The Cleveland Orchestra Jan. 15 Martin Luther King Jr. Celebration Concert Program

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WINTER SEASON

THE CLEVELAND ORCHESTRA F R ANZ WELSER-MÖST M U SIC DI R ECTOR January 15 MARTIN LUTHER KING JR. CELEBRATION CONCERT

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THE CLEVELAND ORCHESTRA TA B L E

O F

C O N T E N T S

CO V E R P H OTO G R A P H BY R O G E R M A S T R O I A N N I

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Martin Luther King Jr. Celebration Concert 9

About the Orchestra Musical Arts Association . . . . . . . . . . . . . . . 9 Music Director . . . . . . . . . . . . . . . . . . . . . . 13 Roster of Musicians . . . . . . . . . . . . . . . . . . 18 Guest Information. . . . . . . . . . . . . . . . . . . 73 Severance Hall . . . . . . . . . . . . . . . . . . . . . . 91 About The Cleveland Orchestra . . . . . . . 92 In Focus: A Look Back . . . . . . . . . . . . . . . 93

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In the News Perspectives . . . . . . . . . . . . . . . . . . . . . . . . 21 Orchestra News . . . . . . . . . . . . . . . . . . . . 22 More Orchestra News . . . . . . . . . . . . . . . 62

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Concert Welcome . . . . . . . . . . . . . . . . . . . . . . . . . .

Martin Luther King Jr. Service Awards . .

From the Governor . . . . . . . . . . . . . . . . . .

From the County Executive . . . . . . . . . . .

From the Mayor . . . . . . . . . . . . . . . . . . . .

Program . . . . . . . . . . . . . . . . . . . . . . . . .

Conductor: Chelsea Tipton II . . . . . . . . . .

Director: William Henry Caldwell. . . . . . .

Central State University Chorus . . . . . . . . . .

Soloist: Alexandra Alvarado Switala . . . .

Martin Luther King Jr. Chorus . . . . . . . . .

Celebrating in Music . . . . . . . . . . . . . . . .

Martin Luther King Jr. . . . . . . . . . . . . . . .

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Future Concerts

Copyright Š 2012 by The Cleveland Orchestra and the Musical Arts Association Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.

Program book advertising is sold through Live Publishing Company at (216) 721-1800 The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.

The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.

The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

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Donors and Sponsors Education and Community . . . . . . . . . . .

Endowed Funds . . . . . . . . . . . . . . . . . . . .

Corporate Support . . . . . . . . . . . . . . . . . .

Foundation / Government Support . . . . .

Individual Support . . . . . . . . . . . . . . . . . .

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This program book is printed on paper that includes 10% recycled post-consumer content.

All unused books are recycled as part of the Orchestra’s regular business recycling program.

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Table of Contents

The Cleveland Orchestra

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T H E M U SI C AL AR TS AS SOCIATION operating The Cleveland Orchestra, Severance Hall, and Blossom Festival OFFICERS AND EXECUTIVE COMMITTEE Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair Raymond T. Sawyer, Secretary Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford Michael J. Horvitz Douglas A. Kern

Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley Larry Pollock

Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Bruce P. Dyer Terrance C. Z. Egger Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey

David P. Hunt Christopher Hyland James D. Ireland III Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey

Katherine T. O’Neill The Honorable John D. Ong Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Neil Sethi Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Thomas A. Waltermire Geraldine B. Warner Paul E. Westlake Jr. David A. Wolfort

NON-RESIDENT TRUS TEES Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) George Gund III (CA) Loren W. Hershey (DC)

Mrs. Gilbert W. Humphrey (FL) Herbert Kloiber (Germany) Ludwig Scharinger (Austria)

TRUS TEES EX-OFFICIO Iris Harvie, President, Volunteer Council of The Cleveland Orchestra Beth Schreibman Gehring, President, Women’s Committee of The Cleveland Orchestra Ruth Ann Krutz, State Chair, Blossom Women’s Committee TRUS TEES EMERITI Clifford J. Isroff Samuel H. Miller David L. Simon PA S T P R E S I D E N T S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Allen H. Ford Gay Cull Addicott Robert W. Gillespie Francis J. Callahan Dorothy Humel Hovorka Mrs. Webb Chamberlain Robert F. Meyerson Oliver F. Emerson Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2011-12

Gary Hanson, Executive Director

Musical Arts Association

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THE CLEVELAN D ORCHESTRA R E C O R D I N G S great gift ideas

New!

The Cleveland Orchestra’s catalog of recordings continues to grow. The newest DVD features Bruckner’s Eighth Symphony recorded live at Severance Hall under the direction of Music Director Franz Welser-Möst in 2010 and released in May 2011. And, just released, Dvořák’s opera Rusalka on CD, recorded live at the Salzburg Festival. Writing of the Rusalka performances, the reviewer for London’s Sunday Times praised the performance as “the most spellbinding account of Dvořák’s miraculous score I have ever heard, either in the theatre or on record. . . . I doubt this music can be better played than by the Clevelanders, the most ‘European’ of the American orchestras, with wind and brass soloists to die for and a string sound of superlative warmth and sensitivity.”

Other recordings released in the past year include two under the baton of Pierre Boulez and a second album of Mozart piano concertos with Mitsuko Uchida, whose first Cleveland Orchestra Mozart album won a Grammy Award this past year.

Visit the Cleveland Orchestra Store for the latest and best Cleveland Orchestra recordings and DVDs. New!

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

marks Franz Welser-Möst’s tenth year as Music Director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is enlarging and enhancing its community programming at home, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst became General Music Director of the Vienna State Opera in September 2010.

With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District.

The initiative continues and expands upon Mr. Welser-Möst’s active participation in community concerts and educational programs, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories and universities across Northeast Ohio.

Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and at the Lucerne Festival in Switzerland. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra Miami Residency in Florida and launched a new biennial residency at New York’s Lincoln Center Festival in 2011.

Under Franz Welser-Möst’s direction, The Cleveland Orchestra has performed thirteen world and fifteen United States premieres. Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, and Toshio Hosokawa in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Marc-André Dalbavie, Matthias Pintscher, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, and Sean Shepherd.

Franz Welser-Möst has led opera performances each season during his P H OTO BY D O N S N Y D E R

T H E 2 01 1 - 1 2 S E A S O N

Severance Hall 2011-12

Music Director

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P H OTO BY R O G E R MA S T R O I A N N I

tenure in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas. He leads concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall during the 2011-12 season.

Franz Welser-Möst became General Music Director of the Vienna State Opera with the 2010-11 season. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director Sven-Eric Bechtolf, and, in his first season in the post, critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova. During the 2011-12 season, he continues his survey of the operas of Janáček with a new production of From the House of the Dead and also leads a new production of Verdi’s Don Carlo.

Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at the Lucerne Festival and Salzburg Festival, in Tokyo, and in concert at La Scala Milan, as well as leading the Philharmonic’s 2011 New Year’s Day concert, viewed by telecast in seventy countries worldwide. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as General Music Director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions and numerous revivals.

Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of four Bruckner symphonies, presented in three accoustically distinctive venues: Symphony No. 5 in the Abbey of St. Florian in Austria, Symphony No. 9 in Vienna’s Musikverein, and Symphonies Nos. 7 and 8 at Severance Hall. With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, La Bohème, Fierrabras, and Peter Grimes.

For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

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Music Director

The Cleveland Orchestra

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THE CLEVELAND ORCHESTRA

Franz Welser-Möst MUSIC DIREC TOR Kelvin Smith Family Chair

Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero PRINCIPAL GUEST CONDUCTOR , CLEVELAND ORCHESTRA MIAMI

James Feddeck ASSISTANT CONDUCTOR Elizabeth Ring and William Gwinn Mather Chair

MUSIC DIRECTOR, CLEVELAND ORCHESTRA YOUTH ORCHESTRA

Sasha Mäkilä ASSISTANT CONDUCTOR Sidney and Doris Dworkin Chair

Robert Porco DIRECTOR OF CHORUSES Frances P. and Chester C. Bolton Chair

Lisa Wong ASSISTANT DIRECTOR OF CHORUSES

Ann Usher Frank Bianchi DIRECTOR, CLEVELAND ORCHESTRA YOUTH CHORUS

Lisa Manning ASSISTANT DIRECTOR, CLEVELAND ORCHESTRA YOUTH CHORUS

P H OTO BY R O G E R MA S T R O I A N N I

DIRECTOR, CLEVELAND ORCHESTRA CHILDREN’S CHORUS

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T H E

C L E V E L A N D

FRANZ WELSER-MÖST M U S I C D I R E C TO R Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Lev Polyakin

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Alexandra Preucil Katherine Bormann Ying Fu

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas

2

James and Donna Reid Chair

Eli Matthews

1

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon HARP Trina Struble * Alice Chalifoux Chair

FLUTES Joshua Smith * Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2 Austin B. and Ellen W. Chinn Chair

Mary Kay Fink

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The Orchestra

The Cleveland Orchestra

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O R C H E S T R A

PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

HORNS Richard King *

TIMPANI Paul Yancich *

George Szell Memorial Chair

Michael Mayhew §

Otto G. and Corinne T. Voss Chair

Tom Freer 2

Knight Foundation Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

Jesse McCormick Hans Clebsch Richard Solis Alan DeMattia TRUMPETS Michael Sachs * Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Richard Stout

BASSOONS John Clouser *

Shachar Israel 2

Louise Harkness Ingalls Chair Sandra L. Haslinger Chair

Jonathan Sherwin CONTRABASSOON Jonathan Sherwin

Margaret Allen Ireland Chair

Donald Miller Tom Freer Marc Damoulakis KEYBOARD INSTRUMENTS Joela Jones * Rudolf Serkin Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

Michael Miller

BASS CLARINET Linnea Nereim

Barrick Stees 2

PERCUSSION Jacob Nissly *

Alexander and Marianna C. McAfee Chair

BASS TROMBONE Thomas Klaber EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama*

LIBRARIANS Robert O’Brien Donald Miller ORCHESTRA PERSONNEL Carol Lee Iott DIRECTOR

Rebecca Vineyard MANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIED ASSISTANT PRINCIPAL HARP

Sunshine Chair

* Principal § 1 2

Associate Principal First Assistant Principal Assistant Principal

Nathalie C. Spence and Nathalie S. Boswell Chair

Severance Hall 2011-12

The Orchestra

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Perspectivesfrom the Executive Director Happy New Year and welcome to the opening weeks in our winter season of concerts here at Severance Hall.

Late last year, at the Annual Meeting of the Musical Arts Association, Board President Dennis LaBarre and I reported on The Cleveland Orchestra’s 2010/11 activities and finances. Dennis captured the glories of the season in his remarks, including: “This year has demonstrated the extraordinary global artistic preeminence of our Orchestra. From New York’s Lincoln Center Festival to Tokyo’s Suntory Hall and the Musikverein in Vienna, the Orchestra has received critical and public praise.

I’ve had the pleasure and privilege to hear patrons everywhere expressing their astonishment at The Cleveland Orchestra sound.

“The Orchestra carries the name of Cleveland and raises Cleveland’s stature around the world with its excellence. Our greatest passion remains our steadfast commitment to preserving the Orchestra’s place as an essential community asset here in Northeast Ohio.“ The Cleveland Orchestra’s artistic success in 2011 stands in stark contrast to the bad news that reached us from orchestras in other cities around the country last year. In my remarks at the Annual Meeting, I acknowledged the situation and its impact on finances.

“Why do orchestras from Philadelphia to Honolulu find themselves on varying degrees of life support? Because changes in American society have eroded the value proposition of orchestras’ traditional business model. And for us in Cleveland, the regional economy increases the challenge.

“But we in Cleveland have done more than any other orchestra in the country toward overcoming the external pressures. We’re fighting back with orchestral excellence that has no equal. We’re fighting back with successful innovation and a greater commitment to education and the community. And we are fighting back with increased financial rigor and ongoing, prudent cost control.”

If you are an Annual Fund donor of $2500 or more, you will receive a copy of the Annual Report in the mail. Others can access the Report on our website beginning January 12.

I hope you will take a moment to review the state of the institution we all care so deeply about.

You will see in the Annual Report that our year-end Endowment value was $130 million.

As Dennis noted at the meeting, for us to be financially healthy today would require a $300 million endowment. Without it, we have an unsustainable structural deficit that threatens the Orchestra’s survival.

Building The Cleveland Orchestra’s endowment to that level will require nothing less than extraordinary philanthropy. We are in the quiet phase of a major endowment campaign and we are committed to being worthy of your generosity. Thank you for your patronage.

Severance Hall 2011-12

Gary Hanson

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THE CLEVELAND ORCHES-

News

PERFORMANCES & ACTIVITIES

Doors open at 11:30 a.m.

All artists and performances are subject to change.

PERFORMANCES IN THE CONCERT HALL

THE CLEVELAND ORCHESTRA

Cleveland Orchestra Youth Chorus Frank Bianchi, director 12:15-1:00 pm

The Youth Chorus will perform music from a variety of musical traditions, including French, African-American, Haitian, and Spanish, as well as a preview of their March 11 performance of Poulencâ&#x20AC;&#x2122;s Gloria.

The Youth Chorus is supported by the Edward and Ruth Wilkof Foundation.

1:15-1:45 pm

African Soul International

2:00-2:30 pm

The Oberlin Ebony Connection

2:45-3:15 pm

A

CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHE

3:30-4:00 pm

Sista Jewel Jackson, artistic director

Diana White Gould (piano), Norris Kelly (tenor), Lisa Whitfield (viola)

Roots of American Music: â&#x20AC;&#x153;Freedom Callingâ&#x20AC;?

El Sistema@Rainey Symphony with Cleveland Orchestra Musicians and Friends Raphael Jimenez, conductor

Cleveland Orchestra Youth Orchestra James Feddeck, conductor 4:15-5:15 pm

The Youth Orchestra will perform works by Elgar and William Grant Still, as well as a movement from DvoĹ?ĂĄkâ&#x20AC;&#x2122;s Cello Concerto with Youth Orchestra member Hannah Moses as soloist.

The Youth Orchestra is supported by a generous grant from the Martha Holden Jennings Foundation and Surdna Foundation, and by many other donors. Endowment support is provided by The George Gund Foundation, Jules and Ruth Vinney, and Christine Gitlin Miles.

ONGOING FAMILY-FRIENDLY ACTIVITIES â&#x20AC;&#x153;I Have a Dreamâ&#x20AC;? Wall and â&#x20AC;&#x153;Picture Yourself at Severance Hallâ&#x20AC;?

Smith Lobby on Ground Floor between concert hall performances and throughout the day:

â&#x20AC;&#x153;Terry Macklin Sounds of Entertainmentâ&#x20AC;? DJ and Line Dancing Bogomolny-Kozerefski Grand Foyer The Cleveland Orchestra Store is open from 11:30 a.m. to 6:00 p.m.

Light refreshments are available for purchase in the Smith Lobby.

Community Open House Sponsor:

With additional support from The Call & Post, Macyâ&#x20AC;&#x2122;s and:

the exclusive health insurer of The Cleveland Orchestra

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Cleveland Orchestra News

The Cleveland Orchestra

OrchestraNews Martin Luther King Jr. Day Community Open House at Severance Hall features free performances and activities

Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at (216) 231-7425.

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2012

Silence is golden As a courtesy to the performers on-stage and the audience around you, all patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to each concert.

Cleveland Orchestra News

23

THE CLEVELAND ORC

Committed to Accessibility

The Cleveland Orchestra is holding a food drive January 14-16 to collect goods to be donated to the Cleveland Foodbank. The event is part of Orchestras Feeding America, a national food drive held by America’s symphony orchestras.

Last season, over 250 orchestras representing all 50 states collected more than 300,000 pounds of food for their communities. The project was the single largest orchestra project organized at a national level, uniting musicians, staff, volunteers, and audiences to help alleviate hunger.

Unexpired food donations will be collected surrounding performances during the Martin Luther King weekend, Saturday through Monday, January 14-16, at Severance Hall. Food items will be collected at Cleveland Orchestra concerts on Saturday and Sunday evenings, and throughout the Martin Luther King Jr. Community Open House on Monday afternoon, January 16.

Marked bins will be available in the lobby to collect donations before each concert and throughout the open house (12 noon to 5 p.m.).

For this food drive, the most wanted items include: beef stew, canned soups, canned vegetables, cereal, peanut butter, and tuna fish. All items must be unopened and non-perishible in a box, can, or plastic container. Glass jars or bottles and homemade items cannot be accepted.

THE CLEVELAND ORCHESTRA

Severance Hall holds its twelfth annual Martin Luther King Jr. Day Community Open House on Monday, January 16, from 12 noon to 5 p.m. The day of free activities and performances celebrates the legacy of Dr. King and features performances by a variety of Northeast Ohio community performing arts groups, including the Cleveland Orchestra Youth Orchestra and the Cleveland Orchestra Youth Chorus, as well as African Soul International, Oberlin Ebony Connection, El Sistema@ Rainey Symphony, and Roots of American Music. (A complete schedule can be found at clevelandorchestra.com or on the page opposite.)

The 2012 Community Open House is sponsored by Medical Mutual of Ohio, with additional support from Macy’s, Cuyahoga Arts & Culture, and the Ohio Arts Council. Family activities throughout the afternoon include the “I Have a Dream” Wall where children and adults can post their dreams for our community, the “Picture Yourself at Severance Hall” photo activity, and popular DJ Terry Macklin’s Sounds of Entertainment.

Cleveland Orchestra joins in national food drive January 14-16

THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA TRA THE CLEVELAND ORCHESTRA

News

January 15, 2012 Welcome to The Cleveland Orchestra’s 32nd annual concert in celebration of the birthday of Dr. Martin Luther King Jr. We are pleased to once again collaborate with the City of Cleveland to present this event that celebrates the life and legacy of Dr. King through classical, gospel, and spiritual music performed by our Cleveland Orchestra.

We extend a warm welcome to this evening’s guest artists — conductor Chelsea Tipton II, the Martin Luther King Jr. Celebration Chorus and Central State University Chorus and their director William Henry Caldwell, and 2011 Sphinx Competition prizewinning violinist Alexandra Switala.

At the start of the concert, The Cleveland Orchestra in cooperation with the City of Cleveland and the Greater Cleveland Partnership present this year’s Dr. Martin Luther King Jr. Community Service Awards. These three awards, detailed on the following pages, represent recognition for community service and leadership across three important categories — an Organization, an Adult, and, now in its third year, an award recognizing the promise of Youth.

We are grateful to several partners who make this concert possible. In addition to our co-presenter, the City of Cleveland, we recognize our generous sponsor, KeyBank, a Cleveland Orchestra Partner in Excellence. Thanks to Cleveland radio station WCLV, this concert is being enjoyed by thousands across Northeast Ohio as they listen to the live broadcast on radio stations WCLV (104.9 FM) and WCPN (90.3 FM). We also acknowledge the members of the Orchestra’s Community Relations Committee for their thoughtful guidance and contributions toward the ongoing work of the institution.

Please join us tomorrow, Monday, January 16, here at Severance Hall for our annual Martin Luther King Jr. Community Open House. This free community event from 12:00 to 5:00 p.m. is sponsored by Medical Mutual of Ohio and features a variety of activities and exciting performances. A detailed list of the day’s activities can be found on pages 22-23 of this program book. We thank each of the performers for their participation in this special community day celebrating youth and diversity.

Thank you for joining us here this evening. I cordially invite you to take full advantage of The Cleveland Orchestra’s varied presentations and performances — at Severance Hall, at the Orchestra’s summer Blossom Festival, and through our many school and community programs.

Dennis W. LaBarre President Musical Arts Association

24

Welcome

The Cleveland Orchestra

Dr. Martin Luther King Jr. 2012 Community Service Awards The Cleveland Orchestra and the Greater Cleveland Partnership, in cooperation with the City of Cleveland, are pleased to announce the recipients of the Dr. Martin Luther King Jr. Community Service Awards, who are positively impacting Cleveland in the spirit of the teachings and example of Dr. King: YouthAbility Program — organization Donshon Wilson — adult individual Dontea Gresham — youth individual Award recipients demonstrate one or more of the following qualities: • Leadership in community building • Advocacy for educational excellence • Accomplishments in furthering economic opportunity • Promotion of social justice • Achievements in advancing cultural awareness • Adherence to the principles of nonviolence • Achievements in organizational diversity and inclusion • Involvement with music and the arts to promote greater understanding and acceptance

About the 2012 Award Recipients The Rick Horvitz and Erica Hartman-Horvitz YouthAbility Program serves disabled and at-risk youth by engaging them in volunteerism.

Each year, more than 300 YouthAbility participants donate nearly 8,500 hours of service to the community. Participants span the spectrum of socio-economic classes, religions, cultures, and abilities. They include juvenile offenders, suspended and expelled students, foster children, those at risk of dropping out of school, teens and young adults with Down’s syndrome, autism, spina bifida, cerebral palsy, visual or hearing impairments, emotional disturbances, stroke and cancer survivors, and more. While most participants were on the “receiving end” of service before coming to the program, through YouthAbility they learn they can serve their community, promote inclusion and tolerance, and make a positive difference.

YouthAbility participants are advocates, successfully lobbying Congress for inclusive language in the Serve America Act by traveling to Capitol Hill to meet with House and Senate staff urging them to include disabled and at-risk populations in national service programs. YouthAbility has created economSeverance Hall 2011-12

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ic opportunities for underserved and disenfranchised youth who develop job skills through internships that often lead to paid employment. YouthAbility uses theater and visual arts to empower its participants who create large-scale murals and write/perform original plays throughout the community promoting tolerance, respect, self worth, and understanding. And through a wide range of community service projects, YouthAbility participants break down barriers of discrimination and prove the worth of disabled and at-risk populations.

YouthAbility participants are game changers. They embody the words of Dr. King, “Everybody can be great because everybody can serve.”

Donshon Wilson is the Band Director of the nationally known Shaw High School Marching Band. A 1987 graduate of Shaw and member of its Marching Band, Mr. Wilson is also a graduate of Central State University. On one visit home, Mr. Wilson went to see his beloved Shaw Band and found a mere shadow of what he remembered. At that moment, Mr. Wilson’s life changed. He offered his services to the Band Director as a volunteer — the beginning of a wonderful journey. Over the next several years, Mr. Wilson worked with Band members, the school, and the community to raise the band to new heights. In 2004, Mr. Wilson was named Shaw High Band Director.

In a community that suffers from a high crime rate, drugs, and poverty, at a time when East Cleveland Schools, including Shaw, were placed under Fiscal Watch by the state, Mr. Wilson was unstoppable. He created the Music Through the Streets non-profit foundation to raise money to support the Band.

Through hard work, discipline, inspiration, and love, Mr. Wilson led Shaw to premier status among high school marching bands, and in the process won over 150 competitions. In 2008, Shaw High School Marching Band was one of only five U.S. high schools invited to participate in the International Musical Salute to the Olympics in Bejiing, China. Mr. Wilson and the Band effectively rallied community support and raised the funds necessary for the trip, an experience Mr. Wilson described as life-changing for all.

Mr. Wilson has created not only a program of musical excellence but one also characterized by academic excellence. In a school where the graduation rate hovers below 40%, Mr. Wilson has a 100% graduation rate for his Band members (most of whom are on the honor roll), with 99% going on to college.

Donshon Wilson literally changes lives, impacts the community, and exemplifies the spirit and ideals of Dr. King.

Dontea Gresham, a high school senior, already exemplifies the spirit of Dr. King and of civil rights leaders past and present who work to move our country forward amid the many challenging issues facing our community. Dontea is a young man with a strong grasp of the needs of youth and is actively commit-

26

Martin Luther King Jr. Celebration Concert

The Cleveland Orchestra

ted to bringing about positive change. He serves in important leadership roles as President of the Cleveland NAACP Youth Council, President of the Ohio NAACP Youth & College Division, President of his Senior Class, and President of the National Honor Society. Dontea led the effort at his school, Martin Luther King Jr. High School, to register voters during the NAACP National Day of Action. He works every day after school as a Clerk for the U.S. Attorneyâ&#x20AC;&#x2122;s Office for the Northern District of Ohio, and serves as a Facilitator at the Cuyahoga Hills Juvenile Corrections Facility. Dontea is a motivational speaker and has presented to youth organizations throughout the community and state, and is actively involved in his church. Dontea is a young man on a mission to better his community through service and leadership.

2012 MLK Service Awards Selection Committee Robert P. Madison, Chair Chairman and CEO Robert P. Madison International, Inc.

Andrew Jackson Senior VP & Executive Director Greater Cleveland Partnership

Yvonne Conwell Cuyahoga County Council, District 7

Valarie McCall Chief of Government Affairs Office of the Mayor of Cleveland

Cheri Daniels Vice President The Call & Post

Marsha Mockabee President & CEO Urban League of Greater Cleveland

Shirrell Greene Deputy to the CEO Cleveland Metropolitan School District

Deborah Perkins President The Presidentâ&#x20AC;&#x2122;s Council

From the Musical Arts Association: Joan Katz Napoli Director Education & Community Programs Sandra Jones Manager Education and Family Concerts Deidre McPherson Manager Group Sales

THE CLEVELAND ORCHESTRA

COMMUNITY RELATIONS COMMITTEE Alex Machaskee, Chair Robert P. Madison, Vice Chair Ronald H. Bell Maureen Brennan Jeanette Grasselli Brown Louis Brownlowe Jeri Chaikin Rev. Kenneth Chalker Tillie Colter Juanita Dalton-Robinson Cheri Daniels Moreen Bailey Frater

Rafael Reyez Davila Jose C. Feliciano Iris Harvie Bert Laurelle Garrett Holt Leslye M. Huff George Hwang Wael Khoury Richard Levitz Deborah McHamm Martin J. Plax

Ruth Richey Andradia Scovil Naomi Singer Bishop Eugene W. Ward EMERITUS MEMBERS

Robert Conrad Bettie Perry Danny R. Williams

The Community Relations Committee of the Musical Arts Association is dedicated to the goal of involving more and diverse elements of the community in all affairs of the Orchestra, guiding efforts in areas of community engagement and audience development.

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The Cleveland Orchestra

In recognition of the 2012 Martin Luther King Day Celebration Concert Hosted by The Cleveland Orchestra, the City of Cleveland, and the Greater Cleveland Partnership I am honored to recognize this year’s event held in memory of Dr. Martin Luther King Jr. This year’s Annual Martin Luther King Jr. Celebration Concert reaffirms a commitment to Dr. King’s teachings and a rededication to the values he propagated. While I am proud to see how far Ohio and the nation have come in honoring Martin Luther King Jr., we recognize that more work needs to be done to honor his lifetime of work.

Dr. King’s accomplishments, such as leading the 1963 Montgomery bus boycott, his famous “I Have A Dream” speech at the 1963 March on Washington, the infamous “Letter from a Birmingham Jail”, co-founding of the Southern Christian Leadership Conference, and serving as one of the major leaders of the Civil Rights Movement, helped to end racial segregation and break the barriers of racial and economic justice.

The long-awaited Martin Luther King Jr. National Memorial was unveiled this fall and is a wonderful tribute to Dr. King and his grand legacy. Dr. King was a man who believed in service and justice for all mankind and that is the legacy for which he wanted to be remembered.

I believe that the best way we can honor Dr. King’s dream is to be relentless in our pursuit of it becoming a reality in the United States and the world.

I applaud The Cleveland Orchestra, the City of Cleveland, and the Greater Cleveland Partnership for their continued efforts to fulfill Dr. King’s dream.

Your service to the local community and to our great state is to be commended. Please accept my best wishes for a memorable celebration.

On this 15th day of January 2012:

John R. Kasich Governor

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CUYAHOGA ARTS & CULTURE IS PROUD TO SUPPORT APOLLO'S FIRE BAYARTS BECK CENTER FOR THE ARTS CLEVELAND BOTANICAL GARDEN CLEVELAND INTERNATIONAL FILM FESTIVAL CLEVELAND MUSEUM OF ART CLEVELAND MUSEUM OF NATURAL HISTORY THE CLEVELAND ORCHESTRA CLEVELAND PLAY HOUSE CLEVELAND PUBLIC THEATRE DANCECLEVELAND GREAT LAKES SCIENCE CENTER GREAT LAKES THEATER FESTIVAL

SHAKER LAKES OPERA CLEVELAND ROCK AND ROLL HALL OF FAME AND MUSEUM SPACES WESTERN RESERVE HISTORICAL SOCIETY & MANY OTHERS

WWW.CACGRANTS.ORG 216 515 8303

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P H OTO BY R O G E R MA S T R O I A N N I

GROUNDWORKS DANCETHEATER HEIGHTS YOUTH THEATRE IDEASTREAM KARAMU HOUSE MALTZ MUSEUM OF JEWISH HERITAGE MUSEUM OF CONTEMPORARY ART CLEVELAND NATURE CENTER AT

The Cleveland Orchestra

EDWARD FITZGERALD Cuyahoga County Executive

January, 2012

In recognition of The Cleveland Orchestraâ&#x20AC;&#x2122;s 32nd Annual Martin Luther King Jr. Celebration Concert, I extend my warmest greetings.

As the County Executive for Cuyahoga County, I am pleased to have again been asked to participate in this tribute honoring Dr. Martin Luther King Jr. through this musical concert.

What better vehicle than The Cleveland Orchestra to honor the legacy and the outstanding contributions Dr. Martin Luther King Jr. has made to Americans over the years? We continue to pay tribute to Dr. King and the many Ohioans who through their selfless efforts have made this evening possible.

My thanks go out to Mayor Frank Jackson, the Greater Cleveland Partnership, KeyBank, and the Musical Arts Association for making possible this community event.

I welcome the challenge set forth as your County Executive and am honored to be included on this important occasion.

Sincerely,

Edward FitzGerald Cuyahoga County Executive

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‘‘

All labor that uplifts humanity has dignity and importance and should be undertaken with painstaking excellence.

‘‘

—Martin Luther King Jr.

Dear Fellow Citizens: We are pleased and proud to welcome you to Severance Hall on the wonderful occasion of The Cleveland Orchestraâ&#x20AC;&#x2122;s 32nd annual musical tribute to Dr. Martin Luther King Jr. For more than three decades, the Martin Luther King Jr. Celebration Concert has brought Clevelanders together to honor and remember a great American leader. Tonight, the world-renowned Cleveland Orchestra, led by guest conductor Chelsea Tipton II, joins with the Central State University Chorus directed by William Henry Caldwell, the Martin Luther King Celebration Chorus, and Sphinx Competition prizewinning violinist Alexandra Alvarado Switala to raise voices and instruments in a salute to Dr. King.

Dr. Martin Luther King Jr. dreamed that people of all races would unite in harmony and triumph in the struggle for peace, justice, and equality for all of humanity. Through this concert, we celebrate Dr. Kingâ&#x20AC;&#x2122;s dream and recommit to the goal of making Cleveland a city where citizens live and work as one, with equality, respect, and justice for all.

Thank you for joining us tonight for this historic 32nd annual concert in celebration of the life and work of Dr. Martin Luther King Jr. Enjoy the concert.

Sincerely,

Frank G. Jackson, Mayor

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celebrating our community We enjoy living and working in our community for the same reasons you do.That’s why supporting our traditions and celebrations is a big part of our investment in the community.

KeyBank proudly supports the Annual Martin Luther King Jr. Celebration Concert. As a sponsor, we are committed to keeping this Cleveland Orchestra tradition alive. We salute all those involved for making this year’s event a success.

go to key.com/community

Key.com is a federally registered service mark of KeyCorp. ©2010 KeyCorp. KeyBank is Member FDIC. CS10891 591596572

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The Cleveland Orchestra

T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ă&#x2013; ST M U S I C

D I R E C T O R

Severance Hall

Sunday evening, January 15, 2012, at 7:00 p.m.

Martin Luther King Jr. Celebration Concert

1112 clevelandorchestra.com

Chelsea Tipton II, conductor The Musical Arts Association and the City of Cleveland present a special concert in celebration of the birthday of

Martin Luther King Jr. featuring the Martin

Luther King Jr. Celebration Chorus

assembled and prepared by William Henry Caldwell

and the Central

State University Chorus

(William Henry Caldwell, director)

Alexandra Alvarado Switala, violin WELCOMING REMARKS AND INVOCATION

Dennis W. LaBarre President, Musical Arts Association

The Reverend Courtney Clayton Jenkins Pastor, Euclid Avenue Congregational Church

Margot James Copeland Chair, KeyBank Foundation

DR. MARTIN LUTHER KING JR. COMMUNITY SERVICE AWARDS

presented by

The Honorable Frank G. Jackson, Mayor, City of Cleveland The Honorable Kevin Conwell, Councilman, Ward 9, City of Cleveland The Honorable Yvonne M. Conwell, Cuyahoga County Council, District 7 The Honorable Marcia L. Fudge U.S. House of Representatives

The Honorable Edward FitzGerald Cuyahoga County Executive

LISTING OF MUSICAL SELECTIONS BEGINS ON NEXT PAGE.

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T H E C L E V E L A N D O R C H E S T R A PROGRAM CONTINUED

The Star-Spangled Banner words by Francis Scott Key (1779-1843) music by John Stafford Smith (1750-1836) arranged by Walter Damrosch THE AUDIENCE IS INVITED TO JOIN IN SINGING

Lift Every Voice and Sing words by James Weldon Johnson (1871-1938 ) music by J. Rosamond Johnson (1873-1954 ) arranged by Roland Carter THE AUDIENCE IS INVITED TO JOIN IN SINGING (THE WORDS ARE PRINTED ON PAGE 39)

Festive Overture, Opus 96

by Dmitri Shostakovich (1906-1975)

“Thanks Be to God” from Elijah, Opus 70

by Felix Mendelssohn (1809-1847) with the CENTRAL STATE UNIVERSITY CHORUS

“Don’t You Let Nobody Turn You ’Round” (A CAPPELLA) traditional spiritual arranged for chorus by Phillip McIntyre CENTRAL STATE UNIVERSITY CHORUS

conducted by William Henry Caldwell

Tzigane (for solo violin and orchestra)

by Maurice Ravel (1875-1937) with ALEXANDRA ALVARADO SWITALA , violin

“Let All the World in Every Corner Sing” from Five Mystical Songs words by George Herbert (1593-1633) music by Ralph Vaughan Williams (1872-1958) with the CENTRAL STATE UNIVERSITY CHORUS and the MARTIN LUTHER KING JR. CELEBRATION CHORUS

INTERMISSION

Overture to Fidelio, Opus 72

by Ludwig van Beethoven (1770-1827)

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Martin Luther King Jr. Celebration Concert

The Cleveland Orchestra

T H E C L E V E L A N D O R C H E S T R A Three Gospel Songs: 1. Precious Lord” (A CAPPELLA) words by Rev. Thomas A. Dorsey (1889-1993) music by George Nelson Allen (1812-1877) spiritual, arranged for chorus by Arnold Sevier CENTRAL STATE UNIVERSITY CHORUS

conducted by William Henry Caldwell

2. “I’ve Been ’Buked” (A CAPPELLA) traditional, arranged for chorus by Hall Johnson UNIVERSITY AND CELEBRATION CHORUSES

conducted by William Henry Caldwell

3. “Praise His Holy Name” traditional, arranged for chorus by Keith Hampton with the UNIVERSITY AND CELEBRATION CHORUSES

conducted by William Henry Caldwell

“Danse Nègre” from African Suite, Opus 35 No. 4

by Samuel Coleridge Taylor (1875-1912)

“We Shall Overcome” words by Charles Albert Tindley (1851-1933) and others to music from a gospel song arranged for chorus and orchestra by Uzee Brown Jr. with the CENTRAL STATE UNIVERSITY CHORUS and the MARTIN LUTHER KING JR. CELEBRATION CHORUS

This concert is sponsored by KeyBank, a Cleveland Orchestra Partner in Excellence.

LIVE RADIO BROADCAST:

This concert is being broadcast live on radio stations WCLV (104.9 FM) and WCPN (90.3 FM).

Please silence all cellphones and watch alarms.

Taping, videorecording, and photographing of this concert are prohibited.

The members of The Cleveland Orchestra are donating their services for this performance to benefit the sustaining fund of the Musical Arts Association.

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Lead sponsor

Additional support by

Chelsea Tipton II American conductor Chelsea Tipton II is celebrating his second season as music director of the Symphony of Southeast Texas in Beaumont. He previously served seven years as resident conductor of the Toledo Symphony Orchestra. He made his Cleveland Orchestra debut in January 2007, conducting that year’s Martin Luther King Jr. Celebration concert, and returned in January 2008.

As a guest conductor, Mr. Tipton has appeared with major orchestras throughout the United States, including those of Atlanta, Brooklyn, Charlotte, Chicago, Detroit, Houston, Indianapolis, Louisiana, Nashville, New Jersey, Pittsburgh, and San Antonio, as well working with the New World Symphony. In 2008, he led the Sphinx Competition Showcase gala concert at Carnegie Hall at the close of a ten-city tour. He also stepped in as a last-minute replacement for Robert Spano to conduct an all-Gershwin season finale with the Brooklyn Philharmonic, earning praise for “sweeping and vibrant performances” from the New York Times. In 2004, he led the Boston Pops Orchestra in their annual Gospel Night Concert.

Mr. Tipton earned a bachelor of music in Clarinet Performance from the Eastman School of Music and a master of music degree in orchestral conducting from Northern Illinois University, with additional studies at the University of Cincinnati College-Conservatory of Music and the Pierre Monteux School for Conductors in Hancock, Maine.

“Lift Every Voice and Sing” words by James Weldon Johnson (1871-1938), music by J. Rosamond Johnson (1873-1954) arranged by Roland Carter

Lift every voice and sing, ’Til earth and heaven ring, Ring with the harmonies of liberty; Let our rejoicing rise High as the listening skies, Let it resound loud as the rolling sea.

Severance Hall 2011-12

Guest Conductor

Sing a song full of the faith that the dark past has taught us.

Sing a song full of the hope That the present has brought us.

Facing the rising sun of our new day begun, Let us march on ’til victory is won.

39

Central State University provides a nurturing and inspiring environment where students succeed in business, science and technology, pre-law and fine arts.

The University is committed to supporting Ohio’s efforts to increase the number of citizens with baccalaureate degrees and is recognized by the state of Ohio as a Center of Excellence in Emerging Technologies and Fine and Performing Arts.

Central State University is located in Wilberforce, Ohio and is one of the nation’s oldest historically black universities.

CHANGE IS CENTRAL CENTRALSTATE.EDU

William Henry Caldwell William Henry Caldwell is a professor of music and director of vocal and choral activities at Central State University in Wilberforce, Ohio. He chairs the Department of Fine and Performing Arts and also serves as chairman of the Department of Music and director of the Paul Robeson Cultural and Performing Arts Center. Under his leadership, the Central State University Chorus has performed widely to international acclaim. Their recordings for Telarc include a Grammy nomination for Amen: A Gospel Celebration.

Mr. Caldwell has performed as a baritone soloist throughout the United States and abroad. He performs regularly as a baritone soloist with the Dayton Philharmonic Orchestra and has appeared with the Cincinnati Symphony Orchestra. He has recorded on the Telarc label, including appearing as Cokey Lou in George Gershwin’s one-act opera Blue Monday. He has performed as a baritone soloist in Italy, Egypt, and Germany, and has served as an adjudicator and guest conductor for the Ohio All State Choir.

Mr. Caldwell is a magna cum laude graduate of Stillman College in Tuscaloosa, Alabama, and holds a master of music degree in vocal performance from the University of Texas. He is currently completing the requirements for a doctorate of musical arts in vocal performance from the Cincinnati College-Conservatory of Music. Mr. Caldwell has served as a member of several arts organization boards, including the Dayton Philharmonic and the Kettering Children’s Choir. He also serves as choir director at Westminster Presbyterian Church in Xenia, Ohio.

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ACADEMY TM

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Family Open House Sunday, February 12 and Wednesday, April 18 Co-ed Preschool – Grade 12 gilmour.org A Catholic, independent school sponsored by the Congregation of Holy Cross, Notre Dame, Indiana

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Guest Artist

41

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Central State University Chorus William Henry Caldwell, Conductor Gregory Thompson, Accompanist

Vocal music has played an essential role in the history of Central State University.

Located in historic Wilberforce, Ohio, Central State has served as a launching pad for many outstanding singers of international renown, including Leontyne Price, Roberta Alexander, and Nancy Wilson.

This evening’s concert marks the ninth appearance of the Grammy-nominated Central State University Chorus in these annual Martin Luther King Jr. Celebration Concerts at Severance Hall. The Chorus has been conducted for thirty years by faculty artist William Henry Caldwell, professor of music and chairperson for the University’s Department of Fine and Performing Arts. The Chorus has appeared throughout the United States and in Europe with performances in London, Canterbury, Paris, Venice, and Florence, and at the Vatican in Rome.

The group is featured on several recordings for Telarc. The Chorus also has appeared on National Public Radio’s Lift Every Voice and Sing and with the Cincinnati May Festival Chorus under James Conlon’s direction. They have appeared in performance with Leontyne Price, Angela Brown, Marquiter Lister, Bill Cosby, Arsenio Hall, Harolyn Blackwell, Gregg Baker, Tremaine Hawkins, Albertina Walker, and the legendary Cab Calloway. The Chorus performs regularly with the Dayton Philharmonic Orchestra, Cincinnati Pops, and the Indianapolis Symphony Orchestra.

SOPRANOS Angelica Bonds Dominique Collins Courtney Dortch Crystal Duckett Kyrie Harris Terri Harris Rashida K. Haugabook Shakalah S. Hines Christian Jones Gabriela M. Rodriguez Hunter Scott Kimberley Stewart Christina Turner Tanisha Turner Rosalyne Wright

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ALTOS Rayyah Andrews Silvia Aponte Venus Armstrong Lugene Bailey Brittany Bernard Aminata Burton Yvette Clark Alainna M. Cox Natalie Craig Stephanie Craig Alicia Davis Aesha Dominguez Mercy Fitzpatirck Paris Garner Shameera Garrett Toressa Kidd Danette Kinney April Malone Anita Myers Shaneqwa Nixon Gabrielle Ruffin Teeya Skipper Nakia Wright

Guest Artists

TENORS Troy Boone Darius Coleman Gabriel Gibson Joshua Gooding Kendall Hart Lavonte Heard Lendale Herndon Roger Jones Ronnie Pierce DeAune Tinnon Ernest Tremble Jarret Ward Steven Weems Antonio Williams Merkell Williams

BASSES Artrell Allen Michael Cage Zuriel Clark Jonathan Cummings Jerel Duren William Harris Deon Jefferson Paul Jones Joseph Leveston Derrick Myers Randall Nimocks Henry Parker James Ruffin Branden Stivers Edward Taylor Jacob Towner Jeremiah J. Towner William Wheat Robert Young

Rhythm Section Derrick Myers, keyboard Earnest Tremble, keyboard Lucretia Bolden, drums Marcaelis Sanders, bass guitar

43

Listen to The Black Arts with A. Grace Lee Mims each Wednesday at 10 p.m.

Alexandra Switala Violinist Alexandra Alvarado Switala is a scholarship recipient of the Music Institute of Chicago’s Academy program for gifted pre-college musicians, where she studies privately with faculty members Roland Vamos and Almita Vamos. She is the Junior Division First Place Laureate of the 14th Annual Sphinx Competition 2011, presented by the DTE Energy Foundation, and performs as part of the Sphinx Professional Development Program sponsored by GM. Alexandra Switala began her musical journey at the age of four in Texas, where she studied with Jan Mark Sloman. She has subsequently studied privately with musicians from across the nation, including Catherine Cho at the Juilliard School. In addition to her Sphinx Competition prize, she is the first prize winner of the Ars Viva concerto competition. She is also the recipient of the Bayard H. Friedman Award in Fort Worth and of the Texas Commission on the Arts Young Master Award.

Since the age of 13, Alexandra has enjoyed a variety of performance opportunities, including as a soloist with the Fort Worth Symphony Orchestra and SMU Meadows Symphony Orchestra, and performing chamber music at the Embassy of the United States of America in Canada. She has been a featured on NPR’s From the Top and Performance Today, as well as on the nationally syndicated PBS television show From the Top at Carnegie Hall in a duet with her brother, Robert. Alexandra has participated in and received full scholarships to numerous summer festivals, where she’s participated as both a chamber musician and as a soloist. With her string trio, VistaNova, she has participated in the Fischoff National Chamber Music Competition and has been coached by members of the Audubon, Guarneri, and Mendelssohn quartets.

THE SPHINX COMPETITION is a program of the Sphinx Organization, a national arts

organization that focuses on youth and minority involvement in classical music. Held every year in Ann Arbor and Detroit, Michigan, the competition is open to all junior high, high school, and college-age Black and Latino string players residing in the United States. The purpose of the competition is to offer these young musicians an opportunity to compete under the guidance of an internationally renowned panel of judges and to perform with established professional musicians in a competition setting. Its primary goals are to encourage, develop, and recognize classical music talent in the Black and Latino communities. While in Cleveland, Sphinx laureates often assist education and community relations efforts to increase interest, awareness, and knowledge of classical music through school visits in Cleveland and East Cleveland, and presentations at various community sites.

Severance Hall 2011-12

Guest Artist

45

Imagine being Jackie.

Gotta drop off dinner for her.

If I serve chicken one more time, we’re all going to start clucking.

Did I let the dog out?

Gotta pick the girls up from soccer.

What if I had cancer like Jackie?

Oh, Book Club, wish they had CliffsNotes for this one.

What if I didn’t know how much longer I had left ?

Could my husband really handle it all alone?

How would I ask for help?

Thinking about the end-of-life is the first step to talking about it. At Hospice of the Western Reserve, we believe discussing it early will help both you and your family when the time comes. That’s why we encourage you to talk to your family about your wishes now. We’re here to guide you. Contact us for a booklet that explains our services and helps you start the conversation. hospicewr.org/plan | 855.852.5050

Martin Luther King Jr. Celebration Chorus a volunteer community chorus assembled and prepared by William Henry Caldwell Anita Abrams Osborne Abrams Arlene N. Allen Ulysses Allen Evangelist Renee Woodland Anderson Jonester Bacon Melody Kyser Baker Zadie M. Barber Sandra Bass Gwendolyn J. Bennett Nancy Bernstein Harriet J. Biles-Thomas Shirley A. Billups Cheryl BlocksonWestmoreland Eva C. Blount Kathy Brown Carlisa R. Burge Kourtney Burns Charlie A. Burrell Gail Campbell Sharon Brown Cheston Mary Chiriboga Cynthia Clark Pansy R. Coleman Thurston W. Coleman Renay Cook Joan Craft Lucitta Cummings Wanda Dean

Mary Dixon Roxie B. Douglas Celia W. Edochie Lori Elmore Kendra Gainey Reverend Jimmy L. Gates Kurána Glaros Paula C. Gray Shirley D. Grooms Charles Harris Dianne Harris Johanna Harris Stephanie Harris Isalene Heard Lucy Henderson Marlene Hollinger Tonya M. Huffman Jeral Hurd Kristine M. Jackson Shirley Jefferson Thelma C. Jinko Bonita Johnson Jaqueline Johnson Sylvia Johnson Sharon Jones Rivia O. Keys Artemesie B. Lee Joyce M. Lee Karen Long Helen Mack Mildred O. Martin

Victoria J. McAdoo Marian E. McClendon Leotha Melvin Dianna Meriweather Ethel Yvonne Middlebrooks Andrea Kirkland Moore Chiquita A. Moore Yvette Moore Denys Morgan Mrs. Donna L. Morgan Leta Murphy Carolyn Neal Cheryl Nelson-Jones Marie G. Oatman Wanda Owens Zenia Peak Catherine Phelps-Garrett Lovette V. Phillips-Ash Ronald Pitts Phyllis Powell Sarah Lee Powell John A. Powell, Sr. Charlie Mae Radcliff Miracle L. Reid Claudia Rice Renee Roberson Sabrena Robinson Anna M. Rogers Cynthia A. Rose Constance Samuels

Edith Seabon Alice Seifullah Helen Sellers Paula Shaw Lezlee Sims Jennifer L. Sizemore Shirley Diana Smith Stanley Smith Lyndon O. Steele Arna Stennet Marlyn E. Stokes Norma J. Tanner Emma Taylor Harriet Thomas Martha Walter Thomas Bishop C. Tyehimba Thonor-Kuykendall Jewel T. Tompkins Portia Tuck Christian Tyson Ronnie Walton Elizabeth Ouida Ward Raymond A. Weeden, Sr. Phyllis Weeden-Oliver Thelma Wheeler Deborah E. Williams Thelma D. Williams Yvonne Williams Rev. Carlton L. Willis Mary Yee Tony Youngs

This year’s Celebration Chorus includes members from the following churches: Advent Lutheran Church Affinity Missionary Baptist Church Aldersgate United Methodist Church Antioch Baptist Church Bethel Church of Cleveland Heights Bethel Seventh Day Adventist Church Blessed Hope Missionary Baptist Church Church of God of Prophecy Church of the Covenant Church of the Nazarene Church of the Redeemer Cory United Methodist Church Damascus Missionary Baptist Church East Mount Zion Baptist Church East View United Church of Christ Emmanu-El African Methodist Episcopal Zion Church Euclid Avenue Congregational Church Fifth Christian Church First Baptist Church of Greater Cleveland First Greater New Zion Methodist Baptist Church Glenville New Life Community Church Glenville Seventh Day Adventist Church

Severance Hall 2011-12

Good Shepherd Baptist Church Grace Fundamental Baptist Church Greater Abyssinia Baptist Church Greater New Beginning Missionary Baptist Church Greater Vision Baptist Church Holy Trinity Baptist Church Lakewood Seventh-Day Adventist Church Lane Metropolitan Christian Methodist Episcopal Church Lee Memorial African Methodist Episcopal Church Life’s Ripples Ministries Global Faith Community Living Truth Center for Better Living Maranatha Seventh Day Adventist Church Morning Star Baptist Church Mount Moriah Baptist Church Mount Olive Missionary Baptist Church Mount Sinai Baptist Mount Zion, Oakwood Village Nottingham United Methodist Church Olivet Institutional Baptist Church Parkwood Christian Methodist Episcopal Church Patton Memorial Christian Methodist Episcopal Church

Guest Artists

Pentecostal Church of Christ Philippi Missionary Baptist Church Pilgrim Baptist Church Pine Grove Missionary Baptist Church Providence Baptist Church Second St. John Baptist Church Southeast Seventh-Day Adventist St. Andrew’s Episcopal Church St. Christopher Church St. Paul’s African Methodist Episcopal Church St. James African Methodist Episcopal Church St. John Vianney Catholic Church St. Mary’s Catholic Church, Chardon St. Philip’s Lutheran Church St. Timothy Missionary Baptist Church Temple of Praise Seventh Day Adventist Church The House of the Lord The Word Church Unity Center Church University Circle United Methodist Church Werner United Methodist Church Zion Chapel Missionary Baptist Church Zion Hill Missionary Baptist Church

47

THE CLEVELAND C O N C E R T

C A L E N D A R

WINTER SEASON Thursday January 12 at 8:00 p.m.

Friday January 13 at 11:00 a.m.

Saturday January 14 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Julian Rachlin, violin

BRAHMS Violin Concerto SAARIAHO Orion SMETANA from Má Vlast [“My Homeland”] — Vysehrad, The Moldau, and Sárka* *not included on Friday Morning Matinee Concert Sponsor: Eaton Corporation

Sunday January 15 at 7:00 p.m.

THE CLEVELAND ORCHESTRA Chelsea Tipton II, conductor Central State University Chorus Martin Luther King Jr. Celebration Chorus

MARTIN LUTHER KING JR. CELEBRATION CONCERT The Cleveland Orchestra’s 32nd annual concert celebrating the spirit of Dr. King’s life, leadership, and vision.

Presented in collaboration with the City of Cleveland.

SOLDOUT: This concert is sold out.

LIVE RADIO BROADCAST: The concert is being broadcast live on radio stations WCLV (104.9 FM) and WCPN (90.3 FM).

Concert Sponsor: KeyBank

Monday January 16 noon to 5:00 p.m.

MARTIN LUTHER KING JR. COMMUNITY OPEN HOUSE Severance Hall joins in a city-wide celebration of Martin Luther King Jr’s life and achievements with a free public open house featuring musical performances by the Cleveland Orchestra Youth Orchestra, Cleveland Orchestra Youth Chorus, and more! Watch for complete details.

Sponsored by Medical Mutual of Ohio, the exclusive health insurer of The Cleveland Orchestra

Thursday January 19 at 8:00 p.m.

Friday January 20 at 8:00 p.m.

Saturday January 21 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Yefim Bronfman, piano

BRAHMS Piano Concerto No. 2 SHEPHERD Wanderlust SHOSTAKOVICH Symphony No. 6 Concert Sponsor: FirstMerit Bank

Thursday February 2 at 8:00 p.m.

Friday February 3 at 8:00 p.m.

Saturday February 4 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Yefim Bronfman, piano

SAARIAHO Laterna Magica MOZART Symphony No. 39 BRAHMS Piano Concerto No. 1 Sponsor: Baker Hostetler

Sunday February 5 at 2:00 p.m.

Yefim Bronfman, piano William Preucil, violin Stephen Rose, piano Robert Vernon, viola Mark Kosower, cello

BRAHMS Piano Sonata No. 3, Opus 5 BRAHMS Violin Sonata No. 3, Opus 108 BRAHMS Piano Quintet, Opus 34 Thursday February 9 at 8:00 p.m.

Saturday February 11 at 8:00 p.m.

Sunday February 12 at 3:00 p.m.

THE CLEVELAND ORCHESTRA Pierre Boulez, conductor Men of the Cleveland Orchestra Chorus

SCHUBERT Hymn to the Holy Spirit SCHUBERT Night Song in the Forest SCHUBERT Song of the Spirits over the Waters MAHLER Symphony No. 7 Concert Sponsor: Baker Hostetler

Friday February 10 at 10:00 a.m.

Saturday February 11 at 10:00 a.m.

Saturday February 11 at 11:00 a.m.

PNC MUSICAL RAINBOW:

Spectacular Strings

30-minute programs for ages 3 to 6.

Thursday February 16 at 8:00 p.m.

Friday February 17 at 8:00 p.m.

Saturday February 18 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Pierre Boulez, conductor Pierre-Laurent Aimard, piano Cleveland Orchestra Chorus

STRAVINSKY Symphonies of Wind Instruments BARTÓK Piano Concerto No. 1 SCHOENBERG Chamber Symphony No. 1 STRAVINSKY Symphony of Psalms Concert Sponsor: Forest City Enterprises

48

Concert Calendar

The Cleveland Orchestra

1112

ORCHESTRA

clevelandorchestra.com

I N

T H E

S P O T L I G H T

Thursday February 23 at 8:00 p.m.

Friday February 24 at 11:00 a.m.

Saturday February 25 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Marek Janowski, conductor Arabella Steinbacher, violin

WEBER Overture: The Ruler of the Spirits MENDELSSOHN Violin Concerto* SCHUBERT Symphony in C major (“The Great”) *not included on Friday Morning Matinee Thursday March 8 at 8:00 p.m.

Friday March 9 at 8:00 p.m.

Saturday March 10 at 8:00 p.m.

Sunday March 11 at 3:00 p.m.

THE CLEVELAND ORCHESTRA Christoph von Dohnányi, conductor Meagan Miller, soprano Tamara Mumford, mezzo-soprano Eric Cutler, tenor Iain Paterson, bass Cleveland Orchestra Chorus

LIGETI Atmosphères WAGNER Prelude to Act I of Lohengrin BEETHOVEN Symphony No. 9 (“Choral”) Concert Sponsor: KeyBank

Sunday January 15 at 7:00 p.m.

Sunday March 11 at 7:30 p.m.

CLEVELAND ORCHESTRA YOUTH ORCHESTRA James Feddeck, conductor CLEVELAND ORCHESTRA YOUTH CHORUS Frank Bianchi, director

LIADOV Ballade ELGAR Enigma Variations FAURÉ Cantique de Jean Racine POULENC Gloria

The Cleveland Orchestra’s 32nd annual concert celebrating the spirit of Dr. King’s life, leadership, and vision. Presented in collaboration with the City of Cleveland.

Listen to the live broadcast on radio stations WCLV (104.9 FM) and WCPN (90.3 FM).

The Cool Clarinet

30-minute programs for ages 3 to 6.

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts, visit www.clevelandorchestra.com.

Cleveland Orchestra Radio Broadcasts: Radio broadcasts of current and past concert performances

by The Cleveland Orchestra can be heard as part of regular weekly programming on WCLV (104.9 FM), with programs broadcast on Saturday at 8:00 p.m. and Sunday at 4:00 p.m.

Severance Hall 2011-12

THE CLEVELAND ORCHESTRA Chelsea Tipton II, conductor Central State University Chorus Martin Luther King Jr. Celebration Chorus

SOLDOUT: This concert is sold out.

Friday March 16 at 10:00 a.m.

Saturday March 17 at 10:00 a.m.

Saturday March 17 at 11:00 a.m.

PNC MUSICAL RAINBOW:

MARTIN LUTHER KING JR. CELEBRATION CONCERT

Concert Calendar

Concert Sponsor: KeyBank

CLEVELAND ORCHESTRA TICKETS PHONE

(216) 231-1111 800-686-1141

clevelandorchestra.com 49

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The Cleveland Orchestra celebrates the dreams of Martin Luther King Jr.

by Carol Jacobs T H E C L E V E L A N D O R C H E S T R A demonstrated early its commitment to honoring this country’s greatest civil rights leader. Four days after the April 4, 1968, assassination of Martin Luther King, The Cleveland Orchestra under George Szell performed the “Allegretto” movement from Beethoven’s Symphony No. 7 as a memorial tribute to the life of Dr. King.

Toward the end of the next decade, The Cleveland Orchestra played a key role in the evolution of a more formal and institutionalized recognition of Dr. King’s life. The Orchestra’s first Martin Luther King Jr. Concert took place in January 1980. In the program book of that first concert, Dr. Donald G. Jacobs, executive director of the Greater Cleveland Interchurch Council, applauded The Cleveland Orchestra “ for taking seriously the need for the whole community to recognize the vital role the life and death of Dr. King continues to play in the struggle for racial justice and human dignity.”

The Martin Luther King Jr. Concert quickly became an annual event both as a tribute to Dr. King and as an expression of commitment to the struggle for racial justice and human dignity. From 1980 to 1986, the Musical Arts Association and the Interchurch Council collaborated in presenting these Severance Hall concerts. In January 1986, the Jewish Community Federation and the Catholic Diocese of Cleveland joined the Interchurch Council and the Musical Arts Association in sponsoring the event. That same year, the federal government officially designated the third Monday in January as a public holiday celebrating the life and work of Dr. King.

In 1986, the City of Cleveland became directly involved in presenting these concerts at the request of Cleveland City Council President George Forbes and Mayor George Voinovich.

From 1987 to 1997, the annual King concert took place at Cory United Methodist Church, the site of Dr. King’s last speech in Cleveland. The concert was held at Severance Hall in 1998 and again in 2000 as part of the re-opening festivities following the Hall’s restoration. Severance Hall has continued to host the concert since then.

Many distinguished performing artists have participated in these concerts, including Andrew Davis, Christoph von Dohnányi, Leslie Dunner, Raymond Harvey, Isaiah Jackson, Kay George Roberts, André Raphel Smith, Thomas Wilkins, Florence Quivar, Daisy Newman, Cissy Houston, Janet Alcorn, Barbara Conrad, John Cheek, Natalie Hinderas, William Warfield, Leon

Severance Hall 2011-12

Martin Luther King Jr. Celebration Concert

51

Don’t Miss Out! Put your ad in The Cleveland Orchestra programs in 2012.

The Cleveland Orchestra performs concerts all year long — Winter, Spring, Summer and Fall — and throughout the year we print a new program every concert week.

➧

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You can begin adver tising at any point in the year.

You can schedule your ad by the concer t season, half-season, or even by the week all through the year.

You can change your advertising art and message every program week if you like, giving you the opportunity to combine budgets and messages.

medium is the message.”

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— Marshall McLuhan, 1911-1980

Contact John Moore | 216-721-4300 | jmoore@livepub.com

photo: Roger Mastroianni

➧

Bibb, and John Fleming. Music Director Franz Welser-Möst first conducted the Martin Luther King Jr. Celebration Concert in 2003, and also conducted it in 2004, 2006, and 2009.

Beginning with the 1989 concert, volunteers from the greater Cleveland area were organized by Alvin Parris into a Community Gospel Choir, now called the Martin Luther King Jr. Celebration Chorus. In the past decade, William Henry Caldwell has taken on the role of chorus director. Other choral participants have included the Cleveland Orchestra Chorus, Prestonian Choral Ensemble, Morgan State University Choir, Shaw High School Concert Choir, Everett Moore Singers, and the Central State University Chorus.

An important facet of these programs has been the presentation of contemporary American works, including those of Donald Erb, William Grant Still, Ulysses Kay, Carman Moore, Alvin Parris, Joseph Schwantner, Hale Smith, Undine Smith Moore, George Walker, and Lanny Wolfe. The singing of “Lift Every Voice and Sing,” with audience participation, has been a tradition since the 1984 concert.

Carol Jacobs served as Archivist for The Cleveland Orchestra from 1990 to 2007.

Kulas Series Keyboard Conversations® Kulas Series of of Keyboard Conversations® with Siegel withJeffrey Jeffrey Siegel

24th Season 2011-2012 24th Season 2011-2012

Presented by Cleveland State University’s Center for Arts and Innovation

Presented by Cleveland State University’s Center for Arts and Innovation

Masterly Masterly

Sunday, Sunday,October 2, 2011 Sunday, October October 2, 2, 2011 2011

AA Beethoven Beethoven Bonanza!

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musical love triangle: Robert, Clara AA A musical musicallove lovetriangle: triangle:Robert, Robert,Clara Clara and Johannes! and andJohannes!

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All concerts at 3:00 All concerts beginbegin at 3:00 pmpm at at Cleveland State University’sWaetjen Waetjen Cleveland State University’s Auditorium, EuclidAve. Ave.and and E. 21st Auditorium, Euclid 21stSt. St. more information call call 216.687.5018 216.687.5018 ForFor more information visitwww.csuohio.edu/concert www.csuohio.edu/concertseries/kc ororvisit series/kc series/kc

Severance Hall 2011-12

Martin Luther King Jr. Celebration Concert

53

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GUYS AND DOLLS (1950) Music & Lyrics by Frank Loesser Book by Abe Burrows and Jo Swerling June 16, 20, 23, 26, 30, July 5, 12, 15, 21, 24, 27, 29, 31, August 5, 11 At The Ohio Light Opera, Loesser is more â&#x20AC;&#x201C; â&#x20AC;&#x153;a bushel and a peckâ&#x20AC;? more! No American musical has garnered more unanimously glowing accolades than Frank Loesser and Abe Burrowsâ&#x20AC;&#x2122; 1950 musical fable Guys and Dolls.

Based on the stories and characters of famed writer Damon Runyon, the music, lyrics, and book bristle with the seedy street life of New York City. The showâ&#x20AC;&#x2122;s characters have assumed legendary recognition: gambler Sky Masterson has fallen hard for Save-A-Soul Mission reformer Sarah Brown; bookie Nathan Detroit has been engaged for 14 years to nightclub chanteuse Miss Adelaide, who laments her psychosomatic cold that has lasted just as long; and horseplayer Nicely-Nicely Johnson provides a revivalist confession (â&#x20AC;&#x153;Sit down, youâ&#x20AC;&#x2122;re rockinâ&#x20AC;&#x2122; the boatâ&#x20AC;?) when forced to give testimony at the Mission.

Song hits include: â&#x20AC;&#x153;Luck be a lady,â&#x20AC;? â&#x20AC;&#x153;If I were a bell,â&#x20AC;? â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;ve never been in love before,â&#x20AC;? and â&#x20AC;&#x153;My time of day.â&#x20AC;?

54

The Cleveland Orchestra

The Life of Martin Luther King Jr.

by Vivien-Sue Penn and Donald McNeely The following biographical sketch is reprinted, with appreciation, from the New Jersey Education Association’s “NJEA Review” of January 1977.

Martin Luther KING Jr. born January 15, 1929 Atlanta, Georgia died April 4, 1968 Memphis, Tennessee

Severance Hall 2011-12

T H I S G E N E R A T I O N H A S little or no direct experience or knowledge of the struggle for civil rights and human dignity in this country, or of the heroes who led the protest, nor the price they paid. In this age when we still see so much violence around us, it is necessary and proper to study the lives and works of men and women who achieved so much with nonviolent techniques. Martin Luther King Jr. was one of those persons.

Michael Luther King was born in Atlanta, Georgia, on January 15, 1929, the son and grandson of Baptist ministers. He later changed his name to Martin Luther King. He was protected somewhat as a child because he was the son of “substantial” black parents. However, he, too, faced personal incidents in the South that smacked of discrimination and social injustice. In Atlanta, he attended Booker T. Washington High School. By the time he was 19, he had graduated as a special gifted student from Morehouse College in Atlanta, Georgia, and then continued his ministerial education by obtaining a Bachelor of Divinity Degree at Crozer Theological Seminary. He was awarded a PhD from Boston University in 1955.

While he was pursuing his education in Massachusetts, King met and married Coretta Scott from Alabama, who was studying voice at the New England Conservatory of Music. During those early formative years, he developed a fascination for the life and teachings of Mahatma Gandhi, who articulated a doctrine of passive resistance to gain freedom in India.

While Martin Luther King was studying for his doctorate in 1954, he was offered and accepted the pastorate of the Dexter Avenue Baptist Church in Montgomery, Alabama.

In 1955, black people in Alabama were still sent to the rear of any public conveyance — segregated seating. The Montgomery Improvement Association (MIA) was organized in December 1955 to change that situation. King became MIA’s president and preached resistance with love — not hate — for the oppressors. During this period of change in Alabama, Martin Luther King Jr.

55

many black people were arrested, physically attacked, and otherwise intimidated. Still their protest made its point. The United States Supreme Court finally ruled that existing Alabama laws regarding segregated seating were unconstitutional. Blacks and whites rode buses for the first time on a non-segregated basis. The success of the venture taught civil rights advocates that there was power in good organization and strong leadership, which King provided.

Martin Luther King was convinced that his leadership strength lay in its nonviolent approach and proceeded to follow his own dictates by organizing the Southern Christian Leadership Conference (SCLC) in January 1957 to widen the effects of his Montgomery success.

King moved his family to Atlanta in 1959, where he joined forces with his father, who was the minister associated with the Ebenezer Baptist Church.

Kingâ&#x20AC;&#x2122;s life was anything but nonviolent. He was frequently arrested, jailed, and physically bruised. Fire hoses and attack dogs became a way of life for this fighter of social injustice. His life was one long thread of demonstrations on buses and other public conveyances, in restaurants, hotels, department stores and other places that needed to be desegregated.

Massive demonstrations took the form of freedom marches in

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56

Martin Luther King Jr.

The Cleveland Orchestra

Alabama and Washington. These challenged people of all faiths, races and religions to join the fight for freedom for all Americans.

From all over the nation people joined together in support of the civil rights movement. King’s speeches were impassioned and concerned his personal and his race’s fight against prejudice. They often referred to his philosophy of nonviolence, containing the “I have a dream” appeal first introduced at the Lincoln Memorial in Washington D.C., during the 1963 March on Washington.

In 1964, Martin Luther King, at the age of 35, became the youngest man to be awarded the Nobel Peace Prize. Four years later he was struck down while supporting a sanitation worker strike in Memphis, Tennessee. While standing on a motel balcony, on April 4, 1968, he was shot by an assassin.

BELOW

Martin Luther King Jr. in Washington D.C. to deliver his “I Have A Dream” speech as part of the “March on Washington for Jobs and Freedom” in August 1963.

216.791.8000 www.benrose.org A leader in service, research, and advocacy for older adults Severance Hall 2011-12

Martin Luther King Jr.

57

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The Cleveland Orchestra

Guide to Fine Schools

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58

The Cleveland Orchestra

The Cleveland Orchestra: Serving the Community The Cleveland Orchestra’s Education and Community programs provide shared musical experiences that engage, inspire, support, and deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R M A S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s actitivities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 70,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling (216) 231-7355.

School buses delivering students to Severance Hall. More than four million schoolchildren have been introduced to symphonic music in nine decades of Cleveland Orchestra education concerts.

Severance Hall 2011-12

Education & Community

59

T H E

The Cleveland Orchestra helps celebrate the seasons and special events throughout the year.

On October 30, the season’s first Family Concert featured the second annual “Halloween Spookatcular!” including a special audience costume contest.

C L E V E L A N D

Music Study Groups provide a way of exploring the Orchestra’s music in depth.

These professionally led classes meet weekly to explore the music being played each week and the stories behind the composers’ lives.

A Family Concert featuring Stravinsky’s Firebird Suite brought audiences up close for a thrilling performance by Academy Trainees of the Joffrey Ballet and performers from the Cleveland School of Dance. The Joffrey Academy returned on December 2 to Severance Hall for the season’s second Family Concert, “Scenes from Tchaikovsky’s Nutcracker.”

60

Education & Community

The Cleveland Orchestra

O R C H E S T R A

The Cleveland Orchestra is creating “Musical Neighborhoods” in Cleveland preschools as part of PNC Grow Up Great, using music to support pre-literacy and school readiness skills.

THANK YOU

Cleveland Orchestra clarinetist Robert Woolfrey leads a Learning Through Music program at H. Barbara Booker School in Cleveland.

The Cleveland Orchestra’s Education and Community programs are made possible by many generous individuals, foundations, and corporations, including: The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Chubb Group of Insurance Companies Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation Giant Eagle Muna & Basem Hishmeh Foundation Martha Holden Jennings Foundation JPMorgan Chase Foundation KeyBank The Laub Foundation The Lincoln Electric Foundation The Lubrizol Corporation Medical Mutual of Ohio The Nord Family Foundation Ohio Arts Council Ohio Savings Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation The Sherwin-Williams Foundation The South Waite Foundation Surdna Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

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Education & Community

More than 1,000 talented young musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the 25 years since its founding in 1986.

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OrchestraNews Chamber music recital on February 5 features Yefim Bronfman and Orchestra principals in works by Brahms Pianist Yefim Bronfman appears in a special all-Brahms program of chamber music in Severance Hall’s Reinberger Chamber Hall on Sunday, February 5, at 2 p.m. The program features four principal string players of The Cleveland Orchestra performing with Bronfman.

The recital opens with Brahms’s Piano Sonata No. 3 in F minor, Opus 5, followed by the Violin Sonata No. 3 in D minor, Opus 108, performed by Bronfman and concertmaster William Preucil. After intermission, the afternoon presentation concludes with Brahms’s Piano Quintet in F minor, Opus 34, in which Bronfman will be joined by Preucil, principal second violin Stephen Rose, principal viola Robert Vernon, and principal cello Mark Kosower.

The February 5 concert concludes a three-week series of Cleveland Orchestra concerts conducted by Franz Welser-Möst featuring the three solo concertos of Brahms, with Bronfman as soloist in both piano concertos. Bronfman is devoting four weeks to performances with The Cleveland Orchestra between January and May, including the two weeks in Cleveland, plus a week in January in Miami and a performance of the Brahms Second Concerto in May at Carnegie Hall.

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Cleveland Orchestra and partner Conn-Selmer provide violins to El Sistema@Rainey

Comings and goings As a courtesy to the performers on stage and the entire audience, latearriving patrons cannot be seated until the first break in the musical program.

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Thirty very excited students received brand-new violins at a special event in October as part of the inaugural year of El Sistema@Rainey, a comprehensive afterschool orchestral music program launched by the Rainey Institute and Cleveland Orchestra violinist Isabel Trautwein with the 2011-12 school year. The Cleveland Orchestra with its partner Conn-Selmer are the official providers of Scherl & Roth violins for the El Sistema@Rainey program.

In its first year, El Sistema@ Rainey is providing ten hours of weekly group violin instruction and educational support to 30 children in Cleveland in grades 1-4, with plans to expand to more students in future years. Young musicians will also have opportunities to perform onstage at Severance Hall and participate in masterclasses with Cleveland Orchestra musicians. Isabel Trautwein, who serves as the artistic director of El Sistema@Rainey, was granted a year-long leave of absence from The Cleveland Orchestra last season to participate in a formal training program to study the methods of El Sistema (“the system”) in Venezuela and Boston, with the goal of building an El Sistema “nucleo” in Cleveland.

El Sistema was founded more than 35 years ago in Venezuela by economist, musician, and social reformer Dr. José Antonio Abreu. Today, the program serves more than 350,000 children through neighborhood-based daily music instruction.

El Sistema@Rainey joins El Sistema programs worldwide, including those based in Atlanta, Baltimore, Boston, Chicago, Los Angeles, and Philadelphia.

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OrchestraNews Youth Orchestra announces plans for first international tour to Europe this summer with help from new Touring Fund

Upcoming performances by members of The Cleveland Orchestra in Northeast Ohio include: A unique world-wide performance event is being held on Saturday, January 14, with local participation involving a “Percussion Beat-Down” at 3 p.m. at the Cleveland Institute of Music. Simultaneous performances are being presented in locations around the globe to focus attention and encourage people to take action to help alleviate world hunger. Led locally

by Cleveland Orchestra musicians Richard Weiner (percussion, retired) and Paul Yancich (timpani), co-chairs of CIM’s percussion department, the event will feature over 25 performers, including CIM students and other faculty members including percussionist Jamey Haddad, who curates the world music performances surrounding The Cleveland Orchestra’s KeyBank Fridays@7 concerts. This Cleveland performance at CIM’s Kulas Hall is free and open to the public.

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Cleveland Orchestra musician Carolyn Gadiel Warner (violin, keyboard) celebrates her 25th year as a faculty member at the Cleveland Insitute of Music with a special recital event on Sunday afternoon, January 22 titled “Carolyn Warner and Friends.” The free performance at 4 p.m. at CIM features Cleveland Orchestra colleagues Steven Warner (violin) and Mark Kosower (cello), as well as CIM students. Music selections include works by Milhaud, Martinů, Piazzolla, and Brahms. For more information, visit cim.edu.

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A.R.O.U.N.D T.O.W.N Recitals and presentations featuring Orchestra musicians

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Plans have been announced for the Cleveland Orchestra Youth Orchestra to make its first international tour in 2012.

The tour to Europe June 13-21 includes concerts in Prague, Vienna, and Salzburg.

The Youth Orchestra will be conducted by its music director, James Feddeck, who is in his third and final season with the Youth Orchestra and as assistant conductor of The Cleveland Orchestra. The repertoire includes Dvořák’s Symphony No. 8, Elgar’s “Enigma” Variations, and music from Wagner’s Tristan and Isolde. In addition to concerts, tour activities for the Youth Orchestra members include guided historic sightseeing tours featuring visits to the Vienna Musikverein and Vienna’s Zentralfriedhof (Central Cemetery, where many famous composers are buried, including Beethoven, Brahms, Schubert, and Johann Strauss Jr.).

The Cleveland Orchestra Youth Orchestra tour is made possible in part through the generosity of the Vinney family. In April 2011 the Jules and Ruth Vinney Cleveland Orchestra Youth Orchestra Touring Fund was established to help cover costs of the Youth Orchestra tour and to provide scholarships to eligible Youth Orchestra members. An endowment gift from the Jules and Ruth Vinney Philanthropic Fund, advised by their children Les Vinney, Margo Vinney, and Karen Jacobs, established this generous Touring Fund, which will provide perpetual support for the Youth Orchestra’s touring program.

Members of the Youth Orchestra are also participating in fundraisers throughout the 2011-12 season to help cover the cost of the tour. They are also available for solo and chamber music performances, in order to earn funds to support their trip.

Contact the Youth Orchestra manager at 216-231-7352 for more details.

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New Cleveland Orchestra recording features live performance of “Rusalka” from Salzburg Festival The Cleveland Orchestra’s newest recording is a live audio recording of Dvořák’s opera Rusalka, performed under Franz Welser-Möst’s direction as part of the 2008 Salzburg Festival. The album on the Orfeo label was released at the end of September and New! comes in CD format or as a music download.

The August 2008 performances of Rusalka marked the first time that The Cleveland Orchestra played from the orchestra pit for an opera production at the Salzburg Festival. The five sold-out Rusalka performances were part of a Festival Residency that also included Welser-Möst conducting the Orchestra in three different concert programs. Prior to the staged Salzburg performances, Welser-Möst and the Orchestra presented in-concert performances of Rusalka in Cleveland.

Martin Luther King Jr. Celebration Concert on January 15 broadcast live on local radio The Cleveland Orchestra performs its 32nd annual concert on Sunday evening, January 15, celebrating the spirit of Dr. King’s life, leadership, and vision in music, song, and community recognition. Tickets to this free event were sold out within an hour after going on sale on January 3. The performance, led by guest conductor Chelsea Tipton II and featuring the specially assembled volunteer Martin Luther King Jr. Celebration Chorus, is being broadcast live locally on radio stations WCLV (104.9 FM) and WCPN (90.3 FM).

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Cleveland Orchestra now available as an app for mobile phones The Cleveland Orchestra’s website is now available in a streamlined format as an application for cell phones. The “app” can be downloaded in versions for iPhone or Android phones, and many of its features also display on other webready mobile phones.

The new app offers fans a convenient and streamlined way to purchase tickets, listen to Cleveland Orchestra radio broadcasts, and connect to the Orchestra’s social media. Created in partnership with InstantEncore.com, a leading performing arts digital platform, the app connects fans to The Cleveland Orchestra Blog, Facebook, YouTube, and information about the Orchestra (including musicians’ photos and biographies) and venues. The app also allows on-demand, streaming broadcasts from WCLV of performances by The Cleveland Orchestra and Cleveland Orchestra Youth Orchestra.

This latest tech innovation is an addition to the Orchestra’s ongoing social media platforms and website, including The Cleveland Orchestra Blog (viewed by readers in all 50 states and more than 100 countries), Facebook, Twitter, Flickr, and YouTube. The Cleveland Orchestra’s website offers convenient online seat selection and print-at-home ticketing.

Additional features to the mobile app will be added in the coming months.

The app can be downloaded free from the iTunes Stores or Android Marketplace. Links for downloading can also be found on the Orchestra’s homepage.

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IN THE SCHOOLS

P H OTO G R A P H BY R O G E R M A S T R O I A N N I

Franz Welser-Möst and Cleveland Orchestra to continue recording Bruckner with Sym. No. 4

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The Cleveland Orchestra and Music Director Franz WelserMöst have announced that they will record performances of Bruckner’s Symphony No. 4 at the Abbey of St. Florian near Linz, Austria, in August 2012. The recording will be released on DVD and adds to the Orchestra’s series of four Bruckner symphonies (Nos. 5, 7, 8, and 9) already recorded with generous support from Raiffeisenlandesbank Oberösterreich and Clasart production company. Welser-Möst and the Orchestra Symphony No. 8 was released last year. are presenting the Fourth Symphony in performances at Severance Hall later this spring, April 26-28.

In announcing the next recording, Dr. Ludwig Scharinger, CEO of Raiffeisenlandesbank Oberösterreich, commented, “We are proud to support Franz Welser-Möst and The Cleveland Orchestra in their deep commitment to recording Bruckner’s masterpiece symphonies and sharing them with the world.” Raiffeisenlandesbank Oberösterreich has sponsored Cleveland Orchestra performances in both Austria and Germany, and supported the 2011 Cleveland Orchestra Residency at the Musikverein in Vienna. In addition, Raiffeisenlandesbank Oberösterreich has organized Cleveland Orchestra performances at the Brucknerhaus in Linz as well as at the Abbey of St. Florian, the church where Bruckner is entombed. The bank is committed to enriching Austria’s culture through the arts.

Dr. Herbert Kloiber, chairman of The Cleveland Orchestra’s European Advisory Board, said, “Franz Welser-Möst and The Cleveland Orchestra’s recordings of Bruckner’s symphonies create a legacy and a benchmark for years to come. It is incredible to witness these historic recordings come to life in the remarkable venues at St. Florian, the Musikverein, and at Severance Hall in Cleveland.”

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The Cleveland Orchestra has performed concerts in two area high schools this season. Franz Welser-Möst led the Orchestra in a presentation at Saint Ignatius High School (left) that featured John Adams’s “Doctor Atomic Symphony” on October 14, and Sasha Mäkilä led a performance at the Cleveland School of the Arts titled “American Journey” on November 16.

These performances marked the Orchestra’s third season of Cleveland Orchestra concerts in high schools, launched in 2009 by Welser-Möst.

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Endowed Funds

funds established as of June 2011

Generous contributions to the endowment have been made to support specific artistic initiatives, ensembles, educational programming and performances, facilities maintenance costs, touring and residencies, and more. These funding opportunities currently represent new gifts of $250,000 or more.

For information about making your own endowment gift to the Orchestra, please call (216) 231-7549.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus.

American Conductors Fund

Guest Artist

Douglas Peace Handyside Holsey Gates Handyside

The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

Artist-in-Residence Malcolm E. Kenney

Artistic Collaboration The Keithley Fund

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

International Touring Frances Elizabeth Wilkinson

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

Radio Broadcasts Robert and Jean Conrad

Concert Previews

Unrestricted

Dorothy Humel Hovorka

John P. Bergren and Sarah S. Evans

EDUCATION endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year.

Education

Education Programs

Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice B. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Classroom Resources Charles and Marguerite C. Galanie

Musical Rainbows

Education Concerts Week The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

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The William N. Skirball Endowment

Pysht Fund

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Supporting The Cleveland Orchestra THE CLEVELAND ORCHESTRA

SEVERANCE HALL endowed funds support performance initiatives for the Orchestra’s winter season in Cleveland and maintenance of Severance Hall: Severance Guest Conductor

Organ

Roger and Anne Clapp James and Donna Reid

D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestra’s summer performances and maintenance of Blossom Music Center.

Blossom Festival Guest Artist

Landscaping and Maintenance

Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

CENTER FOR FUTURE AUDIENCES — Announced in October 2010, the Center for Future Audiences will transform the way The Cleveland Orchestra attracts and welcomes audiences to Severance Hall, throughout Northeast Ohio, and around the world. The Center was created with a generous naming lead gift of $20 million from the Maltz Family Foundation providing onethird of the $60 million endowment that will eventually help fully fund these activities.

T H E C L E V E L A N D

O R C H E S T R A

CENTER FOR FUTURE AUDIENCES Endowed by the Maltz Family Foundation

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Endowed Funds

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INTRODUCING BRAHMS

Johannes Brahms Purely Classical & Clearly Romantic

From through early February, Franz WelserMost is leading The Cleveland Orchestra in a mini-festival of performances of the three solo concertos by Johannes Brahms, one concerto per week. The focus on Brahms concludes on Sunday, February 5, with a special chamber music recital featuring pianist Yefim Bronfman (soloist in the two piano concertos) performing with four of the Orchestra’s principal string players. Each week’s concerto is paired with varying music, including three recent works from the past decade. On the following pages, Brahms scholar Jan Swafford discusses the composer’s place in musical history and modernism.

I N H I S L I F E T I M E , the image of Johannes Brahms, for both his admirers and

his enemies, was as a backward-looking musician who upheld the old Viennese-Classical forms as a bastion against the aesthetic and social agenda of progressive composers. How one felt about Brahms in the later 19th century had much to do with how one felt about those progressives, whose most celebrated figures and leading propagandists were Richard Wagner and Franz Liszt. Under the banner “Music of the Future,” they wrote works based on stories, literature, ideas — Wagner’s music dramas, Liszt’s tone poems. Brahms, declared Liszt, belonged to “the posthumous party” in music. When Brahms died, Wagnerite critics dismissed him as an artist who lacked a “world-historical” vision. His music, said one critic, amounted to nothing more than “the private thoughts and private meanings of a clever man.”

Not all these attitudes toward Brahms were wrong. But none of them encompassed the reality. One reality was that in his art Brahms was neither revolutionary nor conservative; he belonged to no party at all. “I must go my own way and in peace,” Brahms said. He refrained from public politicking or polemics. In private, he expressed great admiration for Wagner’s music, as disSeverance Hall 2011-12

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tinct from Wagner the polemicist and the man. (For his part, Wagner had nothing but contempt for Brahms.)

Like all geniuses, Brahms was not a simple artist or person. His work encompasses large, paradoxical territories. He was trained in Hamburg and imbued with the doctrine of Haydn, Mozart, and Beethoven. His mentors taught him that the forms of music used by those giants — sonata form, above all — were eternal and incorruptible models. Along with that doctrine came a sense of awe. “As much as we men are above the creeping things of the earth,” Brahms told his disciple Georg Henschel (later the first conductor of the Boston Symphony), “so these gods are above us.” He meant this literally. He predicated his career on working in the shadow of giants. As far as Brahms was concerned, the job of a composer was to master the forms and genres of the past. So he did master them, patiently and painstakingly, one after another — piano sonata, theme and variations, scherzo, concerto, piano trio and quartet, string quintet and sextet, string quartet, and finally symphony. (Despite years of trying, he produced no opera.) It was exactly those genres, in their traditional forms, that Wagner and Liszt had declared dead and buried.

En route, Brahms destroyed more music than he released. He claimed that before publishing his First String Quartet, he threw out twenty quartets. He spent over fifteen years working, off and on, at his First Symphony (then wrote the next two in a summer each). The world never saw a second violin concerto or second double concerto, and who knows how many other works he drafted. He liked to tear up the pages of rejected pieces and throw them in the nearest river, so he could watch them disappear downstream.

But if Brahms was the hero of musical conservatives in the 19th century, that was not his doing. He took it for granted that he would bring something new and personal to the tradition he worshipped. That, too, was part of how he conceived his job. He was one of the few composers of his time who understood how freely the old masters handled their forms; he handled them more freely still. Some of his restless harmonies were shocking to the ears of his day. His innovations in rhythm in some ways anticipated jazz and Stravinsky. His involvement with popular music, especially what was called “Hungarian” (a.k.a. “Gypsy”) style, gave some of his work an exotic and popularistic cast. He invented unprecedented kinds of pieces.

His German Requiem is not a cantata or an oratorio but something unique, and one of the few large choral works of the time not dominated by echoes of Handel. The Haydn Variations are the first freestanding variations for orchestra. For the end of the Fourth Symphony, he made the old Baroque idea of a chaconne, a piece based on a repeating bass line, into a singular and searing finale. There, in a nutshell, is Brahms’s highly personal melding of tradition and innovation.

From his own time to the present, it has been said of Brahms that he joined the Classical forms of the 18th century to Romantic emotionalism. That is true as far as it goes, but it does not go far enough. He fashioned his music from influ-

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ences stretching back through Schubert, Schumann, and the Viennese Classicists, through Bach, Handel, and beyond, all the way back to the Renaissance contrapuntalists. In other words, Brahms was an utter eclectic. At the same time, no composer ever had a more individual voice. From early on, he wrote few if any pages that could be mistaken for anybody else. It remained for one of his greatest admirers of the 20th century, Arnold Schoenberg, to remake Brahms’s reputation. In a famous article called “Brahms the Progressive,” Schoenberg showed how much of Brahms’s singular handling of musical material (such as saturating the music with continuously-evolving motifs) prophesied Modernism.

Scholar Malcolm MacDonald compares Brahms to the ancient two-faced god Janus, a figure who looks backward and forward at once. Brahms was an artist filled with the past who helped inspire the future. In temperament, he was in many ways a pedant, but he was a pedant of genius who never took up a rule or a genre without making it his own. His admirers proclaimed his work as the epitome of “abstract,” “pure” instrumental music, free of programmatic or autobiographical elements.

But Brahms himself never proclaimed any such ideal.

Johannes Brahms, 1874.

In private he made it clear that his music came from his life and his heart. After a bitter romantic disappointment, he called the threatening despair of the Alto Rhapsody his “bridal song.” In relation to his C-minor Piano Quartet, he compared himself to Goethe’s tragic hero Werther, who killed himself over love of another man’s betrothed. In the notes of a lilting and lovely theme, the G-major String Sextet names a woman Brahms loved and left. The German Requiem and the Four Serious Songs rose from deep-lying losses — his mother, and Robert and Clara Schumann.

One of the signs of genius in a creator is one who succeeds in putting together things assumed to be antithetical — such as Classic and Romantic.

Brahms’s fascinating paradoxes are very much on display in his two Piano Concertos and Violin Concerto. Written for himself in his twenties, the First Piano Concerto in D minor was a fiasco in its second performance because it contradicted nearly everything the time thought a concerto should be: relatively light and lively, popularistic, virtuosic. Nevertheless, the next two concertos followed suit.

The overriding idea is that Brahms’s conception of a concerto was symphonic, on the grandest of scales. All the pieces are supremely demanding on the soloist, but the piano concertos have little conventional virtuosic showing-off.

Nor is the soloist always the center of attention. Asked why he had never played the Brahms, virtuoso Pablo de Sarasate said, “Does anyone imagine that I’m going Severance Hall 2011-12

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to stand, violin in hand, and listen to the oboe play the only tune in the adagio?” In fact, the soloist never does get to play that tune, and that’s not the only such instance in the concertos.

Instead, in Brahms’s concertos the soloist is a participant in a dialogue — a spotlighted and nearly nonstop participant, but still part of a dialogue that is fundamentally symphonic. In the two piano concertos, the keyboard style is grand and two-fisted, orchestral in itself. This approach is set in the first pages of the First Concerto. It is massive, dramatic, its sound and its juxtaposition of D minor and B-flat major echoing Beethoven’s Ninth. The First Concerto amounts to the First Symphony that Brahms wanted to write, but could not pull together for another eighteen years.

Here is a final paradox: As man and musician, Brahms was at once a loner and absolutely part of the musical mainstream. As far as he was concerned, his work was directed primarily to the music-loving middle class; if that class rejected his work, then he was a failure and deserved to be. At the same time, as the concertos show, he was fearless in issuing challenges to his public and his performers. His independence is shown in the fact that he never accepted a commission for a work, something that would have been incomprehensible to most earlier composers. He emulated and worshipped the past, but in the end he recognized only one way to do things — his way.

And unlike Wagner, he did not consider it the artist’s job to save the world, no matter how much the Germanic world around him, with its mounting militarism and antiSemitism, needed to be saved.

So his critics were again partly right; Brahms had no world-historical agenda.

For him, music was a language spoken from the heart that goes to the heart of each listener. It is in those terms that this intensely private man, who loved few and was himself hard to love, is entering his second century as one of the most beloved of composers.

—Jan Swafford Jan Swafford is an award-winning composer and author whose books include biographies of Johannes Brahms and Charles Ives, and “The Vintage Guide to Classical Music.” A graduate of Tanglewood Music Center, where he studied composition, he teaches at the Boston Conservatory and is currently working on a biography of Beethoven for Houghton Mifflin.

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AT SE V E R A NC E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for concert dining. For reservations, call (216) 231-7373, or click on the reservations link at clevelandorchestra.com Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall are being offered this season on November 27, February 12, March 18, and May 13.

For additional information or to book for one of these tours, please call the Cleveland Orchestra Ticket Office at (216) 231-1111. Private tours can be arranged for a fee by calling (216) 231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call (216) 231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Exclusive catering provided by Sammy’s. Premium dates are available.

Call the Facility Sales Office at (216) 231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Parking can be purchased for $10 per vehicle when space in the Campus Center Garage permits.

However, the garage often fills up well before concert time; only ticket holders who purchase prepaid parking passes are ensured a parking space.

Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $14 per concert. This pre-paid parking ensures you a parking space, but availability of prepaid parking passes is limited. To order pre-paid parking, call the Cleveland Orchestra Ticket Office at (216) 231-1111.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, on the ground floor across from the Cleveland Orchestra Store.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from the Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call (216) 231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

Severance Hall 2011-12

Guest Information

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor, except when noted, beginning one hour before the start of most subscription concerts.

73

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING For the safety of guests and performers, photography and videography are strictly prohibited during performances at Severance Hall.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall staff are experienced in assisting patrons to find seats that meet their needs.

Wheelchair seating is available on the Orchestra Level, Box Level, and Dress Circle, and in Reinberger Chamber Hall at a variety of prices. For patrons who prefer to transfer from a wheelchair, seats with removable arms are available on the Orchestra Level in the Concert Hall. ADA seats are held for those with special needs until 48 hours prior to the performance, unless sell-out conditions exist before that time.

Severance Hall features seating locations for people with mobility impairments and offers wheelchair transport for all performances. To discuss your seating requirements, please call the Ticket Office at (216) 231-1111.

TTY line access is available at the public pay telephone located in the Security Office. Infrared Assistive Listening Devices are available from a

74

Head Usher or the House Manager for all performances. If you need assistance, please contact the House Manager at (216) 231-7425 in advance if possible.

Service animals are welcome at Severance Hall.

Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Contact an usher or a member of the house staff if you require medical assistance. Emergency exits are clearly marked throughout the building.

Ushers and house staff will provide instructions in the event of an emergency.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search.

Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of eight. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K ET SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program.

Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges.

If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket can be used as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

Guest Information

The Cleveland Orchestra

Meet Margaret Mitchell Cleveland Orchestra Heritage Society Co-Chair, member, and Heritage Society ambassador on WCLV How many years have you been attending Orchestra concerts?

Bill and I have been going to Orchestra concerts ever since we were married and came to Cleveland — sixty years.

We spent many family summer evenings at Blossom when our children were young.

Your favorite composer?

I really love the ability of the Orchestra to play any music well, so I have to say I like whatever the Orchestra plays.

But Mahler and Bruckner are classical favorites; Ives and Adams, among more recent composers.

Your most memorable concerts?

Because of the different venues, Dvořák’s “New World” Symphony in old Lucerne; Shostakovich in Miami. Prokofiev’s Fifth Symphony — the final movement encore in the Canary Islands. It’s difficult to pick out a favorite at Severance. I love most all of them.

And, in Margaret’s own words, from her WCLV invitation to Orchestra lovers everywhere . . .

Bill and I think The Cleveland Orchestra makes Cleveland a great place to live.

— the superb concerts.

— the talented orchestra musicians who contribute much to our community and represent us so well around the world.

— the education programs building future audiences.

These are some of the reasons we created a planned gift, securing lifelong income for us. It also makes sense for the Orchestra, helping to build the endowment.

We want The Cleveland Orchestra that we love to enrich the lives of our children and grandchildren as it has for us. With your own planned gift, please join us as proud members of the Heritage Society.

To learn how you can become a member of the Heritage Society, contact Jim Kozel, Director of Legacy and Planned Giving, by calling 216-231-7549 or via email at jkozel@clevelandorchestra.com or go to clevelandorchestra.com and click on Support, then Heritage Society THE CLEVELAND ORCHESTRA

Severance Hall 2011-12

H ER I TAGE SO C I ET Y

75

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photo by Hernan Herrero

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76

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The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Endowment, Annual Fund, Special Projects, and/or Programs. Additional legacy gifts from these organizations and others are recognized through The Cleveland Orchestra Heritage Society.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$5 MILLION AND MORE

KeyBank $1 MILLION TO $5 MILLION

Baker Hostetler Bank of America Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch NACCO Industries, Inc. Parker Hannifin Corporation The Plain Dealer PNC Bank PolyOne Corporation The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. Listing as of September 2011.

gifts of $2,500 or more during the past year, as of December 15, 2011

PARTNERS IN EXCELLENCE $300,000 AND MORE

KeyBank The Lubrizol Corporation NACCO Industries, Inc. PNC Raiffeisenlandesbank Oberösterreich (Europe) PARTNERS IN EXCELLENCE $200,000 TO $299,999

Baker Hostetler Eaton Corporation Forest City Enterprises, Inc. The Plain Dealer PARTNERS IN EXCELLENCE $100,000 TO $199,999

The J. M. Smucker Company Medical Mutual of Ohio $50,000

TO

$99,999

FirstMerit Bank The Goodyear Tire & Rubber Company Jones Day Parker Hannifin Corporation The Sage Cleveland Foundation Tele München Group (Europe) $25,000 TO $49,999 Conn-Selmer, Inc. Giant Eagle JPMorgan Chase Foundation Northern Trust Bank of Florida (Miami) Quality Electrodynamics (QED) Richard L. Bowen & Associates, Inc. Squire, Sanders & Dempsey (US) LLP Thompson Hine LLP

$2,500 TO $24,999 Akron Tool & Die Company American Fireworks, Inc. American Greetings Corporation Arnstein & Lehr LLP (Miami) Bank of America BDI Brouse McDowell Eileen M. Burkhart & Co. LLC

Severance Hall 2011-12

Corporate Support

Buyers Products Company Calfee, Halter & Griswold LLP The Cleveland Wire Cloth & Mfg. Co. The Cliffs Foundation Community Behavioral Health Center Consolidated Graphics Group, Inc. Dealer Tire LLC Dollar Bank Dominion Foundation Ernst & Young LLP Evarts-Tremaine-Flicker Company Feldman Gale, P.A. (Miami) Ferro Corporation Fifth Third Bank Frantz Ward LLP Gallagher Benefit Services Genovese Vanderhoof & Associates Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Higer Lichter & Givner LLP (Miami) Houck Anderson P.A. (Miami) Hunton & Williams, LLP (Miami) Hyland Software, Inc. Keithley Foundation The Lincoln Electric Foundation C. A. Litzler Co., Inc. Live Publishing Company LNE Group / Lee Weingart (Europe) Macy’s Miba AG (Europe) MindCrafted Systems MTD Products, Inc. Nordson Corporation North Coast Container Corp.

Northern Haserot Oatey Co. Octavia Press Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Park-Ohio Holdings Corp.

PolyOne Corporation The Prince & Izant Company Richey Industries, Inc. RPM International Inc. SEMAG GmbH (Europe) The Sherwin-Williams Company Stearns Weaver Miller Weissler Alha (Miami) Stern Advertising Agency Summa Health System Swagelok Company Towers Watson TriMark S.S. Kemp Trionix Research Laboratory, Inc. Tucker Ellis & West LLP Ulmer & Berne LLP United Automobile Insurance Co. (Miami) Ver Ploeg & Lumpkin, P.A. Westlake Reed Leskosky Anonymous (3)

77

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THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestraâ&#x20AC;&#x2122;s Endowment, Annual Fund, Special Projects, and/or Programs. Additional legacy gifts from these organizations and others are recognized through The Cleveland Orchestra Heritage Society.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation

gifts of $2,000 or more during the past year, as of December 15, 2011

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts and Culture Maltz Family Foundation The Kelvin and Eleanor Smith Foundation $500,000 TO $999,999

The Louise H. and David S. Ingalls Foundation The Payne Fund

$5 MILLION TO $10 MILLION

$250,000 TO $499,000

Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation

Andrew W. Mellon Foundation David and Inez Myers Foundation Ohio Arts Council The Skirball Foundation

$1 MILLION TO $5 MILLION

Ann and Gordon Getty Foundation The GAR Foundation The George Gund Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation John S. and James L. Knight Foundation (Miami) Andrew W. Mellon Foundation John P. Murphy Foundation David and Inez Myers Foundation National Endowment for the Arts The Payne Fund The Reinberger Foundation The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. Listing as of September 2011.

Severance Hall 2011-12

$100,000 TO $249,999

Sidney E. Frank Foundation The GAR Foundation The George Gund Foundation Martha Holden Jennings Foundation John S. and James L. Knight Foundation Kulas Foundation The Mandel Foundation The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation (Miami) John P. Murphy Foundation Surdna Foundation $50,000 TO $99,999

The George W. Codrington Charitable Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation National Endowment for the Arts The Reinberger Foundation $20,000 TO $49,999 The Abington Foundation Akron Community Foundation The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation

Foundation/Government Support

The Gerhard Foundation, Inc. Ann and Gordon Getty Foundation Elizabeth Ring Mather and William Gwinn Mather Fund The Nonneman Family Foundation The Esther and Hyman Rapport Philanthropic Trust The Sisler McFawn Foundation

$2,000 TO $19,999 Ayco Charitable Foundation The Ruth and Elmer Babin Foundation Bicknell Fund The Eva L. and Joseph M. Bruening Foundation The Collacott Foundation The Frances G. and Lewis Allen Davies Endowment Fund Mary and Dr. George L. Demetros Charitable Trust Elisha-Bolton Foundation Fisher-Renkert Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation Funding Arts Network (Miami) The Helen Wade Greene Charitable Trust The Hankins Foundation Muna & Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Kangesser Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation Margaret Clark Morgan Foundation Miami-Dade County Department of Cultural Affairs (Miami) Laura R. & Lucian Q. Moffitt Foundation The Nord Family Foundation Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation Jean C. Shroeder Foundation The Taylor-Winfield Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Wells Family Foundation, Inc. Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Wright Foundation The Wuliger Foundation Anonymous (2)

79

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more in annual operating, endowment, special project, or benefit event support.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of December 15, 2011

$10 MILLION AND MORE

INDIVIDUAL GIFTS OF $500,000 AND MORE

Daniel R. and Jan R. Lewis (Miami)

Mr. and Mrs. Alexander M. Cutler Daniel R. and Jan R. Lewis (Miami)

$5 MILLION TO $10 MILLION

INDIVIDUAL GIFTS OF $200,000 TO $499,999

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mr. and Mrs. Albert B. Ratner Anonymous

Irma and Norman Braman (Miami) The Walter and Jean Kalberer Foundation Susan Miller (Miami) Mr. and Mrs. Albert B. Ratner James and Donna Reid

$1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. and Mrs. Francis J. Callahan Mrs. Anne M. Clapp Mr. George Gund III Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Anonymous (2) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of December 2011.

80

INDIVIDUAL GIFTS OF $100,000 TO $199,999

Ben and Ingrid Bowman Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Norma Lerner Mr. and Mrs. Herbert McBride Sally S. and John C. Morley Ms. Ginger Warner (Cleveland, Miami) Janet and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $75,000 TO $99,999

Robert and Jean* Conrad Trevor and Jennie Jones Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Julia and Larry Pollock Barbara S. Robinson

Leadership Council The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

Individual Donors

Severance Hall 2011-12

INDIVIDUAL GIFTS OF $50,000 TO $74,999

John P. Bergren* and Sarah M. Evans Mr. William P. Blair III Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Hector D. Fortun (Miami) James D. Ireland III R. Kirk Landon and Pamela Garrison (Miami) Peter B. Lewis and Janet Rosel (Miami) Toby Devan Lewis Mrs. Emma S. Lincoln Ms. Nancy W. McCann Mr. and Mrs. Alfred M. Rankin, Jr. Mr. and Mrs. Richard K. Smucker David A. and Barbara Wolfort Anonymous INDIVIDUAL GIFTS OF $30,000 TO $49,999

Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Mrs. Gerald N. Cannon Mr. and Mrs. Matthew V. Crawford Mr. and Mrs. Geoffrey Gund George Gund Mrs. Marguerite B. Humphrey Giuliana C. and John D. Koch Foundation (Cleveland, Miami) Dr. Vilma L. Kohn Charlotte R. Kramer Mr. and Mrs. Jon A. Lindseth Ms. Beth E. Mooney Mrs. Alfred M. Rankin, Sr. Brian and Patricia Ratner Charles and Ilana Horowitz Ratner Luci and Ralph* Schey Mr. and Mrs. Franz Welser-Möst Women’s Committee of The Cleveland Orchestra Anonymous INDIVIDUAL GIFTS OF $25,000 TO $29,999

Sheldon and Florence Anderson (Miami) Mr. and Mrs. Gerald A. Conway Tati and Ezra Katz (Miami) Mr. and Mrs. S. Lee Kohrman Dr. and Mrs. David Leshner Mr. and Mrs. Alex Machaskee Mrs. Jane B. Nord Mr. and Mrs. James A. Ratner

Severance Hall 2011-12

Individual Donors

Hewitt and Paula Shaw Richard and Nancy Sneed R. Thomas and Meg Harris Stanton Rick, Margarita and Steven Tonkinson (Miami) Judy and Sherwood Weiser (Miami) INDIVIDUAL GIFTS OF $20,000 TO $24,999

Gay Cull Addicott Mr. and Mrs. Daniel M. Bell (Miami) Dr. Ben H. and Julia Brouhard Martha and Bruce Clinton (Miami) Bruce and Beth Dyer Albert I. and Norma C. Geller Dr. Edward S. Godleski Andrew and Judy Green Margaret Fulton-Mueller and Scott Mueller William J. and Katherine T. O’Neill Dr. and Mrs. Ronald J. Ross Mr. and Mrs. James A. Saks Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Dr. and Mrs. Neil Sethi Paul and Suzanne Westlake Anonymous gift from Switzerland (Europe) Anonymous INDIVIDUAL GIFTS OF $15,000 TO $19,999

Mr. and Mrs. William W. Baker Randall and Virginia Barbato Jayusia and Alan Bernstein (Miami) Scott Chaikin and Mary Beth Cooper Do Unto Others Trust (Miami) George* and Becky Dunn Colleen and Richard Fain (Miami) Mr. Allen H. Ford Richard and Ann Gridley Mrs. John A Hadden Jr. Gary Hanson and Barbara Klante Jack Harley and Judy Ernest Iris and Tom Harvie Joan and Leonard Horvitz Richard and Erica Horvitz (Cleveland, Miami) Elizabeth B. Juliano Robert M. Maloney and Laura Goyanes Mr. Thomas F. McKee Mrs. Stanley L. Morgan* Lucia S. Nash Mr. Gary A. Oatey Nancy and Neil Schaffel (Miami) David and Harriet Simon Mary M. Spencer (Miami) Dr. and Mrs. William P. Steffee Dr. Kenneth F. Swanson listings continue Mr. Joseph F. Tetlak Anonymous

81

THE CLEVELAN D ORCHESTRA

INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. George M. Aronoff Mr. and Mrs. David J. Carpenter Mrs. David Seidenfeld Mrs. Jean H. Taber Mr. and Mrs. Alfred Umdasch (Europe) Anonymous INDIVIDUAL GIFTS OF $10,000 TO $12,499

Fred G. and Mary W. Behm Marsha and Brian Bilzin (Miami) Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. D. McGregor Brandt, Jr. Mr. and Mrs. Eugene A. Buehler J. C. and Helen Rankin Butler Augustine* and Grace Caliguire Richard J. and Joanne Clark Mrs. Barbara Cook Bruce Coppock and Lucia P. May (Miami) Judith and George W. Diehl Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Mr. and Mrs.* David K. Ford Ms. Dawn M. Full Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Mr. and Mrs. Robert W. Gillespie Jeffrey and Stacy Halpern

Crescendo

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson Jack Harley

Iris Harvie Brinton L. Hyde Randall N. Huff Elizabeth Kelley David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, educational activities, and community projects.

The Crescendo Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Hayden Howland, Manager of Leadership Giving, by calling (216) 231-7545.

82

Sondra and Steve Hardis Robin Hitchcock Hatch Mr. and Mrs. Jeffrey Healy Mary and Jon Heider (Cleveland, Miami) David and Nancy Hooker Mr. and Mrs. Christopher Hyland Mr. and Mrs. Donald M. Jack, Jr. Mr. and Mrs. Richard A. Janus Mr. and Mrs. Ferdinand Jereb Janet and Gerald Kelfer (Miami) Jonathan and Tina Kislak (Miami) Mrs. Elizabeth R. Koch Tim and Linda Koelz Mr. and Mrs. Edward A. Lozick Mr. and Mrs. Richard A. Manuel Mrs. Robert H. Martindale Mr. and Mrs. Arch J. McCartney William and Eleanor McCoy Mr. and Mrs. Stanley A. Meisel Mr. Walter N. Mirapaul* Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. and Mrs. William M. Osborne, Jr. Mr. and Mrs. George M. Rose Mr. and Mrs. David A. Ruckman David M. and Betty Schneider Rachel R. Schneider, PhD Mr. and Mrs. Oliver E. Seikel Kim Sherwin Lois and Tom Stauffer Mrs. Blythe Sundberg Dr. Russell A. Trusso Dr. Paul J. Vignos, Jr.* Tom and Shirley Waltermire Clara and David Williams INDIVIDUAL GIFTS OF $7,500 TO $9,999

Mr. William Berger Laurel Blossom Dr. and Mrs. Jerald S. Brodkey Dr. Thomas Brugger and Dr. Sandra Russ Ellen E. & Victor J. Cohn Supporting Foundation Mr. and Mrs. William E. Conway Mr. and Mrs. Edward B. Davis Henry and Mary Doll Nancy and Richard Dotson Mr. and Mrs. Terry C. Z. Egger Mr. David J. Golden Robert K. Gudbranson and Joon-Li Kim Kathleen E. Hancock Mary Jane Hartwell Mrs. Sandra L. Haslinger In memory of Philip J. Hastings Amy and Stephen Hoffman Pamela and Scott Isquick Allan V. Johnson Joela Jones and Richard Weiss Mrs. Carolyn Lampl Mr. Lawrence B. and Christine H. Levey Judith and Morton Q. Levin Mr. Jeff Litwiller Mr. and Mrs. Thomas B. McGowan Mr. Donald W. Morrison Mr. and Mrs. Stephen E. Myers Pannonius Foundation Rosskamm Family Trust listings continue Mr. Larry J. Santon

Individual Donors

Severance Hall 2011-12

R I C H A R D

S T R A U S S

SALOME AFTER

THE

P L AY

O P E R A

I N

SUNG

WITH

NINA STEMME as SALOME

IN

GERMAN

RUDOLF SCHASCHING as HEROD

BY

OSCAR

WILDE

C O N C E R T ENGLISH

JANE HENSCHEL as HERODIAS

ERIC OWENS as JOCHANAAN

SUPERTITLES

GARRETT SORENSON as NARRABOTH

FRANZ WELSER-MÖST

THE CLEVELAND ORCHESTRA CONDUCTED BY FRANZ WELSER-MÖST

S E V E R A N C E H A L L M AY 1 9 . M AY 2 6 C L E V E L A N D O R C H E S T R A . C O M T I C K E T

O F F I C E

2 1 6 - 2 3 1 - 1 1 1 1

THE CLEVELAN D ORCHESTRA

listings continued

Patricia J. Sawvel Carol and Albert Schupp Naomi G. and Edwin Z. Singer Family Fund Mrs. Gretchen D. Smith Mr. and Mrs. Donald W. Strang, Jr. Bruce and Virginia Taylor Sandy and Ted Wiese Anonymous (2) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Dr. Jacqueline Acho and Mr. John LeMay Mr. and Mrs. Monte Ahuja Susan S. Angell Agnes Armstrong Mr. and Mrs. Albert A. Augustus Ms. Jody Bacon Mr. and Mrs. Dean Barry Mr. Jon Batchelor (Miami) James and Reita Bayman Dr. and Mrs. Nathan A. Berger Dr. and Mrs. Eugene H. Blackstone In memory of Claude M. Blair Mrs. Flora Blumenthal Brennan Family Foundation Paul and Marilyn* Brentlinger Mr. Robert W. Briggs Mr. and Mrs. William C. Butler Mr. and Mrs. R. Bruce Campbell Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William & Dottie Clark Mrs. Lester E. Coleman Corinne L. Dodero Trust for the Arts and Sciences Mr. and Mrs. Evan R. Corns Mr. Peter and Mrs. Julie Cummings (Miami) Mrs. Barbara Ann Davis Mr. and Mrs. Thomas S. Davis Peter and Kathryn Eloff Dr. and Mrs. Robert Elston Mary and Oliver Emerson Mr. and Mrs. Charles R. Emrick, Jr. Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Harry and Joyce Graham Mr. Paul Greig Mr.* and Mrs. David E. Griffiths David and Robin Gunning Clark Harvey and Holly Selvaggi T. K. and Faye A. Heston Mr. Clifford Hill Amy and Stephen Hoffman Mr. and Mrs. Brinton L. Hyde Ms. Martha Ingram (Miami) Judith* and Clifford Isroff Rudolf D. and Joan T. Kamper Andrew and Katherine Kartalis Milton and Donna* Katz Dr. and Mrs. William S. Kiser Cynthia Knight (Miami) Julius and Doris Kramer Mrs. Justin Krent Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. Michael and Ruth* Lamm Robert and Judie Lasser

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Judy and Donald Lefton (Miami) Shirley and William Lehman (Miami) Mr.* and Mrs. Leo Leiden Mr. and Mrs. Robert P. Madison Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Mrs. Kay Marshall Alexander and Marianna C. McAfee Claudia Metz and Thomas Woodworth Edith and Ted* Miller Drs. Terry E. and Sara S. Miller Mr. and Mrs. William A. Mitchell Robert Moss (Miami) Mr. and Mrs. Herbert Newman Richard and Kathleen Nord John and Margi Oâ&#x20AC;&#x2122;Brien Mr. Michael G. Oravecz Mr. Henry Ott-Hansen Mr. J. William and Dr. Suzanne Palmer Claudia and Steven Perles (Miami) Nancy and Robert Pfeifer Dr. and Mrs. John N. Posch Douglas and Noreen Powers Lois S.* and Stanley M. Proctor Ms. Rosella Puskas Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Mrs. Nancy L. Reymann Mr. and Mrs. James E. Rohr Carol Rolf and Steven Adler Dr. Tom D. Rose Steven and Ellen Ross Mr. Christopher Roy Mr. Klaus G. Roy* and Mrs. Gene J. Roy Mr. and Mrs. Robert C. Ruhl Drs. Michael and Judith Samuels (Miami) David M. and Betty Schneider+ Linda B. Schneider Larry and Sally Sears Dr. and Mrs. James L. Sechler Mr. Eric Sellen and Mr. Ron Seidman Dr. Gerard and Phyllis Seltzer Drs. Daniel and Ximena Sessler Mrs. Frances G. Shoolroy Mrs. William I. Shorrock Laura and Alvin A. Siegal David Kane Smith Jim and Myrna Spira George and Mary Stark Mrs. Marie S. Strawbridge Charles B. and Rosalyn Stuzin (Miami) Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr. Brian Thornton Mr. and Mrs. Lyman H. Treadway Mr.* and Mrs. Robert N. Trombly Robert A. Valente Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Dr. Edward L. and Mrs. Susan Westbrook Tom and Betsy Wheeler Mr. Roy Woda Mrs. Janet A. Wright Mr. David Zauder Anonymous (7)

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THE CLEVELAN D ORCHESTRA

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Dr. and Mrs. D. P. Agamanolis Mr. and Mrs. Quentin Alexander Mr. and Mrs. Robert H. Baker Ms. Delphine Barrett Mr.* and Mrs. Russell Bearss Mr. and Mrs. Jules Belkin Dr. Ronald and Diane Bell Dr. Robert Benyo Suzanne and Jim Blaser Mr. and Mrs. Dennis A. Block Ms. Elizabeth E. Brumbaugh Frank and Leslie Buck Dr. and Mrs. William E. Cappaert Mrs. Millie L. Carlson Ms. Mary E. Chilcote Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier+ Marjorie Dickard Comella Mr. and Mrs. David J. Cook Pete and Margaret Dobbins Mr.* and Mrs. Sidney Dworkin Mr. Brian L. Ewart and Mr. William McHenry Mr. J. Gilbert and Mrs. Eleanor Frey Mrs. Cora C. Gigax Joyce and Ab* Glickman Robert N. and Nicki N. Gudbranson

John and Virginia Hansen Mr. Robert D. Hart Barbara Hawley and David Goodman Matthew D. Healy and Richard S. Agnes Ms. Mary Beth Hedlund Hazel Helgesen and Gary D. Helgesen Anita and William Heller Bob and Edith Hudson (Miami) Mr. James J. Hummer Dr. and Mrs. Scott R. Inkley Donna L. and Robert H. Jackson Dr. and Mrs. Richard S. Kaufman Mrs. Rita G. Kelly Mr. and Mrs. Robert M. Koch Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Mr. and Mrs. Robert C. Loesch Anne R. and Kenneth E. Love Robert and LaVerne Lugibihl Elsie and Byron Lutman Joel and Mary Ann Makee Martin and Lois Marcus Dr. Susan M. Merzweiler Ann Jones Morgan Dr. Joan R. Mortimer Mr. and Mrs. Peter R. Osenar Mr. and Mrs. John S. Piety

Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak Dr. Laurine Purola Dr. Robert W. Reynolds Amy and Ken Rogat Bob and Ellie Scheuer Ms. Freda Seavert Ginger and Larry Shane Dr. Marvin and Mimi Sobel Mr. and Mrs. William E. Spatz Dr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Leonard K. Tower Robert J. and Marti J. Vagi Mr. and Mrs. Fred A. Watkins Mr. and Mrs. Mark Allen Weigand Mr. Peter and Mrs. Laurie Weinberger Robert C. Weppler Nancy V. and Robert L. Wilcox Ms. Judith H. Wright Anonymous (3)

Leigh and Mary* Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Dr. Christopher and Mrs. Maryann Chengelis Mr. and Mrs. Homer D. W. Chisholm Mr. and Mrs. Robert A. Clark Dr. Dale and Susan Cowan Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis Mrs. Lois Joan Davis Ms. Nancy J. Davis (Miami) Scott and Laura Desmond Dr. and Mrs. Richard C. Distad Ms. Maureen A. Doerner and Mr. Geoffrey T. White Mr. George and Mrs. Beth Downes David Jack and Elaine Drage Ms. Mary Lynn Durham Mrs. Mary S. Eaton Esther L. and Alfred M. Eich, Jr. Erich Eichhorn and Ursel Dougherty Mrs. Margaret Estill* David and Margaret Ewart Harry and Ann Farmer Scott Foerster, Forester and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Randall and Mrs. Patrice Fortin Mr. Monte Friedkin (Miami) Marvin Ross Friedman and Adrienne bon Haes (Miami)

Peggy and David* Fullmer Richard L. Furry Jeanne Gallagher Marilee L. Gallagher Barbara and Peter Galvin Joy E. Garapic Mrs. Georgia T. Garner Mr. Wilbert C. Geiss, Sr. Mrs. Joan Getz (Miami) Herman and Blanche Gilbert Anne and Walter Ginn Mr. and Mrs. David A. Goldfinger Dr. and Mrs. Ronald L. Gould Mr. and Mrs. Robert T. Graf Cynthia and David Greenberg Mr. and Mrs. Brent R. Grover The Thomas J. and Judith Fay Gruber Charitable Foundation Nancy and James Grunzweig Dr. Phillip M. and Mrs. Mary Hall Ronald M. and Sallie M. Hall (Miami) Mr. Holsey G. Handyside Mr. George P. Haskell Virginia and George Havens Oliver and Sally Henkel Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. John D. Hines Dr. and Mrs. Robert L. Hinnes Dr. Feite F. Hofman Mr. and Mrs. Edmond H. Hohertz Peter A. and Judith Holmes

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Ms. Nancy A. Adams Stanley I. and Hope S. Adelstein Norman and Rosalyn Adler Family Philanthropic Fund Mr. Gerald O. Allen Norman and Helen Allison Mr. and Mrs. Robert J. Amsdell Rev. Dr. and Mrs. Kenneth J. Anderson Mr. and Mrs. Jeffrey R. Appelbaum Mr. and Mrs. Stanley H. Arkin (Miami) Geraldine and Joseph Babin Mr. William Baldwin Reverend Thomas and Dr. Joan Baumgardner Mr. and Mrs. Mike Belkin Ms. Pamela D. Belknap Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Julia & David Bianchi (Cleveland, Miami) John A. Biek and Christina J. Norton Carmen and Karl* Bishopric (Miami) Bill and Zeda Blau Mr. Doug Bletcher John and Anne Bourassa Ms. Barbara E. Boyle Betty Madigan Brandt David M. and Carol M. Briggs Mrs. Ezra Bryan Ms. Mary R. Bynum and Mr. J. Philip Calabrese Mr. and Mrs. Frank H. Carpenter

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THE CLEVELAN D ORCHESTRA

listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499

Thomas and Mary Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Xavier-Nichols Foundation / Robert and Karen Hostoffer Mark and Ruth Houck (Miami) Dr. Randal N. Huff and Ms. Paulette Beech Ms. Charlotte L. Hughes Mr. David and Mrs. Dianne Hunt Ms. Luan K. Hutchinson Mr. and Ms. Charles S. Hyle Ruth F. Ihde Carol Lee and James Iott Helen and Erik Jensen Mr. Peter and Mrs. Mary Joyce Mr. Daniel Kamionkowski Mr. William and Mrs. Mary Jo Kannen Barbara and Michael J. Kaplan Dr. and Mrs. Richard S. Kaufman Rev. William C. Keene Elizabeth Kelley Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Mr. James Kish Fred and Judith Klotzman Jacqueline and Irwin Kott (Miami) Dr. Ronald H. Krasney and Ms. Sherry Latimer* Dr. James and Mrs. Margaret Kreiner Mr. James and Mrs. Patricia Krohngold Mr. Donald N. Krosin David C. Lamb Kenneth M. Lapine Anthony T. and Patricia A. Lauria Mr. and Mrs. Leon Lazarev Jeffrey and Ellen Leavitt Dr. Hasoon Lee Dr. and Mrs. Jai H. Lee Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Dr. Alan and Mrs. Joni Lichtin Isabelle and Sidney* Lobe Holly and Donald Loftus Drs. Alex and Marilyn Lotas Martha Klein Lottman Sandi M. A. Macdonald and Henry J. Grzes (Miami) Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz Mr. and Mrs.* Duane J. Marsh Mrs. Meredith T. Marshall Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Mrs. Alice Mecredy Susan and Reimer Mellin Dr.* and Mrs. Hermann Menges, Jr. Stephen and Barbara Messner

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Donald D. Miller MindCrafted Systems Bert and Marjorie Moyar Mr. Raymond M. Murphy Richard B. and Jane E. Nash Marshall I. Nurenberg and Joanne Klein Richard and Jolene O’Callaghan Nedra and Mark Oren (Miami) James P. Ostryniec (Miami) Mr. and Mrs. Christopher I. Page Deborah and Zachary Paris Dr. Lewis and Janice B. Patterson Mr. Thomas F. Peterson, Jr. Mrs. Ingrid Petrus Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan Phillip Dr. Marc and Mrs. Carol Pohl William and Gwen Preucil Mr. Richard and Mrs. Jenny Proeschel K. Pudelski Mr. Lute and Mrs. Lynn Quintrell Mr. and Mrs. Thomas A. Quintrell Ms. C. A. Reagan David and Gloria Richards Mrs. Florence Brewster Rutter Fred Rzepka and Anne Rzepka Family Foundation Dr. Harry S. and Rita K. Rzepka Nathan N. and Esther Rzepka Family Philanthropic Fund of the Jewish Co Dr. and Mrs. Martin I. Saltzman Ms. Patricia E. Say Mr. Paul H. Scarbrough Mr. James Schutte Dr. John Sedor and Ms. Geralyn Presti Lee G. and Jane Seidman Charles Seitz (Miami) Harry and Ilene Shapiro Norine W. Sharp Dr. and Mrs. William C. Sheldon Mr. Richard Shirey Dr. Howard and Mrs. Judith Siegel Donald Singer and Helene Love Mr. and Mrs.* Jeffrey H. Smythe Pete and Linda Smythe Mrs. Virginia Snapp Jay and Ellen Solowksy (Miami) Mr. John C. Soper and Dr. Judith S. Brenneke Mr. John D. Specht Howard Stark M.D. and Rene Rodriguez (Miami) Mr. and Mrs.* Lawrence E. Stewart Mrs. Barbara Stiefel (Miami) Ms. Evelyn H. Stroud Mr. and Mrs. G. W. Stuelpe Mr. and Mrs. Daniel C. Sussen Mr. Nelson S. Talbott Mr. Karl and Mrs. Carol Theil Colin Blades Thomas Dr. and Mrs. Thomas A. Timko Mr. and Mrs. Robert J. Tomsich Mr. Erik Trimble

Drs. Anna* and Gilbert True Miss Kathleen Turner Mrs. H. Lansing Vail, Jr. Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Mr. and Mrs. Joseph F. Wasserbauer Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Mr. and Mrs. Jerome A. Weinberger Mrs. Mary Wick Bole Richard Wiedemer, Jr. Helen Sue* and Meredith Williams Mr. Peter and Mrs. Ann Williams Richard and Mary Lynn Wills Charles Winans Michael H. Wolf and Antonia Rivas-Wolf Drs. Nancy Wolf and Aric Greenfield Mr. Robert Wolff and Dr. Paula Silverman Kay and Rod Woolsey Rad and Patty Yates Fred and Marcia Zakrajsek Mr. Kal Zucker and Mrs. Mary Frances Haerr Anonymous (11)

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member of the Leadership Council (see page 80)

* deceased

The Cleveland Orchestra is sustained through the annual support of thousands of generous patrons, including members of the Crescrendo Patron Program listed on these pages. Listings of all donors of $300 and more each year are published in the Orchestra’s Annual Report, which can be viewed online at CLEVELANDORCHESTRA.COM For information about how you can play a supporting role for The Cleveland Orchestra’s artistic excellence and community partnerships, please contact our Philanthropy & Advancement Office by calling (216) 231-7545.

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the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant HAILED AS ONE OF

Severance Hall 2011-12

Severance Hall

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

91

of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement.

The partnership with Franz Welser-Möst, now in its tenth season, and with a commitment to the Orchestra’s centennial in 2018, has moved the ensemble forward with a series of new and ongoing initiatives, including: UNDER THE LEADERSHIP

the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base, including an ongoing residency at the Vienna Musik verein (the first of its kind by an American orchestra); an annual Miami Residency involving three weeks of concerts, community activities, and educational presentations and collaborations; concert tours from coast to coast in the United States, including regular appearances at Carnegie Hall; regular concert tours to Europe (including biennial residencies at the Lucerne Festival) and Asia (including a residency at Tokyo’s Suntory Hall in the autumn 2010); ongoing recording activities, including new releases under the direction of Franz Welser-Möst and Pierre Boulez as well as a series of DVD concert presentations of four of Bruckner’s symphonies; additional new residencies at Indiana University and at New York’s Lincoln Center Festival; an expanded offering of education and community programs with a comprehensive approach designed to make music an integral and regular part of everyday life in Northeast Ohio; continuing and expanded educational partnerships with schools, colleges, and universities from across Northeast Ohio and in the Miami-Dade community; creative new artistic collaborations, including staged works and chamber music performances, with arts institutions in Northeast Ohio and across the Miami-Dade community; the return of staged opera to Severance Hall with the presentation of acclaimed Zurich Opera productions of the three Mozart/Da Ponte operas;

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The Orchestra Today

The Cleveland Orchestra

an array of new concert offerings (including Fridays@7 and Celebrity Series at Severance Hall as well as movie, themed, and family presentations at Blossom) to make a wider variety of concerts more available and affordable; the return of ballet to Blossom, with performances by The Joffrey Ballet.

The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening of Severance Hall as the Orchestra’s home in 1931 brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States.

CLEVELAND ORCHESTRA ARCHIVES

IN FOCUS

SATURDAY INSTRUMENTAL SCHOOL. Music students line up for a photograph in April 1929 at East Technical High School. The students were part of a program in which Cleveland Orchestra musicians taught instrument lessons on Saturdays throughout the school year — nearly 3,000 students took part during the late 1920s and early ’30s. The Orchestra has a long and successful history as an education partner with schools, colleges, and universities throughout Northeast Ohio.

Severance Hall 2011-12

The Cleveland Orchestra

93

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

At Severance Hall . . .

YEFIM BRONFMAN PLAYS BRAHMS

PIERRE BOULEZ CONDUCTS MAHLER AND SCHUBERT

Thursday January 19 at 8:00 p.m.

Friday January 20 at 8:00 p.m.

Saturday January 21 at 8:00 p.m.

Thursday February 2 at 8:00 p.m.

Friday February 3 at 8:00 p.m.

Saturday February 4 at 8:00 p.m.

Thursday February 9 at 8:00 p.m.

Saturday February 11 at 8:00 p.m.

Sunday February 12 at 3:00 p.m.

THE CLEVELAND ORCHESTRA Pierre Boulez, conductor Men of the Cleveland Orchestra Chorus

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Yefim Bronfman, piano

Hailed by the New York Times as a virtuoso “defying comparison,” Yefim Bronfman performs Brahms’s two piano concertos across two weekends in the new year. The Second, in January, is Brahms at the full height of his creative maturity. The First, in February, brings the swagger and daring of youth, bristling with passion and ambition.

January Concert Sponsor: FirstMerit Bank February Concert Sponsor: Baker Hostetler

Former Cleveland Orchestra principal guest conductor Pierre Boulez returns to continue his exploration of the music of Gustav Mahler.

The Seventh Symphony begins with the shadow sounds of a boat rowing across a lake late at night, in this far-reaching symphony nicknamed “Song of the Night.” The men of the Cleveland Orchestra Chorus joins in for three lesser-known night songs by Franz Schubert, leading us from the translucent richness of twilight to transcendent darkness and peace.

Concert Sponsor: Baker Hostetler

See also the concert calendar listing on pages 48-49, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Severance Hall concerts.

TICKETS

94

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