played not by a flute or some other instrument, but by a gramophone record of a real nightingale (available, for a small additional fee, from his publisher, G. Ricordi).

Pines of Rome was first heard at the Teatro Augusteo in Rome during the 1924-25 season, under the direction of Bernardino Molinari. At the time of its American premiere, performed by Arturo Toscanini with the New York Philharmonic in Carnegie Hall on January 14, 1926, Respighi sent the following observations to Lawrence Gilman, the distinguished critic and author of the Philharmonic program notes: “While in his preceding work, Fountains of Rome, the composer sought to reproduce by means of tone an impression of Nature, in Pines of Rome he uses Nature as a point of departure, in order to recall memories and vision. The century-old trees, which so characteristically dominate the Roman landscape, become witnesses to the principal events in Roman life.”

In the printed score, the four sections of Pines of Rome are described as follows:

I. The Pines of Villa Borghese: Children are at play in the pine grove of Villa Borghese; they dance in a circle, they mimic marching soldiers, and battles; they chirp with excitement like swallows at evening; they run away in a swarm. Suddenly the scene changes . . .

II. Pines Near a Catacomb: . . . and we see the shadows of the pines that crown the entrance of a catacomb. From the depths rises a dolorous chant that spreads solemnly, like a hymn, and then mysteriously dies away.

III. The Pines of the Janiculum: There is a tremor in the air.

The pines of Janiculum Hill are profiled in the full moon. A nightingale sings.

IV. The Pines of the Appian Way: Misty dawn on the Appian Way. Solitary pines stand guard over the tragic landscape.

The faint, unceasing rhythm of numberless footsteps. A vision of ancient glories appears to the poet’s fantasy: trumpets blare and a Roman consular army bursts forth, in the brilliance of the newly risen sun, toward the Sacred Way, mounting step by step by step in triumph to the Capitol.

—David Wright © 2017 About the Music

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Commissioners, the Miami-Dade County Department of Treasurer Secretary Founding Chair Cultural Affairs andPenny the Cultural . Sheer Thurer, Affairs Council. Assistant Parker D. Thomson, MEMBERS GET IT FIRST! As a member of the Adrienne Arsht Center–a CulturDINING urer Assistant Secretary Founding Chair ist–you have exclusive access to members-only ticket BRAVA By Brad Kilgore, one of Zagat’s 10Board hottestof Directors pre-sales and so much more! Join today, online at www. restaurants in Miami, is the Center’s on-site fine dining A. Silver Beverly A. Parker The Honorable Donald L. Graham Matilde Aguirrelocated arshtmembers.org or by callingRonald 786-468-2323.

BoardonoftheDirectors experience second floor of the Ziff Ballet The Honorable Jorge A. Plasencia Evelyn Greer Pierre R. Apollon Opera House.

Led by acclaimed Chef Brad Kilgore, Ronald A. Silver Beverly A. Parker The Honorable Donald L. Graham PAGERS, CELL PHONES AND OTHER LISTENING DEVICES Michelle Spence-Jones Abigail Pollak Mitchellcuisine Kaplan Magalie Desroches Austin BRAVA serves a strong The Jesus Honorable A. Plasencia Evelyn Greer All electronic devices—including Alexander I. Tachmes “Jay” Pons and mechanical Klein atwith The Honorable OscarEuropean-inspired Braynon II JorgeHank French Reservations available arshtcenter.

Michelle Spence-Jones Abigail Pollak Mitchell KaplanJ.influence. in pagers, PDAs, cellular telephones, and wristwatch Carole Ann Taylor The Honorable Raquel Regalado Nathan Leight Armando Bucelo, Jr. org/brava or by calling the Box Office at 305.949.6722.

Alexander I. Tachmes be turned off while JesusFlorene “Jay” Litthcut Pons Nichols HankFelix KleinGarcia aynon II alarms—must the auditoriums.

Raul G.inValdes-Fauli Larry Rice Open for pre-performance dining on selected dates; also Carole Ann Taylor The Carlos Honorable Raquel Regalado Nathan Leight Judy Weiser Adriana SabinoVIDEOGRAPHY, AND RECORDING C. Lopez-Cantera The Honorable Rene Garcia PHOTOGRAPHY, for Litthcut 8:15 p.m. through Saturday. Visit RaulMario G. Valdes-Fauli LarryRichard Rice Florene Nicholsseatings Thursday Wilkin Ernesto of Sanchez C. Milstein Sergio M. Gonzalez The taking photographs andMiles the C.use of audio or video arsthcenter.org/brava for more information.

Judy Weiser Adriana Sabino Carlos C. Lopez-Cantera rcia The Honorable Marc D. Sarnoff Gilberto Neves Rosie Gordon-Wallace Café at Books & Books the Sanchez Carnival Tower, Milesrecording C. Wilkin inside the auditoriums are strictly prohibited.

MarioinErnesto Richard C. Milstein managed theMarc direction of Chef Theunder Honorable D. Sarnoff Gilberto Neves by Books & Books TICKETS ADRIENNE ARSHT CENTER INC. OF DIRECTORS Allen Susser, is located onFOUNDATION, the ground floor of BOARD the historic Patrons may purchase tickets Carnival Tower, on the corner of 13th St. and Biscayne •Online: www.arshtcenter.org CENTER FOUNDATION, INC.café-style BOARD OF DIRECTORS Officers Blvd. The restaurant features a full-food menuof the •ByBoard Phone: (305) 949-6722 or (866) 949-6722 10 a.m.designed by Chef Allen Susser as well as a full bar, 6 p.m. weekdays; Officers of the Board Adrienne Arsht Richard E. Schatz outdoor seating, table service, pastries and a specialty beginning at noon on weekend perfomance days.

Founding Chairman Chairman coffee bar.

Open Monday – Friday, 8 a.m.

– 10 p.m., •At the Box Office: the Adrienne Arsht Center Box Adrienne Arsht Richard E. Schatz and weekends, 9 a. m. – 10 p.m. (with extended hours Office is located in the Ziff Ballet Opera House lobby DavidChairman Rocker Sherwood M. Weiser* Jason Williams Founding on Chairman allRonald show Esserman nights). (main entrance on NE 13th between Biscayne Blvd. and NE 2nd Ave.) the Adrienne Arsht Center Box Office Theater Lobbies Concessions Wine Bars an David Rocker Sherwoodand M. Weiser* Jason Williams RESIDENTaCOMPANIES ALLIANCE is open 10 a.m. - 6 p.m. Monday-Friday; noon to curtain feature variety of light food and beverage one hour on weekends when there is a performance, and two before the show and during intermissions.

ES ALLIANCE Sheldon Anderson Aaron S. Podhurst, Esq. Robert Hudson,every Jr. performance.

Jerome J. Cohen hoursF.before Charles Daryl L. Jones Stanley Cohen Adrienne Arsht •Groups of 15 or more people: (786)Porter 468-2326.

EMERGENCIES Aaron Podhurst, Esq. Robert F. Hudson, Jerome J. Cohen Jane A. Robinson EdieS. Laquer Susan T. DanisJr. Diane de Vries Ashley TOURS Emergency Porter DarylNancy L.marked Jones Stanley Cohen Richard E. Schatz Donald E. Lefton J. Davisthroughout the Charles Robert T. Barlick,exits Jr. are clearly Free behind-the-scene toursSherry of the Adrienne Arsht building. personnel A. Robinson EdieRonald Laquer Susan T. Danis Spalding-Fardie Levitt Esserman will provide JaneRhoda Fred Berens Ushers and security Center Monday and instructions in the event ofDonald anOscar emergency.

E. Schatz E. Lefton Nancy J.Bozorgi Davis Robert H. Traurig, Esq.Saturday George L.complex Lindemannare given every Feldenkreis Contact an Richard Sia at Spalding-Fardie noon, starting in the Ziff Ballet Opera House Lobby. usher or a member of the house staff if you require Sherry Rhoda LevittGardiner Ronald Esserman Sherwood M. Weiser* Carlos C. Lopez-Cantera Pamela Norman Braman NoH.reservations medical assistance.

Robert Traurig, Esq.Esq. necessary. Lynn Wolfson George L. Lindemann OscarSheila Feldenkreis Pedro A. Martin, Jerrold F. Goodman Broser

S CENTER TRUST,ACCESSIBILITY INC.

Sherwood M. Weiser* Carlos C. Lopez-Cantera Pamela Gardiner Arlene Mendelson Rose Ellen Greene Robert S. Brunn VOLUNTEERS FACILITIES RENTALS Wolfson A. Martin, Esq. Jerrold F. Goodman *deceased Oren play a central role at the Adrienne Arthur J. Halleran, Jr. M. Anthony Burns Volunteers Arsht Persons or organizationsPedro interested in renting the LynnNedra Arlene Mendelson RoseDonald Ellen Greene J.Center.

David Peña, Howard Herring Carlin lounges, terraces, ForEsq. more information, call (786) 468-2285 or auditoriums, plazas or other spaces for *deceased Nedra Oren Arthur J. Halleran, Jr. email volunteers@arshtcenter.org. private and public events at Adrienne Arsht Center should J. David Peña, Esq. Howard Herring contact (786) 468-2292 or rentals@arshtcenter.org.

Carlos WEBSITE A. Gimenez Visit Mayor www.arshtcenter.org for the most up-to-date HEARING AIDS AND OTHER HEARING-ENHANCEMENT DEVICES Carlos A. Gimenez performance schedule. Also, join our mailing list and Please reduce the volume on hearing aids and other we will send performance notices directly to you. devices that may produce a noiseMayor that would disturb other MIAMI-DADE BOARD OF COUNTY COMMISSIONERS When you join, you may choose the types of shows patrons or the performers. Assistive Listening Devices are about which you want to be notified, and update those MIAMI-DADE BOARD OFanCOUNTY COMMISSIONERS available in the lobby; please ask usher for assistance.

Joe A. Martinez Audrey Edmonson choices at any time. If M. you’ve already signed up, make LATE SEATING sure you add email@arshtcenter.org to your address Chairman Vice Chairwoman Adrienne Arsht Center performances begin promptly as Joe A. Martinez Audrey M. Edmonson book and/or safe list. Visit www.arshtcenter.org today. scheduled. As a courtesy to the performers and audience Chairman Vice Chairwoman Bruno Steinway & Sons, The Official Piano of the Adrienne members already seated, patrons who arrive late will beA. Barreiro 5 Center.

Arsht asked to Barbara wait Bruno in theJ.lobby until a suitable break in District the Jordan Javier D. Souto A. Barreiro performance toDistrict be determined the 1 5 in consultation with District 10 Adrienne Arsht Center Uniforms, an EcoArtFashion Rebeca Sosa District a J. Jordan performing artists.

Javier D. Souto Until the seating break, latercomers project www.luisvalenzuelausa.com District 6 10by Luis Valenzuela,Joe Monestime A. Martinez may watchJean the Rebeca performance via closed-circuit monitors strict 1 District Sosa PHONE NUMBERS conveniently situated in 2 the lobbies. To confirmXavier starting L. Suarez District District 11 District Monestime times for Adrienne Joe A.Accessibility Martinez (786) 468-2011(TTY) Arsht Center6performances please check District 7 11 Audrey M. Edmonson José “Pepe”(786) Diaz468-2232 Advertising your ticket, visit Xavier www.arshtcenter.org, strict 2 L. Suarezor call (305) 949-6722. District Administration (786) 468-2000 3 7 District 12 Lynda Bell Diaz Offices District M. EdmonsonLOST AND FOUND District José “Pepe” Box (305) 949-6722 or (866) 949-6722 8 Office Patrons should withBell the House Manager in District the District Sally check A.Lynda Heyman Esteban Bovo, Jr.to Curtain strict 3 12 M – F 10am – 6pm; Sat. – Sun. noon theater lobby prior to leaving the theater, otherwiseDennis please C.Facilities District 4 District 13 Rental (786) 468-2292 Moss District 8 main security number A. Heyman call the Adrienne Arsht Esteban Bovo, Jr. Center Advancement (786) 468-2040 9 (786) 468-2081.Dennis Lost articles will be held for 30 days. District strict 4 District C. Moss Group13 Sales (786) 468-2326 Membership (786) 468-2040 MEMBERSHIPHarvey – BE A CULTURIST District Ruvin 9 Pedro J. Garcia Robert A. Cuevas Jr. Parking (305) 949-6722 or (866) 949-6722 Members matter at the Adrienne Arsht Center. Your Clerk of Courts Property Appraiser County Attorney or visit www.arshtcenter.org philanthropy makes our world-class performances possible, y Ruvin Pedro J. Garcia Robert A. Cuevas Jr. Security (786) 468-2081 and helps to provide free arts education and meaningful Courts Property Appraiser County Attorney community engagement for thousands of Miami-Dade 10 PLAYBILL County young people and their families. When you join the 6

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Arsht Center Information

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ADRIENNE ADRIENNE ARSHT ARSHT CENTER CENTER FOR FOR THE THE PERFORMING PERFORMING ARTS ARTS OF OF MIAMI-DADE MIAMI-DADE COUNTY COUNTY ADRIENNE ARSHT CENTER FOR THE PERFORMING ARTS OF MIAMI-DADE COUNTY M. M. John John Richard Richard M. John Richard President & President & CEO CEO President & CEO Scott Scott Shiller Shiller Trish Brennan Andrew Goldberg Valerie Riles Executive Vice President Executive President Vice President, Vice President, Marketing ViceVice President, Board and

Ken Harris Vice President, Operations Trish Andrew Valerie Trish Brennan Brennan Andrew Goldberg Goldberg Valerie Riles Riles Human Resources Government Relations Vice Vice Vice Vice President, President, Vice President, President, Marketing Marketing Vice President, President, Board Board and and Government SuzannaHuman Valdez Resources Liz Wallace SuzetteRelations Espinosa Fuentes Harris Human Resources Thomas M. Berger Ken Government Relations Ken Harris Vice President, Vice President, Finance & Vice President, Vice President, John Burnett Vice President, Operations Suzanna Valdez John Burnett Administration and Vice President, Operations SuzannaCommunication Valdez Advancement Chief Programming Vice President, Vice Vice President, President, Finance/CFO Finance/CFOFinancial Officer Vice President, Advancement Advancement

Administration Aric Kurzman

Assistant Vice President of Business and Legal Affairs Administration Chantal Honoré Manager of Board Relations Administration Chantal Honoré Manager of Relations Monique McCartney Executive Assistant to Chantal Honoré Manager of Board Board Relations Joanie Executive to President CEO President Joanie Rivera Rivera Executive Assistant Assistantthe to the the President&&&CEO CEO Joanne Matsuura Manager, Office of the Executive Vice Julisa Campbell Joanne Matsuura Manager, Office of the Executive Receptionist Vice President President Thyra Receptionist Thyra Joseph Joseph Receptionist Advancement Advancement David S. Green Assistant Vice President of Advancement Advancement Munisha Senior Director, Advancement and Campaign Director Munisha Underhill Underhill Senior Director, Advancement John Gladwell Copeland SeniorSenior Director, Corporate Giving Churé Director, Advancement Churé Gladwell Senior Director, Advancement Jodi Mailander Farrell Senior Director, Foundation Relations Felicia Hernandez Director, Member Relations and Donor Relations Felicia Hernandez Director, Member Relations and DonorServices Relations Christine Brown Director, Advancement Rita Manager of Events Rita Martin Martin Managerand of Special Special Events Membership Jodi Mailander Farrell Senior Foundation Relations Jodi Mailander FarrellDirector of Special Senior Director, Director, Foundation Relations Justin TrabertSilverstein Events and Donor Campaign Relations Eva Bordeaux Director of Advancement, Eva Bordeaux Silverstein Director of Advancement, Campaign Carrie Rueda Interim Ticketing Manager Development && Partnerships Development Partnerships Elaine Cox Manager, Foundation Relations and Research Christine Brown Manager, Advancement Services Christine Brown Manager, Advancement Services Christine Montano Executive Assistant to the Carrie Executive Vice President, Advancement Carrie Rueda Rueda Executive Assistant Assistant to to the the Vice President of Advancement ViceSponsorship President of Advancement Natalia Ortiz Corporate Coordinator Kalyn James Corporate Samantha MembershipCoordinator Assistant Kalyn JamesZerpa Corporate Sponsorship Sponsorship Coordinator

Finance Finance Finance Teresa Senior of Controller TeresaRandolph Randolph Assistant Vice&&President, Teresa Randolph Senior Director Director of Finance Finance Controller Antonio Accounting Director Finance and Controller Antonio Necuze Necuze Accounting Director Bill McKenna Event Accountant Kimba King Director, Human Bill McKenna EventResources Accountant Kimba King Manager of Human Resources Aida Rodriguez Accounting Manager Kimba King Manager of Human Resources Aida Rodriguez Staff Accountant Giovanni Ceron Settlement Aida Rodriguez StaffAccountant Accountant Francisca Squiabro Revenue Staff Accountant Roberta Human Roberta Llorente Llorente Human Resources Resources Assistant Assistant Francisca Squiabro Payroll Accountant Thyra Joseph Payroll Coordinator Francisca Squiabro Payroll Accountant Roberta Llorente Human Resources & Finance Coordinator Heather Payables Heather St. St. Fleur Fleur Payables Accountant Accountant Benjamin Berkovitz Payables Accountant Audience Services Audience Services Audience Services Alice Arslanian Fifelski Theater Manager Alice Arslanian TheaterManager Manager AliceHoffson ArslanianFifelski Fifelski Theater Neal House Manager Neal Hoffson HouseManager Manager Matthew Ashley House Rodolfo Mendible House Manager Rodolfo Mendible House Manager Neal Hoffson House Manager Pauline Goldsmith House Manager Pauline Goldsmith HouseManager Manager Rodolfo Mendible House Carolyn Woodyer Volunteer Services Coordinator Carolyn Woodyer Volunteer Services Coordinator NicoleKeating Smith Volunteer Services Manager Nicole Senior Ticket Services Nicole Keating Senior Director, Director, Ticket Services Nicole Keating Assistant Vice President, Business Intelligence Maria Usaga Ticket Manager Maria Usaga Ticket Services Services Manager Nadinne Farinas Director, Ticket Services Nadinne Farinas Ticket Services Manager Nadinne Farinas Ticket ServicesManager Manager Julia Acevedo Ticket Services David Saifman Ticket Services Manager Richard Malin Ticket Services David Saifman Ticket ServicesManager Manager Laura White Ticket Services Manager Timothy Robblee Ticket Services Laura White Ticket ServicesManager Manager Julia Turner Ticket Services Supervisor Maria Usaga Ticket Manager Julia Turner TicketServices Services Supervisor Bryan Ticket Services Supervisor MabelLindeman Gonzalez Ticket Services Bryan Lindeman Ticket ServicesSupervisor Supervisor Fernanda Arocena Customer Representative Javier Rhoden TicketService Services Supervisor Fernanda Arocena Customer Service Representative Diego Customer Service Representative Jose Delatorre L Carrion III Customer Service Representative Diego Delatorre Customer Service Representative Mario Acevedo Customer Service Representative Alexander Matar Customer Service Representative Mario Acevedo Customer Service Representative Melissa Customer Service Representative AshleyAlmaguer Araujo Customer Service Representative Melissa Almaguer Customer Service Representative Fernanda Arocena Customer Service Representative Ashley Araujo Customer Service Representative Ashley Araujo Customer Service Representative Anita Braham Customer Service Representative Heather Brummer Customer Service Representative Heather Brummer Customer Service Representative Alfred Cruet Customer Service Representative Maritza Castro Customer Service Representative Maritza Castro Customer Service Representative Destiny David Customer Service Representative Leyda Castro Customer Service Representative Leyda Castro Customer Service Representative Linda Craig Elvir Customer Service Representative Casey Customer Service Representative Casey Craig Customer Service Representative Celina Fernandez Customer Service Representative Giovany Delgado Customer Service Representative Giovany Delgado Customer Service Representative Randy Garcia Customer Service Representative Adam Garner Customer Service Representative Adam Garner Customer Service Representative Randall Heidelburg Customer Service Representative Mabel Gonzalez Customer Service Representative Mabel Gonzalez Customer Service Representative Elizabeth Heitzer Customer Service Representative Diana Customer Service Representative DianaHerrera Herrera Customer Service Representative Diana Herrera Customer Service Representative Nubia Mora Customer Service Representative Nubia Mora Customer Service Representative Mirlanta Petit - Homme Customer Service Representative Fabiana Parra Customer Service Representative Cristirose Marsicano Customer Service Representative Fabiana Parra Customer Service Representative Oscar Customer Service Representative KerrieQuesada Mitchell Customer Service Representative Oscar Quesada Customer Service Representative Theo Reyna Customer Service Representative Natalia Morgan Customer Service Representative Theo Reyna Customer Service Representative Logan Smiley Customer Service Representative Ashley Richardson Customer Service Representative Logan Smiley Customer Service Representative Nadia Zehtabi Customer Service Representative Cristina Rivera Customer Service Representative Nadia Zehtabi Customer Service Representative Liana Rodriguez Customer Service Representative Amy Ruiz Technology Customer Service Representative Information Information Technology James Thompson Assistant Vice David J. Santa Customer Service Representative James J. Thompson Assistant Vice President, President, Information Technology Kimberly Simmons Customer Service Representative Information Technology Michael Sampson Director, Logan Smiley Customer Service Representative Michael Sampson Director, Applications Applications Matey St.Pichardo Dic Customer ServiceSystems Representative Francisco Information Manager Francisco Pichardo Information Systems Manager Renville Williams Developer Renville Williams Developer Information Technology Marco Franceschi IT Systems Administrator Marco Franceschi IT Systems Administrator James J. Thompson Assistant Vice President, Michael IT Technician Michael Vigorito Vigorito IT Support Support Technician Information Technology Renville Williams Data Analyst/Developer Joe Chin IT Systems Administrator Lilibeth Bazail IT Support Technician

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Marketing Luis Palomares Senior Director, Creative Services Tyrone Manning Director of Marketing Marketing Joanne Matsuura Director of Marketing Marketing Suzette Assistant President, Fernando Olalla Fuentes Director, Vice e-Marketing Suzette Espinosa Espinosa Fuentes Assistant Vice President, Relations Laura White DirectorPublic of Marketing Public Relations Crystal Brewe Senior Director of Marketing Gino Campodonico Public Crystal Brewe SeniorRelations Director ofManager Marketing Luis Palomares Director, Creative Jeanne Monks Promotions Manager Luis Palomares Director, Creative Services Services John Director Marketing Craig Stedman Group Salesof John Copeland Copeland Director ofManager Marketing Alexander Ramos Group Sales Manager David Chang Graphic Designer Alexander Ramos Group Sales Manager Morgan Stockmayer Promotions Manager Sam Hall Graphic Designer Morgan Stockmayer Promotions Manager Raul Vilaboa Graphic Designer Fernando Olalla e-Marketing Manager Fernando Olalla e-Marketing Manager David Chang Graphic Designer Adam Garner Group Sales Coordinator David Chang Graphic Designer Stephanie Hollingsworth e-Marketing Coordinator Raul Graphic Raul Vilaboa Vilaboa Graphic Designer Designer Sam Graphic Designer Grace Padrón Creative Services Coordinator Sam Hall Hall Graphic Designer Estefania Pinzon Public Relations Coordinator Gino Campodonico Publicist Gino Campodonico Publicist Patrick Rhudy Marketing Assistant Claudia Tuck Public Relations Coordinator Claudia Tuck Public Relations Coordinator Carmen Rodriguez Marketing Assistant Nicole Smith Marketing Coordinator Nicole Rodriguez Smith Marketing Coordinator Nicole Group Sales Assistant Natalia Creative Natalia Ortiz Ortiz Creative Services Services Coordinator Coordinator Keidy Group Keidy Diaz Diaz Group Sales Sales Assistant Assistant Operations Natalie Perez e-Marketing Assistant Natalie Perez e-Marketing Assistant Daniel Alzuri Senior Director, Operations Dean Dorsey Senior Director, Engineering Operations Operations Lucy Hargadon Executive Assistant to the Daniel Senior Director, Operations Daniel Alzuri Alzuri Senior Director, Operations Vice President, Operations Nick Senior Director, Engineering Nick Tigue Tigue Senior Director, Engineering Ashley Perdigon Operations Coordinator Thomas McCoy Engineering Manger Thomas McCoy Engineering Manger Jack Crespo Engineer Lucy Executive Assistant to the Vice President, Operations Lucy Hargadon Hargadon Operations Isaac Dominguez Executive Assistant to the Vice President,Engineer Jack Crespo Engineer Jack Crespo Engineer Jorge Garcia Engineer Carlos De Engineer Carlos De la la Torre Torre Engineer Jose Hurtado Engineer Isaac Engineer Isaac Dominguez Dominguez Engineer Fernando Leiva Engineer Alfredo Horta Engineer AlfredoMontina Horta Engineer Wilner Engineer Jose Engineer Jimmy Panchana Engineer Jose Hurtado Hurtado Engineer Wilner Montina Engineer Xavier Ross Engineer Wilner Montina Engineer Jimmy Engineer Alberto Vega Engineer Jimmy Panchana Panchana Engineer Xavier Ross Engineer Pedro Engineer XavierVillalta Ross Engineer Alberto Engineer Alberto Vega Vega Engineer Pedro Engineer Production Pedro Villalta Villalta Engineer Curtis V. Hodge Interim Director, Production Production Herman Montero Production Manager Production Jeremy Shubrook Director, Kim Grose Technical Director Jeremy Shubrook Director, Production Production Lauren Acker Technical Director Janice Technical Director LaurenLane Acker Technical Director Janice Lane Technical Melissa Santiago Keenan Production Services Manager Janice Lane Technical Director Director Michael Matthews Technical Director Daniel McMenamin Head Carpenter, Michael Matthews Technical Director Andres Technical Director Ziff Ballet Opera House Andres Puigbo Puigbo Technical Director John Mulvaney Assistant Carpenter/Head Flyman, Melissa Santiago-Keenan Assistant Technical Director Melissa Santiago-Keenan Assistant Technical Director Ziff Ballet Opera House Daniel Head Daniel McMenamin McMenamin Head Carpenter, Carpenter, Ziff Ziff Ballet Ballet Opera Opera House House Ralph Cambon Head Audio Video, ZiffCarpenter/Head Ballet Opera House John Assistant Flyman John Mulvaney Mulvaney Assistant Flyman Michael Matthews Head Electrician, ZiffCarpenter/Head Ballet Opera House Ziff Ballet Opera House Ziff Ballet Opera House Frederick Schwendel Head Carpenter, Knight Concert Hall Ralph Head Video Technician, Ralph Cambon Cambon Head Audio Audio Video Technician, Michael Feldman Head Audio Video, Knight Concert Hall Ziff Ballet Opera Ziff Ballet Opera House House Tony Tur Head Electrician, Knight Concert Hall Frederick Schwendel Head Carpenter, Knight Concert Hall Frederick Schwendel Head Carpenter, Knight Concert Hall Dan Mayer Head Audio Video, Carnival StudioTechnician, Theater Michael Feldman Head Audio MichaelTrenhs Feldman Head Audio Video Video Technician, Harold Head Electrician, Carnival Studio Theater Knight Knight Concert Concert Hall Hall Tony Head Tony Tur Tur Head Electrician, Electrician, Knight Knight Concert Concert Hall Hall Programming Jon Head Ziff Opera Jon Goss Goss Head Electrician, Electrician, Ziff Ballet Ballet Opera House House Erica Schwartz Senior Director, Programming Luke Klingberg Head Studio Luke Klingberg Head Electrician, Electrician, Studio Theater Theater Ed Limia Director, Programming Ross LaBrie Head Engineer, Studio Ross Ontiveros LaBrie Head Audio Audio Engineer, Studio Theater Theater Jairo Director, Education and Community Engagement Programming Programming Tina Williams Director, Venue Rentals & Events Liz Assistant President, Lakeisha Frith ofProgramming Education Liz Wallace Wallace Assistant Vice ViceManager President, Programming Ed Director, Programming Ed Limia LimiaGonzalez Director, Programming Yamely Manager of Community Engagement Brian Moore Director, Programming Jan Melzer Engagement Manager Brian MooreThomas Director, Programming Jairo Director, Community Kristen Pieski Manager Jairo Ontiveros Ontiveros Director, Education Education and andEngagement Community Engagement Engagement Esther Director, Christopher Engagement Manager Esther Park Park Wood Director, Programming Programming LisaMichelle Eigler Engagement Joel Atella Executive Assistant to the LisaMichelle Eigler Engagement Manager Manager Ann Engagement Manager Vice President, Programming Ann Koslow Koslow Engagement Manager Jan Melzer Thomas Engagement Manager Oscar Quesada Programming Coordinator Jan Melzer Thomas Engagement Manager Renei Facility Renei Suarez Suarez Facility and and Rental Rental Schedule Schedule Manager Manager Tessa Administrative Tessa Schultz Schultz Administrative Programming Programming Manager Manager Facility Management Spectra Food Services Facility Facility Management Management Performing Arts AlliedBarton Performing Arts Catering Catering Pritchard Sports and Entertainment AlliedBarton AlliedBarton Pritchard Sports Pritchard Sports and and Entertainment Entertainment Goldstein Goldstein Schechter Schechter Koch Koch

Arsht Center

2016-17 Cleveland Orchestra Miami

PERFORMING ARTS CENTER TRUST, INC. PERFORMING ARTS CENTER TRUST, INC.

Officers of the Board

Officers of the Board Mike Eidson Ira D. Hall Alan H. Fein Chairman Officers of the BoardChair-Elect Chairman Richard MilsteinIra D. Hall Richard C. C. Milstein Alan H. Fein

PERFORMING ARTS CENTER TRUST, INC.

Alan H.Aguirre Fein J. Ricky Matilde Mike EidsonArriola Chair-Elect Secretary Immediate Chair Chair-Elect Treasurer Secretary Immediate Past Past Chair Chairman Emery Sheer Evelyn Greer Parker D. Thomson MatildeB.I.Aguirre Richard C. Greer Milstein Mike Alexander Tachmes Evelyn Parker D.Eidson Thomson Treasurer Assistant Secretary Founding Chair Treasurer Secretary Immediate Past Chair Assistant Treasurer Assistant Secretary Founding Chair Ira D.I.Hall Alexander Tachmes Evelyn Greer Parker D. Thomson Board of Directors Assistant Assistant Treasurer Treasurer Assistant Secretary Founding Chair Carlos Rosso Alan R. Lieberman Karen Fryd Christia E. Alou Board of Directors Mario Ernesto Sanchez Florene Litthcut Nichols The Honorable Rene Garcia Pierre R. Apollon Board of Directors CaroleThe AnnHonorable Taylor Carlos C. Lopez-Cantera Seth Gordon The Honorable J. Ricky Arriola Gilberto Neves Rosie Gordon-Wallace Matilde Aguirre Carlos Rosso R. Lieberman Karen Fryd Christia Alou Oscar Braynon II Penny Thurer Hillit Meidar-Alfi Rosie Gordon-Wallace The Honorable Michelle Spence-Jones Beverly A. Parker TheHonorable Honorable Donald L. Graham Alan Pierre R.R.E.Apollon Mario Ernesto Florene Litthcut Nichols The Rene Garcia Pierre Apollon AileenAlexander Ugalde Sanchez Armando Olmedo Gerald Grant, Jr. Julia M.Desroches Brown Austin Jorge A. Plasencia Javier Hernandez-Lichtl Magalie CaroleWeiser Ann TaylorI. Tachmes Carlos C.A.Lopez-Cantera Seth Gordon The Honorable J. Ricky Arriola Judy Beverly Parker Javier Hernandez-Lichtl Adrianne Cohen Abigail Pollak JamesGordon-Wallace Herron The Honorable Oscar Braynon IIII PennyCarole ThurerAnn Taylor Hillit Meidar-Alfi Rosie The Oscar Braynon Wilkin Jorge Plasencia Raquel Regalado Miles Hank KleinKaplan LarryHonorable H. Colin TheD.A.Honorable Mitchell Armando J. Bucelo, Jr. AileenPenny UgaldeThurer Armando Olmedo Gerald Grant, Jr. Julia M.Flink Brown Lucille Zanghi Neill Robinson Nathan Leight Laurie Adriana Sabino Hank Hernandez-Lichtl Klein Robert Furniss-Roe Judy Raul WeiserG. Valdes-Fauli Beverly A. Parker Javier Adrianne Cohen Weiser Mario Ernesto Nathan Leight Felix MilesJudy Wilkin A. I.Plasencia Hank Klein LarryGarcia H. ColinEmeritus Directors: Stanley Arkin*, Stuart Blumberg, James Jorge Herron, Stanley Sanchez Levine*, Parker Thomson, David Wilson Miles C. Wilkin The Honorable Marc D. Sarnoff Florene Litthcut Nichols The Honorable Rene Garcia Lucille Zanghi Neill D. Robinson Nathan Leight Laurie Flink Ronald A. Silver Carlos C. Lopez-Cantera Sergio M. Gonzalez ADRIENNEEmeritus ARSHT CENTER FOUNDATION, OFJames DIRECTORS Directors: Stanley Arkin*, INC. StuartBOARD Blumberg, Herron, I. Stanley Levine*, Parker Thomson, David Wilson ADRIENNE ARSHT CENTER FOUNDATION, INC. BOARD OF DIRECTORS

Officers of the Board

ADRIENNE ARSHT CENTER FOUNDATION, INC. BOARD OF DIRECTORS Adrienne Arsht Robert Barlick, Jr.

Sergio M. Gonzalez Officers of the Board Chairman of the Board Richard E. Secretary Adrienne Arsht OfficersTreasurer Schatz Nancy Batchelor DiMareRobert Barlick, Jr.David RockerChairman Sherwood M. Weiser * Adrienne Arsht Swanee Sergio M. Gonzalez Founding Chairman Trish Bell Ronald Esserman Frances Aldrich Sevilla-Sacasa Secretary Alan Fein, Ex officio Nancy Batchelor Chairman Ronald Esserman Treasurer Frances A. Sevilla-Sacasa Jason Williams

Lee E.Batchelor Caplin Kimberly Green Nancy Swanee Swanee DiMare DavidDiMare Rocker RESIDENT COMPANIES Trish Bell ALLIANCE Ronald Esserman RESIDENTLee COMPANIES E. Caplin ALLIANCEJerome J.Kimberly Cohen Green Sheldon Anderson RESIDENT COMPANIES ALLIANCEStanley Adrienne Arsht JeromeCohen J. Cohen Sheldon Anderson Nancy J. Davis Diane deArsht Vries Ashley Stanley Cohen Adrienne Jerome J. Danis Cohen Sheldon Anderson Ronald RobertdeBarlick, Jr. Susan Esserman T.Cohen Diane Vries Ashley Stanley Adrienne Arsht Oscar Feldenkreis Fred Berens Nancy J. Davis Robert T. Barlick, Jr. Nancy Davis Diane de Vries Ashley Pamela Gardiner Sia Bozorgi RonaldJ.Esserman Esserman Fred Berens Ronald Robert Barlick, Jr. Jerrold F. Goodman* Norman Braman OscarEllen Feldenkreis Sia Bozorgi Oscar Feldenkreis Fred Berens Rose Greene Sheila Broser PamelaJ.Gardiner Gardiner Norman Pamela Sia Bozorgi Arthur Halleran, Jr. Robert S.Braman Brunn Jerrold F. Goodman Sheila Broser Jerrold Goodman* Norman Braman HowardF.Herring M. Anthony Burns Rose Ellen Greene Robert S. Brunn Rose Ellen Greene Sheila Broser Robert F. Hudson, Jr.* Donald Carlin* ArthurJ.J.Halleran, Halleran,Jr.Jr. M.Robert Anthony Burns Arthur S. Brunn HowardHerring Herring Donald Carlin* Howard M. Anthony Burns Robert F. Hudson, Jr.* Donald Carlin*

David Rocker Sherwood M. Weiser* Frances Aldrich Sevilla-Sacasa Daryl L. Jones EdieRobert LaquerF. Hudson, Jr. Donald E.L.Lefton Daryl Jones Daryl L.Levitt Jones Rhoda Edie Laquer Edie Laquer George L. Lindemann Donald E. Lefton Donald Lefton Carlos C.E.Lopez-Cantera Rhoda Levitt Esq. Rhoda Levitt Pedro A. Martin, George L. Lindemann George L. Lindemann Arlene Mendelson Carlos C. Lopez-Cantera Carlos C. Lopez-Cantera Nedra Oren Pedro A. Martin, Pedro Martin, Esq.Esq. J. DavidA. Peña, Esq. Arlene Mendelson Arlene Aaron S.Mendelson Podhurst, Esq. Nedra Nedra OrenOren J. David Peña, J. David Peña, Esq.Esq. Carlos Gimenez Aaron S.A. Podhurst, Esq.

Sherwood M. Weiser * Alan Fein, Ex officio Charles Porter Jane Aaron A. Robinson S. Podhurst, Esq. Richard E. Schatz Charles Porter Charles Porter SherryJane Spalding-Fardie A. Robinson Jane Richard A.H.Robinson Robert Traurig, Esq. E. Schatz Richard E. M. Schatz Sherwood Weiser * Sherry Spalding-Fardie Sherry Spalding-Fardie Lynn Robert WolfsonH.* Traurig, Esq. Robert H. Traurig, Esq. Sherwood M. Weiser* Sherwood M. Weiser * *deceased Lynn Wolfson Lynn Wolfson *

*deceased *deceased

Mayor Carlos A. Gimenez Carlos GimenezCOMMISSIONERS MIAMI-DADE BOARD OFA. COUNTY Mayor Mayor MIAMI-DADE BOARD OF COUNTY COMMISSIONERS Esteban MIAMI-DADE Bovo, Jr. AudreyCOMMISSIONERS M. Edmonson BOARD OF COUNTY Chairman Vice Chairman Rebeca Sosa Lynda Bell Esteban Bovo, Jr. Bruno A. Barreiro Audrey M. Edmonson Chairwoman ViceChairman Chairwoman Chairman Vice District 5 Barbara J. Jordan Sen. Javier D. Souto Bruno Barreiro District 1 District 10 Rebeca Sosa Bruno A.A. Barreiro District Barbara J. Jordan Jordan Sen. D. Souto 65 District 5 Jean Monestime Joe A.Javier Martinez Barbara J. Sen. Javier D. Souto District District 10 Rebeca Sosa 21 District 11 District 1 10 Xavier L. Suarez Rebeca Sosa District Jean Monestime C. Diaz Zapata 7 District 66 Audrey Edmonson José “Pepe” Jean M. Monestime JoeJuan A. Martinez District District 32 District 12 Xavier Suarez District 2 11 11 Daniella Levine Cava Xavier L.L. Suarez District 8 District 77 Audrey Edmonson José “Pepe” Sally M. A. Heyman Esteban Bovo, Jr.Diaz Audrey Edmonson José “Pepe” Diaz 43 District 13 District District District 3 12 12 Dennis C. Moss Lynda Bell Daniella Levine Cava District 98 8 District Sally A. Heyman Esteban Bovo, Jr. Jr. Sally Heyman Esteban Bovo, District 4 District 13 13 District 4 District Dennis C. Moss Dennis C. Moss Harvey Ruvin Pedro J. Garcia Abigail Price-Williams District 99 District Clerk of Courts Property Appraiser County Attorney Harvey Ruvin Pedro J. Garcia Abigail Price-Williams Harvey Ruvin Carlos Lopez-Cantera Robert A. Cuevas Jr. Clerk of of Courts Property County Attorney ADRIENNE ARSHT CENTER 5 Clerk Courts PropertyAppraiser Appraiser County Attorney

8

ADRIENNE ARSHT CENTER 5

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Cleveland Orchestra Miami 2016-17

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16 17 2 O 1 6 -1 7

S E A S O N

CLEVELAND ORCHESTRA FRANZ WELSER-MÖST MUSIC DIRECTOR

Presented by Miami Music Association and the Adrienne Arsht Center for the Performing Arts of Miami-Dade County

November 11, 12 GIL SHAHAM PLAYS BARBER The Cleveland Orchestra Giancarlo Guerrero, conductor Gil Shaham, violin January 27, 28 BACH AND BRUCKNER The Cleveland Orchestra Franz Welser-Möst, conductor Seraphic Fire, vocal ensemble Patrick Dupré Quigley, artistic director

February 2, 4 SIBELUS SECOND SYMPHONY The Cleveland Orchestra Franz Welser-Möst, conductor Nikolaj Znaider, violin February 3 YO-YO MA PLAYS DVOŘÁK The Cleveland Orchestra Franz Welser-Möst, conductor Yo-Yo Ma, cello March 24, 25 RESPIGHI’S PINES OF ROME The Cleveland Orchestra Franz Welser-Möst, conductor

TICKETS

305-949-6722 ARSHTCENTER.ORG/CLEVELAND

Visit ClevelandOrchestraMiami.com for complete details of our 2016-17 Season.

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2016-17 Cleveland Orchestra Miami