The Cleveland Orchestra November 8, 9, 10 Concerts

THE CLEVELAND ORCHESTRA

FALL SEASON

F R ANZ WELSER-MÖST M U SIC DI R ECTOR

Music.

Pure + Simple.

12 13 SEASON

clevelandorchestra.com

November 8, 9, 10 FRANZ WELSER-MÖST CONDUCTS BEETHOVEN AND SCRIABIN’S POEM OF ECSTASY

TIME ON YOUR SIDE

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THE CLEVELAND ORCHESTRA T A B L E

O F

1213 SEASON

C O N T E N T S

WEEK 7 7

In the News Perspectives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Spotlight Photo: A Look Back . . . . . . . . . . . . . . . . 8 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

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About the Orchestra Musical Arts Association . . . . . . . . . . . . . . . . . . . . .

Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . .

Education and Community . . . . . . . . . . . . . . . . . .

Meet the Musicians . . . . . . . . . . . . . . . . . . . . . . . . . .

Severance Hall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . .

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11 15 22 61 67 88 92

BEETHOVEN

Symphony No. 4 . . . . . . . . . . . . . . . . . . . . . . . . . . 39 PINTSCHER

Chute d’Étoiles . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 BEETHOVEN

Grosse Fuge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 SCRIABIN

Poem of Ecstasy . . . . . . . . . . . . . . . . . . . . . . . . . . 57 Conductor: Franz Welser-Möst . . . . . . . . . . . . . . . 15 Soloists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52-53

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.

Program book advertising is sold through Live Publishing Company at 216-721-1800

The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.

The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.

The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . .

Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Center for Future Audiences . . . . . . . . . . . . . . . . .

Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Corporate Annual Support . . . . . . . . . . . . . . . . . . .

Foundation / Government Annual Support . . .

Individual Annual Support . . . . . . . . . . . . . . . . . .

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Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com

Concert — Week 7 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Program: November 8, 9, 10 . . . . . . . . . . . . . . . 35 Introducing the Program . . . . . . . . . . . . . . . . . . . . 37

48

Copyright © 2012 by The Cleveland Orchestra and the Musical Arts Association

48 64 68 69 73 75 76

50%

All unused books are recycled as part of the Orchestra’s regular business recycling program.

These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

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This program book is printed on paper that includes 50% recycled post-consumer content.

Table of Contents

The Cleveland Orchestra

Photo by Roger Mastroianni

Exceptional

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Perspectivesfrom the Executive Director November 2012 Welcome to Severance Hall! Everyone in The Cleveland Orchestra family is pleased that you are here with us today.

As you look around at your fellow audience members, there’s an increasing chance that you will see young people, especially students from some of Northeast Ohio’s many educational institutions.

Two years ago, we established the Center for Future Audiences to fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The Center was created with a $20 million lead endowment gift from the Maltz Family Foundation. Our objective is to have one of youngest audiences of any symphony orchestra in the country.

Since the beginning of this season, we have made huge strides toward that ambitious goal. In fact, the number of students attending Cleveland Orchestra concerts at Severance Hall has more than doubled over the same period last year. This year, we’ve had an average of more than 200 students at every evening subscription concert — on some nights, students have represented more than 20% of the crowd.

This surge in student attendance is a result of the programs supported by the Center for Future Audiences, especially those funded by a $5 million endowment gift from Alexander and Sarah Cutler to encourage student attendance.

We have a number of initiatives and promotions to attract students to Severance Hall.

Two stand out: The introduction this season of a Student Frequent FanCard, which gives students flexibility and encourages frequency of attendance. Equally important, is our network of a dozen student ambassadors, representing five area colleges, who volunteer their time promoting student concertgoing and helping to create a vital social media presence around The Cleveland Orchestra.

Our commitment to student attendance and a younger audience is part of a Cleveland Orchestra renaissance, as we commit to being ever more relevant to our hometown and ever more devoted to community service.

Orchestra Gala 2012 Our annual fundraising Gala was held on Saturday, November 3, to raise funds in support of the Orchestra’s Education and Community Programs. Featuring The Cleveland Orchestra and virtuoso cellist Yo-Yo Ma, the event attracted a full house, including more than 400 generous donors who enjoyed a pre-concert reception and a wonderful post-concert dinner. The magical evening, which yielded almost $700,000, owes much to the leadership of Gala Chair Norma Lerner and Corporate Chair Beth Mooney.

Please join me in thanking our chairs, along with the evening’s major sponsors, KeyBank, The Lerner Foundation, and Audrey and Albert Ratner.

Gary Hanson Severance Hall 2012-13

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CLEVELAND ORCHESTRA ARCHIVES

IN THE SPOTLIGHT

— Conductor Nikolai Sokoloff and composer Sergei Rachmaninoff with Natalia Rachmaninoff (left), Cleveland Orchestra Manager Adella Prentiss Hughes (center), and Lyda Sokoloff (far right).

CLEVELAND 1923

U N D E R T H E L E A D E R S H I P of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement. The partnership with Franz Welser-Möst, now in its eleventh season — and with a commitment to the Orchestra’s centennial in 2018 — has moved the ensemble forward with a series of new and ongoing initiatives, including:

the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base, including an ongoing residency at the Vienna Musikverein (the first of its kind by an American orchestra); an ongoing residency in Florida, under the name Cleveland Orchestra Miami, involving an annual series of concerts and community activities, coupled with an expansive set of educational presentations and collaborations

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About the Orchestra

The Cleveland Orchestra

(based on successful educational programs pioneered over the past nine decades at home in Cleveland); concert tours from coast to coast in the United States, including annual appearances at Carnegie Hall; regular concert tours to Europe (including biennial residencies at the Lucerne Festival) and Asia (including a residency at Tokyo’s Suntory Hall in 2010); ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of DVD concert presentations of symphonies by Anton Bruckner; additional new residencies at Indiana University and at New York’s Lincoln Center Festival; an expanded offering of education and community programs in Northeast Ohio, designed to make music an integral and regular part of everyday life; the 2012-13 season includes a new neighborhood residency program that will feature a week of activities and performances in Cleveland’s Gordon Square Arts District; creative new artistic collaborations, including staged works and chamber music performances, with arts institutions in Northeast Ohio and in Miami; an array of new concert offerings (including Fridays@7 and Celebrity Series at Severance Hall as well as movie, themed, and family presentations at Blossom) to make a wider variety of concerts more available and affordable; a concentrated and ongoing effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media offers and promotion, and student ticket programs; continuing and expanded educational partnerships with schools, colleges, and universities from across Northeast Ohio and in the Miami-Dade community; the return of ballet as a regular part of the Orchestra’s presentations, featuring performances by The Joffrey Ballet; the 2012-13 season includes the Orchestra’s first fully staged performances of Tchaikovsky’s The Nutcracker.

The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening in 1931 of Severance Hall as the Orchestra’s home brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States.

Severance Hall 2012-13

The Orchestra Today

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T H E M U S I C AL ARTS AS SOCIATION

as of June 2012

operating The Cleveland Orchestra, Severance Hall, and Blossom Festival O F F I C E R S A ND E X E C UT I VE C O MMIT T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair Raymond T. Sawyer, Secretary Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford Michael J. Horvitz Douglas A. Kern

Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley Larry Pollock

Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Terrance C. Z. Egger Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt

Christopher Hyland James D. Ireland III Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill

The Honorable John D. Ong Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Neil Sethi Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Thomas A. Waltermire Geraldine B. Warner Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) George Gund III (CA) Loren W. Hershey (DC)

Herbert Kloiber (Germany) Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFI C I O Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Beth Schreibman Gehring, President, Women’s Committee of The Cleveland Orchestra Ruth Ann Krutz, State Chair, Blossom Women’s Committee TR U S TE E S E M ERI T I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS T EES FOR LIFE Allen H. Ford Gay Cull Addicott Robert W. Gillespie Francis J. Callahan Dorothy Humel Hovorka Mrs. Webb Chamberlain Robert F. Meyerson Oliver F. Emerson Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2012-13

Gary Hanson, Executive Director

Musical Arts Association

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PHOTOGRAPH Š BY HEDRICH BLESSING

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Premium dates available!

Call the Manager of Facility Sales at (216) 231-7421 or email hallrental@clevelandorchestra.com

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CLEVELAND INSTITUTE OF MUSIC 11021 East Boulevard Cleveland, OH 44106 | 216.791.5000 | cim.edu

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

P H OTO BY D O N S N Y D E R

T H E 2 0 1 2 - 1 3 S E A S O N marks Franz Welser-Möst’s eleventh year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is enlarging and enhancing its community programming at home, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst became general music director of the Vienna State Opera in September 2010.

With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District.

The initiative continues and expands upon Mr. Welser-Möst’s active participation in community concerts and educational programs, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories and universities across Northeast Ohio.

Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka.

In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a new biennial residency at New York’s Lincoln Center Festival.

To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction.

Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, and Sean Shepherd.

Franz Welser-Möst has led a series of opera performances during his tenure

Severance Hall 2012-13

Music Director

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in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012.

Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director SvenEric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 2012-13 season, his Vienna performances include Wagner’s Parsifal, Strauss’s Arabella and Ariadne auf Naxos, Puccini’s La Bohème, and Berg’s Wozzeck.

Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at the Lucerne Festival and Salzburg Festival, in Tokyo, and in concert at La Scala Milan, as well as leading the Philharmonic’s 2011 New Year’s Day concert, viewed by telecast in seventy countries worldwide; he will conduct the New Year’s Day concert again in 2013 and will also lead the Philharmonic in a series of concerts at New York’s Carnegie Hall in March 2013. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions and numerous revivals.

Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of Bruckner symphonies, presented in three accoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes.

For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

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Music Director

The Cleveland Orchestra

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12 13 SEASON

THE CLEVELAND ORCHESTRA Franz Welser-Möst MUSIC DIREC TOR Kelvin Smith Family Chair

Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero PRINCIPAL GUEST CONDUCTOR , CLEVELAND ORCHESTRA MIAMI

James Feddeck ASSISTANT CONDUCTOR Elizabeth Ring and William Gwinn Mather Chair

MUSIC DIRECTOR, CLEVELAND ORCHESTRA YOUTH ORCHESTRA

Robert Porco DIRECTOR OF CHORUSES Frances P. and Chester C. Bolton Chair

Lisa Wong ASSISTANT DIRECTOR OF CHORUSES DIRECTOR, CLEVELAND ORCHESTRA YOUTH CHORUS

Ann Usher DIRECTOR, CLEVELAND ORCHESTRA CHILDREN’S CHORUSES

ASSISTANT DIRECTOR, CLEVELAND ORCHESTRA YOUTH CHORUS

Suzanne Walters ASSISTANT DIRECTOR, CLEVELAND ORCHESTRA CHILDREN’S CHORUSES

P H OTO BY R O G E R M A S T R O I A N N I

Daniel Singer

Severance Hall 2012-13

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Franz Welser-MĂśst and The Cleveland Orchestra, performing Brucknerâ&#x20AC;&#x2122;s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST M U S I C D I R E C TO R Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Lev Polyakin

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Alexandra Preucil Katherine Bormann Ying Fu

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SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews

1

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut VIOLAS Robert Vernon *

Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka Mark Jackobs

CELLOS Mark Kosower*

2

Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

12 13 O R C H E S T R A FLUTES Joshua Smith * Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2 Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

HORNS Richard King *

TRUMPETS Michael Sachs * Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller TROMBONES Massimo La Rosa*

Margaret Allen Ireland Chair

Donald Miller Tom Freer Marc Damoulakis KEYBOARD INSTRUMENTS Joela Jones * Rudolf Serkin Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Donald Miller ORCHESTRA PERSONNEL Carol Lee Iott DIRECTOR

Gilbert W. and Louise I. Humphrey Chair

Richard Stout Alexander and Marianna C. McAfee Chair

BASS TROMBONE Thomas Klaber

Louise Harkness Ingalls Chair

PERCUSSION Jacob Nissly *

Michael Miller

E-FLAT CLARINET Daniel McKelway

BASSOONS John Clouser *

Otto G. and Corinne T. Voss Chair

Tom Freer 2

Knight Foundation Chair

Jesse McCormick Hans Clebsch Richard Solis Alan DeMattia

Shachar Israel 2

BASS CLARINET Linnea Nereim

TIMPANI Paul Yancich *

George Szell Memorial Chair

Michael Mayhew §

Linnea Nereim

Stanley L. and Eloise M. Morgan Chair

SEASON

EUPHONIUM AND BASS TRUMPET Richard Stout

ENDOWED CHAIRS CURRENTLY UNOCCUPIED ASSISTANT PRINCIPAL HARP

Sunshine Chair

* Principal § 1 2

Associate Principal First Assistant Principal Assistant Principal

TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

Barrick Stees 2 Sandra L. Haslinger Chair

Jonathan Sherwin CONTRABASSOON Jonathan Sherwin

Severance Hall 2012-13

The Orchestra

23

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THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA TRA THE CLEVELAND ORCHESTRA

OrchestraNews

News

2012 European Festivals Tour draws praise for Welser-Möst and Cleveland Orchestra The following are excerpted from press reviews of the Orchestra’s performances during its European Festivals Tour August 18 to September 3: “If the strings are the heart and soul of the symphony orchestra, then The Cleveland Orchestra is essentially in terrific shape. . . . It was the full-bodied attack of the strings in the gutsy opening bars, and their brilliantly delicate and muted virtuosity in the second movement, that were the icing on the cake.”

—The Scotsman, August 22, 2012 “The Cleveland Orchestra is often described as the aristocrat among American orchestras. If ‘aristocratic’ means spellbinding finesse in sound and style, then their first Edinburgh Festival concert certainly came up trumps. . . . The music we heard gave a lot of pleasure, largely because it was shrewdly chosen to show off the Clevelanders’ fabulous sheen and warmth.

—Telegraph, August 22, 2012 “In this one heard a courageous Bruckner, unafraid of dissonances, magnificently brought alive

by Franz Welser-Möst and his Cleveland Orchestra.”

—Deutschland Radio, August 25, 2012

THE CLEVELAND ORCHESTRA

“Representing the ruins of a demolished tower of concrete and lead, Matthias Pintscher orchestrates a catastrophic destruction in his Chute d’Étoiles (‘Falling Stars’). Metallic explosions of sound run into the calm of a post-apocalyptic ‘sea of lead,’ and it is left to two solo trumpets to drive this cycle of destruction and new creation forward. . . . Michael Sachs and Jack Sutte performed with great verve and in a mirage-like whisper, using idioms not far removed from free jazz; they gradually soar to a state of golden splendor.”

—Die Südotschweiz, August 27, 2012 “The host of strings (eight double basses, an unusual complement of twelve violas seated on the conductor’s right, etc.) was amazing — a sound mass with a lot of fighting power. . . . This string section can clearly do anything perfectly, and WelserMöst was able to demonstrate that fact with brio.”

—Südwest Presse, August 29, 2012 “[In Smetana’s Má Vlast] Welser-Möst had the harpist touch the strings with great subtlety, and the wiry immediacy of the strings (with William Preucil as concertmaster) was striking.”

—Stuttgart Nachrichten, August 29, 2012

Severance Hall 2012-13

Cleveland Orchestra News

25

THE CLEVELAND ORC

“[In Smetana’s The Moldau] the coloring was precise, almost pointillistic, the tempo flowing and animated, with furious explosive power and dramatic brio in the passage of the cataracts, and with silky sparkle in the violins for the scene of the mermaids in the silvery moonlight. The conductor thoroughly cleansed this earworm from all the patina of spa concerts. The familiar sounded excitingly new — this was definitely worth listening to carefully.”

—Esslinger Zeitung, August 29, 2012

THE CLEVELAND ORCHES-

News

Cleveland Orchestra continues innovations in programming and community engagement New programs and expansion include neighborhood residency, ballet, free tickets, and school partnerships and performances

A

CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHE

THE CLEVELAND ORCHESTRA

In the 2012-13 season, The Cleveland Orchestra continues its innovations in programming and community engagement, seeking to build on the success of recent initiatives. The coming season’s innovations include new program and audience development activities at Severance Hall, alongside expanded activities outside the concert hall.

The Orchestra will venture even farther outside its University Circle home with new programs downtown and on Cleveland’s West Side. At PlayhouseSquare, the Orchestra will collaborate with The Joffrey Ballet, while the organization’s ground-breaking residency program, developed and refined by the Orchestra in cities including Vienna and Miami, will come home to Northeast Ohio with the launch of a new program of Neighborhood Residencies. The first annual Cleveland Orchestra Neighborhood Residency will take place in Gordon Square the week of May 13-19, 2013. Also this season, the initiative that brought the full Orchestra back into the schools in 2009 will continue and become a permanent part of the annual schedule thanks to a newly-created endowment fund, and a new partnership with Breakthrough Charter Schools begins in October 2012.

Meanwhile, “Under 18s Free,” a program first established for the 2011 Blossom Festival, will come inside Severance Hall for selected concerts, and as the unique Fridays@7 Series enters its fourth season, a bold repertoire move sees world music migrating from the @fter-party entertainment to the main-stage concert with the Orchestra. The KeyBank Fridays@7 series opened on October 5 featuring the music of Stewart Copeland, founder and drummer of The Police, and a collaboration with the Rock and Roll Hall of Fame & Museum.

In announcing the new initiatives in August, Gary Hanson, executive director of The Cleveland Orchestra, said, “We want to build on the success of our many recent community engagement initiatives, and in the coming season we are further diversifying our schedule and

26

programs. Our goal is to be even more relevant to our community.”

CLEVELAND ORCHESTRA NEIGHBORHOOD RESIDENCY The Cleveland Orchestra Neighborhood Residency is a new program to immerse the Orchestra in local communities with an intense schedule of performances and activities. The first of these annual residencies in Northeast Ohio takes place the week of May 13-19, 2013, in Gordon Square. The centerpieces of the Residency will be free Cleveland Orchestra concerts at St. Colman Church for neighborhood residents and students, and musicians will perform as soloists and in ensembles in non-traditional locations and in local schools. The Cleveland Orchestra Neighborhood Residency at Gordon Square is funded in part by the Machaskee Fund for Community Programming, an endowed fund created by Alex and Carol Machaskee.

Sean Watterson, co-owner of the Happy Dog bar, restaurant, and music venue in Gordon Square, said, “We’re incredibly enthusiastic about the Orchestra coming to Gordon Square. We’re thrilled that people in our community will be able to experience their world-class performances at a series of events for all ages throughout the neighborhood.

We’re proud to welcome the world to Gordon Square to join us for this unique experience.”

HIGH SCHOOL PERFORMANCES PERMANENTLY ENDOWED The Cleveland Orchestra returned to performing in Cleveland high schools in 2009, after an absence of more than three decades. On Thursday, October 11, 2012, the Orchestra’s performance at Shaker Heights High School is the first to be supported by a newly established fund that permanently endows annual Cleveland Orchestra performances in area high schools. The Alfred Lerner In-School Performance Fund, a gift of $1 million from Mrs. Norma Lerner and The Lerner Foundation, will support concerts in high schools in perpetuity. Performances are being

Cleveland Orchestra News

The Cleveland Orchestra

OrchestraNews planned for Cleveland Metropolitan School District High Schools in 2013 and 2014.

THE CLEVELAND ORCHESTRA

“UNDER 18s FREE” EXPANDS FROM BLOSSOM TO SEVERANCE HALL The Cleveland Orchestra’s “Under 18s Free” at Blossom program is expanding to Severance

Hall. This follows the unprecedented success of the program for Blossom Festival concerts, where, since its inception in 2011, more than 23,000 young people have attended Cleveland Orchestra concerts. “Under 18s Free” at Severance Hall tickets are available for all KeyBank Fridays@7 concerts, as well as for the Orchestra’s two regular matinee series: Friday Mornings at 11 and Sundays at 3. Free tickets are offered for young people ages 7-17 on a one-for-one basis with paid adult admissions. “Under 18s Free” tickets are available by contacting the Severance Hall Ticket Office.

“Under 18s Free” is supported in part by The Cleveland Orchestra’s Center for Future Audiences. The Center, created with a lead endowment gift from the Maltz Family Foundation, was estabThe Joffrey Ballet performs lished to fund programs to The Nutcracker with The develop new generations Cleveland Orchestra Noof audiences for Cleveland vember 29-December 2.

Orchestra concerts in Read more on page 72.

Northeast Ohio.

THE CLEVELAND ORCHESTRA

NEW PARTNERSHIP WITH BREAKTHROUGH CHARTER SCHOOLS The Cleveland Orchestra begins an educational partnership with Breakthrough Charter Schools in October 2012. All of the students from participating schools will attend a Cleveland Orchestra concert at Severance Hall, and their teachers will participate in professional development workshops and concert preparation.

The Orchestra’s award-winning Learning Through Music program includes ongoing visits from Cleveland Orchestra musicians in the schools.

The pilot partnership will eventually expand to incorporate all nine Breakthrough Schools.

The Cleveland Orchestra partnership with Breakthrough Schools is funded in part by Cliffs Natural Resources. Breakthrough Charter Schools are a nationally-recognized network of high-performing, free, public charter schools operating in partnership with the Cleveland Metropolitan School District.

HE CLEVELAND ORCHESTRA HESTR

News

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We believe in working for the greater good of all and

We thank The Cleveland Orchestra for its commitment to excellence!

Ken Lanci, Chairman & CEO Consolidated Companies Severance Hall 2012-13

Cleveland Orchestra News

27

THE CLEVELAND OR-

we are proud to support any organization that shares this value.

THE CLEVELAND ORCHES-

News

OrchestraNews Telecast of Cleveland Orchestra video recording of Bruckner Symphony No. 4 shown on WVIZ on Monday, October 29

THE CLEVELAND ORCHESTRA

Channel 25 WVIZ/PBS ideastream® broadcast the world premiere of The Cleveland Orchestra in Performance: Bruckner Symphony No. 4 on Monday evening, October 29. Conducted

by Franz Welser-Möst, the performance was filmed earlier this year at the beautiful 17thcentury baroque Abbey of St. Florian in Austria. Emmy Award-winner Brian Large directed the video recording. This is the first video produced of the recent critical edition of the 1888 version of Bruckner’s Fourth Symphony, edited by Benjamin Korstvedt and published in the Bruckner Collected Works edition (Vienna, 2004). The recording will be available for purchase as a DVD in the future.

Nicknamed “Romantic” by Bruckner himself, the Fourth Symphony is Bruckner’s most popular and most-performed work. Composer Anton Bruckner was a choirboy at the monas-

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tery of St. Florian, and later served as organist there.

Internationally recognized for his presentation and interpretation of Bruckner’s symphonies, Cleveland Orchestra Music Director Franz Welser-Möst has conducted Bruckner symphonies with The Cleveland Orchestra at Severance Hall in Cleveland, the Musikverein in Vienna, Suntory Hall in Japan, Seoul Arts Center in South Korea, Lincoln Center in New York, and the Abbey of St. Florian in Austria.

This recording of Bruckner’s Symphony No. 4, which is the fifth in a series of recordings that includes Bruckner Symphonies Nos. 5, 7, 8, and 9, will be released commercially by Clasart. These Cleveland Orchestra recordings were made possible in part by support from Raiffeisenlandesbank Oberösterreich and Tele München Group for electronic media projects.

north O point portfolio managers c o r p o r a t i o n Ronald J. Lang Diane M. Stack Daniel J. Dreiling

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Cleveland Orchestra News

440.720.1102 440.720.1105 440.720.1104

The Cleveland Orchestra

OrchestraNews The Cleveland Orchestra Youth Orchestra, now in its 27th season, performs its first Severance Hall concert of the 2012-13 season on Sunday, November 11. James Feddeck, in his fourth season as music director of the Youth Orchestra, conducts a program that opens with Antonín Dvořák’s Carnival Overture, followed

by Sergei Prokofiev’s Suite from Lieutenant Kijé, Opus 60. After intermission, the program concludes with Howard Hanson’s Symphony No. 2, nicknamed “Romantic.”

Tickets for the concert are just $10.

The evening begins with a chamber music performance by ensembles from the Youth Orchestra as a special Prelude Concert in Reinberger Chamber Hall beginning at 6 p.m. The Prelude program is free to concert ticketholders. The Prelude features works by Beethoven, Mozart, and de Renoit. The chamber ensembles are coached by members of The Cleveland Orchestra.

Each of the Cleveland Orchestra Youth Orchestra’s concerts this season is to be broadcast on later dates by WCLV 104.9 FM. The November 11 concert is scheduled to be broadcast at 4:00 p.m. on Sunday, January 27, 2013, and 8:00 p.m. on Saturday, August 10, 2013.

The third of Mitsuko Uchida’s albums of Mozart concertos with The Cleveland Orchestra has been released — and is now available for purchase at the Cleveland Orchestra Store at Severance Hall. The album features Piano Concertos Nos. 9 and 21, recorded in live performances at Severance Hall. One of the previous discs from this collaboration received a Grammy Award in 2011.

Reviews of this new album include these comments from Audiophile Audition: “Conducting Mozart concertos from the piano has a long and honored tradition, originating with the composer himself. . . .

Uchida performs on a new Hamburg Steinway whose action remains uniformly light and resonant, especially as Uchida does not mince her dynamics. . . . We need only audition this fine collaboration to enjoy the scintillating energy of the outer movements [of Concerto No. 9] and the internal rigors of the Andantino. The last movement virtually bubbles with infectious wit and digital confidence. . . . [In Concerto No. 21] the give-and-take response between Uchida and The Cleveland strings and winds attractively beguiles us. Then, her seamless runs and arpeggios move inexorably to a bravura cadenza almost early Beethoven in its briefly pearly wit that rushes to a coda spread over three octaves. Superb!”

Severance Hall 2012-13

Comings and goings As a courtesy to the performers on stage and the entire audience, latearriving patrons cannot be seated until the first break in the musical program.

Cleveland Orchestra News

29

THE CLEVELAND OR-

As a courtesy to the performers onstage and the audience around you, all patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to the concert.

THE CLEVELAND ORCHESTRA

New album with Cleveland Orchestra and Mitsuko Uchida is now available . . .

THE CLEVELAND ORCHESTRA

Youth Orchestra begins season with Severance Hall concert on Sunday, November 11

Silence is golden

T HE CLEVELAND ORCHESTRA CHESTR

News

THE CLEVELAND ORCHES-

News

OrchestraNews Family Concert series began with Spooktacular III — continues in spring with “Symphony Under the Sea”

CLEVELAND ORCHESTRA

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra’s season of Family Concerts began with a fun-filled afternoon on Sunday, October 28 titled “Halloween Spooktacular III.” Intended for children ages 7 and older, the series is designed to introduce young people to classical music. The Halloween program included favorite musical hits and also featured a costume contest for audience members. The Orchestra musicians onstage also got into the “spirit” of the occasion with many theme-related outfits.

In addition to each one-hour Orchestra concert, the Family Concert Series features free, pre-concert activities, including an “Instrument Discovery” in which children can try playing various instruments.

The series continues in 2013 with “Symphony Under the Sea” on Friday evening, March 8, led by conductor Robert Franz — including favorite musical numbers from Disney’s Little Mermaid. The series closes with “Fables, Fantasies, & Folklore” on Sunday afternoon, May 12, led by conductor Michael Butterman — in an exploration of music storytelling and fun. For complete details, visit clevelandorchestra.com.

Cleveland Orchestra’s Distinguished Service Award presented to Maltzes The Cleveland Orchestra’s seventeeth annual Distinguished Service Award was presented to Milton and Tamar Maltz at the start of the Orchestra concert on October 6. The award, created in 1996, honors a person or organization that has provided continuing exemplary service to the Musical Arts Association, the non-profit parent organization that operates The Cleveland Orchestra, Severance Hall, and Blossom Festival.

The Maltzes have demonstrated exceptional and continuous dedication to The Cleveland Orchestra and the arts community in Northeast Ohio across four decades. They have been generous contributors to the Orchestra’s Annual Fund and to special projects such as, in 2000, the internationally acclaimed renovation of Severance Hall. In 2010, their visionary leadership helped launch The Cleveland Orchestra’s Center for Future Audiences, which was generously endowed with a lead gift of $20 million from the Maltz Family Foundation. The Center was established to create and fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

216.791.8000 www.benrose.org A leader in service, research, and advocacy for older adults

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Cleveland Orchestra News

The Cleveland Orchestra

OrchestraNews Hail and Farewell . . .

THE CLEVELAND ORCHESTRA

F.A.M.I.L.Y N.E.W.S Please join in extending congratulations and warm wishes to: Frank Rosenwein (oboe) and Jung-Min Amy Lee (violin), who were married June 10.

Martha Baldwin (cello) and Micah Leibowitz, whose baby daughter, Zoe Kathleen, was born on August 14.

Robert Woolfrey (clarinet) and Tanya Ell (cello), who were married on September 8.

Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216 231-7425.

Radio station WCLV celebrated its 50th anniversary of providing classical music to Northeast Ohio with a special public open house and day of live music performances on Thursday, November 1. Since 1965, 104.9 classical FM WCLV has been the radio home of The Cleveland Orchestra, and the Orchestra’s first broadcast on WCLV, from September 23 that year, was aired during the celebrations on November 1. Also featured was a live performance by the Cleveland Orchestra Youth Orchestra and performances by many other local musicians, including members of The Cleveland Orchestra. An open house was held at WCLV’s new studios at the Idea Center at PlayhouseSquare in downtown Cleveland, with birthday cake and opportunities to meet WCLV announcers and hear the live musical performances.

“WCLV has been an outstanding partner with The Cleveland Orchestra — and all the arts in Northeast Ohio,” Orchestra executive director Gary Hanson said in sending congratulations. “This community can truly celebrate this milestone with WCLV, with thanks to Bob Conard for making the station into the ‘radio home’ not just for The Cleveland Orchestra but for classical music and the arts in general.

Happy Birthday, and thank you, WCLV.”

YEARS

THE CLEVELAND OR

Committed to Accessibility

Radio station WCLV celebrates 50 years on the air on Nov. 1 — radio home of The Cleveland Orchestra since 1965

A Joyous Christmas Celebration

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clevelandpops.com Severance Hall 2012-13

Cleveland Orchestra News

THE CLEVELAND ORCHESTRA

Assistant concertmaster Lev Polyakin announced his retirement from The Cleveland Orchestra as of October 28, 2012, following thirty-one years of service. The entire Cleveland Orchestra family wishes him congratulations and thanks, and the very best in his new endeavors.

T HE CLEVELAND ORCHESTRA CHESTR

News

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TOW N H A L L S P E A K E R S E R I E S 2 0 1 2 - 2 0 1 3

Conservatory of Music Robert F. Kennedy, Jr. 11.12.12

Author and environmental activist

P. J. O’Rourke Political satirist and best-selling author

12.10.12

William H. Dietz, M.D., Ph.D. 1.28.13

Expert on fitness, nutrition and obesity

Dr. Clint Needham Composer-in-Residence Commissioned and performed by leading

Jose Antonio Vargas 2.25.13

Author of “My Life as an Undocumented Immigrant”

ensembles including the Minnesota Orchestra, Albany Symphony, Omaha Symphony, Orpheus Chamber Orchestra, Alarm Will Sound, Imani Winds, and the American Brass Quintet.

Compositions described as “wildly

Michael Beschloss 3.18.13

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entertaining” and “stunning… brilliantly orchestrated” by the New York Times.

Recently recognized by the American Academy of Arts and Letters, ASCAP and BMI. BW program is an inclusive study of

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contemporary music that fosters the student’s unique voice as a composer.

Don’t miss: Composition Symposium, Dec. 2, 4 p.m.

BW Symphony Orchestra, Dec. 5, 8 p.m. www.bw.edu/conservatory t music@bw.edu 1-866-BW-MUSIC t 440-826-2368

Academic Sponsor

32

Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin,gender or sexual orientation in the administration of any policies or programs.

The Cleveland Orchestra

12 13

LEARNING MORE ABOUT THE MUSIC

SEASON

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins.

For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.)

The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives.

Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts.

Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka.

October 25, 26, 27 “Mood and Melody” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

November 8, 9, 10 “From Myth to Mysticism” with Rose Breckenridge

November 23, 24, 25 “Ebony, Ivory, and Melody: Pianist-Composers as Lyrical Poets” with guest speaker Eric Charnofsky, lecturer, musicology and keyboard, Case Western Reserve University

December 6 and 8 “Portraits of America” with guest speaker Susan McClary, professor of musicology, Case Western Reserve University

January 10, 11, 12 “New Beginnings” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer For Concert Preview details, visit clevelandorchestra.com

Severance Hall 2012-13

Concert Previews

33

Ralph Waldo Emerson

Thanks to the richness of Cleveland’s cultural heritage and the excellence of The Cleveland Orchestra, literally millions of men, women and children have experienced such a dawn… and it is unforgettable.

NACCO Industries, Inc. We are: The North American Coal Corporation; Hamilton Beach® and Proctor Silex® small electric appliances; and The Kitchen Collection® and Le Gourmet Chef® retail stores.

T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ö ST M U S I C

D I R E C T O R

12 13

Severance Hall

Thursday evening, November 8, 2012, at 8:00 p.m.

Friday morning, November 9, 2012, at 11:00 a.m.* Saturday evening, November 10, 2012, at 8:00 p.m.

Franz Welser-Möst, conductor ludwig van beethoven (1770-1827)

matthias pintscher (b. 1971)

SEASON

Symphony No. 4 in B-flat major, Opus 60 1.

2.

3.

4.

Adagio — Allegro vivace Adagio Allegro vivace Allegro ma non troppo

Chute d’Étoiles * united states premiere performances MICHAEL SACHS, trumpet JACK SUTTE, trumpet

INTERMISSION*

beethoven

Grosse Fuge in B-flat major, Opus 133

alexander scriabin

The Poem of Ecstasy, Opus 54

(1872-1915)

NACCO Industries, Inc. These concerts are sponsored by NACCO Industries, Inc., a Cleveland Orchestra Partner in Excellence.

Michael Sachs’s solo appearance with The Cleveland Orchestra is made possible by a gift to the Orchestra’s Guest Artist Fund from Elizabeth Dorothy Robson.

Jack Sutte’s solo appearance with The Cleveland Orchestra is made possible by a gift to the Orchestra’s Guest Artist Fund from The Sherwick Fund.

The Thursday evening concert is dedicated to Julia and Larry Pollock in recognition of their extraordinary generosity in support of The Cleveland Orchestra’s 2011-12 Annual Fund.

The evening concerts will end at approximately 10:10 each evening.

The Cleveland Orchestra’s Friday Morning Concert Series is endowed by the Mary E. and F. Joseph Callahan Foundation.

* The Friday morning concert is performed without intermission and features

the works by Beethoven and Scriabin. The concert will end at about 12:25 p.m.

Severance Hall 2012-13

Concert Program — Week 7

35

Kulas Series Keyboard ConversationsÂŽ Kulas Series of of Keyboard ConversationsÂŽ with Siegel withJeffrey Jeffrey Siegel

Season 2011-2012 25th 24th Anniversary Season 2012-2013 Presented by Cleveland State Universityâ&#x20AC;&#x2122;s Center for Arts and Innovation

Presented by Cleveland State Universityâ&#x20AC;&#x2122;s Center for Arts and Innovation

Masterly Masterly

Sunday, Sunday,October 2,2,2011 October Sunday, October 2, 2011 2011 Sunday, October 14, 2012 AA Beethoven Beethoven Bonanza!

Bonanza!The Themany many A Beethoven Bonanza! The many

ASpellbinding Beethoven Bonanza!

The many Bach B moods moodsofof ofgenius! genius! moods genius! moods of genius!

Sunday, November 11, 2012 Enthralling Enthralling Free Family Concert!

B Sunday, Sunday, November 20,Young 2011 2011 MusicNovember for the Young 20, and at Heart Charming presented in honor of Mr. Siegelâ&#x20AC;&#x2122;s 25th Charming The The Romantic Romantic Music Music of of Franz Franz Liszt Liszt The Romantic Music State of Franz Liszt anniversary at Cleveland University B Sunday, January 27, 2013 Scintillating Scintillating Sunday, Sunday,March March4,4,2012 2012

â&#x20AC;&#x153;An afternoon of entertaining talk and â&#x20AC;&#x153;An afternoon of entertaining talk and exhilarating music.â&#x20AC;? exhilarating music.â&#x20AC;? â&#x20AC;&#x201C;The Washington Post - The Washington Post

Claude Debussy: Clair de lune, a Rochmaninoff Rochmaninoff andTchaikovsky Tchaikovsky Fireworks andand Beyond!

Sunday, March 24, 2013 March 6, 2012 2012 y 6, Age Sunday, Sunday, March 2012 Schubert in the6, of the Sound Bite

A musical love triangle: Robert, Clara and andJohannes!

Johannes!

Bach and the Romantics

AA musical musical love lovetriangle: triangle: Robert, Robert,Clara Clara Sunday, April 28, 2013 and Johannes!

All concerts beginbegin at 3:00 pmpm at at All concerts at 3:00 Cleveland State Universityâ&#x20AC;&#x2122;s Waetjen Cleveland State Universityâ&#x20AC;&#x2122;s Waetjen Auditorium, Euclid 21stSt. St. Auditorium, EuclidAve. Ave.and and E. E. 21st ForFor more information more information call call 216.687.5018 216.687.5018 visitwww.csuohio.edu/concert www.csuohio.edu/concertseries/kc ororvisit series/kc series/kc

Call Alan Weinberg, Managing Partner, at 216-685-1100.

Weltman, Weinberg & Reis Co., LPA

36

The Cleveland Orchestra

INTRODUCING THE PROGRAM

Contrasts& Similarities O N T H I S W E E K ’ S C O N C E R T S , four works date from across nearly

τ

200 years. There is a comparison to be observed in Beethoven’s style and mood from two works in B-flat major, one from the middle period, one from the late period. The Fourth Symphony begins the concert, the Grosse Fuge follows after intermission.

Nevertheless, these two Beethoven works may seem less alike than the other two pieces on the evening programs — from two composers a century apart who share a world of artistic visions outside of music.

A new work by MatthiThe installation of Anselm Kiefer’s Chute d’Étoiles as Pintscher, Chutes d’Étoiles in the Grand Palais in Paris in 2007. (“Falling Stars”), is linked to the work of the artist Anselm Kiefer, while Scriabin’s Le Poème de l’extase (“The Poem of Ecstasy”) reflects the composer’s intense vision of a world of mystical rapture. Both of these works utilize a large orchestra, as well as large ideas. Only the Scriabin and Beethoven are featured on the Friday Morning Concert, providing contrasts from across two centuries.

—Hugh Macdonald Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French music. He has written books on Beethoven, Berlioz, and Scriabin.

LIVE RADIO BROADCAST

Saturday evening’s concert is being broadcast live on WCLV (104.9 FM).

The concert will be rebroadcast as part of regular weekly programming on WCLV on Sunday afternoon, December 16, at 4:00 p.m.

Severance Hall 2012-13

Introducing the Program

37

“

If you don’t stop, you don’t have to stop.

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Symphony No. 4 in B-flat major, Opus 60 composed 1806 T WO YEARS INTERVENED

by

Ludwig van

BEETHOVEN born December 16, 1770 Bonn died March 26, 1827 Vienna

Severance Hall 2012-13

after the completion of his Third Symphony (the “Eroica”) before Beethoven ventured upon another symphony. Three symphonies (the Fourth, Fift h, and Sixth) followed in succession, each very different from the others in character and scale.

The Fourth is always observed to be less forceful and dramatic than the Third and Fifth, but it surpasses them in athletic energy and, in places, in sheer beauty of sound. Yet Beethoven’s purpose was never quite what it seems, so that simply to characterize the Fourth as “light-weight” or “relaxed” is to tell only a part of the story. Robert Schumann compared it to a “slender Greek maiden,” but even he would admit that the extremes of seriousness and skittishness found in the work do not properly belong to such a maiden’s drapery.

The Fourth Symphony was composed mainly in 1806 and first performed the following year in Vienna at the house of Prince Lobkowitz (whose family heritage of Beethoven memorabilia has recently been restored to their residence in Prague, now a museum). It was dedicated to Count Oppersdorff. Beethoven enjoyed the hospitality and support of both noblemen at that time.

Like many of Haydn’s symphonies — and a few of Mozart’s — Beethoven’s Fourth Symphony opens with a slow introduction. The purpose of these introductions was not to foreshadow the themes or even the mood of the rest of the movement, but to act like the overture to an opera, and accustom the audience to the orchestra’s sound and to induce a serious concentration.

In the “Eroica,” Beethoven had dispensed with an introduction, but the Fourth has a fine one, dark and mysterious in character, and without any clear sense of direction until a fortissimo burst and some rocket-like figures in the violins force the issue.

Once the main Allegro vivace section — and the true key of the symphony, B-flat major, is established — all tension evaporates. The standard procedures of classical sonata form fall into their assigned places. In the development, the actual pace of the music is still brisk, but the harmonic pace is very slow, giving an impression of immense breadth, like a glance forward to Wagner or Bruckner. Beethoven keeps us waiting expectantly for the return of the opening theme, even after the correct key has been firmly reached. The rest of the movement About the Music

39

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duly follows, with only a brief coda, not another massive peroration in the manner of the “Eroica.”

The main melody of the slow movement is of wonderful serenity. The second melody, introduced by the solo clarinet, provides not contrast but rather completion, as though the whole first paragraph were a single sentence. There are stern pages in this movement, bleak pages, too, but its profound placidity marks it off as one of the greatest of Beethoven’s slow movements. None of his contemporaries could approach him on this ground.

Although marked Menuetto, the third movement has the character of a scherzo, with teasing cross-accents and a lively pace. The Trio section is a little slower, and pastoral in character. The strings join it later with some strange rumbling inner lines, and the original tempo returns. Beethoven repeats the whole process, so that the Trio is heard twice, the Scherzo three times.

The finale is as muscular and energetic as a tiger. The bustling opening theme has no introduction and immediately plunges into the bass register. It is more often used as accompaniment than as theme, though it can serve either purpose. The flow is sometimes broken by more relaxed passages and there is an extraordinary series of harsh baying chords that recur from time to time. The recapitulation is marked by the spotlight falling briefly and famously on the first bassoon, and at the end the principal melody stops running, apparently exhausted. But its faint is merely a feint. This is another of Beethoven’s jokes — just when you think his melody cannot keep going even one bar more, it leaps up and slaps you rudely in the face.

At a Glance Beethoven composed his Fourth Symphony during the summer and early fall of 1806. The first performance took place at Prince Lobkowitz’s residence in Vienna in March 1807; the first public performance was at the Burgtheater on April 13, 1808. Beethoven conducted both performances.

This symphony runs about 35 minutes in performance. Beethoven scored it for flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings.

The Cleveland Orchestra first performed Beethoven’s Fourth Symphony during the 1924-25 season with founding music director Nikolai Sokoloff. The most recent performances were led by Herbert Blomstedt at Severance Hall in April 2006.

—Hugh Macdonald © 2012

Sing in Celebration

Mozart, Great Mass in C Minor with the Oberlin Orchestra Raphael Jiménez, conductor Jason Harris, director of MU

OBERLIN MUSICAL UNION’S 175TH ANNIVERSARY Sunday, December 9, 8 p.m.

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Severance Hall 2012-13

Interested in joining MU? Contact musical.union@oberlin.edu

About the Music

41

THE CLEVELAND MUSEUM OF ART

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September 23–April 14

THURSDAY AND SATURDAY

Chute d’Étoiles [Falling Stars] composed 2007-2012

The following program note is from the world premiere performance of Chute d’Étoiles at the Lucerne Festival, in August 2012:

by

Matthias

PINTSCHER born January 29, 1971 Marl, Germany living in New York City and Paris

Severance Hall 2012-13

W I T H A B R A Z E N O U T C R Y from a massive orchestra — an explosion, a breakdown, a collapse — Matthias Pintscher’s Chute d’Étoiles begins. The title (“Falling Stars”) refers to Anselm Kiefer’s monumental art installation of the same name in the Grand Palais in Paris in 2007 and engages with it in a complex intellectual exchange, matching it in force and drama.

Not just an homage to Kiefer the artist and his œuvre, however, this orchestral composition also incorporates motifs and material from Pintscher’s works of recent years. Through the image of falling stars — the idea that the world was born from an explosion — Kiefer combines destruction and creation.

Creation emerges from the process of obliteration, as one state breaks down and gives birth to a new one.

“We are born and do not know why. And if you do not cling to it, if the cosmos does not help you, you are lost. We come from there! We were born with the first explosion. We consist of elements of the cosmos. And so we carry the infinitely great in us as well as the infinitely small. It is the microcosm and the macrocosm. I place myself in it and then I attempt to express what I feel using my resources.” (Anselm Kiefer) Pintscher has long admired this artist, his work, and his rigorous evolution. “He is one of the few artists in whose earliest works you can already find exactly the same aura and archaism that he has refined up to the present. There is an idiom of strength and clarity that he has continued to develop further for over forty years. I find it very exciting to see such consistency in an artist’s work.”

Chute d’Étoiles is an homage to Kiefer and at the same time a translation of the apocalypse depicted by the artist — the collapse of the world and of our conceptions of it — into the medium of sound.

The starting point for Pintscher’s orchestral composition was “the sound and aura of the entire installation: an inspirational moment that enabled me to think further about the force of sounds I have previously developed. The material is, so to speak, melted into lead — the entry of the solo trumpets is

About the Music

43

P H OTO G R A P H Y BY P R I S K A K E T T E R E R / LU C E R N E F E S T I VA L

Composer Matthias Pintscher discussing Chute d’Étoiles with Michael Sachs in rehearsal at the Lucerne Festival; and acknowledging applause with Franz Welser-Möst, Sachs, Jack Sutte, and The Cleveland Orchestra after the world premiere on August 25, 2012.

“Representing the ruins of a demolished tower of concrete and lead, Matthias Pintscher orchestrates a catastrophic destruction in his Chute d’Étoiles (‘Falling Stars’). Metallic explosions of sound run into the calm of a post-apocalyptic ‘sea of lead,’ and it is left to two solo trumpets to drive this cycle of destruction and new creation forward. . . . Michael Sachs and Jack Sutte performed with great verve and in a mirage-like whisper, using idioms not far removed from free jazz; they gradually soar to a state of golden splendor.”

—Die Südotschweiz, August 27, 2012

44

Matthias Pintscher: Chute d’Étoiles

The Cleveland Orchestra

like opening two valves of a gigantic instrument made of lead, which supplies air in a very finely-chiseled and concise form.”

Janus-faced, the orchestral sound gives birth to a breathing voice — yet a voice that does not appear as one individual, but is instead articulated in two forms. The trumpet part unfolds as one instrument playing in two directions. This goes back to a method Pintscher used fifteen years ago in his composition Janusgesicht (“Janus Face”): “There is no virtuoso struggle between the two; rather, they mutually inspire each other, they represent the same attitude, playing the same repertoire of sounds and techniques. One part fans out in two ways.”

And instead of the orchestra and soloists entering into a concertante dialogue, the trumpets are much more “like growths, they are fused onto this orchestral sound. In concentrated form, they release the aggregate of this lead-like orchestra, guiding it into various states as soon as they exit this orchestral space.” Both the softness and the heaviness of lead, which Kiefer uses in his works, provide an inspiring starting point: “I find the ‘sound’ of lead in Kiefer’s works incredibly fascinating. The strength that is captured in this material! It is flexible, malleable, yet unbelievably heavy. I find this state of matter, with its combination of softness and heaviness, to be exciting— this is what I try to make audible in the music.”

In terms of form, the composition does not trace a conventional dramatic development. Pintscher creates a sculpture, an eruptive sound object, which propels the events from the opening outburst. In the process, explains the composer, “the ending mirrors the beginning. Individual particles break loose from the force of the opening explosion, which are then led, transformed, and developed into a concentrated mode, at the end almost finding their way back into their original state. And yet the trumpet lines are not isolated at the end, but are positioned at the top of the sound in a high attack; at the highest point, the whole then breaks off.”

Some of Pintscher’s motifs, ideas, and techniques, which were present in his earlier works, culminate in Chute d’Étoiles.

In Occultation, he had employed the technique of overlayering.

Connections and associations with the theme of stars are likewise evident in Osiris (for orchestra) and the ensemble piece Bereshit. All of these works thematize myths of creation and destruction, of coming to be and obliteration.

At a Glance Pintscher completed Chute d’Étoiles (“Falling Stars”) in May 2012. It is the sixth Roche Commission, a multiyear initiative sponsored by the Swiss pharmaceuticals company Roche involving the commissioning and premieres of new works as part of a partnership between The Cleveland Orchestra, Lucerne Festival, and Carnegie Hall.

The work was premiered on August 25 as part of the 2012 Lucerne Festival, with Franz Welser-Möst leading The Cleveland Orchestra and with Michael Sachs and Jack Sutte as soloists.

This works runs about 20 minutes in performance.

Pintscher scored it for 3 flutes (second doubling alto flute, third doubling piccolo), 2 oboes (second doubling english horn), 2 clarinets (second doubling bass clarinet), 2 bassoons (second doubling contrabassoon), 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion (cymbals, gongs, laying gong, bell plates, bells, canpane, bass drum, bongos, tam-tams, guiro, temple blocks, metal blocks, wood blocks, sandpaper blocks, spring coils, marimba, crotales, lion’s roar, flexitone, vibraphone), harp, piano, and strings, plus the two solo trumpets.

—Marie Luise Maintz © 2012

Severance Hall 2012-13

About the Music

45

About the Composer M A T T H I A S P I N T S C H E R sees the two main spheres of his music making — conducting and composing — as entirely complementary. As a composer, his intrinsic understanding of the score informs his ability to communicate on the podium. “My thinking as a conductor is informed by the process of my own writing,” he says, “and vice versa, of course.” His compositions are often noted for the delicate sound-world they inhabit, the intricacy of their construction, and their precision of expression. He regularly conducts throughout Europe, the United States, and Australia.

In June 2012, he was named by the Ensemble Intercontemporain as its next music director, beginning with the 2013-14 season.

Matthias Pintscher was The Cleveland Orchestra’s second Daniel R. Lewis Young Composer Fellow, 2000-02. During this period, the Orchestra commissioned and performed the world premiere of his with lilies white (May 2002) and subsequently performed the United States premieres of his CHOC (Monumento IV), his violin concerto en sourdine (both in May 2003), and his Five Orchestral Pieces (September 2007). Pintscher made his Cleveland Orchestra conducting debut with CHOC (Monumento IV). He also led the Orchestra in concerts in October 2006 and November 2010, and returned in June 2010 to lead a retrospective program of works created through the Lewis Young Composer fellowship program.

Now in his third season as artist-in-association with the BBC Scottish Symphony Orchestra, Pintscher’s conducting work with the ensemble includes both regular subscription and contemporary series concerts, covering the entire repertoire of music from the Baroque period to today. Guest conducting engagements this season include debuts with the Atlanta Symphony Orchestra, New World Symphony in Miami, and the Accademia Nazionale di Santa Cecilia in Rome.

He is also conducting an all-Beethoven program in Chicago, including a choreographed production of The Creatures of Prometheus. He has return engagements with the New York Philharmonic, Curtis Orchestra, and the Scharoun Ensemble of the Berlin Philharmonic (for the 25th anniversary celebration of the chamber hall at the Berlin Philharmonie). In addition, he appears in the Leading European Composers series at the Phillips Collection in Washington D.C. Matthias Pintscher was born in Marl, Germany, in 1971. He studied conducting with the Hungarian conductor and composer Peter Eötvös, but composing began taking a more prominent role in his life in his early twenties. Soon thereafter, he began dividing his professional life equally between conducting and composing. Mr. Pintscher makes his home in New York and Paris. His works are published exclusively by Bärenreiter-Verlag. Matthias Pintscher works and records with Kairos, EMI, ECM, Teldec, Wergo, and Winter & Winter.

For more information, visit matthiaspintscher.com.

Severance Hall 2012-13

About the Composer

47

THE CLEVELAN D ORCHESTRA

Sound for the Centennial The Cleveland Orchestra’s artistic health and financial well-being depend on the dedicated and ongoing support of music-lovers throughout Northeast Ohio. The Orchestra’s continued excellence in community service and musical performance can only be ensured through ongoing annual support coupled with increased giving to the Endowment and special fundraising.

As the Orchestra approaches its centennial celebration in 2018, the individuals and organizations listed on these pages have made longterm commitments to secure the financial stability of our great Orchestra. This listing represents multi-year commitments of annual and endowment support, and legacy gift declarations, as of October 2012.

The Cleveland Orchestra and Musical Arts Association gratefully recognize the transformational support and extraordinary commitment of these individuals, corporations, and foundations toward the Orchestra’s future. To join your name to these visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520.

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48

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GIFTS OF $250,000 TO $500,000

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Severance Hall 2012-13

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49

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Ludwig van Beethoven, 1818, pencil drawing by August von Klöber

‘‘

Music should strike fire from the heart of man, and bring tears from the eyes of woman.

‘‘

—Ludwig van Beethoven

THURSDAY AND SATURDAY

Michael Sachs

Principal Trumpet, Robert and Eunice Podis Weiskopf Endowed Chair Solo Cornet, Mary Elizabeth and G. Robert Klein Endowed Chair The Cleveland Orchestra

Michael Sachs joined The Cleveland Orchestra as principal trumpet in 1988. His many performances as soloist with the Orchestra include the world premieres of John Williams’s Concerto for Trumpet and Michael Hersch’s Night Pieces for trumpet and orchestra (both commissioned by the Orchestra for Mr. Sachs), the United States and New York premieres of Hans Werner Henze’s Requiem, and, most recently, the world premiere in August 2012 of Matthias Pintscher’s Chute d’Étoiles, conducted by Franz Welser-Möst at the Lucerne Festival.

Mr. Sachs’s artistry can be heard on over 150 recorded works with The Cleveland Orchestra. His recital with organist Todd Wilson is available on an album titled Live from Severance Hall. He has also performed as guest soloist with orchestras and chamber groups across the United States and internationally, including the Houston Symphony, Louisiana Philharmonic, Janáček Philharmonic Orchestra, Auckland Philharmonia, and the Chamber Music Society of Lincoln Center.

Michael Sachs serves as chairman of the brass division and head of the trumpet department at the Cleveland Institute of Music. In addition to serving on the faculty of leading summer festivals — including the Aspen Music Festival, Blekinge International Brass Academy, Domaine Forget, Grand Tetons Music Festival, National Brass Symposium, National Orchestral Institute, and Summit Brass — he presents masterclasses and workshops at conservatories and major universities throughout the United States, Europe, and Asia as a clinician for Conn-Selmer.

At the invitation of Sir Georg Solti, Michael Sachs served as principal trumpet and instructor for the Solti Orchestral Project at Carnegie Hall. He is the author of a variety of books, including Daily Fundamentals for the Trumpet, 14 Duets for Trumpet and Trombone (with Joseph Alessi), and The Orchestral Trumpet, a 175-page comprehensive book and CD overview of standard orchestral trumpet repertoire. Mr. Sachs has also been integrally involved in the acoustic design and play testing for the creation of the new Artisan line of Bach Stradivarius trumpets.

Before coming to Cleveland, Mr. Sachs was a member of the Houston Symphony Orchestra, performed with the Houston Grand Opera, and was a faculty member of Rice University’s Shepherd School of Music. Originally from Los Angeles, Michael Sachs earned a bachelor of arts degree in history from the University of California Los Angeles prior to attending the Juilliard School. His former teachers include Mark Gould, Anthony Plog, and James Stamp.

For additional information, please visit www.michaelsachs.com.

52

Soloist

The Cleveland Orchestra

THURSDAY AND SATURDAY

Jack Sutte Jack Sutte joined The Cleveland Orchestra trumpet section in 1999. A native of Oconomowoc, Wisconsin, he attributes much of his successful career to his first trumpet teacher, Patricia Backhaus. He subsequently attended the Curtis Institute of Music in Philadelphia, where he earned a bachelor of music degree, and the Juilliard School in New York City, where he earned a master of music degree.

He studied with Frank Kaderabek at Curtis, Raymond Mase at Juilliard, and Chris Gekker at the Aspen Festival.

Mr. Sutte has appeared as soloist with The Cleveland Orchestra, as well as with the Milwaukee Symphony Orchestra, New World Symphony, Cleveland Contemporary Youth Orchestra, and Symphony in C, among others. He made his international solo debut in Argentina in 1995 and maintains an active recital schedule, performing a wide range of solo and chamber music. Prior to his Cleveland appointment, he was principal trumpet in Norway’s Bergen Philharmonic Orchestra.

Mr. Sutte is a lecturer of trumpet at the Baldwin Wallace University Conservatory of Music, and has also taught at the Oberlin College Conservatory of Music. He regularly leads masterclasses across the United States. His recently released album, Beyond the Moon, features previously unrecorded music for trumpet and piano.

Additionally, Mr. Sutte serves as a performing artist for Schilke Music Products, a Chicago-based manufacturer of hand-crafted and custom-designed trumpets and brass mouthpieces.

Both of Jack Sutte’s parents were acclaimed music educators in Wisconsin, and, as a youth, Jack studied violin, voice, and dance. He is an active participant in The Cleveland Orchestra’s Musical Rainbow concert series for young audiences.

Mr. Sutte lives on the shores of Lake Erie in Euclid, Ohio, with his wife, Audra Zarlenga, their children, Maya and Louie, and two dogs. His hobbies include cycling, running, and yoga.

july 06-august 24

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Soloist

2013

Michael Sachs and Jack Sutte will sign compact discs at the Cleveland Orchestra Store in the Lerner Lobby on the groundfloor of Severance Hall following the concert on Saturday evening.

53

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Grosse Fuge in B-flat major, Opus 133 composed 1825 E V E N BY B E E T H OV E N ’ S S TA N DA R D S ,

by

Ludwig van

BEETHOVEN born December 16, 1770 Bonn died March 26, 1827 Vienna

Severance Hall 2012-13

the Grosse Fuge is an extraordinary work. On its own, it has a puzzling intensity, and in its original context as the finale of a long, complicated, profound string quartet, it is even more mystifying.

That quartet, the Quartet in B-flat major, Opus 130, is a six-movement work that embodies all the richness and complexity of Beethoven’s late years. Its fifth movement is the famous Cavatina, a piece that leaves very few of us anywhere but in a remote heaven of emotion. To follow it, Beethoven originally conceived of an enormous fugue, far surpassing any fugue he had ever written in its many-layered design — and in the tough demands he makes on players and listeners alike.

The quartet was written rapidly between July and November 1825, at a time when Beethoven’s obsessively paternal regard for his nephew Karl was leading inexorably to the point of crisis. It was performed a few months later, when the public and Beethoven’s publisher found the finale incomprehensible.

The composer was persuaded to detach it from the rest of the work, publish it separately and put another, less ambitious finale in its place. He may have agreed to do so, not so much because the quartet was disfigured or overburdened by it, but because it contains so many facets and contrasts that it makes a remarkably whole and complete work on its own.

The fugue theme is drawn from the four notes that featured prominently in the previous Quartet in A minor, Opus 132. The chromatic contour becomes insistently familiar as the fugue proceeds.

Several clearly separate sections can be identified when listening. The opening, headed Overtura, is a forceful unison statement of the theme, followed by brief foretastes of sections to come — like a table of contents in a book, or a movie preview. The first main section is furiously loud and emphatic for an almost unendurable length, or so it seems. There is no relief until a complete change of key and character appears (marked Meno mosso e moderato) like a central slow movement. This moves directly into a brisk Allegro molto, much more tuneful and exultant, although it passes through innumerable complex corridors, with much trilling and erupting, before finally exorcising all memories, and closing with youthful gaiety — like a About the Music

55

return to the distant world of Beethoven’s earliest music.

It was Hans von Bülow, a formidable pianist and champion of Beethoven’s music, who first arranged the Grosse Fuge for string orchestra, when he was serving as music director to the Duke of Meiningen from 1880 to 1885, introducing the weight of the double bass section to the original four instrumental parts. He instilled such discipline in his orchestra that he had the entire string section playing the work from memory, standing up! They performed it this way in Berlin soon after and caused a sensation. Many conductors have programmed the work in this form, including Furtwängler, Klemperer, and Toscanini — but allowing the players to use the music, and to sit down.

—Hugh Macdonald © 2012 At a Glance

A drawing of Beethoven out walking, circa 1815,

by Johann Theodor Lyser.

Beethoven composed the Grosse Fuge as the last movement of his String Quartet in B-flat major (Opus 130) in the late summer and early autumn of 1825. It was first performed — with the preceding five movements of that quartet — on March 21, 1826, by the Schuppansigh Quartet of Vienna. The publisher Artaria, however, requested a new finale for Opus 130, one that would be easier to perform. Beethoven wrote a new finale in November 1826; it was the last completed music that he wrote and was not performed until after his death in 1827. The Great Fugue was published separately in May 1827 and bears a dedication to the

Archduke Rudolph, Beethoven’s patron, pupil, and friend.

This work runs nearly 20 minutes in performance. Beethoven’s original scoring for string quartet is enlarged and augmented in this weekend’s performances for string orchestra, including doubling of sections of the bass line by double basses.

The Cleveland Orchestra first presented the Grosse Fuge in November 1964, conducted by Lukas Foss. The most recent performances were during the 2000-01 season at Severance Hall and on tour in Europe and the United States, conducted by Christoph von Dohnányi.

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56

About the Music

The Cleveland Orchestra

The Poem of Ecstasy, Opus 54 composed 1905-08 L E P O È M E D E L’ E X T A S E

by

Alexander Nikolayevich

SCRIABIN

born January 6, 1872 Moscow died April 27, 1915 Moscow

Severance Hall 2012-13

(“The Poem of Ecstasy”) is a superb example of the huge, self-obsessed orchestral repertoire from the period before World War I, which we generally associate with Gustav Mahler and Richard Strauss. Scriabin was a strongly progressive and individualistic composer who saw himself as the prophet of a new cosmos, and his works as the voice of a divine being.

Like many Russians who, once they are attached to an idea, pursue it relentlessly to its ultimate point, blind to other influences — Mussorgsky and Tolstoy come to mind — Scriabin was driven by a powerful inner force to capture his mystical vision in music. He is easily dismissed as a crazy megalomaniac, but his music is superbly crafted and excitingly modern, even today.

Most of Scriabin’s music is for the piano, with some important orchestral works composed at regular intervals throughout his short career. His previous orchestral work, the Divine Poem, was a three-movement symphony completed in 1904, when he was thirty-two. It ventured into the territory of philosophical abstraction, which had begun to consume his mind shortly before. His next orchestral work was to be a symphony entitled Orgiastic Poem, but it eventually emerged as a one-movement work, the Poem of Ecstasy, giving an even greater prominence to the composer’s obsession with the spirit’s search for ecstasy and his monomaniac belief in his own creativity. Alongside the orchestral piece, Scriabin wrote a long verse-poem of the same name, full of mystical fantasizing, which also embraced his Fifth Piano Sonata in its grandiose vision.

But while the poem is safely ignored as the rambling of a deluded egomaniac, the orchestral work is a masterpiece that stands fittingly beside the other great orchestral creations of those years. Le Poème de l’extase was completed early in 1908 and first performed later that year in New York, under the composer’s friend Modest Altschuler. Two months later, it was played in Moscow under Vasily Safonov, and it was soon adopted by orchestras all over the world keen to present the latest in advanced music.

The orchestra is large, and contrasts of mood are extreme, yet the piece has a concentration that was to become even more pronounced in Scriabin’s final orchestral work, Prometheus: About the Music

57

Poem of Fire, of 1910. While Mahler’s symphonies were reaching further out into all realms of human thought, Scriabin’s were concentrating into a densely packed kernel of feeling and belief.

The themes have particular functions. For example, the opening theme on the flute is the theme of longing; the clarinet’s melody over hazy strings is a dream theme, and the trumpet’s succession of rising phrases with a chromatic descent is “victory.” Galloping horns offer “dark presentiments.” Such labels are easily understood in the context of 19th-century program music, although a sustained interpretation of their relationship is hardly possible or desirable.

We have simply an alternation of moods in the composer’s mind, with a clear recapitulation of the opening material leading to an ecstatic climax.

The emotional intensity is extreme, whether languid and erotic, playful and volatile, or triumphant. The textures are intricate and complex, yet the harmonic progress is generally simple and broad.

The key of C major, in which it closes, had come to represent Scriabin’s central focus after years of living in remote tonal regions. The next step, which he took shortly after, was to cut loose from tonality altogether. Scriabin was thus, with Schoenberg and Debussy, one of the most progressive and visionary spirits of his time.

—Hugh Macdonald © 2012 At a Glance Scriabin wrote Le Poème de l’extase (“The Poem of Ecstasy”) in 1905-08, while living outside his native Russia and travelling across much of Europe and visiting the United States. (The work was later designated as his Symphony No. 4 by his publisher.) The work was given its world premiere on December 10, 1908, in New York City, with the Russian Symphony Society of New York under the direction of Modest Altschuler.

This symphony runs about 20 minutes in performance. Scriabin scored it for 3

flutes, piccolo, 3 oboes, english horn, 3 clarinets, bass clarinet, 3 bassoons, contrabassoon, 8 horns, 5 trumpets, 3 trombones, tuba, timpani, percussion (bass drum, tamtam, cymbals, triangle, glockenspiel, bell), celesta, 2 harps, organ, and strings.

The Cleveland Orchestra first performed Scriabin’s Poem of Ecstasy in November 1922, conducted by founding music director Nikolai Sokoloff. It has been performed a few times since then, most recently in February 1999, conducted by Oliver Knussen.

lec.edu 1.855.GO.STORM 58

About the Music

The Cleveland Orchestra

Student Ticket Programs “Under 18s Free,” Student Advantage membership, and Student Frequent FanCard offer affordable access to Cleveland Orchestra concerts all season long The Cleveland Orchestra is committed to developing one of the youngest audiences of any orchestra in the country. With the help of generous contributors, the Orchestra has expanded its discounted ticket offerings through several new programs. In the opening two months of the current Severance Hall season, student attendance has doubled from last season, with nearly 20% of the audience being students experiencing Cleveland Orchestra concerts through these various programs and offers.

S T U D E N T A DVA N TAG E P R O G R A M

The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend Orchestra concerts at Severance Hall through discounted ticket offers. Membership in the Student Advantage Program is free.

A new Student Frequent FanCard was introduced this season. Priced at $50, the FanCard offers students unlimited single tickets (one per FanCard holder) to weekly Classical Subscription Concerts all season long.

“UNDER 18s FREE”

Introduced for Blossom Festival concerts two summers ago, the “Under 18s Free” program now includes select Cleveland Orchestra concerts at Severance Hall each season. This program offers free tickets (one per regular-priced adult paid admission) to young people ages 7-17 to the Orchestra’s Fridays@7, Friday Morning at 11, and Sunday Afternoon at 3 concerts.

All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences and the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

Severance Hall 2012-13

Student Ticket Programs

59

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The Cleveland Orchestra

The Cleveland Orchestra: Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R M A S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s actitivities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 70,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Hay High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades.

Severance Hall 2012-13

Education & Community

61

T H E

C L E V E L A N D

El Sistema@Rainey performing at Severance Hall. The initiative is an intensive after-school orchestral music program launched in September 2011 by Cleveland Orchestra violinist Isabel Trautwein and Cleveland’s Rainey Institute. Modeled after the national Venezuelan program El Sistema (“the system”), the initiative emphasizes community-based orchestra training from a young age, with a focus on making music fun and inspiring young musicians with a passion for music and for life. The Cleveland Orchestra and education partner Conn-Selmer are the official providers of instruments for the El Sistema@Rainey program, with instrument support from Royalton Music for El Sistema@Rainey Summer Camp.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

62

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program that fosters the use of music and the arts to support general classroom learning.

Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestraâ&#x20AC;&#x2122;s Education programs are made possible by many generous individuals, foundations, and corporations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Invacare Corporation Martha Holden Jennings Foundation The Laub Foundation The Lincoln Electric Foundation The Lubrizol Corporation The Nord Family Foundation Ohio Arts Council PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation The Sherwin-Williams Foundation The South Waite Foundation Surdna Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Anonymous Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice B. Cull Memorial Fund Mr. and Mrs. Charles B. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-school Education Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund

Severance Hall 2012-13

Education & Community

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

More than 1,200 talented young musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since its founding in 1986.

63

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y The Heritage Society honors donors who support the Orchestra through their wills, life income gifts, or other types of deferred giving. The following listing of members is current as of September 2012. The Cleveland Orchestra and Musical Arts Association thank those members below in bold who have declared to us their specific estate intentions. For more information, please call Bridget Mundy, Legacy Giving Officer, at 216-231-8006.

Anonymous (97) Lois A. Aaron Leonard Abrams Shuree Abrams* Gay Cull Addicott Stanley and Hope Adelstein Sylvia K. Adler Jack and Darby Ashelman Gerald O. Allen Norman and Marjorie* Allison Herbert Ascherman, Jr. Mr. and Mrs. William W. Baker Ruth Balombin* Mrs. Louis W. Barany* D. Robert* and Kathleen L. Barber Jack Barnhart Margaret B. and Henry T.* Barratt Norma E. Battes Fred G. and Mary W. Behm Dr. Ronald and Diane Bell Bob Bellamy Joseph P. Bennett Miss Ila M. Berry Howard R. and Barbara Kaye Besser Dr.* and Mrs. Murray M. Bett Dr. Marie Bielefeld Mr. Raymond J. Billy Dr. and Mrs. Harold B. Bilsky Robert E. and Jean Bingham* Claudia Bjerre William P. Blair III Flora Blumenthal Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Loretta and Jerome* Borstein Mr. and Mrs.* Otis H. Bowden II Ruth Turvy Bowman Drs. Christopher P. Brandt and Beth Brandt Sersig Mr. D. McGregor Brandt, Jr. David and Denise Brewster Richard F. Brezic* Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Ronald and Isabelle Brown* Mr. and Mrs. Clark E. Bruner* Harvey and Penelope* Buchanan Rita W. Buchanan

64

Joan and Gene Buehler Gretchen L. Burmeister Stanley and Honnie Busch Milan and Jeanne* Busta Mrs. Noah L. Butkin* Mr. and Mrs. William C. Butler Minna S. Buxbaum* Gregory and Karen Cada Jean S. Calhoun Harry and Marjorie M. Carlson Janice L. Carlson Dr. and Mrs. Roland D. Carlson Barbara A. Chambers, D.Ed. Ellen Wade Chinn* NancyBell Coe Ralph M. and Mardy R. Cohen Robert and Jeanâ&#x20AC;? Conrad Mr. and Mrs. Gerald A. Conway James P. and Catherine E. Conway Rudolph R. Cook The Honorable Colleen Conway Cooney John D. and Mary D.* Corry Dr.* and Mrs. Frederick S. Cross Martha Wood Cubberley Dr. William S. Cumming In Memory of Walter C. and Marion J. Curtis Mr. and Mrs. William W. Cushwa Howard Cutson Mr. and Mrs. Don C. Dangler Mr. and Mrs. Howard J. Danzinger Barbara Ann Davis Carol J. Davis Charles and Mary Ann Davis Mary Kay DeGrandis and Edward J. Donnelly Neeltje-Anne DeKoster Carolyn L. Dessin William R. Dew Mrs. Armand J. DiLellio James A. Dingus, Jr. Dr. and Mrs. Richard C. Distad Maureen A. Doerner and Geoffrey T. White Gerald and Ruth Dombcik Mr.* and Mrs. Roland W. Donnem Nancy and Richard Dotson Mrs. John Drollinger Drs. Paul M. and Renate H. Duchesneau

Legacy & Planned Giving

George* and Becky Dunn Warren* and Zoann Dusenbury Mr. and Mrs. Robert Duvin Paul and Peggy Edenburn Robert and Anne Eiben Esther and Alfred M. Eich, Jr. Mr. and Mrs. Ramon Elias* Roger B. Ellsworth Oliver and Mary Emerson Lois Marsh Epp Patricia Esposito Margaret S. Estill Dr. Wilma McVey Evans C. Gordon and Kathleen A. Ewers Patricia J. Factor Susan L. Faulder Dr. and Mrs. Frederick Fennell* Mrs. Mildred Fiening Gloria and Irving B. Fine R. Neil Fisher Jules and Lena Flock* Joan Alice Ford Dr. and Mrs.* William E. Forsythe Mr.* and Mrs. Ralph E. Fountain J. Gilbert and Eleanor M. Frey Arthur and Deanna Friedman Mr.* and Mrs. Edward H. Frost Dawn Full Henry S. Fusner Dr. Stephen and Nancy Gage Charles and Marguerite C. Galanie* Barbara and Peter Galvin Mr. and Mrs. Steven B. Garfunkel Donald* and Lois Gaynor Barbara P. Geismer Albert I. and Norma C. Geller Carl E. Gennett* John H.* and Ellen P. Gerber Frank and Louise Gerlak Dr. James E. Gibbs In Memory of Roger N. Gifford Dr. Anita P. Gilger* S. Bradley Gillaugh Mr. and Mrs. Robert M. Ginn Fred and Holly Glock Ronald* and Carol Godes William H. Goff Mr. and Mrs. Henry J. Goodman John and Ann Gosky Mrs. Joseph B. Govan*

The Cleveland Orchestra

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Elaine Harris Green Richard C. Gridley Nancy Hancock Griffith David E. and Jane J. Griffiths David G. Griffiths* Ms. Hetty Griffiths Margaret R. Griffiths* Bev and Bob Grimm Judd and Zetta Gross* Candy and Brent Grover Mrs. Jerome E. Grover* Thomas J. and Judith Fay Gruber Mr. and Mrs. David H. Gunning Mr. and Mrs. William E. Gunton Joseph E. Guttman* Mrs. John A Hadden Jr. Richard and Mary Louise Hahn James J. Hamilton Kathleen E. Hancock Douglas Peace Handyside* Holsey Gates Handyside Norman C. and Donna L. Harbert Mary Jane Hartwell William L.* and Lucille L. Hassler Peter and Gloria Hastings* Mrs. Henry Hatch (Robin Hitchcock) Virginia and George Havens Gary D. Helgesen Clyde J. Henry, Jr. Ms. M. Diane Henry Wayne and Prudence Heritage Rice Hershey* T. K. and Faye A. Heston Gretchen L. Hickok Mr. and Mrs. Daniel R. High Edwin R. and Mary C. Hill* Ruth Hirshman-von Baeyer* Mr.* and Mrs. D. Craig Hitchcock Bruce F. Hodgson Goldie Grace Hoffman* Mary V. Hoffman Feite F. Hofman MD Mrs. Barthold M. Holdstein Leonard* and Lee Ann Holstein Gertrude S. Hornung* Patience Cameron Hoskins Elizabeth Hosmer Dorothy Humel Hovorka Dr. Randal N. Huff Ann E. Humphreys and Jayne E. Sisson Karen S. Hunt Ruth F. Ihde Mr. and Mrs. Jonathan E. Ingersoll Pamela and Scott Isquick Mr. and Mrs.* Clifford J. Isroff Mr. and Mrs. Donald M. Jack, Jr. Carol S. Jacobs Milton* and Jodith Janes

Severance Hall 2012-13

Jerry and Martha Jarrett Nancy Kurfess Johnson, M.D. Paul and Lucille Jones* Mrs. R. Stanley Jones* David and Gloria Kahan Julian and Etole Kahan Drs. Julian* and Aileen Kassen Milton and Donna Katz Patricia and Walter* Kelley Bruce and Eleanor Kendrick Malcolm E. Kenney Nancy H. Kiefer Charles M. and Janet G. Kimball* Mr. Kevin F. Kirkpatrick Mrs. Virginia Kirkpatrick James and Gay Kitson Julian H. and Emily W. Klein* Mary Elizabeth and G. Robert Klein* Thea Klestadt* Gilles and Malvina Klopman Martha D. Knight Mr. and Mrs. Robert Koch Vilma L. Kohn Elizabeth Davis Kondorossy* Mr. and Mrs. James G. Kotapish, Sr. LaVeda Kovar* Margery A. Kowalski Bruce G. Kriete* Mr. and Mrs. Gregory G. Kruszka Thomas and Barbara Kuby Eleanor and Stephen Kushnick Mr. and Mrs. Dennis W. LaBarre James I. Lader Mr. and Mrs. David A. Lambros Dr. Joan P. Lambros Mrs. Carolyn Lampl Mrs. Samuel H. Lamport Louis Lane Charles and Josephine Robson Leamy Fund Teela C. Lelyveld Mr. and Mrs. Roger J. Lerch Gerda Levine Dr. and Mrs. Howard Levine Bracy E. Lewis Mr. and Mrs. Thomas A. Liederbach Ruth S. Link Dr. and Mrs. William K. Littman Jeff and Maggie Love Dr. Alan and Mrs. Min Cha Lubin Ann B. and Robert R. Lucas* Miss Anne M. Lukacovic Kate Lunsford Mr. and Mrs. Thomas E. Lynch Terry and Pat MacDonald Jerry Maddox Mrs. H. Stephen Madsen Alice D. Malone Mr. and Mrs. Donald Malpass, Jr.

Legacy & Planned Giving

Lucille Harris Mann Mr. and Mrs. Richard A. Manuel Clement P. Marion Mr. Wilbur J. Markstrom Dr. and Mrs. Sanford Marovitz Duane and Joan* Marsh Florence Marsh, Ph.D. Mr. and Mrs. Anthony M. Martincic Kathryn A. Mates Alexander and Marianna McAfee Nancy B. McCormack Mr. William C. McCoy Marguerite H. McGrath Dorothy R. McLean Jim* and Alice Mecredy James and Viginia Meil Mr. and Mrs.* Robert F. Meyerson Brenda Clark Mikota Christine Gitlin Miles Charles B. & Christine A. Miller Edith and Ted* Miller Mr. Leo Minter, Jr. Mr. and Mrs. William A. Mitchell Robert L. Moncrief Beryl and Irv Moore Ann Jones Morgan Mr.* and Mrs. Stanley L. Morgan George and Carole Morris Mr. and Mrs. Thomas W. Morris Mr. and Mrs.* Donald W. Morrison Drs. Joan R. Mortimer and Edward A.* Mortimer, Jr. Florence B. Moss Susan B. Murphy Dr. and Mrs. Clyde L. Nash, Jr. Deborah L. Neale David and Judith Newell Russell H. Nyland* Charles K. Laszlo and Maureen Oâ&#x20AC;&#x2122;Neill-Laszlo Katherine T. Oâ&#x20AC;&#x2122;Neill Mr. and Mrs. John D. Ong Aurel Fowler-Ostendorf* Ronald J. Parks Nancy and W. Stuver Parry Mrs. John G. Pegg Mary Charlotte Peters Mr. and Mrs. Peter Pfouts* Janet K. Phillips* Florence KZ Pollack Victor and Louise Preslan* Mrs. Robert E. Price* Lois S.* and Stanley M. Proctor Leonard and Heddy Rabe M. Neal Rains Mr. George B. Ramsayer Joe L. and Alice* Randles Mrs. Alfred M. Rankin, Sr. LISTING CONTINUES

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Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Be forever a part of what the world is talking about!

LISTING CONTINUED

Mrs. Theodore H. Rautenberg* Dr. Sandford Reichart* James and Donna Reid Mrs. Hyatt Reitman* Dr. Larry J.B.* and Barbara S. Robinson Dwight W. Robinson Margaret B. Babyak* and Phillip J. Roscoe Dr. Eugene and Mrs. Jacqueline Ross Helen Weil Ross* Marjorie A. Rott Howard and Laurel Rowen Professor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster Rutter Mr. James L. Ryhal, Jr. Renee Sabreen Marjorie Bell Sachs Vernon Sackman Sarah J. Sager and William R. Joseph Sue Sahli Mr. and Mrs. James A. Saks Mr. Larry J. Santon Stanford and Jean B. Sarlson James Dalton Saunders Patricia J. Sawvel Ray and Kit Sawyer Morris and Alice Sayre In Memory of Hyman and Becky Schandler Robert Scherrer Sandra J. Schlub Ms. Marian Schluembach Robert and Betty Schmiermund Mr. and Mrs. Richard M. Schneider Lynn A. Schreiber Jeanette L. Schroeder Carol* and Albert Schupp Mr. Frank Schultz Roslyn S. and Ralph M. Seed Nancy F. Seeley Edward Seely Meredith M. Seikel Russell Seitz Eric Sellen Andrea E. Senich Thomas and Ann Sepulveda B. Kathleen Shamp Jill Semko Shane David Shank Dr. and Mrs. Daniel J. Shapiro Norine W. Sharp Norma Gudin Shaw Elizabeth Carroll Shearer

66

Dr. and Mrs. William C. Sheldon Frank * and Mary Ann Sheranko Kim Sherwin Mr. and Mrs. Michael Sherwin Reverend and Mrs. Malcolm K. Shields Rosalyn and George Sievila Mr. and Mrs. David L. Simon Dr.* and Mrs. John A. Sims Naomi G. and Edwin Z. Singer Lauretta Sinkosky H. Scott Sippel and Clark T. Kurtz Ellen J. Skinner Ralph* and Phyllis Skufca Janet Hickok Slade Alden D. and Ellen D.* Smith Margaret C. Smith* Mr.* and Mrs. Ward Smith M. Isabel Smith* Nathan Snader* Sterling A.* and Verdabelle Spaulding Sue Starrett and Jerry Smith Barbara J. Stanford and Vincent T. Lombardo Lois and Thomas Stauffer Willard D. Steck* Dr. Myron Bud and Helene* Stern Merle Stern Mr. and Mrs. John M. Stickney Nora and Harrison Stine* Mr. and Mrs. Stanley M. Stone Mr. and Mrs. James P. Storer Mr. and Mrs. Ralph E. String The Irving Sunshine Family Mr.* and Mrs. Herbert J. Swanson In Memory of Marjory Swartzbaugh Lewis Swingley* Lorraine S. Szabo Norman V. Tagliaferri Susan* and Andrew Talton Frank E. Taplin, Jr.* Charles H. Teare and Clifford K.* Kern Mr. Ronald E. Teare Pauline Thesmacher* Dr. and Mrs. Friedrich Thiel Mrs. William D. Tibbetts* Mr. and Mrs. William M. Toneff Alleyne C. Toppin Janice and Leonard Tower Dorothy Ann Turick Mr. and Mrs. Robert A. Urban Robert and Marti Vagi Robert A. Valente Mary Louise and Don VanDyke Elliot Veinerman*

Legacy & Planned Giving

Nicholas J. Velloney* Steven Vivarronda Pat and Walt* Wahlen Mrs. Clare R. Walker Mr. and Mrs. Russell Warren Charles D. Waters* Etta Ruth Weigl Lucile Weingartner Eunice Podis Weiskopf* Max W. Wendel William Wendling and Lynne Woodman Marilyn J. White Alan H. and Marilyn M. Wilde Elizabeth L. Wilkinson* Helen Sue* and Meredith Williams Carter and Genevieve Wilmot Miriam L. and Tyrus W.* Wilson Mr. Milton Wolfson* and Mrs. Miriam Shuler-Wolfson Nancy L. Wolpe Mrs. Alfred C. Woodcock Mr. and Mrs.* Donald Woodcock Dr. and Mrs. Henry F. Woodruff Marilyn L. Wozniak Nancy R. Wurzel Michael and Diane Wyatt Mary Yee Libby Yunger Dr. Norman Zaworski William L. and Joan H. Ziegler Carmela Catalano Zoltoski Roy J. Zook*

*deceased

The lotus blossom is the symbol of the Heritage Society.

It represents eternal life and recognizes the permanent benefits of legacy gifts to The Cleveland Orchestraâ&#x20AC;&#x2122;s endowment.

Said to be Elisabeth Severanceâ&#x20AC;&#x2122;s favorite flower, the lotus is found as a decorative motif in nearly every public area of Severance Hall.

The Cleveland Orchestra

CLE E H T

VE

D LAN

OR

C

T HES

Meet the Musicians Cleveland Orchestra musicians participate in a variety of community and education activities beyond the weekly orchestral concerts at Severance Hall.

These activities include masterclasses and recitals, PNC Musical Rainbows, the Learning Through Music school partnership program, and coaching the Cleveland Orchestra Youth Orchestra.

PHOTOGRAPHS BY ROGER MASTROIANNI

RA

RICHARD WEISS

cello BORN: Los Angeles ROLE MODEL: Cellist Leonard Rose.

ON MY MP3 PLAYER: Yo-Yo Ma’s Soul of the

Tango, and beginning Spanish lessons.

CLEVELAND ORCHESTRA HIGHLIGHT:

First appearance as concerto soloist, and then years later playing in the cello section as my student Alisa Weilerstein was soloist in the same piece.

FREE TIME: Horseback riding, reading.

BIG DREAM: To ride a horse as well as I play the cello.

FAVORITE ORCHESTRAL WORK: Currently, Tchaikovsky’s Serenade for Strings.

EMMA SHOOK

MARK ATHERTON

violin BORN: Portland, Oregon ON MY MP3 PLAYER: I don’t own an MP3

player; on my stereo or radio, I listen to all types of music, from classical to jazz to bluegrass and beyond.

ROLE MODEL: Jane Goodall, chimpanzee expert and environmental ambassador.

FREE TIME: Hiking, gardening, good food, good friends, playing chamber music.

BIG DREAM: Resurrection of good public education; big music and arts programs in all the schools.

Severance Hall 2012-13

bass BORN: Bangor, Maine ON MY MP3 PLAYER: Oscar Peterson, Ella

Fitzgerald, Bob Dylan, opera, the Beatles.

CLEVELAND ORCHESTRA HIGHLIGHT:

Playing Dvořák’s opera Rusalka at the Salzburg Festival.

FREE TIME: Playing golf, biking, working in the yard.

FAVORITE CLEVELAND: I love Cleveland area golf courses and the Metroparks.

WHY A MUSICIAN: Music teachers in my family, including my father.

Meet the Musicians

67

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra Center for Future Audiences T H E C L E V E L A N D O R C H E S T R A ’s Center for Future Audiences was estab-

lished to fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation.

Center-funded programs focus on addressing economic and geographic barriers to attending Cleveland Orchestra concerts at Severance Hall and Blossom Music Center. Programs include research, introductory offers, targeted discounts, student ticket programs, and integrated use of new technologies. The goal is to create one of the youngest audiences of any symphony orchestra in the country. For additional information about these plans and programs, call us at 216-231-7464.

ENDOWED FUNDS

Maltz Family Foundation Mr. and Mrs. Alexander M. Cutler

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Officer, at 216-231-7520.

THANK YOU

for helping develop tomorrow’s audiences today.

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Center for Future Audiences

The Cleveland Orchestra

THE CLEVELAND ORCHESTRA

Endowed Funds

funds established as of September 2012

Generous contributions to the endowment have been made to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to the Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus.

Artistic Collaboration

American Conductors Fund

Keithley Fund

Douglas Peace Handyside Holsey Gates Handyside

Artist-in-Residence

Severance Hall Guest Conductors

Malcolm E. Kenney

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

International Touring Frances Elizabeth Wilkinson

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

Concert Previews Dorothy Humel Hovorka

Radio Broadcasts Robert and Jean Conrad

Unrestricted William P. Blair III Fund for Orchestral Excellence Margaret Fulton-Mueller Fund John P. Bergren and Sarah S. Evans Virginia M. and Jon A. Lindseth

Roger and Anne Clapp James and Donna Reid

Cleveland Orchestra Soloists Julia and Larry Pollock Family Fund

Guest Artists The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, was established to develop new generations of audiences for The Cleveland Orchestra.

Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler Fund

Endowed Funds listing continues

Severance Hall 2012-13

Endowed Funds

69

THE CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year.

Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice B. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley Education Fund The William N. Skirball Endowment

Education Concerts Week The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Machaskee Fund

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall: Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center.

Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

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Endowed Funds

The Cleveland Orchestra

‘‘

The Cleveland Orchestra’s excellence is a reflection of the musicians who are a part of it and the people who support it. Cleveland has created and sustained a great orchestra because of people who are passionate about quality. Excellence begins with the community — and we are privileged to be a part of the best community in the world.

‘‘

—Franz Welser-Möst

OrchestraNews The Cleveland Orchestra performs Tchaikovsky’s “The Nutcracker” with The Joffrey Ballet at PlayhouseSquare Five performances Nov 29 thru Dec 2 Tickets are now on sale for the holiday event of the season, as The Cleveland Orchestra presents The Joffrey Ballet’s complete silver anniversary production of Tchaikovsky’s The Nutcracker. Five performances will be presented at PlayhouseSquare’s State Theatre November 29 thru December 2. The production will be conducted by Tito Muñoz and mark the first time The Cleveland Orchestra has performed Tchaikovsky’s The Nutcracker in a fully-staged presentation.

Conceived and originally directed in 1987 by Robert Joffrey, with choreographic contributions from Gerald Arpino, this production of The Nutcracker features more than 40 company dancers, 200 brilliant costumes, and larger-than-life scenery. The Chicago Sun-Times called the Joffrey’s Nutcracker “a grand showcase of classical technique that spotlights the particular talents of many of the company’s ensemble dancers,” the Chicagoist calls it “a first-class celebration of one of the greatest holiday productions ever,” and the Washington Post praised it as “a theatrical event of irresistible power.”

The Cleveland cast of The Nutcracker will include sixty Northeast Ohio young dancers, who will be selected by audition, dancing side-by-side with the Joffrey company. The Cleveland Orchestra Children’s Chorus, comprised of fift y members, also joins the performances to sing in the beautiful “Snow Scene.”

“Our company looks forward to once again joining The Cleveland Orchestra” says Joffrey Ballet artistic director Ashley Wheater, “and in extending our wonderful partnership into a complete production. Our previous performances together at Blossom have included elements of a full ballet, but this time we’ll have all the sets, costumes, lighting, and the magnificent choreography of our founder Robert Joffrey.”

TICKETS On-sale now!

216-241-6000 or playhousesquare.org 72

Cleveland Orchestra News

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY KeyBank

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$1 MILLION TO $5 MILLION

PARTNERS IN EXCELLENCE $300,000 AND MORE

$5 MILLION AND MORE

Baker Hostetler Bank of America Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch NACCO Industries, Inc. Parker Hannifin Corporation The Plain Dealer PNC Bank PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The Sage Cleveland Foundation The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra.

Listing as of September 2012.

gifts of $2,500 or more during the past year, as of September 10, 2012

KeyBank The Lubrizol Corporation NACCO Industries, Inc. The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

Baker Hostetler Eaton Corporation Forest City Enterprises, Inc. PNC PARTNERS IN EXCELLENCE $100,000 TO $199,999

Google, Inc. Medical Mutual of Ohio Parker Hannifin Corporation $50,000

TO

$99,999

Exile LLC Jones Day Quality Electrodynamics (QED) Raiffeisenlandesbank Oberösterreich (Europe) The Sage Cleveland Foundation $25,000 TO $49,999 Bank of America Dix & Eaton Giant Eagle Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp.

The Plain Dealer RPM International Inc. Squire, Sanders & Dempsey (US) LLP Thompson Hine LLP

$2,500 TO $24,999 Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc. American Greetings Corporation BDI Brouse McDowell Conn-Selmer, Inc. Eileen M. Burkhart & Co LLC Buyers Products Company Cedar Brook Financial Partners, LLC The Cleveland Wire Cloth & Mfg. Co.

Severance Hall 2012-13

Corporate Annual Support

The Cliffs Foundation Community Behavioral Health Center Consolidated Graphics Group, Inc. Dealer Tire LLC Dollar Bank Dominion Foundation Ernst & Young LLP Evarts-Tremaine-Flicker Company Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Gallagher Benefit Services Genovese Vanderhoof & Associates The Goodyear Tire & Rubber Company Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Houck Anderson P.A. (Miami) Hunton & Williams, LLP (Miami) The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Miba AG (Europe) MTD Products, Inc. Nordson Corporation North Coast Container Corp.

Northern Haserot Oatey Co. Ohio CAT Olympic Steel, Inc. Oswald Companies PolyOne Corporation The Prince & Izant Company Richey Industries, Inc. Satch Logistics LLC SEMAG Holding GmbH (Europe) The Sherwin-Williams Company Stern Advertising Agency Swagelok Company TriMark S.S. Kemp Trionix Research Laboratory, Inc. Tucker Ellis United Automobile Insurance Company (Miami) Ver Ploeg & Lumpkin, P.A. (Miami) Ricky & Sarit Warman — Papa John’s Pizza (Miami) WCLV Foundation Westlake Reed Leskosky The Avedis Zildjian Company Anonymous (3)

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THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestraâ&#x20AC;&#x2122;s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation $5 MILLION TO $10 MILLION

John P. Murphy Foundation $1 MILLION TO $5 MILLION

Ann and Gordon Getty Foundation GAR Foundation The George Gund Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Knight Foundation (Cleveland, Miami) Andrew W. Mellon Foundation David and Inez Myers Foundation National Endowment for the Arts The Payne Fund The Reinberger Foundation The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra.

Listing as of September 2012.

Severance Hall 2012-13

gifts of $2,000 or more during the past year, as of September 10, 2012

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts and Culture The Kelvin and Eleanor Smith Foundation $250,000 TO $499,000

Kulas Foundation Andrew W. Mellon Foundation The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation (Miami) John P. Murphy Foundation David and Inez Myers Foundation Ohio Arts Council $100,000 TO $249,999

Sidney E. Frank Foundation GAR Foundation The George Gund Foundation John S. and James L. Knight Foundation $50,000 TO $99,999

The George W. Codrington Charitable Foundation Martha Holden Jennings Foundation The Mandel Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation Elizabeth Ring Mather and William Gwinn Mather Fund The Payne Fund Surdna Foundation $20,000 TO $49,999 The Abington Foundation Akron Community Foundation The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. Ann and Gordon Getty Foundation The Margaret Clark Morgan Foundation The Nonneman Family Foundation The Nord Family Foundation Peacock Foundation, Inc. (Miami) The Sisler McFawn Foundation

$2,000 TO $19,999 Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Bernheimer Family Fund of the Cleveland Foundation Bicknell Fund The Eva L. and Joseph M. Bruening Foundation The Collacott Foundation Mary and Dr. George L. Demetros Charitable Trust Elisha-Bolton Foundation Fisher-Renkert Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation Funding Arts Network (Miami) The Helen Wade Greene Charitable Trust The Hankins Foundation The Muna and Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Kangesser Foundation The Kridler Family Fund of The Columbus Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation Laura R. & Lucian Q. Moffitt Foundation National Endowment for the Arts Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Jean C. Schroeder Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The Taylor-Winfield Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

Foundation/Government Annual Support

75

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of September 10, 2012 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland)

Daniel R. and Jan R. Lewis (Miami) INDIVIDUAL GIFTS OF $200,000 TO $499,999

$5 MILLION TO $10 MILLION

Irma and Norman Braman (Miami) Francie and David Horvitz (Miami) The Walter and Jean Kalberer Foundation Susan Miller (Miami) Ms. Ginger Warner (Cleveland, Miami)

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mr. and Mrs. Albert B. Ratner Anonymous

INDIVIDUAL GIFTS OF $100,000 TO $199,999

$1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. and Mrs. Francis J. Callahan Mrs. Anne M. Clapp Mr. George Gund III Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Anonymous (2) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of September 2012.

76

Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Norma Lerner Peter B. Lewis and Janet Rosel (Miami) Mr.* and Mrs. Herbert McBride Mr. and Mrs. Albert B. Ratner INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. and Mrs. Douglas A. Kern The Honorable and Mrs. John Doyle Ong Janet and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz James D. Ireland III Mr. and Mrs. Dennis W. LaBarre

Leadership Council The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

Individual Annual Support

The Cleveland Orchestra

INDIVIDUAL GIFTS OF $20,000 TO $24,999

R. Kirk Landon and Pamela Garrison (Miami) Mr. Randy Lerner Toby Devan Lewis Ms. Beth E. Mooney Mr. and Mrs. Alfred M. Rankin, Jr. James and Donna Reid Barbara S. Robinson David A. and Barbara Wolfort Anonymous INDIVIDUAL GIFTS OF $30,000 TO $49,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad Do Unto Others Trust (Miami) Mr. and Mrs. Geoffrey Gund George Gund Trevor and Jennie Jones Giuliana C. and John D. Koch Foundation (Cleveland, Miami) Dr. Vilma L. Kohn Mr. and Mrs. S. Lee Kohrman Charlotte R. Kramer Ms. Nancy W. McCann Sally S. and John C. Morley Julia and Larry Pollock Mrs. Alfred M. Rankin, Sr. Brian and Patricia Ratner Charles and Ilana Horowitz Ratner Luci and Ralph* Schey Mary M. Spencer (Miami) Mr. and Mrs. Franz Welser-Möst INDIVIDUAL GIFTS OF $25,000 TO $29,999

Mr. William P. Blair III Margaret Fulton-Mueller Dr. and Mrs. Hiroyuki Fujita Elizabeth B. Juliano Dr. and Mrs. David Leshner Mr. and Mrs. Jon A. Lindseth Mr. and Mrs. Edward A. Lozick Mrs. Jane B. Nord Mr. and Mrs. James A. Ratner Hewitt and Paula Shaw Richard and Nancy Sneed Junior Committee of The Cleveland Orchestra Paul and Suzanne Westlake

Gay Cull Addicott Mr. and Mrs. William W. Baker Jill and Paul Clark Bruce and Beth Dyer Esther L. and Alfred M. Eich, Jr. Andrew and Judy Green Gary Hanson and Barbara Klante Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mrs. Marguerite B. Humphrey William J. and Katherine T. O’Neil Dr. and Mrs. Ronald J. Ross Steven and Ellen Ross Mr. and Mrs. James A. Saks Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Dr. and Mrs. Neil Sethi R. Thomas and Meg Harris Stanton Mr. and Mrs. Donald Stelling (Europe) Anonymous gift from Switzerland (Europe) Anonymous INDIVIDUAL GIFTS OF $15,000 TO $19,999

Randall and Virginia Barbato Jayusia and Alan Bernstein (Miami) Scott Chaikin and Mary Beth Cooper Mr. and Mrs. Peter O. Dahlen George* and Becky Dunn Colleen and Richard Fain (Miami) Jeffrey and Susan Feldman Mr. Allen H. Ford Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) Tati and Ezra Katz (Miami) Jonathan and Tina Kislak (Miami) Robert M. Maloney and Laura Goyanes Mr. Thomas F. McKee Miba AG (Europe) Lucia S. Nash Mr. Gary A. Oatey Brian and Patricia Ratner David and Harriet Simon Mr. Joseph F. Tetlak Rick, Margarita and Steven Tonkinson (Miami) LNE Group — Lee Weingart (Europe) Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. David J. Carpenter Judith and George W. Diehl Joyce and Ab* Glickman Mr. and Mrs. Jeffrey Healy Mrs. David Seidenfeld Mr. and Mrs. Alfred Umdasch (Europe) listings continue

Severance Hall 2012-13

Individual Annual Support

77

THE CLEVELAN D ORCHESTRA

INDIVIDUAL GIFTS OF $10,000 TO $12,499

Tim and Linda Koelz Mr. and Mrs. Richard A. Manuel Mr. and Mrs. Arch J. McCartney Mr. and Mrs. Stanley A. Meisel Edith and Ted* Miller Mrs. Sydell L. Miller The Estate of Walter N. Mirapaul Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. and Mrs. William M. Osborne, Jr. Mr. and Mrs. George M. Rose Mr. and Mrs. David A. Ruckman Mr. Larry J. Santon Dr. E. Karl and Lisa Schneider Rachel R. Schneider Mr. and Mrs. Oliver E. Seikel Mr. Eric Sellen and Mr. Ron Seidman Kim Sherwin Mr. and Mrs. Steven Spilman Lois and Tom Stauffer Mrs. Blythe Sundberg Dr. Russell A. Trusso Tom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Wells Family Foundation, Inc. Anonymous

Mr. and Mrs. George N. Aronoff Marsha and Brian Bilzin (Miami) Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. D. McGregor Brandt, Jr. Augustine* and Grace Caliguire Mr. and Mrs. R. Bruce Campbell Richard J. and Joanne Clark Martha and Bruce Clinton (Miami) Mr. and Mrs. William E. Conway Mrs. Barbara Cook Bruce Coppock and Lucia P. May (Miami) Mr. and Mrs. Matthew V. Crawford Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Ms. Dawn M. Full Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Robert K. Gudbranson and Joon-Li Kim Jeffrey and Stacie Halpern Sondra and Steve Hardis David and Nancy Hooker Mr. and Mrs. Christopher Hyland Mr. and Mrs. Donald M. Jack, Jr. Janet and Gerald Kelfer (Miami) Mrs. Elizabeth R. Koch

INDIVIDUAL GIFTS OF $7,500 TO $9,999

Crescendo

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson Jack Harley

Iris Harvie Brinton L. Hyde Randall N. Huff Elizabeth Kelley David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, educational activities, and community projects.

The Crescendo Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Hayden Howland, Manager of Leadership Giving, by calling 216-231-7545.

78

Laurel Blossom Dr. and Mrs. Jerald S. Brodkey Dr. Thomas Brugger and Dr. Sandra Russ Ellen E. & Victor J. Cohn Supporting Foundation Mr. Owen and Mrs. Victoria Colligan Mr. and Mrs. Edward B. Davis Henry and Mary Doll Nancy and Richard Dotson Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Pamela and Scott Isquick Allan V. Johnson Judith and Morton Q. Levin Mr. Jeff Litwiller Mrs. Robert H. Martindale Mr. and Mrs. Thomas B. McGowan Mr. Donald W. Morrison Pannonius Foundation Douglas and Noreen Powers Rosskamm Family Trust Patricia J. Sawvel Carol and Albert Schupp Dr. Gerard and Phyllis Seltzer Naomi G. and Edwin Z. Singer Family Fund Mrs. Gretchen D. Smith Mr. and Mrs. Donald W. Strang, Jr. Bruce and Virginia Taylor Sandy and Ted Wiese Anonymous (2) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Susan S. Angell Mr. and Mrs. Albert A. Augustus Mr. and Mrs. Dean Barry Mr. Jon Batchelor (Miami)

Individual Annual Support

listings continue

The Cleveland Orchestra

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Severance Hall 2012-13

79

THE CLEVELAN D ORCHESTRA listings continued

Fred G. and Mary W. Behm Dr. and Mrs. Nathan A. Berger Mr. William Berger Dr.* and Mrs.* Norman E. Berman Dr. and Mrs. Eugene H. Blackstone Paul and Marilyn* Brentlinger Mr. Robert W. Briggs Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William & Dottie Clark Mrs. Lester E. Coleman Mr. and Mrs. Gerald A. Conway Corinne L. Dodero Foundation for the Arts and Sciences Mrs. Barbara Ann Davis Ms. Nancy J. Davis (Miami) Mr. and Mrs. Thomas S. Davis Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Mr. David J. Golden Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Harry and Joyce Graham Mr. Paul Greig David and Robin Gunning Clark Harvey and Holly Selvaggi In memory of Philip J. Hastings Henry R. Hatch and Robin Hitchcock Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller T. K. and Faye A. Heston Amy and Stephen Hoffman Joan and Leonard Horvitz Bob and Edith Hudson (Miami) Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Rudolf D. and Joan T. Kamper Andrew and Katherine Kartalis Milton and Donna* Katz Dr. and Mrs. William S. Kiser Mrs. Justin Krent Mr. James and Mrs. Patricia Krohngold Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. David C. Lamb

Shirley and William Lehman (Miami) Mr.* and Mrs. Leo Leiden Mrs. Emma S. Lincoln Heather and Irwin Lowenstein Mr. and Mrs. Alex Machaskee Mr. and Mrs.* Robert P. Madison Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Claudia Metz and Thomas Woodworth Drs. Terry E. and Sara S. Miller Mr. and Mrs. William A. Mitchell Ann Jones Morgan Robert Moss (Miami) Mr. and Mrs. Stephen E. Myers Mr. and Mrs. Herbert Newman Richard and Kathleen Nord Mr. Henry Ott-Hansen Mr. J. William and Dr. Suzanne Palmer Claudia and Steven Perles (Miami) Nan and Bob Pfeifer Dr. and Mrs. John N. Posch Lois S.* and Stanley M. Proctor Ms. Rosella Puskas Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Paul A. and Anastacia L. Rose Dr. Tom D. Rose Mr. and Mrs. Robert C. Ruhl David M. and Betty Schneider Linda B. Schneider Larry and Sally Sears Mrs. Frances G. Shoolroy Marjorie B. Shorrock Laura and Alvin A. Siegal David Kane Smith Jim and Myrna Spira George and Mary Stark Charles B. and Rosalyn Stuzin (Miami) Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins Dr. and Mrs. Leslie T. Webster, Jr. Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Charles Winans Anonymous (7)

INDIVIDUAL GIFTS OF $3,500 TO $4,999

Dr. and Mrs. D. P. Agamanolis Mr. and Mrs. Robert H. Baker Ms. Delphine Barrett Mr.* and Mrs. Russell Bearss Mr. and Mrs. Jules Belkin Dr. Ronald and Diane Bell Suzanne and Jim Blaser Dr. Ben H. and Julia Brouhard Dr. and Mrs. William E. Cappaert Ms. Mary E. Chilcote Drs. Mark Cohen and Miriam Vishny

80

Diane Lynn Collier Marjorie Dickard Comella Pete and Margaret Dobbins Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry Mrs. Joan Getz (Miami) Robert N. and Nicki N. Gudbranson Mr. Robert D. Hart Matthew D. Healy and Richard S. Agnes Hazel Helgesen and Gary D. Helgesen

Individual Annual Support

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Helen and Erik Jensen Joela Jones and Richard Weiss Dr. Gilles and Mrs. Malvina Klopman Dr. James and Mrs. Margaret Kreiner Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard listings continue

The Cleveland Orchestra

CUYAHOGA ARTS & CULTURE IS PROUD TO SUPPORT APOLLO'S FIRE t BAYARTS t BECK CENTER FOR THE ARTS t CHAGRIN VALLEY LITTLE THEATRE t CLEVELAND BOTANICAL GARDEN t CLEVELAND INTERNATIONAL FILM FESTIVAL t CLEVELAND JAZZ ORCHESTRA t CLEVELAND MUSEUM OF ART t CLEVELAND MUSEUM OF NATURAL HISTORY t THE CLEVELAND ORCHESTRA t CLEVELAND PLAY HOUSE t CLEVELAND PUBLIC THEATRE t DANCECLEVELAND t GREAT LAKES SCIENCE CENTER t GREAT LAKES THEATER t GROUNDWORKS DANCETHEATER t HEIGHTS YOUTH THEATRE t IDEASTREAM t KARAMU

HOUSE t MALTZ MUSEUM OF JEWISH HERITAGE t MUSEUM OF CONTEMPORARY ART t NATURE

CENTER AT SHAKER LAKES t PLAYHOUSESQUARE t ROCK AND ROLL HALL OF FAME AND MUSEUM t SPACES t WESTERN RESERVE HISTORICAL SOCIETY t & MANY OTHERS

P H OTO BY R O G E R MA S T R O I A N N I

WWW.CACGRANTS.ORG 216 515 8303

PHOTO COURTESY OF CLEVELAND PUBLIC ART, RYAN DIVITA PHOTOGRAPHER

Severance Hall 2012-13

81

THE CLEVELAN D ORCHESTRA

listings continued INDIVIDUAL GIFTS OF $3,500 TO $4,999 CONTINUED

Mr. Lawrence B. and Christine H. Levey Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne Lugibihl Elsie and Byron Lutman Joel and Mary Ann Makee Martin and Lois Marcus Susan and Reimer Mellin Dr.* and Mrs. Hermann Menges, Jr. Dr. Susan M. Merzweiler Mr. and Mrs. Peter R. Osenar Mrs. Ingrid Petrus Mr. and Mrs. John S. Piety Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak William and Gwen Preucil Dr. Robert W. Reynolds

Mrs. Charles Ritchie Amy and Ken Rogat Fred Rzepka and Anne Rzepka Family Foundation Bob and Ellie Scheuer Ms. Freda Seavert Charles Seitz (Miami) Ginger and Larry Shane Mr. Richard Shirey Dr. Marvin and Mimi Sobel Mr. and Mrs. William E. Spatz Howard Stark M.D. and Rene Rodriguez (Miami) Mrs. Barbara Stiefel (Miami) Dr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Leonard K. Tower

Robert and Marti Vagi Mr. and Mrs. Mark Allen Weigand Mr. Peter and Mrs. Laurie Weinberger Robert C. Weppler Nancy V. and Robert L. Wilcox Ms. Rosina Horvath

Mr. George and Mrs. Beth Downes Ms. Mary Lynn Durham George* and Mary Eaton David and Margaret Ewart Harry and Ann Farmer Carl and Amy Fischer Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Monte Friedkin (Miami) Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Peggy and David* Fullmer Richard L. Furry Jeanne Gallagher Barbara and Peter Galvin Joy E. Garapic Mrs. Georgia T. Garner Barbara P. Geismer* Mr. Wilbert C. Geiss, Sr. Dr. Kevin and Angela Geraci Anne and Walter Ginn Mr. and Mrs. David Goldberg Mr. and Mrs. David A. Goldfinger Dr. and Mrs. Ronald L. Gould Mr. and Mrs. Robert T. Graf Nancy Green (Miami) Mr. and Mrs. Brent R. Grover The Thomas J. and Judith Fay Gruber Charitable Foundation Nancy and James Grunzweig Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. George B. P. Haskell Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Mr. and Mrs. Edmond H. Hohertz Thomas and Mary Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Mark and Ruth Houck (Miami)

Dr. Randal N. Huff and Ms. Paulette Beech Ms. Charlotte L. Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Dr. Michael and Mrs. Deborah Joyce Barbara and Michael J. Kaplan Dr. and Mrs. Richard S. Kaufman Rev. William C. Keene Mr. Karl W. Keller Elizabeth Kelley Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust Bruce and Eleanor Kendrick Mr. James Kish Natalie Kittredge Fred and Judith Klotzman Ellen Brad and Bart Kovac Dr. Ronald H. Krasney and Ms. Sherry* Latimer Mr. Donald N. Krosin Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. Israel Lapciuc Kenneth M. Lapine Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Jon E. Limbacher and Patricia J. Limbacher Isabelle and Sidney* Lobe Holly and Donald Loftus Martha Klein Lottman Mary Loud Marianne Luedeking (Miami) Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David and Elizabeth Marsh

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Ms. Nancy A. Adams Stanley I. and Hope S. Adelstein Norman and Rosalyn Adler Family Philanthropic Fund Mr. Gerald O. Allen Norman and Helen Allison Mr. and Mrs. Robert J. Amsdell Rev. Dr. and Mrs. Kenneth J. Anderson Mr. and Mrs. Jeffrey R. Appelbaum Mr. and Mrs. Stanley H. Arkin (Miami) Geraldine and Joseph Babin Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Julia & David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill and Zeda Blau Mr. Doug Bletcher Mr. and Mrs. Dennis A. Block John and Anne Bourassa Lisa and Ron Boyko Mrs. Ezra Bryan Ms. Mary R. Bynum and Mr. J. Philip Calabrese Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Leigh and Mary* Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Suzan Cheng Dr. and Mrs. Chris Chengelis Mr. and Mrs. Homer D. W. Chisholm Mr. and Mrs. Robert A. Clark Mr. and Mrs. David J. Cook Dr. Dale and Susan Cowan Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis Mrs. Lois Joan Davis Dr. and Mrs. Richard C. Distad Ms. Maureen A. Doerner and Mr. Geoffrey T. White

82

Individual Annual Support

listings continue

The Cleveland Orchestra

The Center for Music & Medicine University Hospitals Center for Music and Medicine is proud to support The Cleveland Orchestra.

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83

THE CLEVELAN D ORCHESTRA

listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Mr. and Mrs.* Duane J. Marsh Mrs. Meredith T. Marshall Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Jim and Diana McCool William and Eleanor McCoy Stephen and Barbara Messner Mr. Stephen P. Metzler Mr. and Mrs. Roger Michelson (Miami) MindCrafted Systems Mr. Raymond M. Murphy Joan Katz Napoli and August Napoli Richard B. and Jane E. Nash Mr. David and Mrs. Judith Newell Mort and Milly Nyman (Miami) Richard and Jolene O’Callaghan Nedra and Mark Oren (Miami) James P. Ostryniec (Miami) Mr. and Mrs. Robert D. Paddock Deborah and Zachary Paris Dr. Lewis and Janice B. Patterson Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dr. Marc and Mrs. Carol Pohl Mr. Richard and Mrs. Jenny Proeschel K. Pudelski Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Dr. Barbara Risius Carol Rolf and Steven Adler Dr. and Mrs. Michael Rosenberg (Miami) Michael and Roberta Rusek Mrs. Florence Brewster Rutter Dr. Harry S. and Rita K. Rzepka Nathan N. and Esther Rzepka Family Philanthropic Fund Dr. and Mrs. Martin I. Saltzman Ms. Patricia E. Say Mr. Paul H. Scarbrough Mr. James Schutte Dr. John Sedor and Ms. Geralyn Presti Lee G. and Jane Seidman Drs. Daniel and Ximena Sessler Harry and Ilene Shapiro Norine W. Sharp Dr. and Mrs. William C. Sheldon Ms. Linda M. Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Mr. John C. Soper and Dr. Judith S. Brenneke Mr. John D. Specht Mr. and Mrs.* Lawrence E. Stewart Ms. Evelyn H. Stroud

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Dr. Kenneth F. Swanson Mr. Taras G. Szmagala Jr. Mr. Nelson S. Talbott Ms. Suzanne Thaxton Mr. Karl and Mrs. Carol Theil Parker D. Thomson Esq. (Miami) Mr. and Mrs. Robert J. Tomsich Mr. and Mrs. Lyman H. Treadway Steve and Christa Turnbull Miss Kathleen Turner Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Ricky & Sarit Warman — Papa John’s Pizza (Miami) Mr. and Mrs. Joseph F. Wasserbauer Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Eric* and Margaret Wayne Mr. and Mrs. Jerome A. Weinberger Mrs. Mary Wick Bole Richard Wiedemer, Jr. Dr. Paul R. and Mrs. Catherine Williams Mr. and Dr. Ann Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Rad and Patty Yates Fred and Marcia Zakrajsek Mr. Kal Zucker and Mrs. Mary Frances Haerr Anonymous (10) member of the Leadership Council (see page 76)

* deceased

The Cleveland Orchestra is sustained through the annual support of thousands of generous patrons, including members of the Crescrendo Patron Program listed on these pages. Listings of all donors of $300 and more each year are published in the Orchestra’s Annual Report, which can be viewed online at CLEVELANDORCHESTRA.COM For information about how you can play a supporting role for The Cleveland Orchestra’s artistic excellence and community partnerships, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

Individual Annual Support

The Cleveland Orchestra

!

THE CLEVELAN D ORCHESTRA R E C O R D I N G S great gift ideas

New!

The Cleveland Orchestra’s catalog of recordings continues to grow. The newest DVD features Bruckner’s Eighth Symphony recorded live at Severance Hall under the direction of Music Director Franz Welser-Möst in 2010 and released in May 2011. And, released in 2012, Dvořák’s opera Rusalka on CD, recorded live at the Salzburg Festival. Writing of the Rusalka performances, the reviewer for London’s Sunday Times praised the performance as “the most spellbinding account of Dvořák’s miraculous score I have ever heard, either in the theatre or on record. . . . I doubt this music can be better played than by the Clevelanders, the most ‘European’ of the American orchestras, with wind and brass soloists to die for and a string sound of superlative warmth and sensitivity.”

Other recordings released in recent years include two under the baton of Pierre Boulez and a third album of Mozart piano concertos with Mitsuko Uchida, whose first Cleveland Orchestra Mozart album won a Grammy Award in 2011.

Visit the Cleveland Orchestra Store for the latest and best Cleveland Orchestra recordings and DVDs.

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the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

88

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

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89

THE CLEVELAND C O N C E R T

C A L E N D A R

FALL SEASON Thursday November 8 at 8:00 p.m.

Friday November 9 at 11:00 a.m.

Saturday November 10 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Michael Sachs, trumpet * Jack Sutte, trumpet *

BEETHOVEN Symphony No. 4 BEETHOVEN Grosse Fuge PINTSCHER Chute d’Étoiles * (for two trumpets) SCRIABIN The Poem of Ecstasy * not part of Friday Morning concert Sponsor: NACCO Industries, Inc.

Thursday December 6 at 8:00 p.m.

Saturday December 8 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Giancarlo Guerrero, conductor Béla Fleck, banjo

ADAMS Short Ride in a Fast Machine FLECK Banjo Concerto COPLAND Suite from Billy the Kid GERSHWIN An American in Paris Friday December 7 at 7:00 p.m.

THE CLEVELAND ORCHESTRA Giancarlo Guerrero, conductor Béla Fleck, banjo KEYBANK FRIDAYS@7

Sunday November 11 at 7:00 p.m.

CLEVELAND ORCHESTRA YOUTH ORCHESTRA James Feddeck, conductor

DVORÁK Carnival Overture PROKOFIEV Lieutenant Kijé Suite HANSON Symphony No. 2 (“Romantic”) Friday November 23 at 8:00 p.m.

Saturday November 24 at 8:00 p.m.

Sunday November 25 at 3:00 p.m.

THE CLEVELAND ORCHESTRA Jaap van Zweden, conductor Louis Lortie, piano

CHOPIN Piano Concerto No. 2 RACHMANINOFF Symphony No. 2 Thursday November 29 at 7:00 p.m.

Friday November 30 at 7:00 p.m.

Saturday December 1 at 2:00 p.m.

Saturday December 1 at 7:00 p.m.

Sunday December 2 at 2:00 p.m.

THE JOFFREY BALLET and THE CLEVELAND ORCHESTRA conducted by Tito Muñoz

The Nutcracker

A holiday must-see, full of magic and marvels and featuring Tchaikovsky’s beloved score performed by The Cleveland Orchestra. The Joffrey Ballet’s production has been captivating audiences for a quarter century with brilliant costumes, larger-than-life scenery, entrancing storytelling, and breathtaking dancing.

Presented at PlayhouseSquare in downtown Cleveland.

Tickets: 216-241-6000 or www.playhousesquare.org

90

ADAMS Short Ride in a Fast Machine GERSHWIN An American in Paris FLECK Banjo Concerto Sponsor: KeyBank

Tuesday December 11 at 8:00 p.m.

THE CLEVELAND ORCHESTRA William Eddins, conductor CELEBRITY SERIES

Charlie Chaplin’s Modern Times

For a second year, the Orchestra presents a classic silent film with live orchestral accompaniment. Don’t miss this iconic film of the Little Tramp in his adventures amidst the industrialization of modern life.

Friday December 14 at 10:00 a.m.

Saturday December 15 at 11:00 a.m.

PNC HOLIDAY RAINBOW

Christmas Brass Quintet Enjoy the Christmas spirit with brass music in this favorite Cleveland Orchestra holiday treat. A festive program of holiday music for young people and their families, suitable for ages 3 and up.

Sponsor: PNC

Tuesday December 18 at 8:00 p.m.

Wednesday December 19 at 8:00 p.m.

THE CLEVELAND ORCHESTRA James Feddeck, conductor CELEBRITY SERIES

Pink Martini: Joy to the World

The group Pink Martini returns to Severance Hall for a special holiday celebration with a globally-inclusive holiday concert for the 21st century.

Concert Calendar

The Cleveland Orchestra

ORCHESTRA

1213 SEASON

WINTER SEASON

I N

T H E

S P O T L I G H T

Thursday January 10 at 8:00 p.m.

Friday January 11 at 11:00 a.m.

Saturday January 12 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Garrick Ohlsson, piano

TCHAIKOVSKY Piano Concerto No. 2 * SHOSTAKOVICH Symphony No. 10 Morning concert includes the concerto * Friday and selections from Smetana’s Má Vlast Sponsor: BakerHostetler

Thursday January 17 at 8:00 p.m.

Saturday January 19 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Joshua Bell, violin

WIDMANN Lied BARTÓK Dance Suite BEETHOVEN Violin Concerto

Cleveland Orchestra

CHRISTMAS

Sponsor: Eaton Corporation

Friday December 14 at 8 p.m.

Saturday December 15 at 3 & 8 p.m.

Sunday December 16 at 3 p.m.

Friday December 21 at 8 p.m.

Saturday December 22 at 3 & 8 p.m.

Sunday December 23 at 3 & 7 p.m.

Friday January 18 at 7:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Joshua Bell, violin KEYBANK FRIDAYS@7

BEETHOVEN Violin Concerto BARTÓK Dance Suite Sponsor: KeyBank

Sunday January 20 at 7:00 p.m.

The CLEVELAND ORCHESTRA Tito Muñoz, conductor Central State University Chorus Martin Luther King Jr. Celebration Chorus

MARTIN LUTHER KING JR. CELEBRATION CONCERT The Cleveland Orchestra’s 33rd annual concert celebrating the spirit of Dr. King’s life, leadership, and vision.

Presented in collaboration with the City of Cleveland.

TICKETS: Admission is free, but tickets are required.

Tickets become available on January 2.

Sponsor: KeyBank

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts, visit www.clevelandorchestra.com.

THE CLEVELAND ORCHESTRA Robert Porco, conductor Cleveland Orchestra Chorus Cleveland Orchestra Children’s Chorus

Celebrate the holiday season with a favorite Cleveland tradition — with The Cleveland Orchestra and Chorus in these annual offerings of music for the Christmas Season. Including sing-alongs and holiday cheer, all in the festive yuletide splendor of Severance Hall.

CLEVELAND ORCHESTRA TICKETS PHONE

216 - 231-1111 800-686-1141

clevelandorchestra.com Severance Hall 2012-13

Concert Calendar

91

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A NC E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting opentable.com.

Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall are being offered this season on October 14, November 25, February 10 and 24, and May 5 and 26. For additional information or to reserve you place for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Exclusive catering provided by Sammy’s. Premium dates are available.

Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $14 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111.

Parking can be purchased for the at-door price of $10 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road).

The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

92

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online.

As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2012-13

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible.

Service animals are welcome at Severance Hall.

Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search.

Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K ET SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program.

Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges.

If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution.

Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

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THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

At Severance Hall . . .

Louis Lortie

CHOPIN AND RACHMANINOFF

2012 HOLIDAY FESTIVAL

PINK MARTINI: JOY TO THE WORLD

Friday November 23 at 8:00 p.m.

Saturday November 24 at 8:00 p.m.

Sunday November 25 at 3:00 p.m.

Tuesday December 18 at 8:00 p.m.

Wednesday December 19 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Jaap van Zweden, conductor Louis Lortie, piano

A program of great and satisfying music for the Thanksgiving Weekend. Hailed as “one of a half-dozen pianists worth dropping everything to hear” (London Daily Telegraph), Louis Lortie returns to Severance Hall to play Chopin’s effervescent Second Piano Concerto.

Hear for yourself why the Financial Times proclaims that “better Chopin playing than this is not to be heard, not anywhere.” The program under guest conductor Jaap van Zweden concludes with Rachmaninoff’s grand Second Symphony, filled with sweeping melodies, lush harmonies, and inspired lyrical passages.

THE CLEVELAND ORCHESTRA James Feddeck, conductor with Pink Martini

The group Pink Martini returns to Severance Hall for a special holiday celebration with The Cleveland Orchestra.

In true Pink Martini fashion, the band has created a globally-inclusive holiday concert for the 21st century. Their multicultural concert showcases an intoxicating mix of cabaret, samba, and jazz. Enjoy the band’s popular favorites along with holiday classics such as “White Christmas,” “Santa Baby,” “Little Drummer Boy,” “We Three Kings,” and more!

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Severance Hall concerts.

TICKETS

94

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra

If you want to be remembered, do something memorable .

SM

Leave your mark on your community by partnering with the Cleveland Foundation. We are the largest grantmaker in Northeast Ohio, giving about $80 million annually in grants to worthy causes here. You can give to all of your favorite causes through the Cleveland Foundation.

For nearly 100 years, we have helped people like you give back in memorable ways. Join us and experience the satisfaction of knowing your gift will keep giving forever.

216.861.3810 877.554.5054 www.ClevelandFoundation.org