The Cleveland Orchestra January 17-19 Concerts by Live Publishing

THE CLEVELAND ORCHESTRA

WINTER SEASON

F R ANZ WELSER-MÖST M U SIC DI R ECTOR

Music. Pure + Simple.

12 13 SEASON

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January 17, 18, 19 (including KeyBank Fridays@7) JOSHUA BELL PLAYS BEETHOVEN

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THIS WEEK THE

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1213 SEASON

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In the News Perspectives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Spotlight: Photo of the Week . . . . . . . . . . . . . . . . . 8 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com

About the Orchestra Musical Arts Association . . . . . . . . . . . . . . . . . . . . . Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . Education & Community . . . . . . . . . . . . . . . . . . . . Meet the Musicians . . . . . . . . . . . . . . . . . . . . . . . . . . Student Ticket Programs . . . . . . . . . . . . . . . . . . . . Severance Hall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . .

11 15 22 65 71 72 88 92

Concert — Week 11 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . Program: January 17,18,19 . . . . . . . . . . . . . . . . Introducing the Program . . . . . . . . . . . . . . . . . . . . KeyBank Fridays@7 . . . . . . . . . . . . . . . . . . . . . . . . . .

33 34 37 39

WIDMANN

Lied [song] . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 BARTÓK

Dance Suite . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 BEETHOVEN

Violin Concerto . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Conductor: Franz Welser-Most . . . . . . . . . . . . . . . Soloist: Joshua Bell . . . . . . . . . . . . . . . . . . . . . . . . . Fridays@7 Pre-Concert St@rters . . . . . . . . . . . . . . . Fridays@7 Post-Concert @fterparty . . . . . . . . . . .

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Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Corporate Annual Support . . . . . . . . . . . . . . . . . . . Foundation / Government Annual Support . . . Individual Annual Support . . . . . . . . . . . . . . . . . .

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members. Program book advertising is sold through Live Publishing Company at 216-721-1800

The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture. The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio. The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

50%

All unused books are recycled as part of the Orchestra’s regular business recycling program.

48 60 69 73 75 76

These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book is printed on paper that includes 50% recycled post-consumer content.

Table of Contents

The Cleveland Orchestra

Photo by Roger Mastroianni

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Perspectivesfrom the Executive Director January 2013 Welcome to Severance Hall and the first concerts of 2013! There is much good news to report about The Cleveland Orchestra’s ticket sales success in recent months and for the season as a whole. Continuing artistic success and significant programmatic changes have put the current 2012-13 Severance Hall season on track to achieve a new all-time record for ticket sales revenue. The months of November and December 2012 broke all previous records. More than 47,000 people purchased tickets for twenty-six performances, a 28% increase over the twenty-five concerts performed in the same months in 2011. This success was propelled by the most diversified programming we have ever offered, ranging from Classical, Celebrity, KeyBank Fridays@7, and Holiday Festival concerts, to The Nutcracker, Pink Martini, and Charlie Chaplin’s Modern Times accompanied by the Orchestra. Overall paid attendance filled 92% of the available seats and revenues totaled $2.8 million, an amazing 60% increase over last year. Sales are strong for the entire September-to-May season. As January begins, revenues are running 24% ahead of the same time last year and are on track to achieve an all-time record of $7.6 million. The previous record was set more than a decade ago. This season’s renaissance is a convincing sign that the public is responding to the Orchestra’s many changes. More people are attending more kinds of performances than ever before, and more new people — and young people — are entering the doors of Severance Hall to enjoy the Orchestra’s concerts each week. A surge of student attendees, attracted by diversified programs, special offers, and social media, has helped propel audience growth. The number of students attending Cleveland Orchestra concerts at Severance Hall so far this season has more than doubled over the same period a year ago. There are many people to acknowledge and thank for this turn-around. Dozens of sponsors and donors have generously funded the innovations behind these achievements. Every one of the institution’s employees, the extraordinary members of our Orchestra and our tireless staff, has risen to the challenge of implementing change — with our dedicated trustees leading the way. Finally, thousands of longtime and new patrons have become loyal supporters, venturing with us through the many changes in recent seasons. Thank you to all. And what’s still to come? In future seasons, we will pursue ever-greater artistic achievements under Franz’s inspiring leadership, alongside continuing innovation as we work to ensure that The Cleveland Orchestra remains relevant and valuable in our ever-changing community.

Gary Hanson Severance Hall 2012-13

CLEVELAND ORCHESTRA ARCHIVES

PHOTO OF THE WEEK follow the Orchestra on Facebook for weekly historic photos from the archives

MARTIN LUTHER KING JR. CELEBRATION. The Cleveland Orchestra’s Annual Martin Luther King Jr. Celebration Concert fills the stage with performers, featuring the volunteer Celebration Chorus assembled and prepared especially for this event. This year’s soldout concert on January 20 is the Orchestra’s 33nd annual presentation in honor of Dr. Martin Luther King’s life and legacy.

of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement. The partnership with Franz Welser-Möst, now in its eleventh season — and with a commitment to the Orchestra’s centennial in 2018 — has moved the ensemble forward with a series of new and ongoing initiatives, including: UNDER THE LEADERSHIP

the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base, including an ongoing residency at the Vienna Musikverein (the first of its kind by an American orchestra); expansion of education and community programs in Northeast Ohio to make music an integral and regular part of everyday life for more people; the 2012-13 season includes the launch of an annual Neighborhood Residency pro-

About the Orchestra

The Cleveland Orchestra

gram that will bring The Cleveland Orchestra to neighborhoods across the region for an intensive week of special activities and performances. First stop is the Gordon Square Arts District in Cleveland’s Detroit/Shoreway neighborhood in May 2013; an ongoing residency in Florida, under the name Cleveland Orchestra Miami, involving an annual series of concerts and community activities, coupled with an expansive set of educational presentations and collaborations (based on successful educational programs pioneered at home in Cleveland); creative new artistic collaborations, including staged works and chamber music performances, with arts institutions in Northeast Ohio and in Miami; an array of new concert offerings (including Fridays@7 and Celebrity Series at Severance Hall as well as movie, themed, and family presentations at Blossom) to make a wider variety of concerts more available and affordable; concert tours from coast to coast in the United States, including annual appearances at Carnegie Hall; regular concert tours to Europe and Asia; ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of DVD concert presentations of symphonies by Anton Bruckner; a concentrated and ongoing effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media offers and promotion, and student ticket programs; continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and in the Miami-Dade community; additional new residencies at Indiana University and at New York’s Lincoln Center Festival; the return of ballet as a regular part of the Orchestra’s presentations, featuring performances by The Joffrey Ballet; the 2012-13 season featured the Orchestra’s first fully staged performances of Tchaikovsky’s The Nutcracker. The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening in 1931 of Severance Hall as the Orchestra’s home brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States. Severance Hall 2012-13

The Orchestra Today

Pediatric emergency care is right in your neighborhood. Available 24/7 at six locations. You’re now closer than ever to emergency services designed speciﬁcally for babies and children with kid-focused physicians, nurses and support staff and backed by University Hospitals Rainbow Babies & Children’s Hospital – the most trusted name in children’s health care – as well as the region’s only Level I Pediatric Trauma Center, if a higher level of care is required. All in six convenient locations with staff dedicated to getting you and your family the care you need as quickly as possible.

Marcy R. Marcy R.Horvitz HorvitzPediatric Pediatric Emergency Center Emergency Centeratat UH Rainbow && UH RainbowBabies Babies Children’s Hospital Children’s Hospital 11100 Euclid Avenue, 11100 Euclid Avenue, Cleveland Cleveland Marcy R. Horvitz Pediatric

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T H E M U S I C AL AR TS ASSOCIATION

as of December 2012

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair Raymond T. Sawyer, Secretary Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Terrance C. Z. Egger Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland

James D. Ireland III Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill

The Honorable John D. Ong Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Neil Sethi Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Thomas A. Waltermire Geraldine B. Warner Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) George Gund III (CA) Loren W. Hershey (DC)

Herbert Kloiber (Germany) Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFIC IO Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Beth Schreibman Gehring, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, State Chair, Blossom Women’s Committee TR U S TE E S E M ERIT I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Allen H. Ford Gay Cull Addicott Robert W. Gillespie Francis J. Callahan Dorothy Humel Hovorka Mrs. Webb Chamberlain Robert F. Meyerson Oliver F. Emerson Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2012-13

Gary Hanson, Executive Director

Musical Arts Association

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

P H OTO BY D O N S N Y D E R

T H E 2 0 1 2 - 1 3 S E A S O N marks Franz Welser-Möst’s eleventh year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is enlarging and enhancing its community programming at home, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst became general music director of the Vienna State Opera in September 2010. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. The initiative continues and expands upon Mr. Welser-Möst’s active participation in community concerts and educational programs, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories and universities across Northeast Ohio. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a new biennial residency at New York’s Lincoln Center Festival. To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction. Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, and Sean Shepherd. Franz Welser-Möst has led a series of opera performances during his tenure

Severance Hall 2012-13

Music Director

in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director SvenEric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 2012-13 season, his Vienna performances include Wagner’s Parsifal, Strauss’s Arabella and Ariadne auf Naxos, Puccini’s La Bohème, and Berg’s Wozzeck. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at the Lucerne Festival and Salzburg Festival, in Tokyo, and in concert at La Scala Milan, as well as leading the Philharmonic’s 2011 New Year’s Day concert, viewed by telecast in seventy countries worldwide; he conducted the New Year’s Day concert again at the start of 2013 and also leads the Philharmonic in a series of concerts at New York’s Carnegie Hall in March 2013. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions and numerous revivals. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of Bruckner symphonies, presented in three accoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

Music Director

The Cleveland Orchestra

THE CLEVELAND ORCHESTRA Franz Welser-Möst MUSIC DIREC TOR

“The Cleveland Orchestra proved that they are still one of the world’s great musical beasts. With Franz Welser-Möst conducting, this music . . . reverberated in the souls of the audience.” —Wall Street Journal

—The Guardian (London)

P H OTO BY R O G E R M A S T R O I A N N I

“Cleveland’s reputation as one of the world’s great ensembles is richly deserved.”

CUYAHOGA ARTS & CULTURE IS PROUD TO SUPPORT APOLLO'S FIRE t BAYARTS t BECK CENTER FOR THE ARTS t CHAGRIN VALLEY LITTLE THEATRE t CLEVELAND BOTANICAL GARDEN t CLEVELAND INTERNATIONAL FILM FESTIVAL t CLEVELAND JAZZ ORCHESTRA t CLEVELAND MUSEUM OF ART t CLEVELAND MUSEUM OF NATURAL HISTORY t THE CLEVELAND ORCHESTRA t CLEVELAND PLAY HOUSE t CLEVELAND PUBLIC THEATRE t DANCECLEVELAND t GREAT LAKES SCIENCE CENTER t GREAT LAKES THEATER t GROUNDWORKS DANCETHEATER t HEIGHTS YOUTH THEATRE t IDEASTREAM t KARAMU

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Severance Hall 2012-13

Franz Welser-MĂśst and The Cleveland Orchestra, performing Brucknerâ&#x20AC;&#x2122;s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST M U S I C D I R E C TO R Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Alexandra Preucil Katherine Bormann Ying Fu

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas

James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

12 13 O R C H E S T R A FLUTES Joshua Smith * Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2 Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

William Hestand Barrick Stees 2 Sandra L. Haslinger Chair

Jonathan Sherwin

HORNS Richard King * George Szell Memorial Chair

Michael Mayhew § Knight Foundation Chair

Jesse McCormick Hans Clebsch Alan DeMattia TRUMPETS Michael Sachs * Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller

PERCUSSION Jacob Nissly * Margaret Allen Ireland Chair

Donald Miller Tom Freer Marc Damoulakis KEYBOARD INSTRUMENTS Joela Jones * Rudolf Serkin Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Donald Miller ORCHESTRA PERSONNEL Carol Lee Iott DIRECTOR

Karyn Garvin MANAGER

TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Richard Stout Alexander and Marianna C. McAfee Chair

Shachar Israel 2 BASS TROMBONE Thomas Klaber EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

ENDOWED CHAIRS CURRENTLY UNOCCUPIED Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair Sidney and Doris Dworkin Chair Sunshine Chair

* Principal § 1 2

Associate Principal First Assistant Principal Assistant Principal

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

James Feddeck

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

CONTRABASSOON Jonathan Sherwin

Severance Hall 2012-13

SEASON

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

The Orchestra

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OrchestraNews 2013 New Year’s Day concert with Franz Welser-Möst and Vienna Philharmonic recordings now available

At the end of November, Franz WelserMöst delivered an impassioned keynote address on the importance of supporting and expanding a vibrant, multi-national cultural life in modern society during a gala celebrating the Bicentennial of Vienna’s famed concert hall, the Musikverein. The event was held in the Brahmssaal of the Musikverein and also featured remarks from Austria’s president, minister of culture, and culture secretary, along with the Musikverein’s president and intendant. The event was held prior to a concert conducted by Nikolaus Harnoncourt. Welser-Möst’s speech addressed fundamental questions about how to champion and renew culture in a world that too often marginalizes these essential elements in favor of maintaining health and welfare. “Cultivation, which must be one of the foundations of any society, requires creativity,” said Welser-Möst. “We must give this more thought, to formulate new dreams and set new goals — to aim for the impossible, both for ourselves and for coming generations, and to perhaps come just a bit closer to precisely that which we will never achieve. Any person who wants to accomplish something special does precisely this, by declaring the impossible to be the goal.”

Cleveland Orchestra News

THE CLEVELAND ORC

Severance Hall 2012-13

Welser-Möst advocates for art and culture with keynote address in Vienna

THE CLEVELAND ORCHESTRA

Sony Classical has announced the release of the newest edition of one of the world’s most famous classical music events — the Vienna Philharmonic’s annual New Year’s Concert from 2013. Franz Welser-Möst returned to direct the 2013 concert following the success of his debut in 2011. The live recording became available on January 4, exclusively at Arkiv Music and via Amazon.com’s CreateSpace’s Disc on Demand service as a CD, or as a download through all major digital service providers. The CD version is being released to other retailers on January 22, with the DVD version following in February. The New Year’s Concert of the Vienna Philharmonic is firmly established as one of the longest-standing and most prestigious music events worldwide. In its history of more than seven decades, the concert has been led by many of the most famous conductors and experienced by millions of people via television broadcasts in over 70 countries. In announcing the recordings, Clemens Hellsberg, chairman of the Vienna Philharmonic, emphasized the plaudits that Franz Welser-Möst earned for this event in 2011 and his close association with the musical life of Vienna as general music director of the State Opera, making made him a natural choice to encore his role for New Year’s. For seven decades, the Vienna Philharmonic has presented this entertaining and heartfelt annual New Year’s program, featuring music from across the wide repertoire created by the Johann Strauss family dynasty and their contemporaries. The proven formula blends well-known classics with premieres of works that have never been performed before at the New Year’s Concert. This year’s program included eleven premieres (more than ever before) and also paid tribute to Wagner and Verdi, looking to the bicentennials this spring of their births.

‘‘

All labor that uplifts humanity has dignity and importance and should be undertaken with painstaking excellence.

‘‘

—Martin Luther King Jr.

OrchestraNews Martin Luther King Jr. celebrated in concert on January 20 and with Open House on January 21

Cleveland Orchestra joins in national food drive January 19-21 The Cleveland Orchestra is holding a food drive January 19-21 to collect goods to be donated to the Cleveland Foodbank. The event is part of Orchestras Feeding America, a national food drive held by Americaâ&#x20AC;&#x2122;s symphony orchestras. First started in 2009, this project has involved over 250 orchestras from across the nation, who have together collected over 400,000 pounds of food for their communities. The project was the single largest orchestra project organized at a national level, uniting musicians, audiences, staff, and volunteers to help alleviate hunger. Unexpired food donations will be collected at Severance Hall during the Martin Luther King weekend, Saturday through Monday, January 19-21. Food items will be collected at Cleveland Orchestra concerts on Saturday and Sunday evenings, and throughout the Martin Luther King Jr. Community Open House on Monday afternoon.

THE CLEVELAND ORCHESTRA

2013

THE CLEVELAND ORCHESTRA

On Sunday, January 20, The Cleveland Orchestra performs its 33rd annual concert celebrating the spirit of Dr. Kingâ&#x20AC;&#x2122;s life, leadership, and vision in music, song, and community recognition. Free tickets for this event have all be distributed. The concert will be broadcast live over radio stations WCLV (104.9 FM) and WCPN (90.3 FM). The next day, Monday, January 21, Severance Hall holds its twelfth annual Martin Luther King Jr. Day Community Open House from 12 noon to 5 p.m. The day of free activities and performances celebrates the legacy of Dr. King and features performances by a variety of Northeast Ohio community performing arts groups, including the Cleveland Orchestra Youth Orchestra and Youth Chorus. For complete details, visit clevelandorchestra.com.

HE CLEVELAND ORCHESTRA HESTR

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The Cleveland Orchestra

OrchestraNews Welcome to new musician

F.A.M.I.L.Y N.E.W.S

Severance Hall 2012-13

Richard Solis Horn The Cleveland Orchestra

Richard Solis retired from his position as fourth horn of The Cleveland Orchestra at the end of December. Born in Brooklyn, New York, and raised in Las Vegas, Nevada, he earned a bachelor of music degree from the Cleveland Institute of Music, where he studied with Myron Bloom, former principal horn of the Orchestra. Mr. Solis spent five summers in residence at the Marlboro Festival in Vermont, participating in performances and recordings. He served as principal horn of the Casals Festival, 1976-78. Richard Solis joined The Cleveland Orchestra in 1971 and served as principal horn 1977-95, during which time he performed as principal horn on more than 100 Cleveland Orchestra recordings. Mr. Solis is a former artist-in-residence at the University of Delaware. He is currently the head of the horn department at the Cleveland Institute of Music, and is looking forward to continuing his teaching work there. In retirement, he also plans to focus on one of his favorite pastimes, playing jazz French horn. And he will spend more time at his home in Las Vegas.

Cleveland Orchestra News

THE CLEVELAND OR-

Please join in extending congratulations and warm wishes to: Elayna Duitman (violin) and Zeger Verhage, whose baby daughter, Tessa Joy Verhage, was born on December 18. Robert Walters (english horn) and Grace Chin, whose baby daughter, Kira Bridge Walters, was born on November 26. Robert Woolfrey (clarinet) and Tanya Ell (cello), who were married on September 8.

Hornplayer Richard Solis stepped into retirement at the end of December, after serving as a member of The Cleveland Orchestra for forty-one seasons. Please join in extending heartfelt thanks and congratulations to Richard.

THE CLEVELAND ORCHESTRA

Hail and Farewell

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra welcomes William Hestand, who began playing as a member of the Orchestra in November. In the position of second bassoon, he succeeds Phillip Austin, who joined the Orchestra in 1981 and retired in August 2011. Mr. Hestand has previously served as principal bassoon of the Brooklyn Philharmonic and second bassoon of the Lancaster Festival Orchestra. He has also performed with the New York Philharmonic, New York City Ballet, Orchestra of St. Lukeâ&#x20AC;&#x2122;s, American Composers Orchestra, and the Albany Symphony Orchestra. Born in Columbus, Ohio, William Hestand holds bachelor of music and master of orchestral performance degrees from the Manhattan School of Music and pursued graduate studies at the Conservatory of Amsterdam in the Netherlands. A former student of Cleveland Orchestra assistant principal bassoon Barrick Stees, he also studied with Kim Laskowski, Patricia Rogers, and Jos de Lange. Mr. Hestand has performed in solo recitals at the Bachzaal in Amsterdam and Pforzheimer Recital Hall in New York City and in chamber music concerts at Carnegie Hall and at the American Embassy in the Dominican Republic.

T HE CLEVELAND ORCHESTRA CHESTR

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OrchestraNews Family Concert series continues in spring with “Symphony Under the Sea” after Spooktacular start

CLEVELAND ORCHESTRA

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra’s season of Family Concerts began with a fun-filled program in late October with “Halloween Spooktacular III.” The series continues in 2013 with “Symphony Under the Sea” on Friday evening, March 8, led by conductor Robert Franz — including favorite musical numbers from Disney’s Little Mermaid. The series closes with “Fables, Fantasies, & Folklore” on Sunday afternoon, May 12, led by conductor Michael Butterman — in an exploration of music storytelling and fun. Intended for children ages 7 and older, the series is designed to introduce young people to classical music. The Halloween program included favorite musical hits and also featured a costume contest for audience members. The Orchestra musicians onstage also got into the “spirit” of the occasion with many theme-related outfits. In addition to each one-hour Orchestra concert, the Family Concert Series features free, pre-concert activities, including an “Instrument Discovery” in which children can try playing various instruments. For complete details about the spring concerts, visit clevelandorchestra.com.

Meet the Artist luncheons continue with Michael Sachs and Massimo La Rosa The Meet the Artist Series, presented each year by the Women’s Committee of The Cleveland Orchestra, continues with a Friday luncheon on February 8. Cleveland Orchestra principal trumpet Michael Sachs and principal trombone Massimo La Rosa are the featured guests. For the program, Orchestra general manager Gary Ginstling will moderate a discussion with Sachs and La Rosa; a short performance will also be included. The February 8 event takes place at the Country Club (2825 Lander Road, Pepper Pike). A reception at 11:30 a.m. and luncheon precede the program. Tickets are $35 per person, and can be reserved by calling the Severance Hall Ticket Office at 216-231-1111.

Committed to Accessibility Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216-231-7425.

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216.791.8000 www.benrose.org A leader in service, research, and advocacy for older adults 30

Cleveland Orchestra News

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OrchestraNews Cleveland Orchestra returns to Indiana University for residency with Joshua Bell

I.N M.E.M.O.R.I.A.M The Cleveland Orchestra notes the death on January 10 of retired Orchestra violinist Gino Raffaelli at the age of 87. Raised in southwest Chicago, he auditioned for George Szell and joined the Orchestra in 1957 and played for 44 years until his retirement in 2001. During his years with The Cleveland Orchestra, he helped found the International Conference of Symphony and Opera Musicians (ICSOM) and served as the labor group’s first treasurer. He was also a founding member of Performers and Artists for Nuclear Disarmament (PAND), and helped that organization raise funds and awareness through many local performances. An avid chamber musician, he served for many years as concertmaster of the Heights Chamber Orchestra. Our thoughts and condolences are extended to Gino’s daughter, Giovanna, and family.

THE CLEVELAND ORCHEST

The Cleveland Orchestra returns to Indiana University next week for its second residency at the institution’s Jacobs School of Music, January 22-24. The centerpiece of the residency is a concert performance on Wednesday, January 23 led by music director Franz Welser-Möst and featuring IU alumnus and Jacobs School faculty member Joshua Bell as guest soloist in Beethoven’s Violin Concerto. During the residency, IU students will have the opportunity to participate in rehearsals with the Orchestra, attend rehearsals and performances, and participate in events with the Orchestra’s musicians. IU students will rehearse side-by-side with the Orchestra, and principal players of the Orchestra will teach repertoire classes for strings, brass, percussion, and keyboard, open to all students.

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The Wagner Society of Ohio presents Symposium V “The Wagnerian Singer” with renowned soprano Jane Eaglen at Walsh University, North Canton, OH April 19 to 21, 2013 2012 For information contact fjgibbs@gmail.com or visit the WSO site www.wagnersocietyohio.com to register

Severance Hall 2012-13

Cleveland Orchestra News

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12 13

LEARNING MORE ABOUT THE MUSIC

4&"40/

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives. Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka. January 17 and 19 “Song and Dance” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

February 9 and 10 “Seeing Music: Cinematic Visions for the Concert Stage” with Meaghan Heinrich, learning programs and community engagement consultant with The Cleveland Orchestra

February 14, 15, 16 “Symphonic Expressions” with Rabbi Roger Klein, The Temple – Tifereth Israel

February 21, 22, 23, 24 “Famous Last Words” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

February 28, March 1, 2 “Titans and Other Heroes” with Michael Strasser, professor of musicology, Baldwin Wallace University Conservatory of Music For Concert Preview details, visit clevelandorchestra.com

Severance Hall 2012-13

Concert Previews

T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ö ST M U S I C

D I R E C T O R

Severance Hall

Thursday evening, January 17, 2013, at 8:00 p.m. Saturday evening, January 19, 2013, at 8:00 p.m.

Franz Welser-Möst, conductor jörg widmann

Lied [Song] (for orchestra)

béla bartók

Dance Suite

(b. 1973)

(1881-1945)

1. 2. 3. 4. 5. 6.

Moderato — Allegro molto — Allegro vivace — Molto tranquillo — Comodo — Finale: Allegro

INTERMISSION

ludwig van beethoven (1770-1827)

Violin Concerto in D major, Opus 61 1. Allegro ma non troppo 2. Larghetto 3. Rondo: Allegro JOSHUA BELL, violin

These concerts are sponsored by Eaton Corporation, a Cleveland Orchestra Partner in Excellence. Joshua Bell’s appearance with The Cleveland Orchestra this week is made possible by a contribution to the Orchestra’s Guest Artist Fund from Dr. and Mrs. Sam I. Sato. The Saturday evening concert is dedicated to Mr. and Mrs. Albert B. Ratner in recognition of their extraordinary generosity in support of The Cleveland Orchestra’s 2011-12 Annual Fund. The concerts will end at approximately 10:00 p.m.

Concert Program — Week 11

The Cleveland Orchestra

12 13

Friday evening, January 18, 2013, at 7:00 p.m.

Franz Welser-Möst, conductor ludwig van beethoven (1770-1827)

SEASON

Violin Concerto in D major, Opus 61 1. Allegro ma non troppo 2. Larghetto 3. Rondo: Allegro JOSHUA BELL, violin

béla bartók (1881-1945)

Dance Suite 1. 2. 3. 4. 5. 6.

Moderato — Allegro molto — Allegro vivace — Molto tranquillo — Comodo — Finale: Allegro

FRIDAYS@

The Cleveland Orchestra’s Fridays@7 series is sponsored by KeyBank, a Cleveland Orchestra Partner in Excellence. The concert is performed without intermission and will end at about 8:10 p.m.

Information about the Fridays@7 pre-concert performers and the @fterparty music can be found on page 39.

Severance Hall 2012-13

Concert Program — Week 11 Friday

> >

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Tomorrow’s possibilities rely on today’s efforts. That’s why we at Eaton invest our time, money and hearts in programs that nurture and support the communities we live in, and the lives of others.

To learn more about Eaton’s leadership in corporate responsibility, please visit www.eaton.com/sustainability.

INTRODUCING THE PROGRAM

Virtuosity, Song & Dance WHILE THE HEADLINER

for this week’s concerts is the internationally renowned American violinist Joshua Bell, making a welcome return to Severance Hall, the star of any orchestral concert is the music itself. And this week Franz Welser-Möst has chosen three pieces (just two on Friday evening) of very different character, written across a timespan of two centuries. Beethoven’s immense — and immensely beautiful — Violin Concerto is today considered among the greatest such works ever written. It was not always so, however, and generated puzzlement and ho-hum reactions at its premiere in 1806. Its length, which we may find heavenly today, was longer than early 19th-century expectations. Even its beguiling melodies did not ensure its success, which happened gradually over several decades, as one violinist after another found its beauty and brought it to the public’s attention again and again. Béla Bartók’s Dance Suite, written more than a century later in 1923, offers an interesting mix of traditional Hungarian rhythms and folksong ideas, recaptured into an early 20th-century orchestral idiom. Not actually intended for dancing, the suite is instead a musical synthesis “about” some of the composer’s favorite dance types. Opening the concerts on Thursday and Saturday evenings is a very new work by the German composer Jörg Widmann, who served as The Cleveland Orchestra’s Lewis Young Composer Fellow 2009-11. In his Lied (the German word for “song”), he writes a 21st-century take on the art of the greatest classical German songwriter of all, Franz Schubert, in a modern idiom and pattern filled with surprises and intriguing ideas of musical flow. —Eric Sellen

With this Thursday’s concert, The Cleveland Orchestra gratefully honors The George W. Codrington Foundation for its generous support during the current season. CLEVELAND ORCHESTRA RADIO BROADCASTS

Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.

Severance Hall 2012-13

Introducing the Program

On Ensemble Powerful percussion, innovative sound Saturday, Jan. 26, 2013 7 p.m. | Eastern Campus Theatre 4250 Richmond Rd, Highland Hills

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General admission: $20 Bring in this ad for a $5 discount 216-987-4444 or www.tricpresents.com

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34th Annual Tri-C JazzFest

Breakfast • Lunch • Dinner • Cocktails Desserts • Happy Hours • Private Parties Holidays • Celebrations • Gift Certiﬁcates

Single Tickets Now On Sale www.tri-cjazzfest.com 216-221-6000 or 866-566-1353

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The Cleveland Orchestra

D N A A R L E V E ST FRIDAYS H E T LE H C RC O January 18 friday evening SEVERANCE HALL

pre-concert st@rters 5:00 p.m.

doors open, snacks and drinks available

6:00 p.m.

Concert Prelude in Reinberger Chamber Hall: featuring the Academy of Bluegrass in the Fields — members of The Cleveland Orchestra playing folk and bluegrass read about the performers on page 58 > > >

clevel@nd orchestra concert THE CLEVELAND ORCHESTRA

7:00 p.m.

conducted by Franz Welser-Möst < < <

biographical information on page 15

with Joshua Bell, violin biographical information on page 57 > > >

”“Joshua Bell Plays Beethoven” featuring works by Beethoven and Bartók

< < < musical selection details listed on page 35 read commentary about the music: > > > < < < Introduction (page 37), Beethoven (page 51), Bartók (page 45) > > >

@fterparty after the concert ends, the evening continues . . . in the Bogomolny-Kozerefski Grand Foyer: 8:15 p.m.

performing a complex, blenderized Africa-to-the-New-World funk . . .

The Pedrito Martinez Group

bio information on page 59 > > >

bars are open around the performance

Severance Hall 2012-13

KeyBank Fridays@7 — January 18

It Ain’t Over Till... Götterdämmerung on May 11th. Between now and then, listen to LIVE Metropolitan Opera broadcasts on WCLV 104.9 ideastream each Saturday afternoon (check wclv.org for start times). You’ll be there from the moment the orchestra tunes until the curtain falls, and it won’t cost you a penny. Did you just yell “BRAVO”?

The 2012-13 Metropolitan Opera broadcast season is sponsored by Toll Brothers, America’s ’s luxury home builder, with generous long-term support from The Annenberg Foundation and the Vincent A. Stabile Endowment for Broadcast Media.

THURSDAY AND SATURDAY

Lied [Song] (for orchestra) composed 2003-09

“Schubert’s music draws tears from the eyes without questioning the soul, so direct and actual is its effect. We weep without knowing why, because we have not come close to the promise of the music.” —Theodor W. Adorno, writing about Franz Schubert

Jörg

WIDMANN born June 19, 1973 Munich now living in Freiburg

Severance Hall 2012-13

Lied [pronounced leed], or “Song,” for orchestra, was commissioned by the Bamberg Symphony Orchestra. The following commentary was written for the world premiere performances in 2003: O F T H E O R I G I N of his commissioned work in homage to Franz Schubert, Jörg Widmann was very clear — Schubert’s melody should be at the heart of his work. “Schubert is a melodic genius,” says Widmann. Nothing in Schubert’s work has fascinated him more than the composer’s ability to invent and shape his melodies and carry them forward, melodies that are not simply beautiful but also have the capacity to captivate the listener with their great intensity. Widmann’s original idea for the piece was to write a monodic orchestral work, which would treat the orchestra as a single singing agent in which “all the instruments sing a kind of eternal melody without cease.” Widmann planned, in other words, an orchestral piece that would “present its lines naked and uncovered, unprotected and without a safety net, as if one were to perform a Schubert song without the accompaniment.” This idea is embodied in Widmann’s Lied for orchestra, yet he drew away from his original idea when he decided to insert in the single-voice sections passages that vary from single lines to polyphonic [multiple] lines. This was achieved by juxtaposing harmonic and timbral levels, leading to passages in the work that regularly threaten to break apart when two layers are in apparently unreconcilable opposition. In the foreground is the melodic line, often marked at “very very very loud” (triple forte), laden with expression; behind it is a harmonic background, sometimes so soft as to be almost inaudible, creating a sinister and pale counterpoint. What thus found its way into Widmann’s composition About the Music

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was the typical character of Schubert’s musical language as “seeking,” or harmonic “wandering,” which then goes constantly astray and still must keep on going. This happens when sounds are unresolved and lead in some other unexpected direction. Of course, for Widmann this sense of being lost is actually what is specifically modern about Schubert. He wanted to avoid direct references to particular Schubert works, but he also acknowledges that the String Quintet and the Octet influenced his work, if only in small details. The result, Lied, is a work that draws on the special atmosphere and emotionality of Schubert’s music, sharing Schubert’s central compositional technique, yet at the same time is charged with Widmann’s own expressive personality. — Torsten Blaich

About the Composer J Ö R G W I D M A N N served as The Cleveland Orchestra’s Daniel R. Lewis Young Composer 2009-11. He was born in Munich in June 1973, and studied clarinet with Gerd Starke at the Hochschule für Musik in Munich and later (1994-1995) with Charles Neidich at the Juilliard School in New York. He began taking composition lessons with Kay Westermann at the age of eleven and subsequently continued his studies with Wilfried Hiller and Hans Werner Henze (1994-1996) and later with Heiner Goebbels and Wolfgang Rihm in Karlsruhe (1997-1999). In 2001, Jörg Widmann was appointed as the successor to Dieter Klöcker as professor of clarinet at the Freiburg Staatliche Hochschule für Musik. He became a professor of composition there in 2009. A series of string quartets, written between 1997 and 2005, form one core of Widmann’s creative output. The five string quartets are intended as a large cycle, with each individual work following a traditional form or setting. Widmann has also composed a trilogy of works for large orchestra in which he studied the transformation of vocal forms for instrumental forces: Lied (2003-09), Chor (2004), and Messe (2005). In 2007, Christian Tetzlaff and the Junge Deutsche Philharmonie gave the premiere of Widmann’s first Violin Concerto. The same year, Pierre Boulez and the Vienna Philharmonic gave the first performance of Armonica for orchestra, in which Widmann combined the tonal colors of a glass harmonica with orchestra to produce a Severance Hall 2012-13

About the Music

At a Glance Widmann wrote his Lied [Song] for orchestra as a commission from the Bamberg Symphony Orchestra. Its world premiere was presented on December 10, 2003, conducted by Jonathan Nott. The composer later revised the score. The revised version was first performed on April 23, 2010, in London, by the BBC Symphony Orchestra, conducted by Lawrence Renes. This work runs nearly 30 minutes in performance. Widmann scored it for 3 flutes (third doubling piccolo), 2 oboes, 3 clarinets, 2 bassoons (second doubling contrabassoon), 4 horns, 3 trumpets, 3 trombones, tuba, percussion (vibraphone, cymbals, tamtam, crotales), harp, accordion, and strings. The Cleveland Orchestra is performing this work for the first time with this weekend’s concerts.

homogenously breathing body of sounds and sound effects. This was followed by Con brio, an homage to Beethoven. Widmann’s new concerto for flute, titled Flûte en suite, was premiered by The Cleveland Orchestra and principal flute Joshua Smith in May 2011. Widmann has also created musical theater works, including the opera Das Gesicht im Spiegel, which was chosen by the German magazine Opernwelt as the most significant first performance of the 2003-04 season. Am Anfang (2009) was the result of a unique collaboration between a visual artist and a composer; Widmann created the work together with the German painter and sculptor Anselm Kiefer and conducted the world premiere for the 20th anniversary of the Opéra Bastille in Paris. His most recent work is a music-drama called Babylon for the Munich State Opera. Widmann’s great passion as a clarinetist is chamber music. He regularly performs with partners such as Tabea Zimmermann, Heinz Holliger, András Schiff, Kim Kashkashian, and Hélène Grimaud. He has also performed widely as a soloist in orchestral concerts. Several works have been dedicated to Widmann by fellow composers. He performed the premiere of Music for Clarinet and Orchestra by Wolfgang Rihm in 1999. In 2006, he performed Cantus by Aribert Reimann and, in 2009, at the Lucerne Festival, the world premiere of Rechant by Heinz Holliger. In addition to his fellowship as The Cleveland Orchestra’s Lewis Young Composer, Jörg Widmann has served as composer-in-residence with the Berlin German Symphony Orchestra, Salzburg Festival, Lucerne Festival, Cologne Philharmonic Orchestra, and the Vienna Konzerthaus.

A Valentine Fantasy with Janice Martin A true phenomenon, unlike any performing artist you’ve ever seen

Friday, Feb. 8th -- 8 PM Severance Hall tickets: 216-231-1111

clevelandpops.com

About the Composer

The Cleveland Orchestra

Dance Suite composed 1923 IN THE 1920s,

Béla

BARTÓK born March 25, 1881 Nagyszentmiklós, Hungary died September 26, 1945 New York

Severance Hall 2012-13

Bartók’s music reached a peak of modernity and dissonance, from which he retreated in his later years, and which bestowed on him, in the years between the two world wars, a reputation for aggressive ugliness that neither Arnold Schoenberg nor Igor Stravinsky ever matched. With hindsight, we can understand that the horrified critics of the time were faced with sounds they had never expected to hear in their lives, but also that this music is far from ugly or formless. It may not display the beautiful lines we love in Mozart and Schubert, but it is full of lyrical feeling, of youthful energy, of highly inventive rhythms and harmonies, and it has a shapeliness that can quite reasonably be seen to be a legacy from the classical masters. The two violin sonatas, which most clearly exhibit this extreme style, were followed in 1923 by a work that reached in a different direction and won the hearts of the public. This was the Dance Suite, composed to celebrate the 50th anniversary of the formal linking of the two capitals of Hungary, Buda and Pest, into a single city. Kodály’s Psalmus hungaricus was commissioned for the same occasion, and the senior Hungarian composer, Ernö Dohnányi (grandfather of Christoph von Dohnányi, The Cleveland Orchestra’s music director laureate) conducted both works in a festival in November 1923. Bartók’s name was rapidly getting better known outside of Hungary in those years, partly through the exertions of his publisher, Universal Edition of Vienna, and partly as a result of a much publicized performance, under Václav Talich, at the Prague ISCM orchestral festival in May 1925, which catapulted Bartók’s work onto the international stage. Over the following two years the Dance Suite received over sixty performances in major European and American centers. Bartók regarded himself equally as an ethnographer and as a composer, for he had devoted much of his life up to this point to the study of folk music from many regions of Eastern Europe and even Turkey and North Africa. He assembled many thousands of tunes and devoted long hours to cataloging and analyzing them. Most of his works betray the influence of folksong and often include it in some form. The Dance Suite was a deliberate announcement of the composer’s dedication to the study of folksong and of his creative approach in turning this About the Music

resource into modern orchestral music. This is not music to dance to, however, even if dance movements lie at its origin. The melodies are recognizably ethnic, but the treatment is free in its orchestration and in Bartók’s fondness for varying the tempo with accelerations and the opposite, with interruptions and combinations, all of which proclaim a highly sophisticated musician handling raw materials in a way that never deprives them of their distinctive character. The six movements run continuously, the last being a finale that recalls snatches from the earlier dances. The fifth dance is the only one to maintain a regular 4/4 beat (almost) throughout. The rest make play with alternating time-signatures that break up the rhythms, create hiccups and insert a certain drama into the action. The first two movements illustrate the stop-go style very well, while the third is the liveliest and the most tuneful. The fourth dance is the only one to sustain a gentle pace, with dense string chords as background to wandering melodic phrases in the woodwinds. Most remarkable is Bartók’s gift for apt and pointed orchestration, whether in the intrusions of piano or celesta, or in the extreme ranges of the bassoon, or featuring animated trombones. And although the tunes are not strictly his invention, he composes for them as if they were. In so many ways, the Dance Suite was the perfect answer to all those who despaired of modern music and lamented that it could never be tuneful. —Hugh Macdonald 2013 ©

PAUL BODY

Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French music. He has written books on Beethoven, Berlioz, and Scriabin.

Garrick Ohlsson piano

1.800.371.0178 www.oberlin.edu/arseries

Works by Brahms, Liszt, Scriabin, and Chopin

At a Glance Bartók wrote his Dance Suite in 1923. It was premiered on November 19, 1923, in a concert commemorating the 50th anniversary of the combining of Buda and Pest into the capital city of Budapest. The premiere was conducted by Ernö Dohnányi. This suite runs just over 15 minutes in performance. Bartók scored it for 2 flutes (both doubling piccolos), 2 oboes (second doubling english horn), 2 clarinets (second doubling bass clarinet), 2 bassoons (second doubling contrabassoon), 4 horns, 2 trumpets, 2 trombones, tuba, timpani, percussion (triangle, bell, tambourines, bass drum, cymbals, tamtam), celesta, harp, piano, and strings. The Cleveland Orchestra first performed Bartók’s Dance Suite in November 1966, conducted by Max Rudolf. It was most recently presented in April 2003, in concerts led by David Robertson.

Tuesday, Feb. 12, 8 p.m. Finney Chapel, Oberlin Tickets: $15-$42 Concert rescheduled from November 1. All tickets to the original performance will be honored.

NEXT PERFORMANCE:

Known for his “intensity that takes the breath away.” — San Francisco Classical Voice

Severance Hall 2012-13

About the Music

Leipzig String Quartet Sunday, March 3

THE CLEVELAN D ORCHESTRA

Sound for the Centennial The Cleveland Orchestra’s artistic health and financial well-being depend on the dedicated and ongoing support of music-lovers throughout Northeast Ohio. The Orchestra’s continued excellence in community service and musical performance can only be ensured through ongoing annual support coupled with increased giving to the Endowment and special fundraising. As the Orchestra approaches its centennial celebration in 2018, the individuals and organizations listed on these pages have made longterm commitments to secure the financial stability of our great Orchestra. This listing represents multi-year commitments of annual and endowment support, and legacy gift declarations, as of January 2013. The Cleveland Orchestra and Musical Arts Association gratefully recognize the transformational support and extraordinary commitment of these individuals, corporations, and foundations toward the Orchestra’s future. To join your name to these visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520. GIFTS OF $5 MILLION AND MORE

Mr. and Mrs. Alexander M. Cutler Maltz Family Foundation Anonymous GIFTS OF $1 MILLION TO $5 MILLION

Art of Beauty Company, Inc. BakerHostetler Mr. William P. Blair III Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Mrs. M. Roger Clapp Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. Mr. and Mrs. Michael J. Horvitz The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley KeyBank Kulas Foundation Mr. and Mrs. Dennis W. LaBarre Mrs. Norma Lerner

The Lubrizol Corporation The Andrew W. Mellon Foundation Ms. Beth E. Mooney Sally S. and John C. Morley John P. Murphy Foundation NACCO Industries, Inc. Julia and Larry Pollock Mr. and Mrs. Alfred M. Rankin, Jr. Mr. and Mrs. Albert B. Ratner James and Donna Reid Barbara S. Robinson The Sage Cleveland Foundation The Kelvin and Eleanor Smith Foundation The J. M. Smucker Company Joe and Marlene Toot

GIFTS OF $500,000 TO $1 MILLION

Gay Cull Addicott Jeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad Richard and Ann Gridley The Louise H. and David S. Ingalls Foundation Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Jon A. Lindseth

Ms. Nancy W. McCann David and Inez Myers Foundation The Honorable and Mrs. John Doyle Ong The Payne Fund Mr. and Mrs. Richard K. Smucker

Sound for the Centennial Campaign

The Cleveland Orchestra

GIFTS OF $250,000 TO $500,000

Randall and Virginia Barbato John P. Bergren* and Sarah M. Evans Mr. and Mrs.* Harvey Buchanan Cliffs Natural Resources Mr. and Mrs. Matthew V. Crawford Nancy and Richard Dotson Sidney E. Frank Foundation David and Nancy Hooker Mrs. Marguerite B. Humphrey James D. Ireland III Trevor and Jennie Jones Giuliana C. and John D. Koch Dr. Vilma L. Kohn

Mr. Clarence E. Klaus, Jr. Mr. and Mrs. Alex Machaskee Mr. Donald W. Morrison Margaret Fulton-Mueller William J. and Katherine T. Oâ&#x20AC;&#x2122;Neill Parker Hannifin Corporation Charles and Ilana Horowitz Ratner Mr. and Mrs. James A. Saks The Skirball Foundation Mr. and Mrs. Jules Vinney* David A. and Barbara Wolfort

GIFTS OF $100,000 TO $250,000

Mr. and Mrs. George N. Aronoff Ben and Ingrid Bowman George* and Becky Dunn Dr. and Mrs. Hiroyuki Fujita Albert I. and Norma C. Geller Iris and Tom Harvie Mr. and Mrs. S. Lee Kohrman Mr. Gary A. Oatey RPM International Inc. Hewitt and Paula Shaw

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Naomi G. and Edwin Z. Singer Ms. Ginger Warner Mr. Max W. Wendel Paul and Suzanne Westlake Mr. Donald Woodcock * deceased

Sound for the Centennial Campaign

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MEDIUM IS THE MESSAGE.”

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Violin Concerto in D major, Opus 61 composed 1806 T H E FO U R D R U M TA P S

Ludwig van

BEETHOVEN born December 16, 1770 Bonn died March 26, 1827 Vienna

Severance Hall 2012-13

that open Beethoven’s Violin Concerto are one of the most surprising and audacious ideas that the composer ever committed to paper. What was he thinking? Is this an echo of the military music that emanated from the French Revolution — and which was to be heard all over Vienna in those warlike years? Is it an easy way to set the tempo, like those audible 1-2-3-4 counts that jazz musicians rely on? Is it a suggestion of menace or coming thunder? Is it a way to attract the audience’s attention? Or is it a tune? This concerto is so familiar to so many of us that it’s no longer easy to imagine the shock waves those four notes should have set off at its first performance in 1806. Perhaps the audience was too noisy to allow anyone to hear them clearly. Perhaps the Viennese were already used to Beethoven’s eccentricities and regarded this as just another of his strange ways. Critics at the time barely noticed the oddity of such an opening. Instead, they complained about the concerto’s length and repetitiousness, and mostly expressed the view that things would be better if Beethoven reined himself in a little and stuck to the agreeable style he had perfected in his first two symphonies. No one was yet ready to bask in the work’s beautifully melodic and elegant writing for the violin, or appreciate the spacious symphonic breadth of the first movement, let alone declare this to be the finest violin concerto anyone had ever heard. In fact, this concerto came into the world with very little fanfare and made little impression on the Viennese or anyone else. Not for some fift y years was it treated as the great work we now know it to be, when Joseph Joachim, Ferdinand David, Henri Vieuxtemps, and other virtuosi began to play it everywhere. In the 1870s, a crop of fine concertos appeared — by Brahms, Lalo, Tchaikovsky, and Bruch — all more or less in homage to Beethoven’s concerto and most of them in the same key of D major. Beethoven may have had no knowledge of Mozart’s five early violin concertos. Instead, Beethoven’s models were mostly French, in the concertos of Viotti, Kreutzer, and Rode, all working in Paris. He may have known Louis Spohr’s concertos, and he certainly knew a D-major concerto by Franz Clement, a young Viennese violinist who had played it in a concert in About the Music

0DNLQJ WKH ZRUOG D EHWWHU SODFH NQRZV QR UHOLJLRQ That’s why last year, the Jewish Federation of Cleveland raised and allocated nearly $127 million to social service, educational and humanitarian organizations that support Cleveland’s Jewish and general communities, as well as those in more than 70 countries around the world. Through the generosity of our donors, the Jewish Federation of Cleveland is Ohio’s largest grantmaking organization. Together, we do extraordinary things.

6148

For more information, please contact Alan D. Gross at 216.593.2818 or development@jcfcleve.org. Mandel Building · 25701 Science Park Drive Cleveland, Ohio 44122 216.593.2900 www.jewishcleveland.org

Jewish Federation OF CLEVELAND

1805 at which Beethoven had presented his Symphony No. 3, the “Eroica.” Beethoven’s own concerto was written “par Clemenza pour Clement” in the autograph score, and the dedicatee gave the first performance in December 1806, an event colored by the anecdote that he was sight-reading from Beethoven’s messy manuscript and by the program’s inclusion of a sonata to be played by Clement on a single string and “mit umgekehrten Violin” — with the instrument upside-down. What makes Beethoven’s concerto different from all the other violin concertos of his time is its enormously enlarged sense of space. With four symphonies behind him, he now thought instinctively in the extended paragraphs of symphonic structure and was able to create a broad horizon within which his themes can be extended in leisurely fashion and adorned by graceful elaborations from the soloist. For the four drum taps are a theme, or at least a crucial part of a theme, to be taken up by the soloist and the orchestra at various points, sometimes soft, as at the opening, sometimes brutally loud, and always highly distinctive. The other themes are elegant, often built out of rising or falling scales and usually moving in stepwise motion, avoiding wide intervals and sustaining a calm dignity. Since Beethoven left no cadenzas for this concerto, violinists have been writing their own for two centuries. Spohr, Joachim, Vieuxtemps, Eugène Ysaÿe, Fritz Kreisler, Jascha Heifetz, and dozens of others have published their own versions, and some more recent cadenzas break with convention by quoting from other concertos or indulging in modernisms such as quartertones written in the cracks between notes within Beethoven’s own tonal scale. All three movements offer opportunities for cadenzas, the one at the end of the slow movement acting as a link to the rondo finale. For his concerts with The Cleveland orchestra, Joshua Bell is performing his own cadenzas. The slow movement is a group of variations on a theme, ten measures long, of surpassing simplicity and beauty. First played by the strings alone, the theme passes to the horns and clarinet, then to the bassoon, then back to the strings with strong woodwind punctuation. The soloist, who has offered only decoration up to this point, then introduces a second theme, even more serene than the first, which acts as an interlude before the next variation, marked by pizzicato strings. Perhaps Beethoven was thinking of Haydn, who also liked to leaven his variations sets with secondary themes. This second Severance Hall 2012-13

About the Music

At a Glance Beethoven wrote his Violin Concerto in 1806 for Franz Clement, who was the soloist in the first performance on December 23, 1806, in Vienna. The score was published in 1808 with a dedication to Beethoven’s childhood friend Stephan von Breuning. This concerto runs about 45 minutes in performance. Beethoven scored it for flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings, plus solo violin. The Cleveland Orchestra first performed Beethoven’s Violin Concerto in January 1920, when the 19-year-old Jascha Heifetz appeared as the soloist, with Nikolai Sokoloff conducting. Since that time, the concerto has been presented by the Orchestra quite frequently, performed with many of the world’s greatest violin soloists. The Orchestra included it in a series of tour concerts in April 2012 with violinist Nikolaj Znaider in the western United States, conducted by Franz Welser-Möst. It was last played at Severance Hall in November 2008, with Christian Tetzlaff as soloist and conductor Paavo Järvi. It was last presented at Blossom in 2012, with soloist Gil Shaham and Jahja Ling.

ABOVE

photo: PocketAces

The opening page of Beethoven’s score to the Violin Concerto.

theme returns, accompanied now by the winds. The movement has remained firmly in its home key of G major throughout, and just when another variation seems to be hinted at by the horns, a violent series of chords sets up the cadenza-link into the finale. The third-movement Rondo’s catchy theme releases a burst of energy and an inexhaustible flow of lively invention. The bassoon is favored in a minor-key episode that is heard, regrettably, only once. At the end, the coda plays with the theme like a kitten with a ball of wool — rounding the work off with a light touch quite at odds with the image of a surly, stormy composer that we too often take to be the real Beethoven. —Hugh Macdonald © 2013

www.carnegie-capital.com About the Music

The Cleveland Orchestra

Kulas Series Keyboard Conversations® Kulas Series of of Keyboard Conversations® with Siegel withJeffrey Jeffrey Siegel

Season 2011-2012 25th 24th Anniversary Season 2012-2013 Presented by Cleveland State University’s Center for Arts and Innovation

Presented by Cleveland State University’s Center for Arts and Innovation

Masterly Masterly

Sunday, Sunday,October 2,2,2011 October Sunday, October 2, 2011 2011 Sunday, October 14, 2012 AA Beethoven Beethoven Bonanza! Bonanza!The Themany many A Beethoven Bonanza! The many

ASpellbinding Beethoven Bonanza! The many Bach B moods moodsofof ofgenius! genius! moods genius! moods of genius! Sunday, November 11, 2012 Enthralling Enthralling Free Family Concert! B Sunday, Sunday, November 20,Young 2011 2011 MusicNovember for the Young 20, and at Heart Charming presented in honor of Mr. Siegel’s 25th Charming The The Romantic Romantic Music Music of of Franz Franz Liszt Liszt The Romantic Music State of Franz Liszt anniversary at Cleveland University B Sunday, January 27, 2013 Scintillating Scintillating Sunday, Sunday,March March4,4,2012 2012

“An afternoon of entertaining talk and “An afternoon of entertaining talk and exhilarating music.” exhilarating music.” –The Washington Post - The Washington Post

Claude Debussy: Clair de lune, a Rochmaninoff Rochmaninoff andTchaikovsky Tchaikovsky Fireworks andand Beyond!

Sunday, March 24, 2013 March 6, 2012 2012 y 6, Age Sunday, Sunday, March 2012 Schubert in the6, of the Sound Bite

A musical love triangle: Robert, Clara and andJohannes! Johannes! Bach and the Romantics

AA musical musical love lovetriangle: triangle: Robert, Robert,Clara Clara Sunday, April 28, 2013 and Johannes!

All concerts beginbegin at 3:00 pmpm at at All concerts at 3:00 Cleveland State University’s Waetjen Cleveland State University’s Waetjen Auditorium, Euclid 21stSt. St. Auditorium, EuclidAve. Ave.and and E. E. 21st ForFor more information more information call call 216.687.5018 216.687.5018 visitwww.csuohio.edu/concert www.csuohio.edu/concertseries/kc ororvisit series/kc series/kc

PERFORMING ARTS

Chanticleer

Wednesday, January 30, 2013 9:00 p.m.

TICKETS ON SALE NOW!

“America’s a cappella pride and joy.” —Classics Today A seamless blend of twelve male voices, ranging from countertenor to bass.

Series Sponsors:

CLEVELANDART.ORG/VIVAGALA 216-421-7350

Severance Hall 2012-13

BW cordially welcomes CODA to CLEVELAND

The College Orchestra Directors Association (CODA) National Conference: January 17-19, 2013 in association with

The Cleveland Orchestra, The Rock and Roll Hall of Fame and Baldwin Wallace University Conservatory of Music Performances open to the public, Gamble Auditorium, 96 Front St., Berea

Baldwin Wallace Symphony Orchestra Friday, January 18, 8:00 pm with Maestro Dwight Oltman

Oklahoma State University Symphony Orchestra Saturday, January 19, 1:30 pm with Douglas Droste, conductor (View schedule: codaweb.org/2012/09/coda-national-conference) Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin, gender or sexual orientation in the administration of any policies or programs.

Conservatory of Music Benjamin Brittenâ&#x20AC;&#x2122;s

Turn of the Screw

Feb. 14, 15 & 16 at 7:30 pm; Feb. 17 at 2 pm Dean Williamson, guest conductor Benjamin Wayne Smith, director Performed in the intimate William Allman Theater, mystery and apparitions abound as this chamber opera tells the story of a governess who keeps watch over two children. Set in an English country house during the mid-nineteenth century, the story quickly unfolds as the governessâ&#x20AC;&#x2122; seemingly simple job becomes a fight to protect the troubled children from the ghosts of a former servant and governess. Kleist Center for Art & Drama, 95 E. Bagley Rd., Berea Call 440-826-2240 for tickets. Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin, gender or sexual orientation in the administration of any policies or programs.

The Cleveland Orchestra

Joshua Bell American violinist Joshua Bell enchants audiences with his virtuosity, tone, and stage presence. He first performed with The Cleveland Orchestra in March 1985, and most recently returned in August 2002. The Bloomington, Indiana, native was an avid computer game player and competitive athlete. He began violin at age four, and by age 12, had become a serious musician, thanks to his teacher and mentor, Josef Gingold. At 14, Mr. Bell received national attention for his Philadelphia Orchestra debut. In 1989, he earned an artist diploma from Indiana University, where he is now a senior lecturer at the Jacobs School of Music. He has received the university’s Distinguished Alumni Service Award and the Indiana Governor’s Arts Award and been named an “Indiana Living Legend.” Equally at home as a soloist, chamber musician, recording artist, and orchestra leader, Joshua Bell appeared this past summer at the Aspen, Mostly Mozart, Ravinia, Salzburg, Saratoga, Tanglewood, and Verbier festivals. This season, he performs with the orchestras of Boston, Cincinnati, Detroit, Nashville, New York, Philadelphia, Pittsburgh, San Diego, San Francisco, and Seattle, tours South Africa, and performs in Europe with the Academy of St. Martin in the Fields, of which he recently became music director. A champion of new music, Mr. Bell has premiered works by John Corigliano, Aaron Jay Kernis, Jay Greenberg, Edgar Meyer, and Behzad Ranjbaran. Mr. Bell is an exclusive Sony Classical recording artist. Since his first LP at age 18 on Decca, he has recorded more than 40 albums, including the soundtrack to The Red Violin. His first album conducting the Academy of St. Martin in the Fields, in Beethoven’s Fourth and Seventh symphonies, is scheduled for release in February. Recently, Mr. Bell received the Paul Newman Award from Arts Horizons, the Huberman Award from Moment Magazine, and Seton Hall University’s Humanitarian Award. He was also named Instrumentalist of the Year by Musical America and has received both the Avery Fisher Career Grant and Prize. He serves on the artist committee of the Kennedy Center Honors and the New York Philharmonic board of directors. He appears by arrangement with IMG Artists. Joshua Bell performs on the 1713 Huberman Stradivarius violin and uses a late 18th-century French bow by François Tourte. For further information, visit www.joshuabell.com. Joshua Bell will sign compact discs after the concerts on Thursday and Saturday evenings in the Lerner Lobby at the Cleveland Orchestra Store on the ground floor of Severance Hall. A selection of his albums are available for sale through the Cleveland Orchestra Store.

Severance Hall 2012-13

Soloist

D N L AT R A E E 8 TH EV ES 1 L y C R C H uar n O Ja

PRE-CONCER T

st@rters

Academy of Bluegrass in the Fields Trina Struble, fiddle Mark Dumm, mandolin/banjo Henry Peyrebrune, guitar Derek Zadinsky, bass Jeffrey Zehngut, fiddle/mandolin/saxophone

The founding members of the Academy of Bluegrass in the Fields grew up playing bluegrass and folk music long before it was heard in fine concert halls played by world-famous performers such as Yo-Yo Ma or Joshua Bell. Before Trina Struble established herself as one of the finest harpists in the country, she was winning fiddle competitions in her native Colorado. Mark Dumm learned to play Foggy Mountain Breakdown long before he dreamed of playing A Night on Bald Mountain with The Cleveland Orchestra. Henry Peyrebrune anchors the group on guitar, just as he anchors the Orchestra as a member of the double bass section. With the addition of newest members Derek Zadinsky and Jeffrey Zehngut, the ensemble is extending itself beyond standard bluegrass classics to tackle work by contemporary composers including Edgar Meyer and Mark O’Connor. The Academy was formed informally as a fundraising group, and has played benefit concerts for a variety of organizations, including The Cleveland Orchestra, Cleveland Institute of Music, Heights Arts, Fieldstone Farm Therapeutic Riding Center, and the Women’s Committee of The Cleveland Orchestra. They have been featured on Dee Perry’s Around Noon on WCPN, and are always hoping to share the music they have always loved with people who might not know they love it . . . yet.

6 p.m.

Jamey Haddad has curated and planned the world music performances for The Cleveland Orchestra’s Fridays@7 concerts since the series began in 2009. Born in Cleveland, Ohio, he holds a unique position in the world of jazz and contemporary music, with his musical voice transcending styles and trends. Regarded as one of the foremost world music and jazz percussionists in the United States, Mr. Haddad is an associate professor at the Cleveland Institute of Music, Oberlin Conservatory of Music, Boston’s Berklee College of Music, and the New England Conservatory. To learn more, visit www.jameyhaddadmusic.com.

Guest Artists

The Cleveland Orchestra

POS T-CONCER T

@fterparty

The Pedrito Martinez Group featuring Pedrito Martinez, percussion and lead vocals with Ariacne Trujillo, piano and lead vocals and Alvaro Benavides, electric bass and background vocals Jhair Sala, cowbell and background vocals

S@ Y A D I FR

With a homebase gig in Midtown Manhattan, the Pedrito Martinez Group has its roots planted firmly in the Afro-Cuban rumba tradition and in the bata rhythms and vocal chants of the music of Yoruba and Santeria. In addition to Pedrito, the group includes Jhair Sala from Peru, Alvaro Benavides from Venezuela, and Araicne Trujillo from Cuba. Pedro Pablo “Pedrito” Martinez was born in Havana, Cuba, in 1973. He began his musical career at the age of 11, performing as vocalist and percussionist with such Cuban legends as Tata Guines and Munequitos de Matanzas. He was brought to Canada in 1998 by Jane Bunnett to tour with her group, Spirits of Havana. He decided to pursue his career by remaining in North America. Two years later, the annual Thelonious Monk Institute Competition showcased Afro-Latin hand drumming for the first time — Pedro entered and won first place. Since settling in New York City in 2000, Pedrito has performed, recorded, and/ or toured with a many artists, including Paquito D’Rivera, Brian Lynch, Steve Turre, Me’shell Ndege’Ocello, Arturo “Chico” O’Farrill, Cassandra Wilson, Sting (for his rainforest benefit with Elton John and Bruce Springsteen), Paul Simon, and Wynton Marsalis. He was featured in the documentary film on Cuban music, Calle 54, and his singing and percussion playing were featured in the 2011 animated feature Chico and Rita. Mr. Martínez was a founding member of the highly successful Afro-Cuban/AfroBeat band Yerba Buena, with which he recorded two albums and toured the world. Pedrito has lent his talents as a percussion player and vocalist to over one hundred recordings. These include six Grammy-nominated albums and one, a collaboration between Eddie Palmieri and Brian Lynch called “Simpatico,” that was awarded a Grammy. PMG has appeared at many festivals, including the New Orleans Jazz & Heritage Festival, Umbria Jazz Festival, Montreux Jazz Festival, and the Red Sea Festival. The group has self-released two live albums recorded at their home gig in NYC. Plans are in the works for a studio album. To learn more, visit www.pedritomartinezmusic.com. Severance Hall 2012-13

Guest Artists

8:15 p.m.

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y The Heritage Society honors donors who support the Orchestra through their wills, life income gifts, or other types of deferred giving. The following listing of members is current as of October 2012. The Cleveland Orchestra and Musical Arts Association thank those members below in bold who have declared to us their specific estate intentions. For more information, please call Bridget Mundy, Legacy Giving Officer, at 216-231-8006. Lois A. Aaron Leonard Abrams Shuree Abrams* Gay Cull Addicott Stanley and Hope Adelstein Sylvia K. Adler Gerald O. Allen Norman and Marjorie* Allison George N. Aronoff Herbert Ascherman, Jr. Jack and Darby Ashelman Mr. and Mrs. William W. Baker Ruth Balombin* Mrs. Louis W. Barany* D. Robert* and Kathleen L. Barber Jack Barnhart Margaret B. and Henry T.* Barratt Norma E. Battes Rev. Thomas T. Baumgardner and Dr. Joan Baumgardner Fred G. and Mary W. Behm Dr. Ronald and Diane Bell Bob Bellamy Joseph P. Bennett Miss Ila M. Berry Howard R. and Barbara Kaye Besser Dr.* and Mrs. Murray M. Bett Dr. Marie Bielefeld Mr. Raymond J. Billy Dr. and Mrs. Harold B. Bilsky* Robert E. and Jean Bingham* Claudia Bjerre William P. Blair III Flora Blumenthal Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Kathryn Bondy* Loretta and Jerome* Borstein Mr. and Mrs.* Otis H. Bowden II Ruth Turvy Bowman* Drs. Christopher P. Brandt and Beth Brandt Sersig Mr. D. McGregor Brandt, Jr. David and Denise Brewster Richard F. Brezic* Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Ronald and Isabelle Brown* Mr. and Mrs. Clark E. Bruner* Harvey and Penelope* Buchanan Rita W. Buchanan Joan and Gene* Buehler

Gretchen L. Burmeister Stanley and Honnie Busch Milan and Jeanne* Busta Mrs. Noah L. Butkin* Mr. and Mrs. William C. Butler Minna S. Buxbaum* Gregory and Karen Cada Roberta R. Calderwood* Jean S. Calhoun Harry and Marjorie M. Carlson Janice L. Carlson Dr. and Mrs. Roland D. Carlson Barbara A. Chambers, D.Ed. Ellen Wade Chinn* NancyBell Coe Kenneth S. and Deborah G. Cohen Ralph M. and Mardy R. Cohen Victor J. and Ellen E. Cohn Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway James P. and Catherine E.* Conway Rudolph R. Cook The Honorable Colleen Conway Cooney John D. and Mary D.* Corry Dr.* and Mrs. Frederick S. Cross Martha Wood Cubberley Dr. William S. Cumming* In Memory of Walter C. and Marion J. Curtis Mr. and Mrs. William W. Cushwa Howard Cutson Mr. and Mrs. Don C. Dangler Mr. and Mrs. Howard J. Danzinger Barbara Ann Davis Carol J. Davis Charles and Mary Ann Davis William E. and Gloria P. Dean, Jr. Mary Kay DeGrandis and Edward J. Donnelly Neeltje-Anne DeKoster Carolyn L. Dessin William R. Dew Mrs. Armand J. DiLellio James A. Dingus, Jr. Dr. and Mrs. Richard C. Distad Maureen A. Doerner and Geoffrey T. White Gerald and Ruth Dombcik Henry and Mary Doll Mr.* and Mrs. Roland W. Donnem Nancy and Richard Dotson Mrs. John Drollinger Drs. Paul M. and Renate H. Duchesneau George* and Becky Dunn

Legacy & Planned Giving

Warren and Zoann Dusenbury* Mr. and Mrs. Robert Duvin Paul and Peggy Edenburn Robert and Anne Eiben Esther and Alfred M. Eich, Jr. Mr. and Mrs. Ramon Elias* Roger B. Ellsworth Oliver and Mary Emerson Lois Marsh Epp Patricia Esposito Margaret S. Estill* Dr. Wilma McVey Evans* C. Gordon and Kathleen A.* Ewers Patricia J. Factor Susan L. Faulder Dr. and Mrs. Frederick Fennell* Mrs. Mildred Fiening Gloria and Irving B. Fine R. Neil Fisher Jules and Lena Flock* Joan Alice Ford Dr. and Mrs.* William E. Forsythe Mr.* and Mrs. Ralph E. Fountain J. Gilbert and Eleanor M. Frey Arthur and Deanna Friedman Mr.* and Mrs. Edward H. Frost Dawn Full Henry S. Fusner Dr. Stephen and Nancy Gage Charles and Marguerite C. Galanie* Barbara and Peter Galvin Mr. and Mrs. Steven B. Garfunkel Donald* and Lois Gaynor Barbara P. Geismer* Albert I. and Norma C. Geller Carl E. Gennett* John H.* and Ellen P. Gerber Frank and Louise Gerlak Dr. James E. Gibbs In Memory of Roger N. Gifford Dr. Anita P. Gilger* S. Bradley Gillaugh Mr. and Mrs. Robert M. Ginn Fred and Holly Glock Ronald* and Carol Godes William H. Goff Mr. and Mrs. Henry J. Goodman John and Ann Gosky Mrs. Joseph B. Govan* Elaine Harris Green Richard and Ann Gridley Nancy Hancock Griffith David E.* and Jane J. Griffiths David G. Griffiths*

The Cleveland Orchestra

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Ms. Hetty Griffiths Margaret R. Griffiths* Bev and Bob Grimm Judd and Zetta Gross* Candy and Brent Grover Mrs. Jerome E. Grover* Thomas J.* and Judith Fay Gruber Mr. and Mrs. David H. Gunning Mr. and Mrs. William E. Gunton Joseph E. Guttman* Mrs. John A Hadden Jr. Richard and Mary Louise Hahn James J. Hamilton Kathleen E. Hancock Douglas Peace Handyside* Holsey Gates Handyside Norman C. and Donna L. Harbert Mary Jane Hartwell William L.* and Lucille L. Hassler Peter and Gloria Hastings* Mrs. Henry Hatch (Robin Hitchcock) Virginia and George Havens Gary D. Helgesen Clyde J. Henry, Jr. Ms. M. Diane Henry Wayne and Prudence Heritage Rice Hershey* T. K. and Faye A. Heston Gretchen L. Hickok Mr. and Mrs.* Daniel R. High Edwin R. and Mary C. Hill* Ruth Hirshman-von Baeyer* Mr.* and Mrs. D. Craig Hitchcock Bruce F. Hodgson Goldie Grace Hoffman* Mary V. Hoffman Feite F. Hofman MD Mrs. Barthold M. Holdstein Leonard* and Lee Ann Holstein Gertrude S. Hornung* Patience Cameron Hoskins Elizabeth Hosmer Dorothy Humel Hovorka Dr. Randal N. Huff Mrs. Marguerite B. Humphrey Adria D. Humphreys* Ann E. Humphreys and Jayne E. Sisson Karen S. Hunt Ruth F. Ihde Mr. and Mrs. Jonathan E. Ingersoll Pamela and Scott Isquick Mr. and Mrs.* Clifford J. Isroff Mr. and Mrs. Donald M. Jack, Jr. Carol S. Jacobs Milton* and Jodith Janes Jerry and Martha* Jarrett Merritt Johnquest E. Anne Johnson Nancy Kurfess Johnson, M.D. Paul and Lucille Jones* Mrs. R. Stanley Jones* William R. Joseph*

David and Gloria Kahan Julian and Etole Kahan Drs. Julian* and Aileen Kassen Milton and Donna Katz Patricia and Walter* Kelley Bruce and Eleanor Kendrick Malcolm E. Kenney Nancy H. Kiefer Charles M. and Janet G. Kimball* Mr. Kevin F. Kirkpatrick Mrs. Virginia Kirkpatrick James and Gay Kitson Mr. Clarence E. Klaus, Jr. Julian H. and Emily W. Klein* Mary Elizabeth and G. Robert Klein* Thea Klestadt* Gilles and Malvina Klopman Paul and Cynthia Klug Martha D. Knight Mr. and Mrs. Robert Koch Vilma L. Kohn Elizabeth Davis Kondorossy* Mr. and Mrs. James G. Kotapish, Sr. LaVeda Kovar* Margery A. Kowalski Bruce G. Kriete* Mr. and Mrs. Gregory G. Kruszka Thomas and Barbara Kuby Eleanor and Stephen Kushnick Mr. and Mrs. Dennis W. LaBarre James I. Lader Mr. and Mrs. David A. Lambros Dr. Joan P. Lambros* Mrs. Carolyn Lampl Mrs. Samuel H. Lamport Louis Lane Charles and Josephine Robson Leamy Fund Teela C. Lelyveld Mr. and Mrs. Roger J. Lerch Gerda Levine Dr. and Mrs. Howard Levine Bracy E. Lewis Mr. and Mrs. Thomas A. Liederbach Ruth S. Link Dr. and Mrs. William K. Littman Jeff and Maggie Love Dr. Alan and Mrs. Min Cha Lubin Ann B. and Robert R. Lucas* Miss Anne M. Lukacovic Kate Lunsford Mr. and Mrs. Thomas E. Lynch* Patience Cameron Hoskin Terry and Pat MacDonald Jerry Maddox Mrs. H. Stephen Madsen Alice D. Malone Mr. and Mrs. Donald Malpass, Jr. Lucille Harris Mann Mr. and Mrs. Richard A. Manuel Clement P. Marion Mr. Wilbur J. Markstrom* Dr. and Mrs. Sanford Marovitz

David C. and Elizabeth F. Marsh Duane and Joan* Marsh Florence Marsh, Ph.D.* Mr. and Mrs. Anthony M. Martincic Kathryn A. Mates Dr. Lee Maxwell and Michael M. Prunty Alexander and Marianna McAfee Nancy B. McCormack Mr. William C. McCoy Marguerite H. McGrath* Dorothy R. McLean Jim* and Alice Mecredy James and Viginia Meil Mr. and Mrs.* Robert F. Meyerson Brenda Clark Mikota Christine Gitlin Miles Charles B. and Christine A. Miller Edith and Ted* Miller Mr. Leo Minter, Jr. Mr. and Mrs. William A. Mitchell Robert L. Moncrief Ms. Beth E. Mooney Beryl and Irv Moore Ann Jones Morgan Mr.* and Mrs. Stanley L. Morgan George and Carole Morris Mr. and Mrs. Thomas W. Morris Mr. and Mrs.* Donald W. Morrison Drs. Joan R. Mortimer and Edward A.* Mortimer, Jr. Florence B. Moss Susan B. Murphy Dr. and Mrs. Clyde L. Nash, Jr. Deborah L. Neale David and Judith Newell Russell H. Nyland* Charles K. Laszlo and Maureen Oâ&#x20AC;&#x2122;Neill-Laszlo Katherine T. Oâ&#x20AC;&#x2122;Neill Mr. and Mrs. John D. Ong Aurel Fowler-Ostendorf* Ronald J. Parks Nancy and W. Stuver Parry Mrs. John G. Pegg Dr. and Mrs. Donald Peniero Mary Charlotte Peters Mr. and Mrs. Peter Pfouts* Janet K. Phillips* Florence KZ Pollack Julia and Larry Pollock Victor and Louise Preslan* Mrs. Robert E. Price* Lois S.* and Stanley M. Proctor Mr. David C. Prugh Leonard and Heddy Rabe M. Neal Rains Mr. George B. Ramsayer Joe L. and Alice* Randles Mrs. Alfred M. Rankin, Sr. Mrs. Theodore H. Rautenberg* Dr. Sandford Reichart* LISTING CONTINUES

Severance Hall 2012-13

Legacy & Planned Giving

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Be forever a part of what the world is talking about! LISTING CONTINUED

James and Donna Reid Mrs. Hyatt Reitman* Mrs. Louise Nash Robbins* Dr. Larry J.B.* and Barbara S. Robinson Dwight W. Robinson Margaret B. Babyak* and Phillip J. Roscoe Dr. Eugene and Mrs. Jacqueline Ross Helen Weil Ross* Marjorie A. Rott Howard and Laurel Rowen Professor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster Rutter Mr. James L. Ryhal, Jr. Renee Sabreen Marjorie Bell Sachs Vernon Sackman Sue Sahli Mr. and Mrs. James A. Saks Mr. Larry J. Santon Stanford and Jean B. Sarlson Sanford Saul Family James Dalton Saunders Patricia J. Sawvel Ray and Kit Sawyer Richard Saxton* Morris and Alice Sayre In Memory of Hyman and Becky Schandler Robert Scherrer Sandra J. Schlub Ms. Marian Schluembach Robert and Betty Schmiermund Mr. and Mrs. Richard M. Schneider Lynn A. Schreiber* Jeanette L. Schroeder Carol* and Albert Schupp Mr. Frank Schultz Roslyn S. and Ralph M. Seed Nancy F. Seeley Edward Seely Oliver E. and Meredith M. Seikel Russell Seitz* Eric Sellen Andrea E. Senich Thomas and Ann Sepulveda Elsa Shackleton* B. Kathleen Shamp Jill Semko Shane David Shank Dr. and Mrs. Daniel J. Shapiro Norine W. Sharp Norma Gudin Shaw Elizabeth Carroll Shearer Dr. and Mrs. William C. Sheldon Frank * and Mary Ann Sheranko Kim Sherwin Mr. and Mrs. Michael Sherwin

Reverend and Mrs. Malcolm K. Shields Rosalyn and George Sievila Mr. and Mrs. David L. Simon Dr.* and Mrs. John A. Sims Naomi G. and Edwin Z. Singer Lauretta Sinkosky H. Scott Sippel and Clark T. Kurtz Ellen J. Skinner Ralph* and Phyllis Skufca Janet Hickok Slade Alden D. and Ellen D.* Smith Margaret C. Smith* Mr.* and Mrs. Ward Smith M. Isabel Smith* Nathan Snader* Sterling A.* and Verdabelle Spaulding Sue Starrett and Jerry Smith Barbara J. Stanford and Vincent T. Lombardo Lois and Thomas Stauffer Willard D. Steck* Merle Stern Dr. Myron Bud and Helene* Stern Mr. and Mrs. John M. Stickney Nora and Harrison Stine* Mr. and Mrs. Stanley M. Stone Mr. and Mrs. James P. Storer Mr. and Mrs. Ralph E. String The Irving Sunshine Family Vernette M. Super* Mr.* and Mrs.* Herbert J. Swanson In Memory of Marjory Swartzbaugh Lewis Swingley* Lorraine S. Szabo Norman V. Tagliaferri Susan* and Andrew Talton Frank E. Taplin, Jr.* Charles H. Teare and Clifford K.* Kern Mr. Ronald E. Teare Pauline Thesmacher* Dr. and Mrs. Friedrich Thiel Mrs. William D. Tibbetts* Mr. and Mrs. William M. Toneff Alleyne C. Toppin Janice and Leonard Tower Dorothy Ann Turick Mr. and Mrs. Robert A. Urban Robert and Marti Vagi Robert A. Valente J. Paxton Van Sweringen Mary Louise and Don VanDyke Elliot Veinerman* Nicholas J. Velloney* Steven Vivarronda Hon. William F.B. Vodrey Pat and Walt* Wahlen Mrs. Clare R. Walker John and Deborah Warner Mr. and Mrs. Russell Warren

Legacy & Planned Giving

Charles D. Waters* Etta Ruth Weigl Lucile Weingartner Eunice Podis Weiskopf* Max W. Wendel William Wendling and Lynne Woodman Marilyn J. White Alan H. and Marilyn M. Wilde Elizabeth L. Wilkinson* Helen Sue* and Meredith Williams Carter and Genevieve Wilmot Miriam L. and Tyrus W.* Wilson Mr. Milton Wolfson* and Mrs. Miriam Shuler-Wolfson Nancy L. Wolpe Mrs. Alfred C. Woodcock Mr. and Mrs.* Donald Woodcock Dr. and Mrs. Henry F. Woodruff Marilyn L. Wozniak Nancy R. Wurzel Michael and Diane Wyatt Mary Yee Libby Yunger Dr. Norman Zaworski William L. and Joan H. Ziegler Carmela Catalano Zoltoski Roy J. Zook* Anonymous (97)

*deceased

The lotus blossom is the symbol of the Heritage Society. It represents eternal life and recognizes the permanent benefits of legacy gifts to The Cleveland Orchestraâ&#x20AC;&#x2122;s endowment. Said to be Elisabeth Severanceâ&#x20AC;&#x2122;s favorite flower, the lotus is found as a decorative motif in nearly every public area of Severance Hall.

The Cleveland Orchestra

Guide to Fine Schools

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Other ﬁne schools advertising in The Cleveland Orchestra’s Severance Hall programs include:

Baldwin Wallace University Conservatory of Music 440-826-2369 Cleveland Institute of Music 216-791-5000 Cleveland State University Kulas Series of Keyboard Conversations with Jeffrey Siegel 216-687-5018 Lake Erie College 1-855-GO-STORM The Oberlin Conservatory of Music 440-775-8413 Severance Hall 2012-13

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The Cleveland Orchestra

The Cleveland Orchestra: Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R M A S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s actitivities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 70,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Hay High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades. Severance Hall 2012-13

Education & Community

T H E

C L E V E L A N D

El Sistema@Rainey performing at Severance Hall. The initiative is an intensive after-school orchestral music program launched in September 2011 by Cleveland Orchestra violinist Isabel Trautwein and Cleveland’s Rainey Institute. Modeled after the national Venezuelan program El Sistema (“the system”), the initiative emphasizes community-based orchestra training from a young age, with a focus on making music fun and inspiring young musicians with a passion for music and for life. The Cleveland Orchestra and education partner Conn-Selmer are the official providers of instruments for the El Sistema@Rainey program, with instrument support from Royalton Music for El Sistema@Rainey Summer Camp.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program that fosters the use of music and the arts to support general classroom learning. Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestraâ&#x20AC;&#x2122;s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Invacare Corporation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lincoln Electric Foundation The Lubrizol Corporation The Nord Family Foundation Ohio Arts Council Ohio Savings Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation The Sherwin-Williams Foundation The South Waite Foundation Surdna Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Womenâ&#x20AC;&#x2122;s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice B. Cull Memorial Fund Mr. and Mrs. Charles B. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund Anonymous

Severance Hall 2012-13

Education & Community

More than 1,200 talented young musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since its founding in 1986.

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The Cleveland Orchestra

THE CLEVELAND ORCHESTRA

Endowed Funds

funds established as of October 2012

Generous contributions to the endowment have been made to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to the Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus. Artistic Collaboration

American Conductors Fund

Keithley Fund

Douglas Peace Handyside Holsey Gates Handyside

Artist-in-Residence

Severance Hall Guest Conductors

Malcolm E. Kenney

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

International Touring Frances Elizabeth Wilkinson

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

Concert Previews Dorothy Humel Hovorka

Radio Broadcasts Robert and Jean Conrad

Unrestricted William P. Blair III Fund for Orchestral Excellence John P. Bergren and Sarah S. Evans Margaret Fulton-Mueller Fund Virginia M. and Jon A. Lindseth

Roger and Anne Clapp James and Donna Reid

Cleveland Orchestra Soloists Julia and Larry Pollock Family Fund

Guest Artists The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, was established to develop new generations of audiences for The Cleveland Orchestra. Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler Fund

Endowed Funds listing continues

Severance Hall 2012-13

Endowed Funds

THE CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year. Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice B. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley Education Fund The William N. Skirball Endowment

Education Concerts Week The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Machaskee Fund

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall: Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center. Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

Endowed Funds

The Cleveland Orchestra

CLE E H T

D LAN

T HES

Meet the Musicians Cleveland Orchestra musicians participate in a variety of community and education activities beyond the weekly orchestral concerts at Severance Hall. These activities include masterclasses and recitals, PNC Musical Rainbows, the Learning Through Music school partnership program, and coaching the Cleveland Orchestra Youth Orchestra. PHOTOGRAPHS BY ROGER MASTROIANNI

BARRICK STEES

bassoon BORN: Rockford, Illinois ROLE MODEL: My teacher K. David Van

Hoesen, singers Dietrich Fischer-Dieskau, Fritz Wunderlich, Maria Callas. ON MY MP3 PLAYER: Shostakovich string quartets, Charlie Parker, Miles Davis. CLEVELAND ORCHESTRA HIGHLIGHT: Wagner’s Siegfried in concert with Christoph von Dohnányi. FREE TIME: Competitive running, coffee roasting, gardening, reading. BIG DREAM: That great orchestral music will always nourish people’s spirits. FAVORITE ORCHESTRAL WORK: Beethoven’s Ninth Symphony.

JOELA JONES

MARK KOSOWER

keyboard

cello BORN: Miami, Florida ROLE MODEL: My eldest sister, Julia,

who died before I was born. She has always led me. BIG DREAM: Move to Europe, be the pianist for an opera company; get a position as a church organist and learn all of Bach’s works for organ. FREE TIME: I like to read histories and biographies of great people. ON MY MP3 PLAYER: German lessons, Mitsuko Uchida playing Mozart, Alfred Brendel playing Schubert and Liszt. FAVORITE ORCHESTRAL WORK: Wagner’s operas. Severance Hall 2012-13

BORN: Eau Claire, Wisconsin ON MY MP3 PLAYER: It’s filled with sym-

phonic, opera, chamber, and solo music. ROLE MODELS: Janos Starker

and Herbert Blomstedt. BIG DREAM: To record an extensive

cross-section of the cello literature. WHY A MUSICIAN: I was born into a family of musicians and didn’t know any better. FREE TIME: Reading, dining, movies, basketball. FAVORITE ORCHESTRAL WORK: Too many to choose from.

Meet the Musicians

Student Ticket Programs “Under 18s Free,” Student Advantage membership, and Student Frequent FanCard offer affordable access to Cleveland Orchestra concerts all season long The Cleveland Orchestra is committed to developing one of the youngest audiences of any orchestra in the country. With the help of generous contributors, the Orchestra has expanded its discounted ticket offerings through several new programs. In the opening two months of the current Severance Hall season, student attendance has doubled from last season, with nearly 20% of the audience being students experiencing Cleveland Orchestra concerts through these various programs and offers. S T U D E N T A DVA N TAG E P R O G R A M

The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend Orchestra concerts at Severance Hall through discounted ticket offers. Membership in the Student Advantage Program is free. A new Student Frequent FanCard was introduced this season. Priced at $50, the FanCard offers students unlimited single tickets (one per FanCard holder) to weekly Classical Subscription Concerts all season long. “UNDER 18s FREE”

Introduced for Blossom Music Festival concerts two summers ago, the “Under 18s Free” program now includes select Cleveland Orchestra concerts at Severance Hall each season. This program offers free tickets (one per regular-priced adult paid admission) to young people ages 7-17 to the Orchestra’s Fridays@7, Friday Morning at 11, and Sunday Afternoon at 3 concerts. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences and the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

Student Ticket Programs

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

KeyBank

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$1 MILLION TO $5 MILLION

PARTNERS IN EXCELLENCE $300,000 AND MORE

$5 MILLION AND MORE

BakerHostetler Bank of America Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch NACCO Industries, Inc. Parker Hannifin Corporation The Plain Dealer PNC Bank PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The Sage Cleveland Foundation The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of December 2012.

gifts of $2,500 or more during the past year, as of December 20, 2012

KeyBank The Lubrizol Corporation NACCO Industries, Inc. The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. PNC PARTNERS IN EXCELLENCE $100,000 TO $199,999

Google, Inc. Medical Mutual of Ohio Parker Hannifin Corporation $50,000 TO $99,999

Exile LLC Jones Day Quality Electrodynamics (QED) Raiffeisenlandesbank Oberösterreich (Europe) The Sage Cleveland Foundation Anonymous $25,000 TO $49,999 Bank of America Dix & Eaton The Giant Eagle Foundation Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp. The Plain Dealer RPM International Inc. Squire, Sanders & Dempsey (US) LLP Thompson Hine LLP

$2,500 TO $24,999 Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc. American Greetings Corporation BDI Brouse McDowell Eileen M. Burkhart & Co LLC Buyers Products Company

Severance Hall 2012-13

Corporate Annual Support

Cedar Brook Financial Partners, LLC The Cleveland Wire Cloth & Mfg. Co. The Cliffs Foundation Community Behavioral Health Center Conn-Selmer, Inc. Consolidated Graphics Group, Inc. Dealer Tire LLC Dollar Bank Dominion Foundation Ernst & Young LLP Evarts-Tremaine-Flicker Company Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Viktor Kendall, Friends of WLRN Gallagher Benefit Services Genovese Vanderhoof & Associates Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Houck Anderson P.A. (Miami) Hunton & Williams, LLP (Miami) Hyland Software The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Materion Corporation Miba AG (Europe) MTD Products, Inc. Nordson Corporation North Coast Container Corp. Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Oswald Companies PolyOne Corporation The Prince & Izant Company Richey Industries, Inc. Satch Logistics LLC SEMAG Holding GmbH (Europe) The Sherwin-Williams Company Stern Advertising Agency Swagelok Company TriMark S.S. Kemp Trionix Research Laboratory, Inc. Tucker Ellis Ulmer & Berne LLP United Automobile Insurance Company (Miami) Ver Ploeg & Lumpkin, P.A. (Miami) Ricky & Sarit Warman — Papa John’s Pizza (Miami) WCLV Foundation Westlake Reed Leskosky The Avedis Zildjian Company Anonymous (3)

EXERCISE YOUR MIND OFF-CAMPUS CLASSES & EVENTS IN YOUR NEIGHBORHOOD

NATHAN ENGLANDER Nathan Englander is the author of the critically acclaimed collection What We Talk About When We Talk About Anne Frank, as well as the internationally bestselling story collection For the Relief of Unbearable Urges, and the novel The Ministry of Special Cases (all published by Knopf/ Vintage). His short fiction and

essays have appeared in The New Yorker, The New York Times, The Atlantic Monthly, and The Washington Post, as well as The O. Henry Prize Stories and numerous editions of The Best American Short Stories. Translated into more than a dozen languages, Englander was selected as one of â&#x20AC;&#x153;20 Writers for the 21st Centuryâ&#x20AC;? by The New Yorker.

Ă&#x2039; 686ĂŠ 7 595 *6 9

Events TUESDAY MARCH 12 co-sponsored by Âş ĂŠ Ă&#x2039;Ă§NĂ§ Ă&#x2C6; 9 6 5 9 698 6 5 7 8 58 Ă§ Cuyahoga County Âş ĂŠ Ă&#x2039;Ă§NĂ§ #Ă? 9 9 85 59 Ă&#x152;66 9 9 Ă§ Public Library The Laura & Alvin Siegal Lifelong Learning program at Case Western Reserve University provides high-quality lifelong learning opportunities for adults who want to cultivate their ongoing intellectual curiosity.

SPRING PROGRAMMING HIGHLIGHTS SENIOR SCHOLARS â&#x20AC;&#x201C; Spring topics include: Womenâ&#x20AC;&#x2122;s Work: Myths and Realities (Professor Dorothy Miller); American Pulp Fiction (Professor William Marling); Revolutions (Presented by the Baker-Nord Center for Humanities); The Decline of the Middle Ages (Professor 76 ' Ă¤ĂŞ Brazil Today: an Opera in Five Acts (Professor Don Ramos). Classes held at the College Club: Tuesday, Wednesday or Thursday afternoons. VISITING SCHOLARS â&#x20AC;&#x201C; including: Political Scientist Dr. Guy Ben-Porat (Ben-Gurion University, Israel); Rabbi Steve Greenberg ĂŁ-58 695 7 98 6 Learning and Leadership, and the first openly gay Orthodox Rabbi) & Professor Vivian Mann (director of 8 N5 8 Ă˛ Ă&#x2039; 6 5 9 7 8 59 , 5 8 58 + 7 + 6 6 5 * 95 Ă¤Ă§

browse class & event listings online www.case.edu/lifelonglearning Tel: 216.368.2090

ACE (The Association for Continuing Education) Programs include Discussion Day April 15; Annual Meeting with Professor Michael Scharf (CWRU School of Law) and OFF-CAMPUS STUDIES in locations throughout Northeast Ohio. DISTINGUISHED LECTURE SERIES â&#x20AC;&#x201C; Including: Chief Rabbi of Poland Michael Schudrich; Professor 7 S. Gurock; Professor Robert M. Seltzer; Professor Haya Bar-Itzhak & Professor Christine Hayes. SCHOLARS ON THE CIRCLE â&#x20AC;&#x201C; Spring programs in partnership with the Cleveland Museum of Art, Western Reserve Historical Society, The Music Settlement, and Kelvin Smith Library. 7 *8 and Hebrew language courses and programs (all levels).

. . . for the love of learning

THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestraâ&#x20AC;&#x2122;s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation $5 MILLION TO $10 MILLION

John P. Murphy Foundation $1 MILLION TO $5 MILLION

Ann and Gordon Getty Foundation GAR Foundation The George Gund Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Knight Foundation (Cleveland, Miami) The Andrew W. Mellon Foundation David and Inez Myers Foundation National Endowment for the Arts The Payne Fund The Reinberger Foundation The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of December 2012.

Severance Hall 2012-13

gifts of $2,000 or more during the past year, as of December 20, 2012

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts and Culture The Andrew W. Mellon Foundation The Kelvin and Eleanor Smith Foundation $250,000 TO $499,000

Kulas Foundation The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation (Miami) John P. Murphy Foundation David and Inez Myers Foundation Ohio Arts Council $100,000 TO $249,999

Sidney E. Frank Foundation GAR Foundation The George Gund Foundation $50,000 TO $99,999

The George W. Codrington Charitable Foundation Martha Holden Jennings Foundation The Mandel Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation John S. and James L. Knight Foundation Elizabeth Ring Mather and William Gwinn Mather Fund National Endowment for the Arts Donald and Alice Noble Foundation, Inc. The Payne Fund Surdna Foundation $20,000 TO $49,999 The Abington Foundation Akron Community Foundation The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. Ann and Gordon Getty Foundation The Margaret Clark Morgan Foundation The Frederick and Julia Nonneman Foundation The Nord Family Foundation Peacock Foundation, Inc. (Miami) The Sisler McFawn Foundation

$2,000 TO $19,999 Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Batchelor Foundation, Inc. (Miami) The Bernheimer Family Fund of The Cleveland Foundation Bicknell Fund Eva L. and Joseph M. Bruening Foundation The Collacott Foundation Mary and Dr. George L. Demetros Charitable Trust Elisha-Bolton Foundation Fisher-Renkert Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation Funding Arts Network (Miami) The Helen Wade Greene Charitable Trust The Hankins Foundation The Muna and Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Kangesser Foundation The Kridler Family Fund of The Columbus Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation Miami-Dade County Department of Cultural Affairs (Miami) Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation Jean C. Schroeder Foundation Kenneth W. Scott Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The Taylor-Winfield Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

Foundation/Government Annual Support

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of December 20, 2012 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland)

Daniel R. and Jan R. Lewis (Miami) INDIVIDUAL GIFTS OF $200,000 TO $499,999

$5 MILLION TO $10 MILLION

Irma and Norman Braman (Miami) Francie and David Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) Ms. Ginger Warner (Cleveland, Miami)

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin Mr. and Mrs. Albert B. Ratner

INDIVIDUAL GIFTS OF $100,000 TO $199,999

$1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. and Mrs. Francis J. Callahan Mrs. Anne M. Clapp Mr. George Gund III Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Anonymous (2) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of December 2012.

Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Peter B. Lewis and Janet Rosel (Miami) Mr.* and Mrs. Herbert McBride Mr. and Mrs. Albert B. Ratner Janet and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. and Mrs. Douglas A. Kern The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz James D. Ireland III Mr. and Mrs. Dennis W. LaBarre R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis Ms. Beth E. Mooney James and Donna Reid Barbara S. Robinson Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous

Individual Annual Support

The Cleveland Orchestra

INDIVIDUAL GIFTS OF $30,000 TO $49,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad Do Unto Others Trust (Miami) Mr. and Mrs. Geoffrey Gund George Gund Trevor and Jennie Jones Elizabeth B. Juliano (Cleveland, Miami) Giuliana C. and John D. Koch Foundation (Cleveland, Miami) Dr. Vilma L. Kohn Mr. and Mrs. S. Lee Kohrman Charlotte R. Kramer Ms. Nancy W. McCann Sally S. and John C. Morley Julia and Larry Pollock Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner Luci and Ralph* Schey Mary M. Spencer (Miami) Mr. and Mrs. Franz Welser-Möst

INDIVIDUAL GIFTS OF $15,000 TO $19,999

Randall and Virginia Barbato Jayusia and Alan Bernstein (Miami) Scott Chaikin and Mary Beth Cooper Mr. and Mrs. Peter O. Dahlen George* and Becky Dunn listings continue

Crescendo

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair

INDIVIDUAL GIFTS OF $25,000 TO $29,999

Dr. and Mrs. Hiroyuki Fujita Junior Committee of The Cleveland Orchestra David and Jan Leshner Mr. and Mrs. Jon A. Lindseth Mr. and Mrs. Edward A. Lozick Margaret Fulton-Mueller Mrs. Jane B. Nord Mr. and Mrs. James A. Ratner Hewitt and Paula Shaw Richard and Nancy Sneed (Cleveland, Miami) Paul and Suzanne Westlake INDIVIDUAL GIFTS OF $20,000 TO $24,999

Gay Cull Addicott Mr. and Mrs. William W. Baker Jill and Paul Clark Bruce and Beth Dyer Esther L. and Alfred M. Eich, Jr. Dr. Edward S. Godleski Andrew and Judy Green Gary Hanson and Barbara Klante Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mrs. Marguerite B. Humphrey William J. and Katherine T. O’Neill

Severance Hall 2012-13

Dr. and Mrs. Ronald J. Ross Steven and Ellen Ross Mr. and Mrs. James A. Saks Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Dr. and Mrs. Neil Sethi R. Thomas and Meg Harris Stanton Mr. and Mrs. Donald Stelling (Europe) Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) Women’s Committee of The Cleveland Orchestra Anonymous gift from Switzerland (Europe) Anonymous

Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson

Jack Harley Iris Harvie Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, educational activities, and community projects. The Crescendo Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Hayden Howland, Manager of Leadership Giving, by calling 216-231-7545.

Individual Annual Support

THE CLEVELAN D ORCHESTRA

Leadership Council The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

listings continued

Colleen and Richard Fain (Miami) Jeffrey and Susan Feldman Mr. Allen H. Ford Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) Tati and Ezra Katz (Miami) Jonathan and Tina Kislak (Miami) Robert M. Maloney and Laura Goyanes Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Miba AG (Europe) Lucia S. Nash Mr. Gary A. Oatey Brian and Patricia Ratner David and Harriet Simon Mr. Joseph F. Tetlak Rick, Margarita and Steven Tonkinson (Miami) LNE Group â&#x20AC;&#x201C; Lee Weingart (Europe) Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. David J. Carpenter Judith and George W. Diehl Joyce and Ab* Glickman Mr. and Mrs. Jeffrey Healy Mrs. David Seidenfeld Mr. and Mrs. Alfred Umdasch (Europe) INDIVIDUAL GIFTS OF $10,000 TO $12,499

Mr. and Mrs. George N. Aronoff Marsha and Brian Bilzin (Miami) Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. D. McGregor Brandt, Jr. Augustine* and Grace Caliguire Mr. and Mrs. R. Bruce Campbell Richard J. and Joanne Clark Martha and Bruce Clinton (Miami) Mr. and Mrs. William E. Conway Mrs. Barbara Cook Bruce Coppock and Lucia P. May (Miami) Mr. and Mrs. Matthew V. Crawford Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami)

Dr. and Mrs. Lloyd H. Ellis Jr. Ms. Dawn M. Full Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Robert K. Gudbranson and Joon-Li Kim Jeffrey and Stacie Halpern Sondra and Steve Hardis David and Nancy Hooker Joan and Leonard Horvitz Mr. and Mrs. Christopher Hyland Mr. and Mrs. Donald M. Jack, Jr. Allan V. Johnson Janet and Gerald Kelfer (Miami) Mrs. Elizabeth R. Koch Tim and Linda Koelz Mr. and Mrs. Richard A. Manuel Mr. and Mrs. Stanley A. Meisel Edith and Ted* Miller Mrs. Sydell L. Miller The Estate of Walter N. Mirapaul Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. and Mrs. William M. Osborne, Jr. Mr. and Mrs. George M. Rose Mr. and Mrs. David A. Ruckman Mr. Larry J. Santon Dr. E. Karl and Lisa Schneider Rachel R. Schneider Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Steven Spilman Lois and Tom Stauffer Mrs. Blythe Sundberg Dr. Russell A. Trusso Tom and Shirley Waltermire The Wells Family Foundation, Inc. Sandy and Ted Wiese Anonymous INDIVIDUAL GIFTS OF $7,500 TO $9,999

Laurel Blossom Dr. and Mrs. Jerald S. Brodkey Dr. Thomas Brugger and Dr. Sandra Russ Ellen E. & Victor J. Cohn Supporting Foundation Mr. Owen Colligan Mr. and Mrs. Edward B. Davis Henry and Mary Doll Nancy and Richard Dotson Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Amy and Stephen Hoffman Pamela and Scott Isquick Joela Jones and Richard Weiss Judith and Morton Q. Levin Mr. Jeff Litwiller Mr. and Mrs.* Robert P. Madison Mrs. Robert H. Martindale Mr. and Mrs. Thomas B. McGowan Mr. Donald W. Morrison Pannonius Foundation Douglas and Noreen Powers listings continue

Individual Annual Support

The Cleveland Orchestra

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The Center for Music & Medicine University Hospitals Center for Music and Medicine is proud to support The Cleveland Orchestra.

1-866-UH4-CARE | 1-866-844-2273 UHhospitals.org/musicandmedicine

ÂŠ 2011 University Hospitals NEU 00262

Severance Hall 2012-13

THE CLEVELAN D ORCHESTRA listings continued

Rosskamm Family Trust Patricia J. Sawvel Carol* and Albert Schupp Dr. Gerard and Phyllis Seltzer Naomi G. and Edwin Z. Singer Family Fund Mrs. Gretchen D. Smith Mr. and Mrs. Donald W. Strang, Jr. Mrs. Marie S. Strawbridge Bruce and Virginia Taylor Anonymous (3) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Susan S. Angell Mr. and Mrs. Albert A. Augustus Mr. and Mrs. Dean Barry Mr. Jon Batchelor (Miami) Fred G. and Mary W. Behm Drs. Nathan A. and Sosamma J. Berger Mr. William Berger Dr.* and Mrs.* Norman E. Berman Dr. and Mrs. Eugene H. Blackstone Paul and Marilyn* Brentlinger Mr. Robert W. Briggs Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William & Dottie Clark Mrs. Lester E. Coleman Mr. and Mrs. Gerald A. Conway Corinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph Daugstrup Mrs. Barbara Ann Davis Ms. Nancy J. Davis (Miami) Mr. and Mrs. Thomas S. Davis Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Joy E. Garapic Mr. David J. Golden Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Harry and Joyce Graham Mr. Paul Greig David and Robin Gunning Clark Harvey and Holly Selvaggi In memory of Philip J. Hastings Henry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller T. K. and Faye A. Heston Bob and Edith Hudson (Miami) Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Rudolf D. and Joan T. Kamper Andrew and Katherine Kartalis Milton and Donna* Katz Dr. and Mrs. William S. Kiser Mrs. Justin Krent

Mr. James and Mrs. Patricia Krohngold Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. David C. Lamb Shirley and William Lehman (Miami) Mr.* and Mrs. Leo Leiden Larry and Christine Levey Mr. and Mrs. Adam Lewis (Miami) Mrs. Emma S. Lincoln Heather and Irwin Lowenstein Mr. and Mrs. Alex Machaskee Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Claudia Metz and Thomas Woodworth Drs. Terry E. and Sara S. Miller Mr. and Mrs. William A. Mitchell Ann Jones Morgan Robert Moss (Miami) Mr. Raymond M. Murphy Mr. and Mrs. Stephen E. Myers Mr. and Mrs. Herbert Newman Richard and Kathleen Nord Mr. Henry Ott-Hansen Mr. J. William and Dr. Suzanne Palmer Claudia and Steven Perles (Miami) Nan and Bob Pfeifer Dr. and Mrs. John N. Posch Lois S.* and Stanley M. Proctor Ms. Rosella Puskas Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Ms. Deborah Read Paul A. and Anastacia L. Rose Dr. Tom D. Rose Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter David M. and Betty Schneider Linda B. Schneider Larry and Sally Sears Mr. Eric Sellen and Mr. Ron Seidman Mrs. Frances G. Shoolroy Marjorie B. Shorrock Laura and Alvin A. Siegal David Kane Smith Jim and Myrna Spira George and Mary Stark Charles B. and Rosalyn Stuzin (Miami) Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins Dr. and Mrs. Leslie T. Webster, Jr. Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Charles Winans Anonymous (6)

listings continue

Individual Annual Support

The Cleveland Orchestra

Severance Hall 2012-13

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $3,500 TO $4,999

Dr. and Mrs. D. P. Agamanolis Mr. and Mrs. Robert H. Baker Ms. Delphine Barrett Mrs. Joanne M. Bearss Mr. and Mrs. Jules Belkin Dr. Ronald and Diane Bell Suzanne and Jim Blaser Dr. Ben H. and Julia Brouhard Dr. and Mrs. William E. Cappaert Ms. Mary E. Chilcote Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier Marjorie Dickard Comella Pete and Margaret Dobbins Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry Peggy and David* Fullmer Mrs. Joan Getz (Miami) Robert N. and Nicki N. Gudbranson Mr. Robert D. Hart Matthew D. Healy and Richard S. Agnes Hazel Helgesen and Gary D. Helgesen Ms. Rosina Horvath

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Helen and Erik Jensen Dr. Gilles and Mrs. Malvina Klopman Dr. James and Mrs. Margaret Kreiner Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne* Lugibihl Elsie and Byron Lutman Joel and Mary Ann Makee Martin and Lois Marcus Susan and Reimer Mellin Dr.* and Mrs. Hermann Menges, Jr. Dr. Susan M. Merzweiler Mr. and Mrs. Peter R. Osenar Mrs. Ingrid Petrus Mr. and Mrs. John S. Piety Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak William and Gwen Preucil

Dr. Robert W. Reynolds Mrs. Charles Ritchie Amy and Ken Rogat Fred Rzepka and Anne Rzepka Family Foundation Bob and Ellie Scheuer Ms. Freda Seavert Charles Seitz (Miami) Ginger and Larry Shane Mr. Richard Shirey Dr. Marvin and Mimi Sobel Mr. and Mrs. William E. Spatz Howard Stark M.D. and Rene Rodriguez (Miami) Mrs. Barbara Stiefel (Miami) Dr. Elizabeth Swenson Mr. and Mrs. Leonard K. Tower Robert and Marti Vagi Mr. and Mrs. Mark Allen Weigand Mr. Peter and Mrs. Laurie Weinberger Robert C. Weppler Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox

Dr. Dale and Susan Cowan Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis Mrs. Lois Joan Davis Dr. Sharon DiLauro-Petrus Dr. and Mrs. Richard C. Distad Ms. Maureen A. Doerner and Mr. Geoffrey T. White Mr. George and Mrs. Beth Downes Ms. Mary Lynn Durham George* and Mary Eaton David and Margaret Ewart Harry and Ann Farmer Carl and Amy Fischer Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Randall and Mrs. Patrice Fortin Mr. Monte Friedkin (Miami) Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Richard L. Furry Jeanne Gallagher Barbara and Peter Galvin Mrs. Georgia T. Garner Barbara P. Geismer* Mr. Wilbert C. Geiss, Sr. Dr. Kevin and Angela Geraci Anne and Walter Ginn Mr. and Mrs. David Goldberg Mr. and Mrs. David A. Goldfinger Dr. and Mrs. Ronald L. Gould Mr. and Mrs. Robert T. Graf Nancy Green (Miami) Mr. and Mrs. Brent R. Grover

The Thomas J. and Judith Fay Gruber Charitable Foundation Nancy and James Grunzweig Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. George B. P. Haskell Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Mr. and Mrs. Edmond H. Hohertz Thomas and Mary Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Mark and Ruth Houck (Miami) Dr. Randal N. Huff and Ms. Paulette Beech Ms. Charlotte L. Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Dr. Michael and Mrs. Deborah Joyce Barbara and Michael J. Kaplan Dr. and Mrs. Richard S. Kaufman Rev. William C. Keene Mr. Karl W. Keller Elizabeth Kelley Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Mr. James Kish Natalie Kittredge Fred and Judith Klotzman Ellen Brad and Bart Kovac

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Ms. Nancy A. Adams Stanley I. and Hope S. Adelstein Norman and Rosalyn Adler Family Philanthropic Fund Mr. Gerald O. Allen Norman and Helen Allison Mr. and Mrs. Robert J. Amsdell Rev. Dr. and Mrs. Kenneth J. Anderson Mr. and Mrs. Jeffrey R. Appelbaum Mr. and Mrs. Stanley H. Arkin (Miami) Geraldine and Joseph Babin Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Julia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill and Zeda Blau Mr. Doug Bletcher Mr. and Mrs. Dennis A. Block John and Anne Bourassa Lisa and Ron Boyko Mrs. Ezra Bryan J. C. and Helen Rankin Butler Ms. Mary R. Bynum and Mr. J. Philip Calabrese Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Suzan Cheng Dr. and Mrs. Chris Chengelis Mr. and Mrs. Homer D. W. Chisholm Mr. and Mrs. Robert A. Clark Mr. and Mrs. Stanley Cohen (Miami) Mr. and Mrs. David J. Cook

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Individual Annual Support

The Cleveland Orchestra

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THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Dr. Ronald H. Krasney and Ms. Sherry* Latimer Mr. Donald N. Krosin Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. Israel Lapciuc Kenneth M. Lapine Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Jon E. Limbacher and Patricia J. Limbacher Isabelle and Sidney* Lobe Holly and Donald Loftus Martha Klein Lottman Mary Loud Marianne Luedeking (Miami) Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David and Elizabeth Marsh Mr. and Mrs.* Duane J. Marsh Mrs. Meredith T. Marshall Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Jim and Diana McCool William and Eleanor McCoy Ms. Nancy L. Meacham Mr. James E. Menger Stephen and Barbara Messner Mr. Stephen P. Metzler Mr. and Mrs. Roger Michelson (Miami) MindCrafted Systems Ms. Barbara A. Morrison Joan Katz Napoli and August Napoli Richard B. and Jane E. Nash Mr. David and Mrs. Judith Newell Mort and Milly Nyman (Miami) Richard and Jolene O’Callaghan

Nedra and Mark Oren (Miami) James P. Ostryniec (Miami) Mr. and Mrs. Robert D. Paddock Deborah and Zachary Paris Dr. Lewis and Janice B. Patterson Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dr. Marc and Mrs. Carol Pohl Mr. Richard and Mrs. Jenny Proeschel K. Pudelski Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Dr. Barbara Risius Carol Rolf and Steven Adler Dr. and Mrs. Michael Rosenberg (Miami) Michael and Roberta Rusek Dr. Harry S. and Rita K. Rzepka Nathan N. and Esther Rzepka Family Philanthropic Fund Bunnie Joan Sachs Family Foundation Dr. and Mrs. Martin I. Saltzman Ms. Patricia E. Say Mr. Paul H. Scarbrough Mr. James Schutte Dr. John Sedor and Ms. Geralyn Presti Lee G. and Jane Seidman Drs. Daniel and Ximena Sessler Harry and Ilene Shapiro Norine W. Sharp Dr. and Mrs. William C. Sheldon Dr. Howard* and Mrs. Judith Siegel Ms. Linda M. Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Mr. John C. Soper and Dr. Judith S. Brenneke Mr. John D. Specht Mr. and Mrs.* Lawrence E. Stewart Stroud Family Trust

Dr. Kenneth F. Swanson Mr. Taras G. Szmagala Jr. Mr. Nelson S. Talbott Ken and Martha Taylor Greg and Suzanne Thaxton Mr. Karl and Mrs. Carol Theil Parker D. Thomson Esq. (Miami) Mr. and Mrs. Robert J. Tomsich Mr. and Mrs. Lyman H. Treadway Steve and Christa Turnbull Miss Kathleen Turner Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Ricky and Sarit Warman – Papa John’s Pizza (Miami) Mr. and Mrs. Joseph F. Wasserbauer Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Eric* and Margaret Wayne Mr. and Mrs. Jerome A. Weinberger Mrs. Mary Wick Bole Dr. Paul R. and Mrs. Catherine Williams Dr. and Mr. Ann Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Rad and Patty Yates Fred and Marcia Zakrajsek Mr. Kal Zucker and Mrs. Mary Frances Haerr Anonymous (10)

member of the Leadership Council (see page 78)

* deceased

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Crescrendo Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestra’s Annual Report, which can be viewed online at CLEVELANDORCHESTRA .COM For information about how you can play a supporting role for The Cleveland Orchestra’s ongoing artistic excellence, education programs, and community partnerships, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

Individual Annual Support

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA R E C O R D I N G S great gift ideas

The Cleveland Orchestra’s catalog of recordings continues to grow. The newest DVD features Bruckner’s Eighth Symphony recorded live at Severance Hall under the direction of Music Director Franz Welser-Möst in 2010 and released in May 2011. And, released in 2012, Dvořák’s opera Rusalka on CD, recorded live at the Salzburg Festival. Writing of the Rusalka performances, the reviewer for London’s Sunday Times praised the performance as “the most spellbinding account of Dvořák’s miraculous score I have ever heard, either in the theatre or on record. . . . I doubt this music can be better played than by the Clevelanders, the most ‘European’ of the American orchestras, with wind and brass soloists to die for and a string sound of superlative warmth and sensitivity.” Other recordings released in recent years include two under the baton of Pierre Boulez and a third album of Mozart piano concertos with Mitsuko Uchida, whose first Cleveland Orchestra Mozart album won a Grammy Award in 2011. Visit the Cleveland Orchestra Store for the latest and best Cleveland Orchestra recordings and DVDs.

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the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

Severance Hall

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THE CLEVELAND C O N C E R T

C A L E N D A R

WINTER SEASON Thursday January 17 at 8:00 p.m. Saturday January 19 at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Joshua Bell, violin

WIDMANN Lied BARTÓK Dance Suite BEETHOVEN Violin Concerto Sponsor: Eaton Corporation

Thursday February 14 at 8:00 p.m. Friday February 15 at 8:00 p.m. Saturday February 16 at 8:00 p.m. THE CLEVELAND ORCHESTRA Herbert Blomstedt, conductor Ellie Dehn, soprano Michael Kelly, baritone

NIELSEN Symphony No. 3 BEETHOVEN Symphony No. 7 Sponsor: Medical Mutual of Ohio

Friday January 18 at 7:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Joshua Bell, violin KEYBANK FRIDAYS@7

BEETHOVEN Violin Concerto BARTÓK Dance Suite Sponsor: KeyBank

Sunday January 20 at 7:00 p.m. THE CLEVELAND ORCHESTRA Tito Muñoz, conductor Adé Williams, violin Central State University Chorus Martin Luther King Jr. Celebration Chorus

MARTIN LUTHER KING JR CELEBRATION CONCERT

Thursday February 21 at 8:00 p.m. Friday February 22 at 11:00 a.m. Saturday February 23 at 8:00 p.m. Sunday February 24 at 3:00 p.m. THE CLEVELAND ORCHESTRA Herbert Blomstedt, conductor

MOZART Symphony No. 40 DVOŘÁK Symphony No. 9 (“From the New World”) Sponsor: Jones Day

Thursday February 28 at 8:00 p.m. Friday March 1 at 8:00 p.m. Saturday March 2 at 8:00 p.m. THE CLEVELAND ORCHESTRA Christoph von Dohnányi, conductor

The Cleveland Orchestra’s 33rd annual concert celebrating the spirit of Dr. King’s life, leadership, and vision. Presented in collaboration with the City of Cleveland.

HENZE Suite from The Bassarids MAHLER Symphony No. 1 (“Titan”)

TICKETS: Sold out, but listen to the concert live on radio stations WCLV (104.9) or WCPN (90.3). Sponsor: KeyBank

Sponsor: PNC

Monday January 21 from noon to 5 p.m.

MARTIN LUTHER KING JR COMMUNITY OPEN HOUSE Severance Hall joins in a city-wide celebration of Martin Luther King Jr’s life and achievements with a free public open house featuring musical performances by groups from across Northeast Ohio. Details at clevelandorchestra.com.

Saturday February 9 at 8:00 p.m. Sunday February 10 at 3:00 p.m. THE CLEVELAND ORCHESTRA Gianandrea Noseda, conductor Massimo La Rosa, trombone

RACHMANINOFF The Isle of the Dead ROTA Trombone Concerto PROKOFIEV Symphony No. 6

Friday March 8 at 7:00 p.m. THE CLEVELAND ORCHESTRA Robert Franz, conductor with the Singing Angels FAMILY CONCERT

SYMPHONY UNDER THE SEA Submerge yourself in wet, watery, wonderful music featuring Disney’s beloved theme to The Little Mermaid, Handel’s Water Music, and much more! Come along as we go under the sea and let the waves of enchanting music wash over you as Severance Hall is transformed into an aquatic auditorium for a family evening to remember! Sponsor: The Giant Eagle Foundation

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts, visit www.clevelandorchestra.com.

Sponsor: FirstMerit Bank

Concert Calendar

The Cleveland Orchestra

ORCHESTRA

1213 SEASON I N

T H E

S P O T L I G H T

Sunday March 10 at 7:00 p.m. CLEVELAND ORCHESTRA YOUTH ORCHESTRA James Feddeck, conductor CLEVELAND ORCHESTRA YOUTH CHORUS Lisa Wong, director

TCHAIKOVSKY Symphony No. 5 BRAHMS Nänie HANSON Song of Democracy

SPRING SEASON Thursday March 21 at 8:00 p.m. Saturday March 23 at 8:00 p.m. THE CLEVELAND ORCHESTRA Pierre Boulez, conductor

RAVEL Mother Goose (complete ballet music) MAHLER Symphony No. 7 Friday March 22 at 10:00 a.m. Saturday March 23 at 10:00 a.m. Saturday March 23 at 11:00 a.m. PNC MUSICAL RAINBOW

THE FABULOUS FLUTE 30-minute programs for ages 3 to 6.

Sunday January 20 at 7:00 p.m.

Thursday April 4 at 8:00 p.m. Friday April 5 at 8:00 p.m. Saturday April 6 at 8:00 p.m. THE CLEVELAND ORCHESTRA Mitsuko Uchida, piano and conductor

MOZART Piano Concerto No. 17 MOZART Divertimento in B-flat major MOZART Piano Concerto No. 25 Sponsor: Quality Electrodynamics

Thursday April 11 at 8:00 p.m. Friday April 12 at 8:00 p.m. Saturday April 13 at 8:00 p.m. Sunday April 14 at 3:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Rebecca Nelsen, soprano Nicholas Phan, tenor Stephen Powell, baritone Cleveland Orchestra Chorus Cleveland Orchestra Children’s Chorus

SHEPHERD Toulumne ORFF Carmina Bruana

THE CLEVELAND ORCHESTRA Tito Muñoz, conductor Adé Williams, violin Central State University Chorus Martin Luther King Jr. Celebration Chorus

The Cleveland Orchestra’s 33rd annual concert celebrating the spirit of Dr. King’s life, leadership, and vision. Presented in collaboration with the City of Cleveland. TICKETS: Admission is free, but tickets are re-

quired, and all tickets have been distributed. Listen to the concert live on WCLV (104.9) and WCPN (90.3) radio stations! Concert Sponsor: KeyBank

CLEVELAND ORCHESTRA TICKETS PHONE

216 - 231-1111 800-686-1141

Sponsor: KeyBank

Severance Hall 2012-13

MARTIN LUTHER KING JR. CELEBRATION CONCERT

clevelandorchestra.com Concert Calendar

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A NC E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting opentable.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall are being offered this season on October 14, November 25, February 10 and 24, and May 5 and 26. For additional information or to reserve you place for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Exclusive catering provided by Sammy’s. Premium dates are available. Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $14 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111. Parking can be purchased for the at-door price of $10 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2012-13

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K ET SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

At Severance Hall . . .

DVOŘÁK’S NEW WORLD

CARMINA BURANA Thursday April 11 at 8:00 p.m. Friday April 12 at 8:00 p.m. Saturday April 13 at 8:00 p.m. Sunday April 14 at 3:00 p.m.

Thursday February 21 at 8:00 p.m. Friday February 22 at 11:00 a.m. Saturday February 23 at 8:00 p.m. Sunday February 24 at 3:00 p.m. THE CLEVELAND ORCHESTRA Herbert Blomstedt, conductor

Antonín Dvořák’s brief tenure in America in the 1890s was truly a spiritual and emotional journey. His experiences in the New World are revealed in the four expansive movements of the Ninth Symphony — featuring everything from the thrill of a wild new country and its varied peoples to intense longing for his beloved Czech homeland. Guest conductor Herbert Blomstedt opens the program with one of Mozart’s most popular and classically-refined symphonies. Sponsor: Jones Day

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Rebecca Nelsen, soprano Nicholas Phan, tenor Stephen Powell, baritone Cleveland Orchestra Chorus Cleveland Orchestra Children’s Chorus

Carl Orff’s joyous Carmina Burana bursts forth like a boisterous street festival — filled with great music, marvelous mayhem, and delightful merriment. This modern-day Canterbury Tales comes complete with lusty hymns to springtime, animated drinking songs, and a swan’s anguishingly ironic farewell to life (on a barbecue spit!). The concert also features the world premiere of a new work by Sean Shepherd. Sponsor: KeyBank

New!

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Severance Hall concerts.

TICKETS

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra

If you want to change

YOUR COMMUNITY, be that change.

Isabel Trautwein, Cleveland Orchestra First Violinist, Program Director, Dreamer & Doer, Local Hero. Longing to share the experience of making music with children who had never been to Severance Hall, Isabel launched a strings program at the Rainey Institute in the Hough neighborhood. Now thereâ&#x20AC;&#x2122;s a waiting list to learn how to play classical music. You, too, can play a part in creating lasting change within the Cleveland community by making a donation to the Cleveland Foundation â&#x20AC;&#x201D; dedicated to enhancing the lives of all Clevelanders now and for generations to come.

Support your passions. Give through the Cleveland Foundation. Please call our Advancement Team at 1.877.554.5054 ClevelandFoundation.org