The Cleveland Orchestra April 18, 20, 21 Concerts

THE CLEVELAND ORCHESTRA

SPRING SEASON

F R ANZ WELSER-MÖST M U SIC DI R ECTOR

Music.

Pure + Simple.

12 13 SEASON

clevelandorchestra.com

April 18, 20, 21 FRANZ WELSER-MÖST CONDUCTS DVOŘÁK’S SIXTH

E! LIF G N TI POR A S

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THIS WEEK THE

CLEVELAND

1213 SEASON

ORCHESTRA

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In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

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About the Orchestra Spotlight: Photo of the Week . . . . . . . . . . . . . . . . . 8 Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22 Meet the Musicians . . . . . . . . . . . . . . . . . . . . . . . . . . 59 Education & Community . . . . . . . . . . . . . . . . . . . . 65 Student Ticket Programs . . . . . . . . . . . . . . . . . . . . 71 Severance Hall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

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Concert — Week 19 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Program: April 18, 20, 21 . . . . . . . . . . . . . . . . . . 35 Introducing the Program . . . . . . . . . . . . . . . . . . . . 37 SHEPHERD

Tuolumne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 SHOSTAKOVICH

Violin Concerto No. 1 . . . . . . . . . . . . . . . . . . . . . 47 DVOŘÁK

Symphony No. 6 . . . . . . . . . . . . . . . . . . . . . . . . . . 53 Conductor: Franz Welser-Möst . . . . . . . . . . . . . . . 15 Guest Soloist: Frank Peter Zimmermann . . . . . . 57

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Copyright © 2013 by The Cleveland Orchestra and the Musical Arts Association Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.

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The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.

The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.

The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . .

Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . .

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Corporate Annual Support . . . . . . . . . . . . . . . . . . .

Foundation / Government Annual Support . . .

Individual Annual Support . . . . . . . . . . . . . . . . . .

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All unused books are recycled as part of the Orchestra’s regular business recycling program.

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Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

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Table of Contents

The Cleveland Orchestra

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Perspectivesfrom the Executive Director April 18, 2013 It is with sadness that I write of the death earlier this week of former Cleveland Orchestra trumpeter David Zauder. David passed away on Tuesday morning, surrounded by his family in Colorado.

Through his long career here, David had a deep and lasting impact on this institution.

P H OTO BY H E R B E R T A S H C E R MA N J R.

David was hired by George Szell, joining the trumpet section of The Cleveland Orchestra in 1958. He served until the close of the 1996-97 season, taking on the concurrent role of principal cornet and retiring after 39 years — longer than any other trumpeter in the Orchestra’s history. Equal in importance to David’s service as a member of the Orchestra was his extraordinary tenure as our Orchestra Personnel Manager, a post he held for 25 seasons, through all of Lorin Maazel’s and much of Christoph von Dohnányi’s music directorships. David had earlier served as Asssistant Personnel Manager, 1960-71, covering the final decade of George Szell’s tenure.

While much of David’s work was out of the spotlight, he stepped forward as a soloist with the Orchestra on several occasions. His final solo appearance was for the opening night gala concert in 1996. He was also the featured soloist in twenty concerts with the Blossom Festival Concert Band, DAVID ZAUDER an organization for which he was the guiding spirit from its inception in Blossom’s second season in 1969. In recognition of his extraordinary service, David was the recipient of the Orchestra’s Distinguished Service Award in 1997.

I remember David as a leader who faced every challenge with good humor and good judgement. And no matter how difficult the situation, you were always aware of his love for the institution, and for the people around him. He cared about everyone and no occasion in the lives of his colleagues was too small to go unrecognized.

His great humanity and his love of life were doubtless shaped by his personal history as a Holocaust survivor. David was born in Krakow, Poland, in 1928 or 1931 — his birth year is uncertain as his birth certificate was destroyed during the war. As a youth, he was interned in the Auschwitz, Flossenburg, and Sachsenhausen concentration camps. David survived and began his new life in America on May 20, 1946. His story has been told in the published work of his daughter, Karen Brass.

David Zauder was a great friend to The Cleveland Orchestra and to this community.

We will miss him terribly, but we’ll never forget him.

Gary Hanson Severance Hall 2012-13

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CLEVELAND ORCHESTRA ARCHIVES

PHOTO OF THE WEEK follow the Orchestra on Facebook for more archival photos

SYMPHONY AND BASEBALL — In the summer of 1953, when Public Auditorium was

undergoing renovations, The Cleveland Orchestra’s series of popular summer concerts became pre-game performances at Cleveland Stadium. In this photograph, Louis Lane conducts while Indians team members pose and listen.

of Music Director Franz Welser-Möst, The Cleveland Orchestra has become one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and community engagement. The partnership with Franz Welser-Möst, now in its eleventh season — and with a commitment to the Orchestra’s centennial in 2018 — has moved the ensemble forward with a series of new and ongoing initiatives, including: UNDER THE LEADERSHIP

the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base, including an ongoing residency at the Vienna Musikverein (the first of its kind by an American orchestra); expansion of education and community programs in Northeast Ohio to make music an integral and regular part of everyday life for more people; the 2012-13 season includes the launch of an annual Neighborhood Residency pro-

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About the Orchestra

The Cleveland Orchestra

gram that will bring The Cleveland Orchestra to neighborhoods across the region for an intensive week of special activities and performances. First stop is the Gordon Square Arts District in Cleveland’s Detroit/Shoreway neighborhood in May 2013; an ongoing residency in Florida, under the name Cleveland Orchestra Miami, involving an annual series of concerts and community activities, coupled with an expansive set of educational presentations and collaborations (based on successful educational programs pioneered at home in Cleveland); creative new artistic collaborations, including staged works and chamber music performances, with arts institutions in Northeast Ohio and in Miami; an array of new concert offerings (including Fridays@7 and Celebrity Series at Severance Hall as well as movie, themed, and family presentations at Blossom) to make a wider variety of concerts more available and affordable; concert tours from coast to coast in the United States, including annual appearances at Carnegie Hall; regular concert tours to Europe and Asia; ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of DVD concert presentations of symphonies by Anton Bruckner; a concentrated and ongoing effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media offers and promotion, and student ticket programs; continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and in the Miami-Dade community; additional new residencies at Indiana University and at New York’s Lincoln Center Festival; the return of ballet as a regular part of the Orchestra’s presentations, featuring performances by The Joffrey Ballet; the 2012-13 season featured the Orchestra’s first fully staged performances of Tchaikovsky’s The Nutcracker.

The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening in 1931 of Severance Hall as the Orchestra’s home brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States.

Severance Hall 2012-13

The Orchestra Today

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T H E M U S I C AL AR TS ASSOCIATION

as of February 2013

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair Raymond T. Sawyer, Secretary Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Terrance C. Z. Egger Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland

James D. Ireland III Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill

The Honorable John D. Ong Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Neil Sethi Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Thomas A. Waltermire Geraldine B. Warner Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) George Gund III (CA)* Loren W. Hershey (DC)

Herbert Kloiber (Germany) Ludwig Scharinger (Austria) *deceased

TR U S TE E S E X- O FFIC IO Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Beth Schreibman Gehring, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, State Chair, Blossom Women’s Committee TR U S TE E S E M ERIT I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Allen H. Ford Gay Cull Addicott Robert W. Gillespie Francis J. Callahan Dorothy Humel Hovorka Mrs. Webb Chamberlain Robert F. Meyerson Oliver F. Emerson Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2012-13

Gary Hanson, Executive Director

Musical Arts Association

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

P H OTO BY S ATO S H I AOYAG I

T H E 2 0 1 2 - 1 3 S E A S O N marks Franz Welser-Möst’s eleventh year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is enlarging and enhancing its community programming at home, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst became general music director of the Vienna State Opera in September 2010.

With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District.

The initiative continues and expands upon Mr. Welser-Möst’s active participation in community concerts and educational programs, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories and universities across Northeast Ohio.

Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka.

In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a new biennial residency at New York’s Lincoln Center Festival.

To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction.

Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, and Sean Shepherd.

Franz Welser-Möst has led a series of opera performances during his tenure

Severance Hall 2012-13

Music Director

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in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012.

Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director SvenEric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 2012-13 season, his Vienna performances include Wagner’s Parsifal, Strauss’s Arabella and Ariadne auf Naxos, Puccini’s La Bohème, and Berg’s Wozzeck.

Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at the Lucerne Festival and Salzburg Festival, in Tokyo, and in concert at La Scala Milan, as well as leading the Philharmonic’s 2011 New Year’s Day concert, viewed by telecast in seventy countries worldwide; he conducted the New Year’s Day concert again at the start of 2013 and also leads the Philharmonic in a series of concerts at New York’s Carnegie Hall in March 2013. Across a decade-long tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions and numerous revivals.

Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of Bruckner symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes.

For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

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Music Director

The Cleveland Orchestra

THE CLEVELAND ORCHESTRA Franz Welser-Möst MUSIC DIREC TOR

“The Cleveland Orchestra proved that they are still one of the world’s great musical beasts. With Franz Welser-Möst conducting, this music . . . reverberated in the souls of the audience.”

—Wall Street Journal

—The Guardian (London)

P H OTO BY R O G E R M A S T R O I A N N I

“Cleveland’s reputation as one of the world’s great ensembles is richly deserved.”

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Franz Welser-MÜst and The Cleveland Orchestra, performing Bruckner’s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST M U S I C D I R E C TO R Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Alexandra Preucil Katherine Bormann Ying Fu

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SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas

2

James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

12 13

O R C H E S T R A FLUTES Joshua Smith * Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2 Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

William Hestand Barrick Stees 2 Sandra L. Haslinger Chair

Jonathan Sherwin

HORNS Richard King * George Szell Memorial Chair

Michael Mayhew § Knight Foundation Chair

Jesse McCormick Hans Clebsch Alan DeMattia TRUMPETS Michael Sachs * Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller

PERCUSSION Jacob Nissly * Margaret Allen Ireland Chair

Donald Miller Tom Freer Marc Damoulakis KEYBOARD INSTRUMENTS Joela Jones * Rudolf Serkin Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Donald Miller ORCHESTRA PERSONNEL Carol Lee Iott DIRECTOR

Karyn Garvin MANAGER

TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Richard Stout Alexander and Marianna C. McAfee Chair

Shachar Israel 2 BASS TROSMBONE Thomas Klaber EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

ENDOWED CHAIRS CURRENTLY UNOCCUPIED Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair Sidney and Doris Dworkin Chair Sunshine Chair

* Principal § 1 2

Associate Principal First Assistant Principal Assistant Principal

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

James Feddeck

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

CONTRABASSOON Jonathan Sherwin

Severance Hall 2012-13

SEASON

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

The Orchestra

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WE LIGHT THE WAY To new beginnings and healthier tomorrows

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OrchestraNews

Cleveland Foundation grants Orchestra $10 million Largest gift to an arts organization in Foundation’s history is vote of confidence in The Cleveland Orchestra’s programming innovations and community engagement across Northeast Ohio

—Cleveland Plain Dealer, March 28

The Cleveland Foundation has awarded The Cleveland Orchestra a $10 million grant to support its ongoing efforts to cultivate new and broader audiences and to build a strong endowment to sustain the nearly century-old institution. The grant . . . is a demonstration of the grantmaking organization’s confidence in the strategic direction the orchestra is taking, said Robert Eckardt, The Cleveland Foundation’s executive vice president. . . . “It was time to step up and provide a significant commitment to the Orchestra as they work through the challenging environment they find themselves in,” Mr. Eckardt said. . . . “They are an important part of Cleveland’s brand, and it’s difficult to imagine Cleveland without a world-class orchestra.” . . . Gary Hanson, the orchestra’s executive director, stated that The Cleveland Foundation’s commitment . . . adds “meaningful momentum” to the Orchestra’s Sound for the Centennial fundraising campaign, which runs through 2018 — the orchestra’s 100-year anniversary.

Cleveland Orchestra News

—Crain’s Cleveland Business, March 28

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THE CLEVELAND ORC

Severance Hall 2012-13

“The Cleveland Foundation’s just-announced $10 million grant to The Cleveland Orchestra — the largest arts grant in the foundation’s history — is a ringing vote of confidence in the future of this treasured local institution and its pacesetting innovations. . . . The grant is a welcome affirmation that The Cleveland Orchestra will be making beautiful music for another 100 years.”

THE CLEVELAND ORCHESTRA

On March 28, The Cleveland Foundation announced the awarding of a five-year, $10 million grant to The Cleveland Orchestra in support of the Orchestra’s recent and ongoing efforts to attract a new, broader audience and to transform itself for the future. Given as part of the Orchestra’s Sound for the Centennial Campaign, this unprecedented grant is the largest single grant to an arts organization in the Foundation’s 99-year history.

“We are deeply grateful for the Cleveland Foundation’s extraordinary grant and the confidence in the Orchestra’s strategic direction that it represents,” says Gary Hanson, executive director of The Cleveland Orchestra. “Over the past year, the foundation’s staff and board have rigorously assessed the Orchestra’s ongoing transformation and we sincerely appreciate their generous commitment to our work.”

“Through the years, the Cleveland Foundation has stepped up to provide significant support to major Northeast Ohio institutions at pivotal times,” remarked Ronald B. Richard, president and chief executive officer of the Foundation. “We intend that this grant will catalyze additional leadership funding for the Orchestra’s creative efforts in the community to make this world-class institution accessible and enjoyable to all of Greater Cleveland for years to come.”

The grant to the Orchestra was part of a record $26.6 million in grants in the first quarter of 2013 authorized by the Foundation’s board of directors, including grants in support of core neighborhood and youth initiatives, educational institutions, and efforts to create a vibrant downtown. Established in 1914, the Cleveland Foundation is the world’s first community foundation and one of the largest today. Through the generosity of donors, the foundation improves the lives of Greater Clevelanders by building community endowment, addressing needs through grantmaking, and providing leadership on vital issues.

THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA TRA THE CLEVELAND ORCHESTRA

News

THE CLEVELAND ORCHES-

News

OrchestraNews

Longterm generosity and new commitments by Kulas Foundation and John P. Murphy Foundation recognized through the naming of Severance Hall’s upper lobby and dress circle seating

A

CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHE

THE CLEVELAND ORCHESTRA

Two important parts of Severance Hall — the dress circle seating area of the Concert Hall, and the adjoining dress circle lobby — have been named in recognition of longterm support for The Cleveland Orchestra by two extraordinary local organizations: the John P. Murphy Foundation and the Kulas Foundation. Both have long historical relationships with the Orchestra and have made generous new funding commitments to the Sound for the Centennial Campaign, which spans the decade leading to the Orchestra’s 100th anniversary in 2018.

“These two foundations represent a special kind of strong, ongoing commitment to the Orchestra — and to the entire Northeast Ohio community,” said Gary Hanson, executive director of The Cleveland Orchestra, in announcing the named spaces. “We are humbled by their generosity and by their faith in the Orchestra’s efforts to transform itself and to harness the passion and power of music to serve more people across the region.”

The John P. Murphy Foundation is now permanently honored at Severance Hall with the naming of the John P. Murphy Dress Circle Lobby. The Foundation and its trustees and officers have been generous supporters of The Cleveland Orchestra since 1970, contributing more than $7.5 million. John P. Murphy began serving on the Musical Arts Association board of trustees in 1953 and continued as a trustee until 1968. The Foundation has made a ten-year commitment of funding to The Cleveland Orchestra as part of the comprehensive Sound for the Centennial Campaign.

“The John P. Murphy Foundation has long understood the tremendous value that The Cleveland Orchestra holds for all of Northeast Ohio,” says Nancy W. McCann, president of the Foundation’s board of trustees. “Our $3 million commitment to the Sound for the Centennial Campaign is an investment in this community that will help the Orchestra sustain its world-renowned level of artistic excellence while engag-

26

ing more local residents through transformative and innovative musical programming.”

With the naming of the Kulas Dress Circle, the Orchestra permanently honors the Kulas Foundation, which has generously supported The Cleveland Orchestra for three-quarters of a century. With their lifelong passion of music, Elroy J. Kulas and his wife, Fynette, began supporting the Orchestra in 1919, long before they established the Kulas Foundation in 1937. Both later served as active members of the Musical Arts Association board of trustees. In the past three decades, the Kulas Foundation has contributed more than $10 million to The Cleveland Orchestra. Their generosity has helped support education programs as well as the construction and naming of Kulas Plaza at Blossom Music Center to provide updated services for donors.

They recently committed $3 million for the Sound for the Centennial Campaign.

“We are extraordinarily grateful to Kulas Foundation trustees Richard W. Pogue, Patrick F. McCartan, and Nancy W. McCann for their leadership in working to support The Cleveland Orchestra,” said Gary Hanson.

“The Cleveland Orchestra is among Northeast Ohio’s top cultural gems,” continued Nancy McCann. “With our commitment to this Campaign, the Kulas Foundation honors the ensemble’s 100th anniversary and looks forward to the Orchestra’s ongoing role as a strong and vibrant part of this community’s future.”

Committed to Accessibility Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216 231-7425.

Cleveland Orchestra News

The Cleveland Orchestra

THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA TRA THE CLEVELAND ORCHESTRA

News

OrchestraNews Orchestra will be “at home” in Gordon Square

Inaugural neighborhood residency will bring an intensive week of performances, activities, and concerts on west side, May 11-17

in part by the Machaskee Fund for Community Programming, a fund created by a generous endowment gift from Alex and Carol Machaskee.

The centerpiece of the “At Home” in Gordon Square week of over a dozen free music presentations will be a Thursday night concert

by The Cleveland Orchestra at Saint Colman Catholic Church. Seating for this is limited and tickets are required. Tickets can be obtained from a variety of Gordon Square businesses and organizations beginning on Saturday, April 27.

Complete details of all the free performances and activities for “At Home” in Gordon Square — including family-friendly programs for all age groups — can be found on the Orchestra’s website at clevelandorchestra.com/athome.

A new neighborhood or town will be chosen each season to partner with The Cleveland Orchestra in creating a unique and intensive week-long festival of musical activities, performances, exploration, and everyday fun.

THE CLEVELAND OR

In May, The Cleveland Orchestra launches its “At Home” neighborhood residency program with an intensive week of performances and activities in the Gordon Square Arts District on Cleveland’s west side. All of the events, May 11-17, will be free and open to the public. Leaders and representatives from Gordon Square businesses and associations have partnered with the Orchestra to plan and host the week’s activities.

These new “At Home” residencies are being designed to immerse the Orchestra in local neighborhoods through a festival-like week of performances and presentations, in order to bring the Orchestra’s musicians in closer context, contact, and connection with the Northeast Ohio community.

“The citizens of this region created The Cleveland Orchestra,” says executive director Gary Hanson, “and continue to support the Orchestra’s music-making and its education programs at a higher level than any other metropolitan area in the country. In thanks for that faithful support, as a way to give back to the community, and as part of our ongoing commitment to Northeast Ohio, we are working to create a real-life everyday connection with neighborhoods throughout the region.”

The Cleveland Orchestra’s “At Home” neighborhood residency program is supported

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Cleveland Orchestra News

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THE CLEVELAND ORCHES-

News

OrchestraNews George Gund Foundation supports The Cleveland Orchestra’s “Sound for the Centennial Campaign” with $3 million gift

A

CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHE

THE CLEVELAND ORCHESTRA

The George Gund Foundation awarded a $3 million grant at its February board meeting to support The Cleveland Orchestra’s Sound for the Centennial Campaign. Pledged over six years, the award honors the late George Gund III, who was a trustee of the Musical Arts Association.

The Foundation’s commitment permanently endows a new Fund for Artistic Excellence in George Gund’s name, providing immediate support for the Orchestra’s core artistic programming for the community. “This commitment to the Campaign not only celebrates George Gund’s legacy and leadership at the Orchestra,” said David Abbott, the Foundation’s executive director. “It also ensures that one of our community’s most valuable assets can continue to serve Northeast Ohio at the

highest levels of artistic excellence.”

George Gund III was elected as an international trustee in 1994 and served on the board of the Musical Arts Association for 19 years. The new gift is the largest gift made by the Gund Foundation to The Cleveland Orchestra, and ranks among the largest institutional leadership commitments to the Sound for the Centennial Campaign thus far, as well as among the Foundation’s largest commitments to a cultural organization in Northeast Ohio.

The Orchestra’s Sound for the Centennial Campaign runs through the Orchestra’s centennial in 2018 and will ensure that the Orchestra can continue to thrive now and into the future by building a significant endowment and providing immediate support for artistic excellence and community and education programs.

Kulas Series Keyboard Conversations® Kulas Series of of Keyboard Conversations® with Siegel withJeffrey Jeffrey Siegel

Season 2011-2012 25th 24th Anniversary Season 2012-2013 Presented by Cleveland State University’s Center for Arts and Innovation

Presented by Cleveland State University’s Center for Arts and Innovation

Masterly Masterly

Sunday, Sunday,October 2,2,2011 October Sunday, October 2, 2011 2011 Sunday, October 14, 2012 AA Beethoven Beethoven Bonanza!

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The many Bach B moods moods ofofgenius! genius! moods moods of of genius! genius!

Sunday, November 11, 2012 Enthralling Enthralling Free Family Concert!

B Sunday, Sunday, November 20,Young 2011 2011 MusicNovember for the Young 20, and at Heart Charming presented in honor of Mr. Siegel’s 25th Charming The The Romantic Romantic Music Music of of Franz Franz Liszt Liszt The Romantic Music State of Franz Liszt anniversary at Cleveland University B Sunday, January 27, 2013 Scintillating Scintillating Sunday, Sunday,March March4,4,2012 2012

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Sunday, March 24, 2013 March 6, 2012 2012 y 6, Age Sunday, Sunday, March 2012 Schubert in the6, of the Sound Bite

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AA musical musical love lovetriangle: triangle: Robert, Robert,Clara Clara Sunday, April 28, 2013 and Johannes!

All concerts beginbegin at 3:00 pmpm at at All concerts at 3:00 Cleveland State University’s Waetjen Cleveland State University’s Waetjen Auditorium, Euclid 21stSt. St. Auditorium, EuclidAve. Ave.and and E. E. 21st ForFor more information more information call call 216.687.5018 216.687.5018 visitwww.csuohio.edu/concert www.csuohio.edu/concertseries/kc ororvisit series/kc series/kc

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Cleveland Orchestra News

The Cleveland Orchestra

T HE CLEVELAND ORCHESTRA CHESTR

News

OrchestraNews

Chorus auditions announced for children, youth, and adult singers for Blossom and 2013-14

pare a piece from the OMEA Solo & Ensemble list, or an equivalent classical solo piece; Broadway or “pop” tunes are not acceptable. In addition to the prepared piece, students will be asked to sight-read and demonstrate their vocal range.

An accompanist is provided at the audition.

The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer choruses sponsored by a major American orchestra.

Coming from nearly fifty Northeast Ohio communities, members of the Chorus perform with The Cleveland Orchestra in subscription and Christmas concerts each year. Previous choral experience and sight-reading skills are required.

The Blossom Festival Chorus includes many members of the Cleveland Orchestra Chorus and other Northeast Ohio choral groups. It has established itself as a permanent annual part of the summertime Blossom Festival and has sung in more than 100 concerts since its 1968 debut.

Both groups are directed by Robert Porco.

Auditions for the Cleveland Orchestra Chorus and Blossom Festival Chorus will be held May 20 and 21, by appointment only. Those auditioning are asked to prepare two pieces from the classical literature, one of which should be in a foreign language. Each piece should be approximately two minutes in length. Previous choral experience and sight-reading skills are required. An accompanist is provided at the audition.

To schedule an audition, call the Chorus Office at 216-231-7374, or send an email to chorus@clevelandorchestra.com.

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THE CLEVELAND OR-

Cleveland Orchestra News

THE CLEVELAND ORCHESTRA

Severance Hall 2012-13

THE CLEVELAND ORCHESTRA

Spring audition dates for the choral groups sponsored by The Cleveland Orchestra have been announced. The auditions — for adults, youth, and children — are for membership in groups singing during the 2013 Blossom Music Festival and the 2013-14 Season at Severance Hall. Auditions will take place in May and June.

The Cleveland Orchestra Choruses embody a long-standing commitment to choral music in which community members of all ages have the opportunity to participate.

The Cleveland Orchestra Children’s Chorus is open to students in grades 6-8 and directed by Ann Usher, and the Cleveland Orchestra Children’s Preparatory Chorus is open to students in grades 5-8 and directed by Suzanne Walters. Both groups are holding auditions on May 20, June 3, and June 8. The Children’s Chorus, formed in 1967, provides musical training in vocal production and choral performance skills.

The Children’s Preparatory Chorus provides children with initial choral experiences to which younger singers may not have been exposed, while establishing a solid foundation in vocal production techniques.

To audition, children are asked to sing one verse of “America” (My Country, ’Tis of Thee) with piano accompaniment in the key of his or her choice and one verse of “America the Beautiful” (Oh beautiful, for spacious skies) without accompaniment in the key of D. Singing scales and doing some rhythmic exercises may also be included in the audition, for which an accompanist is provided.

Students in grades 9-12 are welcome to audition for the Cleveland Orchestra Youth Chorus, directed by Lisa Wong, on May 4, June 1, or June 2. Created in 1991, the Youth Chorus helps raise awareness of choral music-making in the schools of Northeast Ohio and encourages students to continue their choral activities through college and into adulthood. The Youth Chorus collaborates each season in performance with the Cleveland Orchestra Youth Orchestra.

Youth Chorus audition requirements are to pre-

THE CLEVELAND ORCHES-

News

OrchestraNews A . R . O . U . N . D T. O .W. N Recitals and presentations featuring Orchestra musicians Upcoming local performances by members of The Cleveland Orchestra include:

THE CLEVELAND ORCHESTRA

Cleveland Orchestra members Takako Masame (violin), Katherine Bormann (violin), Lisa Boyko (viola), and Mary Kay Fink (piccolo) perform together as members of the Cleveland Chamber Collective in a program on Friday evening, April 19. The concert at Cleveland State University’s Drinko Hall (2001 Euclid Avenue) features works by Cleveland composers, including a premiere by Cleveland Orchestra oboist Jeffrey Rathbun.

CLEVELAND ORCHESTRA

Cleveland Orchestra member Eliesha Nelson (viola) joins with pianist James Housman for a concert on Sunday afternoon, April 28, at 3 p.m. at Pilgrim Congregational Church (2592 West 14th Street, Cleveland). The program, part of Arts Renaissance Tremont, includes works by Finney, Kapustin, and Schubert. Admission is by freewill offering.

Family Concert series concludes in May with storytelling in “Fables, Fantasy, and Folklore” The Cleveland Orchestra’s season of Family Concerts concludes with “Fables, Fantasy, and Folklore” on Sunday afternoon, May 12, led by guest conductor Michael Butterman. The concert features such classics as Rimsky-Korsakov’s Scheherazade (based on Tales from the Arabian Nights), Grieg’s In the Hall of the Mountain King, and Rossini’s William Tell Overture. Intended for children ages 7 and older, the series is designed to introduce young people to classical music. In addition to each one-hour Orchestra concert, the Family Concert series features free, pre-concert activities, including an “Instrument Discovery” in which children can try playing various instruments.

For complete details about this concert, visit clevelandorchestra.com.

THE CLEVELAND ORCHESTRA

F.A.M.I.L.Y N.E.W.S

Silence is golden

Please join in extending congratulations and warm wishes to: Kim Gomez (violin) and James Gomez, whose baby girl, Christina Therese Gomez, was born on February 5.

As a courtesy to everyone around you, patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to each concert.

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Cleveland Orchestra News

The Cleveland Orchestra

T HE CLEVELAND ORCHESTRA CHESTR

News

OrchestraNews Collaboration with Cleveland Museum of Art continues with “California Masterworks” concerts on May 1 and 3

Apollo’s Fire Baroque Orchestra Sunday, April 28, 4 p.m.

Finney Chapel, Oberlin

1.800.371.0178 www.oberlin.edu/arseries

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Mozart and Papa Haydn Featuring Amanda Forsythe, soprano

Cleveland Orchestra News

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THE CLEVELAND OR-

Severance Hall 2012-13

THE CLEVELAND ORCHESTRA

ROGER MASTROIANNI

serve University professor Henry Adams (speaking about modern and 20th-century California art), and concludes with a special performance of John Cage’s large-scale multi-media work HPSCHD in the Museum’s Ames Family Atrium on the evening of May 3, from 9 to 11 p.m.

The Orchestra and Museum presented their first similar collaboration in 2011, with a series of in-gallery chamber orchestra performances titled “Italian Masterworks.”

These Cleveland Orchestra performances are made possible in part by the Keithley Fund for Artistic Collaboration, created through a generous gift to the Orchestra’s endowment.

Additional support is provided through endowed funds at the Cleveland Museum of Art. For more information or to purchase tickets to “California Masterworks,” visit the Museum’s website at clevelandart.org.

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra and the Cleveland Museum of Art renew their collaborative work together in May with “California Masterworks,” featuring two Cleveland Orchestra concerts of works by groundbreaking composers associated with California. James Feddeck, Cleveland Orchestra assistant conductor, conducts two different programs, Wednesday, May 1, and Friday, May 3, at the Museum’s Gartner Auditorium. The programs feature works by John Adams, Henry Cowell, Lou Harrison, Terry Riley, James Tenney, and, in a posthumous world premiere, Dane Rudhyar.

In addition to the concerts, “California Masterworks” will also include the showing of three films highlighting California composers (Crossroads and Music with Balls on April 26, and Lou Harrison: A World of Music on April 29), plus Concert Previews talks with Case Western Re-

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The Cleveland Orchestra

12 13

LEARNING MORE ABOUT THE MUSIC

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Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins.

For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.)

The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives.

Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Severance Hall 2012-13

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts.

Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka.

April 18, 20, 21 “Just Between Us Composers” Sean Shepherd, Lewis Young Composer Fellow, in conversation with Keith Fitch, head of composition, Cleveland Institute of Music

April 25, 26, 27 “Haydn’s The Seasons” with Francesca Brittan, assistant professor of musicology, Case Western Reserve University

May 3, 4, 5 “Drama from Start to Finish” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

May 9, 10 “Handel and George I and George II”

Concert Previews

with David J. Rothenberg, associate professor of musicology, Case Western Reserve University For Concert Preview details, visit clevelandorchestra.com

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The Cleveland Orchestra

T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ö ST M U S I C

D I R E C T O R

Severance Hall

Thursday evening, April 18, 2013, at 8:00 p.m.

Saturday evening, April 20, 2013, at 8:00 p.m.

Sunday afternoon, April 21, 2013, at 3:00 p.m.

Franz Welser-Möst, conductor

12 13 SEASON

Tuolumne

sean shepherd (b. 1979)

WORLD PREMIERE PERFORMANCES

1. Water Over Rock 2. Winter Sunrise 3. Merced Lake Country Commissioned by The Cleveland Orchestra with support from the Young Composers Endowment Fund, generously established by Jan R. and Daniel R. Lewis.

dmitri shostakovich (1906-1975)

Violin Concerto No. 1 in A minor, Opus 77 1.

2.

3.

4.

Nocturne: Moderato Scherzo: Allegro Passacaglia: Andante — Burlesca: Allegro con brio — Presto

FRANK PETER ZIMMERMANN, violin

INTERMISSION

antonín dvorák (1841-1904)

Symphony No. 6 in D major, Opus 60 1.

2.

3.

4.

Allegro non tanto Adagio Scherzo (Furiant): Presto — Trio Finale: Allegro con spirito

The presentation of this week’s world premiere performances of Sean Shepherd’s Tuolumne is supported in part by the National Endowment for the Arts.

With these concerts, The Cleveland Orchestra gratefully honors The Helen C. Cole Charitable Trust for its generous support.

The concert will end at approximately 10:00 p.m. each evening and at about 5:00 p.m. on Sunday afternoon.

LIVE RADIO BROADCAST

Saturday evening’s concert is being broadcast live on WCLV (104.9 FM).

The concert will be rebroadcast as part of regular weekly programming on WCLV on Sunday afternoon, June 2, at 4:00 p.m.

Severance Hall 2012-13

Concert Program — Week 19

35

0DNLQJ WKH ZRUOG D EHWWHU SODFH NQRZV QR UHOLJLRQ That’s why last year, the Jewish Federation of Cleveland raised and allocated nearly $127 million to social service, educational and humanitarian organizations that support Cleveland’s Jewish and general communities, as well as those in more than 70 countries around the world. Through the generosity of our donors, the Jewish Federation of Cleveland is Ohio’s largest grantmaking organization.

Together, we do extraordinary things.

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For more information, please contact Alan D. Gross at 216.593.2818 or development@jcfcleve.org.

Mandel Building · 25701 Science Park Drive Cleveland, Ohio 44122 216.593.2900 www.jewishcleveland.org

Jewish Federation OF CLEVELAND

INTRODUCING THE PROGRAM

Origins: Old & New THIS WEEK’S

concerts offer a variety of music, old and new, from across three centuries. Beginning with the first performances of a brand-new 21st-century work. And ending with the marvelous melodies and dance-rhythms of an established masterwork in one of Dvořák’s first symphonic hits from the 19th century. In between, a too rarely played concerto by one of the 20th century’s greatest composers.

To open the concert, Franz Welser-Möst leads The Cleveland Orchestra in the world premiere performances of Sean Shepherd’s Tuolumne, a work inspired by the black-and-white photography of Ansel Adams.

Shepherd is serving as the Orchestra’s seventh Daniel R. Lewis Young Composer Fellow. In conjunction with his two-year fellowship, the Orchestra has performed his Wanderlust and commissioned this new piece. In addition, the composer has worked with high school and college students from across Northeast Ohio through discussions and masterclasses. The Orchestra’s world premiere performances this weekend are made possible in part by a grant from the National Endowment for the Arts.

Next, guest soloist Frank Peter Zimmermann performs Dmitri Shostakovich’s tantalizing, four-movement Violin Concerto No. 1, created during Stalin’s reign of terror but not performed until 1955, after the Soviet tyrant’s death.

Following intermission, we hear the first symphony of Antonín Dvořák to gain widespread popularity. It was also the first to be published, and originally was given printed designation as “Symphony No. 1.” Only later did this wonderful symphony’s earlier siblings get published, and its original “No. 6” ordering was restored.

—Eric Sellen

Severance Hall 2012-13

Introducing the Program

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Tuolumne for Large Orchestra composed 2012-13 TUOLUMNE

by

Sean

SHEPHERD born July 1, 1979 Reno, Nevada living in Brooklyn, New York

Severance Hall 2012-13

(pronounced “two ALL um knee” or, as some California locals say it, “to ALL o’ me”) is a word from the Native American language of Miwok. Its meaning is unclear, but is often thought to describe the small group of indigenous people who lived in what is now known as Yosemite National Park. A number of places in the area have taken the appellation on, but for many who know the region, the mighty Tuolumne Meadows spring first to mind. One of the principal natural features of Yosemite, this large subalpine meadow (remember the one Bambi got so excited about? I’ve long thought it could be the very same) is further east of the well-travelled and better-known Yosemite Valley — and much higher at nearly 9,000 feet, near the “top of the park” and Tioga Pass (one of the few roads that crosses the Sierra Nevada for hundreds of miles). One could fairly call this place (not far from my family home a few hours north) my favorite part of the world, without overstating my feelings for the area.

It was also a favorite of the American photographer Ansel Adams (1902-84), whose work has occupied my imagination from my first exposure to his landscapes as a child, in books my mother had from her studies in photography. In 1938, Adams took a pack trip into the high wilds of Yosemite with the painter Georgia O’Keeffe, and patrons and friends David McAlpin and Godfrey and Helen Rockefeller, and made three copies of an album of photographs intended as a memento.

While contemplating this new piece of music, I chose two images from that album, Plate 4: Untitled (Water Over Rock) and Plate 22: Merced Lake Country, both of which were taken very near the Tuolumne Meadows, and paired them with one of his most iconic images, a view of the eastern Sierra Nevada not far away. The 25-minute piece I wrote is a kind of response to that set of three black-and-white photographs (with each of the three movements corresponding to one image), a meditation on and celebration of both the place and the images.

Since good ideas are rarely new ideas (let’s leave bad ideas out of it for now, although I believe the same goes for those), it occurs that one could think of Tuolumne as being somewhere in the neighborhood of Má Vlast, Smetana’s ode to his homeland, and Mussorgsky’s Pictures at an Exhibition (but with plenty of About the Music

39

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caveats — keep reading), at least in terms of scope. Each photo is described below: Untitled (Water over Rock): Upon first glance, the spacing of the fanned-out rivulets of water which are cast over a rock in a mountain creek seems nearly perfect, as if each finespun stream had been rationally measured. The scale is difficult to discern. The rock could be inches or feet across, and the elegant shape could even resemble a leaf over which the water flows in all directions, splashing brightly onto the hard creekbed and into the deep blackness of the pool below.

Winter Sunrise, Sierra Nevada, from Lone Pine, California, 1944: The brutal terrain of the Eastern Sierra escarpment and Mount Whitney (the highest point in the contiguous US) is in high contrast in this dawn shot. The snow-covered shards of rock appear both as sharp as teeth and as a delicate as tissue paper, with the blinding white snow set in relief by the deep shadows of the range’s dramatic chutes and canyons. A few mists and thin clouds hover. A lower, gentler foothill in the middle ground just in front of the large mountains has not yet been exposed to the dawn light and lies dark and dormant. A patch of sun illuminates a meadow in the foreground of the image, where a single horse, made tiny in the grand scale of the view, grazes among a band of leaf-naked cottonwoods.

Merced Lake Country: The main object, a weather-battered pine tree, whose twisting trunk and figure seem to give the image a vertical thrust, occupies the foreground. Across a canyon the mountains behind consist of smooth, rounded granite features pocked by bands of hardy trees and other flora, a familiar sight in the high Sierra. Suggesting both a dancer’s grace and a desperate struggle against the punishing elements, the tree, with branches bare on one side, seems even to evoke a kind of humanity to me: intrepid, tragic, and utterly mysterious.

These photos move me, both as representational objects and abstract images. The rocks, trees, clouds, and mountains; the precise, highly controlled play of light and dark. What we are shown, and how it is presented. Although the place is significant — and place has often held a special significance for me (in pieces like Wanderlust, premiered by The Cleveland Orchestra in 2009) — the three movements of Tuolumne are, in my view, best understood as emotional responses to these works of art. I intended neither to illuminate nor describe the photos in a deliberately programmatic or pictorial sense — not Severance Hall 2012-13

About the Music

These three photos by Ansel Adams move me, both as representational objects and abstract images. The rocks, trees, clouds, and mountains; the precise, highly controlled play of light and dark. The resulting music, however, is best understood as my emotional response to these works of art. I intended neither to illuminate nor describe the photos.

41

Ancient catastrophe.

Modern obsession.

The storied destruction of Pompeii remains a modern muse for artists from Duchamp and Warhol to Rothko, Ingres, and dozens more.

Come see their powerful interpretations of this cataclysmic event, open now through July 7.

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ClevelandArt.org 7YLZLU[PUN ZWVUZVY

;VW PTHNL! Mount Vesuvius at Midnight, KL[HPS (SILY[ )PLYZ[HK[ (TLYPJHU ¡ 6PS VU JHU]HZ" \UMYHTLK! _ JT ;OL *SL]LSHUK 4\ZL\T VM (Y[ .PM[ VM : 3P]PUNZ[VUL 4H[OLY 7OPSPW 9PJOHYK 4H[OLY 2H[OLYPUL /V`[ 4H[OLY *YVZZ 2H[OLYPUL 4H[OLY 4J3LHU HUK *VUZ[HUJL 4H[OLY )PZOVW 0UZL[ PTHNL! Cheyney and Eileen Disturb a Historian at Pompeii, 3\J` 4J2LUaPL (JY`SPJ HUK PUR VU WHWLY -YHTL! _ _ PU ;OL 4\ZL\T VM *VU[LTWVYHY` (Y[ 3VZ (UNLSLZ 7\YJOHZLK ^P[O M\UKZ WYV]PKLK I` [OL +YH^PUNZ *VTTP[[LL

least due to the difficult translation from a spatial and visual medium to a temporal and aural one. Nor did I make an attempt at a companion set. The story of the music, with its twists and turns, peaks and valleys, and shifts of mood and character, may or may not mirror one’s experience of the images. That was by design from the very beginning. Tuolumne is built to stand on its own — but without these photos and without the work of Ansel Adams, it would not exist.

Musicians who know his work are quick to point out with pride that Adams trained seriously as a pianist while growing up in San Francisco, and was well into his twenties before he decided to pursue photography, at the time (around 1930) still a relatively new medium, exclusively. It’s simple to imagine how he might have applied the rigors of his musical education to his processes and painstaking perfectionism with the camera and in the darkroom. Aides have described their surprise upon finding not one, but many negatives for his iconic shots.

Adams’s rendering techniques, focused as they were, were yet still in service of expression, a process he called visualization: “As with all art, the photograph is not the duplication of visual reality. . . . The visualization of a photograph involves the intuitive search for meaning, shape, form, texture and the projection of the image-format on the subject,” he said in his autobiography. “The creative artist is constantly roving the worlds without, and creating new worlds within.”

In Adams’s work, a broad boldness flows effortlessly with his crisp austerity of tone in a way that strikes me as, well, distinctly American. As a young artist who often finds himself confounded by questions of national identity in my own work, I’ve taken comfort in the work of those, like Ansel Adams and Charles Ives, who seem to find their answers close to home.

Whether they are the rocks and clouds of California, or the town squares and brass bands of New England, their answers are equally American (as answers to such a question are a simple “yes” or “no”) and, for me, equally correct.

I’m often reminded that when the New York patron Alice Tully commissioned French composer Olivier Messiaen for a new work to celebrate the American bicentennial in the early 1970s, he looked not to Philadelphia or Valley Forge (or New York for that matter), but to the rocks and wildlife of southern Utah and wrote Des Canyons aux Étoiles, one of his seminal works. He found the America he most wanted to describe, a Severance Hall 2012-13

About the Music

At a Glance Shepherd wrote Tuolumne between June 5, 2012, and February 7, 2013, on a commission from The Cleveland Orchestra, supported through the Daniel R. Lewis Young Composers Endowment Fund.

Shepherd is serving as the Lewis Young Composer Fellow during the 2011-12 and 2012-13 seasons. The world premiere performances of Tuolumne are also supported in part by funding from the National Endowment for the Arts.

This work runs nearly 25 minutes in performance.

Shepherd scored it for a large orchestra consisting of 4 flutes (third doubling alto flute, fourth doubling piccolo), 3 oboes and english horn, 3 clarinets and bass clarinet, 3 bassoons and contrabassoon, 6 horns, 4 trumpets (fourth doubling piccolo trumpet), 3 trombones, tuba, timpani, percussion (triangles, cymbals, suspended cymbals, splash cymbal, antique cymbals, nipple gongs, tenor drum, snare drum, brake drum, bass drum, 2 congas, 2 bongos, marimba, vibraphone, 2 xylophones, glockenspiel, tubular bells, bell plate, metal coil, temple blocks, sandpaper blocks, woodblocks, rachet, flexatone, tambourine, castanets, maracas, tam-tam, slapstick, claves, crotales, anvil), harp, piano (doubling celeste), and strings.

43

license that (those who wrestle with such questions must often remind themselves) all artists are freely afforded.

The three movements of Tuolumne are ordered in a basic slow-fast-slow design, and much of the music is virtuosic, owing to the capacities of the magnificent ensemble for which it was written, which I have been privileged to know more intimately as Daniel R. Lewis Young Composer Fellow. Many of the musicians are deployed as soloists, starting with flute in the opening bars and the horn soon after. I wrote for a large orchestra partially to explore the coloristic possibilities presented both among and within sections. To one flute, three are soon added in the opening moments, for example, and some 20 minutes later, the solo cello meanders and floats ever higher while the rest of the strings flutter quietly in accompaniment. While there are many powerful tutti moments in between, the piece starts and ends softly, intimate by design, in my largest, most personal piece to date. Tuolumne is dedicated to Franz WelserMĂśst, and to the members of The Cleveland Orchestra. â&#x20AC;&#x201D;Sean Shepherd April 2013

In appreciation of their support, The Cleveland Orchestra and Musical Arts Association extend a special welcome to Forest City Enterprises, Inc., whose guests are enjoying a special evening at Severance Hall this weekend.

lec.edu 1.855.GO.STORM 44

About the Music

The Cleveland Orchestra

About the Composer Sean Shepherd Called “a composer worth keeping an ear on” (Chicago Tribune), Sean Shepherd has quickly gained admiration and return engagements with major ensembles and performers across the United States and Europe. He is serving as The Cleveland Orchestra’s Daniel R. Lewis Young Composer Fellow during the 2011-12 and 201213 seasons, a position generously funded by Jan R. and Daniel R. Lewis.

Recent performances include presentations by the National, BBC, and New World Symphonies, at festivals in Aldeburgh, Heidelberg, Santa Fe, and La Jolla, and with premier European ensembles including the Scharoun Ensemble Berlin, the Asko|Schönberg Ensemble, and the Birmingham Contemporary Music Group.

“Shepherd uses a profuse orchestral palette well,” observes the London Times, while the New York Times has noted his “kaleidoscopic use of orchestral color.”

Recent premieres include Quartet for Oboe and Strings for New York Philharmonic oboist Liang Wang, at the Santa Fe and La Jolla summer festivals; and Trio for the Claremont Trio.

Shepherd served as composer-in-residence of his hometown orchestra, the Reno Philharmonic, 2010-2012.

During his tenure, he composed two new works — Silvery Rills and Desert Garden. In 2011, he was named as the USA Van Dusen Fellow, an honor that accompanies an unrestricted grant of Earlier this week, Sean Shepherd discussed the art of com$50,000 from United States Artists, a posing with students at Shaker Heights High School as part of his Daniel R. Lewis Young Composer fellowship. national nonprofit organization dedicated to investing in America’s finest talent and illuminating the value of artists to society. Other honors have included the 2009 triennial Benjamin H. Danks Award from the American Academy of Arts and Letters, being named the 2008 Deutsche Bank Fellow at the American Academy in Berlin, and a first-prize in the 2005 Lutosławski International Composers’ Award. He attended masterclasses at Tanglewood (2005) and Aspen (2006), the Britten-Pears Young Artist Programme (2007), and a composer residency at the Camargo Foundation in Cassis, France (2007).

Sean Shepherd holds degrees in composition and bassoon performance from Indiana University, where his teachers included Claude Baker and David Dzubay, composition, and Kim Walker, bassoon. Graduate studies include a master’s degree from the Juilliard School with composer Robert Beaser, and doctoral work at Cornell University with Roberto Sierra and Steven Stucky.

Severance Hall 2012-13

Sean Shepherd

45

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Violin Concerto No. 1 in A minor, Opus 77 composed 1945-48, revised 1955 IF ANY SINGLE TRAIT

by

Dmitri

SHOSTAKOVICH born September 25, 1906 St. Petersburg (later Leningrad) died August 9, 1975 Moscow

Severance Hall 2012-13

can be said to run through all of Shostakovich’s works, it is compassion. Empathy for the dispossessed and defenseless, and rage at their oppressors, animates much of his music — perhaps all of it, as many listeners hear a note of parody even in his pompous “Stalinist” film scores and cantatas. During his life, he made it plain that war and the victims of war were the subjects of many of his works, and it was an open secret that his interest in Jewish music was spurred by Russian anti-Semitism. Today, as accounts of his life and words continue to multiply, it is increasingly apparent that this oftencriticized, often-rehabilitated Soviet composer considered nearly every Soviet citizen, including himself, a victim of oppression.

It’s no accident that George Orwell’s nightmarish satire of totalitarianism 1984 was written in 1948, when what little information that leaked out of the Soviet Union revealed a society slipping deeper into paranoia, as the aging Stalin desperately tightened his grip on power. Since one of the dictator’s ploys was to whip up popular sentiment against Jews, Shostakovich would have been taking his life in his hands if he had so much as said in public that he was working on a song cycle called From Jewish Folk Poetry, or a violin concerto inspired by a great Russian Jewish violinist, David Oistrakh. In fact, these works weren’t performed in public until after Stalin’s death in 1953, and even then the concerto’s opus number had to be changed from 77 to 99 to disguise its date of composition.

In Russian music from Rimsky-Korsakov to Rachmaninoff and Prokofiev, imagery of the night means soft breezes, moonlight, and eroticism. Not so in this concerto’s opening Nocturne.

After cellos and basses begin the work with a tortuous solo line (anticipating the repeating bass of the third movement’s passacaglia), depression and anxiety haunt the soloist’s somber monologue. The orchestral background, dark-colored and harmonically slow-moving, is painted with the deep timbres of contrabassoon, bass clarinet, and string bass; the tortuous theme appears there often, struggling with its chains. The cool, impassive sound of a celesta curls icy fingers around the violin melody at mid-movement and echoes the tortuous theme at the very end.

The unbearable tension of the Nocturne finds a spasm of release in the sarcastic Scherzo. Ian MacDonald, in his book About the Music

47

THE CLEVELAN D ORCHESTRA

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48

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The New Shostakovich, heard in this movement “the composer, beset by fools and knaves, scorned by his inferiors, and forced to demean himself with fatuous articles and speeches.” Certainly the composer’s personal motif, the notes D, E-flat, C, B (in German notation, the notes D-S-C-H, standing for D. Schostakowitsch) makes the first of many appearances in his works here, barked out, loud and clear, by the soloist in the second section. The “fools and knaves” emit vulgar burps on the same deep instruments that created the oppressive atmosphere of the Nocturne. For the soloist, the fiddling style of Jewish bands in Eastern Europe alternates with phrases of deliberate banality in a witch’s brew of vitality, anguish, and fury. This music dances, but on a chain.

The Passacaglia movement opens in an atmosphere of imperial Stalinist pomp, with horns and timpani pounding out menacing fanfares over the stark, angular ground bass. As in any passacaglia, the bass persists, repeating throughout the piece; here it may represent the implacable state, deaf to the eloquent pleas of the solo violin. In this context, it is a chilling moment when, at the movement’s climax, the violin itself takes up the bass theme in bare, harsh-sounding octaves. Has the composer learned to love Big Brother? The rest of the movement is one long, disconsolate diminuendo, at the end of which the violin’s melody breaks into scattered fragments, in the manner of the funeral march in Beethoven’s “Eroica” Symphony.

From his teacher Glazunov’s Violin Concerto in A minor, Shostakovich borrowed the idea of linking the last two movements by means of a meditative solo cadenza. Here the violin begins by trying on borrowed clothes — the menacing fanfare that began the Passacaglia — but soon the figuration begins to suggest the D-S-C-H motif, and folkdance rhythms invigorate the music, until the violin is shouting out the composer’s motif in slashing, impudent chords. As the cadenza reaches a peak of excitement, the orchestra bursts into a sassy dance, beginning with some klezmer-style riffs for the solo violin and clarinet.

Burlesca means simply a rustic dance, but in this sparkling rondo (no more gloom from the bass instruments) there are more references than ever to Jewish scales and melodies. Revenge is sweet as the once-terrifying Passacaglia bass is handed over to xylophone and flute — and later to the soloist and to the horns — for mockery and derision.

At a Glance Shostakovich wrote his first violin concerto in 1945-48, but kept the score private.

He revised it slightly in 1955 (after Stalin’s death in 1953).

The work was premiered on October 29, 1955, by the Leningrad Philharmonic with violinist David Oistrakh. It was originally published as Opus 99 to disguise that it had been written earlier during a period when the composer was officially under censure by the Soviet government; the original Opus 77 number was later restored.

This work runs about 35 minutes in performance.

Shostakovich scored it for 3 flutes (third doubling piccolo), 3 oboes and english horn, 3 clarinets (third doubling bass clarinet), 2 bassoons and contrabassoon, 4 horns, tuba, timpani, percussion (tambourine, tam-tam, xylophone), 2 harps, celesta, and strings.

The Cleveland Orchestra first presented this concerto as part of the 1984 Blossom Festival, conducted by Vladimir Ashkenazy and with Boris Belkin as the soloist. The most recent performances were at Severance Hall in May 2003, with guest conductor Osmo Vänskä and violinist Christian Tetzlaff.

—David Wright © 2013

Severance Hall 2012-13

About the Music

51

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The Cleveland Orchestra

Symphony No. 6 in D major, Opus 60 composed 1880 IF AN YONE DOUBT S

by

Antonín

DVOŘÁK born September 8, 1841 Nelahozeves, Bohemia died May 1, 1904 Prague

Severance Hall 2012-13

the value of persistence, let him or her consider the case of Antonín Dvořák, a violist in the orchestra of the Provisional Theater in Prague, who doggedly produced symphonies, string quartets, songs, and much else with little recognition until 1875, when a juror named Johannes Brahms, working for the Austrian State Stipend, looked at a package of Dvořák’s compositions and declared the 34-year-old composer “a very talented man.”

Things happened fast after that. The renowned critic Eduard Hanslick, a Brahms partisan, took up Dvořák’s cause as well. Brahms’s publisher Simrock brought out several Dvořák works, and commissioned a set of Slavonic Dances for piano duet modeled on Brahms’s popular Hungarian Dances. These proved to be such runaway bestsellers that Dvořák’s name became a household word, seemingly on every piano rack in the Austrian empire — and beyond. Orchestras and conductors clamored for music by him.

The composer himself could hardly believe his good fortune, after so much toil in obscurity. His letters from that time are full of wonder at new experiences. In September 1879, unable to be in all places at once, Dvořák missed the fi rst performance of his Slavonic Rhapsody No. 3 in Berlin, but he was able to hear the redoubtable Hans Richter conduct it in Vienna shortly thereafter. Dvořák wrote that, following an “incomparably fine” performance, “I had to promise to come to the performance of the Serenade and had to assure the Philharmonic that I would send them a symphony for the next season. The day after the concert, Richter gave a banquet at his house, in my honor so to speak, to which he invited all the Czech members of the orchestra. It was a grand evening which I shall not easily forget as long as I live.”

Dvořák began sketching the promised symphony the following summer, and eventually wrote at the end of the sketch, “Thanks be to God! Ended at 8:30 in the evening of September 20, 1880.” Finishing the orchestration on October 15, he set four copyists to work making the fair copy to rush to Richter in Vienna. But the Philharmonic dragged its feet in scheduling a performance, and so the premiere eventually and instead went to the Prague Philharmonic, led by Adolf Čech, in March About the Music

53

1881. The piece was rapturously received, and the Czech-flavored furiant scherzo had to be repeated. Dvořák decided to let stand the piece’s dedication to Richter, who finally conducted the work in London in 1882, by which time, because Dvořák’s music was such a hot property, the performance was not even a local premiere.

This was the first of Dvořák’s symphonies to see print, and the public’s ignorance of his five previous efforts in the genre remained so deep and persistent that there are still plenty of people walking around today who first got to know this music as Dvořák’s “Symphony No. 1.” Listening to it makes clear that, at the time, Dvořák enjoyed not only Brahms’s patronage but his artistic influence as well.

The Czech composer was certainly not alone in that, but still, the opening bars of the symphony’s first movement are so wonderfully characteristic of Dvořák’s rhythmic verve and appealing turn of phrase that it is startling to hear him take this blithe material and immediately begin worrying it à la Brahms.

However, one can appreciate how good Dvořák is at “doing” Brahms while one waits for these lovely tunes to return in their

54

About the Music

The Cleveland Orchestra

original form. Dvořák, although a violist himself, nevertheless had a way with a cello tune, and two beauties emerge among the many attractive ideas in this movement. The development section of the movement is first mysterious, then playful, but always colorful. Eventually, the themes return pretty much in order, and no less welcome for that, before the lively coda displays them in yet more new guises.

A soft modulating passage, in the manner of the same point in Beethoven’s Ninth Symphony, slides us gently down from bright D major into the gentle world of B-flat major for the second movement Adagio, a slice of music plainly inspired by the expressive breadth of the Bonn master’s great movements in that same tempo. But ultimately the movement is memorable more for its sensitive scoring and pure-hearted Dvořákian lyricism than for its Beethovenian forte interruptions.

On the other hand, Dvořák is the sole master of all he surveys in the irresistible third movement scherzo, an elaboration of the Slavonic dance rhythms that made him famous — specifically, the furiant, with its distinctive rhythmic play of twos and threes. The movement’s Trio section ventures far away from the big dance to a pastoral landscape with a lone, piping flute — a favorite Dvořák genre scene, sounding even more tender here because the flute is a piccolo.

The pianissimo opening of the finale is so similar to the same place in Brahms’s Second Symphony — also in D, published just three years before Dvořák composed this piece — it is almost as if the composer is saying, as Brahms did when somebody pointed out a resemblance between his First Symphony and Beethoven’s Ninth, “Every jackass notices that!” And Dvořák might also go on to say, “Now, listen to how I do it” — because the Dvořák way isn’t the Brahms way. It’s more straight-ahead, tuneful, and funny. And when it’s time to throw the themes together contrapuntally in this sonata-form movement, there isn’t a hint of Brahmsian fretting; instead, the butcher’s son from Nelahozeves just grins and stirs the pot with his muscular arms. The movement comes to a satisfying, full-circle close with the brass’s grand re-statement of the opening theme.

At a Glance Dvo řák wrote his Sixth Symphony in 1880. The first performance took place in Prague on March 25, 1881, with Adolf Čech conducting.

The United States premiere was given by Theodore Thomas and the New York Philharmonic Society on January 6, 1883. It was the first of Dvo řák’s symphonies to be published, in Berlin in 1882, and was thus issued as “Symphony No. 1.” The printed score was dedicated to conductor Hans Richter.

(Dvo řák’s symphonies were renumbered in the chronological order of their composition in the 1950s.)

This symphony runs about 40 minutes in performance. Dvo řák scored it for 2 flutes and piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, and strings.

The Cleveland Orchestra first presented Dvo řák’s Symphony No. 6 in January 1946 at Severance Hall concerts conducted by Erich Leinsdorf. The most recent performances at Severance Hall were led by Alan Gilbert in March 2007. Steven Smith conducted a performance with the Orchestra as part of the 2001 Blossom Festival.

—David Wright © 2013 David Wright lives and writes in Wellesley, Massachusetts. He previously served as program annotator for the New York Philharmonic.

Severance Hall 2012-13

About the Music

55

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The Cleveland Orchestra

Frank Peter Zimmermann German violinist Frank Peter Zimmermann regularly performs in the major concert venues and international music festivals of Europe, North and South America, Japan, and Australia. His Cleveland Orchestra debut was in January 1987, and he most recently appeared here in February 2011.

Born in 1965 in Duisburg, Germany, Frank Peter Zimmermann started playing violin when he was five and performed his first orchestral concert at age ten. He completed his studies with Saschko Gawriloff, Valery Gradov, and Herman Krebbers.

Highlights of Mr. Zimmermann’s recent schedule include residencies with the Bamberg Symphony and New York Philharmonic, and concerts with the Berlin Philharmonic, Boston Symphony Orchestra, Gustav Mahler Youth Orchestra, London’s Philharmonia Orchestra, Orchestre de Paris, Sydney Symphony Orchestra, and the Vienna Philharmonic.

As an advocate for new music, Frank Peter Zimmermann gave the world premiere of Augusta Read Thomas’s violin concerto, Juggler in Paradise, in 2009.

He has also performed the world premieres of Brett Dean’s The Lost Art of Letter Writing, and en sourdine by Matthias Pintscher (later presenting the United States premiere with The Cleveland Orchestra and Franz Welser-Möst in 2003).

With his recital and chamber music partners, pianists Piotr Anderszewski, Emanuel Ax, and Enrico Pace, Mr. Zimmermann has performed throughout the world. In 2007, he formed Trio Zimmermann with violist Antoine Tamestit and cellist Christian Poltéra; the ensemble appears throughout Europe, including performances at the Edinburgh and Salzburg festivals.

Many of Mr. Zimmermann’s recordings have received widespread recognition and international prizes. For Sony Classical, he has recorded the violin concertos of Britten, Bruch, Busoni, Szymanowski, and Tchaikovsky, as well as sonatas by Bach and Busoni. His EMI Classics discography includes nearly all the major violin concertos as well as many recital works. He can also be heard in Ligeti’s Violin Concerto (Teldec Classics) and in the Sibelius Violin Concerto (Ondine). Trio Zimmermann has recorded works by Beethoven, Mozart, and Schubert for BIS Records, and Mr. Zimmermann and Heinrich Schiff have a widely-praised album of duos for violin and cello on ECM Records.

Frank Peter Zimmermann’s awards include the 1990 Premio del Accademia Musicale Chigiana, 1994 Rheinischer Kulturpreis, 2002 Musikpreis of the city of Duisburg, and the Bundesverdienstkreuz 1 Klasse der Bundesrepublik Deutschland. He plays a Stradivarius from 1711, which once belonged to Fritz Kreisler, and is kindly sponsored by the WestLB AG. Severance Hall 2012-13

Guest Artist

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Appreciation

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The Musical Arts Association gratefully acknowledges the artistry and dedication of all the musicians of The Cleveland Orchestra. In addition to rehearsals and concerts throughout the year, many musicians donate performance time in support of community engagement, fundraising, education, and audience development activities. We are pleased to recognize these musicians, listed below, who have volunteered for such events and presentations during the 2011-12 and 2012-13 seasons.

Martha Baldwin Charles Bernard Katherine Bormann Charles Carleton Hans Clebsch Patrick Connolly Ralph Curry Marc Damoulakis Maximilian Dimoff Scott Dixon Bryan Dumm Mark Dumm Tanya Ell Ying Fu

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Kim Gomez Miho Hashizume Joela Jones Alicia Koelz Stanley Konopka Mark Kosower Paul Kushious Jung-Min Amy Lee Takako Masame Eli Matthews Sonja Braaten Molloy Jacob Nissly Peter Otto Chul-In Park Joanna Patterson Zakany Henry Peyrebrune

Musician Appreciation

Alexandra Preucil Lynne Ramsey Marisela Sager Jonathan Sherwin Emma Shook Joshua Smith Barrick Stees Trina Struble Brian Thornton Isabel Trautwein Carolyn Gadiel Warner Stephen Warner Richard Weiss Robert Woolfrey Derek Zadinsky Jeffrey Zehngut

The Cleveland Orchestra

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Meet the Musicians Cleveland Orchestra musicians participate in a variety of community and education activities beyond the weekly orchestral concerts at Severance Hall.

These activities include masterclasses and recitals, PNC Musical Rainbows, the Learning Through Music school partnership program, and coaching the Cleveland Orchestra Youth Orchestra.

SCOTT HAIGH

bass BORN: Oak Park, Illinois ROLE MODELS: My teacher. People

with positive attitudes.

ON MY MP3 PLAYER: Don’t have one.

WHY A MUSICIAN: When I was a teenager,

I couldn’t imagine doing anything else!

FREE TIME: Exercise and practice.

FAVORITE ORCHESTRAL WORK:

I can’t decide. I like most of the orchestral repertoire.

PHOTOGRAPHS BY ROGER MASTROIANNI

FRANK ROSENWEIN

DANIEL McKELWAY

oboe

clarinet BORN: Hanover, New Hampshire

BORN: Evanston, Illinois ROLE MODELS: John Mack

(but raised in Davidson, North Carolina) ON MY MP3 PLAYER: sea shanties,

and my mother.

CLEVELAND ORCHESTRA HIGHLIGHT:

Playing in Vienna’s Musikverein.

FREE TIME: Read The New Yorker, and learn Korean.

ON MY MP3 PLAYER: These days I’m an old school vinyl and CD aficionado.

WHY A MUSICIAN: To devote my life to understanding and being an ambassador for the greatest works of art.

FAVORITE ORCHESTRAL WORKS: Bach’s Saint Matthew Passion.

Severance Hall 2012-13

The Beatles, clarinet chamber music with my teacher Harold Wright, The Cleveland Orchestra with George Szell.

ROLE MODELS: My teacher Robert Listokin is the most inspiring human I have ever encountered.

FREE TIME: Play with my son Rein, hang out and talk with my wife, Lembi, and enjoy our two twin daughters. Run, sail, hike, ski, climb mountains, work on my 1976 Toyota Celica, watch ACC basketball.

Meet the Musicians

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Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y The Heritage Society honors donors who support the Orchestra through their wills, life income gifts, or other types of deferred giving. The following listing of members is current as of March 2012. The Cleveland Orchestra and Musical Arts Association thank those members below in bold who have declared to us their specific estate intentions. For more information, please call Bridget Mundy, Legacy Giving Officer, at 216-231-8006.

Lois A. Aaron Leonard Abrams Shuree Abrams* Gay Cull Addicott Stanley and Hope Adelstein Sylvia K. Adler Gerald O. Allen Norman and Marjorie* Allison George N. Aronoff Herbert Ascherman, Jr. Jack and Darby Ashelman Mr. and Mrs. William W. Baker Ruth Balombin* Mrs. Louis W. Barany* D. Robert* and Kathleen L. Barber Jack Barnhart Margaret B. and Henry T.* Barratt Norma E. Battes* Rev. Thomas T. Baumgardner and Dr. Joan Baumgardner Fred G. and Mary W. Behm Bertram H. Behrens* Dr. Ronald and Diane Bell Bob Bellamy Joseph P. Bennett Ila M. Berry Howard R. and Barbara Kaye Besser Dr.* and Mrs. Murray M. Bett Dr. Marie Bielefeld Raymond J. Billy (Biello) Dr. and Mrs. Harold B. Bilsky* Robert E. and Jean Bingham* Claudia Bjerre Mr. William P. Blair III Mrs. Flora Blumenthal Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Kathryn Bondy* Loretta and Jerome* Borstein Mr. and Mrs.* Otis H. Bowden II Ruth Turvy Bowman* Drs. Christopher P. Brandt and Beth Brandt Sersig Mr. D. McGregor Brandt, Jr. David and Denise Brewster Richard F. Brezic* Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Ronald and Isabelle Brown* Mr. and Mrs. Clark E. Bruner* Mr. and Mrs.* Harvey Buchanan

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Rita W. Buchanan* Joan and Gene* Buehler Gretchen L. Burmeister Stanley and Honnie* Busch Milan and Jeanne* Busta Mrs. Noah L. Butkin* Mr. and Mrs. William C. Butler Minna S. Buxbaum* Gregory and Karen Cada Roberta R. Calderwood* Jean S. Calhoun* Harry and Marjorie M. Carlson Janice L. Carlson Dr. and Mrs. Roland D. Carlson Mr. and Mrs. George P. Carmer* Barbara A. Chambers, D. Ed. Arthur L. Charni* Ellen Wade Chinn* NancyBell Coe Kenneth S. and Deborah G. Cohen Ralph M. and Mardy R. Cohen Victor J. and Ellen E. Cohn Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway James P. and Catherine E. Conway* Rudolph R. Cook The Honorable Colleen Conway Cooney John D. and Mary D.* Corry Dr.* and Mrs. Frederick S. Cross Martha Wood Cubberley Dr. William S. Cumming* In Memory of Walter C. and Marion J. Curtis Mr. and Mrs. William W. Cushwa Howard Cutson Mr. and Mrs. Don C. Dangler Mr. and Mrs. Howard J. Danzinger Barbara Ann Davis Carol J. Davis Charles and Mary Ann Davis William E. and Gloria P. Dean, Jr. Mary Kay DeGrandis and Edward J. Donnelly Neeltje-Anne DeKoster Carolyn L. Dessin William R. Dew Mrs. Armand J. DiLellio James A. Dingus, Jr. Dr. and Mrs. Richard C. Distad Maureen A. Doerner and Geoffrey T. White Henry and Mary Doll Gerald and Ruth Dombcik

Legacy & Planned Giving

Mr.* and Mrs. Roland W. Donnem Nancy E. and Richard M. Dotson Mrs. John Drollinger Drs. Paul M.* and Renate H. Duchesneau George* and Becky Dunn Warren and Zoann Dusenbury* Mr. and Mrs. Robert Duvin Paul and Peggy Edenburn Robert and Anne Eiben Mr. and Mrs. Alfred M. Eich, Jr. Mr. and Mrs. Ramon Elias* Roger B. Ellsworth Oliver and Mary Emerson Lois Marsh Epp Patricia Esposito Margaret S. Estill* Dr. Wilma McVey Evans* C. Gordon and Kathleen A.* Ewers Patricia J. Factor Susan L. Faulder* Dr. and Mrs. Frederick Fennell* Mrs. Mildred Fiening Gloria and Irving B. Fine Jules and Lena Flock* Joan Alice Ford Dr. and Mrs. William E. Forsythe* Mr.* and Mrs. Ralph E. Fountain Gil and Elle Frey Arthur and Deanna Friedman Mr.* and Mrs. Edward H. Frost Dawn Full Henry S. Fusner Dr. Stephen and Nancy Gage Charles and Marguerite C. Galanie* Barbara and Peter Galvin Mr. and Mrs. Steven B. Garfunkel Donald* and Lois Gaynor Barbara P. Geismer* Albert I. and Norma C. Geller Carl E. Gennett* John H.* and Ellen P. Gerber Frank and Louise Gerlak Dr. James E. Gibbs In Memory of Roger N. Gifford Dr. Anita P. Gilger* S. Bradley Gillaugh Mr. and Mrs. Robert M. Ginn Fred and Holly Glock Ronald* and Carol Godes William H. Goff Mr. and Mrs. Henry J. Goodman John and Ann Gosky Mrs. Joseph B. Govan*

The Cleveland Orchestra

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Elaine Harris Green Richard and Ann Gridley Nancy Hancock Griffith David E.* and Jane J. Griffiths David G. Griffiths* Ms. Hetty Griffiths Margaret R. Griffiths* Bev and Bob Grimm Judd and Zetta Gross* Candy and Brent Grover Mrs. Jerome E. Grover* Thomas J.* and Judith Fay Gruber Mr. and Mrs. David H. Gunning Mr. and Mrs. William E. Gunton Joseph E. Guttman* Mrs. John A Hadden Jr. Richard and Mary Louise Hahn James J. Hamilton Kathleen E. Hancock Douglas Peace Handyside* Holsey Gates Handyside Norman C. and Donna L. Harbert Mary Jane Hartwell William L.* and Lucille L. Hassler Peter and Gloria Hastings* Mrs. Henry Hatch (Robin Hitchcock) Virginia and George Havens Gary D. Helgesen Clyde J. Henry, Jr. Ms. M. Diane Henry Wayne and Prudence Heritage Rice Hershey* T. K. and Faye A. Heston Gretchen L. Hickok Mr. and Mrs.* Daniel R. High Edwin R. and Mary C. Hill* Ruth Hirshman-von Baeyer* Mr.* and Mrs. D. Craig Hitchcock Bruce F. Hodgson Goldie Grace Hoffman* Mary V. Hoffman Feite F. Hofman MD Mrs. Barthold M. Holdstein Leonard* and Lee Ann Holstein David and Nancy Hooker Gertrude S. Hornung* Patience Cameron Hoskins Elizabeth Hosmer Dorothy Humel Hovorka Dr. Christine A. Hudak and Mr. Marc F. Cymes Dr. Randal N. Huff Mrs. Marguerite B. Humphrey Adria D. Humphreys* Ann E. Humphreys and Jayne E. Sisson Karen S. Hunt Ruth F. Ihde Mr. and Mrs. Jonathan E. Ingersoll Pamela and Scott Isquick Mr. and Mrs.* Clifford J. Isroff Mr. and Mrs. Donald M. Jack, Jr. Carol S. Jacobs

Milton* and Jodith Janes Alyce M. Jarr* Jerry and Martha* Jarrett Merritt Johnquest Allan V. Johnson E. Anne Johnson Nancy Kurfess Johnson, M.D. Paul and Lucille Jones* Mrs. R. Stanley Jones* William R. Joseph* David and Gloria Kahan Julian and Etole Kahan Drs. Julian* and Aileen Kassen Milton and Donna* Katz Patricia and Walter* Kelley Bruce and Eleanor Kendrick Malcolm E. Kenney Nancy H. Kiefer Charles M. and Janet G. Kimball* James and Gay Kitson Mr. Clarence E. Klaus, Jr. Mary Elizabeth and G. Robert Klein* Julian H. and Emily W. Klein* Thea Klestadt* Paul and Cynthia Klug Martha D. Knight Mr. and Mrs. Robert Koch Dr. Vilma L. Kohn Elizabeth Davis Kondorossy* Mr. and Mrs. James G. Kotapish, Sr. LaVeda Kovar* Margery A. Kowalski Bruce G. Kriete* Mr. and Mrs. Gregory G. Kruszka Thomas and Barbara Kuby Eleanor and Stephen Kushnick Mr. and Mrs. Dennis W. LaBarre James I. Lader Mr. and Mrs. David A. Lambros Dr. Joan P. Lambros* Mrs. Carolyn Lampl Marjorie M. Lamport Louis Lane Anthony T. and Patricia Lauria Charles K. László and Maureen O’Neill-László Charles and Josephine Robson Leamy Fund Teela C. Lelyveld Mr. and Mrs. Roger J. Lerch Gerda Levine Dr. and Mrs. Howard Levine Bracy E. Lewis Mr. and Mrs. Thomas A. Liederbach Rollin and Ledda Linderman Ruth S. Link Dr. and Mrs. William K. Littman Jeff and Maggie Love Dr. Alan and Mrs. Min Cha Lubin Ann B. and Robert R. Lucas* Kate Lunsford Mr. and Mrs. Thomas E. Lynch* Patricia MacDonald Alex and Carol Machaskee

Jerry Maddox Mrs. H. Stephen Madsen Alice D. Malone Mr. and Mrs. Donald Malpass, Jr. Lucille Harris Mann Mr. and Mrs. Richard A. Manuel Clement P. Marion Mr. Wilbur J. Markstrom* Dr. and Mrs. Sanford E. Marovitz David C. and Elizabeth F. Marsh Duane and Joan* Marsh Florence Marsh, Ph.D.* Mr. and Mrs. Anthony M. Martincic Kathryn A. Mates Dr. Lee Maxwell and Michael M. Prunty Alexander and Marianna* McAfee Nancy B. McCormack Mr. William C. McCoy Marguerite H. McGrath* Dorothy R. McLean Jim* and Alice Mecredy James and Virginia Meil Mr. and Mrs.* Robert F. Meyerson Brenda Clark Mikota Christine Gitlin Miles Chuck and Chris Miller Edith and Ted* Miller Leo Minter, Jr. Mr. and Mrs. William A. Mitchell Robert L. Moncrief Ms. Beth E. Mooney Beryl and Irv Moore Ann Jones Morgan Mr. and Mrs. Stanley L. Morgan* George and Carole Morris Mr. and Mrs. Thomas W. Morris Mr. and Mrs.* Donald W. Morrison Joan R. Mortimer, PhD Florence B. Moss Susan B. Murphy Dr. and Mrs. Clyde L. Nash, Jr Deborah L. Neale David and Judith Newell Dr.* and Mrs. S. Thomas Niccolls Russell H. Nyland* Katherine T. O’Neill Mr. and Mrs. John D. Ong Aurel Fowler-Ostendorf* Mr. J. William and Dr. Suzanne Palmer R. Neil Fisher and Ronald J. Parks Nancy and W. Stuver Parry Mrs. John G. Pegg* Dr. and Mrs. Donald Pensiero Mary Charlotte Peters Mr. and Mrs. Peter Pfouts* Janet K. Phillips* Florence KZ Pollack Julia and Larry Pollock Victor and Louise Preslan Mrs. Robert E. Price* Lois S.* and Stanley M. Proctor Mr. David C. Prugh LISTING CONTINUES

Severance Hall 2012-13

Legacy & Planned Giving

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Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Be forever a part of what the world is talking about!

LISTING CONTINUED

Leonard and Heddy Rabe M. Neal Rains Mr. George B. Ramsayer Joe L. and Alice* Randles Mrs. Alfred M. Rankin, Sr. Mrs. Theodore H. Rautenberg* James and Donna Reid Mrs. Hyatt Reitman* Mrs. Louise Nash Robbins* Dr. Larry J.B.* and Barbara S. Robinson Dwight W. Robinson Margaret B. Babyak* and Phillip J. Roscoe Dr. Eugene and Mrs. Jacqueline Ross Helen Weil Ross* Robert and Margo Roth Marjorie A. Rott Howard and Laurel Rowen Professor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster Rutter Mr. James L. Ryhal, Jr. Renee Sabreen Scott Sabreen Marjorie Bell Sachs Vernon Sackman Sue Sahli Mr. and Mrs. James A. Saks Mr. and Mrs. Sam J. SanFilipo* Larry J. Santon Stanford and Jean B. Sarlson Sanford Saul Family James Dalton Saunders Patricia J. Sawvel Ray and Kit Sawyer Richard Saxton* Alice R. Sayre In Memory of Hyman and Becky Schandler Robert Scherrer Sandra J. Schlub Ms. Marian Schluembach Robert and Betty Schmiermund Mr.* and Mrs. Richard M. Schneider Lynn A. Schreiber* Jeanette L. Schroeder Mr. Frank Schultz Carol* and Albert Schupp Roslyn S. and Ralph M. Seed Nancy F. Seeley Edward Seely Oliver E. and Meredith M. Seikel Russell Seitz* Eric Sellen Andrea E. Senich Thomas and Ann Sepúlveda Elsa Shackleton* B. Kathleen Shamp Jill Semko Shane

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David Shank Dr. and Mrs. Daniel J. Shapiro Norine W. Sharp Norma Gudin Shaw Elizabeth Carroll Shearer Dr. and Mrs. William C. Sheldon Frank* and Mary Ann Sheranko Kim Sherwin Mr. and Mrs. Michael Sherwin Reverend and Mrs. Malcolm K. Shields Rosalyn and George Sievila Mr. and Mrs. David L. Simon Dr.* and Mrs. John A. Sims Naomi G. and Edwin Z. Singer Lauretta Sinkosky H. Scott Sippel and Clark T. Kurtz Ellen J. Skinner Ralph* and Phyllis Skufca Janet Hickok Slade Alden D. and Ellen D.* Smith Mr.* and Mrs. Ward Smith M. Isabel Smith* Nathan Snader* Sterling A.* and Verdabelle Spaulding Barbara J. Stanford and Vincent T. Lombardo Sue Starrett and Jerry Smith Lois and Tom Stauffer Willard D. Steck* Merle Stern Dr. Myron Bud and Helene* Stern Mr. and Mrs. John M. Stickney Nora and Harrison Stine* Mr. and Mrs. Stanley M. Stone Mr.* and Mrs. James P. Storer Ralph E. and Barbara N. String The Irving Sunshine Family Vernette M. Super* Mr. and Mrs. Herbert J. Swanson* In Memory of Marjory Swartzbaugh Lewis Swingley* Lorraine S. Szabo Norman V. Tagliaferri Susan* and Andrew Talton Frank E. Taplin, Jr.* Charles H. Teare and Clifford K.* Kern Mr. Ronald E. Teare Pauline Thesmacher* Dr. and Mrs. Friedrich Thiel Mrs. William D. Tibbetts* Mr. and Mrs. William M. Toneff Alleyne C. Toppin Janice and Leonard Tower Dorothy Ann Turick Mr. and Mrs. Robert A. Urban Robert and Marti Vagi Robert A. Valente J. Paxton Van Sweringen Mary Louise and Don VanDyke Elliot Veinerman*

Legacy & Planned Giving

Nicholas J. Velloney* Steven Vivarronda Hon. William F.B. Vodrey Pat and Walt* Wahlen Mrs. Clare R. Walker John and Deborah Warner Mr. and Mrs. Russell Warren Charles D. Waters* Etta Ruth Weigl Lucile Weingartner Eunice Podis Weiskopf* Max W. Wendel William Wendling and Lynne Woodman Marilyn J. White Robert and Marjorie Widmer* Mr. Yoash and Mrs. Sharon Wiener Alan H. and Marilyn M. Wilde Elizabeth L. Wilkinson* Helen Sue* and Meredith Williams Carter and Genevieve* Wilmot Miriam L. and Tyrus W.* Wilson Mr. Milton Wolfson* and Mrs. Miriam Shuler-Wolfson Nancy L. Wolpe Mrs. Alfred C. Woodcock Mr. and Mrs.* Donald Woodcock Dr. and Mrs. Henry F. Woodruff Marilyn L. Wozniak Nancy R. Wurzel Michael and Diane Wyatt Mary Yee Emma Jane Yoho, M.D. Libby M. Yunger Dr. Norman Zaworski William L. and Joan H. Ziegler Carmela Catalano Zoltoski* Roy J. Zook* Anonymous (101)

*deceased

The lotus blossom is the symbol of the Heritage Society.

It represents eternal life and recognizes the permanent benefits of legacy gifts to The Cleveland Orchestra’s endowment.

Said to be Elisabeth Severance’s favorite flower, the lotus is found as a decorative motif in nearly every public area of Severance Hall.

The Cleveland Orchestra

july 13-august 23

july 21-august 24

j l 20 t 22 july 20-august 22

THE FLYING CAMELOT KING FOR PASSIONS a double bill DUTCHMAN A DAY

2013

july 06-august 24

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photo by Hernan Herrero

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Severance Hall 2012-13

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The Cleveland Orchestra

The Cleveland Orchestra: Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R M A S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 70,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades.

Severance Hall 2012-13

Education & Community

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T H E

C L E V E L A N D

School buses delivering students to Severance Hall. More than four million schoolchildren have been introduced to symphonic music in nine decades of Cleveland Orchestra education concerts.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

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Cleveland Orchestra bassist Mark Atherton with classroom students at Clevelandâ&#x20AC;&#x2122;s Mayfair Elementary School, part of the Learning Through Music program that fosters the use of music and the arts to support general classroom learning.

Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestra’s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Invacare Corporation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lincoln Electric Foundation The Lubrizol Corporation The Nord Family Foundation Ohio Arts Council Ohio Savings Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation The Sherwin-Williams Foundation The South Waite Foundation Surdna Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice B. Cull Memorial Fund Mr. and Mrs. Charles B. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund Anonymous

Severance Hall 2012-13

Education & Community

The Cleveland Orchestra helps celebrate the seasons and special events throughout the year. This past October, the season’s first Family Concert featured the third annual “Halloween Spooktacular!” including costumes onstage and a special audience costume contest.

67

THE CLEVELAND ORCHESTRA

The Cleveland Orchestra Center for Future Audiences T H E C L E V E L A N D O R C H E S T R A ’s Center for Future Audiences was estab-

lished to fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation.

Center-funded programs focus on addressing economic and geographic barriers to attending Cleveland Orchestra concerts at Severance Hall and Blossom Music Center. Programs include research, introductory offers, targeted discounts, student ticket programs, and integrated use of new technologies. The goal is to create one of the youngest audiences of any symphony orchestra in the country. For additional information about these plans and programs, call us at 216-231-7464.

ENDOWED FUNDS

Maltz Family Foundation Mr. and Mrs. Alexander M. Cutler

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Officer, at 216-231-7520.

THANK YOU

for helping develop tomorrow’s audiences today.

68

Center for Future Audiences

The Cleveland Orchestra

T H E C L E V E L A N D O R C H ETSHTER AC L E V E L A N D O R C H E S T R A

Endowed Funds

funds established as of March 2013

Generous contributions to the endowment have been made to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to the Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus.

Artistic Excellence

American Conductors Fund

George Gund III Fund

Douglas Peace Handyside Holsey Gates Handyside

Artistic Collaboration

Severance Hall Guest Conductors

Keithley Fund

Roger and Anne Clapp James and Donna Reid

Artist-in-Residence Malcolm E. Kenney

Cleveland Orchestra Soloists

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

International Touring Frances Elizabeth Wilkinson

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

Concert Previews Dorothy Humel Hovorka

Radio Broadcasts Robert and Jean Conrad

Unrestricted William P. Blair III Fund for Orchestral Excellence John P. Bergren and Sarah S. Evans Margaret Fulton-Mueller Fund Virginia M. and Jon A. Lindseth

Julia and Larry Pollock Family Fund

Guest Artists The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, was established to develop new generations of audiences for The Cleveland Orchestra.

Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler Fund Endowed Funds listing continues

Severance Hall 2012-13

Endowed Funds

69

THE CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year.

Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice B. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley Education Fund The William N. Skirball Endowment

Education Concerts Week The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Machaskee Fund

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall.

Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center.

Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

70

Endowed Funds

The Cleveland Orchestra

Student Ticket Programs “Under 18s Free,” Student Advantage membership, and Student Frequent FanCard offer affordable access to Cleveland Orchestra concerts all season long The Cleveland Orchestra is committed to developing one of the youngest audiences of any orchestra in the country. With the help of generous contributors, the Orchestra has expanded its discounted ticket offerings through several new programs. In the opening months of the current Severance Hall season, student attendance doubled from last season, with nearly 20% of the audience being students experiencing Cleveland Orchestra concerts through these various programs and offers.

S T U D E N T A DVA N TAG E P R O G R A M

The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend Orchestra concerts at Severance Hall through discounted ticket offers. Membership in the Student Advantage Program is free.

A new Student Frequent FanCard was introduced this season. Priced at $50, the FanCard offers students unlimited single tickets (one per FanCard holder) to weekly Classical Subscription Concerts all season long. “ U N D E R 1 8 s F R E E ” F O R FA M I L I E S

Introduced for Blossom Music Festival concerts two summers ago, the “Under 18s Free” for families program now includes select Cleveland Orchestra concerts at Severance Hall each season. This program offers free tickets (one per regularpriced adult paid admission) to young people ages 7-17 to the Orchestra’s Fridays@7, Friday Morning at 11, and Sunday Afternoon at 3 concerts.

All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences and the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

Severance Hall 2012-13

Student Ticket Programs

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72

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY KeyBank

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$1 MILLION TO $5 MILLION

PARTNERS IN EXCELLENCE $300,000 AND MORE

$5 MILLION AND MORE

BakerHostetler Bank of America Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch NACCO Industries, Inc. Parker Hannifin Corporation The Plain Dealer PNC PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company

gifts of $2,500 or more during the past year, as of February 25, 2013

KeyBank The Lubrizol Corporation NACCO Industries, Inc. Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton Corporation FirstEnergy Foundation Forest City Enterprises, Inc. PNC PARTNERS IN EXCELLENCE $100,000 TO $199,999

The Cliffs Foundation Google, Inc. Medical Mutual of Ohio Parker Hannifin Corporation $50,000 TO $99,999

The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra.

Listing as of February 2013.

Exile LLC Jones Day Quality Electrodynamics (QED) Anonymous $25,000 TO $49,999 Bank of America Dix & Eaton The Giant Eagle Foundation Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp.

The Plain Dealer RPM International Inc. Squire, Sanders & Dempsey (US) LLP Thompson Hine LLP

$2,500 TO $24,999 AdCom Communications Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc. American Greetings Corporation BDI Brouse McDowell Eileen M. Burkhart & Co LLC

Severance Hall 2012-13

Corporate Annual Support

Buyers Products Company Cedar Brook Financial Partners, LLC The Cleveland Wire Cloth & Mfg. Co. Community Behavioral Health Center Conn-Selmer, Inc. Consolidated Graphics Group, Inc. Dealer Tire LLC Dollar Bank Dominion Foundation Ernst & Young LLP Evarts-Tremaine-Flicker Company Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Viktor Kendall, Friends of WLRN Gallagher Benefit Services Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Houck Anderson P.A. (Miami) Hunton & Williams, LLP (Miami) Hyland Software The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Materion Corporation Miba AG (Europe) MTD Products, Inc. Nordson Corporation North Coast Container Corp.

Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Oswald Companies PolyOne Corporation The Prince & Izant Company Richey Industries, Inc. Satch Logistics LLC SEMAG Holding GmbH (Europe) The Sherwin-Williams Company Stern Advertising Agency Swagelok Company TriMark S.S. Kemp Trionix Research Laboratory, Inc. Tucker Ellis Ulmer & Berne LLP United Automobile Insurance Company (Miami) Ver Ploeg & Lumpkin, P.A. (Miami) Ricky & Sarit Warman — Papa John’s Pizza (Miami) WCLV Foundation Westlake Reed Leskosky The Avedis Zildjian Company Anonymous (3)

73

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CLEVELAND INSTITUTE OF MUSIC 11021 East Boulevard Cleveland, OH 44106 | 216.791.5000 | cim.edu

Creativity, Passion, Accountability, and Integrity are our guiding principles.

Providing Controllership, CFO, Transaction Management, and Traditional Accounting Services to enterpreneurs and not-for-profit organizations.

Contact Jonathan Green • 216.593.0900 ext. 109 • www.jmgreencpa.com

We believe in working for the greater good of all and we are proud to support any organization that shares this value.

We thank The Cleveland Orchestra for its commitment to excellence!

Ken Lanci, Chairman & CEO Consolidated Companies 74

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation $5 MILLION TO $10 MILLION

gifts of $2,000 or more during the past year, as of February 25, 2013

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts and Culture The George Gund Foundation The Andrew W. Mellon Foundation David and Inez Myers Foundation The Kelvin and Eleanor Smith Foundation $250,000 TO $499,000

Kulas Foundation The Miami Foundation, from a fund established by the John S. and James L. Knight Foundation (Miami) John P. Murphy Foundation Ohio Arts Council

The George Gund Foundation The Andrew W. Mellon Foundation John P. Murphy Foundation

$100,000 TO $249,999

$1 MILLION TO $5 MILLION

$50,000 TO $99,999

GAR Foundation Ann and Gordon Getty Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Knight Foundation (Cleveland, Miami) David and Inez Myers Foundation National Endowment for the Arts The Payne Fund The Reinberger Foundation The Sage Cleveland Foundation

Sidney E. Frank Foundation GAR Foundation

The George W. Codrington Charitable Foundation Martha Holden Jennings Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation John S. and James L. Knight Foundation The Mandel Foundation Elizabeth Ring Mather and William Gwinn Mather Fund National Endowment for the Arts Donald and Alice Noble Foundation, Inc. The Payne Fund The Sage Cleveland Foundation Surdna Foundation $20,000 TO $49,999

$2,000 TO $19,999 The Abington Foundation Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Batchelor Foundation, Inc. (Miami) The Bernheimer Family Fund of The Cleveland Foundation Bicknell Fund Eva L. and Joseph M. Bruening Foundation The Collacott Foundation Mary and Dr. George L. Demetros Charitable Trust Elisha-Bolton Foundation Fisher-Renkert Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation Funding Arts Network (Miami) The Hankins Foundation The Muna and Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Kangesser Foundation The Kridler Family Fund of The Columbus Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation Miami-Dade County Department of Cultural Affairs (Miami) Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation Jean C. Schroeder Foundation Kenneth W. Scott Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The Taylor-Winfield Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra.

Listing as of February 2013.

Akron Community Foundation The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. Ann and Gordon Getty Foundation The Helen Wade Greene Charitable Trust The Margaret Clark Morgan Foundation The Frederick and Julia Nonneman Foundation The Nord Family Foundation William J. and Dorothy K. O’Neill Foundation Peacock Foundation, Inc. (Miami) The Reinberger Foundation The Sisler McFawn Foundation

Severance Hall 2012-13

Foundation/Government Annual Support

75

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of February 25, 2013 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland)

Daniel R. and Jan R. Lewis (Miami) INDIVIDUAL GIFTS OF $200,000 TO $499,999

$5 MILLION TO $10 MILLION

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner

Irma and Norman Braman (Miami) Francie and David Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) Ms. Ginger Warner (Cleveland, Miami)

$1 MILLION TO $5 MILLION

INDIVIDUAL GIFTS OF $100,000 TO $199,999

Irma and Norman Braman (Miami) Mr. Francis J. Callahan Mrs. M. Roger Clapp Mr. George Gund III* Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Anonymous (2)

James D. Ireland III Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Peter B. Lewis and Janet Rosel (Miami) Mr.* and Mrs. Herbert McBride Mr. and Mrs. Albert B. Ratner Janet and Richard Yulman (Miami)

The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of February 2013.

76

INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. and Mrs. Douglas A. Kern The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz Elizabeth B. Juliano (Cleveland, Miami) Mr. and Mrs. Dennis W. LaBarre R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis Mr. and Mrs. Edward A. Lozick Ms. Beth E. Mooney James and Donna Reid Barbara S. Robinson

Individual Annual Support

The Cleveland Orchestra

Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous INDIVIDUAL GIFTS OF $30,000 TO $49,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad Do Unto Others Trust (Miami) Mr. and Mrs. Geoffrey Gund George Gund* Trevor and Jennie Jones Giuliana C. and John D. Koch (Cleveland, Miami) Dr. Vilma L. Kohn Mr. and Mrs. S. Lee Kohrman Charlotte R. Kramer Ms. Nancy W. McCann Sally S. and John C. Morley Julia and Larry Pollock Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner Luci and Ralph* Schey Mary M. Spencer (Miami) Mr. and Mrs. Franz Welser-Möst INDIVIDUAL GIFTS OF $25,000 TO $29,999

Dr. and Mrs. Hiroyuki Fujita Junior Committee of The Cleveland Orchestra David and Jan Leshner Mr. and Mrs. Jon A. Lindseth Margaret Fulton-Mueller Mrs. Jane B. Nord Mr. and Mrs. James A. Ratner Hewitt and Paula Shaw Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton Paul and Suzanne Westlake INDIVIDUAL GIFTS OF $20,000 TO $24,999

Gay Cull Addicott Mr. and Mrs. William W. Baker Jill and Paul Clark Mr. and Mrs. Matthew V. Crawford Bruce and Beth Dyer Esther L. and Alfred M. Eich, Jr. Jeffrey and Susan Feldman Dr. Edward S. Godleski Andrew and Judy Green Gary Hanson and Barbara Klante

Severance Hall 2012-13

Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mrs. Marguerite B. Humphrey Joy P. and Thomas G. Murdough, Jr. (Miami) William J. and Katherine T. O’Neill Dr. and Mrs. Ronald J. Ross Steven and Ellen Ross Mr. and Mrs. James A. Saks Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Dr. and Mrs. Neil Sethi Mr. and Mrs. Donald Stelling (Europe) Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) Women’s Committee of The Cleveland Orchestra Anonymous gift from Switzerland (Europe) Anonymous INDIVIDUAL GIFTS OF $15,000 TO $19,999

Randall and Virginia Barbato Jayusia and Alan Bernstein (Miami)

listings continue

Crescendo

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson

Jack Harley Iris Harvie Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, educational activities, and community projects.

The Crescendo Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Hayden Howland, Manager of Leadership Giving, by calling 216-231-7545.

Individual Annual Support

77

THE CLEVELAN D ORCHESTRA

Leadership Council The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

listings continued

Scott Chaikin and Mary Beth Cooper Martha and Bruce Clinton (Miami) Mr. and Mrs. Peter O. Dahlen George* and Becky Dunn Colleen and Richard Fain (Miami) Mr. Allen H. Ford Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) Tati and Ezra Katz (Miami) Jonathan and Tina Kislak (Miami) Robert M. Maloney and Laura Goyanes Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Miba AG (Europe) Lucia S. Nash Mr. Gary A. Oatey Brian and Patricia Ratner David and Harriet Simon Mr. Joseph F. Tetlak Rick, Margarita and Steven Tonkinson (Miami) LNE Group â&#x20AC;&#x201C; Lee Weingart (Europe) Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. David J. Carpenter Judith and George W. Diehl Joyce and Ab* Glickman Mr. and Mrs. Jeffrey Healy Mrs. David Seidenfeld Mr. and Mrs. Alfred Umdasch (Europe) INDIVIDUAL GIFTS OF $10,000 TO $12,499

Mr. and Mrs. George N. Aronoff Marsha and Brian Bilzin (Miami) Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. D. McGregor Brandt, Jr. Augustine* and Grace Caliguire Mr. and Mrs. R. Bruce Campbell Richard J. and Joanne Clark Mr. and Mrs. William E. Conway Mrs. Barbara Cook Bruce Coppock and Lucia P. May (Miami) Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Robert P. Duvin

78

Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Ms. Dawn M. Full Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Elaine Harris Green Robert K. Gudbranson and Joon-Li Kim Jeffrey and Stacie Halpern Sondra and Steve Hardis David and Nancy Hooker Joan and Leonard Horvitz Mr. and Mrs. Christopher Hyland Mr. and Mrs. Donald M. Jack, Jr. Allan V. Johnson Janet and Gerald Kelfer (Miami) Mrs. Elizabeth R. Koch Tim and Linda Koelz Mr. Jeff Litwiller Mr. and Mrs. Richard A. Manuel Mr. and Mrs. Stanley A. Meisel Edith and Ted* Miller Mrs. Sydell L. Miller The Estate of Walter N. Mirapaul Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. and Mrs. William M. Osborne, Jr. Mr. and Mrs. George M. Rose Dr. Tom D. Rose Mr. and Mrs. David A. Ruckman Dr. Isobel Rutherford Mr. Larry J. Santon Dr. E. Karl and Lisa Schneider Rachel R. Schneider Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Steven Spilman Lois and Tom Stauffer Mrs. Blythe Sundberg Mrs. Jean H. Taber Dr. Russell A. Trusso Tom and Shirley Waltermire The Wells Family Foundation, Inc. Sandy and Ted Wiese Anonymous* INDIVIDUAL GIFTS OF $7,500 TO $9,999

Laurel Blossom Dr. and Mrs. Jerald S. Brodkey Dr. Thomas Brugger and Dr. Sandra Russ Ellen E. & Victor J. Cohn Supporting Foundation Mr. Owen Colligan Mr. and Mrs. Edward B. Davis Henry and Mary Doll Nancy and Richard Dotson Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Amy and Stephen Hoffman Pamela and Scott Isquick Joela Jones and Richard Weiss Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mrs. Robert H. Martindale

listings continue

Individual Annual Support

The Cleveland Orchestra

The Center for Music & Medicine University Hospitals Center for Music and Medicine is proud to support The Cleveland Orchestra.

1-866-UH4-CARE | 1-866-844-2273 UHhospitals.org/musicandmedicine

© 2011 University Hospitals NEU 00262

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Severance Hall 2012-13

79

THE CLEVELAN D ORCHESTRA listings continued

Mr. and Mrs. Thomas B. McGowan Mr. Donald W. Morrison Mr. Raymond M. Murphy Pannonius Foundation Douglas and Noreen Powers Rosskamm Family Trust Patricia J. Sawvel Carol* and Albert Schupp Dr. Gerard and Phyllis Seltzer Naomi G. and Edwin Z. Singer Family Fund Mrs. Gretchen D. Smith Mr. and Mrs. Donald W. Strang, Jr. Mrs. Marie S. Strawbridge Bruce and Virginia Taylor Anonymous (3) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Susan S. Angell Mr. and Mrs. Albert A. Augustus Mr. and Mrs. Robert H. Baker Mr. and Mrs. Dean Barry Mr. Jon Batchelor (Miami) Fred G. and Mary W. Behm Drs. Nathan A. and Sosamma J. Berger Mr. William Berger Dr.* and Mrs.* Norman E. Berman Dr. and Mrs. Eugene H. Blackstone Paul and Marilyn* Brentlinger Mr. Robert W. Briggs Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William & Dottie Clark Mrs. Lester E. Coleman Mr. and Mrs. Gerald A. Conway Corinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph Daugstrup Mrs. Barbara Ann Davis Ms. Nancy J. Davis (Miami) Mr. and Mrs. Thomas S. Davis Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Joy E. Garapic Mr. David J. Golden Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Harry and Joyce Graham Mr. Paul Greig David and Robin Gunning Clark Harvey and Holly Selvaggi In memory of Philip J. Hastings Henry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller T. K. and Faye A. Heston Bob and Edith Hudson (Miami) Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Rudolf D. and Joan T. Kamper

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Andrew and Katherine Kartalis Milton and Donna* Katz Dr. and Mrs. William S. Kiser Mrs. Justin Krent Mr. James and Mrs. Patricia Krohngold Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. David C. Lamb Shirley and William Lehman (Miami) Mr.* and Mrs. Leo Leiden Larry and Christine Levey Mr. and Mrs. Adam Lewis (Miami) Mrs. Emma S. Lincoln Heather and Irwin Lowenstein Mr. and Mrs. Alex Machaskee Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Claudia Metz and Thomas Woodworth Drs. Terry E. and Sara S. Miller Mr. and Mrs. William A. Mitchell Ann Jones Morgan Robert Moss (Miami) Mr. and Mrs. Stephen E. Myers Mr. and Mrs. Herbert Newman Richard and Kathleen Nord Mr. Henry Ott-Hansen Mr. J. William and Dr. Suzanne Palmer Claudia and Steven Perles (Miami) Nan and Bob Pfeifer Dr. and Mrs. John N. Posch Lois S.* and Stanley M. Proctor Ms. Rosella Puskas Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Ms. Deborah Read Paul A. and Anastacia L. Rose Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter David M. and Betty Schneider Linda B. Schneider Larry and Sally Sears Dr. and Mrs. James L. Sechler Charles Seitz (Miami) Mr. Eric Sellen and Mr. Ron Seidman Mrs. Frances G. Shoolroy Marjorie B. Shorrock Laura and Alvin A. Siegal David Kane Smith Jim and Myrna Spira George and Mary Stark Charles B. and Rosalyn Stuzin (Miami) Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins Dr. and Mrs. Leslie T. Webster, Jr. Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Charles Winans Fred and Marcia Zakrajsek Anonymous (6)

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Individual Annual Support

The Cleveland Orchestra

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THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $3,500 TO $4,999

Dr. and Mrs. D. P. Agamanolis Ms. Delphine Barrett Mrs. Joanne M. Bearss Mr. and Mrs. Jules Belkin Dr. Ronald and Diane Bell Suzanne and Jim Blaser Dr. Ben H. and Julia Brouhard Dr. and Mrs. William E. Cappaert Ms. Mary E. Chilcote Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier Marjorie Dickard Comella Pete and Margaret Dobbins Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry Peggy and David* Fullmer Mrs. Joan Getz (Miami) Robert N. and Nicki N. Gudbranson Mr. Robert D. Hart Matthew D. Healy and Richard S. Agnes Hazel Helgesen and Gary D. Helgesen Ms. Rosina Horvath Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley Donna L. and Robert H. Jackson

Mr. and Mrs. Richard A. Janus Helen and Erik Jensen Dr. Gilles and Mrs. Malvina Klopman Dr. James and Mrs. Margaret Kreiner Judy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne* Lugibihl Elsie and Byron Lutman Joel and Mary Ann Makee Martin and Lois Marcus Susan and Reimer Mellin Dr.* and Mrs. Hermann Menges, Jr. Dr. Susan M. Merzweiler Bert and Marjorie Moyar Richard B. and Jane E. Nash Mr. and Mrs. Peter R. Osenar Mrs. Ingrid Petrus Mr. and Mrs. John S. Piety Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak William and Gwen Preucil Dr. Robert W. Reynolds Mrs. Charles Ritchie

Amy and Ken Rogat Fred Rzepka and Anne Rzepka Family Foundation Mr. Paul H. Scarbrough Bob and Ellie Scheuer Ms. Freda Seavert Ginger and Larry Shane Mr. Richard Shirey Howard and Beth Simon Dr. Marvin and Mimi Sobel Mr. and Mrs. William E. Spatz Howard Stark M.D. and Rene Rodriguez (Miami) Mrs. Barbara Stiefel (Miami) Dr. Elizabeth Swenson Mr. and Mrs. Leonard K. Tower Mr. and Mrs. Lyman H. Treadway Robert and Marti Vagi Mr. and Mrs. Mark Allen Weigand Mr. Peter and Mrs. Laurie Weinberger Robert C. Weppler Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox

Mr.* and Mrs. Robert A. Clark Mr. and Mrs. Stanley Cohen (Miami) Mr. and Mrs. David J. Cook Dr. Dale and Susan Cowan Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis Mrs. Lois Joan Davis Dr. and Mrs. Richard C. Distad Ms. Maureen A. Doerner and Mr. Geoffrey T. White Mr. George and Mrs. Beth Downes Ms. Mary Lynn Durham George* and Mary Eaton David and Margaret Ewart Harry and Ann Farmer Carl and Amy Fischer Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Randall and Mrs. Patrice Fortin Mr. Monte Friedkin (Miami) Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Richard L. Furry Jeanne Gallagher Barbara and Peter Galvin Mrs. Georgia T. Garner Barbara P. Geismer* Mr. Wilbert C. Geiss, Sr. Dr. Kevin and Angela Geraci Anne and Walter Ginn Mr. and Mrs. David Goldberg Mr. and Mrs. David A. Goldfinger

Dr. and Mrs. Ronald L. Gould Mr. and Mrs. Robert T. Graf Nancy Green (Miami) Mr. and Mrs. Brent R. Grover The Thomas J. and Judith Fay Gruber Charitable Foundation Nancy and James Grunzweig Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. George B. P. Haskell Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Mr. and Mrs. Edmond H. Hohertz Peter A. and Judith Holmes Thomas and Mary Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Mark and Ruth Houck (Miami) Dr. Randal N. Huff and Ms. Paulette Beech Ms. Carole Hughes Ms. Charlotte L. Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Dr. Michael and Mrs. Deborah Joyce Barbara and Michael J. Kaplan Dr. and Mrs. Richard S. Kaufman Rev. William C. Keene Mr. Karl W. Keller Elizabeth Kelley Angela Kelsey and Michael Zealy (Miami)

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Ms. Nancy A. Adams Stanley I. and Hope S. Adelstein Norman and Rosalyn Adler Family Philanthropic Fund Mr. Gerald O. Allen Norman and Helen Allison Mr. and Mrs. Robert J. Amsdell Rev. Dr. and Mrs. Kenneth J. Anderson Mr. and Mrs. Jeffrey R. Appelbaum Mr. and Mrs. Stanley H. Arkin (Miami) Geraldine and Joseph Babin Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Julia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill* and Zeda Blau Mr. Doug Bletcher Madeline and Dennis A. Block Mr. and Mrs. Richard H. Bole John and Anne Bourassa Lisa and Ron Boyko Mrs. Ezra Bryan J. C. and Helen Rankin Butler Ms. Mary R. Bynum and Mr. J. Philip Calabrese Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Suzan Cheng Dr. and Mrs. Chris Chengelis Mr. and Mrs. Homer D. W. Chisholm

listings continue

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Individual Annual Support

The Cleveland Orchestra

!

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Mr. James Kish Natalie Kittredge Fred and Judith Klotzman Jacqueline and Irwin Kott (Miami) Ellen Brad and Bart Kovac Dr. Ronald H. Krasney and Ms. Sherry* Latimer Mr. Donald N. Krosin Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. John J. Lane Mr. and Mrs. Israel Lapciuc (Miami) Kenneth M. Lapine Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Jon E. Limbacher and Patricia J. Limbacher Isabelle and Sidney* Lobe Holly and Donald Loftus Martha Klein Lottman Mary Loud Marianne Luedeking (Miami) Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David and Elizabeth Marsh Mr. and Mrs.* Duane J. Marsh Mrs. Meredith T. Marshall Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Jim and Diana McCool William and Eleanor McCoy Ms. Nancy L. Meacham Mr. James E. Menger Stephen and Barbara Messner Mr. Stephen P. Metzler Mr. and Mrs. Roger Michelson (Miami) MindCrafted Systems Ms. Barbara A. Morrison Joan Katz Napoli and August Napoli

Mr. David and Mrs. Judith Newell Marshall I. Nurenberg and Joanne Klein Mort and Milly Nyman (Miami) Richard and Jolene O’Callaghan Nedra and Mark Oren (Miami) James P. Ostryniec (Miami) Mr. and Mrs. Robert D. Paddock Deborah and Zachary Paris Dr. Lewis and Janice B. Patterson Drs. John Petrus and Sharon DiLauro Dr. Roland S. Philip and Dr. Linda M. Sandhaus Ms. Maribel Piza (Miami) Dr. Marc and Mrs. Carol Pohl Mr. Richard and Mrs. Jenny Proeschel K. Pudelski Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Dr. Barbara Risius Carol Rolf and Steven Adler Dr. and Mrs. Michael Rosenberg (Miami) Michael and Roberta Rusek Dr. Harry S. and Rita K. Rzepka Nathan N. and Esther Rzepka Family Philanthropic Fund Bunnie Joan Sachs Family Foundation Dr. and Mrs. Martin I. Saltzman Ms. Patricia E. Say Mr. James Schutte Dr. John Sedor and Ms. Geralyn Presti Lee G. and Jane Seidman Drs. Daniel and Ximena Sessler Harry and Ilene Shapiro Norine W. Sharp Dr. and Mrs. William C. Sheldon Dr. Howard* and Mrs. Judith Siegel Ms. Linda M. Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Lucy and Dan Sondles Mr. John C. Soper and Dr. Judith S. Brenneke Mr. John D. Specht Mr. and Mrs.* Lawrence E. Stewart Stroud Family Trust

Dr. Kenneth F. Swanson Mr. Taras G. Szmagala Jr. Mr. and Mrs. William W. Taft Mr. Nelson S. Talbott Ken and Martha Taylor Greg and Suzanne Thaxton Mr. Karl and Mrs. Carol Theil Parker D. Thomson Esq. (Miami) Dr. and Mrs. Thomas A. Timko Mr. and Mrs. Robert J. Tomsich Steve and Christa Turnbull Miss Kathleen Turner Robert A. Valente Brenton Ver Ploeg (Miami) Mr. Gregory Videtic Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Ricky and Sarit Warman – Papa John’s Pizza (Miami) Mr. and Mrs. Joseph F. Wasserbauer Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Eric* and Margaret Wayne Mr. and Mrs. Jerome A. Weinberger Mrs. Mary Wick Bole Dr. Paul R. and Mrs. Catherine Williams Dr. and Mr. Ann Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Tony and Diane Wynshaw-Boris Rad and Patty Yates Mr. Kal Zucker and Dr. Mary Frances Haerr Anonymous (10)

member of the Leadership Council (see page 78)

* deceased

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Crescrendo Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestra’s Annual Report, which can be viewed online at CLEVELANDORCHESTRA .COM For information about how you can play a supporting role for The Cleveland Orchestra’s ongoing artistic excellence, education programs, and community partnerships, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

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Individual Annual Support

The Cleveland Orchestra

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THE CLEVELAN D ORCHESTRA R E C O R D I N G S great gift ideas

The Cleveland Orchestra’s catalog of recordings continues to grow. The newest DVD features Bruckner’s Eighth Symphony recorded live at Severance Hall under the direction of Music Director Franz Welser-Möst in 2010 and released in May 2011. And, released in 2012, Dvořák’s opera Rusalka on CD, recorded live at the Salzburg Festival. Writing of the Rusalka performances, the reviewer for London’s Sunday Times praised the performance as “the most spellbinding account of Dvořák’s miraculous score I have ever heard, either in the theatre or on record. . . . I doubt this music can be better played than by the Clevelanders, the most ‘European’ of the American orchestras, with wind and brass soloists to die for and a string sound of superlative warmth and sensitivity.”

Other recordings released in recent years include two under the baton of Pierre Boulez and a third album of Mozart piano concertos with Mitsuko Uchida, whose first Cleveland Orchestra Mozart album won a Grammy Award in 2011.

Visit the Cleveland Orchestra Store for the latest and best Cleveland Orchestra recordings and DVDs.

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11001 Euclid Avenue Cleveland, Ohio 44106

P H OTO BY S T E V E H A L L © H E D R I C H B L E S S I N G

CLEVELANDORCHESTRA.COM

the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

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Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

Severance Hall

The Cleveland Orchestra

Severance Hall 2012-13

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THE CLEVELAND C O N C E R T

C A L E N D A R

SPRING SEASON Thursday April 11 at 8:00 p.m.

Friday April 12 at 8:00 p.m.

Saturday April 13 at 8:00 p.m.

Sunday April 14 at 3:00 p.m.

THE CLEVELAND ORCHESTRA James Feddeck, conductor Robert Walters, oboe d’amore Rebecca Nelsen, soprano Nicholas Phan, tenor Stephen Powell, baritone Cleveland Orchestra Chorus Cleveland Orchestra Children’s Chorus

BACH Concerto in A major, BWV1055 ORFF Carmina Burana Sponsor: KeyBank

Thursday April 18 at 8:00 p.m.

Saturday April 20 at 8:00 p.m.

Sunday April 21 at 3:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Frank Peter Zimmermann, violin

SHEPHERD Tuolumne [WORLD PREMIERE] SHOSTAKOVICH Violin Concerto No. 1 DVOŘÁK Symphony No. 6 Thursday April 25 at 8:00 p.m.

Friday April 26 at 8:00 p.m.

Saturday April 27 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Malin Hartelius, soprano Maximilian Schmitt, tenor Luca Pisaroni, bass-baritone Cleveland Orchestra Chorus

HAYDN The Seasons Sponsor: BakerHostetler

Friday April 26 at 10:00 a.m.

Saturday April 27 at 10:00 a.m.

Saturday April 27 at 11:00 a.m.

PNC MUSICAL RAINBOW

SPECTACULAR STRINGS Alexandra Preucil, violin David Alan Harrell, cello

30-minute programs for ages 3 to 6.

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts, visit www.clevelandorchestra.com.

Wednesday May 1 at 7:30 p.m.

Friday May 3 at 7:30 p.m.

THE CLEVELAND ORCHESTRA James Feddeck, conductor AT THE CLEVELAND MUSEUM OF ART

CALIFORNIA MASTERWORKS Two special programs feature daring sounds of musical works that originated from composers living and writing in California during the 20th century — and welcomed into classical music a myriad of non-European influences.

Funded in part through The Cleveland Orchestra’s Keithley Fund for Artistic Collaboration.

Friday May 3 at 11:00 a.m.* Saturday May 4 at 8:00 p.m.

Sunday May 5 at 3:00 p.m.

THE CLEVELAND ORCHESTRA Ton Koopman, conductor Paul Yancich, timpani

MOZART Symphony No. 1 FISCHER Symphony with Eight Timpani MOZART Symphony No. 17* REBEL Overture to The Elements * HAYDN Symphony No. 45 (“Farewell”) *not included on Friday Morning Matinee Thursday May 9 at 8:00 p.m.

Friday May 10 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Ton Koopman, conductor Jay Carter, countertenor Steven Soph, tenor Klaus Mertens, bass Cleveland Orchestra Chamber Chorus

HANDEL Water Music, Suite No. 1 HANDEL Zadok the Priest HANDEL Dettingen Te Deum Sponsor: Thompson Hine LLP

Sunday May 12 at 2:00 p.m.

THE CLEVELAND ORCHESTRA Michael Butterman, conductor FAMILY CONCERT

FABLES, FANTASY, AND FOLKLORE Discover how music can bring characters and stories to life, then use your imagination to help create your own musical story with the help of The Cleveland Orchestra! This highly interactive concert includes such classics as Rimsky-Korsakov’s Scheherazade (based on Tales from the Arabian Nights), Grieg’s In the Hall of the Mountain King, Rossini’s William Tell Overture, and Berlioz’s Symphonie fantastique. Bring your family, and your imagination for storytelling on the big stage.

Sponsor: The Giant Eagle Foundation

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Concert Calendar

The Cleveland Orchestra

ORCHESTRA

1213 SEASON I N

T H E

S P O T L I G H T

Sunday May 12 at 7:00 p.m.

CLEVELAND ORCHESTRA YOUTH ORCHESTRA James Feddeck, conductor Hannah Moses, cello

BARBER Overture to The School for Scandal DVOŘÁK Cello Concerto SZYMANOWSKI Etude R. STRAUSS Death and Transfiguration May 11 to 17 THE CLEVELAND ORCHESTRA NORTHEAST OHIO NEIGHBORHOOD RESIDENCY

THE CLEVELAND ORCHESTRA AT HOME IN GORDON SQUARE

The Cleveland Orchestra presents its inaugural neighborhood residency in Northeast Ohio May 11-17 in Cleveland’s Gordon Square Arts District. During this first residency, the Orchestra offers more than fifteen events for the community throughout the week, including performances by Cleveland Orchestra musicians, ensembles from the Cleveland Orchestra Youth Orchestra and Youth Chorus, a Cleveland Orchestra concert preview, and educational programs for local students. All of the events will be free and open to the public. For details, visit clevelandorchestra.com.

Saturday May 18 at 8:00 p.m.

THE CLEVELAND ORCHESTRA James Feddeck, conductor with Patti Austin

HANDEL’S WATER MUSIC Thursday May 9 at 8:00 p.m.

Friday May 10 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Ton Koopman, conductor Jay Carter, countertenor Steven Soph, tenor Klaus Mertens, bass Cleveland Orchestra Chamber Chorus

CELEBRITY SERIES

PATTI AUSTIN: MUSIC OF ELLA AND ELLINGTON Pop-jazz superstar Patti Austin began her career as a fouryear-old, onstage with legend Dinah Washington. Since then, she has performed hit songs all over the world. In a tribute to jazz giants Ella Fitzgerald and Duke Ellington, Patti Austin joins The Cleveland Orchestra for a program of all-time favorites such as “Cottontail,” “I Got It Bad,” “Honeysuckle Rose,” “Mr. Paganini,” and more!

Thursday May 23 at 8:00 p.m.

Saturday May 25 at 7:00 p.m.* Sunday May 26 at 3:00 p.m.

THE CLEVELAND ORCHESTRA Manfred Honeck, conductor Lars Vogt, piano *

MARTINSSON Open Mind BEETHOVEN Piano Concerto No. 3 * TCHAIKOVSKY Symphony No. 5 *not included on KeyBank Fridays@7 Thursday/Saturday Sponsor: BakerHostetler

In 1717, England’s King George was suffering in the polls. His political advisors suggested that he do something big to get the people behind him. They came up with the idea of a summer boating party on the Thames, for which Handel wrote the music. Arguably the most popular piece of Baroque music today, Water Music makes fashionable use of the dance forms popular at the time, combining festivity and finesse.

Sponsor: Thompson Hine LLP

CLEVELAND ORCHESTRA TICKETS PHONE

216 - 231-1111 800-686-1141

clevelandorchestra.com Severance Hall 2012-13

Concert Calendar

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11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A NC E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting opentable.com.

Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall are being offered this season on October 14, November 25, February 10 and 24, and May 5 and 26. For additional information or to reserve you place for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Exclusive catering provided by Sammy’s. Premium dates are available.

Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $14 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111.

Parking can be purchased for the at-door price of $10 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road).

The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

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Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online.

As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2012-13

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible.

Service animals are welcome at Severance Hall.

Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search.

Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K ET SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program.

Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges.

If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution.

Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

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THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

At Severance Hall . . .

FABLES , FANTASY, AND FOLKLORE

PATTI AUSTIN

Music of Ella and Ellington Saturday May 18 at 8:00 p.m.

Sunday May 12 at 2:00 p.m.

THE CLEVELAND ORCHESTRA Michael Butterman, conductor

The Cleveland Orchestra’s season of Family Concerts concludes with a program of musical storytelling led by guest conductor Michael Butterman. The concert features such classics as Rimsky-Korsakov’s Scheherazade (based on Tales from the Arabian Nights), Grieg’s In the Hall of the Mountain King, and Rossini’s William Tell Overture. Intended for children ages 7 and older, the series is designed to introduce young people to classical music. In addition to the one-hour Orchestra concert, each Family Concert features free, pre-concert activities, including an “Instrument Discovery” in which children find their inner musicians with handson experience.

THE CLEVELAND ORCHESTRA James Feddeck, conductor with Patti Austin, vocalist

Pop-jazz superstar Patti Austin began her career as a four-year-old, onstage with the legendary Dinah Washington. Since then, she has performed hit songs all over the world — and is considered one of the most stunning interpreters of song onstage today. In a tribute to jazz giants Ella Fitzgerald and Duke Ellington.

She joins with The Cleveland Orchestra for this program featuring songs from Austin’s Grammynominated album For Ella, including such favorites as “I’ve Got You Under My Skin,” “I Only Have Eyes For You,” “Mack the Knife,” and more!

Sponsor: The Giant Eagle Foundation

New!

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Severance Hall concerts.

TICKETS

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216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra

If you want to change

YOUR COMMUNITY, be that change.

Isabel Trautwein, Cleveland Orchestra First Violinist, Program Director, Dreamer & Doer, Local Hero.

Longing to share the experience of making music with children who had never been to Severance Hall, Isabel launched a strings program at the Rainey Institute in the Hough neighborhood. Now thereâ&#x20AC;&#x2122;s a waiting list to learn how to play classical music. You, too, can play a part in creating lasting change within the Cleveland community by making a donation to the Cleveland Foundation â&#x20AC;&#x201D; dedicated to enhancing the lives of all Clevelanders now and for generations to come.

Support your passions.

Give through the Cleveland Foundation.

Please call our Advancement Team at 1.877.554.5054 ClevelandFoundation.org