The Cleveland Orchestra February 13-16 Concerts by Live Publishing

WINTER SEASON

SEVERANCE HALL

February 13, 15, 16 MAHLER, SCHOENBERG AND BRAHMS February 14 CELEBRITY SERIES: CASABLANCA

Metamorphosis, an HermĂ¨s story

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TA B L E O F C O N T E N T S

THIS WEEK THE

CLEVELAND

ORCHESTRA

PAGE

WEEK 12 7

COVER PHOTOGRAPHY BY ROGER MASTROIANNI

In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Distinguished Service Award . . . . . . . . . . . . . . . . 32

About the Orchestra Musical Arts Association . . . . . . . . . . . . . . . . . . . . . Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . Education and Community . . . . . . . . . . . . . . . . . . Severance Hall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . .

11 15 22 65 88 92

Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members. Program book advertising is sold through Live Publishing Company at 216-721-1800

Concert — Week 12 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Program: February 13, 15, 16 . . . . . . . . . . . . . . 35 Introducing the Concerts . . . . . . . . . . . . . . . . . . . . 37 MAHLER

Blumine, Symphonic Movement . . . . . . . . . . . 38 MAHLER

Songs of a Wayfarer . . . . . . . . . . . . . . . . . . . . . . . 40 BRAHMS/SCHOENBERG Quartet in G minor . . . . . . . . . . . . . . . . . . . . . . . . 51 Conductor: Marc Albrecht . . . . . . . . . . . . . . . . . . . 55 Soloist: Sasha Cooke . . . . . . . . . . . . . . . . . . . . . . . . 57

Celebrity Concert — Casablanca

NATIONAL ENDOWMENT FOR THE ARTS

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture. The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio. The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Program: Casablanca . . . . . . . . . . . . . . . . . . . . . . 61 The Story . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Conductor: William Eddins . . . . . . . . . . . . . . . . . . . 63

Sound for the Centennial . . . . . . . . . . . . . . . . . . . . Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Corporate Annual Support . . . . . . . . . . . . . . . . . . . Foundation / Government Annual Support . . . Individual Annual Support . . . . . . . . . . . . . . . . . .

50%

Support

All unused books are recycled as part of the Orchestra’s regular business recycling program.

48 69 73 75 76

These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book is printed on paper that includes 50% recycled post-consumer content.

Table of Contents

The Cleveland Orchestra

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WHY ISN’T YOUR AD HERE? ADVERTISE IN THE CLEVELAND ORCHESTRA SEVERANCE HALL PROGRAM BOOKS The Cleveland Orchestra is an extraordinary engine of promotion and a tremendous source of great civic pride. Every year The Cleveland Orchestra draws a local, national and international audience to Severance Hall to hear “the sound the world is talking about.” We invite you to be a part of this amazing experience by advertising in the Severance Hall printed programs. It’s a smart way to put yourself in front of 150,000+ of northeast Ohio’s most inﬂuential consumers and business decision-makers.

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Perspectivesfrom the Executive Director February 2014 This month, we salute conductor Pierre Boulez for his half-century of service to The Cleveland Orchestra. It is with great pleasure that we look back on his five decades with this institution, to his contributions toward this Orchestra’s musical excellence and innovation, and proudly announce him as the recipient of this season’s Distinguished Service Award (see pages 32-33). The Cleveland Orchestra will always honor the traditions and history that have brought us to today. Yet, with our unwavering dedication to musical excellence, we are also committed to embracing changing times and changing circumstances, to approach each new decade in its newness, complexity, and opportunity. With your input, we are exploring new programs to better serve and engage the great people of Northeast Ohio, including: Young Professionals. In January, we launched The Circle, a new opportunity for young professionals to strengthen their relationship with The Cleveland Orchestra. The program brings music lovers aged 21 to 40 together for concerts and networking events, enabling them to connect with musicians, the music, and colleagues in the arts and business communities. The enthusiasm of these young people represents the future, and we are pleased to welcome them and host this new social forum. Severance Hall Facelift. In recognition of changing times and changing needs, this past fall the Orchestra’s Board of Trustees assembled a taskforce to take an intensive look at options for enhancing the concert experience for Cleveland Orchestra attendees. The world has changed since Severance Hall’s renovation in 2000, and we want to ensure that we are supporting world-class performances with a world-class venue and services. After surveying audience members and making an assessment in comparison to other local facilities and national concert halls, we are now creating a roadmap for improvements with the biggest positive impacts for our patrons. I look forward to sharing recommendations, and asking for your further counsel and advice, in the coming year. Open Dialog. Also this season, we began a series of “Coffee and Conversation” gatherings to bring long-term supporters and concertgoers to Severance Hall and give them a transparent look at — and opportunity to ask candid questions about — the Orchestra’s ideas for change. The dialogue between donors, board members, musicians, and ticket buyers, and the feedback that has emerged from these events, is helping to shape the Orchestra’s plans for a second century of service to the people of Northeast Ohio. Young Audiences. Alongside these newest initiatives, we continue to pursue our goal of building the youngest audience of any orchestra. Under 18s Free — which offers a free ticket to select concerts for a young person with every paying adult — has been so successful at attracting families to Orchestra performances in Northeast Ohio that we have expanded it to Miami during this season’s four-week residency in Florida. Young people make up 20% of Orchestra audiences this season, the result of the continued popularity of Under 18s Free, along with the Orchestra’s Student Advantage program and Frequent Fan Card. Their passion for music represents our future and our ongoing commitment to serve Northeast Ohio.

Severance Hall 2013-14

Gary Hanson

CLEVELAND ORCHESTRA ARCHIVES

PHOTO OF THE WEEK follow the Orchestra on Facebook for more archival photos

IN JAPAN — Principal guest conductor Pierre Boulez and music director George Szell discuss musical matters in Japan in a traditional tea house setting during The Cleveland Orchestra’s tour to Japan and Korea, May 1970.

and around the globe, The Cleveland Orchestra remains Northeast Ohio’s most visible international ambassador and one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and active community engagement. With the 2013-14 season, Franz Welser-Möst enters his twelft h year leading the ensemble, with a commitment extending to the Orchestra’s centennial in 2018. This artistic partnership continues to move the ensemble forward through a series of new and ongoing initiatives, including: IN PE RFORMANCE S AT HOME

expansion of education and community programs in Northeast Ohio to feature music as an integral and regular part of everyday life for more people, including the launch this past spring of an “At Home” neighborhood residency program that brings The Cleveland Orchestra to a single neighborhood or town

About the Orchestra

The Cleveland Orchestra

for an intensive week of special activities and performances, as well as the broadening of the Orchestra’s ongoing education and community engagement initiatives to include Make Music!, a program of active and participatory experience and learning; the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base — including ongoing residencies at the Vienna Musikverein (the first of its kind by an American orchestra) and in Florida under the name Cleveland Orchestra Miami (featuring an annual series of concerts and community activities, coupled with educational presentations and collaborations based on successful programs pioneered at home in Cleveland); creative new artistic collaborations with arts institutions in Northeast Ohio, including staged works, concerts, and chamber music performances; a concentrated and successful effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media promotion, and student ticket programs, with demonstrated results at Severance Hall and Blossom; a variety of new concert offerings (including KeyBank Fridays@7 and Celebrity Series at Severance Hall as well as movie, themed, and family presentations at Blossom) to play more music for more people; the return of ballet as a regular part of the Orchestra’s presentations, featuring ongoing collaborations with Chicago’s Joffrey Ballet; continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and beyond; concert tours from coast to coast in the United States, including regular appearances at Carnegie Hall; ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of acclaimed DVD concert presentations of symphonies by Anton Bruckner led by Welser-Möst. The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. The opening in 1931 of Severance Hall as the Orchestra’s home brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States. Severance Hall 2013-14

The Orchestra Today

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T H E M U S I C AL AR TS ASSOCIATION

as of December 2013

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Norma Lerner, Honorary Chair Hewitt B. Shaw, Jr., Secretary Beth E. Mooney, Treasurer

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson Raymond T. Sawyer

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland James D. Ireland III

Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong

Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Daniel P. Walsh Thomas A. Waltermire Geraldine B. Warner Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) Loren W. Hershey (DC) Herbert Kloiber (Germany)

Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFIC IO Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee TR U S TE E S E M ERIT I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Robert W. Gillespie Gay Cull Addicott Dorothy Humel Hovorka Oliver F. Emerson Robert F. Meyerson Allen H. Ford

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2013-14

Gary Hanson, Executive Director

Musical Arts Association

Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated important events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends. Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Campaign. By making a dona on, you can make a crucial diﬀerence in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on programs, and community ac vi es and partnerships. To make a gi to The Cleveland Orchestra, please visit us online, or call 216-231-7562.

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

marks Franz Welser-Möst’s twelfth year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is extending and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst is general music director of the Vienna State Opera. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. Mr. Welser-Möst’s championship of community music-making expands upon his active participation in educational programs and collaborative programming, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories, universities, and other arts institutions across Northeast Ohio. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a regular new residency at New York’s Lincoln Center Festival. To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction. Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth. Franz Welser-Möst has led a series of opera performances during his tenure P H OTO BY S ATO S H I AOYAG I

THE 2013 -14 SEASON

Severance Hall 2013-14

Music Director

in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 brings an innovative made-for-Cleveland production of Leoš Janáček’s The Cunning Little Vixen to Northeast Ohio. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director Sven-Eric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 201314 season, his Vienna schedule includes a new production of Puccini’s The Girl of the Golden West, as well as performances of Tristan and Isolde, Verdi’s Don Carlo, Beethoven’s Fidelio, and Richard Strauss’s Ariadne auf Naxos and Der Rosenkavalier. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances in concert at La Scala Milan, at New York’s Carnegie Hall, and in opera presentations at the Salzburg Festival. He also led the Philharmonic’s New Year’s Day concert, viewed by telecast in seventy countries worldwide in 2011 and again in 2013. Across a decadelong tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of five of Bruckner’s symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

Music Director

The Cleveland Orchestra

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THE CLEVELAND ORCHESTRA Franz Welser-Möst MUSIC DIREC TOR

“The Cleveland Orchestra proved that they are still one of the world’s great musical beasts. With Franz Welser-Möst conducting, this music . . . reverberated in the souls of the audience.” —Wall Street Journal

—The Guardian (London)

P H OTO BY R O G E R MA S T R O I A N N I

“Cleveland’s reputation as one of the world’s great ensembles is richly deserved.”

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P H OTO BY R O G E R MA S T R O I A N N I

Franz Welser-MĂśst and The Cleveland Orchestra, performing Brucknerâ&#x20AC;&#x2122;s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST MUSIC

DIRECTOR Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra Preucil

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Katherine Bormann

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut Yun-Ting Lee VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

O R C H E S T R A FLUTES Joshua Smith *

PERCUSSION Marc Damoulakis°

HORNS Richard King *

Margaret Allen Ireland Chair

George Szell Memorial Chair

Donald Miller Tom Freer

Elizabeth M. and William C. Treuhaft Chair

Michael Mayhew §

Saeran St. Christopher Marisela Sager 2

Jesse McCormick Hans Clebsch Alan DeMattia

KEYBOARD INSTRUMENTS Joela Jones *

TRUMPETS Michael Sachs *

Carolyn Gadiel Warner

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

Barrick Stees

Sandra L. Haslinger Chair

Knight Foundation Chair

Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Donald Miller ORCHESTRA PERSONNEL Karyn Garvin DIRECTOR

Christine Honolke MANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIED Sidney and Doris Dworkin Chair Sunshine Chair

Richard Stout Alexander and Marianna C. McAfee Chair

Shachar Israel

BASS TROMBONE Thomas Klaber EUPHONIUM AND BASS TRUMPET Richard Stout

* Principal

° Acting Principal § 1 2

Associate Principal First Assistant Princi pal Assistant Principal

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

Jonathan Sherwin

Giancarlo Guerrero

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

Brett Mitchell

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

CONTRABASSOON Jonathan Sherwin

Severance Hall 2013-14

Rudolf Serkin Chair

The Orchestra

East meets west. Come see the new west wing galleries featuring Chinese and Southeast Asian art. Come see amazing.

www.clevelandart.org

2013 European Festivals Tour draws praise for Welser-Möst, Cleveland Orchestra, and Chorus The following are excerpted from press commentary about the Orchestra’s pererformances during its European Tour and Vienna Residency, November 8-22: “The handshakes from Franz Welser-Möst said it all. In acknowledging the principals of the Cleveland Orchestra Friday night at Vienna’s Musikverein, the music director did what most in attendance probably wished they could do themselves: personally thank the group for three superb performances in a row. Not once in their concerts Wednesday through Friday was it apparent that the group had been traveling abroad nearly three weeks. No, here at the end of their 2013 European Tour, the artists played with new focus and energy, and made sure Vienna enjoyed the fruits of their long musical labor. The main thing apparent, frankly, was that the orchestra had been playing Beethoven and Shostakovich nonstop for weeks, and knew their six scores inside and out. Here as nowhere else, the artists transcended the numerous pages on their stands, and simply took advantage of the Musikverein’s legendary acoustics. No less clear was that the audience recognized expertise, and liked what it heard. . . . The response each night was hugely enthusiastic, giving Welser-Möst cause to repeatedly acknowledge individual players and the ensemble as a whole. On Friday, he even went so far as to jog into the bass section.” —The Plain Dealer, November 23, 2013

THE CLEVELAND ORCHESTRA

“Franz Welser-Möst’s interpretations are anything but sober, yet clear in their formal articulation. It is not the conceited omniscience of someone who pretends to understand the world. His concerts reveal an earth-bound assurance, free from spectacle, affectation, and sentimentality. He reads the score and interprets what’s there. Self-denial in favor of the message of the artwork — this penchant for directness is beneficial, even if it is certainly not always successful. Franz WelserMöst has long been able to concentrate on works that really suit him, working on pieces he likes to say are ‘close to his heart’.” —Concerti, November 2013

Cleveland Orchestra News

THE CLEVELAND ORC

“The second evening of their visit to Frankfurt started luxuriously: The Cleveland Orchestra’s own chorus performed Beethoven’s Mass in C major at the Alte Oper, joined of course by the orchestra itself from Northeast Ohio, which was the focus of two concerts in the city. The Cleveland Orchestra . . . juxtaposed works by Beethoven with the Sixth and Tenth Symphonies by Dmitri Shostakovich. The symbiosis between the orchestra and the chorus was unsurpassable. Under Austrian conductor Franz Welser-Möst, who has been music director in the city on Lake Erie since 2002, Beethoven’s lyrical, literal setting of the Latin Mass came across lean, subtle, and transparent, despite all the opulence in the performing forces. The balance between singers and instrumentalists was perfect in the soft and mild passages.” —Allgemeine Zeitung, November 12, 2013

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Post-concert performers chosen for spring concerts in KeyBank Fridays@7 series

The Cleveland Orchestra’s Fridays@7 series continues in 2014 with three popular concert offerings, pairing orchestral favorites with an array of post-concert world music presentations. The three spring concerts (March 7, April 11, and May 2) feature popular works for piano and orchestra by Rachmaninoff, plus Mozart’s Requiem. The one-hour concerts include the early 7 p.m. start time, plus extra music both before and after. The post-concert presentations in the spring will be: March 7 — New York Gypsy All-Stars. Back by popular demand to Fridays@7, the New York Gypsy All-Stars jump the turnstiles of Balkanalia, Turkish roots, and gypsy soul with funky refinement. April 11 — The Medicine Show reaches people in hard-to-get places. The international group made up of players from Brazil, America, Japan, and Germany who are inspired by the intersection of their collective desire to play music that is a passport into another dimension. May 2 — Requiem to Resurrection. Gospel legend Theresa Thomason and the Mt. Zion Congregational Church gospel choir will lift the rafters in a musical journey for the soul. Let the spirit move you! Special three-concert series packages are available for the spring KeyBank Fridays@7 performances. Contact Severance Hall Ticket Services for complete details, or purchase online at clevelandorchestra.com.

Save the Date The volunteers of the Women’s Committee of The Cleveland Orchestra are holding their spring benefit evening on Friday, April 25, at Shaker Heights Country Club.

Orchestra announces “At Home” neighborhood residency in Lakewood for May 2014 The Cleveland Orchestra and Lakewood have anat home nounced a new partnership to present the Orchestra’s next “At Home” neighborhood residency in May 2014. The centerpiece of this week of activities, education programs, and public performances will be a free Cleveland Orchestra concert at the Civic Auditorium in Lakewood on Saturday evening, May 24. The concert will be recorded for a delayed broadcast on WVIZ/PBS ideastream, and a radio broadcast on WCLV 104.9. The television broadcast will also feature a segment about the Orchestra’s performances, collaborations, and events in Lakewood. “Creating a grassroots opportunity for Lakewood to experience perhaps the greatest orchestra in the world at a very personal level is a cultural experience that we will remember for years to come,” commented Lakewood Mayor Michael P. Summers in announcing the collaboration. “Our increasingly vibrant commercial corridors and neighborhoods will be made ever-more-so by the music and the musicians.” Ian Andrews, executive director of LakewoodAlive, Lakewood’s nonprofit economic development organization, added, “Lakewood is known for its commitment to the arts. The Orchestra’s events will strengthen this commitment and showcase the city’s great quality of life, local organizations, restaurants, schools, and businesses that make our community special.” The Cleveland Orchestra introduced its “At Home” neighborhood residency program in May 2013 with a week of performances and activities in the Gordon Square community of Cleveland. Events include free performances by Orchestra musicians and education programs for children, students, and families. Details of The Cleveland Orchestra’s Lakewood neighborhood residency will be announced in March 2014, along with information about acquiring tickets for the free Cleveland Orchestra concerts.

Cleveland Orchestra News

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Conservatory of Music Baldwin Wallace University Opera presents Englebert Humperdinck’s classic fairytale

Hansel & Gretel sung in English

Dean Williamson, guest conductor Benjamin Wayne Smith, director Thursday-Saturday, February 20-22, 7:30 pm Sunday, February 23, 2:00 pm* Bring your whole family to this timeless story of self-discovery and scary surprises.

John Patrick Theatre Kleist Center for Art and Drama 95 East Bagley Road, Berea

*Free backstage tour for families one hour before the Sunday performance; meet in the Kleist lobby at 1:00 pm to participate.

Adults: $15; Seniors & Students: $10; free tickets for children ages 8 to 18 with the purchase of an adult ticket and the code “BWTCO.” Call 440/826-2240 for tickets

Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin, gender or sexual orientation in the administration of any policies or programs.

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THE CLEVELAND OR-

OrchestraNews New album being released by Orchestra musician; featuring trombone hits and transcriptions Massimo La Rosa, principal trombone of The Cleveland Orchestra, released a new album in October titled Sempre Espressivo. The album features works for trombone, including J.S. Bach’s Suite No. 1 in G major for solo cello (performed on trombone) and a new arrangement of the Intermezzo from Puccini’s opera Manon Lescaut. The CD is available for purchase through the Cleveland Orchestra Store at Severance Hall.

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Silence is golden As a courtesy to the performers onstage and the audience around you, all patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to each concert.

Comings and goings As a courtesy to the performers onstage and the entire audience, late-arriving patrons cannot be seated until the first break in the musical program.

Committed to Accessibility Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216-231-7425.

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Mahler, in a photograph taken in 1909 in New York

The point is not to take the world’s opinion as a guiding star, but to go one’s way in life and to work unfalteringly, neither depressed by failure nor seduced by applause. —Gustav Mahler

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to classical around the clock.

WCLV…now also heard on 90.3 WCPN HD2 WCLV.org

LEARNING MORE ABOUT THE MUSIC

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives. Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

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Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka. February 6, 8 “Musical Depictions: Barking Dogs and Sunny Perfection” with Rabbi Roger Klein, The Temple – Tifereth Israel

February 7 “Music from Form to Pictures” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

February 13, 15, 16 “From Wayfaring to Wayfinding” with Eric Charnofsky, professor of musicology, Case Western Reserve University

March 6, 8 “Voices of Reawakening” with Meaghan Heinrich education and community programs advisor, The Cleveland Orchestra

March 27, 29, 30 “Schumann the Symphonist”

Concert Previews

with Jason Harris, assistant professor of choral conducting, Oberlin College Conservatory of Music

The Cleveland Orchestra

Distinguished Service Award The Musical Arts Association is proud to honor Pierre Boulez as the 2013-14 recipient of the Distinguished Service Award, recognizing extraordinary service to The Cleveland Orchestra.

PREVIOUS RECIPIENTS

Milton and Tamar Maltz 2012-13 Distinguished Service Award Committee Marguerite B. Humphrey, Chair Ambassador John D. Ong, Vice Chair Richard J. Bogomolny Dr. Jeanette Grasselli Brown Robert Conrad

Richard Weiner 2011-12 Robert Conrad 2010 -11 Clara Taplin Rankin 2009-10 Louis Lane 2008- 09 Gerald Hughes 2007- 08 John D. Ong 2006-07

Gary Hanson

Klaus G. Roy 2005 - 06

Carol Lee Iott

Alex Machaskee 2004 - 05

Dennis W. LaBarre

Thomas W. Morris 2003 -04

Robert P. Madison

Richard J. Bogomolny 2002- 03

Clara Taplin Rankin

John Mack 2001-02 Gary Hanson 2000-01 Christoph von Dohnรกnyi 1999-2000 Ward Smith 1998-99 David Zauder 1997-98 Dorothy Humel Hovorka 1996-97

Distinguished Service Award

The Cleveland Orchestra

February 2014

In recognition:

Pierre Boulez

PIERRE BOULEZ

— conductor, composer, teacher, and author — is among the most distinguished musicians active in the world today. Over the course of nearly fift y years, he has led The Cleveland Orchestra in over 220 performances at home and on tour. He has been invited — and has chosen — to return to Cleveland again and again, for recordings and concerts, and in friendship. In half a century of service to Cleveland, he has created a peerless legacy of great music, new music, and unrivalled music-making. Pierre Boulez first led The Cleveland Orchestra in 1965 at the invitation of music director George Szell, making his American professional conducting debut at Severance Hall. He was appointed the Orchestra’s first principal guest conductor in 1969, and served as musical advisor during the two seasons following Szell’s death. He has returned regularly to lead performances with the Orchestra, and in five decades of concerts here has presented works spanning six centuries — by composers as varied as Gabrieli, Rameau, J. S. Bach, and Schubert to Debussy, Janáček, Dalbavie, and Kyburz. Beyond Northeast Ohio, he has conducted The Cleveland Orchestra on tour in Tokyo and Paris, and at New York’s Carnegie Hall. Mr. Boulez has earned widespread respect as a champion of contemporary music. Beginning with the American premiere of his own Figures, Doubles, Prismes in 1965, Boulez has conducted more than thirty Cleveland premieres with The Cleveland Orchestra, including the world premiere, in 2000, of Marc-André Dalbavie’s Concertate il suono. In 1986, he conducted the Orchestra in a special two-week series of “Great Composers of Our Time” concerts featuring his own music. The presentation of the 2009 Kyoto Prize to Boulez reaffirmed the importance of his compositions and activities as teacher, conductor, and advocate of new music. Pierre Boulez’s recordings with The Cleveland Orchestra present a brilliant and clearly focused vision of his role as a conductor. These recordings have won five Grammy Awards (with works by Berlioz, Debussy, and Stravinsky). The Cleveland Orchestra can also be heard within Boulez’s recorded cycle of Mahler’s nine symphonies, performing Nos. 4 and 7. And most recently, Boulez recorded the Adagio from Mahler’s Symphony No. 10 and Mahler’s Des Knaben Wunderhorn with Cleveland, as well as performances of both Ravel piano concertos, at Severance Hall. Born in France in 1925, Pierre Boulez studied mathematics before turning fulltime to music as his life’s vocation. During the ensuing decades of his distinguished career, he has held important positions with performing ensembles and teaching institutions in North America and Europe. In 2010, he was invited to celebrate his eighty-fift h birthday with a series of concerts with the orchestras of Cleveland, Chicago, and New York. In 2012, he was inducted into the Gramophone Hall of Fame. With heartfelt thanks for his long and devoted work with this Orchestra, for his ongoing contributions to contemporary classical music, and for his dedication to the highest standards of artistic excellence, the Musical Arts Association is pleased to present Pierre Boulez with its highest award for distinguished service. Severance Hall 2013-14

Distinguished Service Award

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W E L S E R - M Ö ST M U S I C

D I R E C T O R

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Thursday evening, February 13, 2014, at 7:30 p.m. Saturday evening, February 15, 2014, at 8:00 p.m. Sunday afternoon, February 16, 2014, at 3:00 p.m.

Marc Albrecht, conductor gustav mahler

Blumine, Symphonic Movement

gustav mahler

Songs of a Wayfarer

(1860-1911)

1. When My Darling Is Married [Wenn mein Schatz Hochzeit macht] 2. I Went This Morning Across the Fields [Ging heut’ Morgen übers Feld] 3. I Have a Gleaming Knife [Ich hab’ ein glühend Messer] 4. The Two Blue Eyes of My Beloved [Die zwei blauen Augen von meinem Schatz] SASHA COOKE, mezzo-soprano

INTERMISSION

johannes brahms (1833-1897)

Quartet in G minor, Opus 25

(transcribed for orchestra by Arnold Schoenberg) 1. 2. 3. 4.

Allegro Intermezzo: Allegro, ma non troppo Andante con moto Rondo alla zingarese: Presto

Mezzo-soprano Alice Coote is, with great regret, unable to travel to perform this week with The Cleveland Orchestra as originally scheduled, due to an illness in her family. Sasha Cooke has graciously agreed to sing Mahler’s Songs of a Wayfarer in her place.

This weekend’s concerts are supported through the generosity of the BakerHostetler Guest Artists series sponsorship. The concerts run about 95 minutes, including intermission. CLEVELAND ORCHESTRA RADIO BROADCASTS

Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.

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Concert Program — Week 12

INTRODUCING THE CONCERTS

Mahler&Brahms-ish

THIS WEEKEND’S CONCERTS

present works by two titans of classical music — Gustav Mahler and Johannes Brahms. Written when each composer was still young, their mature musical styles are nevertheless clearly earmarked and already on display. The program begins with a discarded movement from Mahler’s first symphony. Named for blooms of the flowery sort, its nearly static quality reminds us of some of Mahler’s dazzling later adagios. Mahler’s early Songs of a Wayfarer tell a diff erent sort of story, of love’s journey Mahler through jealousy and misery to peace. Creat age 31, in 1891. ated in response to a youthful romance, these songs showcase Mahler’s great capacity for encapsulating emotions into, and articulating texts within, music. After intermission, we come to Brahms. Here, the composer’s own work — originally for piano quartet from 1861 — has been somewhat magically transformed, nearly eight decades later. As orchestrated by Arnold Schoenberg, it is sometimes jokingly (but aptly) called Brahms’s Fift h Symphony. Filled with Brahmsian melody and harmonies, there is here instrumentation that surprises in unexpected and warm-hearted ways. Schoenberg, one of the 20th century’s great avant garde composers, was also one of its master orchestrators. Showing the wisdom of fully understanding rules before you break them, Schoenberg’s own modern music was firmly rooted in the classics. His refurbishment of Brahms’s youthful quartet is masterful. —Eric Sellen

With great regret, Pierre Boulez, who was to have led this week’s concerts, is unable to come to Cleveland to conduct his planned concerts this month due to health issues. Conductor Marc Albrecht has graciously agreed to step in with the program being presented this weekend.

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Introducing the Concerts

Blumine, Symphonic Movement composed 1884-1888

Gustav

MAHLER born July 7, 1860 Kalischt, Bohemia (now Kalištì in the Czech Republic) died May 18, 1911 Vienna

M A H L E R ’ S F I R S T S Y M P H O N Y is well established today as a regular item in the symphonic repertoire, but in its early incarnations it was not well received and not often performed. It took Mahler a long time to find its final form and it took the public a long time to recognize its originality and power. Composition of this work was spread over a period of four years, 1884-1888, during which Mahler was leading a hectic life as opera conductor first in Kassel, then in Prague, with little time for composition. Blumine was originally part of this vast five-movement symphonic poem, first performed after Mahler had taken up a position as opera conductor in Budapest in 1889. Response was cool. He did not repeat it there, and after two years he moved on from Budapest to Hamburg, where he gave it a second performance in October 1893. This time it was billed as “Titan, tone poem in symphonic form,” with an extensive program that divided the work into two sections. Part One (three movements) was “From the days of youth: flower, fruit, and thorn pieces.” Part Two (two movements) was “Commedia humana,” covering an immense emotional range, in Mahler’s very personal fashion. Blumine was the second movement in this scheme, a fanciful title derived from Blume, the German word for “flower.” It originated in the incidental music he had written in 1884 for a play, The Trumpeter from Säkkingen, adapted from a popular humorous poem by Joseph von Scheffel. It was a straightforward and simple slow movement placed between the big opening movement and the scherzo, and making a contrast with the much more complex slow movement based on a funeral march in the second half. By the time that Mahler found a publisher for the symphony in 1899, it was reduced to four movements, bereft of its elaborate program, and titled simply Symphony No. 1. The Blumine movement disappeared, to be discovered by Donald Mitchell in the Osborn Collection at Yale University in 1966. It was part of a copy of the five-movement score bought by Mrs. James M. Osborn from the family of Jenny Feld, a friend of Mahler from his student days in Vienna. Most conductors perform the First Symphony without the Blumine movement, although many writers have argued that About the Music

The Cleveland Orchestra

its inclusion enhances the structural balance of the work. (No one expects a Mahler symphony to be short, in any case.) The music is, for Mahler, lightly scored and thinly textured, perhaps because of its origin as music for an undersized theater orchestra. The main tune, disarmingly naïve in character, is given to the Säkkingen trumpeter, with barely a hint of chromatic inflexion. The movement’s tempo is marked andante, and its pulse and clear rhythmic outlines remain unchanged throughout. A certain prominence is given to the harp, especially at the end. Flowers, for Mahler, are apparently free of complexity and stress. —Hugh Macdonald © 2014 Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French music. He has written books on Beethoven, Berlioz, and Scriabin.

At a Glance Mahler’s first sketches of what was to become his First Symphony date to 1884, although much of the detailed composition occurred in the first half of 1888. The first performance of the completed five-movement work, under the name “Symphonic Poem in Two Parts,” took place in November 1889 in Budapest under the composer’s direction. A second performance took place in October 1893 in Hamburg, titled “Titan, Tone-Poem in the Form of a Symphony.” At these initial

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performances, what is now known as the “Blumine” movement was the second, or middle movement, in the symphony’s first half. In 1896, Mahler discarded this movement and performed the remaining four movements as his “Symphony No. 1.” The symphony was published in 1907-08. The “Blumine” movement was unpublished and largely unknown until 1966, when a manuscript was discovered at the Yale University Library. Its first modern performance was given in

About the Music

June 1967 at the Aldeburgh Festival in England, conducted by Benjamin Britten. “Blumine” runs just over 5 minutes in performance. Mahler scored it for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, trumpet, timpani, harp, and strings. The Cleveland Orchestra has performed this movement only a few times. Eugene Ormandy led the first such performances in November 1971. It was last presented in November 1999, conducted by Jahja Ling.

Songs of a Wayfarer composed 1884-1885 MAHLER SPENT

Gustav

MAHLER born July 7, 1860 Kalischt, Bohemia (now Kalištì in the Czech Republic) died May 18, 1911 Vienna

the greater part of his working life as a conductor of opera, yet he never composed an opera himself, and he concentrated instead on songs and symphonies, virtually to the exclusion of everything else. Furthermore, his songs and symphonies overlap, many of the songs being orchestrated and symphonic in construction, many of his symphonic movements being settings of words. In 1884, when he began the four Lieder eines fahrenden Gesellen [“Songs of a Wayfarer”], he was 24, and his only substantial work to date was the cantata Das klagende Lied [“Song of Lamentation”], in which we recognize the first signs of a mature individual style. He had not yet embarked on any symphonies, although the First, which borrowed some substantial material from these songs, was evidently taking shape in his mind. These four songs commemorate the joy and pain of a love affair with Johanna Richter, a singer at the Kassel court opera where Mahler was then assistant conductor. He wrote the poems himself, with a number of ideas borrowed from Des Knaben Wunderhorn [“The Youth’s Magic Horn”], the famous anthology of real and faked German folk poetry published in 1805 to which Mahler turned many times for inspiration. The romantic imagery of flowers, fields, birdsong, linden trees, and lost love, familiar from Schubert and the whole tradition of German artsongs or Lieder, is here sharpened by the compulsive, neurotic edge in Mahler’s personality. The sparse scoring and bare lines are already characteristic, a far cry from the Wagnerian sounds that were everywhere fashionable at the time. The freedom of form and tonality in these four songs is also very bold — none of them ends in the key in which it begins. Wenn mein Schatz Hochzeit macht [“When My Darling Is Married”]. The first song finds the wayfarer despondent at the impending marriage of his (or her) beloved to someone else. Birds are heard welcoming the spring, but despondency returns in a morbid fascination in self-consumed misery. Ging heut’ Morgen übers Feld [“I Went This Morning Across the Fields”]. The second song introduces the transparently innocent theme of the First Symphony’s opening movement. The world is bright, happiness is all around. Only at the About the Music

The Cleveland Orchestra

very end, in a phrase of haunting beauty, does the wayfarer admit that the poem’s author cannot share it. Ich hab’ ein glühend Messer [“I Have a Gleaming Knife”]. The third song is a nightmare. The brass instruments batter on the wayfarer’s skull as the poet dreams of a knife plunged deep as a mortal wound. Sometimes the dream brightens and to a vision of the beloved’s blue eyes and blonde hair, only to be startled awake by the beloved’s mocking laughter; the poem ends longing for death. Die zwei blauen Augen von meinem Schatz [“The Two Blue Eyes of my Beloved”]. Finally, against the solemn tread of a funeral march constantly distorted by an extra beat, the wayfarer realizes that the blue eyes are lost and gone, and that only grief remains. Then over the harp’s gentle accompaniment, the words sing of the linden tree, under which the poet last found repose. But the final bars turn to the minor, a touch of irony more telling than any words. —Hugh Macdonald © 2014 At a Glance Mahler composed his Songs of a Wayfarer mostly in 1884, with a few revisions in 1885. He wrote his own texts, though one of the songs was based on a poem from Des Knaben Wunderhorn [“The Youth’s Magic Horn”], a collection of German folk poems. The songs were originally for voice and piano; it is not exactly clear when Mahler orchestrated them. The first public performance was given in Berlin in March 1896,

with baritone Anton Sistermans as the soloist; Mahler conducted the Berlin Philharmonic Orchestra. These four songs together run about 15 minutes in performance. Mahler scored them for an orchestra of 3 flutes (third doubling piccolo), 2 oboes (second doubling english horn), 2 clarinets and bass clarinet, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, percussion (triangle, cymbals,

glockenspiel, tam-tam, bass drum), harp, and strings, plus vocal soloist. The Cleveland Orchestra first presented the four songs of Mahler’s Songs of a Wayfarer as a complete cycle in 1958, at concerts conducted by George Szell and with Dietrich FischerDieskau as the soloist. More recently, Bo Skovhus sang them at Blossom in 2001 under the direction of Andrew Davis.

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216.791.8000 z www.benrose.org Severance Hall 2013-14

About the Music

Most of us know and love these four notes. Allegro con brio

No one cares how long it took Beethoven to compose them. Accomplishments are what matter. How long it takes to achieve them does not.

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Songs of a Wayfarer texts and music by Gustav Mahler

1. Wenn mein Schatz Hochzeit macht [When My Sweetheart is Married] Wenn mein Schatz Hochzeit macht, Fröhliche Hochzeit macht, Hab’ ich meinen traurigen Tag! Geh’ ich in mein Kämmerlein, Dunkles Kämmerlein, Weine, wein’ um meinen Schatz, Um meinen lieben Schatz!

When my darling is married, joyous wedding day, I will have my day of sadness! I will withdraw to my room, my dark little room, weeping, weeping for my darling, for my dear darling!

Blümlein blau! Verdorre nicht! Vöglein süss! Du singst auf grüner Heide. Ach, wie ist die Welt so schön! Ziküth! Ziküth!

Little blue flowers! Do not wither! Sweet little bird! You sing on the green heath. Alas, how beautiful is the world! Chirp! Chirp!

Singet nicht! Blühet nicht! Lenz ist ja vorbei! Alles Singen ist nun aus! Des Abends, wenn ich schlafen geh’, Denk’ ich an mein Leide! An mein Leide!

Do not sing! Do not bloom! Spring is over! All singing is now ended! At night when I go to sleep, I think only of my sorrow — Of my sorrow! P L E A S E T U R N PA G E Q U I E T LY

Oberlin College & Conservatory Artist Recital Series 2013-14 GEORGE LI, PIANO

MARCH 1, 2014 | 8PM

Cooper and YCA competition winner

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Mahler: Sung Texts

2. Ging heutâ&#x20AC;&#x2122; Morgen Ăźbers Feld [I Went This Morning Across the Fields] Ging heutâ&#x20AC;&#x2122; Morgen Ăźbers Feld, Tau noch auf den GrĂ¤sern hing; Sprach zu mir der lustâ&#x20AC;&#x2122;ge Fink: â&#x20AC;&#x153;Ei du! Gelt? Guten Morgen! Ei gelt Du! Wirdâ&#x20AC;&#x2122;s nicht eine schĂśne Welt? Zink! Zink! SchĂśn und flink! Wie mir doch die Welt gefĂ¤llt!â&#x20AC;?

I went this morning across the fields, dew still hung on the grass; the happy finch sang out to me: â&#x20AC;&#x153;Oh you! Isnâ&#x20AC;&#x2122;t it a great morning?! It is! Hey, you! Isnâ&#x20AC;&#x2122;t it a beautiful world? Chirp! chirp! Nice and sharp! How I love the world!â&#x20AC;?

Auch die Glockenblumâ&#x20AC;&#x2122; am Feld Hat mir lustig, guter Dingâ&#x20AC;&#x2122;, Mit den GlĂśckchen, klinge, kling, Ihren Morgengruss geschellt: â&#x20AC;&#x153;Wirdâ&#x20AC;&#x2122;s nicht eine schĂśne Welt? Kling, kling! SchĂśnes Ding! Wie mir doch die Welt gefĂ¤llt! Heia!â&#x20AC;?

Also the bluebells in the field merrily blowing, good sounds, their bells, clanging, sounding, singing out their morning greeting: â&#x20AC;&#x153;Is it not a beautiful world?! Dong, ding! Beautiful ringing! How I love the world! Hey-ha!â&#x20AC;?

Und da fing im Sonnenschein Gleich die Welt zu funkeln an; Alles Ton und Farbe gewann Im Sonnenschein! Blumâ&#x20AC;&#x2122; und Vogel, gross und Klein! â&#x20AC;&#x153;Guten Tag, istâ&#x20AC;&#x2122;s nicht eine schĂśne Welt? Ei du, gelt? SchĂśne Welt!â&#x20AC;?

And then, with the sunshine the world began to glitter; all around flashed sound and color in the sunshine! Flower and bird, big and small! â&#x20AC;&#x153;Good day, is it not a beautiful world?! Hey, you, isnâ&#x20AC;&#x2122;t it?! A beautiful World!â&#x20AC;?

Nun fĂ¤ngt auch mein GlĂźck wohl an? Nein, nein, das ich meinâ&#x20AC;&#x2122;, Mir nimmer blĂźhen kann!

Now will my happiness also begin? No, no, for what I want, can never bloom for me!

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The Cleveland Orchestra

3. Ich hab’ ein glühend Messer [I Have a Gleaming Knife] Ich hab’ ein glühend Messer, Ein Messer in meiner Brust, O weh! Das schneid’t so tief in jede Freud’ und jede Lust. Ach, was ist das für ein böser Gast! Nimmer hält er Ruh’, nimmer hält er Rast, Nicht bei Tag, noch bei Nacht, wenn ich schlief! O weh!

I have a gleaming knife, a knife in my chest, alas! It cuts so deep into every joy and every pleasure. Oh, what an evil guest it is! Never does it rest; never does it hold back, not by day, nor by night, whenever I try to sleep! Alas!

Wenn ich den Himmel seh’, Seh’ ich zwei blaue Augen stehn! O weh! Wenn ich im gelben Felde geh’, Seh’ ich von fern das blonde Haar Im Winde weh’n! O weh!

When I look up at the sky, I see two eyes of blue! Alas! When I walk in the yellow field, I see from afar that hair so blond waving in the wind! Alas!

Wenn ich aus dem Traum auffahr’ Und höre klingen ihr silbern Lachen, O weh!

Whenever I am startled from a dream and hear that sound of silvery laughter, Alas! P L E A S E T U R N PA G E Q U I E T LY

Severance Hall 2013-14

Mahler: Sung Texts

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4. Die zwei blauen Augen von meinem Schatz [The Two Blue Eyes of My Beloved] Die zwei blauen Augen von meinem Schatz, Die haben mich in die weite Welt geschickt. Da musst ich Abschied nehmen vom allerliebsten Platz! O Augen blau, warum habt ihr mich angeblickt? Nun hab’ ich ewig Leid und Grämen!

The two blue eyes of my beloved, they have sent me out into the wide world. I had to say goodbye to that well-loved place! O blue eyes, why did you gaze into mine? Now I will have sorrow and grief always!

Ich bin ausgegangen in stiller Nacht wohl über die dunkle Heide. Hat mir niemand Ade gesagt, Ade! Ade! Ade! Mein Gesell’ war Lieb und Leide!

I went out into the silent night stealing across the dark heath. No one bid me farewell, Goodbye! Adieu! Farewell! My companions are love and sorrow!

Auf der Strasse steht ein Lindenbaum, Da hab’ ich zum ersten Mal im Schlaf geruht! Unter dem Lindenbaum, Der hat seine Blüten über mich geschneit, Da wusst’ ich nicht, wie das Leben tut, War alles, alles wieder gut! Alles! Alles, Lieb und Leid Und Welt und Traum!

By the road stands a linden tree, where I finally once more found peaceful slumber! Under the linden tree, whose white flowers snowed down all around me, There I could not know, how life continued, for everything, everything was good again! Everything! Everything, love and sorrow and the world and dreams! (English translations by Eric Sellen)

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In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through THE cash gifts and legacy commitments, while also securing broad-based and increasCLEVELAND ORCHESTRA ing annual support from across Northeast Ohio. The generous individuals and organizations listed on these pages have made long-term commitments of annual and endowment support, and legacy declarations to the Campaign as of January 15, 2014. We gratefully recognize their extraordinary commitment toward the Orchestra’s future success. Your participation can make a crucial difference in helping to ensure that future generations of concertgoers experience, embrace, and enjoy performances, collaborative presentations, and education programs by The Cleveland Orchestra. To join this growing list of visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520. GIFTS OF $5 MILLION AND MORE

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Sound for the Centennial Campaign

The Cleveland Orchestra

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Piano Quartet in G minor, Opus 25 composed 1861 by Johannes Brahms, transcribed for orchestra 1937 by Arnold Schoenberg IN THE YEAR 1901 ,

Johannes

BRAHMS born May 7, 1833 Hamburg died April 3, 1897 Vienna

Arnold

SCHOENBERG born September 13, 1874 Vienna died July 13, 1951 Los Angeles

Severance Hall 2013-14

the 25-year-old Arnold Schoenberg moved from Vienna to Berlin to work in a cabaret theater that specialized in operetta with a serious message. Although he had had no formal musical training, he had picked up the essentials of orchestration from playing the cello in an amateur orchestra conducted by his friend Alexander Zemlinsky. And so he was entrusted with the mindless task of orchestrating operettas and cabaret songs in great numbers. From this hackwork, he developed a taste for orchestration, which led him later to arrange a number of Bach’s organ works for full orchestra. Schoenberg accomplished the orchestration of Brahms’s Piano Quartet No. 1 in 1937 when he was living in Los Angeles. Having left Germany in 1933 when Hitler came to power, Schoenberg took a job in Boston for a brief period, but suffered badly from ill-health, as he always did in cold climates. So he moved to Los Angeles, where he taught at the University of Southern California and then at UCLA, and although he was settled and employed, he found it hard to get his compositions played. Encouraged by Otto Klemperer, with whom he had worked in Berlin and who was then conductor of the Los Angeles Philharmonic, he wrote the orchestration of the Brahms Quartet between May and September 1937, and it was performed by Klemperer and the LA Philharmonic the following March. A critic on the San Francisco Chronicle, Alfred Frankenstein, wrote to Schoenberg with some questions about the work, and received the following reply: “My reasons: 1. I like the piece. 2. It is seldom played. 3. It is always very badly played, because the better the pianist, the louder he plays and you hear nothing from the strings. I wanted once to hear everything, and this I achieved.” Schoenberg admitted, in his mostly excellent English, that there were “heavy problems.” In fact, the orchestration is masterly, given that Schoenberg was not trying to reproduce Brahms’s orchestral style. He was instead writing for an enlarged modern orchestra, including such instruments as E-flat clarinet, glockenspiel, and xylophone, which Brahms would never have used. Even a cymbal clash sounds foreign in Brahms’s world. But the original piano quartet (for violin, viola, cello, and piano) is writAbout the Music

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ten with thick textures that Brahms learned to avoid in his two later works for the same combination of instruments. The third movement calls for such constant double-stopping from the viola (playing two notes at once, with the bow on two strings) that at least one extra instrument often seems to be in use. In general, but by no means throughout, Brahms’s piano part is assigned to the winds, with the string parts remaining with the strings. But the palette of mixed colors, and the idiomatic writing for all instruments, is very impressive. Schoenberg once referred to his arrangement, no doubt facetiously, as “Brahms’s Fift h Symphony.” It is typical of Brahms to set out his main theme, without introduction or accompaniment, as a bare melodic line at the very outset, as if announcing this as a serious symphonic movement in full sonata form. The second movement has a scurrying rhythm with a constantly repeated note as a distinctive element, and its middle section is a notch faster. If this second movement is regarded as the scherzo (Brahms did not name it thus), the third movement is the slow movement, although it has grandeur, not intimacy — and the central, quicker part of the movement has a military stamp perfectly suited to Schoenberg’s splendid realization for full orchestra. The last movement is the famous “Rondo alla zingarese,” one of Brahms’s ventures into the music of the Hungarian gypsies. The original is, of course, a brilliant movement, but Schoenberg goes to town with some virtuoso writing for the orchestra, with full percussion. The original Quartet was composed in 1861 during a twoyear spell that Brahms spent in his native city of Hamburg. A year later, he visited Vienna and a performance there with Brahms himself at the piano made such an impression on the Viennese that he moved there permanently, knowing that he would have a sympathetic public in a city with a deep musical tradition. Born in Vienna in 1874, Schoenberg grew up with a profound reverence for Brahms’s music, and it was partly in defiance of the modernists of the inter-war years, such as Stravinsky and Hindemith, who disdained Brahms, that he felt impelled to make his music better known, even in the form of an arrangement. Klemperer told the story that after one of the rehearsals someone said to him: “I don’t know why people say Schoenberg doesn’t write melodies. This piece is full of melody.”

At a Glance Brahms wrote his Piano Quartet in G minor (for piano, violin, viola, and cello) in 1861. At the first performance in November that year, the piano part was played by Clara Schumann. Schoenberg transcribed Brahms’s quartet for full orchestra in 1937. The first performance was given on May 7, 1938 (Brahms’s birthday) by the Los Angeles Philharmonic conducted by Otto Klemperer. This work runs about 45 minutes in performance. Schoenberg’s orchestration calls for 3 flutes (third doubling piccolo), 3 oboes (third doubling english horn), 2 clarinets and bass clarinet, 2 bassoons and contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (triangle, cymbals, tambourine, xylophone, glockenspiel, snare drum, bass drum), and strings. The Cleveland Orchestra first presented Schoenberg’s orchestration of Brahms’s Quartet in G minor in October 1938 (just months after the world premiere), conducted by Artur Rodzinski. The most recent performances were in May 2000, conducted by Christoph von Dohnányi.

Severance Hall 2013-14

About the Music

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The Cleveland Orchestra

Marc Albrecht Acclaimed for his interpretations of Wagner and Strauss, along with his commitment to contemporary music, German conductor Marc Albrecht is chief conductor of the Netherlands Opera, Netherlands Philharmonic Orchestra, and the Netherlands Chamber Orchestra. He is making his Cleveland Orchestra debut with this weekend’s concerts. Mr. Albrecht began his conducting career at the opera houses of Hamburg and Dresden, and in his role as personal assistant to Claudio Abbado with the Gustav Mahler Youth Orchestra in Vienna. In 1995, he began a six-year tenure as music director of the Staatstheater Darmstadt. He was subsequently artistic director and chief conductor of the Orchestre Philharmonique de Strasbourg, 2006-11. Marc Albrecht has appeared with key orchestras in Europe, including the Berlin Philharmonic, Amsterdam’s Royal Concertgebouw Orchestra, Dresden Staatskapelle, Chamber Orchestra of Europe, Hallé Orchestra, Munich Philharmonic, and the Vienna Symphony Orchestra. He has appeared at the BBC Proms with the BBC Scottish Symphony Orchestra and worked in the United States with the orchestras of Saint Louis and Dallas. Current and upcoming engagements include performances with the Tokyo Metropolitan Orchestra, Accademia Nazionale di Santa Cecilia, and the Orchestre National de France. Since becoming music director at Netherlands Opera, Mr. Albrecht has led performances with the company of works by Mozart, Rimsky-Korsakov, Schreker, Strauss, and Wagner, as well as the world premiere of Manfred Trojahn’s Orest. This season, he leads new productions of Prokofiev’s The Gambler and Strauss’s Arabella. Mr. Albrecht was principal guest conductor at the Deutsche Oper Berlin, 2001-04, and maintains a close relationship with the Semperoper Dresden. He has also led performances with the Bavarian State Opera, Bayreuth Festival, Geneva Opera, Opéra National de Paris, London’s Royal Opera House, Salzburg Festival, Teatro alla Scala, and the Zurich Opera — in repertoire including works by Beethoven, Berg, Berlioz, Bizet, Henze, Janáček, and Wagner. Marc Albrecht’s discography with PentaTone includes tone poems by Richard Strauss, piano concertos by Dvořák and Schumann, and works by Berg, Dukas, Koechlin, Korngold, and Ravel. His recording of Mahler’s The Song of the Earth was released in 2013. For the Challenge Classics label, he has led the Netherlands Opera in live performances of Strauss’s Elektra and Schreker’s Der Schatzgräber.

Severance Hall 2013-14

Conductor

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The Cleveland Orchestra

Sasha Cooke American mezzo-soprano Sasha Cooke is creating a strong reputation for her operatic portrayals and concert singing. She received widespread acclaim for her creation of the title role in Mark Adamo’s The Gospel of Mary Magdalene, in which she made her San Francisco Opera debut during the 2012-13 season. She was also highly praised as Kitty Oppenheimer in the Metropolitan Opera premiere of John Adams’s Doctor Atomic, the DVD of which received the 2012 Grammy Award for best opera recording. She made her Cleveland Orchestra debut in October 2012. Recent and upcoming symphonic engagements include appearances with the New York Philharmonic performing Britten’s Spring Symphony, and performances of Mahler’s Symphony No 2 with both Deutsches SymphonieOrchester Berlin and the Columbus Symphony. She makes her debut with the Philadelphia Orchestra and sings on a European tour with the San Francisco Symphony in Mahler’s Third Symphony. A frequent performer of contemporary works, Ms. Cooke sings in the West Coast premiere and recording of Mohammed Fairouz’s Symphony No. 3: Poems and Prayers, appears with the Los Angeles Philharmonic in Phillip Glass’s The Civil Wars, and performs a new work commissioned by Joby Talbot. She also makes her Wigmore Hall recital debut in London with pianist Julius Drake. Sasha Cooke returned to the Hollywood Bowl in the summer of 2013 to perform Mahler’s Second Symphony with Michael Tilson Thomas and the Los Angeles Philharmonic, appeared at Chamber Music Northwest with the Miró Quartet, and at the Aspen Music Festival performing Mahler’s Fourth Symphony. Born in California and raised in Texas, Sasha Cooke is a graduate of Rice University and the Juilliard School. She also attended young artists’ programs at the Aspen Music Festival, Central City Opera, Marlboro Music Festival, Metropolitan Opera, Music Academy of the West, Ravinia Festival’s Steans Music Institute, and the Wolf Trap Foundation. Ms. Cooke placed first in the Gerda Lissner Competition and the José Iturbi International Music Competition in 2010, and also received the Kennedy Center’s Marian Anderson Award. She placed first in the 2007 Sun Valley Opera Vocal Competition, 2007 Young Concert Artists International Competition, and the 2006 Bach Vocal Competition. A dedicated recitalist, Ms. Cooke has appeared in New York, Washington D.C., and throughout the U.S. She is a frequent guest of the New York Festival of Song and also gives recitals with her husband, baritone Kelly Markgraf.

Severance Hall 2013-14

Soloist

Student attendance continues to grow at Severance Hall As The Cleveland Orchestra’s 2013-14 season has gotten underway, more Student Advantage Members, Frequent Fan Card holders, Student Ambassadors, and student groups are contributing to the continued success of these programs. The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend concerts at Severance Hall and Blossom through discounted ticket offers. Membership is free to join and rewards members with discounted ticket purchases. For this season, a record 6,000 students have joined. The Student Frequent Fan Card was introduced a year ago with great success. The program is continuing to grow, with the number of Frequent Fan Card holders tripling so far this season over 2012-13. Priced at $50, the Fan Card offers students unlimited single tickets (one ticket per card holder) to weekly classical subscription concerts all season long. The Student Ambassador program is also growing. These young volunteers help to promote the Orchestra’s concert offerings and student programs directly on campuses across Northeast Ohio. Also this year, a group of Student Marketing Advisors was formed to help the Orchestra incorporate student feedback and insight to programs, and give local marketing majors a chance to work closely with the Orchestra’s sales team. In addition, attendance through Student Group sales are also bringing in more and more young people to Cleveland Orchestra concerts. From as far as Toronto and Nashville, these groups make up an integral part of the overall success toward generating participation and interest among young people. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences, through the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

Severance Hall 2013-14

Student Attendance

Celebrity Series: Casablanca

T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ă&#x2013; ST M U S I C

D I R E C T O R

CELEBRITY SERIES SEVERANCE HALL Friday evening, February 14, 2014, at 8:00 p.m. A S Y M P H O N I C N I G H T AT T H E M O V I E S

CASABLANCA with the score performed live by THE CLEVELAND ORCHESTRA conducted by WILLIAM EDDINS

Screenplay by Julius J. Epstein, Philip G. Epstein, and Howard Koch Directed by Michael Curtiz Produced by Hal B. Wallis and Jack L. Warner Music by Max Steiner Film courtesy of Warner Bros. Entertainment Inc.

THE CAST Humphrey Bogart . . . . . . . . . . . . . . . . . . . . . . . . Rick Blaine Ingrid Bergman . . . . . . . . . . . . . . . . . . . . . . . . . . . Ilsa Lund Paul Henreid . . . . . . . . . . . . . . . . . . . . . . . . . . Victor Laszlo Claude Rains . . . . . . . . . . . . . . . . . . . . . . . Captain Renault Conrad Veidt . . . . . . . . . . . . . . . . . . . . . . . . . Major Strasser Sydney Greenstreet . . . . . . . . . . . . . . . . . . . . Signore Ferrari Peter Lorre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ugarte S.K. Sakall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carl Madeleine Lebeau . . . . . . . . . . . . . . . . . . . . . . . . . . . Yvonne Dooley Wilson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sam The film is presented with one intermission and will end at approximately 9:45 p.m.

Producer: John Goberman Live orchestra adaptation by Patrick Russ Technical Supervisor: Pat McGillen Music Preparation: Larry Spivack

Severance Hall 2013-14

A Symphonic Night at the Movies is a production of PGM Productions Inc. of New York and is presented by arrangement with IMG Artists. The producer wishes to acknowledge the contributions and extraordinary support of John Waxman (Themes & Variations).

Celebrity Series: Casablanca

CASABLANCA THE STORY The movie Casablanca was premiered in New York City on November 26, 1942. During World War II, many Europeans fleeing from Nazi Germany sought refuge in America. To get to the U.S., one route led through the city of Casablanca in Morocco, at the time a French protectorate and in the early years of the war under control of the French Vichy government that was aligned with the Nazi occupation of France. Once in Casablanca, refugees still had to obtain exit visas, which were not easy to come by. The time is December 1941. The hottest spot in all of Casablanca is Rick’s Cafe, operated by Rick Blaine, an American expatriate, who for some reason can’t go home. Two German couriers are killed and the documents they were carrying are taken. One of Rick’s regulars, Ugarte, entrusts to Rick some letters of transit, giving the bearer free passage to Portugal. Before he can sell them, however, Ugarte is arrested for killing the couriers — but Rick has possession of the transit letters. Captain Renault, the Chief of Police, who is neutral in his political views, informs Rick that Victor Laszlo, a resistance leader from Czecho-

slovakia, is in Casablanca — and that Laszlo will do anything to get an exit visa. Renault has been instructed by Major Strasser of the Gestapo to keep Laszlo in Casablanca. Laszlo goes to Rick’s for the pre-arranged meeting to buy the letters from Ugarte. With Ugarte now under arrest, Laszlo has to find another way. Laszlo’s wife, Ilsa Lund, is with him. Ilsa became entangled with Rick in Paris, and when they meet again some of Rick’s emotional wounds reopen. Rick’s stonecold heart is, in fact, a defense against Ilsa’s having left him. Laszlo learns that Rick has the transit letters, but refuses to give them to him — because Rick doesn’t “stick his neck out for anyone.” Laszlo voices fervent French patriotism, and Strasser has the club closed. Laszlo is later arrested for a minor offense. Rick convinces Renault to release Laszlo in exchange for trapping the Frenchman with a more serious charge. Rick doublecrosses Renault and arranges for Laszlo to escape with Ilsa. Renault and Rick come to terms, helping one another in wartime circumstances.

Celebrity Series: Casablanca

The Cleveland Orchestra

William W i Eddins Willlia William W iam m Eddins is music director of the Edmonton to n Sy y Symphony Orchestra and a frequent guest co ond ndu u conductor of major orchestras throughout the worl wo rld d He served five seasons as principal guest world. cond co nd d conductor of Ireland’s RTÉ National Symphony Orch Or ch Orchestra (2001-06) after serving as resident conduc du c of the Chicago Symphony Orchestra and ductor associate conductor of the Minnesota Orchestra. He made his Cleveland Orchestra debut in the 2011-12 season. As a guest conductor, Mr. Eddins has appeared with symphony orchestras across the United States, including those of Atlanta, Baltimore, Buffalo, Cincinnati, Detroit, Houston, Indianapolis, Los Angeles, Milwaukee, Minnesota, New York, Philadelphia, St. Louis, and San Francisco. Internationally, his engagements have included performances with the Berlin Staatskapelle, Berlin Radio Orchestra, Welsh National Opera, Royal Scottish National Orchestra, Bergen Philharmonic, Adelaide Symphony Orchestra, Barcelona Symphony Orchestra, Italy’s RAI Orchestra Sinfonica Nazionale, and the Lisbon Metropolitan Orchestra. He conducted Porgy and Bess with Opéra de Lyon in 2008 and 2010. Mr. Eddins is an accomplished pianist and chamber musician. He regularly conducts from the keyboard in works by Mozart, Beethoven, Gershwin, and Ravel. He has released an album featuring Beethoven’s Hammerklavier Sonata and William Albright’s The Nightmare Fantasy Rag. Mr. Eddins has performed at the Ravinia Festival with both the Chicago Symphony Orchestra and the Ravinia Festival Orchestra. He has also conducted the orchestras of the Chautauqua Festival, Aspen Music Festival, Hollywood Bowl, Boston University Tanglewood Institute, and the Civic Orchestra of Chicago. A native of Buffalo, New York, William Eddins attended the Eastman School of Music, studying with David Effron and graduating at age eighteen, making him the youngest graduate in the history of the institution. He also studied conducting with Daniel Lewis at the University of Southern California and was a founding member of the New World Symphony in Miami, Florida. For more information, visit www.williameddins.com.

CELEBRITY SERIES SEVERANCE HALL Severance Hall 2013-14

Celebrity Series Media Partner: The Plain Dealer

Conductor: Casablanca

Conservatory of Music

Baldwin Wallace Symphony Orchestra

Lunch • Dinner • Happy Hours Sushi Bar • Patio 45 Private Parties Chef’s Table Gift Certiﬁcates

Dwight Oltman, conductor Celebrating 44 years at Baldwin Wallace “A legend in his own time”

Wed., Mar. 5, 8 p.m. Gamble Auditorium Kulas Musical Arts Building 96 Front Street, Berea

Featuring Annual Concerto Competition Winner Mr. Jordan Hamilton

CALL FOR RESERVATIONS

216.707.4045 TBL45.COM

OR VISIT

9801 CARNEGIE AVENUE, CLEVELAND, OHIO 44106

Performing Schelomo by Ernest Bloch for cello soloist and orchestra

Breakfast • Lunch • Dinner Cocktails • Desserts Happy Hours • Private Parties Holidays • Celebrations Gift Certiﬁcates

Additional selections: Milhaud: La Creation du Monde Vaughan-Williams: Five Variants of Dives and Lazarus Falla: Ritual Fire Music

CALL FOR RESERVATIONS

www.bw.edu/conservatory 866-BW-MUSIC

OR VISIT

216.707.4054 C2RESTAURANT.COM

8800 EUCLID AVENUE, CLEVELAND, OHIO 44106

Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin, gender or sexual orientation in the administration of any policies or programs.

The Cleveland Orchestra

Education and Music Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R MA S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 60,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades. Severance Hall 2013-14

Education & Community

T H E

C L E V E L A N D

Each season’s Family Concert series at Severance Hall offers world-class music with outstanding singers, actors, mimes, and more to families from across Northeast Ohio. Last season’s “Under the Sea” concert featured music from Disney’s The Little Mermaid with The Singing Angels.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program, which fosters the use of music and the arts to support general classroom learning.

Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestra’s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lubrizol Corporation Macy’s The Music and Drama Club The Nord Family Foundation Nordson Ohio Arts Council Ohio Savings Bank, A Division of New York Community Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation The Sherwin-Williams Foundation Surdna Foundation Target Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice H. Cull Memorial Fund Mr. and Mrs. Charles R. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Machaskee Fund for Community Programming Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education The Eric & Jane Nord Family Fund Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund Anonymous

Severance Hall 2013-14

More than 1,250 talented youth musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since the ensemble’s founding in 1986. Many have gone on to careeers in professional orchestras around the world, including four current members of The Cleveland Orchestra.

Education & Community

case.edu/lifelonglearning Download our Spring Catalogue

SPRING 2014 ART, MUSIC AND LITERATURE CLASSES

CONNECTING THE ACADEMIC WORLD WITH THE GENERAL COMMUNITY

MONDAYS

THURSDAYS

Tossed Salad: American Short Stories of the 20th and 21st Centuries March 3 - April 7, 1:00 - 3:00 PM Siegal Facility Beachwood

Music in Totalitarian Societies: The Case of Soviet Russia and Nazi Germany March 6 - April 10, 1:00 - 3:00 PM Siegal Facility Beachwood

Listening in the Dark: A History of Audience (Dis)Engagement March 3 - April 7, 7:00 - 8:30 PM Siegal Facility Beachwood

A History of Noise: Music and Politics from Beethoven to Jimi Hendrix March 6 - April 17, 1:30 - 3:30 PM The College Club of Cleveland

Medieval & Renaissance Musical and Devotional Books March 31 - April 21, 10:30 AM - Noon Kelvin Smith Library, CWRU

WEDNESDAYS Alice Munroe: Master of the Short Story March 5 - March 26 10:00 - 11:30 AM CCPL - Mayfield Branch

©ROREM - Jimmy Hendrix wax figurine at Madame Tussauds in New York City

FRIDAYS Contemporary Films: Exploring Cross-Cultural Contact February 28 - April 4, 12:00 - 2:00 PM Siegal Facility Beachwood

Mysteries of Color and Light: The Art of Julian Stanczak March 19 - April 16, 1:30 - 3:30 PM The College Club of Cleveland © JULIAN STANCZAK, ECLIPTIC, 1970

For complete details and pricing and to register visit: www.cwru.edu/lifelonglearning or call 216.368.2090/1 Siegal Facility Beachwood - 26500 Shaker Blvd., Beachwood, OH The College Club of Cleveland - 2348 Overlook Rd, Cleveland Heights, OH

… for the love of learning

THE

CLEVELAND ORCHESTRA

Endowed Funds

funds established as of August 2013

The generous donors listed here have made endowment gifts to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. (Additional endowment funds are recognized through the naming of Orchestra chairs, listed on pages 22-23.) Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to The Clevelamd Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus. Artistic Excellence

Guest Artists Fund

George Gund III Fund

Artistic Collaboration Joseph P. and Nancy F. Keithley

Artist-in-Residence Malcolm E. Kenney

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

Radio Broadcasts Robert and Jean Conrad Dr. Frederick S. and Priscilla Cross

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

American Conductors Fund Douglas Peace Handyside Holsey Gates Handyside

Severance Hall Guest Conductors Roger and Anne Clapp James and Donna Reid

Cleveland Orchestra Soloists Julia and Larry Pollock Family

The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation, Inc. Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

Concert Previews Dorothy Humel Hovorka

International Touring Frances Elizabeth Wilkinson

Unrestricted Art of Beauty Company, Inc. William P. Blair III Fund for Orchestral Excellence John P. Bergren and Sarah S. Evans Nancy McCann Margaret Fulton-Mueller Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, is working to develop new generations of audiences for The Cleveland Orchestra. Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler

Endowed Funds listing continues

Severance Hall 2013-14

Endowed Funds

THE

CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year. Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice H. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley The Eric & Jane Nord Family Fund The William N. Skirball Endowment

Education Concerts Week

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Alex and Carol Machaskee

The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall. Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center. Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

Endowed Funds

The Cleveland Orchestra

Act one begins

Beck Center for the Arts

... WITH INVESTMENT BY CUYAHOGA ARTS & CULTURE Cuyahoga Arts & Culture (CAC) uses public dollars approved by you to bring arts and culture to every corner of our County. From grade schools to senior centers to large public events and investments to small neighborhood art projects and educational outreach, we are leveraging your investment for everyone to experience.

Your Investment: Strengthening Community Visit cacgrants.org/impact to learn more.

Part Emotion, Part Memory

All Magic

TOWN HALL SPEAKER SERIES 2013-2014

The Cleveland Carousel Society is bringing back the Grand Carousel from Euclid Beach Park’s historic past for all to ride again.

FEB 24, 2014

Michael Ruhlman “America: Too Stupid to Cook”

Go to: www.clevelandcarousel.org Or call: 216-752-1505 The Cleveland Orchestra

Guide to Fine Schools Consistently ranked among “Best Communities for Music Education” in the Nation!

APR 7, 2014

Bob Woodward “The Price of Politics” Tickets are $45 each. Ohio Theatre 6:00 PM

Call for tickets at

216.241.1919

www.townhallofcleveland.org

Academic Sponsor

You can be a part of this historic restoration by becoming a member, naming donor or sponsor of the Carousel horses right now.

216-898-8300 www.berea.k12.oh.us

Other ﬁne schools advertising in The Cleveland Orchestra’s Severance Hall programs include:

Baldwin Wallace University Conservatory of Music 440-826-2369 Cleveland Institute of Music 216-791-5000 Cleveland State University Kulas Series of Keyboard Conversations with Jeffrey Siegel 216-687-5018 Lake Erie College 1-855-GO-STORM The Oberlin Conservatory of Music 440-775-8413 The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$5 MILLION AND MORE

KeyBank PNC Bank $1 MILLION TO $5 MILLION

BakerHostetler Bank of America Eaton FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company Hyster-Yale Materials Handling NACCO Industries, Inc. The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch Parker Hannifin Corporation The Plain Dealer PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of December 2013.

gifts of $2,500 or more during the past year, as of December 15, 2013

PARTNERS IN EXCELLENCE $300,000 AND MORE

Hyster-Yale Materials Handling NACCO Industries, Inc. KeyBank The Lubrizol Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton FirstEnergy Foundation Forest City Enterprises, Inc. PNC Bank PARTNERS IN EXCELLENCE $100,000 TO $199,999

The Cliffs Foundation Google, Inc. Medical Mutual of Ohio Nordson Corporation and Foundation Parker Hannifin Corporation $50,000 TO $99,999

Jones Day Quality Electrodynamics (QED) voestalpine AG (Europe) Anonymous $25,000 TO $49,999 Dix & Eaton The Giant Eagle Foundation Litigation Management, Inc. Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp. The Plain Dealer RPM International Inc. Squire Sanders (US) LLP Thompson Hine LLP

$2,500 TO $24,999 AdCom Communications Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc.

Severance Hall 2013-14

Corporate Annual Support

American Greetings Corporation BDI Bank of America Brothers Printing Co., Inc. Brouse McDowell Eileen M. Burkhart & Co LLC Buyers Products Company Calfee, Halter & Griswold LLP Cleveland Clinic The Cleveland Wire Cloth & Mfg. Co. Cohen & Company, CPAs Community Behavioral Health Center Conn-Selmer, Inc. Consolidated Solutions Dollar Bank Dominion Foundation Ernst & Young LLP Evarts-Tremaine-Flicker Company Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Victor Kendall, Friends of WLRN Gallagher Benefit Services Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Hyland Software The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Materion Corporation Miba AG (Europe) MTD Products, Inc. North Coast Container Corp. Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Oswald Companies PolyOne Corporation Pricewaterhouse Coopers LLP The Prince & Izant Company Richey Industries, Inc. The Sherwin-Williams Company Stern Advertising Agency Swagelok Company Tucker Ellis Ulmer & Berne LLP University Hospitals Ver Ploeg & Lumpkin, P.A. (Miami) WCLV Foundation Westlake Reed Leskosky Anonymous (2)

LEOŠ JANÁČEK’S LEO

SEV ER A N C E HA L L

May 17 . 20 . 22 . 24

A N EW P R OD U C T I ON F E ATU R I N G P R OJ E C TE D A N I M ATI O N AND L I V E AC T I ON , SU N G I N C Z E C H W I TH E N G L I S H S U P E R TI TL E S

THE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst

T ENN! EV O A S R EA PE S O E E TH TH OF

Don’t miss this unique, made-for-Cleveland opera presentation! Staged at Severance Hall with an international cast and innovative, original animated projections. While plumbing the depths of human experience, The Cunning Little Vixen tells a charmingly bittersweet tale of love, peril, freedom, f and family. The opera’s title character, portrayed by Czech soprano Martina M Janková, wends her way through life’s cycles of learning and danger, dange love and happiness. Janáček’s score mixes lyrical symphonic writing with wit the songful serenity and energetic pulse of Moravian folk music. This Cleveland Orchestra opera presentation is supported in part by The Andrew W. Mellon Foundation and by the National Endowment for the Arts

TICKETS

216-231-1111

CLEVELANDORCHESTRA .COM

THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation $5 MILLION TO $10 MILLION

The George Gund Foundation Knight Foundation (Cleveland, Miami) The Andrew W. Mellon Foundation John P. Murphy Foundation $1 MILLION TO $5 MILLION

The William Bingham Foundation The George W. Codrington Charitable Foundation GAR Foundation Ann and Gordon Getty Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation National Endowment for the Arts The Eric & Jane Nord Family Fund The Payne Fund The Reinberger Foundation The Sage Cleveland Foundation

gifts of $2,000 or more during the past year, as of December 15, 2013

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture The George Gund Foundation The Andrew W. Mellon Foundation The Kelvin and Eleanor Smith Foundation $250,000 TO $499,000

Kulas Foundation John P. Murphy Foundation The Eric & Jane Nord Family Fund Ohio Arts Council $100,000 TO $249,999

Sidney E. Frank Foundation GAR Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation $50,000 TO $99,999

The George W. Codrington Charitable Foundation Ann and Gordon Getty Foundation The Hearst Foundations Martha Holden Jennings Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation Miami-Dade County Department of Cultural Affairs (Miami) Donald and Alice Noble Foundation, Inc. The Nord Family Foundation The Payne Fund The Sage Cleveland Foundation Surdna Foundation $20,000 TO $49,999

$2,000 TO $19,999 The Abington Foundation Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Batchelor Foundation, Inc. (Miami) The Bernheimer Family Fund of the Cleveland Foundation Bicknell Fund Eva L. and Joseph M. Bruening Foundation The Conway Family Foundation Mary and Dr. George L. Demetros Charitable Trust The Harry K. Fox and Emma R. Fox Charitable Foundation The William O. and Gertrude Lewis Frohring Foundation Funding Arts Network (Miami) The Hankins Foundation The Muna & Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation The Mandel Foundation Bessie Benner Metzenbaum Foundation Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation Kenneth W. Scott Foundation Jean C. Schroeder Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward and Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of December 2013.

The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. The Helen Wade Greene Charitable Trust John S. and James L. Knight Foundation The Margaret Clark Morgan Foundation National Endowment for the Arts The Frederick and Julia Nonneman Foundation William J. and Dorothy K. O’Neill Foundation Peacock Foundation, Inc. (Miami) Polsky Fund of Akron Community Foundation The Reinberger Foundation The Sisler McFawn Foundation

Severance Hall 2013-14

Foundation/Government Annual Support

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of December 15, 2013 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland) $5 MILLION TO $10 MILLION

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner $1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. Francis J. Callahan* Mrs. M. Roger Clapp Mr. George Gund III* Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson The Ralph and Luci Schey Foundation Anonymous (3) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of December 2013.

Daniel R. and Jan R. Lewis (Miami) Peter B. Lewis* and Janet Rosel (Miami) Mr. and Mrs. Albert B. Ratner INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) David and Francie Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) INDIVIDUAL GIFTS OF $100,000 TO $199,999

James D. Ireland III Mr. and Mrs. Joseph P. Keithley Mrs. Elizabeth R. Koch Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Emma S. Lincoln Elizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Mr. and Mrs. Franz Welser-Mรถst Janet* and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. and Mrs. Alexander M. Cutler Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. Allen H. Ford Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz Elizabeth B. Juliano (Cleveland, Miami) R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis Mr. and Mrs. Edward A. Lozick

Individual Annual Support

The Cleveland Orchestra

Robert M. Maloney and Laura Goyanes Ms. Beth E. Mooney Mr. Patrick Park (Miami) Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Mr. and Mrs. Lawrence M. Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Mary M. Spencer (Miami) Barbara and David Wolfort Anonymous INDIVIDUAL GIFTS OF $30,000 TO $49,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Judith and George W. Diehl Mr. and Mrs. Geoffrey Gund George Gund* Trevor and Jennie Jones Giuliana C. and John D. Koch Dr. Vilma L. Kohn Charlotte R. Kramer Mr. and Mrs. Jon A. Lindseth Ms. Nancy W. McCann Sally S. and John C. Morley Mrs. Jane B. Nord Luci and Ralph* Schey Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton

Leadership Council The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

INDIVIDUAL GIFTS OF $20,000 TO $24,999

Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia Barbato Mr. and Mrs. Matthew V. Crawford Esther L. and Alfred M. Eich, Jr. Jeffrey and Susan Feldman (Miami) Dr. Edward S. Godleski Andrew and Judy Green Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mr. and Mrs. Christopher Kelly Jonathan and Tina Kislak (Miami) Joy P. and Thomas G. Murdough, Jr. (Miami) Mr. and Mrs. James A. Saks Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Mr. and Mrs. Donald Stelling (Europe) Mr. Joseph F. Tetlak Tom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Women’s Committee of The Cleveland Orchestra Anonymous gift from Switzerland (Europe)

INDIVIDUAL GIFTS OF $25,000 TO $29,999

Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway Do Unto Others Trust (Miami) George* and Becky Dunn Dr. and Mrs. Hiroyuki Fujita Gary Hanson and Barbara Klante Mr. and Mrs. Jeffrey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland Orchestra Dr. David and Janice Leshner Maltz Family Foundation Margaret Fulton-Mueller William J. and Katherine T. O’Neill Julia and Larry Pollock Mr. and Mrs. James A. Ratner Paul and Suzanne Westlake

Severance Hall 2013-14

INDIVIDUAL GIFTS OF $15,000 TO $19,999

Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. and Mrs. David J. Carpenter Scott Chaikin and Mary Beth Cooper Martha and Bruce Clinton (Miami) Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Peter O. Dahlen Colleen and Richard Fain (Miami) Joyce and Ab* Glickman Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) David and Nancy Hooker Mr. and Mrs. Donald M. Jack, Jr. Tati and Ezra Katz (Miami)

Individual Annual Support

listings continue

THE CLEVELAN D ORCHESTRA

INDIVIDUAL GIFTS OF $10,000 TO $12,499

listings continued

Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Mr. and Mrs. Stanley A. Meisel Lucia S. Nash Mr. Gary A. Oatey (Cleveland, Miami) Claudia and Steven Perles (Miami) Steven and Ellen Ross Mr. and Mrs. David A. Ruckman Mrs. David Seidenfeld Dr. and Mrs. Neil Sethi David and Harriet Simon Rick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Jeffrey M. Weiss Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. William E. Conway Ms. Dawn M. Full Tim and Linda Koelz Mr. and Mrs. Richard A. Manuel Rachel R. Schneider Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Alfred Umdasch (Europe)

Leadership

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson

Jack Harley Iris Harvie Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, education activities, and community projects. The Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Mr. and Mrs. George N. Aronoff Mr. William Berger Jayusia and Alan Bernstein (Miami) Marsha and Brian Bilzin (Miami) Mr. D. McGregor Brandt, Jr. Paul and Marilyn* Brentlinger Augustine* and Grace Caliguire Jill and Paul Clark Richard J. and Joanne Clark Mrs. Barbara Cook Mrs. Barbara Ann Davis Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Mr. Neil Flanzraich Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Mr. David J. Golden Elaine Harris Green Robert K. Gudbranson and Joon-Li Kim Sondra and Steve Hardis T. K. and Faye A. Heston Joan and Leonard Horvitz Pamela and Scott Isquick Allan V. Johnson Andrew and Katherine Kartalis Janet and Gerald Kelfer (Miami) Mr. Jeff Litwiller Edith and Ted* Miller Mr. Donald W. Morrison Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. Raymond M. Murphy Donald and Alice Noble Foundation, Inc. Mr. and Mrs. William M. Osborne, Jr. Brian and Patricia Ratner Audra and George Rose Dr. Tom D. Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel Rutherford Mr. Larry J. Santon Dr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer Foundation Mrs. Gretchen D. Smith Jim and Myrna Spira Lois and Tom Stauffer Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. Taber Dr. Russell A. Trusso Sandy and Ted Wiese Anonymous (3)* INDIVIDUAL GIFTS OF $7,500 TO $9,999

Mr. and Mrs. Dean Barry Laurel Blossom Mr. and Mrs. Richard L. Bowen Mr. Robert W. Briggs Dr. and Mrs. Jerald S. Brodkey Dr. Ben H. and Julia Brouhard Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Nancy and Richard Dotson listings continue

Individual Annual Support

The Cleveland Orchestra

Pediatric emergency care is right in your neighborhood. Available 24/7 at nine locations. You’re now closer than ever to emergency services

Marcy R. Horvitz Pediatric Emergency Center at UH Rainbow Babies & Children’s Hospital 11100 Euclid Avenue, Cleveland

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Marcy R. Horvitz Pediatric Emergency Center at UH Ahuja Medical Center 3999 Richmond Road, Beachwood UH Geauga Medical Center 13207 Ravenna Road, Chardon UH Twinsburg Health Center 8819 Commons Boulevard Suite 101, Twinsburg St. John Medical Center 29000 Center Ridge Road, Westlake New! Mercy Allen Hospital 200 West Lorain Street, Oberlin New! Mercy Regional Medical Center 3700 Kolbe Road, Lorain Southwest General Health Center 18697 Bagley Road, Middleburg Heights New! Southwest General Brunswick Medical Center 4065 Center Road, Brunswick

RBC 00793

THE CLEVELAN D ORCHESTRA listings continued

Harry and Joyce Graham Mr. Paul Greig Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Amy and Stephen Hoffman Joela Jones and Richard Weiss Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mr. and Mrs. Thomas B. McGowan Pannonius Foundation Douglas and Noreen Powers Paul A. and Anastacia L. Rose Rosskamm Family Trust Patricia J. Sawvel Carol* and Albert Schupp Drs. Daniel and Ximena Sessler Naomi G. and Edwin Z. Singer Family Fund Mr. and Mrs. Donald W. Strang, Jr. Mrs. Marie S. Strawbridge* Bruce and Virginia Taylor Anonymous (2) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Norman and Helen Allison Susan S. Angell Mr. and Mrs. Albert A. Augustus Mr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. Behm Dr. Ronald and Diane Bell Drs. Nathan A. and Sosamma J. Berger Dr. and Mrs. Eugene H. Blackstone Paul and Marilyn* Brentlinger Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Mrs. Lester E. Coleman Mr. Owen Colligan Marjorie Dickard Comella Corinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph Daugstrup Mr. and Mrs. Edward B. Davis Pete and Margaret Dobbins Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Mr. and Mrs. Alex Espenkotter(Miami) Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Joy E. Garapic Mr. and Mrs. David Goldberg Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon David and Robin Gunning Mr. and Mrs. Michael Hardy Clark Harvey and Holly Selvaggi Henry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller

Thomas and Mary Holmes Bob and Edith Hudson (Miami) Ms. Charlotte L. Hughes Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Mr. and Mrs. Christopher Hyland Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Rudolf D. and Joan T. Kamper Milton and Donna* Katz Dr. Richard and Roberta Katzman Dr. and Mrs. William S. Kiser Mr. and Mrs. S. Lee Kohrman Mrs. Justin Krent Mr. Donald N. Krosin Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. David C. Lamb Shirley and William Lehman (Miami) Mr. Lawrence B. and Christine H. Levey Mr. and Mrs. Adam Lewis Mr. Dylan Hale Lewis Ms. Marley Blue Lewis Mr. Jon E. Limbacher and Patricia J. Limbacher Elsie and Byron Lutman Mr. and Mrs. Alex Machaskee Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Claudia Metz and Thomas Woodworth Mr. and Mrs. Abraham C. Miller (Miami) Drs. Terry E. and Sara S. Miller David and Leslee Miraldi Mr. and Mrs. William A. Mitchell Ann Jones Morgan Richard and Kathleen Nord Mr. Henry Ott-Hansen Mr. J. William and Dr. Suzanne Palmer Nan and Bob Pfeifer Mr. and Mrs. John S. Piety Dr. and Mrs. John N. Posch William and Gwen Preucil Lois S.* and Stanley M. Proctor Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Ms. Deborah Read Mr. William J. Ross Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter Mr. and Mrs. David R. Sawyier Bob and Ellie Scheuer David M. and Betty Schneider Linda B. Schneider Dr. and Mrs. James L. Sechler Mr. Eric Sellen and Mr. Ron Seidman Lee G. and Jane Seidman Charles Seitz (Miami) Mrs. Frances G. Shoolroy Marjorie B. Shorrock David Kane Smith Dr. Marvin and Mimi Sobel George and Mary Stark Howard Stark M.D. and Rene Rodriguez (Miami) Stroud Family Trust Ms. Lorraine S. Szabo

Individual Annual Support

listings continue

The Cleveland Orchestra

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WINTER SEASON

Ken Lanci, Chairman & CEO Consolidated Solutions

SEVERANCE HALL

Severance Hall 2013-14

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED

Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly Robert and Marti Vagi Don and Mary Louise Van Dyke Mr. Gregory Videtic Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins

Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Fred and Marcia Zakrajsek Anonymous (4)

INDIVIDUAL GIFTS OF $3,500 TO $4,999

Ms. Nancy A. Adams Dr. and Mrs. D. P. Agamanolis Mrs. Joanne M. Bearss Mr. and Mrs. Jules Belkin Suzanne and Jim Blaser Ms. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier Ms. Maureen A. Doerner and Mr. Geoffrey T. White Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry Peggy and David* Fullmer Barbara and Peter Galvin Dr. and Mrs. Ronald L. Gould Robert N. and Nicki N. Gudbranson Mr. Robert D. Hart Hazel Helgesen and Gary D. Helgesen Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley

Helen and Erik Jensen Barbara and Michael J. Kaplan Mr. James and Mrs. Gay* Kitson Dr. Gilles and Mrs. Malvina Klopman Mr. Thomas and Mrs. Deborah Kniesner Cynthia Knight (Miami) Marion Konstantynovich Judy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne* Lugibihl Joel and Mary Ann Makee Martin and Lois Marcus William and Eleanor McCoy James and Viriginia Meil Dr. Susan M. Merzweiler Bert and Marjorie Moyar Richard B. and Jane E. Nash Mr. and Mrs. Peter R. Osenar Mr. Robert S. Perry Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak Dr. Robert W. Reynolds

Mrs. Charles Ritchie Amy and Ken Rogat Fred Rzepka and Anne Rzepka Family Foundation Dr. and Mrs. Martin I. Salzman Mr. Paul H. Scarbrough Ginger and Larry Shane Ms. Frances L. Sharp Mr. Richard Shirey Howard and Beth Simon Mr. and Mrs. William E. Spatz Dr. Elizabeth Swenson Mr. Karl and Mrs. Carol Theil Mr. and Mrs. Lyman H. Treadway Miss Kathleen Turner Mr. and Mrs. Mark Allen Weigand Robert C. Weppler Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox Mr. and Dr. Ann Williams Anonymous

J. C. and Helen Rankin Butler Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Mary E. Chilcote Mr. and Mrs. Homer D. W. Chisholm Daniel D. Clark and Janet A. Long Mr. and Mrs. Stanley Cohen (Miami) Dr. Dale and Susan Cowan Mr. and Mrs. Manohar Daga Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis Mrs. Lois Joan Davis Dr. and Mrs. Richard C. Distad Dr. M. Meredith Dobyns Mr. George and Mrs. Beth Downes David and Margaret Ewart Harry and Ann Farmer Dr. Aaron Feldman and Mrs. Margo Harwood Ms. Karen Feth Carl and Amy Fischer Mr. Isaac Fisher Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford

Mr. Randall and Mrs. Patrice Fortin Mr. and Mrs. John R. Fraylick Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Jeanne Gallagher Marilee L. Gallagher Mrs. Georgia T. Garner Loren and Michael Garruto Mr. Wilbert C. Geiss, Sr. Anne and Walter Ginn Mr. and Mrs. David A. Goldfinger Mr. and Mrs. Robert T. Graf The Thomas J. and Judith Fay Gruber Charitable Foundation Nancy and James Grunzweig Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Dr. Feite F. Hofman Dr.* and Mrs. George H. Hoke

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Mr. and Mrs. Charles Abookire, Jr. Nancy L. Adams, PhD Stanley I. and Hope S. Adelstein Mr. and Mrs. Monte Ahuja Mr. and Mrs. Robert J. Amsdell Mr. and Mrs. Jeffrey R. Appelbaum Dr. Mayda Arias Agnes Armstrong Geraldine and Joseph Babin Ms. Delphine Barrett Ellen and Howard Bender Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Margo and Tom Bertin Julia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill* and Zeda Blau Mr. Doug Bletcher Dennis and Madeline Block Mr. and Mrs. Richard H. Bole John and Anne Bourassa Lisa and Ron Boyko Mr. and Mrs. David Briggs Mrs. Ezra Bryan

Individual Annual Support

listings continue

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Peter A. and Judith Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Dr. Randal N. Huff and Ms. Paulette Beech Ms. Carole Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Ms. LaVerne Jacobson Dr. Michael and Mrs. Deborah Joyce Rev. William C. Keene Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Fred and Judith Klotzman Mr. Ronald and Mrs. Kimberly Kolz Jacqueline and Irwin Kott (Miami) Ellen Brad and Bart Kovac Dr. Ronald H. Krasney and Ms.* Sherry Latimer Mr. James Krohngold Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. John J. Lane Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Ivonete Leite (Miami) Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Rudolf and Mrs. Eva Linnebach Martha Klein Lottman Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David and Elizabeth Marsh Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Ms. Nancy L. Meacham Mr. James E. Menger Stephen and Barbara Messner Ms. Betteann Meyerson Mr. and Mrs. Roger Michelson (Miami) Curt and Sara Moll Susan B. Murphy Joan Katz Napoli and August Napoli Mr. David and Mrs. Judith Newell Marshall I. Nurenberg and Joanne Klein Richard and Jolene Oâ&#x20AC;&#x2122;Callaghan Harvey and Robin Oppmann Mr. and Mrs. Robert D. Paddock Mr. and Mrs. Christopher I. Page

Deborah and Zachary Paris Dr. Lewis and Janice B. Patterson Mr. Thomas and Mrs. Tommie Patton Mrs. Ingrid Petrus Drs. John Petrus and Sharon DiLauro Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan Phillip Ms. Maribel Piza (Miami) Dr. Marc and Mrs. Carol Pohl Mr. Richard and Mrs. Jenny Proeschel Kathleen Pudelski Ms. Rosella Puskas Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Ms. Linda M. Rocchi Carol Rolf and Steven Adler Robert and Margo Roth Miss Marjorie A. Rott Michael and Roberta Rusek Dr. Lori Rusterholtz Dr. Harry S. and Rita K. Rzepka Ms. Patricia E. Say Mr. James Schutte Ms. Adrian L. Scott Dr. John Sedor and Ms. Geralyn Presti Harry and Ilene Shapiro Norine W. Sharp Dr. and Mrs. William C. Sheldon Laura and Alvin A. Siegal Robert and Barbara Slanina Ms. Donna-Rae Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Lucy and Dan Sondles Mr. John C. Soper and Dr. Judith S. Brenneke Mr. John D. Specht Mr.* and Mrs.* Lawrence E. Stewart Mr. Joseph Stroud Mr. Taras G. Szmagala, Jr. Ken and Martha Taylor Greg and Suzanne Thaxton Dr. and Mrs. Thomas A. Timko Steve and Christa Turnbull Mrs. H. Lansing Vail, Jr. Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami)

member of the Leadership Council (see page 77)

* deceased

Individual Annual Support

Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Mr. and Mrs. Jerome A. Weinberger Dr. Paul R. and Mrs. Catherine Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Katie and Donald Woodcock Kay and Rod Woolsey Tony and Diane Wynshaw-Boris Rad and Patty Yates Mr. Kal Zucker and Dr. Mary Frances Haerr Anonymous (7) *

THE

CLEVELAND ORCHESTRA

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestraâ&#x20AC;&#x2122;s Annual Report, which can be viewed online at CLEVELANDORCHESTRA . COM For information about how you can play a supporting role with The Cleveland Orchestra, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

The Cleveland Orchestra

A LIFETIME OF CHOICE DOESN’T END HERE. Choose the hospice of choice. Most people think you call hospice when you’re all out of options. That’s not true if you call Hospice of the Western Reserve. As Northern Ohio’s most experienced and most referred hospice provider, we offer more options to personalize care. We focus on helping patients and their families live their lives where they choose–at our unique facilities, at home, at a hospital, at a nursing home or at an assisted living residence. Discover why the hospice of choice is Hospice of the Western Reserve. Visit HospiceOfChoice.org.

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MIXON HALL MASTERS SERIES Jan 23 Gabriela Montero, pianist Feb 22 Meredith Monk, vocalist CIM ORCHESTRA CONCERTS Jan 29 CIM@Home | Kulas Hall Feb 12 CIM@Severance Hall Mar 28 CIM@Severance Hall A Celebration of Community CIM OPERA THEATER | Feb 26-March 1 A Celebration of English Opera Works by Purcell & Vaughan Williams 11021 East Boulevard, University Circle | cim.edu CIM Box Office: 216.795.3211 Severance Hall 2013-14

THE CLEVELAN D ORCHESTRA R E C O R D I N G S great gift ideas

The Cleveland Orchestra’s catalog of recordings continues to grow. The newest DVD features Bruckner’s Fourth Symphony recorded live in the Abbey of St. Florian in Austria under the direction of Music Director Franz Welser-Möst in 2012 and released in May 2013. W “A great orchestra, a Bruckner expert. . . . Five out of five stars,” declared Austria’s Kurier o newspaper. Released in 2012, Dvořák’s opera Rusalka on CD, recorded live at the Salzburg Festival, elicited the reviewer for London’s Sunday Times to praise the performance as “the most spellbinding account of Dvořák’s miraculous score I have ever heard, either in the themiraculou atre or on record. . . . I doubt this music can be better played than by the Clevelanders, the most ‘European’ of the American orchestras, with wind and brass soloists to die for and a string sound of superlative warmth and sensitivity.” Other recordings released in recent years include two under the baton of Pierre Boulez and a third album of Mozart piano concertos with Mitsuko Uchida, whose first Cleveland Orchestra Mozart album won a Grammy Award in 2011. Visit the Cleveland Orchestra Store for the latest and best Cleveland Orchestra recordings and DVDs.

PH OTO G R APH ÂŠ BY H E D R I CH B LE SSI N G

Imagine your picture-perfect event at Severance Hall.

Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is perfect for business meetings and conferences, pre-concert or post-concert dinners, and receptions, weddings, and social events.

Premium dates available! Call the Manager of Facility Sales at 216-231-7421 or email hallrental@clevelandorchestra.com

11001 Euclid Avenue Cleveland, Ohio 44106

CLEVELANDORCHESTRA.COM

the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

Severance Hall

The Cleveland Orchestra

The Cleveland Orchestra guide to

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Severance Hall 2013-14

THE CLEVELAND C O N C E R T

C A L E N D A R

WINTER SEASON Mozart, Mendelssohn, and Elgar Thursday February 6 at 7:30 p.m. Friday February 7 at 11:00 a.m. <18s * Saturday February 8 at 8:00 p.m. THE CLEVELAND ORCHESTRA Nikolaj Znaider, violin and conductor

MOZART Violin Concerto No. 3 MENDELSSOHN Symphony No. 4 (“Italian”) * ELGAR Enigma Variations * not part of Friday Morning Matinee

Valentine Tribute to the Cleveland Orchestra Chorus Sunday February 9 at 7:00 p.m.

A special evening to benefit the Cleveland Orchestra Chorus, featuring a collection of songs, musical dances, and romances performed by members of The Cleveland Orchestra and the Cleveland Orchestra Chamber Chorus. All proceeds benefit the Chorus Fund.

Mahler and Brahms Thursday February 13 at 7:30 p.m. Saturday February 15 at 8:00 p.m. Sunday February 16 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA Marc Albrecht, conductor Sasha Cooke, mezzo-soprano

MAHLER “Blumine” Symphonic Movement MAHLER Songs of a Wayfarer BRAHMS Quartet in G minor, Opus 25 (arranged for orchestra by Arnold Schoenberg) Sponsor: BakerHostetler

Celebrity Concert — Casablanca Friday February 14 at 8:00 p.m. THE CLEVELAND ORCHESTRA William Eddins, conductor

The ultimate Valentine’s Day experience! The burning romantic screen coupling of Humphrey Bogart and Ingrid Bergman paired with Max Steiner’s lush score performed live by The Cleveland Orchestra. One night only!

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

Rachmaninoff’s Rhapsody Thursday March 6 at 7:30 p.m. Friday March 7 at 7:00 p.m. <18s * Saturday March 8 at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Rudolf Buchbinder, piano Kate Royal, soprano* Jamie Barton, mezzo-soprano* John Tessier, tenor* Cleveland Orchestra Chorus* Cleveland Orchestra Children’s Chorus*

SIBELIUS Lemminkäinen RACHMANINOFF Paganini Rhapsody WIGGLESWORTH Locke’s Theatre * BRITTEN Spring Symphony* * not part of KeyBank Fridays@7 concert

Sponsor: KeyBank

Cleveland Orchestra Youth Orchestra and Youth Chorus Sunday March 9 at 7:00 p.m. <18s CLEVELAND ORCHESTRA YOUTH ORCHESTRA Brett Mitchell, conductor CLEVELAND ORCHESTRA YOUTH CHORUS Lisa Wong, director Amanda Russo, mezzo-soprano

BEETHOVEN Overture to Fidelio HINDEMITH Symphony: Mathis der Maler CORIGLIANO Fern Hill MENDELSSOHN Help Me, Lord, Find Peace

Dohnányi Conducts Schumann Thursday March 27 at 7:30 p.m. Saturday March 29 at 8:00 p.m. Sunday March 30 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA Christoph von Dohnányi, conductor

SCHUMANN Symphony No. 4 SCHUMANN Symphony No. 2

Under 18s Free FOR FAMILIES

<18s

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra in the United States. Our "Under 18s Free" program offers free tickets for young people attending with their families (one per paid adult admission).

Concert Calendar

The Cleveland Orchestra

ORCHESTRA I N

T H E

S P O T L I G H T

Mitsuko Uchida’s Mozart Thursday April 3 at 7:30 p.m. Friday April 4 at 8:00 p.m. <18s Saturday April 5 at 8:00 p.m. THE CLEVELAND ORCHESTRA Mitsuko Uchida, piano and conductor William Preucil, concertmaster and leader

MOZART Piano Concerto No. 18 MOZART Symphony No. 23 MOZART Piano Concerto No. 19 Sponsor: Quality Electrodynamics (QED)

Family Concert — Mozart Sunday April 6 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA Kelly Corcoran, conductor with Magic Circle Mime Co. A mischievous street musician is caught playing the orchestra’s grand piano. Much to her surprise, the conductor offers her the chance to “be Mozart” for a day. The street musician and her prankster companion lead the audience on a musical adventure that reveals the story of Mozart’s life and his musical genius. The program includes excerpts from some of the genius’s most famous works, including “A Little Night Music (“Eine kleine Nachtmusik”), The Magic Flute, Overture to Don Giovanni, the “Jupiter” Symphony (No. 41), and more. Sponsor: The Giant Eagle Foundation

Yuja Wang Plays Rachmaninoff Thursday April 10 at 8:00 p.m. Friday April 11 at 11:00 a.m. <18s * Friday April 11 at 7:00 p.m. <18s * Saturday April 12 at 8:00 p.m. THE CLEVELAND ORCHESTRA Giancarlo Guerrero, conductor Yuja Wang, piano

PROKOFIEV Classical Symphony RACHMANINOFF Piano Concerto No. 3 RIMSKY-KORSAKOV Scheherazade* * not part of Friday morning or KeyBank Fridays@7 concert

Dvořák and Tchaikovsky Thursday April 17 at 7:30 p.m. Saturday April 19 at 8:00 p.m. THE CLEVELAND ORCHESTRA Herbert Blomstedt, conductor Mark Kosower, cello

Thursday March 27 at 7:30 p.m. Saturday March 29 at 8:00 p.m. <18s Sunday March 30 at 3:00 p.m. THE CLEVELAND ORCHESTRA Christoph von Dohnányi, conductor

Robert Schumann’s symphonies are intensely personal ideals of what classical music can represent — life’s joys and travails, momentary sorrow and uplifting joy. Their glowing lyricism, drama, and evocative atmosphere defined the style of what a Romantic symphony can be. Renowned for his interpretations of this tremendously imaginative composer, Christoph von Dohnányi returns for these all-Schumann concerts.

CLEVELAND ORCHESTRA TICKETS

DVOŘÁK Cello Concerto TCHAIKOVSKY Symphony No. 6 (“Pathétique”)

Severance Hall 2013-14

DOHNÁNYI CONDUCTS SCHUMANN

Concert Calendar

PHONE

216 - 231-1111 800-686-1141

clevelandorchestra.com 91

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A N C E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting clevelandorchestra.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall this season are on October 13, December 1, January 12, February 16, March 30, and May 4. For more information or to make a reservation for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available. Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111. Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2013-14

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K E T SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

AT SEVERANCE HALL . . . Franz Welser-Möst

Mitsuko Uchida

Franz Welser-Möst

RACHMANINOFF’S RHAPSODY

MITSUKO UCHIDA’S MOZART

Thursday March 6 at 7:30 p.m. Friday March 7 at 7:00 p.m. <18s Saturday March 8 at 8:00 p.m.

Thursday April 3 at 7:30 p.m. Friday April 4 at 8:00 p.m. <18s Saturday April 5 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Rudolf Buchbinder, piano Kate Royal, soprano * Jamie Barton, mezzo-soprano * John Tessier, tenor * Cleveland Orchestra Chorus * Cleveland Orchestra Children’s Chorus *

THE CLEVELAND ORCHESTRA Mitsuko Uchida, piano and conductor William Preucil, concertmaster

The Cleveland Orchestra anticipates the coming of spring . . . first, with Rachmaninoff’s lush Rhapsody on a Theme of Paganini. Also, on Thursday and Saturday, comes Britten’s Spring Symphony * — a work that, in the composer’s own words, represents “the progress of Winter to Spring and the reawakening of the earth and life which that means.” Sponsor: KeyBankNew!

* not part of Fridays@7 concert

Mitsuko Uchida’s interpretations of Mozart are renowned for their intelligence, elegance, and sensitivity. She continues her acclaimed collaboration with The Cleveland Orchestra, which was recognized with a 2010 Grammy Award, with performances of two more of Mozart’s piano concertos (Nos. 18 and 19). “Mitsuko Uchida’s Mozart playing is stunningly sensitive, crystalline, and true.” —Boston Globe Sponsor: Quality Electrodynamics (QED)New!

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Cleveland Orchestra concerts.

TICKETS

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra