The Cleveland Orchestra January 10-12 Concerts by Live Publishing

THE CLEVELAND ORCHESTRA

WINTER SEASON

F R ANZ WELSER-MÖST M U SIC DI R ECTOR

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12 13 SEASON

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January 10, 11, 12 GARRICK OHLSSON PLAYS TCHAIKOVSKY

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TA B L E O F C O N T E N T S

THIS WEEK THE

CLEVELAND

1213 SEASON

ORCHESTRA

PAGE

In the News Perspectives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Spotlight: Photo of the Week . . . . . . . . . . . . . . . . . 8 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

About the Orchestra Musical Arts Association . . . . . . . . . . . . . . . . . . . . . Music Director. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . Education & Community . . . . . . . . . . . . . . . . . . . . Student Ticket Programs . . . . . . . . . . . . . . . . . . . . Meet the Musicians . . . . . . . . . . . . . . . . . . . . . . . . . . Severance Hall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . .

11 15 22 63 67 71 88 92

Concert — Week 10 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Program: January 10, 11, 12 . . . . . . . . . . . . . . . 35 Introducing the Program . . . . . . . . . . . . . . . . . . . . 37 SMETANA

Two Symphonic Poems from Má Vlast . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 TCHAIKOVSKY

Piano Concerto No. 2 . . . . . . . . . . . . . . . . . . . . . 43 SHOSTAKOVICH

Symphony No. 10 . . . . . . . . . . . . . . . . . . . . . . . . . 53 Conductor: Franz Welser-Most . . . . . . . . . . . . . . . 15 Soloist: Garrick Ohlsson . . . . . . . . . . . . . . . . . . . . . 51

Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members. Program book advertising is sold through Live Publishing Company at 216-721-1800

The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture. The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio. The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Corporate Annual Support . . . . . . . . . . . . . . . . . . . Foundation / Government Annual Support . . . Individual Annual Support . . . . . . . . . . . . . . . . . .

48 58 69 73 75 76

50%

All unused books are recycled as part of the Orchestra’s regular business recycling program. These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book is printed on paper that includes 50% recycled post-consumer content.

Table of Contents

The Cleveland Orchestra

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Perspectivesfrom the Executive Director January 2013 Welcome to Severance Hall and the first concerts of 2013! There is much good news to report about The Cleveland Orchestra’s ticket sales success in recent months and for the season as a whole. Continuing artistic success and significant programmatic changes have put the current 2012-13 Severance Hall season on track to achieve a new all-time record for ticket sales revenue. The months of November and December 2012 broke all previous records. More than 47,000 people purchased tickets for twenty-six performances, a 28% increase over the twenty-five concerts performed in the same months in 2011. This success was propelled by the most diversified programming we have ever offered, ranging from Classical, Celebrity, KeyBank Fridays@7, and Holiday Festival concerts, to The Nutcracker, Pink Martini, and Charlie Chaplin’s Modern Times accompanied by the Orchestra. Overall paid attendance filled 92% of the available seats and revenues totaled $2.8 million, an amazing 60% increase over last year. Sales are strong for the entire September-to-May season. As January begins, revenues are running 24% ahead of the same time last year and are on track to achieve an all-time record of $7.6 million. The previous record was set more than a decade ago. This season’s renaissance is a convincing sign that the public is responding to the Orchestra’s many changes. More people are attending more kinds of performances than ever before, and more new people — and young people — are entering the doors of Severance Hall to enjoy the Orchestra’s concerts each week. A surge of student attendees, attracted by diversified programs, special offers, and social media, has helped propel audience growth. The number of students attending Cleveland Orchestra concerts at Severance Hall so far this season has more than doubled over the same period a year ago. There are many people to acknowledge and thank for this turn-around. Dozens of sponsors and donors have generously funded the innovations behind these achievements. Every one of the institution’s employees, the extraordinary members of our Orchestra and our tireless staff, has risen to the challenge of implementing change — with our dedicated trustees leading the way. Finally, thousands of longtime and new patrons have become loyal supporters, venturing with us through the many changes in recent seasons. Thank you to all. And what’s still to come? In future seasons, we will pursue ever-greater artistic achievements under Franz’s inspiring leadership, alongside continuing innovation as we work to ensure that The Cleveland Orchestra remains relevant and valuable in our ever-changing community.

Gary Hanson Severance Hall 2012-13

CLEVELAND ORCHESTRA ARCHIVES / PETER HASTINGS

IN THE SPOTLIGHT

— Composer Aaron Copland rehearsing The Cleveland Orchestra at Severance Hall in November 1974, one of five times he came to Cleveland as guest conductor.

SEVERANCE HALL 1974

of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement. The partnership with Franz Welser-Möst, now in its eleventh season — and with a commitment to the Orchestra’s centennial in 2018 — has moved the ensemble forward with a series of new and ongoing initiatives, including: UNDER THE LEADERSHIP

the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base, including an ongoing residency at the Vienna Musikverein (the first of its kind by an American orchestra); expansion of education and community programs in Northeast Ohio to make music an integral and regular part of everyday life for more people; the 2012-13 season includes the launch of an annual Neighborhood Residency pro-

About the Orchestra

The Cleveland Orchestra

gram that will bring The Cleveland Orchestra to neighborhoods across the region for an intensive week of special activities and performances. First stop is the Gordon Square Arts District in Cleveland’s Detroit/Shoreway neighborhood in May 2013; an ongoing residency in Florida, under the name Cleveland Orchestra Miami, involving an annual series of concerts and community activities, coupled with an expansive set of educational presentations and collaborations (based on successful educational programs pioneered at home in Cleveland); creative new artistic collaborations, including staged works and chamber music performances, with arts institutions in Northeast Ohio and in Miami; an array of new concert offerings (including Fridays@7 and Celebrity Series at Severance Hall as well as movie, themed, and family presentations at Blossom) to make a wider variety of concerts more available and affordable; concert tours from coast to coast in the United States, including annual appearances at Carnegie Hall; regular concert tours to Europe and Asia; ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of DVD concert presentations of symphonies by Anton Bruckner; a concentrated and ongoing effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media offers and promotion, and student ticket programs; continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and in the Miami-Dade community; additional new residencies at Indiana University and at New York’s Lincoln Center Festival; the return of ballet as a regular part of the Orchestra’s presentations, featuring performances by The Joffrey Ballet; the 2012-13 season featured the Orchestra’s first fully staged performances of Tchaikovsky’s The Nutcracker. The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening in 1931 of Severance Hall as the Orchestra’s home brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States. Severance Hall 2012-13

The Orchestra Today

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T H E M U S I C AL AR TS ASSOCIATION

as of December 2012

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair Raymond T. Sawyer, Secretary Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Terrance C. Z. Egger Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland

James D. Ireland III Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill

The Honorable John D. Ong Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Neil Sethi Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Thomas A. Waltermire Geraldine B. Warner Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) George Gund III (CA) Loren W. Hershey (DC)

Herbert Kloiber (Germany) Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFIC IO Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Beth Schreibman Gehring, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, State Chair, Blossom Women’s Committee TR U S TE E S E M ERIT I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Allen H. Ford Gay Cull Addicott Robert W. Gillespie Francis J. Callahan Dorothy Humel Hovorka Mrs. Webb Chamberlain Robert F. Meyerson Oliver F. Emerson Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2012-13

Gary Hanson, Executive Director

Musical Arts Association

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

P H OTO BY D O N S N Y D E R

T H E 2 0 1 2 - 1 3 S E A S O N marks Franz Welser-Möst’s eleventh year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is enlarging and enhancing its community programming at home, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst became general music director of the Vienna State Opera in September 2010. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. The initiative continues and expands upon Mr. Welser-Möst’s active participation in community concerts and educational programs, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories and universities across Northeast Ohio. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a new biennial residency at New York’s Lincoln Center Festival. To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction. Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, and Sean Shepherd. Franz Welser-Möst has led a series of opera performances during his tenure

Severance Hall 2012-13

Music Director

in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director SvenEric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 2012-13 season, his Vienna performances include Wagner’s Parsifal, Strauss’s Arabella and Ariadne auf Naxos, Puccini’s La Bohème, and Berg’s Wozzeck. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at the Lucerne Festival and Salzburg Festival, in Tokyo, and in concert at La Scala Milan, as well as leading the Philharmonic’s 2011 New Year’s Day concert, viewed by telecast in seventy countries worldwide; he conducted the New Year’s Day concert again at the start of 2013 and also leads the Philharmonic in a series of concerts at New York’s Carnegie Hall in March 2013. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions and numerous revivals. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of Bruckner symphonies, presented in three accoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

Music Director

The Cleveland Orchestra

THE CLEVELAND ORCHESTRA Franz Welser-Möst MUSIC DIREC TOR

“The Cleveland Orchestra proved that they are still one of the world’s great musical beasts. With Franz Welser-Möst conducting, this music . . . reverberated in the souls of the audience.” —Wall Street Journal

—The Guardian (London)

P H OTO BY R O G E R M A S T R O I A N N I

“Cleveland’s reputation as one of the world’s great ensembles is richly deserved.”

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Severance Hall 2012-13

Franz Welser-MĂśst and The Cleveland Orchestra, performing Brucknerâ&#x20AC;&#x2122;s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST M U S I C D I R E C TO R Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Alexandra Preucil Katherine Bormann Ying Fu

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas

James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

12 13 O R C H E S T R A FLUTES Joshua Smith * Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2 Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

William Hestand Barrick Stees 2 Sandra L. Haslinger Chair

Jonathan Sherwin

HORNS Richard King * George Szell Memorial Chair

Michael Mayhew § Knight Foundation Chair

Jesse McCormick Hans Clebsch Alan DeMattia TRUMPETS Michael Sachs * Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller

PERCUSSION Jacob Nissly * Margaret Allen Ireland Chair

Donald Miller Tom Freer Marc Damoulakis KEYBOARD INSTRUMENTS Joela Jones * Rudolf Serkin Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Donald Miller ORCHESTRA PERSONNEL Carol Lee Iott DIRECTOR

Karyn Garvin MANAGER

TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Richard Stout Alexander and Marianna C. McAfee Chair

Shachar Israel 2 BASS TROMBONE Thomas Klaber EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

ENDOWED CHAIRS CURRENTLY UNOCCUPIED Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair Sidney and Doris Dworkin Chair Sunshine Chair

* Principal § 1 2

Associate Principal First Assistant Principal Assistant Principal

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

James Feddeck

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

CONTRABASSOON Jonathan Sherwin

Severance Hall 2012-13

SEASON

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

The Orchestra

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OrchestraNews 2013 New Year’s Day concert with Franz Welser-Möst and Vienna Philharmonic recordings now available

At the end of November, Franz WelserMöst delivered an impassioned keynote address on the importance of supporting and expanding a vibrant, multi-national cultural life in modern society during a gala celebrating the Bicentennial of Vienna’s famed concert hall, the Musikverein. The event was held in the Brahmssaal of the Musikverein and also featured remarks from Austria’s president, minister of culture, and culture secretary, along with the Musikverein’s president and intendant. The event was held prior to a concert conducted by Nikolaus Harnoncourt. Welser-Möst’s speech addressed fundamental questions about how to champion and renew culture in a world that too often marginalizes these essential elements in favor of maintaining health and welfare. “Cultivation, which must be one of the foundations of any society, requires creativity,” said Welser-Möst. “We must give this more thought, to formulate new dreams and set new goals — to aim for the impossible, both for ourselves and for coming generations, and to perhaps come just a bit closer to precisely that which we will never achieve. Any person who wants to accomplish something special does precisely this, by declaring the impossible to be the goal.”

Cleveland Orchestra News

THE CLEVELAND ORC

Severance Hall 2012-13

Welser-Möst advocates for art and culture with keynote address in Vienna

THE CLEVELAND ORCHESTRA

Sony Classical has announced the release of the newest edition of one of the world’s most famous classical music events — the Vienna Philharmonic’s annual New Year’s Concert from 2013. Franz Welser-Möst returned to direct the 2013 concert following the success of his debut in 2011. The live recording became available on January 4, exclusively at Arkiv Music and via Amazon.com’s CreateSpace’s Disc on Demand service as a CD, or as a download through all major digital service providers. The CD version is being released to other retailers on January 22, with the DVD version following in February. The New Year’s Concert of the Vienna Philharmonic is firmly established as one of the longest-standing and most prestigious music events worldwide. In its history of more than seven decades, the concert has been led by many of the most famous conductors and experienced by millions of people via television broadcasts in over 70 countries. In announcing the recordings, Clemens Hellsberg, chairman of the Vienna Philharmonic, emphasized the plaudits that Franz Welser-Möst earned for this event in 2011 and his close association with the musical life of Vienna as general music director of the State Opera, making made him a natural choice to encore his role for New Year’s. For seven decades, the Vienna Philharmonic has presented this entertaining and heartfelt annual New Year’s program, featuring music from across the wide repertoire created by the Johann Strauss family dynasty and their contemporaries. The proven formula blends well-known classics with premieres of works that have never been performed before at the New Year’s Concert. This year’s program included eleven premieres (more than ever before) and also paid tribute to Wagner and Verdi, looking to the bicentennials this spring of their births.

‘‘

All labor that uplifts humanity has dignity and importance and should be undertaken with painstaking excellence.

‘‘

—Martin Luther King Jr.

OrchestraNews Martin Luther King Jr. celebrated in concert on January 20 and with Open House on January 21

Cleveland Orchestra joins in national food drive January 19-21 The Cleveland Orchestra is holding a food drive January 19-21 to collect goods to be donated to the Cleveland Foodbank. The event is part of Orchestras Feeding America, a national food drive held by America’s symphony orchestras. First started in 2009, this project has involved over 250 orchestras from across the nation, who have together collected over 400,000 pounds of food for their communities. The project was the single largest orchestra project organized at a national level, uniting musicians, audiences, staff, and volunteers to help alleviate hunger. Unexpired food donations will be collected at Severance Hall during the Martin Luther King weekend, Saturday through Monday, January 19-21. Food items will be collected at Cleveland Orchestra concerts on Saturday and Sunday evenings, and throughout the Martin Luther King Jr. Community Open House on Monday afternoon.

THE CLEVELAND ORCHESTRA

2013

THE CLE

On Sunday, January 20, The Cleveland Orchestra performs its 33rd annual concert celebrating the spirit of Dr. King’s life, leadership, and vision in music, song, and community recognition. Free tickets for this event have all be distributed. The concert will be broadcast live over radio stations WCLV (104.9 FM) and WCPN (90.3 FM). The next day, Monday, January 21, Severance Hall holds its twelfth annual Martin Luther King Jr. Day Community Open House from 12 noon to 5 p.m. The day of free activities and performances celebrates the legacy of Dr. King and features performances by a variety of Northeast Ohio community performing arts groups, including the Cleveland Orchestra Youth Orchestra and Youth Chorus. For more details, visit clevelandorchestra.com.

HE CLEVELAND ORCHESTRA HESTR

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Tuesday, February 5 8 p.m.

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piano Works by Fauré, Saint-Saëns, and Franck

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Cleveland Orchestra News

MICHAEL WILSON

NEXT PERFORMANCE: Leipzig String Quartet Sunday, March 3

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The Cleveland Orchestra

OrchestraNews Welcome to new musician

F.A.M.I.L.Y N.E.W.S

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Richard Solis Horn The Cleveland Orchestra

Richard Solis retired from his position as fourth horn of The Cleveland Orchestra at the end of December. Born in Brooklyn, New York, and raised in Las Vegas, Nevada, he earned a bachelor of music degree from the Cleveland Institute of Music, where he studied with Myron Bloom, former principal horn of the Orchestra. Mr. Solis spent five summers in residence at the Marlboro Festival in Vermont, participating in performances and recordings. He served as principal horn of the Casals Festival, 1976-78. Richard Solis joined The Cleveland Orchestra in 1971 and served as principal horn 1977-95, during which time he performed as principal horn on more than 100 Cleveland Orchestra recordings. Mr. Solis is a former artist-in-residence at the University of Delaware. He is currently the head of the horn department at the Cleveland Institute of Music, and is looking forward to continuing his teaching work there. In retirement, he also plans to focus on one of his favorite pastimes, playing jazz French horn. And he will spend more time at his home in Las Vegas.

Cleveland Orchestra News

THE CLEVELAND OR-

Please join in extending congratulations and warm wishes to: Elayna Duitman (violin) and Zeger Verhage, whose baby daughter, Tessa Joy Verhage, was born on December 18. Robert Walters (english horn) and Grace Chin, whose baby daughter, Kira Bridge Walters, was born on November 26. Robert Woolfrey (clarinet) and Tanya Ell (cello), who were married on September 8.

Hornplayer Richard Solis stepped into retirement at the end of December, after serving as a member of The Cleveland Orchestra for forty-one seasons. Please join in extending heartfelt thanks and congratulations to Richard.

THE CLEVELAND ORCHESTRA

Hail and Farewell

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra welcomes William Hestand, who began playing as a member of the Orchestra in November. In the position of second bassoon, he succeeds Phillip Austin, who joined the Orchestra in 1981 and retired in August 2011. Mr. Hestand has previously served as principal bassoon of the Brooklyn Philharmonic and second bassoon of the Lancaster Festival Orchestra. He has also performed with the New York Philharmonic, New York City Ballet, Orchestra of St. Lukeâ&#x20AC;&#x2122;s, American Composers Orchestra, and the Albany Symphony Orchestra. Born in Columbus, Ohio, William Hestand holds bachelor of music and master of orchestral performance degrees from the Manhattan School of Music and pursued graduate studies at the Conservatory of Amsterdam in the Netherlands. A former student of Cleveland Orchestra assistant principal bassoon Barrick Stees, he also studied with Kim Laskowski, Patricia Rogers, and Jos de Lange. Mr. Hestand has performed in solo recitals at the Bachzaal in Amsterdam and Pforzheimer Recital Hall in New York City and in chamber music concerts at Carnegie Hall and at the American Embassy in the Dominican Republic.

T HE CLEVELAND ORCHESTRA CHESTR

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OrchestraNews

A.R.O.U.N.D T.O.W.N Recitals and presentations featuring Orchestra musicians

Family Concert series continues in spring with “Symphony Under the Sea” after Spooktacular start

CLEVELAND ORCHESTRA

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra’s season of Family Concerts began with a fun-filled program in late October with “Halloween Spooktacular III.” The series continues in 2013 with “Symphony Under the Sea” on Friday evening, March 8, led by conductor Robert Franz — including favorite musical numbers from Disney’s Little Mermaid. The series closes with “Fables, Fantasies, & Folklore” on Sunday afternoon, May 12, led by conductor Michael Butterman — in an exploration of music storytelling and fun. Intended for children ages 7 and older, the series is designed to introduce young people to classical music. The Halloween program included favorite musical hits and also featured a costume contest for audience members. The Orchestra musicians onstage also got into the “spirit” of the occasion with many theme-related outfits. In addition to each one-hour Orchestra concert, the Family Concert Series features free, pre-concert activities, including an “Instrument Discovery” in which children can try playing various instruments. For complete details about the spring concerts, visit clevelandorchestra.com.

july 06-august 24

Upcoming local performances by members of The Cleveland Orchestra include: Cleveland Orchestra assistant conductor James Feddeck presents a solo organ recital at the Cleveland Museum of Art (11150 East Blvd) on Sunday afternoon, January 13. The program on Gartner Auditorium’s McMyler Memorial Organ, beginning at 2:30 p.m., includes works by Bach, Brahms, Buxtehude, Foote, and others. Admission is free. Cleveland Orchestra musicians Mary Kay Fink (piccolo and flute), Katherine Bormann, Ying Fu, and Isabel Trautwein (violins), and Tanya Ell (cello) perform a recital on Sunday afternoon, January 13, presented by Heights Arts at a home in Cleveland Heights. The performance begins at 3:00 p.m. and also includes a dessert reception. Seating is limited, reservations required by calling 216-371-3457. Tickets are $50 (or $40 for Heights Arts members). This is the second of four Heights Arts “Close Encounters” recitals during the season, created under the artistic direction of Cleveland Orchestra violinist Isabel Trautwein.

Comings and goings As a courtesy to the performers onstage and the entire audience, late-arriving patrons cannot be seated until the first break in the musical program.

july 13-august 23

july 21-august 24

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THE FLYING CAMELOT KING FOR PASSIONS a double bill DUTCHMAN A DAY

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THE CLEVELAND ORCHES-

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The Cleveland Orchestra

OrchestraNews The Meet the Artist Series, presented each year by the Women’s Committee of The Cleveland Orchestra, continues with a Friday luncheon on February 8. Cleveland Orchestra principal trumpet Michael Sachs and principal trombone Massimo La Rosa are the featured guests. For the program, Orchestra general manager Gary Ginstling will moderate a discussion with Sachs and La Rosa; a short performance will also be included. The February 8 event takes place at the Country Club (2825 Lander Road, Pepper Pike). A reception at 11:30 a.m. and luncheon precede the program. Tickets are $35 per person, and can be reserved by calling 216-231-7557.

A special showing of the film “The Return of the Violin” takes place next week on Wednesday, January 16, at the Cleveland Museum of Art’s Gartner Auditorium (11150 East Blvd). This Israeli documentary follows the story of a 1731 Stradivarius violin now owned by Joshua Bell, who will be in town to perform with The Cleveland Orchestra January 17-19. Bell will attend the film showing. The violin, once owned by Israel Philharmonic founder Bronislaw Huberman, was stolen in 1936 while Huberman was performing at Carnegie Hall. It remained lost for nearly fifty years, and was then rediscovered in 1985, covered with shoe polish. After its return to Lloyd’s of London, a meticulous restoration process, and the sale to an English violinist, the violin was put up for sale as a museum piece in 2001. Not willing to allow such an instrument remain silent, Joshua Bell purchased the Huberman Stradivarius and uses it in many of his performances. For film tickets, call 216-241-7350 or visit www.clevelandart.org.

Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216-231-7425.

Severance Hall 2012-13

Cleveland Orchestra News

THE CLEVELAND OR

Film on January 16 at CMA traces story of violin that Joshua Bell plays next week

THE CLEVELAND ORCHESTRA

Meet the Artist luncheons continue with Michael Sachs and Massimo La Rosa

Committed to Accessibility

T HE CLEVELAND ORCHESTRA CHESTR

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PERFORMING ARTS

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LEARNING MORE ABOUT THE MUSIC

SEASON

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives. Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka. January 10, 11, 12 “New Beginnings” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

January 17 and 19 “Song and Dance” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

February 9 and 10 “Seeing Music: Cinematic Visions for the Concert Stage” with Meaghan Heinrich, learning programs and community engagement consultant with The Cleveland Orchestra

February 14, 15, 16 “Symphonic Expressions” with Rabbi Roger Klein, The Temple – Tifereth Israel

February 21, 22, 23, 24 “Famous Last Words” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer For Concert Preview details, visit clevelandorchestra.com

Severance Hall 2012-13

Concert Previews

Masterful

We are proud to sponsor

The Cleveland Orchestra

in helping to build audiences for the future through an annual series of BakerHostetler Guest Artists

Garrick Ohlsson

CHICAGO CINCINNATI CLEVELAND COLUMBUS COSTA MESA DENVER HOUSTON LOS ANGELES NEW YORK ORLANDO WASHINGTON, DC

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T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ö ST M U S I C

D I R E C T O R

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Severance Hall

Thursday evening, January 10, 2013, at 8:00 p.m. Friday morning, January 11, 2013, at 11:00 a.m. * Saturday evening, January 12, 2013, at 8:00 p.m.

Franz Welser-Möst, conductor bedrich smetana (1824-1884)

SEASON

Two Symphonic Poems from Má Vlast PERFORMED AT FRIDAY MORNING CONCERT ONLY *

No. 2: The Moldau [Vltava] No. 4: From Bohemia’s Forests and Fields

pyotr i. tchaikovsky (1840-1893)

Piano Concerto No. 2 in G major, Opus 44 1. Allegro brillante e molto vivace 2. Andante non troppo 3. Allegro con fuoco GARRICK OHLSSON, piano

INTERMISSION *

dmitri shostakovich (1906-1975)

Symphony No. 10 in E minor, Opus 93 1. 2. 3. 4.

Moderato Allegro Allegretto Andante — Allegro

This weekend’s concerts are supported through the generosity of the BakerHostetler Guest Artists series sponsorship. Garrick Ohlsson’s appearance with The Cleveland Orchestra is made possible by a contribution to the Orchestra’s Guest Artist Fund from The Julia Severance Millikin Fund. The Thursday evening concert is dedicated to Mr. and Mrs. Alexander M. Cutler and to Mrs. Norma Lerner in recognition of their extraordinary generosity in support of The Cleveland Orchestra’s 2011-12 Annual Fund. The evening concerts will end at approximately 9:55 p.m. each evening.

The Cleveland Orchestra’s Friday Morning Concert Series is endowed by the Mary E. and F. Joseph Callahan Foundation.

* The Friday morning concert is performed without intermission and features

the works by Smetana and Tchaikovsky. The concert will end at about 12:00 noon.

Severance Hall 2012-13

Concert Program — Week 10

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INTRODUCING THE PROGRAM

Message, Music & Ideas A M O N G T H E G R E AT P L E A S U R E S

of music is its sheer variety — of sounds, of mood, of melody, rhythm, and intent. One performer or many. Chamber music, rock band, jazz riff, or live symphony orchestra. It can uplift us when we are low, refine our melancholy to a mellow sense of resignation, or amplify our feelings when we are exuberant, nostalgic, or spot on. This week’s concerts feature three works that make very suitable soundtracks for the lives of these three very different composers. Tchaikovsky’s Piano Concerto No. 2, from 1880, displays fireworks, bravado, and well-crafted beauty in equal measure. While infrequently performed compared to the famous First Piano Concerto, this work, through its lack of familiarity, can offer an even stronger sense of this composer’s greatest strengths. Here, Tchaikovsky’s building blocks are more easily discerned, but no less equally enjoyed. By contrast, Shostakovich’s Tenth Symphony from 1953 is a piece both harder to understand and more difficult to dismiss. It features passages of great beauty, mixed with irony, angst, and episodic celebration. The composer’s enigmatic view of life’s uncertainties in the Soviet Union — and his role as a musician for the people of his homeland — can be pondered, but never known. It is clearly one of the 20th century’s greatest symphonies, but the meaning of this music is, ultimately, a very personal choice, for composer and listener alike. And, for the audience at this week’s Friday Morning Concert, two joyful tone poems by Bedřich Smetana take the place of Shostakovich’s darker dealings. Here, the composer’s Czech homeland is celebrated in music without reservation. —Eric Sellen LIVE RADIO BROADCAST

Saturday evening’s concert is being broadcast live on WCLV (104.9 FM). The concert will be rebroadcast as part of regular weekly programming on WCLV on Sunday afternoon, February 24, at 4:00 p.m.

Severance Hall 2012-13

Introducing the Program

0DNLQJ WKH ZRUOG D EHWWHU SODFH NQRZV QR UHOLJLRQ That’s why last year, the Jewish Federation of Cleveland raised and allocated nearly $127 million to social service, educational and humanitarian organizations that support Cleveland’s Jewish and general communities, as well as those in more than 70 countries around the world. Through the generosity of our donors, the Jewish Federation of Cleveland is Ohio’s largest grantmaking organization. Together, we do extraordinary things.

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FRIDAY MORNING

Two Symphonic Poems from Má Vlast [My Country] composed 1873-1880 S M E TANA WRO T E

Bedřich

SMETANA born March 2, 1824 Litomyšl, Bohemia died May 12, 1884 Prague

Severance Hall 2012-13

the six parts of his symphonic cycle Má Vlast (“My Country” or “My Homeland”) just as he reached the age of fifty, when fame and fortune were knocking regularly on his door. And just when sudden deafness created a nearly irreconcilable gulf between himself and the everyday world around him. These tone poems were, perhaps in part, a way for the composer to recapture and hold onto the sounds of the world around him — encapsulating in music the joy and emotion in life and living. Smetana originally conceived the cycle as a four-part symphony that would extol the glories of his native Bohemia and its Czech people. Only after the initial success of its opening movements, each premiered separately, did he decide to “complete” the work by adding two final sections, for a total of six symphonic poems. The entire series was first performed together as a cycle on November 5, 1882. Since 1952, it has been the traditional opening concert for the “Prague Spring Festival,” performed annually on the anniversary of Smetana’s death each May 12th. As with Beethoven, Smetana’s deafness did not end his creative efforts — most of Má Vlast was penned in newfound silence. But whereas Beethoven’s hearing faded gradually over a number of years, and left him with small amounts of aural sensation, Smetana’s came on later in life, very suddenly, and quite completely. Deafness, in fact, removed him so quickly and entirely from the world he thought he knew that only music kept him sane — and only for a while. In a matter of weeks, from mid-summer into September 1874, Smetana’s hearing faded quickly and almost totally. Of necessity, he was forced to resign his administrative and conducting duties at the opera. And perhaps largely to confront his rushing deafness, Smetana began heated work on the symphonic poems he had been thinking about for several years, completing first the sketches for Vyšehrad (Part One) he had created two years earlier and then composing all of The Moldau during three weeks in November. In January 1875, he continued with the third part, Šárka, About the Music

which he finished by the end of February. He intended, at this point, to create a four-part cycle of poems not unlike a traditional four-movement symphony, with the fourth depicting “Czech life in song and dance.” This became From Bohemia’s Forests and Fields [“Z českých luhů a hájů” in the original Czech]. Part Two: THE MOLDAU [Vltava]

The main musical theme of The Moldau is today a popular Czech folksong. It was not, however, a Czech song when Smetana borrowed it. Smetana had, in fact, often voiced violent opposition to the idea of adopting true folksong melodies into the national musical language he was trying to create. His borrowing, in this case, reached quite far geographically, when he adapted (perhaps subconsciously) a folk melody he had heard while teaching for a number of years in Sweden as a young man. (Dvořák crossed much the same path and controversy with some of the adapted borrowings within his “New World” Symphony.) Smetana’s words about this tone poem clearly lay out the river’s migration from mountain spring through Bohemia toward the sea: “Two springs pour forth in the shade of the Bohemian Forest, one warm and gushing, the other cold and peaceful. Their waves flow quickly over rocky beds, joining together and glistening in the morning sun. The forest brook, hastening on, becomes the river Moldau. Coursing through Bohemia’s valleys, it grows into a mighty stream. Through thick woods it flows, as the triumphant sounds of the hunt and the notes of hunters’ horns are heard ever nearer. It flows through grass-grown pastures and lowlands where a wedding feast is being celebrated in song and dance. At night, wood and water nymphs revel in its sparkling waves. Reflected on its surface are fortresses and castles — witnesses to bygone days of knightly splendor and the vanished glory of fighting times. At the St. John Rapids, the stream races ahead, winding through the cataracts, hewing out a path with its foaming waves through the rocky chasm into the broad riverbed — finally, flowing on in majestic peace toward Prague and welcomed by the time-honored castle Vyšehrad [Smetana encores the castle’s musical motif from the first tone poem of the cycle]. Then it vanishes beyond our gaze.” A personal note: I have vivid memories from childhood of waking on Sunday mornings to hear the swift-running current of the River Moldau flowing mightily past my bedroom door. It was Smetana’s music, of course, from an oft-played re-

About the Music

The Cleveland Orchestra

cording (by The Cleveland Orchestra) cherished by my father. He often chose to wake us on Sundays by playing music — of a vastly eclectic range. But the watery sounds of the Moldau were among my favorite, both for the realism of the river itself and for the long, over-arching crescendo that turns little stream (barely awake) into mighty river (time for breakfast). Part Four: FROM BOHEMIA’S FORESTS AND FIELDS

In From Bohemia’s Forests and Fields, after painting portraits in the first movements of the country’s greatest fortress, its national river, and one of its fiercest historical heroes, Smetana wrote a musical ode to the common countryside filled with average villages, verdant greenery, and everyday beauty. Of this music, Smetana wrote: “This symphonic poem broadly characterizes the thoughts and feelings that well within us as we survey the Bohemian landscape. From every direction, fervent song comes to our ears; every grove and all the flowered meadows sing their melodies, both cheerful and melancholy. All have something to say: the deep, dark forests (horn solos) and the sunny, fertile plains along the Elbe River, and all the other parts of the rich and beautiful land of Bohemia.” While not as specifically programmatic as other parts of the cycle, this finelyetched tone painting evokes some of the feelings that nature can inspire and, like Beethoven’s Sixth Symphony, is difficult to resist in its at times gentle sincerity. Epilog: MÁ VLAST

The success of his first four parts encouraged Smetana to write two more, creating a total of six movements to Má Vlast. These were first performed as a cycle in November 1882, to great acclaim and rejoicing. The two movements being presented at this morning’s Cleveland Orchestra concert provide a clear and pleasing view of Smetana’s love for his country — and his enduring ability to paint Czech themes in music. —Eric Sellen © 2013

Severance Hall 2012-13

About the Music

At a Glance Smetana first talked about writing a musical work depicting the river Moldau in 1867. Five years later, he made some sketches related to two “symphonic poems,” one about the river and one about the fortress Vyšehrad. He completed these two in 1874, after suffering profound hearing loss that summer. He wrote Šárka in early 1875, and the fourth poem, From Bohemia’s Forests and Fields, later that year. Each piece was premiered separately in Prague, between March 1875 and March 1877. Smetana created two additional movements for the cycle in 1878-79; they were then premiered in 1880. The entire Má Vlast was first performed together on November 5, 1882. Parts Two and Four — The Moldau and From Bohemia’s Forests and Fields — together run about 20 minutes in performances. Smetana scored them for an orchestra of 2 flutes and piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion (triangle, cymbals, bass drum), harp (in The Moldau), and strings.

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Piano Concerto No. 2 in G major, Opus 44 composed 1879-80

Pyotr Ilyich

TCHAIKOVSKY born May 7, 1840 near Votkinsk, Russia died November 6, 1893 St. Petersburg

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W I T H I T S U N F O R G E T T A B L E opening theme and the piano’s widespread chords, Tchaikovsky’s First Piano Concerto is always going to remain a favorite concert piece for those who love the eternal battle between a full symphony orchestra and the mighty concert grand. But his Second Piano Concerto should not be overlooked, not least because Tchaikovsky himself was very fond of it and because it displays the same richness of themes and barnstorming virtuosity that we expect from his best works. It is typically Russian in its brazen emotional quality and its determination to extract every last ounce from the eighty-eight black and white keys — and the pianist’s mere ten fingers. It comes, too, from a fertile period of the composer’s life. The disaster of Tchaikovsky’s marriage in 1877 brought on the extraordinary combination of nervous collapse and inspirational fecundity. Some of his best music came out of those anxiety-ridden months, while he moved from city to city in restless agitation. From then onward, he would never spend much time at home in Moscow without longing to be away in the country, or away out of the country, in Paris or Switzerland or Rome. The opera Eugene Onegin, the Fourth Symphony, and the Violin Concerto were all composed in these extraordinary circumstances, all masterpieces of undying appeal. The Second Piano Concerto followed soon after, in the autumn of 1879, also written on the move, as it were, as he packed his bags and left Moscow for his sister’s home in Kamenka, then Paris, then Rome, then St. Petersburg. Tchaikovsky had given up teaching at the Moscow Conservatory, which he had never really enjoyed, and having just completed his opera The Maid of Orleans had promised himself a rest. But he was never able to suppress the urge to work and would rise early in the morning, wherever he happened to be, and sit at his desk pouring delicious cascades of notes onto paper. As was usually the case, Tchaikovsky felt very pleased with the work as it took shape and pronounced himself completely satisfied when it was done. This pattern often took the form of him turning against a piece once it receded from the compositional moment, entered the process of performance and publication, and faced the hurdle of public criticism. He was very

About the Music

PYOTR ILYICH TCHAIKOVSKY 1840-1893 1

1. Tchaikovsky at the age of twenty in 1860. 2. The three Tchaikovsky brothers in 1875. Family friend Nikolai Dmitrievich Kondratiev (standing at left), Anatoli Tchaikovsky (seated), Modest Tchaikovsky, and Piotr. 3

3. With his wife Antonina Miliukova, during their brief marriage in 1877. 4. His patroness, Nadezhda von Meck. 5. Late in life, in the early 1890s.

About the Tchaikovsky Composer

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severe on the Fourth Symphony, for example, sometime after it was composed. In the case of the Second Piano Concerto, however, he went on liking it and stood up in its defense when one of his students, Alexander Siloti, proposed some cuts and adjustments. Siloti was one of the many great Russian pianists who came out of the Moscow Conservatory under the guidance of its founder and director, Nikolai Rubinstein. Rubinstein was a good friend to Tchaikovsky, had given him his first job and taken him into his house. Rubinstein was also, like his brother Anton, one of the great piano virtuosos of the 19th century. Rubinstein is part of the story of the Second Piano Concerto, because he had reacted very curtly to the First Piano Concerto and refused to play it, to Tchaikovsky’s dismay. The friendship remained intact, however, and the composer hoped that this time Rubinstein would not only like the new concerto but play it. If anything, the Second Concerto is harder for the soloist than the First. The hope was never put to the test, for Rubinstein died at the age of 45 in Paris early in 1881. Tchaikovsky still dedicated the score to him, and Tchaikovsky’s next work, an immense piano trio, was dedicated to his memory. The first performance of the Second Piano Concerto was given in November 1881 in New York, thanks to the enterprising programming of the conductor Theodore Thomas, always alert to the latest music coming from Europe and Russia. He conducted the performance with the German-trained English pianist Madeline Schiller, obviously the possessor of a formidable technique. The first performance in Moscow was given by another brilliant Moscow pianist, Sergei Taneyev, in May 1882. THE MUSIC

Of the concerto’s three sections, the first movement is much the longest, thanks to a number of episodes where the pianist expands on a theme at considerable length while the orchestra looks on. Sometimes these passages are close to being free cadenzas. The range of themes and keys is wide, and silences often mark the points where episodes begin and end — a habit which made Tchaikovsky confess that he could never really disguise the seams in the fabric of his music. His unique gift for building tension by pushing the upper voices higher and higher, often with the bass notes going in the opposite direction, is particularly well displayed in this movement. After a somber opening, the slow second movement, Severance Hall 2012-13

About the Music

At a Glance Tchaikovsky wrote his Piano Concerto No. 2 in 1879-80. It was first performed on November 12, 1881, in New York City, with Theodore Thomas conducting the New York Philharmonic, with Madeline Schiller at the piano. The composer dedicated the score to Nikolai Rubinstein. This concerto runs about 30-35 minutes in performance. Tchaikovsky scored it for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, and strings. The edition used for this week’s concerts is a version edited by Alexander Siloti, which shortened some passages and sections from Tchaikovsky’s original. The Cleveland Orchestra first played Tchaikovsky’s Second Piano Concerto in February 1968, when Louis Lane led performances with soloist Gary Graffman, at Severance Hall and at Oberlin College and Marshall University. The Orchestra has presented this concerto on only three subsequent programs, at concerts at Severance Hall in January and February 1991 and as part of the 1972 and 1993 Blossom Festivals.

in which the winds play little part, brings forward a solo violin and a solo cello, making a chamber music unit of very satisfying character (although some of this has been shortened in the score edition by Alexander Siloti being performed on this weekend’s Cleveland Orchestra concerts). As always, Tchaikovsky’s melodic gift is exhibited to the full, yet the ending feels somewhat disturbed, with a lone trumpet entering as if from afar. The third movement finale is a knuckle-buster for the pianist, who is given almost no rest. The tunes pour out and the excitement builds at the end in the same manner as in the First Piano Concerto. (Surely Nikolai Rubinstein would have found this music hard to resist.) EPILOG

In the last year of his life, Tchaikovsky embarked on a third piano concerto, but was unhappy with it after completing only one movement. Its history is entangled with ideas for another symphony, sometimes referred to as the mythical “Seventh,” which was also left in sketch form. Attempts to reconstruct both symphony and concerto founder on material that Tchaikovsky himself obviously felt unhappy about, so that most modern performances of the “next concerto” have to settle for one movement only. —Hugh Macdonald © 2013 Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French music. He has written books on Beethoven, Berlioz, and Scriabin.

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Sound for the Centennial The Cleveland Orchestra’s artistic health and financial well-being depend on the dedicated and ongoing support of music-lovers throughout Northeast Ohio. The Orchestra’s continued excellence in community service and musical performance can only be ensured through ongoing annual support coupled with increased giving to the Endowment and special fundraising. As the Orchestra approaches its centennial celebration in 2018, the individuals and organizations listed on these pages have made longterm commitments to secure the financial stability of our great Orchestra. This listing represents multi-year commitments of annual and endowment support, and legacy gift declarations, as of December 2012. The Cleveland Orchestra and Musical Arts Association gratefully recognize the transformational support and extraordinary commitment of these individuals, corporations, and foundations toward the Orchestra’s future. To join your name to these visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520. GIFTS OF $5 MILLION AND MORE

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GIFTS OF $250,000 TO $500,000

John P. Bergren* and Sarah M. Evans Mr. and Mrs.* Harvey Buchanan Mr. and Mrs. Matthew V. Crawford Nancy and Richard Dotson Sidney E. Frank Foundation David and Nancy Hooker Mrs. Marguerite B. Humphrey James D. Ireland III Trevor and Jennie Jones Giuliana C. and John D. Koch Dr. Vilma L. Kohn Mr. Clarence E. Klaus, Jr.

Mr. and Mrs. Alex Machaskee Mr. Donald W. Morrison Margaret Fulton-Mueller William J. and Katherine T. Oâ&#x20AC;&#x2122;Neill Parker Hannifin Corporation Charles and Ilana Horowitz Ratner Mr. and Mrs. James A. Saks The Skirball Foundation Mr. and Mrs. Jules Vinney* David A. and Barbara Wolfort

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Garrick Ohlsson Since winning the 1970 Chopin International Piano Competition, American pianist Garrick Ohlsson has established himself worldwide as a musician of interpretive and technical prowess. He made his Cleveland Orchestra debut in March 1975, and most recently appeared with the Orchestra in October 2010. A native of White Plains, New York, Garrick Ohlsson began piano studies at age 8, attended the Westchester Conservatory of Music, and at 13 entered the Juilliard School. His teachers include Claudio Arrau, Olga Barabini, Sascha Gorodnitzki, Rosina Lhévinne, Tom Lishman, and Irma Wolpe. Among Mr. Ohlsson’s honors are first prizes at the 1966 Busoni Competition and 1968 Montreal Piano Competition, the 1994 Avery Fisher Prize, and the 1998 University Musical Society Distinguished Artist Award in Ann Arbor, Michigan. Regarded as a leading exponent of Chopin, Mr. Ohlsson performed in celebrations of the bicentenary of Chopin’s birthday in 2010, including a gala concert at Chopin’s birth house in Warsaw and all-Chopin recitals in Berkeley, La Jolla, New York, and Seattle. For the bicentenary of Franz Liszt’s birth last season, Garrick Ohlsson played recitals in Chicago, Hong Kong, London, and New York. Garrick Ohlsson commands a repertoire of some eighty concertos. He has appeared as soloist with orchestras throughout the world, including the Deutsche Symphony Berlin, Czech Philharmonic, Halle Orchestra, Russian National Orchestra, Salzburg Mozarteum, Sydney Symphony, and Warsaw Philharmonic, among many others. In recent seasons, his engagements in this country have included concerts with the orchestras of Atlanta, Baltimore, Boston, Dallas, Houston, New York, Philadelphia, Pittsburgh, St. Louis, and San Francisco. In recital, Mr. Ohlsson has presented the music of Scriabin and the composer’s Russian contemporaries in the United States and Europe, and the complete Beethoven piano sonatas at the Ravinia, Tanglewood, and Verbier festivals. As a chamber musician, Garrick Ohlsson’s performances have included collaborations with the Cleveland, Emerson, Takács, and Tokyo string quartets. Along with violinist Jorja Fleezanis and cellist Michael Grebanier, Mr. Ohlsson is a founding member of the San Francisco-based FOG Trio. A prolific recording artist, Garrick Ohlsson can be heard on the Angel, Arabesque, BMG, Delos, Hänssler, Hyperion, Nonesuch, RCA Victor Red Seal, Telarc, and Virgin Classics labels. One of his ten Bridge Records recordings of the complete Beethoven sonatas was granted a Grammy Award.

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THURSDAY AND SATURDAY

Symphony No. 10 in E minor, Opus 93 composed 1948-53 S H O S TA KO V I C H

Dmitri

SHOSTAKOVICH born September 25, 1906 St. Petersburg (later Leningrad) died August 9, 1975 Moscow

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made it known publicly that he composed the great Tenth Symphony in the months following Stalin’s death, which took place on March 5, 1953 (the same day as Prokofiev’s death). It is clear to us now, however, and was probably clear to many of his friends then, that he had been working on the symphony for several years — and that it was written under the shadow of events in January 1948 when Andrei Zhdanov, the politburo member with responsibility for the arts, led a purge on Soviet musicians, with Shostakovich as the main target. An important group of composers, which included both Shostakovich and Prokofiev, were singled out for their sins against the ideals of Soviet music and in particular for “formalism,” the recurrent catch-all accusation that had been heard in official pronouncements throughout the Stalinist era. Of course all music is formal, and so, in a sense, it must also be “formalist.” In this case, the State required music to serve a political purpose, and that could only be done with words or a message conveyed in song or on screen or even with just an appropriate title. “Symphony” or “Concerto” or “String Quartet” were vague and inadequate titles for the purpose — and thus open to condemnation not simply for not supporting the official line but actually for subverting it. At the moment when the purge occurred, Shostakovich was engaged in composing a violin concerto written in admiration of the playing of David Oistrakh. He continued writing the concerto, but only in secret, and it could not be performed. Shostakovich turned to film music and choral works instead, as his sole means of retaining recognition as a composer. But in private, he was also working on string quartets and on a successor to the Ninth Symphony of 1945. Sketches for the Tenth in fact go back as early as 1946, and there is evidence that he was working on it in 1951. The year 1953 — and Stalin’s death — thus released the backlog of music that had been waiting to be brought out in public. The Violin Concerto was not ready until 1955, but the Fourth and Fifth String Quartets were heard toward the end of 1953, along with the Tenth Symphony, presented on December 17 by the Leningrad Philharmonic Orchestra under Shostakovich’s leading interpreter of the day, Yevgeny Mravinsky. The Tenth About the Music

was soon acclaimed in the West as one of the composer’s major works. International recognition of Shostakovich as a leading living composer dated back to his First Symphony in 1925, but Shostakovich’s standing across the West was reenforced by new works in the 1950s and for the last twenty years of his life. His writing was widely appreciated as a counterblast to the craze for serial and atonal music that gripped many young composers, especially in the United States. Interpreting the Tenth Symphony, as with any work by Shostakovich, presents immense problems. From his many years grappling with officialdom, he had learned to dissemble and mask his true feelings about what he created. In addition, he was a very private, not to say inscrutable, individual. All these circumstances allow us to adopt almost any view of his work, but without any certainty that our view will coincide with his. The layers of irony are deep. What seem to be depictions of misery or horror may be nothing of the kind. The hollow hymns of triumph may not be hollow. He was indeed a “formalist” composer, deeply concerned with the structure and shape of his music, always looking for new ways to insert contrast or its opposite, hinting at references that may be decoys, and extracting veins of gold from the traditional large orchestra. THE MUSIC

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Of the Tenth Symphony’s four parts, the first movement is the longest and perhaps the bleakest, giving prominence (as does

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At a Glance Shostakovich composed his Tenth Symphony during the summer and autumn of 1953, although some thematic material may date from the previous two years. It was premiered in Leningrad on December 17, 1953, by the Leningrad Philharmonic Orchestra conducted by Yevgeny Mravinsky. The first United States performance took place on October 14, 1954, with the New York Philharmonic under Dimitri Mitropoulos’s direction. This symphony runs just over 50 minutes in performance. Shostakovich scored it for 3 flutes (second and third doubling piccolo), 3 oboes (third doubling english horn), 3 clarinets (third doubling bass clarinet), 3 bassoons (third doubling contrabassoon), 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (snare drum, bass drum, cymbals, tam-tam, triangle, tambourine, xylophone), and strings. The Cleveland Orchestra first performed Shostakovich’s Tenth Symphony in December 1967 under David Oistrakh’s direction. The most recent performances were given as part of the 2011 Blossom Music Festival, led by David Afkham, and in November 2007 at Severance Hall, under the baton of Pinchas Steinberg.

the whole symphony) to the leading woodwinds. A clarinet, for example, is the first to join the strings’ opening meditations, and a low flute is the first to present an important new theme later on. Two lonely piccolos are heard at the close. The music is in no hurry. Twice the music rises to fearsome climaxes, fed on the frightening rap of the snare drum and the weight of the full brass. The raw energy of the second movement is unrivaled in 20th-century music, like a runaway train. Is it exultation or fury? It’s hard to say. Over the wild gambols of the rest, the brass occasionally stamp out what sounds like an Orthodox Russian chant. What can that mean? The relaxed air of the third movement is more than welcome, and it becomes more personal when Shostakovich gradually hones in on his personal signature, the D-S-C-H motif that permeated a number of his later works. This was created from the way his name is spelled in German, as Dmitrij SCHostakowitsch, and the fact that in German the note of E-flat is “Es” (and thus S) and B-natural is H:

Another prominent tune that keeps recurring on the horn seems planets away from the tone and color of the movement. This too has been shown to have an explanation as ELMIRA, the name of one of his female students, although, as before, the significance of her intrusion in the symphony is a mystery:

The movement concludes with what sounds like a corny brass band playing loose with D-S-C-H, as if in mockery. Before the true finale begins, there is a thoughtful introduction featuring oboe and bassoon and casting a veil of mystery. This is dispelled in the exuberant fourth movement Allegro, whose climax is a triumphant writing-on-the-wall of the letters D-S-C-H. Triumph or cataclysm? It could be either. It is certainly an exhilarating musical experience whatever we read into its meaning. —Hugh Macdonald © 2013 About the Music

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Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y The Heritage Society honors donors who support the Orchestra through their wills, life income gifts, or other types of deferred giving. The following listing of members is current as of October 2012. The Cleveland Orchestra and Musical Arts Association thank those members below in bold who have declared to us their specific estate intentions. For more information, please call Bridget Mundy, Legacy Giving Officer, at 216-231-8006. Lois A. Aaron Leonard Abrams Shuree Abrams* Gay Cull Addicott Stanley and Hope Adelstein Sylvia K. Adler Gerald O. Allen Norman and Marjorie* Allison George N. Aronoff Herbert Ascherman, Jr. Jack and Darby Ashelman Mr. and Mrs. William W. Baker Ruth Balombin* Mrs. Louis W. Barany* D. Robert* and Kathleen L. Barber Jack Barnhart Margaret B. and Henry T.* Barratt Norma E. Battes Rev. Thomas T. Baumgardner and Dr. Joan Baumgardner Fred G. and Mary W. Behm Dr. Ronald and Diane Bell Bob Bellamy Joseph P. Bennett Miss Ila M. Berry Howard R. and Barbara Kaye Besser Dr.* and Mrs. Murray M. Bett Dr. Marie Bielefeld Mr. Raymond J. Billy Dr. and Mrs. Harold B. Bilsky* Robert E. and Jean Bingham* Claudia Bjerre William P. Blair III Flora Blumenthal Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Kathryn Bondy* Loretta and Jerome* Borstein Mr. and Mrs.* Otis H. Bowden II Ruth Turvy Bowman* Drs. Christopher P. Brandt and Beth Brandt Sersig Mr. D. McGregor Brandt, Jr. David and Denise Brewster Richard F. Brezic* Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Ronald and Isabelle Brown* Mr. and Mrs. Clark E. Bruner* Harvey and Penelope* Buchanan Rita W. Buchanan Joan and Gene* Buehler

Gretchen L. Burmeister Stanley and Honnie Busch Milan and Jeanne* Busta Mrs. Noah L. Butkin* Mr. and Mrs. William C. Butler Minna S. Buxbaum* Gregory and Karen Cada Roberta R. Calderwood* Jean S. Calhoun Harry and Marjorie M. Carlson Janice L. Carlson Dr. and Mrs. Roland D. Carlson Barbara A. Chambers, D.Ed. Ellen Wade Chinn* NancyBell Coe Kenneth S. and Deborah G. Cohen Ralph M. and Mardy R. Cohen Victor J. and Ellen E. Cohn Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway James P. and Catherine E.* Conway Rudolph R. Cook The Honorable Colleen Conway Cooney John D. and Mary D.* Corry Dr.* and Mrs. Frederick S. Cross Martha Wood Cubberley Dr. William S. Cumming* In Memory of Walter C. and Marion J. Curtis Mr. and Mrs. William W. Cushwa Howard Cutson Mr. and Mrs. Don C. Dangler Mr. and Mrs. Howard J. Danzinger Barbara Ann Davis Carol J. Davis Charles and Mary Ann Davis William E. and Gloria P. Dean, Jr. Mary Kay DeGrandis and Edward J. Donnelly Neeltje-Anne DeKoster Carolyn L. Dessin William R. Dew Mrs. Armand J. DiLellio James A. Dingus, Jr. Dr. and Mrs. Richard C. Distad Maureen A. Doerner and Geoffrey T. White Gerald and Ruth Dombcik Henry and Mary Doll Mr.* and Mrs. Roland W. Donnem Nancy and Richard Dotson Mrs. John Drollinger Drs. Paul M. and Renate H. Duchesneau George* and Becky Dunn

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Warren and Zoann Dusenbury* Mr. and Mrs. Robert Duvin Paul and Peggy Edenburn Robert and Anne Eiben Esther and Alfred M. Eich, Jr. Mr. and Mrs. Ramon Elias* Roger B. Ellsworth Oliver and Mary Emerson Lois Marsh Epp Patricia Esposito Margaret S. Estill* Dr. Wilma McVey Evans* C. Gordon and Kathleen A.* Ewers Patricia J. Factor Susan L. Faulder Dr. and Mrs. Frederick Fennell* Mrs. Mildred Fiening Gloria and Irving B. Fine R. Neil Fisher Jules and Lena Flock* Joan Alice Ford Dr. and Mrs.* William E. Forsythe Mr.* and Mrs. Ralph E. Fountain J. Gilbert and Eleanor M. Frey Arthur and Deanna Friedman Mr.* and Mrs. Edward H. Frost Dawn Full Henry S. Fusner Dr. Stephen and Nancy Gage Charles and Marguerite C. Galanie* Barbara and Peter Galvin Mr. and Mrs. Steven B. Garfunkel Donald* and Lois Gaynor Barbara P. Geismer* Albert I. and Norma C. Geller Carl E. Gennett* John H.* and Ellen P. Gerber Frank and Louise Gerlak Dr. James E. Gibbs In Memory of Roger N. Gifford Dr. Anita P. Gilger* S. Bradley Gillaugh Mr. and Mrs. Robert M. Ginn Fred and Holly Glock Ronald* and Carol Godes William H. Goff Mr. and Mrs. Henry J. Goodman John and Ann Gosky Mrs. Joseph B. Govan* Elaine Harris Green Richard and Ann Gridley Nancy Hancock Griffith David E.* and Jane J. Griffiths David G. Griffiths*

The Cleveland Orchestra

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Ms. Hetty Griffiths Margaret R. Griffiths* Bev and Bob Grimm Judd and Zetta Gross* Candy and Brent Grover Mrs. Jerome E. Grover* Thomas J.* and Judith Fay Gruber Mr. and Mrs. David H. Gunning Mr. and Mrs. William E. Gunton Joseph E. Guttman* Mrs. John A Hadden Jr. Richard and Mary Louise Hahn James J. Hamilton Kathleen E. Hancock Douglas Peace Handyside* Holsey Gates Handyside Norman C. and Donna L. Harbert Mary Jane Hartwell William L.* and Lucille L. Hassler Peter and Gloria Hastings* Mrs. Henry Hatch (Robin Hitchcock) Virginia and George Havens Gary D. Helgesen Clyde J. Henry, Jr. Ms. M. Diane Henry Wayne and Prudence Heritage Rice Hershey* T. K. and Faye A. Heston Gretchen L. Hickok Mr. and Mrs.* Daniel R. High Edwin R. and Mary C. Hill* Ruth Hirshman-von Baeyer* Mr.* and Mrs. D. Craig Hitchcock Bruce F. Hodgson Goldie Grace Hoffman* Mary V. Hoffman Feite F. Hofman MD Mrs. Barthold M. Holdstein Leonard* and Lee Ann Holstein Gertrude S. Hornung* Patience Cameron Hoskins Elizabeth Hosmer Dorothy Humel Hovorka Dr. Randal N. Huff Mrs. Marguerite B. Humphrey Adria D. Humphreys* Ann E. Humphreys and Jayne E. Sisson Karen S. Hunt Ruth F. Ihde Mr. and Mrs. Jonathan E. Ingersoll Pamela and Scott Isquick Mr. and Mrs.* Clifford J. Isroff Mr. and Mrs. Donald M. Jack, Jr. Carol S. Jacobs Milton* and Jodith Janes Jerry and Martha* Jarrett Merritt Johnquest E. Anne Johnson Nancy Kurfess Johnson, M.D. Paul and Lucille Jones* Mrs. R. Stanley Jones* William R. Joseph*

David and Gloria Kahan Julian and Etole Kahan Drs. Julian* and Aileen Kassen Milton and Donna Katz Patricia and Walter* Kelley Bruce and Eleanor Kendrick Malcolm E. Kenney Nancy H. Kiefer Charles M. and Janet G. Kimball* Mr. Kevin F. Kirkpatrick Mrs. Virginia Kirkpatrick James and Gay Kitson Mr. Clarence E. Klaus, Jr. Julian H. and Emily W. Klein* Mary Elizabeth and G. Robert Klein* Thea Klestadt* Gilles and Malvina Klopman Paul and Cynthia Klug Martha D. Knight Mr. and Mrs. Robert Koch Vilma L. Kohn Elizabeth Davis Kondorossy* Mr. and Mrs. James G. Kotapish, Sr. LaVeda Kovar* Margery A. Kowalski Bruce G. Kriete* Mr. and Mrs. Gregory G. Kruszka Thomas and Barbara Kuby Eleanor and Stephen Kushnick Mr. and Mrs. Dennis W. LaBarre James I. Lader Mr. and Mrs. David A. Lambros Dr. Joan P. Lambros* Mrs. Carolyn Lampl Mrs. Samuel H. Lamport Louis Lane Charles and Josephine Robson Leamy Fund Teela C. Lelyveld Mr. and Mrs. Roger J. Lerch Gerda Levine Dr. and Mrs. Howard Levine Bracy E. Lewis Mr. and Mrs. Thomas A. Liederbach Ruth S. Link Dr. and Mrs. William K. Littman Jeff and Maggie Love Dr. Alan and Mrs. Min Cha Lubin Ann B. and Robert R. Lucas* Miss Anne M. Lukacovic Kate Lunsford Mr. and Mrs. Thomas E. Lynch* Patience Cameron Hoskin Terry and Pat MacDonald Jerry Maddox Mrs. H. Stephen Madsen Alice D. Malone Mr. and Mrs. Donald Malpass, Jr. Lucille Harris Mann Mr. and Mrs. Richard A. Manuel Clement P. Marion Mr. Wilbur J. Markstrom* Dr. and Mrs. Sanford Marovitz

David C. and Elizabeth F. Marsh Duane and Joan* Marsh Florence Marsh, Ph.D.* Mr. and Mrs. Anthony M. Martincic Kathryn A. Mates Dr. Lee Maxwell and Michael M. Prunty Alexander and Marianna McAfee Nancy B. McCormack Mr. William C. McCoy Marguerite H. McGrath* Dorothy R. McLean Jim* and Alice Mecredy James and Viginia Meil Mr. and Mrs.* Robert F. Meyerson Brenda Clark Mikota Christine Gitlin Miles Charles B. and Christine A. Miller Edith and Ted* Miller Mr. Leo Minter, Jr. Mr. and Mrs. William A. Mitchell Robert L. Moncrief Ms. Beth E. Mooney Beryl and Irv Moore Ann Jones Morgan Mr.* and Mrs. Stanley L. Morgan George and Carole Morris Mr. and Mrs. Thomas W. Morris Mr. and Mrs.* Donald W. Morrison Drs. Joan R. Mortimer and Edward A.* Mortimer, Jr. Florence B. Moss Susan B. Murphy Dr. and Mrs. Clyde L. Nash, Jr. Deborah L. Neale David and Judith Newell Russell H. Nyland* Charles K. Laszlo and Maureen Oâ&#x20AC;&#x2122;Neill-Laszlo Katherine T. Oâ&#x20AC;&#x2122;Neill Mr. and Mrs. John D. Ong Aurel Fowler-Ostendorf* Ronald J. Parks Nancy and W. Stuver Parry Mrs. John G. Pegg Dr. and Mrs. Donald Peniero Mary Charlotte Peters Mr. and Mrs. Peter Pfouts* Janet K. Phillips* Florence KZ Pollack Julia and Larry Pollock Victor and Louise Preslan* Mrs. Robert E. Price* Lois S.* and Stanley M. Proctor Mr. David C. Prugh Leonard and Heddy Rabe M. Neal Rains Mr. George B. Ramsayer Joe L. and Alice* Randles Mrs. Alfred M. Rankin, Sr. Mrs. Theodore H. Rautenberg* Dr. Sandford Reichart* LISTING CONTINUES

Severance Hall 2012-13

Legacy & Planned Giving

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Be forever a part of what the world is talking about! LISTING CONTINUED

James and Donna Reid Mrs. Hyatt Reitman* Mrs. Louise Nash Robbins* Dr. Larry J.B.* and Barbara S. Robinson Dwight W. Robinson Margaret B. Babyak* and Phillip J. Roscoe Dr. Eugene and Mrs. Jacqueline Ross Helen Weil Ross* Marjorie A. Rott Howard and Laurel Rowen Professor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster Rutter Mr. James L. Ryhal, Jr. Renee Sabreen Marjorie Bell Sachs Vernon Sackman Sue Sahli Mr. and Mrs. James A. Saks Mr. Larry J. Santon Stanford and Jean B. Sarlson Sanford Saul Family James Dalton Saunders Patricia J. Sawvel Ray and Kit Sawyer Richard Saxton* Morris and Alice Sayre In Memory of Hyman and Becky Schandler Robert Scherrer Sandra J. Schlub Ms. Marian Schluembach Robert and Betty Schmiermund Mr. and Mrs. Richard M. Schneider Lynn A. Schreiber* Jeanette L. Schroeder Carol* and Albert Schupp Mr. Frank Schultz Roslyn S. and Ralph M. Seed Nancy F. Seeley Edward Seely Oliver E. and Meredith M. Seikel Russell Seitz* Eric Sellen Andrea E. Senich Thomas and Ann Sepulveda Elsa Shackleton* B. Kathleen Shamp Jill Semko Shane David Shank Dr. and Mrs. Daniel J. Shapiro Norine W. Sharp Norma Gudin Shaw Elizabeth Carroll Shearer Dr. and Mrs. William C. Sheldon Frank * and Mary Ann Sheranko Kim Sherwin Mr. and Mrs. Michael Sherwin

Reverend and Mrs. Malcolm K. Shields Rosalyn and George Sievila Mr. and Mrs. David L. Simon Dr.* and Mrs. John A. Sims Naomi G. and Edwin Z. Singer Lauretta Sinkosky H. Scott Sippel and Clark T. Kurtz Ellen J. Skinner Ralph* and Phyllis Skufca Janet Hickok Slade Alden D. and Ellen D.* Smith Margaret C. Smith* Mr.* and Mrs. Ward Smith M. Isabel Smith* Nathan Snader* Sterling A.* and Verdabelle Spaulding Sue Starrett and Jerry Smith Barbara J. Stanford and Vincent T. Lombardo Lois and Thomas Stauffer Willard D. Steck* Merle Stern Dr. Myron Bud and Helene* Stern Mr. and Mrs. John M. Stickney Nora and Harrison Stine* Mr. and Mrs. Stanley M. Stone Mr. and Mrs. James P. Storer Mr. and Mrs. Ralph E. String The Irving Sunshine Family Vernette M. Super* Mr.* and Mrs.* Herbert J. Swanson In Memory of Marjory Swartzbaugh Lewis Swingley* Lorraine S. Szabo Norman V. Tagliaferri Susan* and Andrew Talton Frank E. Taplin, Jr.* Charles H. Teare and Clifford K.* Kern Mr. Ronald E. Teare Pauline Thesmacher* Dr. and Mrs. Friedrich Thiel Mrs. William D. Tibbetts* Mr. and Mrs. William M. Toneff Alleyne C. Toppin Janice and Leonard Tower Dorothy Ann Turick Mr. and Mrs. Robert A. Urban Robert and Marti Vagi Robert A. Valente J. Paxton Van Sweringen Mary Louise and Don VanDyke Elliot Veinerman* Nicholas J. Velloney* Steven Vivarronda Hon. William F.B. Vodrey Pat and Walt* Wahlen Mrs. Clare R. Walker John and Deborah Warner Mr. and Mrs. Russell Warren

Legacy & Planned Giving

Charles D. Waters* Etta Ruth Weigl Lucile Weingartner Eunice Podis Weiskopf* Max W. Wendel William Wendling and Lynne Woodman Marilyn J. White Alan H. and Marilyn M. Wilde Elizabeth L. Wilkinson* Helen Sue* and Meredith Williams Carter and Genevieve Wilmot Miriam L. and Tyrus W.* Wilson Mr. Milton Wolfson* and Mrs. Miriam Shuler-Wolfson Nancy L. Wolpe Mrs. Alfred C. Woodcock Mr. and Mrs.* Donald Woodcock Dr. and Mrs. Henry F. Woodruff Marilyn L. Wozniak Nancy R. Wurzel Michael and Diane Wyatt Mary Yee Libby Yunger Dr. Norman Zaworski William L. and Joan H. Ziegler Carmela Catalano Zoltoski Roy J. Zook* Anonymous (97)

*deceased

The lotus blossom is the symbol of the Heritage Society. It represents eternal life and recognizes the permanent benefits of legacy gifts to The Cleveland Orchestraâ&#x20AC;&#x2122;s endowment. Said to be Elisabeth Severanceâ&#x20AC;&#x2122;s favorite flower, the lotus is found as a decorative motif in nearly every public area of Severance Hall.

The Cleveland Orchestra

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The Cleveland Orchestra

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The Cleveland Orchestra

The Cleveland Orchestra: Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R M A S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s actitivities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 70,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Hay High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades. Severance Hall 2012-13

Education & Community

T H E

C L E V E L A N D

El Sistema@Rainey performing at Severance Hall. The initiative is an intensive after-school orchestral music program launched in September 2011 by Cleveland Orchestra violinist Isabel Trautwein and Cleveland’s Rainey Institute. Modeled after the national Venezuelan program El Sistema (“the system”), the initiative emphasizes community-based orchestra training from a young age, with a focus on making music fun and inspiring young musicians with a passion for music and for life. The Cleveland Orchestra and education partner Conn-Selmer are the official providers of instruments for the El Sistema@Rainey program, with instrument support from Royalton Music for El Sistema@Rainey Summer Camp.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program that fosters the use of music and the arts to support general classroom learning. Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestraâ&#x20AC;&#x2122;s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Invacare Corporation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lincoln Electric Foundation The Lubrizol Corporation The Nord Family Foundation Ohio Arts Council Ohio Savings Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation The Sherwin-Williams Foundation The South Waite Foundation Surdna Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Womenâ&#x20AC;&#x2122;s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice B. Cull Memorial Fund Mr. and Mrs. Charles B. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund Anonymous

Severance Hall 2012-13

Education & Community

More than 1,200 talented young musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since its founding in 1986.

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The Cleveland Orchestra

Student Ticket Programs “Under 18s Free,” Student Advantage membership, and Student Frequent FanCard offer affordable access to Cleveland Orchestra concerts all season long The Cleveland Orchestra is committed to developing one of the youngest audiences of any orchestra in the country. With the help of generous contributors, the Orchestra has expanded its discounted ticket offerings through several new programs. In the opening two months of the current Severance Hall season, student attendance has doubled from last season, with nearly 20% of the audience being students experiencing Cleveland Orchestra concerts through these various programs and offers. S T U D E N T A DVA N TAG E P R O G R A M

The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend Orchestra concerts at Severance Hall through discounted ticket offers. Membership in the Student Advantage Program is free. A new Student Frequent FanCard was introduced this season. Priced at $50, the FanCard offers students unlimited single tickets (one per FanCard holder) to weekly Classical Subscription Concerts all season long. “UNDER 18s FREE”

Introduced for Blossom Festival concerts two summers ago, the “Under 18s Free” program now includes select Cleveland Orchestra concerts at Severance Hall each season. This program offers free tickets (one per regular-priced adult paid admission) to young people ages 7-17 to the Orchestra’s Fridays@7, Friday Morning at 11, and Sunday Afternoon at 3 concerts. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences and the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. Severance Hall 2012-13

Student Ticket Programs

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra Center for Future Audiences T H E C L E V E L A N D O R C H E S T R A ’s Center for Future Audiences was estab-

lished to fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation. Center-funded programs focus on addressing economic and geographic barriers to attending Cleveland Orchestra concerts at Severance Hall and Blossom Music Center. Programs include research, introductory offers, targeted discounts, student ticket programs, and integrated use of new technologies. The goal is to create one of the youngest audiences of any symphony orchestra in the country. For additional information about these plans and programs, call us at 216-231-7464.

ENDOWED FUNDS

Maltz Family Foundation Mr. and Mrs. Alexander M. Cutler

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Officer, at 216-231-7520.

THANK YOU

for helping develop tomorrow’s audiences today.

Center for Future Audiences

The Cleveland Orchestra

THE CLEVELAND ORCHESTRA

Endowed Funds

funds established as of October 2012

Generous contributions to the endowment have been made to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to the Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus. Artistic Collaboration

American Conductors Fund

Keithley Fund

Douglas Peace Handyside Holsey Gates Handyside

Artist-in-Residence

Severance Hall Guest Conductors

Malcolm E. Kenney

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

International Touring Frances Elizabeth Wilkinson

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

Concert Previews Dorothy Humel Hovorka

Radio Broadcasts Robert and Jean Conrad

Unrestricted William P. Blair III Fund for Orchestral Excellence John P. Bergren and Sarah S. Evans Margaret Fulton-Mueller Fund Virginia M. and Jon A. Lindseth

Roger and Anne Clapp James and Donna Reid

Cleveland Orchestra Soloists Julia and Larry Pollock Family Fund

Guest Artists The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, was established to develop new generations of audiences for The Cleveland Orchestra. Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler Fund

Endowed Funds listing continues

Severance Hall 2012-13

Endowed Funds

THE CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year. Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice B. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley Education Fund The William N. Skirball Endowment

Education Concerts Week The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Machaskee Fund

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall: Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center. Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

Endowed Funds

The Cleveland Orchestra

CLE E H T

D LAN

T HES

Meet the Musicians Cleveland Orchestra musicians participate in a variety of community and education activities beyond the weekly orchestral concerts at Severance Hall. These activities include masterclasses and recitals, PNC Musical Rainbows, the Learning Through Music school partnership program, and coaching the Cleveland Orchestra Youth Orchestra. PHOTOGRAPHS BY ROGER MASTROIANNI

BARRICK STEES

bassoon BORN: Rockford, Illinois ROLE MODEL: My teacher K. David Van

Hoesen, singers Dietrich Fischer-Dieskau, Fritz Wunderlich, Maria Callas. ON MY MP3 PLAYER: Shostakovich string quartets, Charlie Parker, Miles Davis. CLEVELAND ORCHESTRA HIGHLIGHT: Wagner’s Siegfried in concert with Christoph von Dohnányi. FREE TIME: Competitive running, coffee roasting, gardening, reading. BIG DREAM: That great orchestral music will always nourish people’s spirits. FAVORITE ORCHESTRAL WORK: Beethoven’s Ninth Symphony.

JOELA JONES

MARK KOSOWER

keyboard

cello BORN: Miami, Florida ROLE MODEL: My eldest sister, Julia,

who died before I was born. She has always led me. BIG DREAM: Move to Europe, be the pianist for an opera company; get a position as a church organist and learn all of Bach’s works for organ. FREE TIME: I like to read histories and biographies of great people. ON MY MP3 PLAYER: German lessons, Mitsuko Uchida playing Mozart, Alfred Brendel playing Schubert and Liszt. FAVORITE ORCHESTRAL WORK: Wagner’s operas. Severance Hall 2012-13

BORN: Eau Claire, Wisconsin ON MY MP3 PLAYER: It’s filled with sym-

phonic, opera, chamber, and solo music. ROLE MODELS: Janos Starker

and Herbert Blomstedt. BIG DREAM: To record an extensive

cross-section of the cello literature. WHY A MUSICIAN: I was born into a family of musicians and didn’t know any better. FREE TIME: Reading, dining, movies, basketball. FAVORITE ORCHESTRAL WORK: Too many to choose from.

Meet the Musicians

Meet Margaret Mitchell Cleveland Orchestra Heritage Society Co-Chair, member, and Heritage Society ambassador on WCLV How many years have you been attending Orchestra concerts? Bill and I have been going to Orchestra concerts ever since we were married and came to Cleveland — sixty years. We spent many family summer evenings at Blossom when our children were young. Your favorite composer? I really love the ability of the Orchestra to play any music well, so I have to say I like whatever the Orchestra plays. But Mahler and Bruckner are classical favorites; Ives and Adams, among more recent composers. Your most memorable concerts? Because of the different venues, Dvořák’s “New World” Symphony in old Lucerne; Shostakovich in Miami. Prokofiev’s Fifth Symphony — the final movement encore in the Canary Islands. It’s difficult to pick out a favorite at Severance. I love most all of them. And, in Margaret’s own words, from her WCLV invitation to Orchestra lovers everywhere . . . Bill and I think The Cleveland Orchestra makes Cleveland a great place to live. — the superb concerts. — the talented orchestra musicians who contribute much to our community and represent us so well around the world. — the education programs building future audiences. These are some of the reasons we created a planned gift, securing lifelong income for us. It also makes sense for the Orchestra, helping to build the endowment. We want The Cleveland Orchestra that we love to enrich the lives of our children and grandchildren as it has for us. With your own planned gift, please join us as proud members of the Heritage Society. For information on membership in the Heritage Society, contact Bridget Mundy, Legacy Giving Officer, by calling 216-231-8006 or via email at bmundy@clevelandorchestra.com or go to clevelandorchestra.com and click on Support, then Heritage Society. THE CLEVELAND ORCHESTRA

H E R I T A G E S O C The I E Cleveland T Y Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY KeyBank

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$1 MILLION TO $5 MILLION

PARTNERS IN EXCELLENCE $300,000 AND MORE

$5 MILLION AND MORE

BakerHostetler Bank of America Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch NACCO Industries, Inc. Parker Hannifin Corporation The Plain Dealer PNC Bank PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The Sage Cleveland Foundation The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of December 2012.

gifts of $2,500 or more during the past year, as of December 20, 2012

KeyBank The Lubrizol Corporation NACCO Industries, Inc. The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. PNC PARTNERS IN EXCELLENCE $100,000 TO $199,999

Google, Inc. Medical Mutual of Ohio Parker Hannifin Corporation $50,000 TO $99,999

Exile LLC Jones Day Quality Electrodynamics (QED) Raiffeisenlandesbank Oberösterreich (Europe) The Sage Cleveland Foundation Anonymous $25,000 TO $49,999 Bank of America Dix & Eaton The Giant Eagle Foundation Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp. The Plain Dealer RPM International Inc. Squire, Sanders & Dempsey (US) LLP Thompson Hine LLP

$2,500 TO $24,999 Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc. American Greetings Corporation BDI Brouse McDowell Eileen M. Burkhart & Co LLC Buyers Products Company

Severance Hall 2012-13

Corporate Annual Support

Cedar Brook Financial Partners, LLC The Cleveland Wire Cloth & Mfg. Co. The Cliffs Foundation Community Behavioral Health Center Conn-Selmer, Inc. Consolidated Graphics Group, Inc. Dealer Tire LLC Dollar Bank Dominion Foundation Ernst & Young LLP Evarts-Tremaine-Flicker Company Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Viktor Kendall, Friends of WLRN Gallagher Benefit Services Genovese Vanderhoof & Associates Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Houck Anderson P.A. (Miami) Hunton & Williams, LLP (Miami) Hyland Software The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Materion Corporation Miba AG (Europe) MTD Products, Inc. Nordson Corporation North Coast Container Corp. Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Oswald Companies PolyOne Corporation The Prince & Izant Company Richey Industries, Inc. Satch Logistics LLC SEMAG Holding GmbH (Europe) The Sherwin-Williams Company Stern Advertising Agency Swagelok Company TriMark S.S. Kemp Trionix Research Laboratory, Inc. Tucker Ellis Ulmer & Berne LLP United Automobile Insurance Company (Miami) Ver Ploeg & Lumpkin, P.A. (Miami) Ricky & Sarit Warman — Papa John’s Pizza (Miami) WCLV Foundation Westlake Reed Leskosky The Avedis Zildjian Company Anonymous (3)

EXERCISE YOUR MIND OFF-CAMPUS CLASSES & EVENTS IN YOUR NEIGHBORHOOD

NATHAN ENGLANDER Nathan Englander is the author of the critically acclaimed collection What We Talk About When We Talk About Anne Frank, as well as the internationally bestselling story collection For the Relief of Unbearable Urges, and the novel The Ministry of Special Cases (all published by Knopf/ Vintage). His short fiction and

essays have appeared in The New Yorker, The New York Times, The Atlantic Monthly, and The Washington Post, as well as The O. Henry Prize Stories and numerous editions of The Best American Short Stories. Translated into more than a dozen languages, Englander was selected as one of â&#x20AC;&#x153;20 Writers for the 21st Centuryâ&#x20AC;? by The New Yorker.

Ă&#x2039; 686ĂŠ 7 595 *6 9

Events TUESDAY MARCH 12 co-sponsored by Âş ĂŠ Ă&#x2039;Ă§NĂ§ Ă&#x2C6; 9 6 5 9 698 6 5 7 8 58 Ă§ Cuyahoga County Âş ĂŠ Ă&#x2039;Ă§NĂ§ #Ă? 9 9 85 59 Ă&#x152;66 9 9 Ă§ Public Library The Laura & Alvin Siegal Lifelong Learning program at Case Western Reserve University provides high-quality lifelong learning opportunities for adults who want to cultivate their ongoing intellectual curiosity.

SPRING PROGRAMMING HIGHLIGHTS SENIOR SCHOLARS â&#x20AC;&#x201C; Spring topics include: Womenâ&#x20AC;&#x2122;s Work: Myths and Realities (Professor Dorothy Miller); American Pulp Fiction (Professor William Marling); Revolutions (Presented by the Baker-Nord Center for Humanities); The Decline of the Middle Ages (Professor 76 ' Ă¤ĂŞ Brazil Today: an Opera in Five Acts (Professor Don Ramos). Classes held at the College Club: Tuesday, Wednesday or Thursday afternoons. VISITING SCHOLARS â&#x20AC;&#x201C; including: Political Scientist Dr. Guy Ben-Porat (Ben-Gurion University, Israel); Rabbi Steve Greenberg ĂŁ-58 695 7 98 6 Learning and Leadership, and the first openly gay Orthodox Rabbi) & Professor Vivian Mann (director of 8 N5 8 Ă˛ Ă&#x2039; 6 5 9 7 8 59 , 5 8 58 + 7 + 6 6 5 * 95 Ă¤Ă§

browse class & event listings online www.case.edu/lifelonglearning Tel: 216.368.2090

ACE (The Association for Continuing Education) Programs include Discussion Day April 15; Annual Meeting with Professor Michael Scharf (CWRU School of Law) and OFF-CAMPUS STUDIES in locations throughout Northeast Ohio. DISTINGUISHED LECTURE SERIES â&#x20AC;&#x201C; Including: Chief Rabbi of Poland Michael Schudrich; Professor 7 S. Gurock; Professor Robert M. Seltzer; Professor Haya Bar-Itzhak & Professor Christine Hayes. SCHOLARS ON THE CIRCLE â&#x20AC;&#x201C; Spring programs in partnership with the Cleveland Museum of Art, Western Reserve Historical Society, The Music Settlement, and Kelvin Smith Library. 7 *8 and Hebrew language courses and programs (all levels).

. . . for the love of learning

THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestraâ&#x20AC;&#x2122;s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation $5 MILLION TO $10 MILLION

John P. Murphy Foundation $1 MILLION TO $5 MILLION

Ann and Gordon Getty Foundation GAR Foundation The George Gund Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Knight Foundation (Cleveland, Miami) The Andrew W. Mellon Foundation David and Inez Myers Foundation National Endowment for the Arts The Payne Fund The Reinberger Foundation The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of December 2012.

Severance Hall 2012-13

gifts of $2,000 or more during the past year, as of December 20, 2012

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts and Culture The Andrew W. Mellon Foundation The Kelvin and Eleanor Smith Foundation $250,000 TO $499,000

Kulas Foundation The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation (Miami) John P. Murphy Foundation David and Inez Myers Foundation Ohio Arts Council $100,000 TO $249,999

Sidney E. Frank Foundation GAR Foundation The George Gund Foundation $50,000 TO $99,999

The George W. Codrington Charitable Foundation Martha Holden Jennings Foundation The Mandel Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation John S. and James L. Knight Foundation Elizabeth Ring Mather and William Gwinn Mather Fund National Endowment for the Arts Donald and Alice Noble Foundation, Inc. The Payne Fund Surdna Foundation $20,000 TO $49,999 The Abington Foundation Akron Community Foundation The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. Ann and Gordon Getty Foundation The Margaret Clark Morgan Foundation The Frederick and Julia Nonneman Foundation The Nord Family Foundation Peacock Foundation, Inc. (Miami) The Sisler McFawn Foundation

$2,000 TO $19,999 Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Batchelor Foundation, Inc. (Miami) The Bernheimer Family Fund of The Cleveland Foundation Bicknell Fund Eva L. and Joseph M. Bruening Foundation The Collacott Foundation Mary and Dr. George L. Demetros Charitable Trust Elisha-Bolton Foundation Fisher-Renkert Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation Funding Arts Network (Miami) The Helen Wade Greene Charitable Trust The Hankins Foundation The Muna and Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Kangesser Foundation The Kridler Family Fund of The Columbus Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation Miami-Dade County Department of Cultural Affairs (Miami) Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation Jean C. Schroeder Foundation Kenneth W. Scott Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The Taylor-Winfield Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

Foundation/Government Annual Support

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of December 20, 2012 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland)

Daniel R. and Jan R. Lewis (Miami) INDIVIDUAL GIFTS OF $200,000 TO $499,999

$5 MILLION TO $10 MILLION

Irma and Norman Braman (Miami) Francie and David Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) Ms. Ginger Warner (Cleveland, Miami)

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin Mr. and Mrs. Albert B. Ratner

INDIVIDUAL GIFTS OF $100,000 TO $199,999

$1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. and Mrs. Francis J. Callahan Mrs. Anne M. Clapp Mr. George Gund III Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Anonymous (2) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of December 2012.

Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Peter B. Lewis and Janet Rosel (Miami) Mr.* and Mrs. Herbert McBride Mr. and Mrs. Albert B. Ratner Janet and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. and Mrs. Douglas A. Kern The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz James D. Ireland III Mr. and Mrs. Dennis W. LaBarre R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis Ms. Beth E. Mooney James and Donna Reid Barbara S. Robinson Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous

Individual Annual Support

The Cleveland Orchestra

INDIVIDUAL GIFTS OF $30,000 TO $49,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad Do Unto Others Trust (Miami) Mr. and Mrs. Geoffrey Gund George Gund Trevor and Jennie Jones Elizabeth B. Juliano (Cleveland, Miami) Giuliana C. and John D. Koch Foundation (Cleveland, Miami) Dr. Vilma L. Kohn Mr. and Mrs. S. Lee Kohrman Charlotte R. Kramer Ms. Nancy W. McCann Sally S. and John C. Morley Julia and Larry Pollock Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner Luci and Ralph* Schey Mary M. Spencer (Miami) Mr. and Mrs. Franz Welser-Möst

INDIVIDUAL GIFTS OF $15,000 TO $19,999

Randall and Virginia Barbato Jayusia and Alan Bernstein (Miami) Scott Chaikin and Mary Beth Cooper Mr. and Mrs. Peter O. Dahlen George* and Becky Dunn listings continue

Crescendo

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair

INDIVIDUAL GIFTS OF $25,000 TO $29,999

Dr. and Mrs. Hiroyuki Fujita Junior Committee of The Cleveland Orchestra David and Jan Leshner Mr. and Mrs. Jon A. Lindseth Mr. and Mrs. Edward A. Lozick Margaret Fulton-Mueller Mrs. Jane B. Nord Mr. and Mrs. James A. Ratner Hewitt and Paula Shaw Richard and Nancy Sneed (Cleveland, Miami) Paul and Suzanne Westlake INDIVIDUAL GIFTS OF $20,000 TO $24,999

Gay Cull Addicott Mr. and Mrs. William W. Baker Jill and Paul Clark Bruce and Beth Dyer Esther L. and Alfred M. Eich, Jr. Dr. Edward S. Godleski Andrew and Judy Green Gary Hanson and Barbara Klante Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mrs. Marguerite B. Humphrey William J. and Katherine T. O’Neill

Severance Hall 2012-13

Dr. and Mrs. Ronald J. Ross Steven and Ellen Ross Mr. and Mrs. James A. Saks Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Dr. and Mrs. Neil Sethi R. Thomas and Meg Harris Stanton Mr. and Mrs. Donald Stelling (Europe) Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) Women’s Committee of The Cleveland Orchestra Anonymous gift from Switzerland (Europe) Anonymous

Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson

Jack Harley Iris Harvie Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, educational activities, and community projects. The Crescendo Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Hayden Howland, Manager of Leadership Giving, by calling 216-231-7545.

Individual Annual Support

THE CLEVELAN D ORCHESTRA

Leadership Council The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

listings continued

Colleen and Richard Fain (Miami) Jeffrey and Susan Feldman Mr. Allen H. Ford Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) Tati and Ezra Katz (Miami) Jonathan and Tina Kislak (Miami) Robert M. Maloney and Laura Goyanes Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Miba AG (Europe) Lucia S. Nash Mr. Gary A. Oatey Brian and Patricia Ratner David and Harriet Simon Mr. Joseph F. Tetlak Rick, Margarita and Steven Tonkinson (Miami) LNE Group â&#x20AC;&#x201C; Lee Weingart (Europe) Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. David J. Carpenter Judith and George W. Diehl Joyce and Ab* Glickman Mr. and Mrs. Jeffrey Healy Mrs. David Seidenfeld Mr. and Mrs. Alfred Umdasch (Europe) INDIVIDUAL GIFTS OF $10,000 TO $12,499

Mr. and Mrs. George N. Aronoff Marsha and Brian Bilzin (Miami) Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. D. McGregor Brandt, Jr. Augustine* and Grace Caliguire Mr. and Mrs. R. Bruce Campbell Richard J. and Joanne Clark Martha and Bruce Clinton (Miami) Mr. and Mrs. William E. Conway Mrs. Barbara Cook Bruce Coppock and Lucia P. May (Miami) Mr. and Mrs. Matthew V. Crawford Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami)

Dr. and Mrs. Lloyd H. Ellis Jr. Ms. Dawn M. Full Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Robert K. Gudbranson and Joon-Li Kim Jeffrey and Stacie Halpern Sondra and Steve Hardis David and Nancy Hooker Joan and Leonard Horvitz Mr. and Mrs. Christopher Hyland Mr. and Mrs. Donald M. Jack, Jr. Allan V. Johnson Janet and Gerald Kelfer (Miami) Mrs. Elizabeth R. Koch Tim and Linda Koelz Mr. and Mrs. Richard A. Manuel Mr. and Mrs. Stanley A. Meisel Edith and Ted* Miller Mrs. Sydell L. Miller The Estate of Walter N. Mirapaul Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. and Mrs. William M. Osborne, Jr. Mr. and Mrs. George M. Rose Mr. and Mrs. David A. Ruckman Mr. Larry J. Santon Dr. E. Karl and Lisa Schneider Rachel R. Schneider Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Steven Spilman Lois and Tom Stauffer Mrs. Blythe Sundberg Dr. Russell A. Trusso Tom and Shirley Waltermire The Wells Family Foundation, Inc. Sandy and Ted Wiese Anonymous INDIVIDUAL GIFTS OF $7,500 TO $9,999

Laurel Blossom Dr. and Mrs. Jerald S. Brodkey Dr. Thomas Brugger and Dr. Sandra Russ Ellen E. & Victor J. Cohn Supporting Foundation Mr. Owen Colligan Mr. and Mrs. Edward B. Davis Henry and Mary Doll Nancy and Richard Dotson Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Amy and Stephen Hoffman Pamela and Scott Isquick Joela Jones and Richard Weiss Judith and Morton Q. Levin Mr. Jeff Litwiller Mr. and Mrs.* Robert P. Madison Mrs. Robert H. Martindale Mr. and Mrs. Thomas B. McGowan Mr. Donald W. Morrison Pannonius Foundation Douglas and Noreen Powers listings continue

Individual Annual Support

The Cleveland Orchestra

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The Center for Music & Medicine University Hospitals Center for Music and Medicine is proud to support The Cleveland Orchestra.

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Severance Hall 2012-13

THE CLEVELAN D ORCHESTRA listings continued

Rosskamm Family Trust Patricia J. Sawvel Carol* and Albert Schupp Dr. Gerard and Phyllis Seltzer Naomi G. and Edwin Z. Singer Family Fund Mrs. Gretchen D. Smith Mr. and Mrs. Donald W. Strang, Jr. Mrs. Marie S. Strawbridge Bruce and Virginia Taylor Anonymous (3) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Susan S. Angell Mr. and Mrs. Albert A. Augustus Mr. and Mrs. Dean Barry Mr. Jon Batchelor (Miami) Fred G. and Mary W. Behm Drs. Nathan A. and Sosamma J. Berger Mr. William Berger Dr.* and Mrs.* Norman E. Berman Dr. and Mrs. Eugene H. Blackstone Paul and Marilyn* Brentlinger Mr. Robert W. Briggs Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William & Dottie Clark Mrs. Lester E. Coleman Mr. and Mrs. Gerald A. Conway Corinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph Daugstrup Mrs. Barbara Ann Davis Ms. Nancy J. Davis (Miami) Mr. and Mrs. Thomas S. Davis Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Joy E. Garapic Mr. David J. Golden Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Harry and Joyce Graham Mr. Paul Greig David and Robin Gunning Clark Harvey and Holly Selvaggi In memory of Philip J. Hastings Henry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller T. K. and Faye A. Heston Bob and Edith Hudson (Miami) Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Rudolf D. and Joan T. Kamper Andrew and Katherine Kartalis Milton and Donna* Katz Dr. and Mrs. William S. Kiser Mrs. Justin Krent

Mr. James and Mrs. Patricia Krohngold Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. David C. Lamb Shirley and William Lehman (Miami) Mr.* and Mrs. Leo Leiden Larry and Christine Levey Mr. and Mrs. Adam Lewis (Miami) Mrs. Emma S. Lincoln Heather and Irwin Lowenstein Mr. and Mrs. Alex Machaskee Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Claudia Metz and Thomas Woodworth Drs. Terry E. and Sara S. Miller Mr. and Mrs. William A. Mitchell Ann Jones Morgan Robert Moss (Miami) Mr. Raymond M. Murphy Mr. and Mrs. Stephen E. Myers Mr. and Mrs. Herbert Newman Richard and Kathleen Nord Mr. Henry Ott-Hansen Mr. J. William and Dr. Suzanne Palmer Claudia and Steven Perles (Miami) Nan and Bob Pfeifer Dr. and Mrs. John N. Posch Lois S.* and Stanley M. Proctor Ms. Rosella Puskas Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Ms. Deborah Read Paul A. and Anastacia L. Rose Dr. Tom D. Rose Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter David M. and Betty Schneider Linda B. Schneider Larry and Sally Sears Mr. Eric Sellen and Mr. Ron Seidman Mrs. Frances G. Shoolroy Marjorie B. Shorrock Laura and Alvin A. Siegal David Kane Smith Jim and Myrna Spira George and Mary Stark Charles B. and Rosalyn Stuzin (Miami) Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins Dr. and Mrs. Leslie T. Webster, Jr. Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Charles Winans Anonymous (6)

listings continue

Individual Annual Support

The Cleveland Orchestra

Severance Hall 2012-13

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $3,500 TO $4,999

Dr. and Mrs. D. P. Agamanolis Mr. and Mrs. Robert H. Baker Ms. Delphine Barrett Mrs. Joanne M. Bearss Mr. and Mrs. Jules Belkin Dr. Ronald and Diane Bell Suzanne and Jim Blaser Dr. Ben H. and Julia Brouhard Dr. and Mrs. William E. Cappaert Ms. Mary E. Chilcote Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier Marjorie Dickard Comella Pete and Margaret Dobbins Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry Peggy and David* Fullmer Mrs. Joan Getz (Miami) Robert N. and Nicki N. Gudbranson Mr. Robert D. Hart Matthew D. Healy and Richard S. Agnes Hazel Helgesen and Gary D. Helgesen Ms. Rosina Horvath

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Helen and Erik Jensen Dr. Gilles and Mrs. Malvina Klopman Dr. James and Mrs. Margaret Kreiner Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne* Lugibihl Elsie and Byron Lutman Joel and Mary Ann Makee Martin and Lois Marcus Susan and Reimer Mellin Dr.* and Mrs. Hermann Menges, Jr. Dr. Susan M. Merzweiler Mr. and Mrs. Peter R. Osenar Mrs. Ingrid Petrus Mr. and Mrs. John S. Piety Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak William and Gwen Preucil

Dr. Robert W. Reynolds Mrs. Charles Ritchie Amy and Ken Rogat Fred Rzepka and Anne Rzepka Family Foundation Bob and Ellie Scheuer Ms. Freda Seavert Charles Seitz (Miami) Ginger and Larry Shane Mr. Richard Shirey Dr. Marvin and Mimi Sobel Mr. and Mrs. William E. Spatz Howard Stark M.D. and Rene Rodriguez (Miami) Mrs. Barbara Stiefel (Miami) Dr. Elizabeth Swenson Mr. and Mrs. Leonard K. Tower Robert and Marti Vagi Mr. and Mrs. Mark Allen Weigand Mr. Peter and Mrs. Laurie Weinberger Robert C. Weppler Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox

Dr. Dale and Susan Cowan Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis Mrs. Lois Joan Davis Dr. Sharon DiLauro-Petrus Dr. and Mrs. Richard C. Distad Ms. Maureen A. Doerner and Mr. Geoffrey T. White Mr. George and Mrs. Beth Downes Ms. Mary Lynn Durham George* and Mary Eaton David and Margaret Ewart Harry and Ann Farmer Carl and Amy Fischer Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Randall and Mrs. Patrice Fortin Mr. Monte Friedkin (Miami) Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Richard L. Furry Jeanne Gallagher Barbara and Peter Galvin Mrs. Georgia T. Garner Barbara P. Geismer* Mr. Wilbert C. Geiss, Sr. Dr. Kevin and Angela Geraci Anne and Walter Ginn Mr. and Mrs. David Goldberg Mr. and Mrs. David A. Goldfinger Dr. and Mrs. Ronald L. Gould Mr. and Mrs. Robert T. Graf Nancy Green (Miami) Mr. and Mrs. Brent R. Grover

The Thomas J. and Judith Fay Gruber Charitable Foundation Nancy and James Grunzweig Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. George B. P. Haskell Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Mr. and Mrs. Edmond H. Hohertz Thomas and Mary Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Mark and Ruth Houck (Miami) Dr. Randal N. Huff and Ms. Paulette Beech Ms. Charlotte L. Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Dr. Michael and Mrs. Deborah Joyce Barbara and Michael J. Kaplan Dr. and Mrs. Richard S. Kaufman Rev. William C. Keene Mr. Karl W. Keller Elizabeth Kelley Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Mr. James Kish Natalie Kittredge Fred and Judith Klotzman Ellen Brad and Bart Kovac

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Ms. Nancy A. Adams Stanley I. and Hope S. Adelstein Norman and Rosalyn Adler Family Philanthropic Fund Mr. Gerald O. Allen Norman and Helen Allison Mr. and Mrs. Robert J. Amsdell Rev. Dr. and Mrs. Kenneth J. Anderson Mr. and Mrs. Jeffrey R. Appelbaum Mr. and Mrs. Stanley H. Arkin (Miami) Geraldine and Joseph Babin Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Julia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill and Zeda Blau Mr. Doug Bletcher Mr. and Mrs. Dennis A. Block John and Anne Bourassa Lisa and Ron Boyko Mrs. Ezra Bryan J. C. and Helen Rankin Butler Ms. Mary R. Bynum and Mr. J. Philip Calabrese Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Suzan Cheng Dr. and Mrs. Chris Chengelis Mr. and Mrs. Homer D. W. Chisholm Mr. and Mrs. Robert A. Clark Mr. and Mrs. Stanley Cohen (Miami) Mr. and Mrs. David J. Cook

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THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Dr. Ronald H. Krasney and Ms. Sherry* Latimer Mr. Donald N. Krosin Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. Israel Lapciuc Kenneth M. Lapine Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Jon E. Limbacher and Patricia J. Limbacher Isabelle and Sidney* Lobe Holly and Donald Loftus Martha Klein Lottman Mary Loud Marianne Luedeking (Miami) Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David and Elizabeth Marsh Mr. and Mrs.* Duane J. Marsh Mrs. Meredith T. Marshall Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Jim and Diana McCool William and Eleanor McCoy Ms. Nancy L. Meacham Mr. James E. Menger Stephen and Barbara Messner Mr. Stephen P. Metzler Mr. and Mrs. Roger Michelson (Miami) MindCrafted Systems Ms. Barbara A. Morrison Joan Katz Napoli and August Napoli Richard B. and Jane E. Nash Mr. David and Mrs. Judith Newell Mort and Milly Nyman (Miami) Richard and Jolene O’Callaghan

Nedra and Mark Oren (Miami) James P. Ostryniec (Miami) Mr. and Mrs. Robert D. Paddock Deborah and Zachary Paris Dr. Lewis and Janice B. Patterson Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dr. Marc and Mrs. Carol Pohl Mr. Richard and Mrs. Jenny Proeschel K. Pudelski Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Dr. Barbara Risius Carol Rolf and Steven Adler Dr. and Mrs. Michael Rosenberg (Miami) Michael and Roberta Rusek Dr. Harry S. and Rita K. Rzepka Nathan N. and Esther Rzepka Family Philanthropic Fund Bunnie Joan Sachs Family Foundation Dr. and Mrs. Martin I. Saltzman Ms. Patricia E. Say Mr. Paul H. Scarbrough Mr. James Schutte Dr. John Sedor and Ms. Geralyn Presti Lee G. and Jane Seidman Drs. Daniel and Ximena Sessler Harry and Ilene Shapiro Norine W. Sharp Dr. and Mrs. William C. Sheldon Dr. Howard* and Mrs. Judith Siegel Ms. Linda M. Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Mr. John C. Soper and Dr. Judith S. Brenneke Mr. John D. Specht Mr. and Mrs.* Lawrence E. Stewart Stroud Family Trust

Dr. Kenneth F. Swanson Mr. Taras G. Szmagala Jr. Mr. Nelson S. Talbott Ken and Martha Taylor Greg and Suzanne Thaxton Mr. Karl and Mrs. Carol Theil Parker D. Thomson Esq. (Miami) Mr. and Mrs. Robert J. Tomsich Mr. and Mrs. Lyman H. Treadway Steve and Christa Turnbull Miss Kathleen Turner Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Ricky and Sarit Warman – Papa John’s Pizza (Miami) Mr. and Mrs. Joseph F. Wasserbauer Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Eric* and Margaret Wayne Mr. and Mrs. Jerome A. Weinberger Mrs. Mary Wick Bole Dr. Paul R. and Mrs. Catherine Williams Dr. and Mr. Ann Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Rad and Patty Yates Fred and Marcia Zakrajsek Mr. Kal Zucker and Mrs. Mary Frances Haerr Anonymous (10)

member of the Leadership Council (see page 78)

* deceased

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Crescrendo Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestra’s Annual Report, which can be viewed online at CLEVELANDORCHESTRA .COM For information about how you can play a supporting role for The Cleveland Orchestra’s ongoing artistic excellence, education programs, and community partnerships, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

Individual Annual Support

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA R E C O R D I N G S great gift ideas

The Cleveland Orchestra’s catalog of recordings continues to grow. The newest DVD features Bruckner’s Eighth Symphony recorded live at Severance Hall under the direction of Music Director Franz Welser-Möst in 2010 and released in May 2011. And, released in 2012, Dvořák’s opera Rusalka on CD, recorded live at the Salzburg Festival. Writing of the Rusalka performances, the reviewer for London’s Sunday Times praised the performance as “the most spellbinding account of Dvořák’s miraculous score I have ever heard, either in the theatre or on record. . . . I doubt this music can be better played than by the Clevelanders, the most ‘European’ of the American orchestras, with wind and brass soloists to die for and a string sound of superlative warmth and sensitivity.” Other recordings released in recent years include two under the baton of Pierre Boulez and a third album of Mozart piano concertos with Mitsuko Uchida, whose first Cleveland Orchestra Mozart album won a Grammy Award in 2011. Visit the Cleveland Orchestra Store for the latest and best Cleveland Orchestra recordings and DVDs.

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Severance Hall 2012-13

11001 Euclid Avenue Cleveland, Ohio 44106

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the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

Severance Hall

The Cleveland Orchestra

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Severance Hall 2012-13

216-721-1800 ext. 124 216-721-4300 89

THE CLEVELAND C O N C E R T

C A L E N D A R

WINTER SEASON Thursday January 10 at 8:00 p.m. Friday January 11 at 11:00 a.m.* Saturday January 12 at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Garrick Ohlsson, piano

TCHAIKOVSKY Piano Concerto No. 2 * SHOSTAKOVICH Symphony No. 10 Morning concert includes the concerto * Friday and selections from Smetana’s Má Vlast Sponsor: BakerHostetler

Thursday January 17 at 8:00 p.m. Saturday January 19 at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Joshua Bell, violin

WIDMANN Lied BARTÓK Dance Suite BEETHOVEN Violin Concerto Sponsor: Eaton Corporation

Friday January 18 at 7:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Joshua Bell, violin KEYBANK FRIDAYS@7

BEETHOVEN Violin Concerto BARTÓK Dance Suite Sponsor: KeyBank

Sunday January 20 at 7:00 p.m. THE CLEVELAND ORCHESTRA Tito Muñoz, conductor Adé Williams, violin Central State University Chorus Martin Luther King Jr. Celebration Chorus

MARTIN LUTHER KING JR. CELEBRATION CONCERT The Cleveland Orchestra’s 33rd annual concert celebrating the spirit of Dr. King’s life, leadership, and vision. Presented in collaboration with the City of Cleveland. TICKETS: Sold out, but listen to the concert live on radio stations WCLV (104.9) or WCPN (90.3). Sponsor: KeyBank

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts, visit www.clevelandorchestra.com.

Monday January 21 from noon to 5 p.m.

MARTIN LUTHER KING JR. COMMUNITY OPEN HOUSE Severance Hall joins in a city-wide celebration of Martin Luther King Jr’s life and achievements with a free public open house featuring musical performances by the Cleveland Orchestra Youth Orchestra, Cleveland Orchestra Youth Chorus, and groups from across Northeast Ohio. Watch clevelandorchestra.com for complete details.

Saturday February 9 at 8:00 p.m. Sunday February 10 at 3:00 p.m. THE CLEVELAND ORCHESTRA Gianandrea Noseda, conductor Massimo La Rosa, trombone

RACHMANINOFF The Isle of the Dead ROTA Trombone Concerto PROKOFIEV Symphony No. 6 Sponsor: FirstMerit Bank

Thursday February 14 at 8:00 p.m. Friday February 15 at 8:00 p.m. Saturday February 16 at 8:00 p.m. THE CLEVELAND ORCHESTRA Herbert Blomstedt, conductor Ellie Dehn, soprano Michael Kelly, baritone

NIELSEN Symphony No. 3 BEETHOVEN Symphony No. 7 Sponsor: Medical Mutual of Ohio

Thursday February 21 at 8:00 p.m. Friday February 22 at 11:00 a.m. Saturday February 23 at 8:00 p.m. Sunday February 24 at 3:00 p.m. THE CLEVELAND ORCHESTRA Herbert Blomstedt, conductor

MOZART Symphony No. 40 DVOŘÁK Symphony No. 9 (“From the New World”) Sponsor: Jones Day

Thursday February 28 at 8:00 p.m. Friday March 1 at 8:00 p.m. Saturday March 2 at 8:00 p.m. THE CLEVELAND ORCHESTRA Christoph von Dohnányi, conductor

HENZE Suite from The Bassarids MAHLER Symphony No. 1 (“Titan”) Sponsor: PNC

Concert Calendar

The Cleveland Orchestra

ORCHESTRA

1213 SEASON I N

T H E

S P O T L I G H T

Friday March 8 at 7:00 p.m. THE CLEVELAND ORCHESTRA Robert Franz, conductor with the Singing Angels FAMILY CONCERT

SYMPHONY UNDER THE SEA Submerge yourself in wet, watery, wonderful music featuring Disney’s beloved theme to The Little Mermaid, Handel’s Water Music, and much more! Come along as we go under the sea and let the waves of enchanting music wash over you as Severance Hall is transformed into an aquatic auditorium for a family evening to remember! Sponsor: The Giant Eagle Foundation

Sunday March 10 at 7:00 p.m. CLEVELAND ORCHESTRA YOUTH ORCHESTRA James Feddeck, conductor CLEVELAND ORCHESTRA YOUTH CHORUS Lisa Wong, director

TCHAIKOVSKY Symphony No. 5 BRAHMS Nänie HANSON Song of Democracy

SPRING SEASON Thursday March 21 at 8:00 p.m. Saturday March 23 at 8:00 p.m. THE CLEVELAND ORCHESTRA Pierre Boulez, conductor

MARTIN LUTHER KING JR. CELEBRATION CONCERT Sunday January 20 at 7:00 p.m.

RAVEL Mother Goose (complete ballet music) MAHLER Symphony No. 7 Friday March 22 at 10:00 a.m. Saturday March 23 at 10:00 a.m. Saturday March 23 at 11:00 a.m.

THE CLEVELAND ORCHESTRA Tito Muñoz, conductor Adé Williams, violin Central State University Chorus Martin Luther King Jr. Celebration Chorus

The Cleveland Orchestra’s 33rd annual concert celebrating the spirit of Dr. King’s life, leadership, and vision. Presented in collaboration with the City of Cleveland.

PNC MUSICAL RAINBOW

THE FABULOUS FLUTE 30-minute programs for ages 3 to 6.

TICKETS: Admission is free, but tickets are reThursday April 4 at 8:00 p.m. Friday April 5 at 8:00 p.m. Saturday April 6 at 8:00 p.m. THE CLEVELAND ORCHESTRA Mitsuko Uchida, piano and conductor

quired, and all tickets have been distributed. Listen to the concert live on WCLV (104.9) and WCPN (90.3) radio stations! Concert Sponsor: KeyBank

MOZART Piano Concerto No. 17 MOZART Divertimento in B-flat major MOZART Piano Concerto No. 25 Sponsor: Quality Electrodynamics

CLEVELAND ORCHESTRA TICKETS PHONE

216 - 231-1111 800-686-1141

clevelandorchestra.com Severance Hall 2012-13

Concert Calendar

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A NC E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting opentable.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall are being offered this season on October 14, November 25, February 10 and 24, and May 5 and 26. For additional information or to reserve you place for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Exclusive catering provided by Sammy’s. Premium dates are available. Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $14 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111. Parking can be purchased for the at-door price of $10 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2012-13

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K ET SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

At Severance Hall . . .

JOSHUA BELL PLAYS BEETHOVEN

CARMINA BURANA Thursday April 11 at 8:00 p.m. Friday April 12 at 8:00 p.m. Saturday April 13 at 8:00 p.m. Sunday April 14 at 3:00 p.m.

Thursday January 17 at 8:00 p.m. Friday January 18 at 7:00 p.m. Saturday January 19 at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Joshua Bell, violin

One of today’s great artists performs one of the greatest concertos ever written, Beethoven’s timeless Violin Concerto. Superstar violinist Joshua Bell has enchanted audiences worldwide with his breathtaking virtuosity and beautiful tone. Experience his artistry in concert with The Cleveland Orchestra at Severance Hall. Fridays@7 Sponsor: KeyBank KeyBank Fridays@7 World Music — Post-Concert: Pedrito Martinez Group

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Rebecca Nelsen, soprano Nicholas Phan, tenor Stephen Powell, baritone Cleveland Orchestra Chorus Cleveland Orchestra Children’s Chorus

Carl Orff’s joyous Carmina Burana bursts forth like a boisterous street festival — filled with great music, marvelous mayhem, and delightful merriment. This modern-day Canterbury Tales comes complete with lusty hymns to springtime, animated drinking songs, and a swan’s anguishingly ironic farewell to life (on a barbecue spit!). The concert also features the world premiere of a new work by Sean Shepherd. Sponsor: KeyBank

New!

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Severance Hall concerts.

TICKETS

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra

If you want to change

YOUR COMMUNITY, be that change.

Isabel Trautwein, Cleveland Orchestra First Violinist, Program Director, Dreamer & Doer, Local Hero. Longing to share the experience of making music with children who had never been to Severance Hall, Isabel launched a strings program at the Rainey Institute in the Hough neighborhood. Now thereâ&#x20AC;&#x2122;s a waiting list to learn how to play classical music. You, too, can play a part in creating lasting change within the Cleveland community by making a donation to the Cleveland Foundation â&#x20AC;&#x201D; dedicated to enhancing the lives of all Clevelanders now and for generations to come.

Support your passions. Give through the Cleveland Foundation. Please call our Advancement Team at 1.877.554.5054 ClevelandFoundation.org