The Cleveland Orchestra January 9-12 Concerts by Live Publishing

WINTER SEASON

SEVERANCE HALL

January 9, 10, 11, 12 FRANZ WELSER-MÖST AND JULIA FISCHER: BRAHMS VIOLIN CONCERTO AND SYMPHONIES NOS. 2 AND 4

Metamorphosis, an HermĂ¨s story

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TA B L E O F C O N T E N T S

THIS WEEK THE

CLEVELAND

ORCHESTRA

PAGE

WEEK 9 7

COVER PHOTOGRAPHY BY ROGER MASTROIANNI

In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 From the President . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

About the Orchestra Musical Arts Association . . . . . . . . . . . . . . . . . . . . . Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . Education and Community . . . . . . . . . . . . . . . . . . Severance Hall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . .

11 15 22 61 88 92

33 34 35 37

BRAHMS

Academic Festival Overture . . . . . . . . . . . . . . . 39 Tragic Overture . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 BRAHMS

Violin Concerto . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 BRAHMS

Symphonies Nos. 2 and 4 . . . . . . . . . . . . . . . . . 51 Conductor: Franz Welser-Möst . . . . . . . . . . . . . . . 15 Soloist: Julia Fischer . . . . . . . . . . . . . . . . . . . . . . . . . 47

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members. Program book advertising is sold through Live Publishing Company at 216-721-1800

NATIONAL ENDOWMENT FOR THE ARTS

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture. The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio. The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Corporate Annual Support . . . . . . . . . . . . . . . . . . . Foundation / Government Annual Support . . . Individual Annual Support . . . . . . . . . . . . . . . . . .

Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com

Concert — Week 9 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . Program: January 9, 10 . . . . . . . . . . . . . . . . . . . . Program: January 11, 12 . . . . . . . . . . . . . . . . . . Introducing the Concerts . . . . . . . . . . . . . . . . . . . .

48 64 69 73 75 76

50%

All unused books are recycled as part of the Orchestra’s regular business recycling program. These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book is printed on paper that includes 50% recycled post-consumer content.

Table of Contents

The Cleveland Orchestra

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Perspectivesfrom the Executive Director January 2014 On behalf of every member of The Cleveland Orchestra family, we welcome you to these first concerts of 2014. This month, Franz Welser-Möst and the Orchestra launch a multiyear exploration of the music of Johannes Brahms. His symphonies and major concertos will be performed here in Severance Hall as well as on tour, and the repertoire will be recorded for worldwide television broadcast and release on DVD. Franz and the Orchestra are working in partnership with acclaimed soloist Julia Fischer for the violin concerto and plans are being made for Yefim Bronfman to return next season for the two piano concertos. Our focus on the music of Brahms follows closely on the heels of our exploration of Bruckner symphonies recorded for television and DVD between 2006 and 2012. Those recordings, together with live performances on three continents, have brought great acclaim to the ongoing partnership between Franz and the Orchestra. Among the highlights of the Brahms focus will be a series of concerts next September in Austria pairing all four Brahms symphonies with works by Jörg Widmann, who was the Orchestra’s Lewis Young Composer Fellow in 2009-11. Widmann’s Teufel Amor is being given its American premiere performances this month at Severance Hall, January 16-18. Last month saw the Annual Meeting of the Orchestra’s non-profit governing organization, the Musical Arts Association, and the news that in 2012/13 we balanced the budget, grew the endowment, and developed a larger and younger audience. In covering these year-end results, the Plain Dealer reported that “The Cleveland Orchestra is now exactly where a thriving organization needs to be.” Much of the credit for ongoing good news accrues to the leadership and generosity of our Board of Trustees led by President Dennis W. LaBarre. I hope you will take a moment to read Dennis’s Annual Report message on pages 25 and 26 of this book, in which he details the success of the past year and looks ahead to the Orchestra’s Centennial. The Cleveland Orchestra finished 2013 strongly with record-breaking ticket sales for the Holiday Festival here at Severance Hall, and numerous expressions of support in the form of year-end philanthropic gifts. Many thanks to each and every generous donor who remembered the Orchestra as 2013 drew to a close. Our Annual Fund continues through to the end of the Orchestra’s fiscal year on June 30, with an ambitious goal of exceeding even last year’s all-time record. If you have not yet made your pledge, please consider how you might help with a new or increased gift. Thank you. I close with special congratulations and thanks to the Cleveland Foundation, which marked its one-hundredth birthday on January 2. Created as the world’s first community foundation in 1914, this non-profit philanthropic organization has helped bring focus and funding toward an evolving set of common goals, including support for the many arts groups that together create a vibrant cultural climate that each year enhances and energizes the quality of life here. Hats off to one-hundred years of commitment and success in strengthening Northeast Ohio.

Severance Hall 2013-14

Gary Hanson

CLEVELAND ORCHESTRA ARCHIVES

PHOTO OF THE WEEK follow the Orchestra on Facebook for more archival photos

The Cleveland Orchestra’s Annual Martin Luther King Jr. Celebration Concert, held this year for the 34th time, fills the stage at Severance Hall with performers — featuring the volunteer Celebration Chorus assembled and prepared especially for this event each January.

and around the globe, The Cleveland Orchestra remains Northeast Ohio’s most visible international ambassador and one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and active community engagement. With the 2013-14 season, Franz Welser-Möst enters his twelft h year leading the ensemble, with a commitment extending to the Orchestra’s centennial in 2018. This artistic partnership continues to move the ensemble forward through a series of new and ongoing initiatives, including: IN PE RFORMANCE S AT HOME

expansion of education and community programs in Northeast Ohio to feature music as an integral and regular part of everyday life for more people, including the launch this past spring of an “At Home” neighborhood residency program that brings The Cleveland Orchestra to a single neighborhood or town

About the Orchestra

The Cleveland Orchestra

for an intensive week of special activities and performances, as well as the broadening of the Orchestra’s ongoing education and community engagement initiatives to include Make Music!, a program of active and participatory experience and learning; the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base — including ongoing residencies at the Vienna Musikverein (the first of its kind by an American orchestra) and in Florida under the name Cleveland Orchestra Miami (featuring an annual series of concerts and community activities, coupled with educational presentations and collaborations based on successful programs pioneered at home in Cleveland); creative new artistic collaborations with arts institutions in Northeast Ohio, including staged works, concerts, and chamber music performances; a concentrated and successful effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media promotion, and student ticket programs, with demonstrated results at Severance Hall and Blossom; a variety of new concert offerings (including KeyBank Fridays@7 and Celebrity Series at Severance Hall as well as movie, themed, and family presentations at Blossom) to play more music for more people; the return of ballet as a regular part of the Orchestra’s presentations, featuring ongoing collaborations with Chicago’s Joffrey Ballet; continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and beyond; concert tours from coast to coast in the United States, including regular appearances at Carnegie Hall; ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of acclaimed DVD concert presentations of symphonies by Anton Bruckner led by Welser-Möst. The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening in 1931 of Severance Hall as the Orchestra’s home brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States. Severance Hall 2013-14

The Orchestra Today

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T H E M U S I C AL AR TS ASSOCIATION

as of December 2013

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Norma Lerner, Honorary Chair Hewitt B. Shaw, Jr., Secretary Beth E. Mooney, Treasurer

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson Raymond T. Sawyer

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland James D. Ireland III

Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong

Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Daniel P. Walsh Thomas A. Waltermire Geraldine B. Warner Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) Loren W. Hershey (DC) Herbert Kloiber (Germany)

Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFIC IO Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee TR U S TE E S E M ERIT I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Robert W. Gillespie Gay Cull Addicott Dorothy Humel Hovorka Oliver F. Emerson Robert F. Meyerson Allen H. Ford

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2013-14

Gary Hanson, Executive Director

Musical Arts Association

Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated important events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends. Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Campaign. By making a dona on, you can make a crucial diﬀerence in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on programs, and community ac vi es and partnerships. To make a gi to The Cleveland Orchestra, please visit us online, or call 216-231-7562.

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

marks Franz Welser-Möst’s twelfth year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is extending and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst is general music director of the Vienna State Opera. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. Mr. Welser-Möst’s championship of community music-making expands upon his active participation in educational programs and collaborative programming, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories, universities, and other arts institutions across Northeast Ohio. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a regular new residency at New York’s Lincoln Center Festival. To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction. Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth. Franz Welser-Möst has led a series of opera performances during his tenure P H OTO BY S ATO S H I AOYAG I

THE 2013 -14 SEASON

Severance Hall 2013-14

Music Director

in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 brings an innovative made-for-Cleveland production of Leoš Janáček’s The Cunning Little Vixen to Northeast Ohio. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director Sven-Eric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 201314 season, his Vienna schedule includes a new production of Puccini’s The Girl of the Golden West, as well as performances of Tristan and Isolde, Verdi’s Don Carlo, Beethoven’s Fidelio, and Richard Strauss’s Ariadne auf Naxos and Der Rosenkavalier. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances in concert at La Scala Milan, at New York’s Carnegie Hall, and in opera presentations at the Salzburg Festival. He also led the Philharmonic’s New Year’s Day concert, viewed by telecast in seventy countries worldwide in 2011 and again in 2013. Across a decadelong tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of five of Bruckner’s symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

Music Director

The Cleveland Orchestra

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THE CLEVELAND ORCHESTRA Franz Welser-Möst MUSIC DIREC TOR

“The Cleveland Orchestra proved that they are still one of the world’s great musical beasts. With Franz Welser-Möst conducting, this music . . . reverberated in the souls of the audience.” —Wall Street Journal

—The Guardian (London)

P H OTO BY R O G E R MA S T R O I A N N I

“Cleveland’s reputation as one of the world’s great ensembles is richly deserved.”

James W. Wert A. Chace Anderson John Paul Batt Aileen P. Bost Thomas V. David Deborah C. Jira John E. Kohl Cynthia G. Koury Kevin J. McGinty Marcy W. Robbins Douglas J. Smorag

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P H OTO BY R O G E R MA S T R O I A N N I

Franz Welser-MĂśst and The Cleveland Orchestra, performing Brucknerâ&#x20AC;&#x2122;s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST MUSIC

DIRECTOR Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra Preucil

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Katherine Bormann

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut Yun-Ting Lee VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

O R C H E S T R A FLUTES Joshua Smith *

PERCUSSION Marc Damoulakis°

HORNS Richard King *

Margaret Allen Ireland Chair

George Szell Memorial Chair

Donald Miller Tom Freer

Elizabeth M. and William C. Treuhaft Chair

Michael Mayhew §

Saeran St. Christopher Marisela Sager 2

Jesse McCormick Hans Clebsch Alan DeMattia

KEYBOARD INSTRUMENTS Joela Jones *

TRUMPETS Michael Sachs *

Carolyn Gadiel Warner

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

Barrick Stees

Sandra L. Haslinger Chair

Knight Foundation Chair

Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Donald Miller ORCHESTRA PERSONNEL Karyn Garvin DIRECTOR

Christine Honolke MANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIED Sidney and Doris Dworkin Chair Sunshine Chair

Richard Stout Alexander and Marianna C. McAfee Chair

Shachar Israel

BASS TROMBONE Thomas Klaber EUPHONIUM AND BASS TRUMPET Richard Stout

* Principal

° Acting Principal § 1 2

Associate Principal First Assistant Princi pal Assistant Principal

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

Jonathan Sherwin

Giancarlo Guerrero

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

Brett Mitchell

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

CONTRABASSOON Jonathan Sherwin

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Rudolf Serkin Chair

The Orchestra

East meets west. Come see the new west wing galleries featuring Chinese and Southeast Asian art. Come see amazing.

www.clevelandart.org

THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA TRA THE CLEVELAND ORCHESTRA

From the President This message from Musical Arts Association president Dennis W. LaBarre is excerpted from the Association’s recently published Annual Report. Here, Mr. LaBarre discusses the continuing progress that The Cleveland Orchestra is making in implementing changes for a stronger future, as an institution devoted to the citizens of Northeast Ohio who created it and have sustained it. The complete Annual Report can be read at clevelandorchestra.com by clicking on “Publications” in the “News & Updates” section. T H E C L E V E L A N D O R C H E S T R A ’ S past year has been a

year of success and progress. We have reached the mid-point of a ten-year plan and fundraising campaign to ensure the artistic preeminence, institutional strength, and long-term financial stability of The Cleveland Orchestra as we approach our centennial anniversary in 2018. With ongoing, thorough, and rigorous analysis of the challenges facing the Orchestra, we are making great strides toward our future. Our objectives include fully engaging and serving the community that supports us, building a sound financial foundation, strengthening the institutional fabric across all our constituencies, and, above all, continuing to grow and excel artistically.

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Under the leadership of Franz Welser-Möst, the Orchestra continues to produce music of the highest artistic quality. Franz challenges the musicians with innovative artistic programming, while engaging new corners of the community with new styles of music, new venues, and new artforms. I am inspired by our musicians, who have challenged themselves, too, to become evermore involved in educating and engaging people of all ages. Emblematic of this dedication to the community’s musical enrichment was a special night of music in March 2013 featuring The Cleveland Orchestra performing for the first time with all of its youth ensembles. In May 2013, the Orchestra launched its “Cleveland Orchestra At Home” neighborhood residency program, partnering with organizations throughout the Gordon Square Arts District to serve the community with a week of free public presentations, ensemble performances, and education concerts, and culminating in a Cleveland Orchestra concert in a neighborhood church. The Make Music! concert in March and the “At Home” concert in May were both recorded and telecast on WVIZ/PBS ideastream, reaching audience members throughout the region.

For these achievements, we owe a debt of gratitude to all those who continue to nurture the Orchestra’s advancements, from our volunteers and musicians to our staff and trustees. I extend special thanks to our devoted and generous patrons who make up the audiences of Severance Hall, Blossom, and venues far and wide, CONTINUES

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From the President

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The Orchestra’s financial outlook continues to improve. The Fiscal Year 2014 budget projects another year of break-even results, as was achieved in Fiscal Year 2013. Record-breaking ticket sales, including record numbers of young people, helped drive operating revenue to the highest level in our history. Thousands of individual donors, corporations, and foundations contributed over $10 million to the 2012-13 Annual Fund — a record — which supported over 20% of the Orchestra’s operating costs.

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News CONTINUED

and who continue to support and demand the best from this Orchestra. To build on these successes, and to begin our second century on a secure footing, we must sustain our focus on artistic excellence. Simultaneously, we must continue evolving the ways in which we serve the community, while we establish a sound foundation of financial resources that allow us to do both to the best of our ability.

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To accomplish these goals by 2018, we have undertaken the most ambitious fundraising campaign in our history — the Sound for the Centennial Campaign. The Orchestra’s Endowment today covers just 15% of the Orchestra’s operating costs. The Endowment must expand, through cash gifts and deferred commitments, to provide up to 30% of the Orchestra’s annual operating budget. Until that is achieved, contributions to special fundraising will couple with our robust, ongoing, and increasing Annual Fund to balance the budget and maintain artistic and community programming as the Endowment grows. We are making steady progress toward financial stability thanks to the generosity of thousands of individuals, corporations, and foundations.

CLEVELAND ORCHESTRA THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHE

The strength of this institution across all constituencies is essential to the successful achievement of our artistic, financial, and operating goals. I am greatly encouraged by new and dynamic working partnerships among all members of the Orchestra family. To further develop the collaboration between trustees and musicians, we plan to add musicians to several Board committees. This past year also saw the successful achievement of a mutually beneficial long-term operating agreement for The Cleveland Orchestra’s Miami residency, which began in 2007 as the first annual adaptation of our residency programs from around the world. This ongoing relationship with Miami is opening the Orchestra to new audiences of music lovers while benefiting the Miami community and contributing to the Orchestra’s overall artistic growth and financial success. Our focus must always be on tomorrow, toward a second century of changing lives through the power of music. As we approach the Orchestra’s centennial anniversary, we seek to build the youngest audience of any orchestra in the country. These young people, with their families, make up the next generations of concertgoers and supporters, helping to ensure the long-term success of this great institution. As much as our centennial is about securing The Cleveland Orchestra’s future, and sustaining the artistic and institutional excellence we are known for worldwide, it is first and foremost about celebrating the community that has supported us through these first one hundred years. We are evolving partnerships with institutions throughout Northeast Ohio. We are seeking new ways to engage and serve this community. We are dedicating ourselves to becoming evermore relevant to our supporters, and to sustaining the practices that have made The Cleveland Orchestra an enduring symbol of this community’s spirit and pride.

Dennis W. LaBarre President

From the President

The Cleveland Orchestra

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OrchestraNews

Martin Luther King Jr. celebrated in evening concert on January 19 and in afternoon Open House on January 20 at Severance Hall On Sunday, January 19, The Cleveland Orchestra performs its 34th annual concert celebrating the spirit of Dr. King’s life, leadership, and vision in music, song, and community recognition. Chelsea Tipton conducts the performance, which features selections by the Martin Luther King Jr. Celebration Chorus, a group of volunteer singers from across Northeast Ohio assembled and prepared each year by William Henry Caldwell. Also featured on the concert is cellist Lev Mamuya, a winner of the 2013 Sphinx Competition for aspiring Black and Latino string players. Mr. Mumuya will perform a movement of a cello concerto by Luigi Boccherini with the Orchestra. Free tickets for this event became avail-

able on January 2 and were all distributed through the Severance Hall Ticket Office and the Orchestra’s website by noon that day. Those without tickets can experience the concert’s music and celebration by live radio broadcast over radio stations WCLV (104.9 FM) and WCPN (90.3 FM). The next day, Monday, January 20, Severance Hall holds its thirteenth annual Martin Luther King Jr. Day Community Open House from 12 noon to 5 p.m. This day of free activities and performances celebrates the legacy of Dr. King and features performances by a variety of Northeast Ohio community performing arts groups, including the Cleveland Orchestra Youth Orchestra and Youth Chorus. For more complete details, visit clevelandorchestra.com.

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Conservatory of Music Experience the Baldwin Wallace Conservatory of Music at the

OMEA State Conference February 6-8 in Columbus

For more information: www.bw.edu/conservatory 866-BW-MUSIC • music@bw.edu

Maestro Dwight Oltman will retire from Baldwin Wallace this spring following 44 years as Professor of Conducting, Director of the BW Symphony Orchestra and Symphonic Wind Ensemble, and Music Director of the nationally acclaimed BW Bach Festival. During Professor Oltman’s 51-year career, he has touched the lives of thousands of students, music educators, professional musicians and audience members.

Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin, gender or sexual orientation in the administration of any policies or programs.

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Cleveland Orchestra News

THE CLEVELAND ORCHE

Enjoy a performance by the BW Symphony Orchestra under the direction of Dwight Oltman featuring Mahler’s Symphony No. 1, Fri., Feb. 7, 3:45 p.m., C Ballroom. Join us for a reception Fri., Feb. 7, 6:00-7:30 p.m., H2 Marion in the Hyatt Regency Columbus. Visit with Baldwin Wallace Conservatory representatives at Booth #506.

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OrchestraNews

2013 European Festivals Tour draws praise for Welser-Möst, Cleveland Orchestra, and Chorus The following are excerpted from press commentary about the Orchestra’s pererformances during its European Tour and Vienna Residency, November 8-22:

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“The handshakes from Franz Welser-Möst said it all. In acknowledging the principals of the Cleveland Orchestra Friday night at Vienna’s Musikverein, the music director did what most in attendance probably wished they could do themselves: personally thank the group for three superb performances in a row. Not once in their concerts Wednesday through Friday was it apparent that the group had been traveling abroad nearly three weeks. No, here at the end of their 2013 European Tour, the artists played with new focus and energy, and made sure Vienna enjoyed the fruits of their long musical labor. The main thing apparent, frankly, was that the orchestra had been playing Beethoven and Shostakovich nonstop for weeks, and knew their six scores inside and out. Here as nowhere else, the artists transcended the numerous pages on their stands, and simply took advantage of the Musikverein’s legendary acoustics. No less clear was that the audience recognized expertise, and liked what it heard. . . . The response each night was hugely enthusiastic, giving Welser-Möst cause to repeatedly acknowledge individual players and the ensemble as a whole. On Friday, he even went so far as to jog into the bass section.” —The Plain Dealer, November 23, 2013 “Franz Welser-Möst’s interpretations are anything but sober, yet clear in their formal articulation. It is not the conceited omniscience of someone who pretends to understand the world. His concerts reveal an earth-bound assurance, free from spectacle, affectation, and sentimentality. He reads the score and interprets what’s there. Self-denial in favor of the message of the artwork — this penchant for directness is beneficial, even if it is certainly not always successful. Franz WelserMöst has long been able to concentrate on works that really suit him, working on pieces he likes to say are ‘close to his heart’.” —Concerti, November 2013 “The second evening of their visit to Frankfurt started luxuriously: The Cleveland Orchestra’s own chorus performed Beethoven’s Mass in C major at the Alte Oper, joined of course by the orchestra itself from Northeast Ohio, which was the focus of two concerts in the city. The Cleveland Orchestra . . . juxtaposed works by Beethoven with the Sixth and Tenth Symphonies by Dmitri Shostakovich. The symbiosis between the orchestra and the chorus was unsurpassable. Under Austrian conductor Franz Welser-Möst, who has been music director in the city on Lake Erie since 2002, Beethoven’s lyrical, literal setting of the Latin Mass came across lean, subtle, and transparent, despite all the opulence in the performing forces. The balance between singers and instrumentalists was perfect in the soft and mild passages.” —Allgemeine Zeitung, November 12, 2013

Cleveland Orchestra News

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OrchestraNews New album being released by Orchestra musician; featuring trombone hits and transcriptions Massimo La Rosa, principal trombone of The Cleveland Orchestra, released a new album on October 24 titled Sempre Espressivo. The album features works for trombone, including J.S. Bachâ&#x20AC;&#x2122;s Suite No. 1 in G major for solo cello (performed on trombone) and a new arrangement of the Intermezzo from Pucciniâ&#x20AC;&#x2122;s opera Manon Lescaut. The CD is available for purchase through the Cleveland Orchestra Store at Severance Hall.

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Silence is golden As a courtesy to the performers onstage and the audience around you, all patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to each concert.

Comings and goings As a courtesy to the performers onstage and the entire audience, late-arriving patrons cannot be seated until the first break in the musical program.

Committed to Accessibility Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216-231-7425.

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lec.edu 1.855.GO.STORM

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Cleveland Orchestra News

THE CLEVELAND OR-

OrchestraNews

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Post-concert performers chosen for spring concerts in KeyBank Fridays@7 series

Orchestra announces “At Home” neighborhood residency in Lakewood for May 2014

Following the first performance in September, The Cleveland Orchestra’s Fridays@7 series continues in 2014 with three popular concert offerings, pairing orchestral favorites with an array of post-concert world music presentations. The three spring concerts (March 7, April 11, and May 2) feature popular works for piano and orchestra by Rachmaninoff, plus Mozart’s Requiem. The one-hour concerts include the early 7 p.m. start time, plus extra music both before and after. The post-concert presentations in the spring will be: March 7 — New York Gypsy All-Stars. Back by popular demand to Fridays@7, the New York Gypsy All-Stars jump the turnstiles of Balkanalia, Turkish roots, and gypsy soul with funky refinement. April 11 — The Medicine Show reaches people in hard-to-get places. The international group made up of players from Brazil, America, Japan, and Germany who are inspired by the intersection of their collective desire to play music that is a passport into another dimension. May 2 — Requiem to Resurrection. Gospel legend Theresa Thomason and the Mt. Zion Congregational Church gospel choir will lift the rafters in a musical journey for the soul. Let the spirit move you! Special three-concert series packages are available for the spring KeyBank Fridays@7 performances. Contact Severance Hall Ticket Services for complete details, or purchase online at clevelandorchestra.com.

The Cleveland Orchestra and Lakewood have anat home nounced a new partnership to present the Orchestra’s next “At Home” neighborhood residency in May 2014. The centerpiece of this week of activities, education programs, and public performances will be a free Cleveland Orchestra concert at the Civic Auditorium in Lakewood on Saturday evening, May 24. The concert will be recorded for a delayed broadcast on WVIZ/PBS ideastream, and a radio broadcast on WCLV 104.9. The television broadcast will also feature a segment about the Orchestra’s performances, collaborations, and events in Lakewood. “Creating a grassroots opportunity for Lakewood to experience perhaps the greatest orchestra in the world at a very personal level is a cultural experience that we will remember for years to come,” commented Lakewood Mayor Michael P. Summers in announcing the collaboration. “Our increasingly vibrant commercial corridors and neighborhoods will be made ever-more-so by the music and the musicians.” Ian Andrews, executive director of LakewoodAlive, Lakewood’s nonprofit economic development organization, added, “Lakewood is known for its commitment to the arts. The Orchestra’s events will strengthen this commitment and showcase the city’s great quality of life, local organizations, restaurants, schools, and businesses that make our community special.” The Cleveland Orchestra introduced its “At Home” neighborhood residency program in May 2013 with a week of performances and activities in the Gordon Square community of Cleveland. Events include free performances by Orchestra musicians and education programs for children, students, and families. Details of The Cleveland Orchestra’s Lakewood neighborhood residency will be announced in March 2014, along with information about acquiring tickets for the free Cleveland Orchestra concerts.

FRIDAYS@

Comings and goings As a courtesy to the performers onstage and the entire audience, late-arriving patrons cannot be seated until the first break in the musical program.

Cleveland Orchestra News

The Cleveland Orchestra

Kulas Series of Keyboard Conversations® with Jeffrey Siegel 26th Season 2013-2014 Presented by Cleveland State University’s Center for Arts and Innovation

Masterly Enthralling Charming Scintillating “An afternoon of entertaining talk and exhilarating music.” – The Washington Post

Sunday, September 29, 2013 The Miraculous Mozart

Sunday, December 15, 2013 The Glory of Beethoven

Sunday, January 26, 2014 The Romantic Music of Chopin

Sunday, May 4, 2014 Mistresses and Masterpieces All concerts begin at 3:00 pm in Cleveland State University’s Waetjen Auditorium, Euclid Ave. and E. 21st St. For more information call 216.687.5018 or visit www.csuohio.edu/concertseries/kc

A n a t i o n a l l y re s p e c te d n o n p ro f i t , c o m b i n i n g s e r v i c e, re s e a rc h a n d a d vo c a c y to a d d re s s the m o s t i m p o r ta nt issues of aging.

11890 Fairhill Road Cleveland, OH 44120

216.791.8000 www.benrose.org Severance Hall 2013-14

EDUCATIONAL

TRAVEL

case.edu/lifelonglearning Download our Fall Catalogue

TRIPS ACROSS THE GLOBE WITH CWRU FACULTY

WINTER INSTITUTE An Exploration of Art & Music - February 23 - 25, 2014 - Tampa Bay, Florida Musical Theater: An American Gift 8 Ă&#x160;69 )6 9Ă&#x152; Former Music and Dance Critic Cleveland Plain Dealer

The Greatest Art Youâ&#x20AC;&#x2122;ve Never Heard Of: Introduction to the Northern Renaissance 8 Ă&#x160; Ă§ 58 9 * 5 9 Chair, Department of Art History and Art CWRU

Fakes, Forgeries & Replicas in Western Art 8 Ă&#x160; Ă§ & 9 5 Professor of American Art, CWRU ) 8 58 69 ĂŠ 1Ă ĂŁ 9 5 5 Ă¤ Âş 1 ĂŁ 9 69 Ă¤ Ă&#x160;6 Ă&#x152; 8 Ă&#x2030; 5 ) 6 8 Ă&#x152; & 869 ĂŚ -6 8 ) 9 869 Ă&#x2030; 5 ĂĽ $ 6 5 ĂŚ (not included)

www.siegallifelonglearning.org/winter-institute

EXPLORE CLASSICAL GREECE

AN EXPLORATION OF TURKEY

May 15 - 24, 2014

June 21 - 28, 2014

CWRU Professor of Classics, Rachel Sternberg Experience the classical heritage of Greece in a small group setting through tours of major monuments and museums of the area. Trips include visits to the Acropolis, the Temple of Zeus, the National Museum, Delphi, the Peloponnese and the island of Aegina. * 9 Ă&#x201A; 59 ĂŠ 1 Âş Ă&#x160;6 Ă&#x152; Ă&#x201A; 59 ĂŠ 1 Ă Ă? Airfare not included

CWRU Professor of History, John Grabowski June 21 - 28, 2014 An eight-day trip to explore various locations within Cappadocia, Ankara and Istanbul. * 9 Ă&#x201A; 59 ĂŠ 1 Ă? Âş Ă&#x160;6 Ă&#x152; Ă&#x201A; 59 ĂŠ 1 Ă?Ă Airfare not included

The Siegal Lifelong Learning Program supports additional University travel programs to Poland, Switzerland and The Netherlands this spring.

Visit: www.case.edu/lifelonglearning or call 216.368.2090/1

...for the love of learning

LEARNING MORE ABOUT THE MUSIC

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives. Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka. January 9, 10, 11, 12 “Brahms: Tragic or Academic?” with David J. Rothenberg associate professor of musicology, Case Western Reserve University

January 16, 17, 18 “Force and Majesty: Beethoven and the Piano” with guest speaker Jerry Wong (January 16, 18), associate professor of piano, Kent State University with guest speaker Donna Lee (January 17), associate professor of piano, Kent State University

February 6, 8 “Musical Depictions: Barking Dogs and Sunny Perfection” with Rabbi Roger Klein, The Temple – Tifereth Israel

February 7 “Music from Form to Pictures” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

February 13, 15, 16 “From Wayfaring to Wayfinding” with Eric Charnofsky, professor of musicology, Case Western Reserve University

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Concert Previews

T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ö ST M U S I C

D I R E C T O R

Severance Hall

Thursday evening, January 9, 2014, at 7:30 p.m. Friday evening, January 10, 2014, at 8:00 p.m.

Franz Welser-Möst, conductor JOHANNES BRAHMS (1833-1897)

Academic Festival Overture, Opus 80 Violin Concerto in D major, Opus 77 1. Allegro non troppo 2. Adagio 3. Allegro giocoso, ma non troppo vivace JULIA FISCHER, violin

INTERMISSION

Symphony No. 4 in E minor, Opus 98 1. 2. 3. 4.

Allegro non troppo Andante moderato Allegro giocoso Allegro energico e passionato — Più allegro

P L E A S E N O T E that the Thursday and Friday performances are being recorded and videotaped for future DVD release and broadcast. Please remember to disarm alarms on watches and to turn your cell phones off prior to the start of the concert.

The Thursday evening concert is dedicated to Mrs. Norma Lerner in recognition of her extraordinary generosity in support of The Cleveland Orchestra’s 2012-13 Annual Fund. The Friday evening concert is dedicated to Julia and Larry Pollock in recognition of their extraordinary generosity in support of The Cleveland Orchestra’s 2012-13 Annual Fund. The concert will end at about 9:30 p.m. on Thursday evening and at approximately 10:00 on Friday night.

Concert Program — Week 9a

The Cleveland Orchestra

Severance Hall

Saturday evening, January 11, 2014, at 8:00 p.m. Sunday afternoon, January 12, 2014, at 3:00 p.m.

Franz Welser-Möst, conductor JOHANNES BRAHMS (1833-1897)

Tragic Overture, Opus 81 Violin Concerto in D major, Opus 77 1. Allegro non troppo 2. Adagio 3. Allegro giocoso, ma non troppo vivace JULIA FISCHER, violin

INTERMISSION

Symphony No. 2 in D major, Opus 73 1. 2. 3. 4.

Allegro non troppo Adagio non troppo Allegretto grazioso (Quasi andantino) Allegro con spirito

This weekend’s concerts are sponsored by Medical Mutual of Ohio, a Cleveland Orchestra Partner in Excellence. Julia Fischer's appearance with The Cleveland Orchestra is made possible by a contribution to the Orchestra’s Guest Artist Fund from Mr. and Mrs. Michael Sherwin. The concert will end at about 10:05 p.m. on Saturday evening and at approximately 5:05 on Sunday afternoon. LIVE RADIO BROADCASTS

Friday and Saturday evening’s concert are being broadcast live on WCLV (104.9 FM). These concerts will be rebroadcast as part of regular weekly programming on WCLV, on Sunday afternoon, February 23, at 4:00 p.m. (Symphony No. 4) and on Sunday afternoon, March 1, at 4:00 p.m. (Symphony No. 2).

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Concert Program — Week 9b

INTRODUCING THE CONCERTS

Melody& Joy Jokes& Melancholy

T H E I D E A T H AT B R A H M S ’ S M U S I C

is filled with autumnal melancholy is too often and too easily embraced, while the full depth and breadth of his musical creations is equally too often forgotten and ignored. His glowing orchestral symphonies are, in fact, filled with colors from across the emotional spectrum. And, if Brahms’s own curmudgeonly personality did tend to drive his music toward the bittersweet (not forgetting his fondness for playing practical jokes on friends and an intense interest in puns), his moments of happiest musicmaking are undeniably irresistible. With this week’s concerts, Franz Welser-Möst and The Cleveland Orchestra begin a multi-year exploration of some of Brahms’s great orchestral scores — starting this weekend with two symphonies (one sunny, one darker), the violin concerto, and a pair of contrasting overtures (one comical, one more tragic). Violinist Julia Fischer serves as soloist in the concerto, a microcosm of the composer’s lyrical musical language, filled with soaring melody and rapturous harmonies, searingly infused with poignant reveries and sunny outbursts. The Orchestra’s Brahms project will also include a series of recordings for future worldwide television broadcast and DVD release. The recordings begin this week, with Thursday and Friday night’s concerts, working again with our partners WVIZ/ideastream and Clasart. Let us enjoy the warmth of Brahms’s creations in the midst of the cold nights this winter is serving us. —Eric Sellen

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Introducing the Concerts

A Rich Inheritance

Caring for those in need never goes out of style. Whether helping people in crisis, ensuring dignity for the elderly, or working to alleviate poverty â&#x20AC;&#x201C; our Jewish values have always inspired us to act. Those same values teach us to care for the next generation. By making a legacy gift, you leave your children and grandchildren a precious inheritance, and a lasting testimony to your values. To learn about making a legacy gift, contact Carol Wolf at 216.593.2805 or cwolf@jcfcleve.org.

Jewish Federation OF CLEVELAND

Mandel Building | 25701 Science Park Drive | Cleveland, Ohio 44122 www.jewishcleveland.org 1083

Performed Thursday and Friday:

Academic Festival Overture, Opus 80 composed 1880

Performed Saturday and Sunday:

Tragic Overture, Opus 81 composed 1880 BRAHMS

Johannes

BRAHMS born May 7, 1833 Hamburg died April 3, 1897 Vienna

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never attended a university, but in the summer of 1853, when he was twenty, he spent a month with his new friend Joseph Joachim, who was enrolled at the University of Göttingen for the summer session. They joined a club known as the Saxonia Corps, which met every Tuesday and Saturday at a local bar. Here they sat in a cramped room drinking beer, smoking cigars and pipes, and singing jolly German student songs like “Mein Lebenslauf ist Lieb’ und Lust” [“My Character is Love and Joy”] and “Ach, du liebe Augustin” [“Oh, Your Dear Augustin”]. Brahms and Joachim would perform their party trick, the “foxride,” galumphing noisily around a table astride a chair. In 1879, twenty-six years later, a now world-famous Brahms received an honorary doctorate from the University of Breslau (now Wrocław in Poland) and in response he composed the Academic Festival Overture, full of reminiscences of student songs. The director of music at the University was Bernhard Scholz, who had been a friend of both Brahms and Joachim for a number of years. The three of them had signed the famous manifesto in 1860 in protest against the view that the New German School (i.e. the ideas of Richard Wagner) represented the leadership of German music. In the long run, the protest probably did more harm than good, since Brahms normally preferred to stand aloof from partisan debates of this kind. Scholz asked him to compose a “doctoral symphony” as a thank you to the university, adding “we expect a Festal Ode at the very least.” Working during his summer vacation, as he always liked to do, at Bad Ischl, a popular Austrian spa, Brahms instead offered Scholz an overture. And, in fact, he wrote two overtures, one after the other, neatly balanced in character and effect. The two were performed for the first time in December 1880 in Vienna (Tragic) and January 1881 (Academic Festival), in Breslau in the marvelously ornate baroque university hall, the Aula Leopoldina, which still stands in the city of Wrocław. “One is full of tears, the other full of laughter,” wrote About the Music

Brahms. The Tragic Overture is not a gloomy work, but it clearly carries the weighty burden of tragedy in its minor key and somber themes — and great warmth too. The variety of material is remarkable, even including an episode where the tempo slows down and the oboes perform a stately old-fashioned dance, soon treated to discussion as if it were a point of obscure philosophical debate. Brahms was always at his best when displaying a serious frown, as so often in his symphonies and chamber music. On the other hand, the Academic Festival Overture is wonderful precisely because it shows the composer in a genuinely smiling mood, rare in his instrumental music (though often found in his songs). He called it his “Janissary” overture because of the percussion (thought to be of Turkish origin) he so rarely used elsewhere, but which here gives a truly popular flavor to the hearty songs, especially the noisy “Gaudeamus igitur” at the end. He also calls for a contrabassoon so that the bassoons can form a clownish trio as if the whole thing is to be taken with a nudge and a wink. If the mood of the Academic Festival Overture is light-hearted, its workmanship, as always with Brahms, is exemplary, which is only fitting for a work with the word “academic” in its title. —Hugh Macdonald © 2014 ACADEMIC FESTIVAL OVERTURE

TRAGIC OVERTURE

At a Glance

Brahms composed his Akademische Fest-Ouverture in the summer of 1880 at Bad Ischl and conducted the first performance on January 4, 1881, at the University of Breslau (now Wrocław, Poland). The United States premiere, conducted by Theodore Thomas, took place in Chicago on August 18, 1881. This overture runs about 10 minutes in performance. Brahms scored it for piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (bass drum, cymbals, triangle), and strings. This Overture entered the repertoire of The Cleveland Orchestra in November 1924, at a pair of subscription concerts at Masonic Auditorium conducted by Nikolai Sokoloff.

Brahms wrote his Tragic Overture in 1880. It was first performed in Vienna on December 26 of that year, with Hans Richter conducting the Vienna Philharmonic Orchestra. This overture runs about 10 minutes in performance. Brahms scored it for piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, and strings. The Cleveland Orchestra first played the Tragic Overture during its third season (1920-21) under Nikolai Sokoloff. The Orchestra most recently performed it at Severance Hall in November 2009, conducted by David Robertson.

In appreciation of their support, The Cleveland Orchestra extends a special welcome to Tucker Ellis LLP, whose guests are enjoying a special evening at Severance Hall this weekend.

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About the Music

Most of us know and love these four notes. Allegro con brio

No one cares how long it took Beethoven to compose them. Accomplishments are what matter. How long it takes to achieve them does not.

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Violin Concerto in D major, Opus 77 composed 1878 BRAHMS

Johannes

BRAHMS born May 7, 1833 Hamburg died April 3, 1897 Vienna

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was a formidable pianist, but he would never have wanted to be identified with the armies of piano virtuosos who toured Europe and composed flashy variations and fantasias on tunes from Rossini and Verdi operas. His two piano concertos are stern and serious works, and when it came to writing a violin concerto his model was unquestionably going to be Beethoven, not Paganini or Vieuxtemps. He made that doubly plain by choosing Beethoven’s key, D major, and by following Beethoven’s precedent with a long, lyrical first movement in full classical sonata form. Perhaps we should be surprised that he composed a violin concerto at all. Joseph Joachim, for whom it was written, was the first important musician he met when he left his Hamburg home at the age of twenty to seek fame and fortune. Joachim, almost the same age, was already an international star at that time, and the two struck up a firm friendship that lasted across more than four decades. For nearly twenty of those forty years, Joachim implored Brahms to write him a concerto, yet Brahms hesitated, no doubt thinking that it was more important to embark on the dangerous course of writing symphonies before he attempted a concerto for an instrument he didn’t play. Eventually, in 1878, soon after the successful premiere of his Second Symphony, Brahms devoted a summer holiday in the Austrian Alps to composing the longed-for concerto. The composer worked closely with Joachim in fashioning the solo part; he clearly intended the concerto to be a test of the player’s technique and musicianship and to be free of any suspicion of unmotivated display. Display itself is, of course, perfectly legitimate, in fact desirable, in a concerto, so it remains for us only to judge whether the soloist’s leaps, arpeggios, double stops, and passage-work are intrinsic to the work or not. The earliest critics were in some doubt, although the violin writing now strikes us as a model of good taste and sensitive musicianship. Others, such as the great Spanish virtuoso Sarasate, felt it had no tunes. “Would I stand there,” he said, “violin in hand, while the oboe plays the only melody in the whole work?” The concerto was first performed in Leipzig on New Year’s Day 1879 by Joachim, the dedicatee, who composed the cadenza that is still normally played today. Never fond of waste, About the Music

Brahms presents his first movement’s main theme as a bare unison at the very start of the work, based on a D major triad. Eight measures later, the oboe offers something nearer to a scale; eight bars further on, the full orchestra dwells on leaping octaves. Gradually the thematic material finds its place, some presented by the orchestra, more provided by the soloist after flexing his or her muscles (forty-some measures of, yes, display). Eventually, we reach a gloriously lyrical second subject, which seems to express the very soul of the violin. The finest moment is reserved for the coda (after the solo cadenza), when, following a sly reference to the Beethoven concerto, the soloist soars higher and higher in dreamy flight before a final resumption of the main tempo. The slow movement, in F major, opens with a long, beautiful theme for the oboe with wind accompaniment. When the soloist takes it up, the strings accompany — and the textures and harmonies become gradually more adventurous, only brought back to earth for the return of the main theme and the main key. The third-movement finale’s boisterous lilt is a tribute to Joachim’s Hungarian birth. But, as in Joachim himself, who never returned to Hungary or sympathized with its nationalist movements, other themes of quite un-Hungarian character intervene, including a dynamic rising scale in octaves and a beautifully lyrical episode where the meter changes briefly from a stamping 2/4 to a gentle 3/4. The final switch to a 6/8 pulse with heavy off-beats is one of Brahms’s stranger (yet still beautiful) inventions, and the dying decline of the last few measures is stranger still. —Hugh Macdonald © 2014 Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French music. He has written books on Beethoven, Berlioz, and Scriabin.

At a Glance Brahms composed his Violin Concerto in 1878 and conducted its premiere at the Leipzig Gewandhaus on January 1, 1879, with Joseph Joachim as soloist. The score was published in 1879 with a dedication to Joachim. This concerto runs about 40 minutes in performance. Brahms scored it for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, and strings, plus solo violin. The Cleveland Orchestra first played Brahms’s Violin Concerto in November 1920, at subscription concerts conducted by music director Nikolai Sokoloff, with Efrem Zimbalist as soloist. Since then, the Orchestra has presented the concerto frequently, with many of the world’s greatest violinists. The most recent Severance Hall subscription performances were given in January 2012, with Julian Rachlin as soloist under the direction of Franz Welser-Möst, who also led a performance with Gil Shaham in May 2012 at Carnegie Hall.

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Julia Fischer German violinist Julia Fischer is praised for her technical mastery and illuminating interpretations. She made her Cleveland Orchestra debut in July 2008, and her most recent performances here were in May 2011. Born in Munich in 1983 to a pianist mother from Slovakia and a mathematician father from Germany, Julia Fischer began playing piano at age three and violin at age four. After taking violin lessons at the Leopold Mozart Conservatory, she was admitted to the Munich Academy of Music at age nine, and became a pupil of Ana Chumachenco. Throughout her career as a violinist, Ms. Fischer has continued her piano studies. Julia Fischer’s honors have included first prize in the 1995 International Yehudi Menuhin Competition, Germany’s 2005 and 2007 Echo Awards, and France’s Diapason d’Or de l’année in 2006. She was named BBC Music Magazine’s 2006 Best Newcomer of the Year, Gramophone’s 2007 Artist of the Year, and the 2009 Midem Classical Awards’ Instrumentalist of the Year. Ms. Fischer’s recent and upcoming performances include tours with the Academy of St. Martin in the Fields, BBC Philharmonic, Dresden Philharmonic (of which she is artist-in-residence), and the San Francisco Symphony, as well as engagements with the Düsseldorf Symphony, Kammerphilharmonie Bremen, Leipzig Gewandhaus Orchestra, St. Petersburg Philharmonic, Tonhalle Orchestra, and the Vienna Philharmonic. In recital, Julia Fischer appears at major European venues, including the Berlin Philharmonie, Musikverein, Palais des Beaux Arts, and Wigmore Hall. Her schedule also includes concerts at the Mecklenburg-Vorpommern, Prague Spring, Rheingau Music, Saint-Denis, and Schleswig Holstein festivals. The Julia Fischer Quartet, which she founded in June 2013, includes violinist Alexander Sitkovetsky, violist Nils Mönkemeyer, and cellist Benjamin Nyffenegger. She also regularly collaborates in chamber music performances with Igor Levit, Daniel Müller-Schott, and Simon Trpčeski. Julia Fischer’s recordings for PentaTone include works by Bach, Brahms, Mozart, and Tchaikovsky. For Decca, her discography features compositions by Bach, Bruch, Chausson, Dvořák, Paganini, Respighi, Sarasate, Suk, and Vaughan Williams. Her artistry can also be experienced on DVD, including Vivaldi’s The Four Seasons for Opus Arte and, for Decca, in a 2008 concert conducted by Matthias Pintscher in which she performed as violin soloist and made her professional piano debut. For more information, visit www.juliafischer.com.

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Soloist

Sound for the Centennial TH E C A M PAI G N FO R TH E C LE V EL AN D O RC H ESTR A

In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through THE cash gifts and legacy commitments, while also securing broad-based and increasCLEVELAND ORCHESTRA ing annual support from across Northeast Ohio. The generous individuals and organizations listed on these pages have made long-term commitments of annual and endowment support, and legacy declarations to the Campaign as of December 15, 2013. We gratefully recognize their extraordinary commitment toward the Orchestra’s future success. Your participation can make a crucial difference in helping to ensure that future generations of concertgoers experience, embrace, and enjoy performances, collaborative presentations, and education programs by The Cleveland Orchestra. To join this growing list of visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520. GIFTS OF $5 MILLION AND MORE

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Symphony No. 4 in E minor, Opus 98 composed 1884-85

Performed Saturday and Sunday:

Symphony No. 2 in D major, Opus 73 composed 1877 I T I S U S U A L LY S A I D

Johannes

BRAHMS born May 7, 1833 Hamburg died April 3, 1897 Vienna

Severance Hall 2013-14

of Brahms that he delayed composing a symphony until after he was forty out of respect for Beethoven’s great set of nine — and from a fear of being found wanting in comparison with his mighty predecessor. There is much truth in this. Indeed, Brahms acknowledged it himself. Brahms’s rapid rise, at the age of twenty, into the circle of leading composers was set in motion by Robert Schumann, who declared publicly that Brahms was destined for a great future in the pedigree of German music. In the company of Schumann and his wife Clara, Brahms had played almost exclusively chamber music — which for them represented the real Beethoven legacy, especially the violin sonatas and late quartets, with the unspoken understanding that the Ninth Symphony was not necessarily the center of the Beethoven universe. Not coincidentally, at the same time, the Ninth (and its “Ode to Joy”) was being elevated by Liszt and Wagner and their followers as a pointer to a future in symphonic poem and music drama, two territories in which Brahms never set foot. When he finally resolved to write a symphony, Brahms had Schumann’s symphonies sounding in his ears as strongly as Beethoven’s — which is why a similarity can be heard between the opening of Schumann’s Fourth and the wide-spread octave with which Brahms began his First. When we reach the finale of Brahms’s First, though, we do unmistakably encounter an echo of the choral finale of Beethoven’s Ninth. “Any fool can see that,” was Brahms’s dismissive comment. Once he had given one symphony to the world, it was easier for Brahms to embark on its successors. The rest followed more rapidly, within nine years. The Second followed very soon after the First, and the Fourth appeared within two years of the Third. Self-critical to the point where he destroyed an unknown number of works that did not satisfy his exacting standards, Brahms always regarded symphonic writing as a tough propoAbout the Music

sition, to the point where we should be thankful that he gave us as many as four — and always grateful for the opportunity to hear each of them. B R A H M S ’ S F I R S T S Y M P H O N Y , long awaited, was first per-

It is said that Brahms delayed composing a symphony until after he was forty out of respect for Beethoven’s great set of nine — and from a fear of being found wanting in comparison with his mighty predecessor. There is much truth in this. Indeed Brahms acknowledged it himself.

formed in the city of Karlsruhe in November 1876. The composer was anxious to test it in one of the less prominent cities of Germany before allowing performances in Vienna or Leipzig or Berlin. Such was its success, however, that performances quickly followed in all major cities, at home and abroad. Happily, his admirers did not have to wait long for the Second Symphony. The success of the First and the choice of a perfect spot for his summer vacation worked the miracle and produced the new work the very next year, 1877. Since 1864, there had been a railroad connection from Vienna to Lake Wörth in the very southernmost part of Austria, so that the capital’s well-to-do began to spend their summers there. Like Mahler a few years later, Brahms liked to compose during his holidays, and in the village of Pörtschach on the lake’s northern shore he found a haven: “It is delightful here,” he wrote, “I will never again spend the summer far from the Prater [Vienna’s main street].” Many a great work was to emerge from those summer retreats amid Alpine lakes and mountains, including the Violin Concerto the following year. (Mahler too, who built a villa at Maiernigg just across the lake from Pörtschach, found inspiration in those surroundings.) The Second Symphony was speedily composed during the summer of 1877, and this time Brahms had no hesitation in offering it first to a Viennese audience. They heard it on December 30 that year, and like its predecessor it was soon taken up by all the great orchestras of the world. There are dark passages and no lack of tension, but on the whole this is a sunny work, full of light and vivacity, and it always leaves listeners in a state of happy elation. This impression is most strongly conveyed by the charming third movement, which can make the intricacies and tensions of the first two movements fade away in memory, and even make audiences overlook the technical skill of the brilliant finale, which sweeps everything before it. For the third movement is a kind of intermezzo, in which a gentle folksy theme is treated as a rondo (with a principal theme alternating with a contrasting section), interrupted by two equally charming episodes. About the Music

The Cleveland Orchestra

Brahms in 1889, from a series of photographs by C. Brasch

It is not in fact so hard to compose. But what is fabulously difficult is to leave the superfluous notes under the table. â&#x20AC;&#x201D;Johannes Brahms

The first is a fairylike transformation of the initial theme, speeded up; the second is a scherzo-like dance full of cross-accents and chattering exchanges between winds and strings. Brahmsâ&#x20AC;&#x2122;s debt is here more to Mendelssohn and Schumann than to Beethoven. Is there a darker spirit elsewhere at work? Within a few bars of the opening of the first movement the trombones are to be heard lurking in the shadows, and later on, in the development, those hints turn into real threats when the trombones show their teeth in overlapping, grinding entries. As if in remorse, the trombones play a soothing role in the slow movement, while Brahms explores a constant counterpoint, with at least two themes always to be heard at the same time. The contrast with the plain tunefulness of the third movement is all the more striking. If the trombones are a sinister force in the first two movements, they step proudly forward in the last movement, and they close the symphony with the most thrilling D-major triad in all symphonic music. The cellos similarly have a leading role, with an especially ravishing melody (supported by the violas) as the second subject of the first movement, and an important expressive line in the slow movement. Meanwhile the first horn would never let us overlook its superbly shaped solo in the coda of the first movement, which is followed by the first violins indulging their

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About the Music

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taste for broad melody on their lower strings — as if this was the point towards which the entire edifice of the first movement had been leading. In Brahms, there are always great moments like that. If we get too excited by one, however, we risk overlooking the next. Eagerness mixed with quiet patience rewards the alert and focused listener. IF BRAHMS HAD

written a fift h symphony toward the end of his life, one might imagine something gloriously mellow, like the late clarinet music or the Four Serious Songs. But that is not the direction in which the Fourth Symphony pointed. In its own context, it is the least comfortable of Brahms’s four symphonies, in terms of musical language and sonority. Being familiar and frequently heard in our own time, it rarely causes the wince of doubt that beset its original hearers. (We find it hard to imagine, similarly, that such a beautiful work as the Violin Concerto struck some of its original hearers as uncouth, but . . . history tells us otherwise.) There is a higher level of dissonance and tension in the Fourth Symphony than in most of Brahms’s music, but as always with this composer, it is perfectly judged — and balanced by faultless craftsmanship and an abundant melodic gift. The symphony was first performed in Meiningen, a small town in central Germany that was briefly of great importance in the musical world thanks to the leadership of musicians like Hans von Bülow and Richard Strauss, who strongly encouraged Brahms and persuaded him in 1885 to grant them the first performance of his latest symphony. Home audiences in Vienna could be fickle, especially as Wagner-mania was sweeping across Europe. As usual, Brahms shows little interest in the more colorful instruments that most composers were delighting in at that time — no english horn, no bass clarinet, no tuba, no harp. Though he asks for a contrabassoon in the last two movements to enrich the bass, and a piccolo for the third-movement scherzo, where he ventures into the percussion section with a very un-Brahmsian triangle. And, although he clung to the oldfashioned hand-horns, not the valved variety then in universal use, he wrote for the horns with infinite mastery, as both the slow movement and the scherzo bear witness. In general outline, Brahms does not deviate from his classical inheritance — a broad, substantial first movement, a Severance Hall 2013-14

About the Music

SYMPHONY NO. 4

At a Glance Brahms wrote his Fourth Symphony in Mürzzuschlag (Styria, Austria) during the summers of 1884 and 1885. He conducted the first performance on October 25, 1885, in Meiningen, Germany, where Hans von Bülow was the music director. The United States premiere took place on December 11, 1886, with Walter Damrosch conducting the New York Symphony. This symphony runs about 40 minutes in performance. Brahms scored it for 2 flutes (one doubling piccolo), 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns, 2 trumpets, 3 trombones, timpani, triangle, and strings. (Piccolo and triangle appear in the third movement only, contrabassoon in the third and fourth movements only, and trombones only in the finale.) The Cleveland Orchestra first performed the Brahms Fourth in April 1925, led by music director Nikolai Sokoloff. It has been presented by the Orchestra with relative frequency since then, most recently at Severance Hall in April 2011 under the baton of Kurt Masur.

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lyrical slow movement, a jocular scherzo, and a strong, assertive finale. After the First Symphony, whose opening Allegro is preceded by a slow introduction like a number of Beethoven’s symphonies (and Schumann’s Fourth), Brahms’s remaining symphonies adopt the maxim he always preferred — state your first theme clearly and firmly at the very outset. In this case, the graceful opening theme, with its drooping thirds, is woven into the texture of the whole movement. His writing for strings had never been so rich as here. The main contrast in this movement is rhythmic, for triplet figures keep intruding. At the end of the movement, however, the powerful drive of the original four-four pulse is unstoppable. A pair of horns declare the slow movement opening with a misleadingly forceful gesture. For this is the tenderest of slow movements, rich in complex harmony and smooth melody. The clarinet is especially favored, and the second subject (first heard in the cellos) is one of Brahms’s greatest inspirations, intensified each time it comes back. The scherzo brings out the hearty hill-walker in Brahms, and the triangle signals a breeziness that we rarely find in his music. The slower middle section is all too brief, as if Brahms was in a hurry to get back to his vigorous exercise, energetic enough to wonder what kind of finale could be sufficiently different to follow it. Here, for the last movement, Brahms broke with convention and composed a passacaglia (although he did not call it that), a baroque form grandly exhibited by Bach in which a short harmonic sequence is many times repeated in elaborate variation. This is the moment the trombones have been waiting for (a discipline they learned from Beethoven’s Fifth), and they lay down the eight firm chords that define the sequence. The problem for Brahms was (as it was for Bach, too) not to seem to be stuck in the home key. His eight-bar outline is heard thirty times in wonderfully inventive variation, but it escapes from E minor only to taste, briefly, the nectar of E major following a desolate flute solo. The return to E minor sounds like a recapitulation of the beginning, with strong wind chords, but it simply heralds a stirring continuation of the variations, until, following one tremendous sequence after another, the symphony, in Sir Donald Tovey’s memorable words, “storms to its tragic close.” —Hugh Macdonald © 2014 Severance Hall 2013-14

About the Music

SYMPHONY NO. 2

At a Glance Brahms wrote his Second Symphony soon after completing his First, composing it during the summer of 1877 while staying at an idyllic get-away in southern Austria. It was first performed on December 30, 1877, by the Vienna Philharmonic led by Hans Richter. This symphony runs about 45 minutes in performance. Brahms scored it for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, and strings. The Cleveland Orchestra first performed Brahms’s Second Symphony in December 1919. The Orchestra’s most recent performances were led by Franz Welser-Möst in 2010.

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Baldwin Wallace University Conservatory of Music 440-826-2369 Cleveland Institute of Music 216-791-5000 Cleveland State University Kulas Series of Keyboard Conversations with Jeffrey Siegel 216-687-5018 Lake Erie College 1-855-GO-STORM The Oberlin Conservatory of Music 440-775-8413 The Cleveland Orchestra

Student attendance continues to grow at Severance Hall As The Cleveland Orchestra’s 2013-14 season has gotten underway, more Student Advantage Members, Frequent Fan Card holders, Student Ambassadors, and student groups are contributing to the continued success of these programs. The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend concerts at Severance Hall and Blossom through discounted ticket offers. Membership is free to join and rewards members with discounted ticket purchases. For this season, a record 6,000 students have joined. The Student Frequent Fan Card was introduced a year ago with great success. The program is continuing to grow, with the number of Frequent Fan Card holders tripling so far this season over 2012-13. Priced at $50, the Fan Card offers students unlimited single tickets (one ticket per card holder) to weekly classical subscription concerts all season long. The Student Ambassador program is also growing. These young volunteers help to promote the Orchestra’s concert offerings and student programs directly on campuses across Northeast Ohio. Also this year, a group of Student Marketing Advisors was formed to help the Orchestra incorporate student feedback and insight to programs, and give local marketing majors a chance to work closely with the Orchestra’s sales team. In addition, attendance through Student Group sales are also bringing in more and more young people to Cleveland Orchestra concerts. From as far as Toronto and Nashville, these groups make up an integral part of the overall success toward generating participation and interest among young people. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences, through the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

Severance Hall 2013-14

Student Attendance

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The Cleveland Orchestra

Education and Music Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R MA S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 60,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades. Severance Hall 2013-14

Education & Community

T H E

C L E V E L A N D

Each season’s Family Concert series at Severance Hall offers world-class music with outstanding singers, actors, mimes, and more to families from across Northeast Ohio. Last season’s “Under the Sea” concert featured music from Disney’s The Little Mermaid with The Singing Angels.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program, which fosters the use of music and the arts to support general classroom learning.

Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestra’s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lubrizol Corporation Macy’s The Music and Drama Club The Nord Family Foundation Nordson Ohio Arts Council Ohio Savings Bank, A Division of New York Community Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation The Sherwin-Williams Foundation Surdna Foundation Target Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice H. Cull Memorial Fund Mr. and Mrs. Charles R. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Machaskee Fund for Community Programming Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education The Eric & Jane Nord Family Fund Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund Anonymous

Severance Hall 2013-14

More than 1,250 talented youth musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since the ensemble’s founding in 1986. Many have gone on to careeers in professional orchestras around the world, including four current members of The Cleveland Orchestra.

Education & Community

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y The Heritage Society honors those individuals who are helping to ensure the future of The Cleveland Orchestra with a Legacy gift. Legacy gifts come in many forms, including bequests, charitable gift annuities, and insurance policies. The following listing of members is current as of October 2013. For more information, please call Bridget Mundy, Legacy Giving Officer, at 216-231-8006. Lois A. Aaron Leonard Abrams Shuree Abrams* Gay Cull Addicott Stanley and Hope Adelstein Sylvia K. Adler Gerald O. Allen* Norman and Marjorie* Allison George N. Aronoff Herbert Ascherman, Jr. Jack and Darby Ashelman Mr. and Mrs. William W. Baker Ruth Balombin* Mrs. Louis W. Barany* D. Robert* and Kathleen L. Barber Jack Barnhart Margaret B. and Henry T.* Barratt Norma E. Battes* Rev. Thomas T. Baumgardner and Dr. Joan Baumgardner Fred G. and Mary W. Behm Bertram H. Behrens* Dr. Ronald and Diane Bell Bob Bellamy Joseph P. Bennett Ila M. Berry Howard R. and Barbara Kaye Besser Dr.* and Mrs. Murray M. Bett Dr. Marie Bielefeld Raymond J. Billy (Biello) Dr. and Mrs. Harold B. Bilsky* Robert E. and Jean Bingham* Claudia Bjerre Mr. William P. Blair III Mrs. Flora Blumenthal Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Kathryn Bondy* Loretta and Jerome* Borstein Mr. and Mrs.* Otis H. Bowden II Ruth Turvy Bowman* Drs. Christopher P. Brandt and Beth Brandt Sersig Mr. D. McGregor Brandt, Jr. David and Denise Brewster Richard F. Brezic* Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Ronald and Isabelle Brown* Mr. and Mrs. Clark E. Bruner* Mr. and Mrs.* Harvey Buchanan

Rita W. Buchanan* Joan and Gene* Buehler Gretchen L. Burmeister Stanley and Honnie* Busch Milan and Jeanne* Busta Mrs. Noah L. Butkin* Mr. and Mrs. William C. Butler Minna S. Buxbaum* Gregory and Karen Cada Roberta R. Calderwood* Jean S. Calhoun* Harry and Marjorie M. Carlson Janice L. Carlson Dr. and Mrs. Roland D. Carlson Mr. and Mrs. George P. Carmer* Barbara A. Chambers, D. Ed. Arthur L. Charni* Ellen Wade Chinn* NancyBell Coe Kenneth S. and Deborah G. Cohen Ralph M. and Mardy R. Cohen Victor J. and Ellen E. Cohn Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway James P. and Catherine E. Conway* Rudolph R. Cook* The Honorable Colleen Conway Cooney John D. and Mary D.* Corry Dr. and Mrs. Frederick S. Cross* Martha Wood Cubberley Dr. William S. Cumming* In Memory of Walter C. and Marion J. Curtis Mr. and Mrs. William W. Cushwa Howard Cutson Dr. Christine A. Hudak, Mr. Marc F. Cymes Mr. and Mrs. Don C. Dangler Mr. and Mrs. Howard J. Danzinger Barbara Ann Davis Carol J. Davis Charles and Mary Ann Davis William E. and Gloria P. Dean, Jr. Mary Kay DeGrandis and Edward J. Donnelly Neeltje-Anne DeKoster Carolyn L. Dessin William R. Dew* Mrs. Armand J. DiLellio James A. Dingus, Jr. Dr. and Mrs. Richard C. Distad Maureen A. Doerner and Geoffrey T. White Henry and Mary Doll Gerald and Ruth Dombcik Mr.* and Mrs. Roland W. Donnem

Legacy Giving

Nancy E. and Richard M. Dotson Mrs. John Drollinger Drs. Paul M.* and Renate H. Duchesneau George* and Becky Dunn Warren and Zoann Dusenbury* Mr. and Mrs. Robert Duvin Paul and Peggy Edenburn Robert and Anne Eiben Mr. and Mrs. Alfred M. Eich, Jr. Mr. and Mrs. Ramon Elias* Roger B. Ellsworth Oliver and Mary Emerson Lois Marsh Epp Patricia Esposito Margaret S. Estill* Dr. Wilma McVey Evans* C. Gordon and Kathleen A.* Ewers Patricia J. Factor Susan L. Faulder* Dr. and Mrs. Frederick Fennell* Mrs. Mildred Fiening Gloria and Irving B. Fine Jules and Lena Flock* Joan Alice Ford Dr. and Mrs. William E. Forsythe* Mr.* and Mrs. Ralph E. Fountain Gil and Elle Frey Arthur and Deanna Friedman Mr.* and Mrs. Edward H. Frost Dawn Full Henry S. Fusner Dr. Stephen and Nancy Gage Charles and Marguerite C. Galanie* Barbara and Peter Galvin Mr. and Mrs. Steven B. Garfunkel Donald* and Lois Gaynor Barbara P. Geismer* Albert I. and Norma C. Geller Carl E. Gennett* John H.* and Ellen P. Gerber Frank and Louise Gerlak Dr. James E. Gibbs In Memory of Roger N. Gifford Dr. Anita P. Gilger* S. Bradley Gillaugh Mr.* and Mrs. Robert M. Ginn Fred and Holly Glock Ronald* and Carol Godes William H. Goff Mr. and Mrs. Henry J. Goodman John and Ann Gosky Mrs. Joseph B. Govan* Elaine Harris Green

The Cleveland Orchestra

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Tom and Gretchen Green Richard and Ann Gridley Nancy Hancock Griffith David G. Griffiths* David E.* and Jane J. Griffiths Ms. Hetty Griffiths Margaret R. Griffiths* Bev and Bob Grimm Judd and Zetta Gross* Candy and Brent Grover Mrs. Jerome E. Grover* Thomas J.* and Judith Fay Gruber Mr. and Mrs. David H. Gunning Mr. and Mrs. William E. Gunton Joseph E. Guttman* Mrs. John A Hadden Jr. Richard* and Mary Louise Hahn James J. Hamilton Kathleen E. Hancock Douglas Peace Handyside* Holsey Gates Handyside Norman C. and Donna L. Harbert Mary Jane Hartwell William L.* and Lucille L. Hassler Peter and Gloria Hastings* Mrs. Henry Hatch (Robin Hitchcock) Virginia and George Havens Gary D. Helgesen Clyde J. Henry, Jr. Ms. M. Diane Henry Wayne and Prudence Heritage Rice Hershey* T. K. and Faye A. Heston Gretchen L. Hickok Mr. and Mrs.* Daniel R. High Edwin R. and Mary C. Hill* Ruth Hirshman-von Baeyer* Mr.* and Mrs. D. Craig Hitchcock Bruce F. Hodgson Goldie Grace Hoffman* Mary V. Hoffman Feite F. Hofman MD Mrs. Barthold M. Holdstein Leonard* and Lee Ann Holstein David and Nancy Hooker Gertrude S. Hornung* Patience Cameron Hoskins Elizabeth Hosmer Dorothy Humel Hovorka Dr. Randal N. Huff Mrs. Marguerite B. Humphrey Adria D. Humphreys* Ann E. Humphreys and Jayne E. Sisson Karen S. Hunt Mr. and Mrs. G. Richard Hunter Ruth F. Ihde Mr. and Mrs. Jonathan E. Ingersoll Pamela and Scott Isquick Mr. and Mrs.* Clifford J. Isroff Mr. and Mrs. Donald M. Jack, Jr. Carol S. Jacobs Milton* and Jodith Janes Alyce M. Jarr*

Jerry and Martha* Jarrett Merritt Johnquest Allan V. Johnson E. Anne Johnson Nancy Kurfess Johnson, M.D. Paul and Lucille Jones* Mrs. R. Stanley Jones* William R. Joseph* David and Gloria Kahan Julian and Etole Kahan Drs. Julian* and Aileen Kassen Milton and Donna* Katz Patricia and Walter* Kelley Bruce and Eleanor Kendrick Malcolm E. Kenney Nancy H. Kiefer* Charles M. and Janet G. Kimball* James and Gay* Kitson Mr. Clarence E. Klaus, Jr. Mary Elizabeth and G. Robert Klein* Julian H. and Emily W. Klein* Thea Klestadt* Paul and Cynthia Klug Martha D. Knight Mr. and Mrs. Robert Koch Dr. Vilma L. Kohn Elizabeth Davis Kondorossy* Clayton Koppes Mr.* and Mrs. James G. Kotapish, Sr. LaVeda Kovar* Margery A. Kowalski Bruce G. Kriete* Mr. and Mrs. Gregory G. Kruszka Thomas and Barbara Kuby Eleanor and Stephen Kushnick Mr. and Mrs. Dennis W. LaBarre James I. Lader Mr. and Mrs. David A. Lambros Dr. Joan P. Lambros* Mrs. Carolyn Lampl Marjorie M. Lamport Louis Lane Charles K. László and Maureen O’Neill-László Anthony T. and Patricia Lauria Charles and Josephine Robson Leamy Fund Teela C. Lelyveld Mr. and Mrs. Roger J. Lerch Judy D. Levendula Gerda Levine Dr. and Mrs. Howard Levine Bracy E. Lewis Mr. and Mrs.* Thomas A. Liederbach Rollin and Leda Linderman Ruth S. Link Dr. and Mrs. William K. Littman Jeff and Maggie Love Dr. Alan and Mrs. Min Cha Lubin Ann B. and Robert R. Lucas* Kate Lunsford Mr. and Mrs. Thomas E. Lynch* Patricia MacDonald

Alex and Carol Machaskee Jerry Maddox Mrs. H. Stephen Madsen Alice D. Malone Mr. and Mrs. Donald Malpass, Jr. Lucille Harris Mann Mr. and Mrs. Richard A. Manuel Clement P. Marion Mr. Wilbur J. Markstrom* Dr. and Mrs. Sanford E. Marovitz David C. and Elizabeth F. Marsh Duane and Joan* Marsh Florence Marsh, Ph.D.* Mr. and Mrs. Anthony M. Martincic Kathryn A. Mates Dr. Lee Maxwell and Michael M. Prunty Alexander and Marianna* McAfee Nancy B. McCormack Mr. William C. McCoy Marguerite H. McGrath* Dorothy R. McLean Jim* and Alice Mecredy James and Virginia Meil Mr. and Mrs.* Robert F. Meyerson Brenda Clark Mikota Christine Gitlin Miles Chuck and Chris Miller Edith and Ted* Miller Leo Minter, Jr. Mr. and Mrs. William A. Mitchell Robert L. Moncrief Ms. Beth E. Mooney Beryl and Irv Moore Ann Jones Morgan Mr. and Mrs. Stanley L. Morgan* George and Carole Morris Mr. and Mrs. Thomas W. Morris Mr. and Mrs.* Donald W. Morrison Joan R. Mortimer, PhD Florence B. Moss Susan B. Murphy Dr. and Mrs. Clyde L. Nash, Jr Deborah L. Neale Mrs. Ruth Neides David and Judith Newell Dr.* and Mrs. S. Thomas Niccolls Russell H. Nyland* Katherine T. O’Neill Mr. and Mrs. John D. Ong Aurel Fowler-Ostendorf* Mr. J. William and Dr. Suzanne Palmer R. Neil Fisher and Ronald J. Parks Nancy and W. Stuver Parry Mrs. John G. Pegg* Dr. and Mrs. Donald Pensiero Mary Charlotte Peters Mr. and Mrs. Peter Pfouts* Janet K. Phillips* Florence KZ Pollack Julia and Larry Pollock Victor and Louise Preslan Mrs. Robert E. Price* Lois S.* and Stanley M. Proctor LISTING CONTINUES

Severance Hall 2013-14

Legacy Giving

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Be forever a part of what the world is talking about! L I S T I N G C O N T I N U ED

Mr. David C. Prugh Leonard and Heddy Rabe M. Neal Rains Mr. George B. Ramsayer Joe L. and Alice Randles* Mrs. Alfred M. Rankin, Sr. Mrs. Theodore H. Rautenberg* James and Donna Reid Mrs. Hyatt Reitman* Mrs. Louise Nash Robbins* Dr. Larry J.B.* and Barbara S. Robinson Dwight W. Robinson Margaret B. Babyak* and Phillip J. Roscoe Dr. Eugene and Mrs. Jacqueline Ross Helen Weil Ross* Robert and Margo Roth Marjorie A. Rott Howard and Laurel Rowen Professor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster Rutter Mr. James L. Ryhal, Jr. Renee Sabreen Marjorie Bell Sachs Vernon Sackman Sue Sahli Mr. and Mrs. James A. Saks Mr. and Mrs. Sam J. SanFilipo* Larry J. Santon Stanford and Jean B. Sarlson Sanford Saul Family James Dalton Saunders Patricia J. Sawvel Ray and Kit Sawyer Richard Saxton* Alice R. Sayre In Memory of Hyman and Becky Schandler Robert Scherrer Sandra J. Schlub Ms. Marian Schluembach Robert and Betty Schmiermund Mr.* and Mrs. Richard M. Schneider Lynn A. Schreiber* Jeanette L. Schroeder Mr. Frank Schultz Carol* and Albert Schupp Roslyn S. and Ralph M. Seed Nancy F. Seeley Edward Seely Oliver E. and Meredith M. Seikel Russell Seitz* Reverend Sandra Selby Eric Sellen Andrea E. Senich Thomas and Ann Sepúlveda Elsa Shackleton* B. Kathleen Shamp Jill Semko Shane David Shank

Dr. and Mrs. Daniel J. Shapiro Norine W. Sharp Norma Gudin Shaw Elizabeth Carroll Shearer Dr. and Mrs. William C. Sheldon Frank* and Mary Ann Sheranko Kim Sherwin Mr. and Mrs. Michael Sherwin Reverend and Mrs. Malcolm K. Shields Rosalyn and George Sievila Mr. and Mrs. David L. Simon Dr.* and Mrs. John A. Sims Naomi G. and Edwin Z. Singer Lauretta Sinkosky H. Scott Sippel and Clark T. Kurtz Ellen J. Skinner Ralph* and Phyllis Skufca Janet Hickok Slade Alden D. and Ellen D. Smith* Mr.* and Mrs. Ward Smith M. Isabel Smith* Nathan Snader* Sterling A. and Verdabelle Spaulding* Barbara J. Stanford and Vincent T. Lombardo Sue Starrett and Jerry Smith Lois and Tom Stauffer Willard D. Steck* Merle Stern Dr. Myron Bud and Helene* Stern Mr. and Mrs. John M. Stickney Nora and Harrison Stine* Mr. and Mrs. Stanley M. Stone Mr.* and Mrs. James P. Storer Ralph E. and Barbara N. String The Irving Sunshine Family Vernette M. Super* Mr. and Mrs. Herbert J. Swanson* In Memory of Marjory Swartzbaugh Lewis Swingley* Lorraine S. Szabo Norman V. Tagliaferri Susan and Andrew Talton* Frank E. Taplin, Jr.* Charles H. Teare* and Clifford K. Kern* Mr. Ronald E. Teare Pauline Thesmacher* Dr. and Mrs. Friedrich Thiel Mrs. William D. Tibbetts* Mr. and Mrs. William M. Toneff Marlene and Joe Toot Alleyne C. Toppin Janice and Leonard Tower Dorothy Ann Turick Mr. and Mrs. Robert A. Urban Robert and Marti Vagi Robert A. Valente J. Paxton Van Sweringen Mary Louise and Don VanDyke Elliot Veinerman*

Legacy Giving

Nicholas J. Velloney* Steven Vivarronda Hon. William F. B. Vodrey Pat and Walt* Wahlen Mrs. Clare R. Walker John and Deborah Warner Mr. and Mrs. Russell Warren Joseph F. and Dorothy L. Wasserbauer Charles D. Waters* Reverend Thomas L. Weber Etta Ruth Weigl Lucile Weingartner Eunice Podis Weiskopf* Max W. Wendel William Wendling and Lynne Woodman Marilyn J. White Robert and Marjorie Widmer* Yoash and Sharon Wiener Alan H. and Marilyn M. Wilde Elizabeth L. Wilkinson* Helen Sue* and Meredith Williams Carter and Genevieve* Wilmot Miriam L. and Tyrus W.* Wilson Mr. Milton Wolfson* and Mrs. Miriam Shuler-Wolfson Nancy L. Wolpe Mrs. Alfred C. Woodcock Katie and Donald Woodcock Dr.* and Mrs. Henry F. Woodruff Marilyn L. Wozniak Nancy R. Wurzel Michael and Diane Wyatt Mary Yee Emma Jane Yoho, M.D. Libby M. Yunger Dr. Norman Zaworski* William L.* and Joan H. Ziegler Carmela Catalano Zoltoski* Roy J. Zook* Anonymous (105)

*deceased

The lotus blossom is the symbol of the Heritage Society. It represents eternal life and recognizes the permanent benefits of legacy gifts to The Cleveland Orchestra’s endowment. Said to be Elisabeth Severance’s favorite flower, the lotus is found as a decorative motif in nearly every public area of Severance Hall.

The Cleveland Orchestra

Collecting for clients is music to our ears.

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Fine Shops & Services Michael Hauser DMD MD Implants and Oral Surgery For Music Lovers Beachwood 216-464-1200

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Training Future Leaders

The Cleveland Orchestra

THE

CLEVELAND ORCHESTRA

Endowed Funds

funds established as of August 2013

The generous donors listed here have made endowment gifts to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. (Additional endowment funds are recognized through the naming of Orchestra chairs, listed on pages 22-23.) Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to The Clevelamd Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus. Artistic Excellence

Guest Artists Fund

George Gund III Fund

Artistic Collaboration Joseph P. and Nancy F. Keithley

Artist-in-Residence Malcolm E. Kenney

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

Radio Broadcasts Robert and Jean Conrad Dr. Frederick S. and Priscilla Cross

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

American Conductors Fund Douglas Peace Handyside Holsey Gates Handyside

Severance Hall Guest Conductors Roger and Anne Clapp James and Donna Reid

Cleveland Orchestra Soloists Julia and Larry Pollock Family

The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation, Inc. Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

Concert Previews Dorothy Humel Hovorka

International Touring Frances Elizabeth Wilkinson

Unrestricted Art of Beauty Company, Inc. William P. Blair III Fund for Orchestral Excellence John P. Bergren and Sarah S. Evans Nancy McCann Margaret Fulton-Mueller Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, is working to develop new generations of audiences for The Cleveland Orchestra. Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler

Endowed Funds listing continues

Severance Hall 2013-14

Endowed Funds

THE

CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year. Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice H. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley The Eric & Jane Nord Family Fund The William N. Skirball Endowment

Education Concerts Week

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Alex and Carol Machaskee

The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall. Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center. Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

Endowed Funds

The Cleveland Orchestra

Act one begins

Beck Center for the Arts

... WITH INVESTMENT BY CUYAHOGA ARTS & CULTURE Cuyahoga Arts & Culture (CAC) uses public dollars approved by you to bring arts and culture to every corner of our County. From grade schools to senior centers to large public events and investments to small neighborhood art projects and educational outreach, we are leveraging your investment for everyone to experience.

Your Investment: Strengthening Community Visit cacgrants.org/impact to learn more.

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$5 MILLION AND MORE

KeyBank PNC Bank $1 MILLION TO $5 MILLION

BakerHostetler Bank of America Eaton FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company Hyster-Yale Materials Handling NACCO Industries, Inc. The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch Parker Hannifin Corporation The Plain Dealer PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of December 2013.

gifts of $2,500 or more during the past year, as of December 15, 2013

PARTNERS IN EXCELLENCE $300,000 AND MORE

Hyster-Yale Materials Handling NACCO Industries, Inc. KeyBank The Lubrizol Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton FirstEnergy Foundation Forest City Enterprises, Inc. PNC Bank PARTNERS IN EXCELLENCE $100,000 TO $199,999

The Cliffs Foundation Google, Inc. Medical Mutual of Ohio Nordson Corporation and Foundation Parker Hannifin Corporation $50,000 TO $99,999

Jones Day Quality Electrodynamics (QED) voestalpine AG (Europe) Anonymous $25,000 TO $49,999 Dix & Eaton The Giant Eagle Foundation Litigation Management, Inc. Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp. The Plain Dealer RPM International Inc. Squire Sanders (US) LLP Thompson Hine LLP

$2,500 TO $24,999 AdCom Communications Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc.

Severance Hall 2013-14

Corporate Annual Support

American Greetings Corporation BDI Bank of America Brothers Printing Co., Inc. Brouse McDowell Eileen M. Burkhart & Co LLC Buyers Products Company Calfee, Halter & Griswold LLP Cleveland Clinic The Cleveland Wire Cloth & Mfg. Co. Cohen & Company, CPAs Community Behavioral Health Center Conn-Selmer, Inc. Consolidated Solutions Dollar Bank Dominion Foundation Ernst & Young LLP Evarts-Tremaine-Flicker Company Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Victor Kendall, Friends of WLRN Gallagher Benefit Services Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Hyland Software The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Materion Corporation Miba AG (Europe) MTD Products, Inc. North Coast Container Corp. Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Oswald Companies PolyOne Corporation Pricewaterhouse Coopers LLP The Prince & Izant Company Richey Industries, Inc. The Sherwin-Williams Company Stern Advertising Agency Swagelok Company Tucker Ellis Ulmer & Berne LLP University Hospitals Ver Ploeg & Lumpkin, P.A. (Miami) WCLV Foundation Westlake Reed Leskosky Anonymous (2)

LEOŠ JANÁČEK’S LEO

SEV ER A N C E HA L L

May 17 . 20 . 22 . 24

A N EW P R OD U C T I ON F E ATU R I N G P R OJ E C TE D A N I M ATI O N AND L I V E AC T I ON , SU N G I N C Z E C H W I TH E N G L I S H S U P E R TI TL E S

THE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst

T ENN! EV O A S R EA PE S O E E TH TH OF

Don’t miss this unique, made-for-Cleveland opera presentation! Staged at Severance Hall with an international cast and innovative, original animated projections. While plumbing the depths of human experience, The Cunning Little Vixen tells a charmingly bittersweet tale of love, peril, freedom, f and family. The opera’s title character, portrayed by Czech soprano Martina M Janková, wends her way through life’s cycles of learning and danger, dange love and happiness. Janáček’s score mixes lyrical symphonic writing with wit the songful serenity and energetic pulse of Moravian folk music. This Cleveland Orchestra opera presentation is supported in part by The Andrew W. Mellon Foundation and by the National Endowment for the Arts

TICKETS

216-231-1111

CLEVELANDORCHESTRA .COM

THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation $5 MILLION TO $10 MILLION

The George Gund Foundation Knight Foundation (Cleveland, Miami) The Andrew W. Mellon Foundation John P. Murphy Foundation $1 MILLION TO $5 MILLION

The William Bingham Foundation The George W. Codrington Charitable Foundation GAR Foundation Ann and Gordon Getty Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation National Endowment for the Arts The Eric & Jane Nord Family Fund The Payne Fund The Reinberger Foundation The Sage Cleveland Foundation

gifts of $2,000 or more during the past year, as of December 15, 2013

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture The George Gund Foundation The Andrew W. Mellon Foundation The Kelvin and Eleanor Smith Foundation $250,000 TO $499,000

Kulas Foundation John P. Murphy Foundation The Eric & Jane Nord Family Fund Ohio Arts Council $100,000 TO $249,999

Sidney E. Frank Foundation GAR Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation $50,000 TO $99,999

The George W. Codrington Charitable Foundation Ann and Gordon Getty Foundation The Hearst Foundations Martha Holden Jennings Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation Miami-Dade County Department of Cultural Affairs (Miami) Donald and Alice Noble Foundation, Inc. The Nord Family Foundation The Payne Fund The Sage Cleveland Foundation Surdna Foundation $20,000 TO $49,999

$2,000 TO $19,999 The Abington Foundation Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Batchelor Foundation, Inc. (Miami) The Bernheimer Family Fund of the Cleveland Foundation Bicknell Fund Eva L. and Joseph M. Bruening Foundation The Conway Family Foundation Mary and Dr. George L. Demetros Charitable Trust The Harry K. Fox and Emma R. Fox Charitable Foundation The William O. and Gertrude Lewis Frohring Foundation Funding Arts Network (Miami) The Hankins Foundation The Muna & Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation The Mandel Foundation Bessie Benner Metzenbaum Foundation Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation Kenneth W. Scott Foundation Jean C. Schroeder Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward and Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of December 2013.

The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. The Helen Wade Greene Charitable Trust John S. and James L. Knight Foundation The Margaret Clark Morgan Foundation National Endowment for the Arts The Frederick and Julia Nonneman Foundation William J. and Dorothy K. O’Neill Foundation Peacock Foundation, Inc. (Miami) Polsky Fund of Akron Community Foundation The Reinberger Foundation The Sisler McFawn Foundation

Severance Hall 2013-14

Foundation/Government Annual Support

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of December 15, 2013 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland) $5 MILLION TO $10 MILLION

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner $1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. Francis J. Callahan* Mrs. M. Roger Clapp Mr. George Gund III* Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson The Ralph and Luci Schey Foundation Anonymous (3) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of December 2013.

Daniel R. and Jan R. Lewis (Miami) Peter B. Lewis* and Janet Rosel (Miami) Mr. and Mrs. Albert B. Ratner INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) David and Francie Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) INDIVIDUAL GIFTS OF $100,000 TO $199,999

James D. Ireland III Mr. and Mrs. Joseph P. Keithley Mrs. Elizabeth R. Koch Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Emma S. Lincoln Elizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Mr. and Mrs. Franz Welser-Mรถst Janet* and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. and Mrs. Alexander M. Cutler Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. Allen H. Ford Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz Elizabeth B. Juliano (Cleveland, Miami) R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis Mr. and Mrs. Edward A. Lozick

Individual Annual Support

The Cleveland Orchestra

Robert M. Maloney and Laura Goyanes Ms. Beth E. Mooney Mr. Patrick Park (Miami) Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Mr. and Mrs. Lawrence M. Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Mary M. Spencer (Miami) Barbara and David Wolfort Anonymous INDIVIDUAL GIFTS OF $30,000 TO $49,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Judith and George W. Diehl Mr. and Mrs. Geoffrey Gund George Gund* Trevor and Jennie Jones Giuliana C. and John D. Koch Dr. Vilma L. Kohn Charlotte R. Kramer Mr. and Mrs. Jon A. Lindseth Ms. Nancy W. McCann Sally S. and John C. Morley Mrs. Jane B. Nord Luci and Ralph* Schey Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton

Leadership Council The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

INDIVIDUAL GIFTS OF $20,000 TO $24,999

Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia Barbato Mr. and Mrs. Matthew V. Crawford Esther L. and Alfred M. Eich, Jr. Jeffrey and Susan Feldman (Miami) Dr. Edward S. Godleski Andrew and Judy Green Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mr. and Mrs. Christopher Kelly Jonathan and Tina Kislak (Miami) Joy P. and Thomas G. Murdough, Jr. (Miami) Mr. and Mrs. James A. Saks Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Mr. and Mrs. Donald Stelling (Europe) Mr. Joseph F. Tetlak Tom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Women’s Committee of The Cleveland Orchestra Anonymous gift from Switzerland (Europe)

INDIVIDUAL GIFTS OF $25,000 TO $29,999

Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway Do Unto Others Trust (Miami) George* and Becky Dunn Dr. and Mrs. Hiroyuki Fujita Gary Hanson and Barbara Klante Mr. and Mrs. Jeffrey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland Orchestra Dr. David and Janice Leshner Maltz Family Foundation Margaret Fulton-Mueller William J. and Katherine T. O’Neill Julia and Larry Pollock Mr. and Mrs. James A. Ratner Paul and Suzanne Westlake

Severance Hall 2013-14

INDIVIDUAL GIFTS OF $15,000 TO $19,999

Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. and Mrs. David J. Carpenter Scott Chaikin and Mary Beth Cooper Martha and Bruce Clinton (Miami) Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Peter O. Dahlen Colleen and Richard Fain (Miami) Joyce and Ab* Glickman Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) David and Nancy Hooker Mr. and Mrs. Donald M. Jack, Jr. Tati and Ezra Katz (Miami)

Individual Annual Support

listings continue

THE CLEVELAN D ORCHESTRA

INDIVIDUAL GIFTS OF $10,000 TO $12,499

listings continued

Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Mr. and Mrs. Stanley A. Meisel Lucia S. Nash Mr. Gary A. Oatey (Cleveland, Miami) Claudia and Steven Perles (Miami) Steven and Ellen Ross Mr. and Mrs. David A. Ruckman Mrs. David Seidenfeld Dr. and Mrs. Neil Sethi David and Harriet Simon Rick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Jeffrey M. Weiss Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. William E. Conway Ms. Dawn M. Full Tim and Linda Koelz Mr. and Mrs. Richard A. Manuel Rachel R. Schneider Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Alfred Umdasch (Europe)

Leadership

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson

Jack Harley Iris Harvie Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, education activities, and community projects. The Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Mr. and Mrs. George N. Aronoff Mr. William Berger Jayusia and Alan Bernstein (Miami) Marsha and Brian Bilzin (Miami) Mr. D. McGregor Brandt, Jr. Paul and Marilyn* Brentlinger Augustine* and Grace Caliguire Jill and Paul Clark Richard J. and Joanne Clark Mrs. Barbara Cook Mrs. Barbara Ann Davis Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Mr. Neil Flanzraich Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Mr. David J. Golden Elaine Harris Green Robert K. Gudbranson and Joon-Li Kim Sondra and Steve Hardis T. K. and Faye A. Heston Joan and Leonard Horvitz Pamela and Scott Isquick Allan V. Johnson Andrew and Katherine Kartalis Janet and Gerald Kelfer (Miami) Mr. Jeff Litwiller Edith and Ted* Miller Mr. Donald W. Morrison Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. Raymond M. Murphy Donald and Alice Noble Foundation, Inc. Mr. and Mrs. William M. Osborne, Jr. Brian and Patricia Ratner Audra and George Rose Dr. Tom D. Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel Rutherford Mr. Larry J. Santon Dr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer Foundation Mrs. Gretchen D. Smith Jim and Myrna Spira Lois and Tom Stauffer Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. Taber Dr. Russell A. Trusso Sandy and Ted Wiese Anonymous (3)* INDIVIDUAL GIFTS OF $7,500 TO $9,999

Mr. and Mrs. Dean Barry Laurel Blossom Mr. and Mrs. Richard L. Bowen Mr. Robert W. Briggs Dr. and Mrs. Jerald S. Brodkey Dr. Ben H. and Julia Brouhard Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Nancy and Richard Dotson listings continue

Individual Annual Support

The Cleveland Orchestra

Pediatric emergency care is right in your neighborhood. Available 24/7 at nine locations. You’re now closer than ever to emergency services

Marcy R. Horvitz Pediatric Emergency Center at UH Rainbow Babies & Children’s Hospital 11100 Euclid Avenue, Cleveland

designed speciﬁcally for babies and children with kid-focused physicians, nurses and support staff and backed by University Hospitals Rainbow Babies & Children’s Hospital – the most trusted name in children’s health care – as well as the region’s only Level I Pediatric Trauma Center, if a higher level of care is required. All in nine convenient locations with staff dedicated to getting you and your family the care you need as quickly as possible.

Marcy R. Horvitz Pediatric Emergency Center at UH Ahuja Medical Center 3999 Richmond Road, Beachwood UH Geauga Medical Center 13207 Ravenna Road, Chardon UH Twinsburg Health Center 8819 Commons Boulevard Suite 101, Twinsburg St. John Medical Center 29000 Center Ridge Road, Westlake New! Mercy Allen Hospital 200 West Lorain Street, Oberlin New! Mercy Regional Medical Center 3700 Kolbe Road, Lorain Southwest General Health Center 18697 Bagley Road, Middleburg Heights New! Southwest General Brunswick Medical Center 4065 Center Road, Brunswick

RBC 00793

THE CLEVELAN D ORCHESTRA listings continued

Harry and Joyce Graham Mr. Paul Greig Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Amy and Stephen Hoffman Joela Jones and Richard Weiss Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mr. and Mrs. Thomas B. McGowan Pannonius Foundation Douglas and Noreen Powers Paul A. and Anastacia L. Rose Rosskamm Family Trust Patricia J. Sawvel Carol* and Albert Schupp Drs. Daniel and Ximena Sessler Naomi G. and Edwin Z. Singer Family Fund Mr. and Mrs. Donald W. Strang, Jr. Mrs. Marie S. Strawbridge* Bruce and Virginia Taylor Anonymous (2) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Norman and Helen Allison Susan S. Angell Mr. and Mrs. Albert A. Augustus Mr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. Behm Dr. Ronald and Diane Bell Drs. Nathan A. and Sosamma J. Berger Dr. and Mrs. Eugene H. Blackstone Paul and Marilyn* Brentlinger Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Mrs. Lester E. Coleman Mr. Owen Colligan Marjorie Dickard Comella Corinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph Daugstrup Mr. and Mrs. Edward B. Davis Pete and Margaret Dobbins Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Mr. and Mrs. Alex Espenkotter(Miami) Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Joy E. Garapic Mr. and Mrs. David Goldberg Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon David and Robin Gunning Mr. and Mrs. Michael Hardy Clark Harvey and Holly Selvaggi Henry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller

Thomas and Mary Holmes Bob and Edith Hudson (Miami) Ms. Charlotte L. Hughes Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Mr. and Mrs. Christopher Hyland Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Rudolf D. and Joan T. Kamper Milton and Donna* Katz Dr. Richard and Roberta Katzman Dr. and Mrs. William S. Kiser Mr. and Mrs. S. Lee Kohrman Mrs. Justin Krent Mr. Donald N. Krosin Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. David C. Lamb Shirley and William Lehman (Miami) Mr. Lawrence B. and Christine H. Levey Mr. and Mrs. Adam Lewis Mr. Dylan Hale Lewis Ms. Marley Blue Lewis Mr. Jon E. Limbacher and Patricia J. Limbacher Elsie and Byron Lutman Mr. and Mrs. Alex Machaskee Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Claudia Metz and Thomas Woodworth Mr. and Mrs. Abraham C. Miller (Miami) Drs. Terry E. and Sara S. Miller David and Leslee Miraldi Mr. and Mrs. William A. Mitchell Ann Jones Morgan Richard and Kathleen Nord Mr. Henry Ott-Hansen Mr. J. William and Dr. Suzanne Palmer Nan and Bob Pfeifer Mr. and Mrs. John S. Piety Dr. and Mrs. John N. Posch William and Gwen Preucil Lois S.* and Stanley M. Proctor Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Ms. Deborah Read Mr. William J. Ross Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter Mr. and Mrs. David R. Sawyier Bob and Ellie Scheuer David M. and Betty Schneider Linda B. Schneider Dr. and Mrs. James L. Sechler Mr. Eric Sellen and Mr. Ron Seidman Lee G. and Jane Seidman Charles Seitz (Miami) Mrs. Frances G. Shoolroy Marjorie B. Shorrock David Kane Smith Dr. Marvin and Mimi Sobel George and Mary Stark Howard Stark M.D. and Rene Rodriguez (Miami) Stroud Family Trust Ms. Lorraine S. Szabo

Individual Annual Support

listings continue

The Cleveland Orchestra

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WINTER SEASON

Ken Lanci, Chairman & CEO Consolidated Solutions

SEVERANCE HALL

Severance Hall 2013-14

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED

Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly Robert and Marti Vagi Don and Mary Louise Van Dyke Mr. Gregory Videtic Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins

Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Fred and Marcia Zakrajsek Anonymous (4)

INDIVIDUAL GIFTS OF $3,500 TO $4,999

Ms. Nancy A. Adams Dr. and Mrs. D. P. Agamanolis Mrs. Joanne M. Bearss Mr. and Mrs. Jules Belkin Suzanne and Jim Blaser Ms. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier Ms. Maureen A. Doerner and Mr. Geoffrey T. White Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry Peggy and David* Fullmer Barbara and Peter Galvin Dr. and Mrs. Ronald L. Gould Robert N. and Nicki N. Gudbranson Mr. Robert D. Hart Hazel Helgesen and Gary D. Helgesen Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley

Helen and Erik Jensen Barbara and Michael J. Kaplan Mr. James and Mrs. Gay* Kitson Dr. Gilles and Mrs. Malvina Klopman Mr. Thomas and Mrs. Deborah Kniesner Cynthia Knight (Miami) Marion Konstantynovich Judy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne* Lugibihl Joel and Mary Ann Makee Martin and Lois Marcus William and Eleanor McCoy James and Viriginia Meil Dr. Susan M. Merzweiler Bert and Marjorie Moyar Richard B. and Jane E. Nash Mr. and Mrs. Peter R. Osenar Mr. Robert S. Perry Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak Dr. Robert W. Reynolds

Mrs. Charles Ritchie Amy and Ken Rogat Fred Rzepka and Anne Rzepka Family Foundation Dr. and Mrs. Martin I. Salzman Mr. Paul H. Scarbrough Ginger and Larry Shane Ms. Frances L. Sharp Mr. Richard Shirey Howard and Beth Simon Mr. and Mrs. William E. Spatz Dr. Elizabeth Swenson Mr. Karl and Mrs. Carol Theil Mr. and Mrs. Lyman H. Treadway Miss Kathleen Turner Mr. and Mrs. Mark Allen Weigand Robert C. Weppler Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox Mr. and Dr. Ann Williams Anonymous

J. C. and Helen Rankin Butler Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Mary E. Chilcote Mr. and Mrs. Homer D. W. Chisholm Daniel D. Clark and Janet A. Long Mr. and Mrs. Stanley Cohen (Miami) Dr. Dale and Susan Cowan Mr. and Mrs. Manohar Daga Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis Mrs. Lois Joan Davis Dr. and Mrs. Richard C. Distad Dr. M. Meredith Dobyns Mr. George and Mrs. Beth Downes David and Margaret Ewart Harry and Ann Farmer Dr. Aaron Feldman and Mrs. Margo Harwood Ms. Karen Feth Carl and Amy Fischer Mr. Isaac Fisher Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford

Mr. Randall and Mrs. Patrice Fortin Mr. and Mrs. John R. Fraylick Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Jeanne Gallagher Marilee L. Gallagher Mrs. Georgia T. Garner Loren and Michael Garruto Mr. Wilbert C. Geiss, Sr. Anne and Walter Ginn Mr. and Mrs. David A. Goldfinger Mr. and Mrs. Robert T. Graf The Thomas J. and Judith Fay Gruber Charitable Foundation Nancy and James Grunzweig Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Dr. Feite F. Hofman Dr.* and Mrs. George H. Hoke

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Mr. and Mrs. Charles Abookire, Jr. Nancy L. Adams, PhD Stanley I. and Hope S. Adelstein Mr. and Mrs. Monte Ahuja Mr. and Mrs. Robert J. Amsdell Mr. and Mrs. Jeffrey R. Appelbaum Dr. Mayda Arias Agnes Armstrong Geraldine and Joseph Babin Ms. Delphine Barrett Ellen and Howard Bender Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Margo and Tom Bertin Julia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill* and Zeda Blau Mr. Doug Bletcher Dennis and Madeline Block Mr. and Mrs. Richard H. Bole John and Anne Bourassa Lisa and Ron Boyko Mr. and Mrs. David Briggs Mrs. Ezra Bryan

Individual Annual Support

listings continue

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Peter A. and Judith Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Dr. Randal N. Huff and Ms. Paulette Beech Ms. Carole Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Ms. LaVerne Jacobson Dr. Michael and Mrs. Deborah Joyce Rev. William C. Keene Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Fred and Judith Klotzman Mr. Ronald and Mrs. Kimberly Kolz Jacqueline and Irwin Kott (Miami) Ellen Brad and Bart Kovac Dr. Ronald H. Krasney and Ms.* Sherry Latimer Mr. James Krohngold Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. John J. Lane Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Ivonete Leite (Miami) Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Rudolf and Mrs. Eva Linnebach Martha Klein Lottman Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David and Elizabeth Marsh Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Ms. Nancy L. Meacham Mr. James E. Menger Stephen and Barbara Messner Ms. Betteann Meyerson Mr. and Mrs. Roger Michelson (Miami) Curt and Sara Moll Susan B. Murphy Joan Katz Napoli and August Napoli Mr. David and Mrs. Judith Newell Marshall I. Nurenberg and Joanne Klein Richard and Jolene Oâ&#x20AC;&#x2122;Callaghan Harvey and Robin Oppmann Mr. and Mrs. Robert D. Paddock Mr. and Mrs. Christopher I. Page

Deborah and Zachary Paris Dr. Lewis and Janice B. Patterson Mr. Thomas and Mrs. Tommie Patton Mrs. Ingrid Petrus Drs. John Petrus and Sharon DiLauro Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan Phillip Ms. Maribel Piza (Miami) Dr. Marc and Mrs. Carol Pohl Mr. Richard and Mrs. Jenny Proeschel Kathleen Pudelski Ms. Rosella Puskas Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Ms. Linda M. Rocchi Carol Rolf and Steven Adler Robert and Margo Roth Miss Marjorie A. Rott Michael and Roberta Rusek Dr. Lori Rusterholtz Dr. Harry S. and Rita K. Rzepka Ms. Patricia E. Say Mr. James Schutte Ms. Adrian L. Scott Dr. John Sedor and Ms. Geralyn Presti Harry and Ilene Shapiro Norine W. Sharp Dr. and Mrs. William C. Sheldon Laura and Alvin A. Siegal Robert and Barbara Slanina Ms. Donna-Rae Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Lucy and Dan Sondles Mr. John C. Soper and Dr. Judith S. Brenneke Mr. John D. Specht Mr.* and Mrs.* Lawrence E. Stewart Mr. Joseph Stroud Mr. Taras G. Szmagala, Jr. Ken and Martha Taylor Greg and Suzanne Thaxton Dr. and Mrs. Thomas A. Timko Steve and Christa Turnbull Mrs. H. Lansing Vail, Jr. Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami)

member of the Leadership Council (see page 77)

* deceased

Individual Annual Support

Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Mr. and Mrs. Jerome A. Weinberger Dr. Paul R. and Mrs. Catherine Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Katie and Donald Woodcock Kay and Rod Woolsey Tony and Diane Wynshaw-Boris Rad and Patty Yates Mr. Kal Zucker and Dr. Mary Frances Haerr Anonymous (7) *

THE

CLEVELAND ORCHESTRA

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestraâ&#x20AC;&#x2122;s Annual Report, which can be viewed online at CLEVELANDORCHESTRA . COM For information about how you can play a supporting role with The Cleveland Orchestra, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

The Cleveland Orchestra

A LIFETIME OF CHOICE DOESN’T END HERE. Choose the hospice of choice. Most people think you call hospice when you’re all out of options. That’s not true if you call Hospice of the Western Reserve. As Northern Ohio’s most experienced and most referred hospice provider, we offer more options to personalize care. We focus on helping patients and their families live their lives where they choose–at our unique facilities, at home, at a hospital, at a nursing home or at an assisted living residence. Discover why the hospice of choice is Hospice of the Western Reserve. Visit HospiceOfChoice.org.

855.852.5050 HospiceOfChoice.org

MIXON HALL MASTERS SERIES Jan 23 Gabriela Montero, pianist Feb 22 Meredith Monk, vocalist CIM ORCHESTRA CONCERTS Jan 29 CIM@Home | Kulas Hall Feb 12 CIM@Severance Hall Mar 28 CIM@Severance Hall A Celebration of Community CIM OPERA THEATER | Feb 26-March 1 A Celebration of English Opera Works by Purcell & Vaughan Williams 11021 East Boulevard, University Circle | cim.edu CIM Box Office: 216.795.3211 Severance Hall 2013-14

THE CLEVELAN D ORCHESTRA R E C O R D I N G S great gift ideas

The Cleveland Orchestra’s catalog of recordings continues to grow. The newest DVD features Bruckner’s Fourth Symphony recorded live in the Abbey of St. Florian in Austria under the direction of Music Director Franz Welser-Möst in 2012 and released in May 2013. W “A great orchestra, a Bruckner expert. . . . Five out of five stars,” declared Austria’s Kurier o newspaper. Released in 2012, Dvořák’s opera Rusalka on CD, recorded live at the Salzburg Festival, elicited the reviewer for London’s Sunday Times to praise the performance as “the most spellbinding account of Dvořák’s miraculous score I have ever heard, either in the themiraculou atre or on record. . . . I doubt this music can be better played than by the Clevelanders, the most ‘European’ of the American orchestras, with wind and brass soloists to die for and a string sound of superlative warmth and sensitivity.” Other recordings released in recent years include two under the baton of Pierre Boulez and a third album of Mozart piano concertos with Mitsuko Uchida, whose first Cleveland Orchestra Mozart album won a Grammy Award in 2011. Visit the Cleveland Orchestra Store for the latest and best Cleveland Orchestra recordings and DVDs.

PH OTO G R APH ÂŠ BY H E D R I CH B LE SSI N G

Imagine your picture-perfect event at Severance Hall.

Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is perfect for business meetings and conferences, pre-concert or post-concert dinners, and receptions, weddings, and social events.

Premium dates available! Call the Manager of Facility Sales at 216-231-7421 or email hallrental@clevelandorchestra.com

11001 Euclid Avenue Cleveland, Ohio 44106

CLEVELANDORCHESTRA.COM

the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

Severance Hall

The Cleveland Orchestra

Lunch • Dinner • Happy Hours Sushi Bar • Patio 45 Private Parties Chef’s Table Gift Certiﬁcates

north O point portfolio managers c o r p o r a t i o n Ronald J. Lang Diane M. Stack Daniel J. Dreiling

CALL FOR RESERVATIONS

216.707.4045 TBL45.COM

OR VISIT

9801 CARNEGIE AVENUE, CLEVELAND, OHIO 44106

440.720.1102 440.720.1105 440.720.1104

Part Emotion, Part Memory

All Magic

The Cleveland Carousel Society is bringing back the Grand Carousel from Euclid Beach Park’s historic past for all to ride again. You can be a part of this historic restoration by becoming a member, naming donor or sponsor of the Carousel horses right now.

Breakfast • Lunch • Dinner Cocktails • Desserts Happy Hours • Private Parties Holidays • Celebrations Gift Certiﬁcates

CALL FOR RESERVATIONS OR VISIT

216.707.4054 C2RESTAURANT.COM

8800 EUCLID AVENUE, CLEVELAND, OHIO 44106

Go to: www.clevelandcarousel.org Or call: 216-752-1505 Severance Hall 2013-14

THE CLEVELAND C O N C E R T

C A L E N D A R

WINTER SEASON All Brahms — Julia Fischer Plays Brahms Thursday January 9 at 7:30 p.m. Friday January 10 at 8:00 p.m. <18s Saturday January 11 at 8:00 p.m. Sunday January 12 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Julia Fischer, violin January 9-10

BRAHMS Academic Festival Overture BRAHMS Violin Concerto BRAHMS Symphony No. 4 January 11-12

BRAHMS Tragic Overture BRAHMS Violin Concerto BRAHMS Symphony No. 2 Sponsor: Medical Mutual of Ohio

Mozart and Beethoven Thursday January 16 at 7:30 p.m. Friday January 17 at 8:00 p.m. <18s Saturday January 18 at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Radu Lupu, piano

MOZART Symphony No. 38 (“Prague”) WIDMANN Teufel Amor — U.S. PREMIERE BEETHOVEN Piano Concerto No. 4 Sponsor: BakerHostetler

Martin Luther King Jr. Celebration Concert

Sunday January 19 at 7:00 p.m. THE CLEVELAND ORCHESTRA Chelsea Tipton, conductor Lev Mamuya, cello Martin Luther King Jr. Celebration Chorus The Cleveland Orchestra’s 34th annual concert celebrating the spirit of Dr. King’s life, leadership, and vision. Presented in collaboration with the City of Cleveland. TICKETS: Admission is free, but tickets are required. All tickets have been distributed as of January 2. Listen to the concert live on Cleveland radio stations WCLV (104.9 FM) or WCPN (90.3 FM). Sponsor: KeyBank For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

Martin Luther King Jr. Day Severance Hall Open House

Monday January 20 from noon to 5 p.m. Severance Hall joins in the city-wide celebration of Martin Luther King’s life and achievements with a free public open house featuring musical performances by groups from across Northeast Ohio. Details at clevelandorchestra.com.

Mozart, Mendelssohn, and Elgar Thursday February 6 at 7:30 p.m. Friday February 7 at 11:00 a.m. <18s * Saturday February 8 at 8:00 p.m. THE CLEVELAND ORCHESTRA Nikolaj Znaider, violin and conductor

MOZART Violin Concerto No. 3 MENDELSSOHN Symphony No. 4 (“Italian”) * ELGAR Enigma Variations * not part of Friday Morning Matinee

Valentine Tribute to the Cleveland Orchestra Chorus Sunday February 9 at 7:00 p.m.

A special evening to benefit the Cleveland Orchestra Chorus, featuring a collection of songs, musical dances, and romances performed by members of The Cleveland Orchestra and the Cleveland Orchestra Chamber Chorus. All proceeds benefit the Chorus Fund.

Mahler and Brahms Thursday February 13 at 7:30 p.m. Saturday February 15 at 8:00 p.m. Sunday February 16 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA Marc Albrecht, conductor Alice Coote, mezzo-soprano

MAHLER “Blumine” Symphonic Movement MAHLER Songs of a Wayfarer BRAHMS Quartet in G minor, Opus 25 (arranged for orchestra by Arnold Schoenberg) Sponsor: BakerHostetler

Celebrity Concert: Casablanca Friday February 14 at 8:00 p.m. THE CLEVELAND ORCHESTRA William Eddins, conductor

The ultimate Valentine’s Day experience! The burning romantic screen coupling of Humphrey Bogart and Ingrid Bergman paired with Max Steiner’s lush score performed live by The Cleveland Orchestra. One night only!

Concert Calendar

The Cleveland Orchestra

ORCHESTRA I N

T H E

S P O T L I G H T

Rachmaninoff’s Rhapsody Thursday March 6 at 7:30 p.m. Friday March 7 at 7:00 p.m. <18s Saturday March 8 at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Rudolf Buchbinder, piano Kate Royal, soprano* Jamie Barton, mezzo-soprano* John Tessier, tenor* Cleveland Orchestra Chorus* Cleveland Orchestra Children’s Chorus*

SIBELIUS Lemminkäinen RACHMANINOFF Paganini Rhapsody WIGGLESWORTH Sternenfall — U.S. PREMIERE* BRITTEN Spring Symphony* * not part of Fridays@7 concert

Sponsor: KeyBank

Cleveland Orchestra Youth Orchestra and Youth Chorus Sunday March 9 at 7:00 p.m. <18s CLEVELAND ORCHESTRA YOUTH ORCHESTRA Brett Mitchell, conductor CLEVELAND ORCHESTRA YOUTH CHORUS Lisa Wong, director Amanda Russo, mezzo-soprano

BEETHOVEN Overture to Fidelio HINDEMITH Symphony: Mathis der Maler CORIGLIANO Fern Hill MENDELSSOHN Help Me, Lord, Find Peace

Dohnányi Conducts Schumann

MARTIN LUTHER KING JR. CELEBRATION CONCERT Sunday January 19 at 7:00 p.m. THE CLEVELAND ORCHESTRA Chelsea Tipton, conductor Lev Mamuya, cello Martin Luther King Jr. Celebration Chorus William Henry Caldwell, director/conductor

The Cleveland Orchestra’s 34th annual concert celebrating the spirit of Dr. King’s life, leadership, and vision. Presented in collaboration with the City of Cleveland.

Thursday March 27 at 7:30 p.m. Saturday March 29 at 8:00 p.m. Sunday March 30 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA Christoph von Dohnányi, conductor

Live radio broadcast on WCLV and WCPN.

SCHUMANN Symphony No. 4 SCHUMANN Symphony No. 2

TICKETS: Admission is free, but tickets required.

As of January 2, this concert is sold out. Concert Sponsor: KeyBank

Under 18s Free FOR FAMILIES

<18s

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra in the United States. Our "Under 18s Free" program offers free tickets for young people attending with their families (one per paid adult admission).

Severance Hall 2013-14

Concert Calendar

CLEVELAND ORCHESTRA TICKETS PHONE

216 - 231-1111 800-686-1141

clevelandorchestra.com 91

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A N C E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting clevelandorchestra.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall this season are on October 13, December 1, January 12, February 16, March 30, and May 4. For more information or to make a reservation for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available. Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111. Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2013-14

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K E T SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

AT SEVERANCE HALL . . . Nikolaj Znaider

Mitsuko Uchida

MOZART, MENDELSSOHN, AND ELGAR

MITSUKO UCHIDA’S MOZART

Thursday February 6 at 7:30 p.m. Friday February 7 at 11:00 a.m. <18s Saturday February 8 at 8:00 p.m.

Thursday April 3 at 7:30 p.m. Friday April 4 at 8:00 p.m. <18s Saturday April 5 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Nikolaj Znaider, conductor and violin

THE CLEVELAND ORCHESTRA Mitsuko Uchida, piano and conductor William Preucil, concertmaster

Celebrated as one of today’s foremost violinists, Nikolaj Znaider is also fast becoming one of the most versatile artists of his generation, uniting his talents as soloist, conductor and chamber musician. At Severance Hall, he performs and conducts a delightful and varied program, from a vibrant violin concerto by Mozart to Mendelssohn’s warm and sunny “Italian” Symphony. And, to close, Elgar’s masterful Enigma Variations, depicting in music the composer’s friends and family — their characteristics and foibles, their personalities and passions.

Mitsuko Uchida’s interpretations of Mozart are renowned for their intelligence, elegance, and sensitivity. She continues her acclaimed collaboration with The Cleveland Orchestra, which was recognized with a 2010 Grammy Award, with performances of two more of Mozart’s piano concertos (Nos. 18 and 19). “Mitsuko Uchida’s Mozart playing is stunningly sensitive, crystalline, and true.” —Boston Globe Sponsor: Quality Electrodynamics (QED)New!

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Cleveland Orchestra concerts.

TICKETS

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra