The Cleveland Orchestra March 27, 29, 30 Concerts by Live Publishing

SPRING SEASON

SEVERANCE HALL

March 27, 29, 30 CHRISTOPH VON DOHNÁNYI CONDUCTS SCHUMANN

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TA B L E

CONTENTS

THIS WEEK THE

CLEVELAND

ORCHESTRA

WEEK 14 PAGE

COVER PHOTOGRAPHY BY ROGER MASTROIANNI

In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

About the Orchestra About the Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . 8 Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22 Education and Community . . . . . . . . . . . . . . . . . . 59 Administrative Staff . . . . . . . . . . . . . . . . . . . . . . . . . 62 Severance Hall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

SCHUMANN

Symphony No. 4 . . . . . . . . . . . . . . . . . . . . . . . . . . 43 SCHUMANN

Symphony No. 2 . . . . . . . . . . . . . . . . . . . . . . . . . . 51 Conductor: Christoph von Dohnányi . . . . . . . . . 39

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Corporate Annual Support . . . . . . . . . . . . . . . . . . . Foundation / Government Annual Support . . . Individual Annual Support . . . . . . . . . . . . . . . . . .

Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members. Program book advertising is sold through Live Publishing Company at 216-721-1800

NATIONAL ENDOWMENT FOR THE ARTS

Concert — Week 14 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Program: March 27, 29, 30 . . . . . . . . . . . . . . . . . 35 Introducing the Concerts . . . . . . . . . . . . . . . . . . . . 37

48 64 69 73 75 76

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture. The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio. The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

50%

All unused books are recycled as part of the Orchestra’s regular business recycling program.

Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book is printed on paper that includes 50% recycled post-consumer content.

These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Table of Contents

The Cleveland Orchestra

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“There’s an inclusiveness here that I couldn’t get anywhere else.”

—Jordan Perlman, Judson Manor resident since 2007

Judson Manor resident Jordan Perlman has amassed VË8? ÄËÍ ËÍ jË jÜj ? a over 8,000 volunteer hours at Cleveland Clinic, Museum of Art greeting patients and guests. “I answer about 80 VË Áj¶Öj Í ßË ÄÍÄËË questions a day,” he says. dinner parties Jordan moved to Judson Manor because it was VË ¬?ÁÍ j ÍËÄ ÝW?ÄjÄ convenient to all the things important to him—his Clinic Ë ÄËjW jWÍ WË?ÁÍËW jWÍ volunteer position and Cleveland’s cultural scene. This is Smart Living™ deﬁned at Judson Manor. Interested in learning more? Call (216) 791-2004 to arrange for a tour today.

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Perspectivesfrom the Executive Director March 2014 Musical excellence — which has always been a hallmark of The Cleveland Orchestra — goes hand-in-hand with music education, which has been central to the Orchestra’s mission since its founding. The National Association for Music Education has designated March as “Music in Our Schools” Month to raise awareness of the importance of music education for all young people — and to serve as a reminder that all children should have access to quality arts education at school, because a child’s education is not complete unless it includes the arts. These are beliefs The Cleveland Orchestra wholeheartedly shares. We stand with teachers and music programs across Northeast Ohio, who are working every day to harness the power of music to engage, educate, and enlighten students of all ages. The arts are not a frill or an extra. They are a core subject of school learning, vital to realizing each child’s full potential. Throughout his tenure as music director, Franz Welser-Möst has been a great champion of music education. He led The Cleveland Orchestra back into the region’s public schools, performing concerts in local high schools for the first time in thirty years. And it is Franz who is spearheading our Make Music! program to promote active participation in music-making across Northeast Ohio. Musical Introductions. Many of The Cleveland Orchestra’s education programs give students their first opportunity to experience live classical music. PNC Musical Rainbows introduce pre-school and kindergarten students to the instruments of the orchestra (March features The Clever Clarinet). And specially designed Education Concerts, presented for school children each season at Severance Hall, introduce over 20,000 young people to live classical music performed by the Orchestra. Learning Through Music. Music has incredible potential and value as a tool for understanding and unlocking learning for other subjects. With programs such as PNC Grow Up Great and Learning Through Music, Orchestra musicians visit local partner schools and present lessons that utilize music as a catalyst to help teach classroom subjects in new and exciting ways — from math and science, to poetry, social studies, and more. Making Music Together. We also believe in the value of nurturing young musicians — in teaching them how to grow and excel in their music-making, and how to benefit from the life lessons making music offers (teamwork, listening, collaboration, and self expression). Our youth ensembles and community performances all build upon the power of music as an activity to participate in directly, with your hands, voice, and spirit. Throughout the spring, these and other programs I haven’t yet mentioned are taking place as a regular part of the Orchestra’s annual schedule. The best way to learn more about these programs is to attend and observe them. Please contact Joan Katz Napoli, Director of Education & Community Programs, at 216-231-7348 to schedule a visit to witness our music education programs in action — and to experience the power of music to shape the lives of young people in our community.

Severance Hall 2013-14

Gary Hanson

CLEVELAND ORCHESTRA ARCHIVES

PHOTO OF THE WEEK follow the Orchestra on Facebook for more archival photos

SYMPHONY AND BASEBALL — In the summer of 1953, when Public Auditorium was undergoing renovations, The Cleveland Orchestra’s series of popular summer concerts became pre-game performances at Cleveland Stadium. In this photograph, Louis Lane conducts while Indians team members pose and listen.

and around the globe, The Cleveland Orchestra remains Northeast Ohio’s most visible international ambassador and one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and active community engagement. With the 2013-14 season, Franz Welser-Möst marks his twelfth year leading the ensemble, with a commitment extending to the Orchestra’s centennial in 2018. This artistic partnership continues to move the ensemble forward through a series of new and ongoing initiatives, including: IN PE RFORMANCE S AT HOME

expansion of education and community programs in Northeast Ohio to feature music as an integral and regular part of everyday life for more people, including the launch in 2013 of an “At Home” neighborhood residency program that brings The Cleveland Orchestra to a single neighborhood or town for an intensive period of special activities and performances, as well as the broaden-

About the Orchestra

The Cleveland Orchestra

ing of the Orchestra’s ongoing education and community engagement initiatives to include Make Music!, a program of active and participatory experience and learning; the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base — including ongoing residencies at the Vienna Musikverein (the first of its kind by an American orchestra) and in Florida under the name Cleveland Orchestra Miami (featuring an annual series of concerts and community activities, coupled with educational presentations and collaborations based on programs pioneered at home in Cleveland); creative new artistic collaborations with arts institutions in Northeast Ohio, including staged works, concerts, and chamber music performances; a concentrated and successful effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media promotion, and student ticket programs, with demonstrated results at Severance Hall and Blossom; a variety of new concert offerings (including staged opera and ballet, as well as KeyBank Fridays@7 and Celebrity Series at Severance Hall and movie, themed, and family presentations at Blossom) to play more music for more people; continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and beyond; ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of acclaimed DVD concert presentations of symphonies by Anton Bruckner led by Welser-Möst. The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. Seven music directors have guided and shaped the ensemble’s growth and sound: Nikolai Sokoloff, 1918-33; Artur Rodzinski, 1933-43; Erich Leinsdorf, 1943-46; George Szell, 1946-70; Lorin Maazel, 1972-82; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002. The opening in 1931 of Severance Hall as the Orchestra’s permanent home, with later acoustic refinements and remodeling of the hall under Szell’s guidance, brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States. Severance Hall 2013-14

The Orchestra Today

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T H E M U S I C AL AR TS ASSOCIATION

as of March 2014

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival

O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Norma Lerner, Honorary Chair Hewitt B. Shaw, Jr., Secretary Beth E. Mooney, Treasurer

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson Raymond T. Sawyer

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland James D. Ireland III

Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong

Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Daniel P. Walsh Thomas A. Waltermire Geraldine B. Warner Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) Loren W. Hershey (DC) Herbert Kloiber (Germany)

Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFIC IO Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee TR U S TE E S E M ERIT I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Robert W. Gillespie Gay Cull Addicott Dorothy Humel Hovorka Oliver F. Emerson Robert F. Meyerson Allen H. Ford

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2013-14

Gary Hanson, Executive Director

Musical Arts Association

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THE CLEVELAND OR ORCHESTRA R conducted cond cted b by Franz W Welser-Möst

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Don’t miss this unique unique, made-for-Cleveland opera presentation presentation! Staged at Severance Hall with an international cast and innovative, original animated projections. While plumbing the depths of human experience, The Cunning Little Vixen tells a charmingly bittersweet tale f of love, peril, freedom, and family. The opera’s title character, portrayed by Czech soprano Martina M Janková, wends her way through life’s cycles of learning and danger, dange love and happiness. Janáček’s score mixes lyrical symphonic writing wit the songful serenity and energetic pulse of Moravian folk music. with This Cleveland Orchestra opera presentation is supported in part by The Andrew W. Mellon Foundation and by the National Endowment for the Arts

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

marks Franz Welser-Möst’s twelfth year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is extending and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst is general music director of the Vienna State Opera. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. Mr. Welser-Möst’s championship of community music-making expands upon his active participation in educational programs and collaborative programming, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories, universities, and other arts institutions across Northeast Ohio. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a regular new residency at New York’s Lincoln Center Festival. To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction. Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth. Franz Welser-Möst has led a series of opera performances during his tenure P H OTO BY S ATO S H I AOYAG I

THE 2013 -14 SEASON

Severance Hall 2013-14

Music Director

in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 leads an innovative made-for-Cleveland production of Leoš Janáček’s The Cunning Little Vixen at Severance Hall. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director Sven-Eric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 201314 season, his Vienna schedule includes a new production of Puccini’s The Girl of the Golden West, as well as performances of Tristan and Isolde, Verdi’s Don Carlo, Beethoven’s Fidelio, and Richard Strauss’s Ariadne auf Naxos and Der Rosenkavalier. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at New York’s Carnegie Hall, in concert at La Scala Milan, and in opera presentations at the Salzburg Festival. He also led the Philharmonic’s New Year’s Day concert, viewed by telecast in seventy countries worldwide in 2011 and again in 2013. Across a decadelong tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of five of Bruckner’s symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

Music Director

The Cleveland Orchestra

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P H OTO BY R O G E R MA S T R O I A N N I

Franz Welser-MĂśst and The Cleveland Orchestra, performing Brucknerâ&#x20AC;&#x2122;s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST MUSIC

DIRECTOR Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra Preucil

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Katherine Bormann

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut Yun-Ting Lee VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune S Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

O R C H E S T R A FLUTES Joshua Smith *

HORNS Richard King * George Szell Memorial Chair

PERCUSSION Marc Damoulakis°

Margaret Allen Ireland Chair

Donald Miller Tom Freer

Elizabeth M. and William C. Treuhaft Chair

Michael Mayhew §

Saeran St. Christopher Marisela Sager 2

Jesse McCormick Hans Clebsch Alan DeMattia

KEYBOARD INSTRUMENTS Joela Jones *

TRUMPETS Michael Sachs *

Carolyn Gadiel Warner

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

Barrick Stees

Sandra L. Haslinger Chair

Knight Foundation Chair

Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Joe and Marlene Toot Chair

Donald Miller ORCHESTRA PERSONNEL Karyn Garvin DIRECTOR

Christine Honolke MANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIED Sidney and Doris Dworkin Chair Sunshine Chair

Richard Stout Alexander and Marianna C. McAfee Chair

* Principal

Shachar Israel 2

° Acting Principal

BASS TROMBONE Thomas Klaber

Associate Principal First Assistant Princi pal 2 Assistant Principal S On sabbatical §

EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

Jonathan Sherwin

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

Brett Mitchell

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

CONTRABASSOON Jonathan Sherwin

Severance Hall 2013-14

Rudolf Serkin Chair

The Orchestra

PLACE YOUR AD: HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, & HERE

photo: Roger Mastroianni

WHY ISN’T YOUR AD HERE? ADVERTISE IN THE CLEVELAND ORCHESTRA SEVERANCE HALL PROGRAM BOOKS The Cleveland Orchestra is an extraordinary engine of promotion and a tremendous source of great civic pride. Every year The Cleveland Orchestra draws a local, national and international audience to Severance Hall to hear “the sound the world is talking about.” We invite you to be a part of this amazing experience by advertising in the Severance Hall printed programs. It’s a smart way to put yourself in front of 150,000+ of northeast Ohio’s most inﬂuential consumers and business decision-makers.

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Details of Orchestra’s “at home” in Lakewood neighborhood residency announced for May 17-24 Four months of education activities presented in partnership with Lakewood schools lead up to an intensive week of free public performances and events, including Orchestra concert on May 24

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Lakewood is known for its commitment to the arts. The Orchestra’s events will strengthen this commitment and showcase the city’s great quality of life, local organizations, restaurants, schools, and businesses that make our community special.” The Cleveland Orchestra introduced neighborhood residencies in May 2013 in the Gordon Square community of Cleveland. The activities, including a Cleveland Orchestra Concert at Saint Colman Catholic Church, were taped and aired by WVIZ/PBS ideastream. WCLV 104.9 also broadcast the concert on radio. The goals of the neighborhood residencies are to bring increased visibility and vibrancy to greater Cleveland’s neighborhoods, build community through arts and culture in tandem with local partners, and offer more people the opportunity to engage with the music and the musicians of The Cleveland Orchestra. The culminating residency week of activities will include solo and chamber music performances in unique locations, educational programs at local schools, and new artistic collaborations with neighborhood arts and cultural organizations — all in partnership with local businesses and community groups. Complete “at Home in Lakewood” details can be found at clevelandorchestra.com.

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The Cleveland Orchestra and the Lakewood community are joining together to present “The Cleveland Orchestra at Home in Lakewood,” a neighborhood residency that features an intensive week of free public performances and events May 17-24. A series of prepartory events in partnership with Lakewood schools began in February and continue through the public residency week. The centerpiece of the Orchestra’s activities in Lakewood will be a free Cleveland Orchestra concert led by Music Director Franz Welser-Möst at Lakewood Civic Auditorium on Saturday evening, May 24, at 7:30 p.m. Tickets will be distributed at locations throughout Lakewood beginning on Saturday, April 26. (A delayed telecast of the concert will be presented by WVIZ/PBS ideastream; the concert will be broadcast live on radio by WCLV 104.9 ideastream. The television broadcast will feature a composite of community collaborations, musical performances, and joint events and activities throughout Lakewood.) “Creating a ‘grass roots’ opportunity for Lakewood to experience perhaps the greatest orchestra in the world at a very personal level is a cultural experience that we will remember for years to come,” commented Michael P. Summers, Lakewood’s mayor, in announcing resdiency details. “Our increasingly vibrant commercial corridors and neighborhoods will be made ever-more-so by the music and the musicians.” Ian Andrews, executive director of LakewoodAlive, Lakewood’s nonprofit economic development organization, said, “We are ecstatic to have been chosen as The Cleveland Orchestra’s destination for immersion into a Northeast Ohio community.

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Post-concert artists add spice to spring concerts for KeyBank Fridays@7 series

The Cleveland Orchestra’s Fridays@7 series continues with two popular concert offerings April 11 and May 2, pairing orchestral favorites with an array of post-concert world music presentations. The concerts feature a popular work for piano and orchestra by Rachmaninoff, plus Mozart’s Requiem. The one-hour concerts include the early 7 p.m. start time, plus extra music both before and after. The post-concert presentations in the spring will be: April 11 — Brazilian Carnival comes to Severance Hall as sensation Kenia brings her ensemble to Cleveland. Born in working class Rio de Janeiro, this singer has created her own style, blending traditions with modern, jazz, and soul, enriched with a Latin beat. May 2 — Requiem to Resurrection. Gospel legend Theresa Thomason and the Mt. Zion Congregational Church Gospel Choir will lift the rafters in a musical journey for the soul. Let the spirit move you! A special two-concert series package is available for these final two KeyBank Fridays@7 performances. Contact Severance Hall Ticket Services for complete details.

Save the Date The volunteers of the Women’s Committee of The Cleveland Orchestra are holding their spring benefit evening on Friday, April 25, at Shaker Heights Country Club.

A.R.O.U.N.D T.O.W.N Recitals and presentations Upcoming local performances by members of The Cleveland Orchestra include: Cleveland Orchestra violists Lisa sa Boyko, Lembi Veskimets, Richard Waugh, and nd Joanna Patterson Zakany perform in a special Ohio Viola Society concert on Friday riday evening, March 28, beginning at 7:00 00 p.m. The concert will be presented at St. Paul’s Episcopal Church in Cleveland d Heights. More information can be found at www.ohioviolasociety.org. Ensemble HD presents a performance as part of Cleveland Chamber Symphony’s inaugural SonicFest (March 28 to April 6), with ha concert on Sunday evening, March 30, at 7:30 p.m at Harkness Chapel at Case Western Reserve University. Ensemble HD has gained national attention for bringing classical music to new audiences with their performances at the Happy Dog bar on Cleveland’s near Westside. The ensemble is led by Joshua Smith, principal flute of The Cleveland Orchestra, and also includes Christina Dahl along with Cleveland Orchestra members Amy Lee, Frank Rosenwein, Charles Bernard, and Joanna Patterson Zakany. For the March 30 performance, Verb Ballets will collaborate to perform a new work inspired by whales set to composer George Crumb’s Vox Balaenae. Directed by Sara Whale, the dancers will interpret the evocative and unusual timbres to create vivid oceanic imagery. For more information, visit www.neosonicfest.org. Massimo La Rosa, principal trombone of The Cleveland Orchestra, performs a recital to benefit the Dystonia Medical Research Foundation (DMRF) on Sunday evening, April 6. The event begins at 6:00 p.m. at the First Unitarian Church (21600 Shaker Boulevard, Shaker Heights). Tickets are $15, available at the door. La Rosa will be joined by his recital partner, pianist Elizabeth DeMio. A portion of the proceeds from the sale of every copy of their album Sempre Espressivo to DMRF. is being donated do

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OrchestraNews I.N M.E.M.O.R.I.A.M The Cleveland Orchestra notes the death on March 11 of retired Orchestra horn player Albert Schmitter at the age of 81. He served as a member of the Orchestra for 29 years, retiring in 1995. Schmitter was a graduate of J.F. Rhodes High School in Cleveland and of the United States Military Academy at West Point. He also attended Baldwin Wallace College. The entire Orchestra family extends its condolences to his family and friends.

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Cleveland Orchestra presents Hitchcock’s “Psycho” live at Severance Hall April 22 Festival of Àlms with scores by Bernard Herrmann April 24-27 at Cleveland Cinematheque The Cleveland Orchestra’s Celebrity series concludes for the 2013-14 season with a special presentation of Hitchcock’s thriller movie “Psycho” on Tuesday evening, April 22. The film’s famously dramatic score by Bernard Herrmann will be performed live by the Orchestra, with the film projected above the stage. For tickets, contact the Severance Hall Ticket Office or clevelandorchestra.com. The showing coincides with a festival of films with scores by Herrmann being screened at the Cleveland Cinematheque, April 24-27. Films to be screened include “On Dangerous Ground,” “Marnie,” “The Devil and Daniel Webster,” and “Citizen Cane.” For more information, visit www.cia. edu/cinematheque.

Special free community concert presented April 18 with Cleveland Orchestra and Youth Orchestra The Cleveland Orchestra has announced a special free community concert on Friday, April 18, featuring the Orchestra sitting sideby-side with the Cleveland Orchestra Youth Orchestra. In this unique annual concert, often presented on a weekday for high school students, Orchestra musicians mentor their younger counterparts in performance. This year’s evening concert has been opened to the general public. The program features works by Berlioz and Shostakovich, plus Youth Orchestra alumnus James Thompson performing as soloist in Saint-Saëns’s Introduction & Rondo Capriccioso. Free, with general admission seating. Tickets required. Free tickets can be obtained by contacting the Severance Hall Ticket Office or visiting clevelandorchestra.com.

Silence is golden As a courtesy to the performers onstage and the audience around you, all patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to each concert.

Comings and goings As a courtesy to the performers onstage and the entire audience, late-arriving patrons cannot be seated until the first break in the musical program.

Committed to Accessibility Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216-231-7425.

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Cleveland Orchestra launches new group for networking and socializing with dynamic young professionals The Cleveland Orchestra has announced a new group called The Circle, welcoming young professionals ages 21-40. The group is designed for those who share a love of music and an interest in supporting The Cleveland Orchestra in a new and dynamic way. The Circle provides members exclusive access to the Orchestra, with opportunities to meet musicians, and socialize at Severance Hall and at Blossom Music Festival events. Memberships include bi-monthly concert tickets along with opportunities to attend social gatherings to network with friends and cultural business leaders of Northeast Ohio. The objectives of The Circle are to increase engagement opportunities for young people ages 21-40 and to help develop future volunteer community leaders and arts advocates. The Circle was launched at a Cleveland

Orchestra concert in January, and is continuing to grow. Plans for events throughout the spring are posted on the orchestra’s website, including concert receptions, a tour of Severance Hall, and more. Cost of membership in The Circle is $15 per month for one membership and $20 per month for two memberships and includes bi-monthly tickets. New members join for a minimum of six months. For additional information, visit clevelandorchestra.com or send an email to thecircle@clevelandorchestra.com.

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Mahler, in a photograph taken in 1909 in New York

Established 1867 THE CLEVELAND ORCHESTRA

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Fiduciary Representation Trusts and Trust Administration Probate and Estate Administration Real Estate Business Law Tax Law and Planning Charitable Planning and Giving

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The Cleveland Carousel Society is bringing back the Grand Carousel from Euclid Beach Park’s historic past for all to ride again. You can be a part of this historic restoration by becoming a member, naming donor or sponsor of the Carousel horses right now.

8800 EUCLID AVENUE, CLEVELAND, OHIO 44106

Go to: www.clevelandcarousel.org Or call: 216-752-1505

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Chorus auditions announced for children, youth, and adult singers for Blossom and 2014-15

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Severance Hall 2013-14

or an equivalent classical solo piece; Broadway or “pop” tunes are not acceptable. In addition to the prepared piece, students will be asked to sight-read and demonstrate their vocal range. An accompanist is provided at the audition. The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer choruses sponsored by a major American orchestra. Coming from nearly fifty Northeast Ohio communities, members of the Chorus perform with The Cleveland Orchestra in subscription and Christmas concerts each year. Previous choral experience and sight-reading skills are required. The Blossom Festival Chorus includes many members of the Cleveland Orchestra Chorus and other Northeast Ohio choral groups. It has established itself as a permanent annual part of the summertime Blossom Festival and has sung in more than 100 concerts since its 1968 debut. Both groups are directed by Robert Porco. Auditions for the Cleveland Orchestra Chorus and Blossom Festival Chorus will be held April 16 and April 19, by appointment only. Those auditioning are asked to prepare two pieces from the classical literature, one of which should be in a foreign language. Each piece should be approximately two minutes in length. Previous choral experience and sight-reading skills are required. An accompanist is provided at the audition. To schedule an audition, call the Chorus Office at 216-231-7374, or send an email to chorus@clevelandorchestra.com.

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Spring audition dates for the choral groups sponsored by The Cleveland Orchestra have been announced. The auditions — for adults, youth, and children — are for membership in groups singing during the 2014 Blossom Music Festival and the 2014-15 Season at Severance Hall. Auditions will take place in May and June. The Cleveland Orchestra Choruses embody a long-standing commitment to choral music in which community members of all ages have the opportunity to participate. The Cleveland Orchestra Children’s Chorus is open to students in grades 6-8 and directed by Ann Usher, and the Cleveland Orchestra Children’s Preparatory Chorus is open to students in grades 5-8 and directed by Suzanne Walters. Both groups are holding auditions on June 2, June 7, and June 14. The Children’s Chorus, formed in 1967, provides musical training in vocal production and choral performance skills. The Children’s Preparatory Chorus provides children with initial choral experiences to which younger singers may not have been exposed, while establishing a solid foundation in vocal production techniques. To audition, children must sing one verse of “America” (My Country, ’Tis of Thee) with piano accompaniment in the key of his or her choice and one verse of “America the Beautiful” (Oh beautiful, for spacious skies) without accompaniment in the key of D. Singing scales and doing some rhythmic exercises may also be included in the audition, for which an accompanist is provided. Students in grades 9-12 are welcome to audition for the Cleveland Orchestra Youth Chorus, directed by Lisa Wong, on May 3, May 11, or June 11. Created in 1991, the Youth Chorus helps raise awareness of choral music-making in the schools of Northeast Ohio and encourages students to continue their choral activities through college and into adulthood. The Youth Chorus collaborates each season in performance with the Cleveland Orchestra Youth Orchestra. Youth Chorus audition requirements are to prepare a piece from the OMEA Solo & Ensemble list,

TOWN HALL SPEAKER SERIES 2013-2014

Conservatory of Music Baldwin Wallace University is pleased to host the 2014 Ohio Chapter Annual Meeting of the

International Trumpet Guild Saturday, March 29, 9 am-5 pm with Featured Artists:

Robert Sullivan and John Daversa

APR 7, 2014

Bob Woodward “The Price of Politics”

For more information or to register: www.bw.edu/academics/conservatory/ trumpetguild or 440-826-8070 BW Professor Jack Sutte, host

Baldwin Wallace University Conservatory of Music Faculty applauds trumpet connections with The Cleveland Orchestra: Jack Sutte

Tickets are $45 each. Ohio Theatre 6:00 PM

Call for tickets at

216.241.1919

www.townhallofcleveland.org

Second trumpet since 1999 Curtis and Juilliard Trumpet Professor, BW

Michael Miller, BW ‘85

Trumpet and Cornet Baldwin Wallace and Cincinnati faculty, Cleveland Institute of Music

Lyle Steelman, BW ‘01

Assistant Principal Trumpet Baldwin Wallace Conservatory Southern Methodist University

www.bw.edu/conservatory • music@bw.edu 1-866-BW-MUSIC • 440-826-2368 Academic Sponsor

Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin, gender or sexual orientation in the administration of any policies or programs.

The Cleveland Orchestra

LEARNING MORE ABOUT THE MUSIC

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives. Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Severance Hall 2013-14

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka. March 27, 29, 30 “Schumann the Symphonist” with Jason Harris, assistant professor of choral conducting, Oberlin College Conservatory of Music

April 3, 4, 5 “Tales of a Virtuoso” with Francesca Brittan, assistant professor of musicology, Case Western Reserve University

April 10, 11, 12 “Romantic vs. Modern” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

April 17, 19 “Bittersweet Farewells” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

April 24, 26 “Bach’s Son, Papa Haydn, and Beethoven”

Concert Previews

with Pierre van der Westhuizen, executive director of the Cleveland International Piano Competition

BUILDING A BETTER WORLD ONE PERFORMANCE AT A TIME We are pleased to support The Cleveland Orchestra: a Cleveland institution with a global reputation for excellence. Bravo!

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Thursday evening, March 27, 2014, at 7:30 p.m. Saturday evening, March 29, 2014, at 8:00 p.m. Sunday afternoon, March 30, 2014, at 3:00 p.m.

Christoph von Dohnányi, conductor robert schumann (1810-1856)

Symphony No. 4 in D minor, Opus 120 1. 2. 3. 4.

Ziemlich langsam — Lebhaft [Quite slowly — Lively] Romanze: Ziemlich langsam Scherzo: Lebhaft — Trio Langsam — Lebhaft

INTERMISSION

Symphony No. 2 in C major, Opus 61 1. 2. 3. 4.

Sostenuto assai — Allegro ma non troppo Scherzo: Allegro vivace Adagio espressivo Allegro molto vivace

Saturday evening’s performance is sponsored by Squire Sanders (US) LLP. The Thursday evening concert is dedicated to Barbara S. Robinson in recognition of her extraordinary generosity in support of The Cleveland Orchestra’s 2012-13 Annual Fund. The concert on Thursday will end at about 9:00 p.m., Saturday’s at approximately 9:30 p.m., and Sunday’s at 4:30 p.m. LIVE RADIO BROADCAST

Saturday evening’s concert is being broadcast live on WCLV (104.9 FM). The concert will be rebroadcast as part of regular weekly programming on WCLV on Sunday afternoon, June 22, at 4:00 p.m. and Saturday, September 13, at 8:00 p.m.

Severance Hall 2013-14

Concert Program — Week 14

DISTINGUISHED LECTURES Wednesday, May 14, 7:00 P.M. When A Public Intellectual Confronts Personal Tragedy:

An Evening with David Grossman Park Synagogue, 3300 Mayfield Rd., Cleveland Heights, OH 44118 Free and open to public; Reserved seating: $36

Considered one of Israel’s most perceptive writers, at the podium Grossman’s powerful prose comes to life in this rare and extraordinary experience. Expressing the courage, pain and occasionally brutal truth of Israeli reality with strength and honesty, Grossman’s words will change the way you view the world, and perhaps even yourself, proving to be an experience you will never forget. Born in Jerusalem in 1954, David Grossman is a leading Israeli writer of his generation and his work has been translated into more than thirty languages. He is the author of eight internationally acclaimed novels and two powerful journalistic accounts, as well as a number of children’s books and a play. Dessert reception hosted by The Park Synagogue to follow the lecture. David Grossman’s appearance is made possible by the generous support of Donna Yanowitz and The Herbert and Marianna Luxenberg Siegal College Israel Lecture Fund. Co-Sponsored by: Cleveland Israel Arts Connection of The Jewish Federation of Cleveland; Mandel Jewish Community Center, and The Park Synagogue.

Monday, May 19, 7:00 P.M. How Toddlers Thrive: What Parents Can Do Today for Children Ages 2-5 to Plant the Seeds of Lifelong Success

While these programs are free and open to the public, priority goes to preferred seating registrations.

Tovah P. Klein Siegal Beachwood Facility, 26500 Shaker Blvd, Cleveland, OH 44122 Free and open to public; Reserved seating: $18

New research indicates that the seeds for adult success are often planted in the toddler years, ages 2-5. Dr. Klein is the director of the Barnard College Center for Toddler Development, the laboratory at the forefront of understanding toddler behavior and development. In her book, How Toddlers Thrive she explains why the toddler years are different than any other period during childhood, what is happening in children’s brains and bodies at this age that makes their behavior so turbulent, and why your reaction to their behavior holds the key to making your life together smoother today, as well as to setting your child up for success in the future. On-site child care is provided by Agnon School. Reservations required.

For a full list of co-sponsors for this event please visit case.edu/lifelonglearning

Tuesday May 20, 8:30 A.M. Workshop for early childhood professionals, with Tovah Klein. CEU Credits available. Location TBA. See our website for details. Main Office: 216.368.2090 • Beachwood Office: 216.368.2091 Registration: www.case.edu/lifelonglearning

. . . for the love of learning

INTRODUCING THE CONCERTS

Symphonic Moods&Ideals R O B E R T S C H U M A N N was an awkward and paradoxical man. Introverted, yet passionate. Particular, yet at times unconcerned. Prone to too much drinking, lazy in his studies, and yet utterly consumed and focused on his music writing when an idea hit him. Willing to buck convention, but tempering of those around him. Critical of others, but understanding. Tantalized by many women, yet loving just one as a soul-mate who he only partially understood. A dreamer looking for his own dream, but sometimes acting as if in a nightmare. From the evidence of his life, it now seems clear that Schumann had a manic-depressive personality. His contradictory mood swings, his periods of great productivity followed by weeks of not caring. His over-working to exhaustion, his deep depressions. That he wasn’t born in a later generation where understanding and treatment might have helped, we may regret. If the journey between up and down helped give him his creative perspective, we can be thankful. Certainly his art (composing and writing) gave him an outlet into which he poured his thoughts, his demons, his passion. For this weekend’s concerts, Christoph von Dohnányi, The Cleveland Orchestra’s distinguished and celebrated music director laureate, returns to lead a program devoted to two of Schumann’s symphonies. This is essential Schumann music, built on his own concepts of what a symphony should be and can be. These concepts are more than structures on which to build the music, however, for each perfectly supports and showcases the composer’s creativity — in music as a universal language of high art.

—Eric Sellen

Severance Hall 2013-14

Introducing the Concerts

Committed

to classical around the clock.

WCLV…now also heard on 90.3 WCPN HD2 WCLV.org

Christoph von Dohnányi Music Director Laureate The Cleveland Orchestra

PHOTO BY STUDIO HEINRICH / HAMBURG

Christoph von Dohnányi is recognized as one of the world’s pre-eminent orchestral and opera conductors. He is renowned the world over for his legendary twenty-year tenure at the helm of The Cleveland Orchestra and now holds the title of Music Director Laureate. Other appointments have included opera directorships in Frankfurt and Hamburg, and principal orchestral conducting posts in England, Germany, and Paris. He enjoys a longstanding partnership with the Philharmonia Orchestra in London, where he served as principal conductor and artistic adviser for ten years and is now Honorary Conductor for Life. Christoph von Dohnányi led festival concerts at Ravinia and Tanglewood last summer, then conducted season-opening concerts with the Boston Symphony Orchestra, where he returned earlier this month for a complete Beethoven piano concerto cycle with Yefim Bronfman. He is also leading concerts with the Zurich Tonhalle and London’s Philharmonia this season, as well as subscription weeks with the orchestras in New York, Philadelphia, and Chicago, as well as a pair of gala concerts in San Diego. Recent highlights of Mr. Dohnányi’s schedule include concerts with Amsterdam’s Royal Concertgebouw Orchestra and the Israel Philharmonic, residencies with the Philharmonia Orchestra in Vienna’s Musikverein and at Paris’s Chatelet, as well as a United States tour with that orchestra, plus a landmark series of allBeethoven and all-Brahms concerts with the Chicago Symphony Orchestra at Ravinia, and the complete Brahms symphonies with the Los Angeles Philharmonic. Mr. Dohnányi frequently leads productions at the world’s great opera houses, including London’s Royal Opera House, La Scala, and the Vienna State Opera, and in Berlin and Paris. He has led the Vienna Philharmonic in many Salzburg Festival appearances, including the world premieres of Henze’s The Bassarids and Cerha’s Baal. He also regularly appears with the Zurich Opera and with the Théâtre du Châtelet in Paris. During his tenure as music director in Cleveland (1984-2002), Christoph von Dohnányi led The Cleveland Orchestra in more than a thousand concerts, including regular concert tours of the United States, Europe (including performances at the Salzburg Festival and Edinburgh Festival) and in Asia (including the first concert appearance by The Cleveland Orchestra in mainland China). Mr. Dohnányi was instrumental in choosing to restore Severance Hall’s Norton Memorial Organ, which was rededicated in January 2001, following the celebratory reopening of Severance Hall 2013-14

Conductor

Severance Hall in January 2000. Christoph von Dohnányi has made many critically acclaimed recordings for London/Decca with The Cleveland Orchestra and the Vienna Philharmonic. With Cleveland, Mr. Dohnányi recorded the complete symphonies of Beethoven, Brahms, and Schumann; selected symphonies by Bruckner, Dvořák, Mahler, Mozart, Schubert, and Tchaikovsky; works by Adams, Bartók, Berlioz, Birtwistle, Busoni, Ives, Ravel, Richard Strauss, Varèse, and Webern; and Wagner’s operas Das Rheingold and Die Walküre. In December 2001, The Cleveland Orchestra released the Christoph von Dohnányi Compact Disc Edition, a 10-CD retrospective featuring live performances with The Cleveland Orchestra from 1984 through 2001. With the Vienna Philharmonic, Mr. Dohnányi has recorded symphonic works by Mendelssohn and Tchaikovsky, and a number of operas including Beethoven’s Fidelio, Berg’s Wozzeck and Lulu, Schoenberg’s Erwartung, Strauss’s Salome, and Wagner’s The Flying Dutchman. He also recorded the violin concertos of Glass and Schnittke with Gidon Kremer and the Dvořák Piano Concerto with András Schiff. Born in Berlin, Christoph von Dohnányi was a law student at the University of Munich, but soon chose to pursue his music studies full time. After winning the Richard Strauss Prize of Munich for conducting, he spent a period of time studying with his grandfather, Ernö (Ernst von) Dohnányi, at Florida State University.

Kulas Series of Keyboard Conversations® with Jeffrey Siegel 26th Season 2013-2014 Presented by Cleveland State University’s Center for Arts and Innovation

Masterly Enthralling Charming Scintillating “An afternoon of entertaining talk and exhilarating music.” – The Washington Post

Sunday, September 29, 2013 The Miraculous Mozart

Sunday, December 15, 2013 The Glory of Beethoven

Sunday, January 26, 2014 The Romantic Music of Chopin

Sunday, May 4, 2014 Mistresses and Masterpieces All concerts begin at 3:00 pm in Cleveland State University’s Waetjen Auditorium, Euclid Ave. and E. 21st St. For more information call 216.687.5018 or visit www.csuohio.edu/concertseries/kc

Conductor

The Cleveland Orchestra

Schumann, in a sketch by Eduard Kaisser, 1847.

Without enthusiasm, nothing great can be affected or accomplished in art. â&#x20AC;&#x201D;Robert Schumann

Most of us know and love these four notes. Allegro con brio

No one cares how long it took Beethoven to compose them. Accomplishments are what matter. How long it takes to achieve them does not.

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Symphony No. 4 in D minor, Opus 120 composed 1841-51

Robert

SCHUMANN born June 8, 1810 Zwickau, Saxony died July 29, 1856 Endenich, near Bonn

Severance Hall 2013-14

L I K E A L L 1 9 T H - C E N T U R Y C O M P O S E R S , Robert Schumann worked in Beethoven’s shadow, always mindful of comparisons with that revered giant of musical styling, innovation, and reach. Some composers, like Chopin or Liszt and Berlioz, avoided comparison by specializing with a single focus or working in new genres. A few, like Brahms, delayed the comparison, waiting until middle age to complete his first symphony. Others, like Hummel and Spohr or Reinicke and Bruch, were content to compose pleasant musical works — and didn’t have the creative talent to outshine Beethoven, regardless. Robert Schumann took up the symphonic gauntlet fairly early, writing two movements of a symphony in G minor at the age of 23. This, however, he left in the shadows, unfinished and unperformed. A decade later, after finally winning permission — in a court law suit against his father-in-law to be — to marry his beloved Clara Wieck, and having established himself as a major writer about music if not yet of music, he penned three major symphonic works in the course of a single year. The public debuts of each brought distinctly different reactions. His Symphony No. 1, nicknamed “Spring,” met with general early enthusiasm following its premiere in 1841. With the active approval of Felix Mendelssohn (who had conducted the premiere) and others, its spirited and optimistic outlook introduced Schumann’s symphonic voice to audiences throughout central Europe in the ensuing years. Schumann’s second symphonic work from 1841 perplexed many listeners with its atypical make-up. And even Schumann recognized the work’s unusual structure, appropriately titling it Overture, Scherzo, and Finale rather than as a new symphony. The third work, written in the autumn of 1841 and premiered at the same time as the Overture, Scherzo, and Finale, was a traditionally structured four-movement symphony in D minor. Reaction to it, however, was so unsuccessful that Schumann withdrew the score and set it aside. Ten years — and two published symphonies later — it was this work in D minor, revised and reintroduced to the world, that became known as Schumann’s Fourth Symphony. Thus it draws its shape and details from across a range of the composer’s mature years as About the Music

LEFT :

Two portraits of Schumann, at age sixteen in 1826 and in a pensive mood in 1847. ABOVE : In Hamburg in 1850, with Clara his wife (one of the great pianists of the 19th century).

an artist. It shares aspects and sensibilities with each of his three other published symphonies — not exactly as a valedictory work in the genre, but as a well-crafted statement of many of Schumann’s musical ideals. Schumann the composer — and Schumann the man — changed greatly in the ten years between the first version of the D-minor Symphony and its revisions as Symphony No. 4 in 1851. His marriage to Clara gave him much joy and stability, as well as a growing family to support and cherish. At the same time, his understanding as a composer of larger works was greatly enhanced by his taking up duties as a conductor, as a guest leading his own works or as part of several choral societies with which he associated himself. Then, with the 1850-51 season, Schumann stepped up to become the salaried conductor of the professional orchestra in Düsseldorf. Unlike some of his colleague composers, however, Robert Schumann was not a great conductor. Furthermore, the fact that he learned his craft in front of ensembles of provincial mu-

About the Music

The Cleveland Orchestra

sicians — who played better when given encouragement than with exacting direction — did not help Schumann, who was a perfectionist in everything he did. Rising complaints against him in Düsseldorf eventually forced his resignation as conductor there after only three seasons, and may also have helped precipitate his suicidal episode the following year, leading directly to committing himself to a mental asylum for the final two years of his life. In addition, throughout this period, Schumann was struggling with ongoing health concerns, which many 20th-century biographers and writers attributed to personality disorder and mental illness. Others, taking a more nuanced reading of the written evidence in the composer’s diaries, have suggested that the final difficult years of Schumann’s life were touched and destroyed by the effects of tertiary syphilis — nervousness, sudden weakness, debilitating pains, and what appeared to be grotesque and unprecipitated mood swings. In his second season as conductor in Düsseldorf, Schumann was asked to complete the scoring of a symphony in D minor that a local composer, Norbert Burgmüller, had left unfinished at his death. Schumann examined the manuscripts and, while declining to complete the work’s finale, spent several days working out the orchestration of the work’s scherzo movement. This work for his friend, coupled with the tenth anniversary of the unsuccessful premiere of his own symphony in D minor, caused Schumann to pull out the old manuscript. For ten days in November and December 1851, he revised and reworked his earlier symphony. The new version was premiered a year later, in December 1852, with the composer leading the Düsseldorf Orchestra. Although Johannes Brahms went on record as preferring the symphony’s original version — Brahms, as a music editor, even published the original score in 1891, over Clara Schumann’s objections — Schumann himself believed strongly in the revised version, which he agreed to publish in 1853 as his Symphony No. 4. He had streamlined a number of sections in the work, altering the transition from the introduction to the main section of the first movement and removing a brass fanfare at the beginning of the third movement. In addition, in the fourth movement, he repeated the main theme from the first movement to emphasize the musical unity of the entire work. In fact, the thematic material that is developed in the symphony Severance Hall 2013-14

About the Music

The Fourth Symphony draws its shape and details from across a range of the composer’s mature years as an artist. It shares aspects and sensibilities with each of his three other published symphonies — not exactly as a valedictory work in the genre, but as a well-crafted statement of many of Schumann’s musical ideals.

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is all stated in the first movement, and the movements proceed directly from one to the next notated with only the briefest of pauses. (At one point, Schumann considered naming this work a “Symphonic Fantasy” rather than a symphony, in order to emphasize its overall structure across the four movements.) Within the music, Schumann hid a musical anagram of his wife’s first name. Here, he spelled out C-L-A-R-A using the first letters of the German names for the notes — although in its initial appearance near the symphony’s start, these are transposed into the key of D minor, obscuring the idea from any quick look at the score. Such hidden secrets had long been practiced by composers from even before Bach’s time and continue up to the present. In the 19th century, their use — and identification — became a particularly popular pastime for fellow composers, musicians, and intent listeners. Regardless of the musical origin and heartfelt meaning, the effect of this, juxtaposed with and within several additional related themes — transformed and reversed, transposed and turned over — gives the symphony some of its remarkable sense of wholeness and unity, all easy enough to hear, if not to immediately grasp the composer’s method. In his revisions, Schumann also tinkered with a variety of details in the work’s instrumentation. And it is these revisions that have caused the most controversy over the years. In particular, some sections of string doublings (with first and second violins playing together) have seemed fussy to some — but may have simply been Schumann’s way of achieving thematic clarity in performance with the less accomplished playing of his Düsseldorf Orchestra. Overall, the Fourth Symphony is a work very much of Schumann’s tastes. While it does not present the seamless and forward-looking qualities that he had created in the Third Symphony (“Rhenish”) of 1846, its final scoring adds dimensions and depth beyond his initial conception of the work in 1841. It sounds like Schumann — and even if it isn’t exactly the fourth and final symphony that its title may claim, it is a very worthy part of any concert and represents some important ideas in Schumann’s symphonic thinking. —Eric Sellen © 2014

Severance Hall 2013-14

About the Music

At a Glance What is today known as Schumann’s Fourth Symphony was first written between May and September of 1841, shortly after he had completed his First Symphony. It was first performed on December 6 of that year by the Leipzig Gewandhaus Orchestra under Ferdinand David. It remained unpublished, however, and Schumann composed and published two more symphonies before revising the D-minor Symphony in December 1851. The revised score was premiered as “Symphony No. 4” on December 30, 1852, by the Düsseldorf Municipal Orchestra, led by the composer. The symphony runs about 30 minutes. Schumann’s 1851 orchestration calls for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, and strings. The Cleveland Orchestra first presented Schumann’s Fourth Symphony in October 1934, conducted by Artur Rodzinski, utilizing a re-orchestration by Gustav Mahler. George Szell programmed the piece frequently during his tenure as music director (1946-1970), with his own adaptation of Schumann’s score. Since that time, Schumann’s revised 1851 score has been followed. The Orchestra’s most recent performances were led by Christoph von Dohnányi in February 2007.

Sound for the Centennial TH E C A M PAI G N FO R TH E C LE V EL AN D O RC H ESTR A

In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through THE cash gifts and legacy commitments, while also securing broad-based and increasCLEVELAND ORCHESTRA ing annual support from across Northeast Ohio. The generous individuals and organizations listed on these pages have made long-term commitments of annual and endowment support, and legacy declarations to the Campaign as of March 10, 2014. We gratefully recognize their extraordinary commitment toward the Orchestra’s future success. Your participation can make a crucial difference in helping to ensure that future generations of concertgoers experience, embrace, and enjoy performances, collaborative presentations, and education programs by The Cleveland Orchestra. To join this growing list of visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520. GIFTS OF $5 MILLION AND MORE

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Symphony No. 2 in C major, Opus 61 composed 1845-46 THE PREMIERE

Robert

SCHUMANN born June 8, 1810 Zwickau, Saxony died July 29, 1856 Endenich, near Bonn

Severance Hall 2013-14

of the Second Symphony, performed by the Leipzig Gewandhaus Orchestra in November 1846 under the direction of Felix Mendelssohn, was a great triumph for Robert Schumann. The composer, it was felt, had finally found his voice in symphonic writing. The Second Symphony, clearly modeled on the kind of “darkness to light” musical journey in Beethoven’s Fifth, was music based on the best of the past, but written for the future. Schumann, whose lucid and groundbreaking musical criticism had paid his bills when his early compositions did not, was finally writing the music that his forward-looking criticism envisioned. As important as it was for his career, the Second Symphony also represented a triumph for Schumann as a person. Through it he had managed mental and emotional recovery from the depths of despair and despondency that he had found himself in two years earlier. The journey from darkness to light wasn’t just metaphorical and musical. It was a real journey by the composer himself, whose recurring bouts with depression left him listless and unmotivated. Musical creation saved him — and, as he wrote to friends, he was convinced that audiences would be able to discern the return to joy and happiness in his music. (Unlike with some of his other compositions, Schumann had written the new symphony in order, first movement to fourth, with the evolving music mirroring the reawakening of his personality.) What exactly was it in Schumann’s personality that needed reawakening? Of this, a century and a half later, we are uncertain. Much of the written evidence from his life would indicate that he had a manic-depressive personality. His life was filled with contradictory mood swings, with periods of great productivity followed by weeks and months of not caring. He worked himself to exhaustion, he fell into periods of deep depression. That he wasn’t born in a later generation when understanding and treatment might have helped, we may regret. But if the journey between up and down helped give him his creative perspective, we can be thankful. Certainly his art (composing and writing) gave him an outlet into which he poured his thoughts, his demons, and many of his passions. Much (perhaps too much) has been made of the connections About the Music

In creating the Second Symphony, Schumann managed mental and emotional recovery from the depths of despair and despondency that he had found himself in two years earlier. Its journey from darkness to light was a real journey by the composer from sick man to happiness.

between Schumann’s music and events in his life. Schumann himself stressed the link when talking and writing to his wife and friends. Yet the connection was rarely direct. Schumann was not writing his life in music. Rather, like many composers, he was creating a musical record of his reactions to life’s changing patterns. It is an emotional record of passionate music, and not a diary of events set as a tone poem or ballet score. Schumann’s episodes of mental depression were clearly a major force in his life. His attempts at suicide — once as a young man and a much later one, in middle age, after which he sent himself to an asylum — were major events that affected his life and everyone around him. That he had lost so many of his family to death, including both parents and eventually all his siblings, certainly took its toll. Genetics also was a factor. However, modern theorists have argued a different case, proposing that at least some of his swings into depression were not the cause but merely the result of physical affliction. The most likely candidate for Schumann’s physical ailments is syphilis. We know from much written evidence that he was sexually active in his youth before marriage and that he and his doctors believed that he had contracted the disease in 1831. Common to the era, they also believed that, once the initial sores had disappeared, he was cured. But in the 19th century, there was no cure for syphilis. His complaints later in life — of ringing in the ears, of problems moving his arms, of difficult headaches and body pains to the point of incapacity, from an unknown cause — would certainly have caused many of us to become depressed. Add to that the everyday worries of providing for a growing family in a field (composing) that was not exactly lucrative, and who among us would have lived an easy and peaceful life? Even so, a personality disorder most likely also played an important and compounding role — manic-depressive disorder can explain the mood swings and bouts of intense focus alternating with uncaring episodes that were a constant part of his life from young adulthood on. Schumann’s sister also appears to have attempted suicide and one of his sons suffered a fate even more conscripted, spending the better part of his life in a mental asylum, unhappy, confused, and without focus. Music was without question a central part of Robert Schumann’s life. It frequently helped him repair his mental anguish and to renew his outlook on the everyday world. His interAbout the Music

The Cleveland Orchestra

To send light into the darkness of human hearts â&#x20AC;&#x201D; this is the duty of the artist. â&#x20AC;&#x201D;Robert Schumann

Schumann, drawing by Joseph Kreihuber, 1839.

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est in Bach’s counterpoint helped him regain his footing in the worst of his depression in 1845, just prior to writing the Second Symphony. Touchingly, in the work’s second movement, he incorporated Bach’s name, written as the musical notes B-A-C-H (German transliteration makes this method easier for English speakers to understand on the written page). Interestingly, it was also at this time that Schumann dispensed with using a piano when composing, choosing instead to work in silence, “inventing and working out everything in my head.” Schumann gave the Second Symphony a feeling of unity by including a recurring musical motif across all four movements. His wife Clara is also a central presence, especially in the final movement, where the inclusion of the melody from Beethoven’s An die ferne Geliebte (“To the Distant Beloved”) represented to him his wife’s recuperative powers — the love and support to which he returned from his anguished depression and physical complaints. Critical reaction to the Second Symphony was warm and supportive. Of course, it did not hurt that Mendelssohn led the premiere in Leipzig in November 1846 — a wellrespected conductor leading one of the world’s A silhouette of best orchestras helps reap success, necessarily. Schumann made during his lifetime. In fact, throughout much of the 19th century, it was frequently judged to be Schumann’s best, perfectly proportioned and dynamically evolved. The Second and Third symphonies most closely approximate Schumann’s mature sensibilities as a composer. Both were created in his last extended period of musical writing (he created nearly two-thirds of his entire compositional output in the decade between 1844 and 1854). The Second in particular represents his vision of symphonic music as engaging and pure.

At a Glance Schumann began work on his Symphony No. 2 in December 1845 (although the opening horn call appears in a sketch dating from 1840 or 1841). The symphony was completed by the fall of 1846. Numbered at the time of publication in 1847, it was actually the third symphony Schumann had completed. (What is today known as his Symphony No. 4 was written shortly after the First Symphony in 1841, but remained unpublished at the time.) Felix Mendelssohn conducted the premiere of the Symphony No. 2 with the Leipzig Gewandhaus Orchestra on November 5, 1846. This symphony runs about 40 minutes in performance. Schumann scored it for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, and strings. The Cleveland Orchestra first played Schumann’s Symphony No. 2 in October 1932, conducted by Nikolai Sokoloff. The most recent performances were led by Semyon Bychkov in April 2010.

Severance Hall 2013-14

About the Music

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Student attendance continues to grow at Severance Hall As The Cleveland Orchestra’s 2013-14 season has gotten underway, more Student Advantage Members, Frequent Fan Card holders, Student Ambassadors, and student groups are contributing to the continued success of these programs. The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend concerts at Severance Hall and Blossom through discounted ticket offers. Membership is free to join and rewards members with discounted ticket purchases. For this season, a record 6,000 students have joined. The Student Frequent Fan Card was introduced a year ago with great success. The program is continuing to grow, with the number of Frequent Fan Card holders tripling so far this season over 2012-13. Priced at $50, the Fan Card offers students unlimited single tickets (one ticket per card holder) to weekly classical subscription concerts all season long. The Student Ambassador program is also growing. These young volunteers help to promote the Orchestra’s concert offerings and student programs directly on campuses across Northeast Ohio. Also this year, a group of Student Marketing Advisors was formed to help the Orchestra incorporate student feedback and insight to programs, and give local marketing majors a chance to work closely with the Orchestra’s sales team. In addition, attendance through Student Group sales are also bringing in more and more young people to Cleveland Orchestra concerts. From as far as Toronto and Nashville, these groups make up an integral part of the overall success toward generating participation and interest among young people. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences, through the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

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Student Attendance

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Education and Music Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R MA S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 60,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades. Severance Hall 2013-14

Education & Community

T H E

C L E V E L A N D

Each season’s Family Concert series at Severance Hall offers world-class music with outstanding singers, actors, mimes, and more to families from across Northeast Ohio. Last season’s “Under the Sea” concert featured music from Disney’s The Little Mermaid with The Singing Angels.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program, which fosters the use of music and the arts to support general classroom learning.

Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestra’s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lubrizol Corporation Macy’s The Music and Drama Club The Nord Family Foundation Nordson Ohio Arts Council Ohio Savings Bank, A Division of New York Community Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation The Sherwin-Williams Foundation Surdna Foundation Target Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice H. Cull Memorial Fund Mr. and Mrs. Charles R. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Machaskee Fund for Community Programming Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education The Eric & Jane Nord Family Fund Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund Anonymous

Severance Hall 2013-14

More than 1,250 talented youth musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since the ensemble’s founding in 1986. Many have gone on to careeers in professional orchestras around the world, including four current members of The Cleveland Orchestra.

Education & Community

T HE

C LE V E L A N D

Administrative Staff EXECUTIVE OFFICE Gary Hanson EXECUTIVE DIRECTOR

Rosemary Klena EXECUTIVE ASSISTANT

ORCHES T R A

as of March 20, 2014

ORCHESTRA OPERATIONS Jennifer Barlament GENERAL MANAGER

Cherilyn Byers ADMINISTRATIVE ASSISTANT

FINANCE & ADMINISTRATION James E. Menger CHIEF FINANCIAL OFFICER

Julie Kim DIRECTOR OF OPERATIONS

Faith Noble

ORCHESTRA OPERATIONS MANAGER

ACCOUNTING MANAGER

Carolann Oravec PAYROLL MANAGER

Heather Walters SENIOR ACCOUNTANT

Mary Stewart-McGovern

DIRECTOR, STRATEGY AND SPECIAL INITIATIVES

Artistic Administration Mark Williams DIRECTOR, ARTISTIC PLANNING

Randy Elliot ASSISTANT ARTISTIC ADMINISTRATOR

Barb Bodemer DRIVER

ACCOUNTING ASSOCIATE

Orchestra Personnel Karyn Garvin DIRECTOR

Information Technology David Vivino DIRECTOR

Randy Conn

Christine Honolke MANAGER

Marla Bentley ORCHESTRA PERSONNEL ASSISTANT

DATABASE ANALYST

Theresa Henderson NETWORK ADMINISTRATOR

Janet Montagino TECHNICAL SUPPORT ANALYST

Mailroom Jim Hilton SUPERVISOR

Lomack Gray MAILROOM CLERK

Human Resources Michelle Vectirelis DIRECTOR

Charise Reid HUMAN RESOURCES MANAGER

Ruth Mercer HUMAN RESOURCES ASSOCIATE

Stage Joe Short STAGE MANAGER

Gil Gerity Thomas Holden John Riley Don Verba STAGEHANDS

Holly Hudak MANAGING DIRECTOR

Montserrat Balseiro PATRON DEVELOPMENT & EDUCATION MANAGER

Pratima Raju ASSOCIATE DEVELOPMENT OFFICER

Christina Jacomino ADMINISTRATIVE ASSISTANT

ADMINISTRATIVE ASSISTANT

Building Operations Charles László Steve Skunta Scott Miller Robert Nock Christopher Downey Michael Evert BUILDING ENGINEERS

Shelia Baugh George Felder Michelle Williams DOOR PERSONS

HALL STAFF & CLEANING SUPERVISOR

Steven Washington Pauletta Hughes HALL STAFF LEAD

Antonio Adamson Kervin Hinton Dwayne Johnson Jerome Kelley Darrell Simmons Dwayne Taylor HALL STAFF

Glynis Smith Renee Pettway CLEANING PERSONS

Rolland Allen GROUNDSKEEPER

Facility Sales Bob Bellamy

Chorus Jill Harbaugh

FACILITY SALES MANAGER

MANAGER

Michelle Holy COORDINATOR, YOUTH AND CHILDREN’S CHORUSES

Education & Community Programs Joan Katz Napoli DIRECTOR

CLEVELAND ORCHESTRA MIAMI

Laura Clelland

Quinn Chambers

ACCOUNTING ANALYST

Christina Dutkovic

DIRECTOR OF FACILITIES MANAGEMENT & OPERATIONS

SENIOR BUILDING ENGINEER

Carol Lee Iott

CONTROLLER

Barbara S. Snyder

Mary Ann Makee

BUILDING OPERATIONS MANAGER

Amy Gill

Shirley Rundo ADMINISTRATIVE ASSISTANT

SEVERANCE HALL

Sandra Jones

Concerts & Special Events Jennifer Masters MANAGER, CONCERTS & SPECIAL EVENTS

Emily Szy MANAGER, CONCERTS & PHILANTHROPIC EVENTS

Christine Radigan

MANAGER, EDUCATION & FAMILY CONCERTS

Rachel Novak MANAGER, LEARNING PROGRAMS & COMMUNITY ENGAGEMENT

ASSOCIATE MANAGER

House Management Adam Clemens HOUSE MANAGER

Jessica Thomas

Erika Richter EDUCATION & COMMUNITY PROGRAMS COORDINATOR

Ashley Wohlwend MANAGER, CLEVELAND ORCHESTRA YOUTH ORCHESTRA

Katherine Oppenheim LIBRARIAN/ASSISTANT, CLEVELAND ORCHESTRA YOUTH ORCHESTRA

ASSOCIATE HOUSE MANAGER

Retail Larry Fox STORE MANAGER

Helen Douglas Patricia Femberg Jennifer Orbash SALES ASSOCIATES

Administrative Staff

The Cleveland Orchestra

clevelandorchestra.com SALES & COMMUNICATIONS Ross Binnie CHIEF MARKETING OFFICER

Sales Julie Stapf DIRECTOR OF SALES

Jim Sector ASSISTANT DIRECTOR OF SALES

Ryan Buckley DIGITAL MARKETING & WEBSITE MANAGER

David Szekeres PUBLICATIONS MANAGER

Jerry Golski GROUP SALES MANAGER

Ticket Office Timothy Gaines TICKET OFFICE MANAGER

Joan Eppich ASSOCIATE MANAGER

Mary Ellen Campbell ASSISTANT MANAGER

Monica Berens SUBSCRIPTION REPRESENTATIVE

Patrick Colvin Joclyn Madey Cindy Adams Traci Shillace Mary Ellen Snyder CUSTOMER SERVICE REPRESENTATIVES

Communications Ana Papakhian DIRECTOR

Kathy Pahr ACTIING MEDIA RELATIONS MANAGER

Timothy Parkinson COMMUNICATIONS ASSOCIATE

Deborah HeямВing ARCHIVIST

Andria Hoy ARCHIVES ASSISTANT

Program Book Eric Sellen EDITOR

PHILANTHROPY & ADVANCEMENT Jon Limbacher CHIEF DEVELOPMENT OFFICER

Corinne Finefrock

Severance Hall

11001 Euclid Avenue Cleveland, OH 44106

SENIOR DEVELOPMENT ASSOCIATE

Leadership Giving Timothy Mann DIRECTOR, LEADERSHIP DEVELOPMENT

Bryan de Boer LEADERSHIP DEVELOPMENT COMMUNICATIONS OFFICER

Laurie Burman LEADERSHIP DEVELOPMENT OFFICER

Lori Cohen COMMUNITY LEADERSHIP LIAISON

Grace Sipusic DIRECTOR, INDIVIDUAL GIVING & MIAMI FUNDRAISING

Administrative Offices

216-231-7300 Ticket Office

216-231-1111 or 800-686-1141 Group Sales

216-231-7493

Elizabeth Arnett MANAGER, LEADERSHIP & INDIVIDUAL GIVING

Margaret Gautier COORDINATOR, INDIVIDUAL GIVING & ANNUAL FUND

Sarah Jessie DEVELOPMENT ASSOCIATE, LEADERSHIP AND LEGACY GIVING

Bridget Mundy LEGACY GIVING OFFICER

Brian Deeds LEGACY GIVING COORDINATOR

Education & Community Programs

216-231-7355 Media Relations

216-231-7476 Archives

216-231-7356

Institutional Giving Erin Gay DIRECTOR, INSTITUTIONAL GIVING

Arlene Vukcevic

Individual Giving

216-231-7562

STEWARDSHIP MANAGER

Jennifer Leist STEWARDSHIP COORDINATOR

Christine Yeh DEVELOPMENT ASSOCIATE

Development Operations Suzanne Richardson de Roulet MANAGER, DEVELOPMENT COMMUNICATIONS

Adriane Emig MANAGER, AUDIENCE INSIGHTS AND REVENUE ANALYSIS

Institutional Giving

216-231-8011 Legacy Giving

216-231-8006 Volunteers

216-231-7557

Lisa Brown MANAGER, PROSPECT RESEARCH

Jim Reynolds DEVELOPMENT DATABASE COORDINATOR

Severance Hall Rental Office

216-231-7421 Cleveland Orchestra Store

216-231-7478

Severance Hall 2013-14

Administrative Staff

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y The Heritage Society honors those individuals who are helping to ensure the future of The Cleveland Orchestra with a Legacy gift. Legacy gifts come in many forms, including bequests, charitable gift annuities, and insurance policies. The following listing of members is current as of March 2014. For more information, please call Bridget Mundy, Legacy Giving Officer, at 216-231-8006. Lois A. Aaron Leonard Abrams Shuree Abrams* Gay Cull Addicott Stanley and Hope Adelstein Sylvia K. Adler* Gerald O. Allen* Norman and Marjorie* Allison George N. Aronoff Herbert Ascherman, Jr. Jack and Darby Ashelman Mr. and Mrs. William W. Baker Ruth Balombin* Mrs. Louis W. Barany* D. Robert* and Kathleen L. Barber Jack L. Barnhart Margaret B. and Henry T.* Barratt Norma E. Battes* Rev. Thomas T. Baumgardner and Dr. Joan Baumgardner Fred G. and Mary W. Behm Bertram H. Behrens* Dr. Ronald and Diane Bell Bob Bellamy Joseph P. Bennett Ila M. Berry Howard R. and Barbara Kaye Besser Dr.* and Mrs. Murray M. Bett Dr. Marie Bielefeld Raymond J. Billy (Biello) Dr. and Mrs. Harold B. Bilsky* Robert E. and Jean Bingham* Claudia Bjerre Mr. William P. Blair III Mrs. Flora Blumenthal Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Kathryn Bondy* Loretta and Jerome* Borstein Mr. and Mrs.* Otis H. Bowden II Ruth Turvy Bowman* Drs. Christopher P. Brandt and Beth Brandt Sersig Mr. D. McGregor Brandt, Jr. David and Denise Brewster Richard F. Brezic* Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Ronald and Isabelle Brown* Mr. and Mrs. Clark E. Bruner* Mr. and Mrs.* Harvey Buchanan

Rita W. Buchanan* Joan and Gene* Buehler Gretchen L. Burmeister Stanley and Honnie* Busch Milan and Jeanne* Busta Mrs. Noah L. Butkin* Mr. and Mrs. William C. Butler Minna S. Buxbaum* Gregory and Karen Cada Roberta R. Calderwood* Jean S. Calhoun* Harry and Marjorie M. Carlson Janice L. Carlson Dr. and Mrs. Roland D. Carlson Mr. and Mrs. George P. Carmer* Barbara A. Chambers, D. Ed. Arthur L. Charni* Ellen Wade Chinn* NancyBell Coe Kenneth S. and Deborah G. Cohen Ralph M. and Mardy R. Cohen Victor J. and Ellen E. Cohn Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway James P. and Catherine E. Conway* Rudolph R. Cook* The Honorable Colleen Conway Cooney John D. and Mary D.* Corry Dr. and Mrs. Frederick S. Cross* Martha Wood Cubberley Dr. William S. Cumming* In Memory of Walter C. and Marion J. Curtis William and Anna Jean Cushwa Howard Cutson Mr.* and Mrs. Don C. Dangler Mr. and Mrs. Howard J. Danzinger Barbara Ann Davis Carol J. Davis Charles and Mary Ann Davis William E. and Gloria P. Dean, Jr. Mary Kay DeGrandis and Edward J. Donnelly Neeltje-Anne DeKoster Carolyn L. Dessin William R. Dew* Mrs. Armand J. DiLellio James A. Dingus, Jr. Dr. and Mrs. Richard C. Distad Maureen A. Doerner and Geoffrey T. White Henry and Mary Doll Gerald and Ruth Dombcik Mr.* and Mrs. Roland W. Donnem Nancy E. and Richard M. Dotson

Legacy Giving

Mrs. John Drollinger Drs. Paul M.* and Renate H. Duchesneau George* and Becky Dunn Warren and Zoann Dusenbury* Mr. and Mrs. Robert Duvin Paul and Peggy Edenburn Robert and Anne Eiben* Mr. and Mrs. Alfred M. Eich, Jr. Mr. and Mrs. Ramon Elias* Roger B. Ellsworth Oliver and Mary Emerson Lois Marsh Epp Patricia Esposito Margaret S. Estill* Dr. Wilma McVey Evans* C. Gordon and Kathleen A.* Ewers Patricia J. Factor Susan L. Faulder* Dr. and Mrs. Frederick Fennell* Mrs. Mildred Fiening Gloria and Irving B. Fine Jules and Lena Flock* Joan Alice Ford Dr. and Mrs. William E. Forsythe* Mr.* and Mrs. Ralph E. Fountain Gil and Elle Frey Arthur and Deanna Friedman Mr.* and Mrs. Edward H. Frost Dawn Full Henry S. Fusner Dr. Stephen and Nancy Gage Charles and Marguerite C. Galanie* Barbara and Peter Galvin Mr. and Mrs. Steven B. Garfunkel Donald* and Lois Gaynor Barbara P. Geismer* Albert I. and Norma C. Geller Carl E. Gennett* Dr. Saul Genuth John H.* and Ellen P. Gerber Frank and Louise Gerlak Dr. James E. Gibbs In Memory of Roger N. Gifford Dr. Anita P. Gilger* S. Bradley Gillaugh Mr.* and Mrs. Robert M. Ginn Fred and Holly Glock Ronald* and Carol Godes William H. Goff Mr. and Mrs. Henry J. Goodman John and Ann Gosky Mrs. Joseph B. Govan* Elaine Harris Green

The Cleveland Orchestra

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Tom and Gretchen Green Richard and Ann Gridley Nancy Hancock Griffith David E.* and Jane J. Griffiths David G. Griffiths* Ms. Hetty Griffiths Margaret R. Griffiths* Bev and Bob Grimm Judd and Zetta Gross* Candy and Brent Grover Mrs. Jerome E. Grover* Thomas J.* and Judith Fay Gruber Mr. and Mrs. David H. Gunning Mr. and Mrs. William E. Gunton Joseph E. Guttman* Mrs. John A Hadden Jr. Richard* and Mary Louise Hahn James J. Hamilton Kathleen E. Hancock Douglas Peace Handyside* Holsey Gates Handyside Norman C. and Donna L. Harbert Mary Jane Hartwell William L.* and Lucille L. Hassler Peter and Gloria Hastings* Mrs. Henry Hatch (Robin Hitchcock) Virginia and George Havens Gary D. Helgesen Clyde J. Henry, Jr. Ms. M. Diane Henry Wayne and Prudence Heritage Rice Hershey* T. K. and Faye A. Heston Gretchen L. Hickok Mr. and Mrs.* Daniel R. High Edwin R. and Mary C. Hill* Ruth Hirshman-von Baeyer* Mr. and Mrs. D. Craig Hitchcock* Bruce F. Hodgson Goldie Grace Hoffman* Mary V. Hoffman Feite F. Hofman MD* Mrs. Barthold M. Holdstein Leonard* and Lee Ann Holstein David and Nancy Hooker Gertrude S. Hornung* Patience Cameron Hoskins Elizabeth Hosmer Dorothy Humel Hovorka Dr. Christine A. Hudak, Mr. Marc F. Cymes Dr. Randal N. Huff Mrs. Marguerite B. Humphrey Adria D. Humphreys* Ann E. Humphreys and Jayne E. Sisson Karen S. Hunt Mr. and Mrs. G. Richard Hunter Ruth F. Ihde Mr. and Mrs. Jonathan E. Ingersoll Pamela and Scott Isquick Mr. and Mrs.* Clifford J. Isroff Mr. and Mrs. Donald M. Jack, Jr. Carol S. Jacobs Milton* and Jodith Janes

Alyce M. Jarr* Jerry and Martha* Jarrett Merritt Johnquest Allan V. Johnson E. Anne Johnson Nancy Kurfess Johnson, M.D. Paul and Lucille Jones* Mrs. R. Stanley Jones* William R. Joseph* David and Gloria Kahan Julian and Etole Kahan Drs. Julian* and Aileen Kassen Milton and Donna* Katz Patricia and Walter* Kelley Bruce and Eleanor Kendrick Malcolm E. Kenney Nancy H. Kiefer* Charles M. and Janet G. Kimball* James and Gay* Kitson Mr. Clarence E. Klaus, Jr. Mary Elizabeth and G. Robert Klein* Julian H. and Emily W. Klein* Thea Klestadt* Paul and Cynthia Klug Martha D. Knight Mr. and Mrs. Robert Koch Dr. Vilma L. Kohn Elizabeth Davis Kondorossy* Mr. Clayton Koppes Mr.* and Mrs. James G. Kotapish, Sr. LaVeda Kovar* Margery A. Kowalski Bruce G. Kriete* Mr. and Mrs. Gregory G. Kruszka Thomas and Barbara Kuby Eleanor and Stephen Kushnick Mr. and Mrs. Dennis W. LaBarre James I. Lader Mr. and Mrs. David A. Lambros Dr. Joan P. Lambros* Mrs. Carolyn Lampl Marjorie M. Lamport Louis Lane Kenneth M. Lapine and Rose E. Mills Charles K. László and Maureen O’Neill-László Anthony T. and Patricia Lauria Charles and Josephine Robson Leamy Fund Teela C. Lelyveld Mr. and Mrs. Roger J. Lerch Judy D. Levendula Gerda Levine Dr. and Mrs. Howard Levine Bracy E. Lewis Mr. and Mrs.* Thomas A. Liederbach Rollin and Leda Linderman Ruth S. Link Dr. and Mrs. William K. Littman Jeff and Maggie Love Dr. Alan and Mrs. Min Cha Lubin Ann B. and Robert R. Lucas* Linda and Saul Ludwig Kate Lunsford Mr. and Mrs. Thomas E. Lynch*

Patricia MacDonald Alex and Carol Machaskee Jerry Maddox Mrs. H. Stephen Madsen Alice D. Malone Mr. and Mrs. Donald Malpass, Jr. Lucille Harris Mann Mr. and Mrs. Richard A. Manuel Clement P. Marion Mr. Wilbur J. Markstrom* Dr. and Mrs. Sanford E. Marovitz David C.* and Elizabeth F. Marsh Duane and Joan* Marsh Florence Marsh, Ph.D.* Mr. and Mrs. Anthony M. Martincic Kathryn A. Mates Dr. Lee Maxwell and Michael M. Prunty Alexander and Marianna* McAfee Nancy B. McCormack Mr. William C. McCoy Marguerite H. McGrath* Dorothy R. McLean Jim and Alice Mecredy* James and Virginia Meil Mr. and Mrs.* Robert F. Meyerson Brenda Clark Mikota Christine Gitlin Miles Chuck and Chris Miller Edith and Ted* Miller Leo Minter, Jr. Mr. and Mrs. William A. Mitchell Robert L. Moncrief Ms. Beth E. Mooney Beryl and Irv Moore Ann Jones Morgan Mr. and Mrs. Stanley L. Morgan* George and Carole Morris Mr. and Mrs. Thomas W. Morris Mr. and Mrs.* Donald W. Morrison Joan R. Mortimer, PhD Florence B. Moss Susan B. Murphy Dr. and Mrs. Clyde L. Nash, Jr Deborah L. Neale Mrs. Ruth Neides David and Judith Newell Dr.* and Mrs. S. Thomas Niccolls Russell H. Nyland* Katherine T. O’Neill The Hon. and Mrs. John Doyle Ong Aurel Fowler-Ostendorf* Mr. J. William and Dr. Suzanne Palmer R. Neil Fisher and Ronald J. Parks Nancy* and W. Stuver Parry Mrs. John G. Pegg* Dr. and Mrs. Donald Pensiero Mary Charlotte Peters Mr. and Mrs. Peter Pfouts* Janet K. Phillips* Florence KZ Pollack Julia and Larry Pollock Victor and Louise Preslan Mrs. Robert E. Price* LISTING CONTINUES

Severance Hall 2013-14

Legacy Giving

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y L I S T I N G C O N T I N U ED

Lois S.* and Stanley M. Proctor Mr. David C. Prugh Leonard and Heddy Rabe M. Neal Rains Mr. George B. Ramsayer Joe L. and Alice Randles* Mrs. Alfred M. Rankin, Sr. Mrs. Theodore H. Rautenberg* James and Donna Reid Mrs. Hyatt Reitman* Mrs. Louise Nash Robbins* Dr. Larry J.B.* and Barbara S. Robinson Dwight W. Robinson Margaret B. Babyak* and Phillip J. Roscoe Audra and George Rose Dr. Eugene and Mrs. Jacqueline Ross Helen Weil Ross* Robert and Margo Roth Marjorie A. Rott Howard and Laurel Rowen Professor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster Rutter Mr. James L. Ryhal, Jr. Renee Sabreen Marjorie Bell Sachs Dr. Vernon E. Sackman and Ms. Marguerite Patton Sue Sahli Mr. and Mrs. James A. Saks Mr. and Mrs. Sam J. SanFilipo* Larry J. Santon Stanford and Jean B. Sarlson Sanford Saul Family James Dalton Saunders Patricia J. Sawvel Ray and Kit Sawyer Richard Saxton* Alice R. Sayre In Memory of Hyman and Becky Schandler Robert Scherrer Sandra J. Schlub Ms. Marian Schluembach Robert and Betty Schmiermund Mr.* and Mrs. Richard M. Schneider Lynn A. Schreiber* Jeanette L. Schroeder Frank Schultz Carol* and Albert Schupp Roslyn S. and Ralph M. Seed Nancy F. Seeley Edward Seely Oliver E. and Meredith M. Seikel Russell Seitz* Reverend Sandra Selby Eric Sellen Andrea E. Senich Thomas and Ann Sepúlveda Elsa Shackleton* B. Kathleen Shamp Jill Semko Shane

David Shank Dr. and Mrs. Daniel J. Shapiro Norine W. Sharp Norma Gudin Shaw Elizabeth Carroll Shearer Dr. and Mrs. William C. Sheldon Frank* and Mary Ann Sheranko Kim Sherwin Mr. and Mrs. Michael Sherwin Reverend and Mrs. Malcolm K. Shields Rosalyn and George Sievila Mr. and Mrs. David L. Simon Dr.* and Mrs. John A. Sims Naomi G. and Edwin Z. Singer Lauretta Sinkosky H. Scott Sippel and Clark T. Kurtz Ellen J. Skinner Ralph* and Phyllis Skufca Janet Hickok Slade Alden D. and Ellen D. Smith* Mr.* and Mrs. Ward Smith M. Isabel Smith* Nathan Snader* Sterling A. and Verdabelle Spaulding* Barbara J. Stanford and Vincent T. Lombardo Sue Starrett and Jerry Smith Lois and Tom Stauffer Willard D. Steck* Merle Stern Dr. Myron Bud and Helene* Stern Mr. and Mrs. John M. Stickney Nora and Harrison Stine* Mr. and Mrs. Stanley M. Stone Mr.* and Mrs. James P. Storer Ralph E. and Barbara N. String The Irving Sunshine Family Vernette M. Super* Mr. and Mrs. Herbert J. Swanson* In Memory of Marjory Swartzbaugh Lewis Swingley* Lorraine S. Szabo Norman V. Tagliaferri Susan and Andrew Talton* Frank E. Taplin, Jr.* Charles H. Teare* and Clifford K. Kern* Mr. Ronald E. Teare Pauline Thesmacher* Dr. and Mrs. Friedrich Thiel Mrs. William D. Tibbetts* Mr. and Mrs. William M. Toneff Marlene and Joe Toot Alleyne C. Toppin Janice and Leonard Tower Dorothy Ann Turick Mr. and Mrs. Robert A. Urban Robert and Marti Vagi Robert A. Valente J. Paxton Van Sweringen Mary Louise and Don VanDyke Elliot Veinerman* Nicholas J. Velloney* Steven Vivarronda

Legacy Giving

Hon. William F.B. Vodrey Pat and Walt* Wahlen Mrs. Clare R. Walker John and Deborah Warner Mr. and Mrs. Russell Warren Joseph F. and Dorothy L. Wasserbauer Charles D. Waters* Reverend Thomas L. Weber Etta Ruth Weigl Lucile Weingartner Eunice Podis Weiskopf* Max W. Wendel William Wendling and Lynne Woodman Marilyn J. White Robert and Marjorie Widmer* Yoash and Sharon Wiener Alan H. and Marilyn M. Wilde Elizabeth L. Wilkinson* Helen Sue* and Meredith Williams Carter and Genevieve* Wilmot Miriam L. and Tyrus W.* Wilson Mr. Milton Wolfson* and Mrs. Miriam Shuler-Wolfson Nancy L. Wolpe Mrs. Alfred C. Woodcock Katie and Donald Woodcock Dr.* and Mrs. Henry F. Woodruff Marilyn L. Wozniak Nancy R. Wurzel Michael and Diane Wyatt Mary Yee Emma Jane Yoho, M.D. Libby M. Yunger Dr. Norman Zaworski* William L. and Joan H. Ziegler* Carmela Catalano Zoltoski* Roy J. Zook* Anonymous (103)

*deceased

The lotus blossom is the symbol of the Heritage Society. It represents eternal life and recognizes the permanent benefits of legacy gifts to The Cleveland Orchestra’s endowment. Said to be Elisabeth Severance’s favorite flower, the lotus is found as a decorative motif in nearly every public area of Severance Hall.

The Cleveland Orchestra

PH OTO G R APH ÂŠ BY H E D R I CH B LE SSI N G

Imagine your picture-perfect event at Severance Hall.

Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is perfect for business meetings and conferences, pre-concert or post-concert dinners, and receptions, weddings, and social events.

Premium dates available! Call the Manager of Facility Sales at 216-231-7421 or email hallrental@clevelandorchestra.com

The Cleveland Orchestra Center for Future Audiences T H E C L E V E L A N D O R C H E S T R A ’s Center for Future Audiences was estab-

lished to fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation. Centerfunded programs focus on addressing economic and geographic barriers to attending Cleveland Orchestra concerts at Severance Hall and Blossom Music Center. Programs include research, introductory offers, targeted discounts, student ticket programs, and integrated use of new technologies. The goal is to create one of the youngest audiences of any symphony orchestra in the country. For additional information about these plans and programs, call us at 216-231-7464.

E N DOWE D FU N DS

Maltz Family Foundation Mr. and Mrs. Alexander M. Cutler

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Officer, at 216-231-7520.

THANK YOU for helping develop tomorrow’s audiences today. 68

Center for Future Audiences

The Cleveland Orchestra

THE

CLEVELAND ORCHESTRA

Endowed Funds

funds established as of August 2013

The generous donors listed here have made endowment gifts to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. (Additional endowment funds are recognized through the naming of Orchestra chairs, listed on pages 22-23.) Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to The Clevelamd Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus. Artistic Excellence

Guest Artists Fund

George Gund III Fund

Artistic Collaboration Joseph P. and Nancy F. Keithley

Artist-in-Residence Malcolm E. Kenney

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

Radio Broadcasts Robert and Jean Conrad Dr. Frederick S. and Priscilla Cross

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

American Conductors Fund Douglas Peace Handyside Holsey Gates Handyside

Severance Hall Guest Conductors Roger and Anne Clapp James and Donna Reid

Cleveland Orchestra Soloists Julia and Larry Pollock Family

The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation, Inc. Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

Concert Previews Dorothy Humel Hovorka

International Touring Frances Elizabeth Wilkinson

Unrestricted Art of Beauty Company, Inc. William P. Blair III Fund for Orchestral Excellence John P. Bergren and Sarah S. Evans Nancy McCann Margaret Fulton-Mueller Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, is working to develop new generations of audiences for The Cleveland Orchestra. Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler

Endowed Funds listing continues

Severance Hall 2013-14

Endowed Funds

THE

CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year. Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice H. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley The Eric & Jane Nord Family Fund The William N. Skirball Endowment

Education Concerts Week

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Alex and Carol Machaskee

The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall. Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center. Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

Endowed Funds

The Cleveland Orchestra

Act one begins

Beck Center for the Arts

... WITH INVESTMENT BY CUYAHOGA ARTS & CULTURE Cuyahoga Arts & Culture (CAC) uses public dollars approved by you to bring arts and culture to every corner of our County. From grade schools to senior centers to large public events and investments to small neighborhood art projects and educational outreach, we are leveraging your investment for everyone to experience.

Your Investment: Strengthening Community Visit cacgrants.org/impact to learn more.

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$5 MILLION AND MORE

KeyBank PNC Bank $1 MILLION TO $5 MILLION

BakerHostetler Bank of America Eaton FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company Hyster-Yale Materials Handling NACCO Industries, Inc. The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch Parker Hannifin Corporation The Plain Dealer PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of March 2014.

gifts of $2,500 or more during the past year, as of March 20, 2014

PARTNERS IN EXCELLENCE $300,000 AND MORE

Hyster-Yale Materials Handling NACCO Industries, Inc. KeyBank The Lubrizol Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton FirstEnergy Foundation Forest City Enterprises, Inc. PNC Bank Thompson Hine LLP PARTNERS IN EXCELLENCE $100,000 TO $199,999

The Cliffs Foundation Google, Inc. Medical Mutual of Ohio Nordson Corporation and Foundation Parker Hannifin Corporation $50,000 TO $99,999

Jones Day Quality Electrodynamics (QED) voestalpine AG (Europe) Anonymous $25,000 TO $49,999 Charter One Dix & Eaton The Giant Eagle Foundation Greenberg Traurig (Miami) Litigation Management, Inc. Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp. The Plain Dealer RPM International Inc. Squire Sanders (US) LLP

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Corporate Annual Support

$2,500 TO $24,999 AdCom Communications Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc. American Greetings Corporation Bank of America BDI Brothers Printing Co., Inc. Brouse McDowell Eileen M. Burkhart & Co LLC Buyers Products Company Calfee, Halter & Griswold LLP Cleveland Clinic The Cleveland Wire Cloth & Mfg. Co. Cohen & Company, CPAs Community Behavioral Health Center Conn-Selmer, Inc. Consolidated Solutions Dollar Bank Dominion Foundation Ernst & Young LLP Evarts Tremaine Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Victor Kendall, Friends of WLRN Gallagher Benefit Services Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Hyland Software The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Materion Corporation Miba AG (Europe) MTD Products, Inc. North Coast Container Corp. Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Oswald Companies PolyOne Corporation Pricewaterhouse Coopers LLP The Prince & Izant Company The Sherwin-Williams Company Stern Advertising Agency Swagelok Company Tucker Ellis Ulmer & Berne LLP University Hospitals Ver Ploeg & Lumpkin, P.A. (Miami) WCLV Foundation Westlake Reed Leskosky Anonymous (2)

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THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation

gifts of $2,000 or more during the past year, as of March 20, 2014

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture The Andrew W. Mellon Foundation The Kelvin and Eleanor Smith Foundation $500,000 TO $999,000

The George Gund Foundation $250,000 TO $499,000

Kulas Foundation John P. Murphy Foundation The Eric & Jane Nord Family Fund Ohio Arts Council

$5 MILLION TO $10 MILLION

The George Gund Foundation Knight Foundation (Cleveland, Miami) The Andrew W. Mellon Foundation John P. Murphy Foundation $1 MILLION TO $5 MILLION

The William Bingham Foundation The George W. Codrington Charitable Foundation GAR Foundation Ann and Gordon Getty Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation National Endowment for the Arts The Eric & Jane Nord Family Fund The Payne Fund The Reinberger Foundation The Sage Cleveland Foundation The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of March 2014.

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$100,000 TO $249,999

The George W. Codrington Charitable Foundation Sidney E. Frank Foundation GAR Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation $50,000 TO $99,999

Ann and Gordon Getty Foundation The Hearst Foundations Martha Holden Jennings Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation Marlboro 2465 Foundation Miami-Dade County Department of Cultural Affairs (Miami) Donald and Alice Noble Foundation, Inc. The Nord Family Foundation The Payne Fund The Sage Cleveland Foundation Surdna Foundation $20,000 TO $49,999 The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. The Helen Wade Greene Charitable Trust John S. and James L. Knight Foundation The Margaret Clark Morgan Foundation National Endowment for the Arts The Frederick and Julia Nonneman Foundation William J. and Dorothy K. O’Neill Foundation Peacock Foundation, Inc. (Miami) Polsky Fund of Akron Community Foundation The Reinberger Foundation The Sisler McFawn Foundation

$2,000 TO $19,999 The Abington Foundation Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Batchelor Foundation, Inc. (Miami) Dr. NE & JZ Berman Foundation The Bernheimer Family Fund of the Cleveland Foundation Bicknell Fund Eva L. and Joseph M. Bruening Foundation The Conway Family Foundation Mary and Dr. George L. Demetros Charitable Trust The Fogelson Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The William O. and Gertrude Lewis Frohring Foundation Funding Arts Network (Miami) The Hankins Foundation The Muna & Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation The Mandel Foundation The McGregor Foundation Bessie Benner Metzenbaum Foundation M.G. O’Neil Foundation Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation Jean C. Schroeder Foundation Kenneth W. Scott Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The Veale Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward and Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

Foundation/Government Annual Support

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of March 20, 2014 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland) $5 MILLION TO $10 MILLION

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner $1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. Francis J. Callahan* Mrs. M. Roger Clapp Mr. George Gund III* Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson The Ralph and Luci Schey Foundation Mr.* and Mrs. Ward Smith Anonymous (2) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of March 2014.

Daniel R. and Jan R. Lewis (Miami) Peter B. Lewis* and Janet Rosel Lewis (Miami) Mr. and Mrs. Albert B. Ratner INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) David and Francie Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) INDIVIDUAL GIFTS OF $100,000 TO $199,999

James D. Ireland III Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Elizabeth R. Koch Mrs. Emma S. Lincoln Elizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Mr. and Mrs. Franz Welser-Mรถst Janet* and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Mary M. Spencer (Miami) INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Allen H. Ford Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz Elizabeth B. Juliano (Cleveland, Miami) R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis

Individual Annual Support

The Cleveland Orchestra

Leadership Council

Mr. and Mrs. Edward A. Lozick Robert M. Maloney and Laura Goyanes Ms. Beth E. Mooney Mr. Patrick Park (Miami) Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Sally and Larry Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous

Mr. and Mrs. James A. Ratner Mr. and Mrs. James A. Saks Paul and Suzanne Westlake

INDIVIDUAL GIFTS OF $30,000 TO $49,999

INDIVIDUAL GIFTS OF $20,000 TO $24,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Judith and George W. Diehl Mr. and Mrs. Geoffrey Gund George Gund* Trevor and Jennie Jones Giuliana C. and John D. Koch Dr. Vilma L. Kohn Charlotte R. Kramer Virginia M. and Jon A. Lindseth Ms. Nancy W. McCann Sally S. and John C. Morley Mrs. Jane B. Nord Luci and Ralph* Schey Rachel R. Schneider Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton

Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia Barbato Mr. and Mrs. Matthew V. Crawford Esther L. and Alfred M. Eich, Jr. Jeffrey and Susan Feldman (Miami) Dr. Edward S. Godleski Andrew and Judy Green Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mr. and Mrs. Christopher Kelly Jonathan and Tina Kislak (Miami) Joy P. and Thomas G. Murdough, Jr. (Miami) Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Mr. and Mrs. Donald Stelling (Europe) Mr. Joseph F. Tetlak Tom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Women’s Committee of The Cleveland Orchestra Anonymous gift from Switzerland (Europe)

INDIVIDUAL GIFTS OF $25,000 TO $29,999

Martha and Bruce Clinton (Miami) Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway Do Unto Others Trust (Miami) George* and Becky Dunn Dr. and Mrs. Hiroyuki Fujita Gary Hanson and Barbara Klante Mr. and Mrs. Jeffrey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland Orchestra Dr. David and Janice Leshner Milton and Tamar Maltz Margaret Fulton-Mueller William J. and Katherine T. O’Neill Julia and Larry Pollock

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The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

INDIVIDUAL GIFTS OF $15,000 TO $19,999

Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. and Mrs. David J. Carpenter Scott Chaikin and Mary Beth Cooper Jill and Paul Clark Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Peter O. Dahlen Colleen and Richard Fain (Miami) Joyce and Ab* Glickman Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) David and Nancy Hooker Mr. and Mrs. Donald M. Jack, Jr.

Individual Annual Support

listings continue

THE CLEVELAN D ORCHESTRA

listings continued INDIVIDUAL GIFTS OF $10,000 TO $12,499

Andrew and Katherine Kartalis Tati and Ezra Katz (Miami) Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Mr. and Mrs. Stanley A. Meisel Lucia S. Nash Mr. Gary A. Oatey (Cleveland, Miami) Claudia and Steven Perles (Miami) Steven and Ellen Ross Mr. and Mrs. David A. Ruckman Mrs. David Seidenfeld Dr. and Mrs. Neil Sethi David and Harriet Simon Rick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Jeffrey M. Weiss Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. William E. Conway Ms. Dawn M. Full Robert K. Gudbranson and Joon-Li Kim Tim and Linda Koelz Mr.* and Mrs. Richard A. Manuel Mr. Larry J. Santon Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Alfred Umdasch (Europe)

Leadership

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson

Jack Harley Iris Harvie Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, education activities, and community projects. The Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Mr. and Mrs. George N. Aronoff Jayusia and Alan Bernstein (Miami) Marsha and Brian Bilzin (Miami) Mr. and Mrs. Richard L. Bowen Mr. D. McGregor Brandt, Jr. Paul and Marilyn* Brentlinger Augustine* and Grace Caliguire Richard J. and Joanne Clark Mrs. Barbara Cook Mrs. Barbara Ann Davis Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Mr. Neil Flanzraich Mr. Monte Friedkin (Miami) Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Mr. David J. Golden Elaine Harris Green Sondra and Steve Hardis Michael L. Hardy Mr. and Mrs. James A. Haslam II Mr. and Mrs. James A. Haslam III T. K. and Faye A. Heston Joan and Leonard Horvitz Pamela and Scott Isquick Allan V. Johnson Janet and Gerald Kelfer (Miami) Mr. Jeff Litwiller Mr. and Mrs. Thomas B. McGowan Edith and Ted* Miller Mr. Donald W. Morrison Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. Raymond M. Murphy Donald and Alice Noble Foundation, Inc. Mr. and Mrs. William M. Osborne, Jr. Brian and Patricia Ratner Audra and George Rose Dr. Tom D. Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel Rutherford Carol* and Albert Schupp Dr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer Foundation Mrs. Gretchen D. Smith Jim and Myrna Spira Lois and Tom Stauffer Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. Taber Dr. Russell A. Trusso Sandy and Ted Wiese Anonymous (4)* INDIVIDUAL GIFTS OF $7,500 TO $9,999

Mr. and Mrs. Dean Barry Mr. William Berger Laurel Blossom Mr. Robert W. Briggs Dr. and Mrs. Jerald S. Brodkey Dr. Ben H. and Julia Brouhard listings continue

Individual Annual Support

The Cleveland Orchestra

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THE CLEVELAN D ORCHESTRA listings continued

Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Nancy and Richard Dotson Harry and Joyce Graham Mr. Paul Greig Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Amy and Stephen Hoffman Joela Jones and Richard Weiss Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mr. J. William and Dr. Suzanne Palmer Pannonius Foundation Douglas and Noreen Powers Paul A. and Anastacia L. Rose Rosskamm Family Trust Patricia J. Sawvel Drs. Daniel and Ximena Sessler Naomi G. and Edwin Z. Singer Family Fund Dr. and Mrs. Frank J. Staub Mr. and Mrs. Donald W. Strang, Jr. Mrs. Marie S. Strawbridge* Bruce and Virginia Taylor Dr. Gregory Videtic Anonymous (2) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Norman and Helen Allison Susan S. Angell Mr.* and Mrs. Albert A. Augustus Mr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. Behm Dr. Ronald and Diane Bell Drs. Nathan A. and Sosamma J. Berger Dr. and Mrs. Eugene H. Blackstone Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Mrs. Lester E. Coleman Mr. Owen Colligan Marjorie Dickard Comella Corinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph Daugstrup Mr. and Mrs. Edward B. Davis Mr. and Mrs. Thomas S. Davis Pete and Margaret Dobbins Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Mr. and Mrs. Alex Espenkotter (Miami) Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Barbara and Peter Galvin Joy E. Garapic Brenda and David Goldberg Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Robert N. and Nicki N. Gudbranson David and Robin Gunning

Clark Harvey and Holly Selvaggi Henry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller Thomas and Mary Holmes Mr. and Mrs. John Hudak (Miami) Bob and Edith Hudson (Miami) Ms. Charlotte L. Hughes Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Mr. and Mrs. Christopher Hyland Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Rudolf D. and Joan T. Kamper Milton and Donna* Katz Dr. Richard and Roberta Katzman Dr. and Mrs. William S. Kiser Mr. and Mrs.* S. Lee Kohrman Mrs. Justin Krent Mr. Donald N. Krosin Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. Mr. Brian J. Lamb David C. Lamb Shirley and William Lehman (Miami) Mr. Lawrence B. and Christine H. Levey Mr. and Mrs. Adam Lewis Mr. Dylan Hale Lewis (Miami) Ms. Marley Blue Lewis (Miami) Mr. Jon E. Limbacher and Patricia J. Limbacher Elsie and Byron Lutman Mr. and Mrs. Alex Machaskee Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Ms. Maureen M. McLaughlin (Miami) James and Virginia Meil Claudia Metz and Thomas Woodworth Mr. and Mrs. Abraham C. Miller (Miami) Drs. Terry E. and Sara S. Miller David and Leslee Miraldi Mr. and Mrs. William A. Mitchell Ann Jones Morgan Richard and Kathleen Nord Mr. Henry Ott-Hansen Nan and Bob Pfeifer Mr. and Mrs. John S. Piety Dr. and Mrs. John N. Posch William and Gwen Preucil Lois S.* and Stanley M. Proctor Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Ms. Deborah Read Mr. William J. Ross Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter Mr. and Mrs. David R. Sawyier Bob and Ellie Scheuer David M. and Betty Schneider Linda B. Schneider Dr. and Mrs. James L. Sechler Lee G. and Jane Seidman Charles Seitz (Miami)

listings continue

Individual Annual Support

The Cleveland Orchestra

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Severance Hall 2013-14

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED

Mr. Eric Sellen and Mr. Ron Seidman Mrs. Frances G. Shoolroy Marjorie B. Shorrock David Kane Smith Dr. Marvin and Mimi Sobel George and Mary Stark Howard Stark M.D. and Rene Rodriguez (Miami) Stroud Family Trust Dr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly

Robert and Marti Vagi Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins Robert C. Weppler Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Sandy Wile and Susan Namen Fred* and Marcia Zakrajsek Anonymous (4)

INDIVIDUAL GIFTS OF $3,500 TO $4,999

Ms. Nancy A. Adams Dr. and Mrs. D. P. Agamanolis Mrs. Joanne M. Bearss Mr. and Mrs. Jules Belkin Howard R. and Barbara Kaye Besser Suzanne and Jim Blaser Ms. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Mr.* and Mrs. Robert A. Clark Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier Thomas and Dianne Coscarelli Ms. Maureen A. Doerner and Mr. Geoffrey T. White Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry David and Margaret Ewart Mr. and Mrs. John R. Fraylick Peggy and David* Fullmer Dr. and Mrs. Ronald L. Gould Nancy and James Grunzweig Mr. Robert D. Hart Hazel Helgesen* and Gary D. Helgesen

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley Helen and Erik Jensen Barbara and Michael J. Kaplan Mr. James and Mrs. Gay* Kitson Dr. Gilles and Mrs. Malvina Klopman Mr. Thomas and Mrs. Deborah Kniesner Cynthia Knight (Miami) Mr. and Ms. James Koenig Marion Konstantynovich Judy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne* Lugibihl Joel and Mary Ann Makee Martin and Lois Marcus William and Eleanor* McCoy Dr. Susan M. Merzweiler Bert and Marjorie Moyar Richard B. and Jane E. Nash Mr. and Mrs. Peter R. Osenar Dr. Lewis and Janice B. Patterson Mr. Robert S. Perry Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak

Dr. Robert W. Reynolds Mrs. Charles Ritchie Amy and Ken Rogat Carol Rolf and Steven Adler Fred Rzepka and Anne Rzepka Family Foundation Dr. and Mrs. Martin I. Saltzman Mr. Paul H. Scarbrough Ginger and Larry Shane Ms. Frances L. Sharp Mr. Richard Shirey Howard and Beth Simon Mr. and Mrs. William E. Spatz Mr. Taras G. Szmagala, Jr. Mr. Karl and Mrs. Carol Theil Mr. and Mrs. Lyman H. Treadway Drs. Anna* and Gilbert True Miss Kathleen Turner Mr. and Mrs. Mark Allen Weigand Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox Mr. and Dr. Ann Williams Tony and Diane Wynshaw-Boris Anonymous

Doug and Barbara Bletcher Dennis and Madeline Block Mr. and Mrs. Richard H. Bole John and Anne Bourassa Lisa and Ron Boyko Mr. and Mrs. David Briggs Mrs. Ezra Bryan J. C. and Helen Rankin Butler Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Mary E. Chilcote Mr. and Mrs. Homer D. W. Chisholm Daniel D. Clark and Janet A. Long Mr. and Mrs. Stanley Cohen (Miami) Dr. Dale and Susan Cowan Mr. and Mrs. Manohar Daga Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis

Mrs. Lois Joan Davis Dr. and Mrs. Richard C. Distad Dr. M. Meredith Dobyns Mr. George and Mrs. Beth Downes Harry and Ann Farmer Dr. Aaron Feldman and Mrs. Margo Harwood Ms. Karen Feth Carl and Amy Fischer Mr. Isaac Fisher Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Randall and Mrs. Patrice Fortin Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Jeanne Gallagher Marilee L. Gallagher

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Mr. and Mrs. Charles Abookire, Jr. Nancy L. Adams, PhD Stanley I. and Hope S. Adelstein Mr. and Mrs. Monte Ahuja Mr. and Mrs. Robert J. Amsdell Mr. and Mrs. Jeffrey R. Appelbaum Dr. Mayda Arias Mr. and Mrs. James B. Aronoff Agnes Armstrong Geraldine and Joseph Babin Ms. Delphine Barrett Ellen and Howard Bender Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Margo and Tom Bertin Julia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill* and Zeda Blau

Individual Annual Support

listings continue

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Mrs. Georgia T. Garner Loren and Michael Garruto Mr. Wilbert C. Geiss, Sr. Anne and Walter Ginn Mr. and Mrs. David A. Goldfinger Mr. and Mrs. Robert T. Graf The Thomas J. and Judith Fay Gruber Charitable Foundation Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Sally and Oliver Henkel Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Dr. Feite F. Hofman* Dr.* and Mrs. George H. Hoke Peter A. and Judith Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Dr. Randal N. Huff and Ms. Paulette Beech Ms. Carole Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Ms. LaVerne Jacobson Dr. Michael and Mrs. Deborah Joyce Rev. William C. Keene Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Fred and Judith Klotzman Mr. Ronald and Mrs. Kimberly Kolz Jacqueline and Irwin Kott (Miami) Ellen Brad and Bart Kovac Dr. Ronald H. Krasney and Ms.* Sherry Latimer Marcia Kraus Mr. James Krohngold Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. John J. Lane Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Ivonete Leite (Miami) Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Rudolf and Mrs. Eva Linnebach Martha Klein Lottman Ms. Mary Beth Loud Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David* and Elizabeth Marsh Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Ms. Nancy L. Meacham Mr. James E. Menger

Stephen and Barbara Messner Ms. Betteann Meyerson Mr. and Mrs. Roger Michelson (Miami) Curt and Sara Moll Susan B. Murphy Joan Katz Napoli and August Napoli Mr. David and Mrs. Judith Newell Marshall I. Nurenberg and Joanne Klein Richard and Jolene Oâ&#x20AC;&#x2122;Callaghan Harvey and Robin Oppmann Nedra and Mark Oren (Miami) Mr. and Mrs. Robert D. Paddock Mr. and Mrs. Christopher I. Page Deborah and Zachary Paris Mr. Thomas and Mrs. Tommie Patton Mrs. Ingrid Petrus Drs. John Petrus and Sharon DiLauro Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan Phillip Ms. Maribel Piza (Miami) Dr. Marc and Mrs. Carol Pohl Ms. Carolyn Priemer Mr. Richard and Mrs. Jenny Proeschel Kathleen Pudelski Ms. Rosella Puskas Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Ms. Linda M. Rocchi Robert and Margo Roth Miss Marjorie A. Rott Michael and Roberta Rusek Dr. Lori Rusterholtz Dr. Harry S. and Rita K. Rzepka Ms. Patricia E. Say Mr. James Schutte Ms. Adrian L. Scott Dr. John Sedor and Ms. Geralyn Presti Harry and Ilene Shapiro Ms. Marlene Sharak Norine W. Sharp Dr. and Mrs. William C. Sheldon Mr. and Mrs. Reginald Shiverick, Jr. Grover Short Laura and Alvin A. Siegal Robert and Barbara Slanina Ms. Donna-Rae Smith Mr. and Mrs. Richey Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Lucy and Dan Sondles Mr. John C. Soper* and Dr. Judith S. Brenneke Mr. John D. Specht Mr.* and Mrs.* Lawrence E. Stewart Mr. Joseph Stroud Ken and Martha Taylor

member of the Leadership Council (see page 77)

* deceased

Individual Annual Support

Greg and Suzanne Thaxton Dr. and Mrs. Thomas A. Timko Steve and Christa Turnbull Mrs. H. Lansing Vail, Jr. Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Eric* and Margaret Wayne Mr. and Mrs. Jerome A. Weinberger Dr. Paul R. and Catherine Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Katie and Donald Woodcock Kay and Rod Woolsey Elizabeth B. Wright Rad and Patty Yates Dr. William Zelei Mr. Kal Zucker and Dr. Mary Frances Haerr Anonymous (7) *

THE

CLEVELAND ORCHESTRA

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestraâ&#x20AC;&#x2122;s Annual Report, which can be viewed online at CLEVELANDORCHESTRA . COM For information about how you can play a supporting role with The Cleveland Orchestra, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

The Cleveland Orchestra

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SPRING AT CIM Pianist and student Daniil Trifonov will premiere his first original concerto at a benefit concert at CIM, April 23 at 8pm. Tickets at: cim.edu or call 216.795.3211.

SUMMER AT CIM Alumni will present their Lunch & Listen concert series this July in Mixon Hall. Join us Tuesdays in July for these free, one-hour recitals, starting at 12:30pm.

For a complete list of CIM concerts and events, visit cim.edu/calendar. 11021 East Boulevard | Cleveland, OH 44106

We believe in working for the greater good of all and we are proud to support any organization that shares this value. We thank The Cleveland Orchestra for its commitment to excellence! Ken Lanci, Chairman & CEO Consolidated Solutions

Never miss a live performance... We serve all of Northeast Ohio with quality care at home, social outings and appointments. Call Hanson Services for a free needs assessment. Cleveland 216-226-5425 Fairlawn/Akron 330-836-2020

Hanson Services Inc. www.HansonServices.com

The Cleveland Orchestra

Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated important events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends. Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Campaign. By making a dona on, you can make a crucial diﬀerence in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on programs, and community ac vi es and partnerships. To make a gi to The Cleveland Orchestra, please visit us online, or call 216-231-7562.

clevelandorchestra.com

11001 Euclid Avenue Cleveland, Ohio 44106

CLEVELANDORCHESTRA.COM

the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

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The Cleveland Orchestra

Guide to Fine Schools Consistently ranked among â&#x20AC;&#x153;Best Communities for Music Educationâ&#x20AC;? in the Nation!

Situated on a 32-acre private estate, with views of Lake Erie and walk-out gardens, McGregor offers choice of ďŹ&#x201A;oor plans, amenities and life enrichment activities. Located just minutes from University Circle, major hospitals, Severance Center and Clevelandâ&#x20AC;&#x2122;s ďŹ nest museums, McGregor is an innovative and comprehensive provider for all the seasons of your life!

Assisted Living â&#x20AC;˘ Independent Living Rehabilitation â&#x20AC;˘ Long Term Care Respite Care â&#x20AC;˘ Hospice McGregor Foundation â&#x20AC;˘ PACE McGregor 14900 Private Drive, Cleveland OH 44112 (north of intersection of MayďŹ eld and Lee roads)

216-898-8300 www.berea.k12.oh.us

Other ďŹ ne schools advertising in The Cleveland Orchestraâ&#x20AC;&#x2122;s Severance Hall programs include:

Baldwin Wallace University Conservatory of Music 440-826-2369 Cleveland Institute of Music 216-791-5000 Cleveland State University Kulas Series of Keyboard Conversations with Jeffrey Siegel 216-687-5018 Lake Erie College 1-855-GO-STORM The Oberlin Conservatory of Music 440-775-8413 Severance Hall 2013-14

www.mcgregoramasa.org 216-851-8200 presents

â&#x20AC;&#x153;Ask Our Expertsâ&#x20AC;? Panel Discussion & Dinner Thursday, June 5, 5:00 PM-8:00 PM Panel discussion with experts in Health Care, Physicians, Business, Elder Law, and Supportive Services. The audience chooses the topics. Panelists discuss their specialties and answer questions from the audience. Vendors/Exhibits and Dinner. Cost: $15.

Call 216-268-8999 or register online www.mcgregoramasa.org Serving seniors in need since 1877

THE CLEVELAND C O N C E R T SPRING

C A L E N D A R

SEASON

Dohnányi Conducts Schumann

DvoŐák and Tchaikovsky

Thursday March 27 at 7:30 p.m. Saturday March 29 at 8:00 p.m. Sunday March 30 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA Christoph von Dohnányi, conductor

Thursday April 17 at 7:30 p.m. Saturday April 19 at 8:00 p.m. THE CLEVELAND ORCHESTRA Herbert Blomstedt, conductor Mark Kosower, cello

SCHUMANN Symphony No. 4 SCHUMANN Symphony No. 2

DVOŏÁK Cello Concerto TCHAIKOVSKY Symphony No. 6 (“Pathétique”)

Mitsuko Uchida’s Mozart

Side-by-Side: The Cleveland Orchestra and Cleveland Orchestra Youth Orchestra

Thursday April 3 at 7:30 p.m. Friday April 4 at 8:00 p.m. <18s Saturday April 5 at 8:00 p.m. THE CLEVELAND ORCHESTRA Mitsuko Uchida, piano and conductor William Preucil, concertmaster and leader

Friday April 18 at 7:30 p.m. THE CLEVELAND ORCHESTRA CLEVELAND ORCHESTRA YOUTH ORCHESTRA Brett Mitchell, conductor James Thompson, violin

MOZART Piano Concerto No. 18 MOZART Symphony No. 23 MOZART Piano Concerto No. 19 Sponsor: Quality Electrodynamics (QED)

Family Concert — Mozart Experience Sunday April 6 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA Kelly Corcoran, conductor with Magic Circle Mime Co. A mischievous street musician is caught playing the orchestra’s grand piano. Much to her surprise, the conductor offers her the chance to “be Mozart” for a day. The street musician and her prankster companion lead the audience on a musical adventure that reveals the story of Mozart’s life and his musical genius. The program includes excerpts from some of the genius’s most famous works, including “A Little Night Music” (“Eine kleine Nachtmusik”), The Magic Flute, Overture to Don Giovanni, the “Jupiter” Symphony (No. 41), and more. Sponsor: The Giant Eagle Foundation

Yuja Wang Plays Rachmaninoff Thursday April 10 at 7:30 p.m. Friday April 11 at 11:00 a.m. <18s * Friday April 11 at 7:00 p.m. <18s * Saturday April 12 at 8:00 p.m. THE CLEVELAND ORCHESTRA Giancarlo Guerrero, conductor Yuja Wang, piano

PROKOFIEV Classical Symphony RACHMANINOFF Piano Concerto No. 3 RIMSKY-KORSAKOV Scheherazade* * not part of Friday morning or KeyBank Fridays@7 concerts

The Cleveland Orchestra is committed to promoting musicmaking and nurturing aspiring musicians across Northeast Ohio. In this unique annual concert, featuring Cleveland Orchestra musicians sitting side-by-side with Youth Orchestra members, Cleveland Orchestra musicians mentor their younger counterparts and serve as role models. The concert features works by Berlioz and Shostakovich, plus Youth Orchestra alumnus James Thompson performing as soloist in Saint-Saëns’s Introduction & Rondo Capriccioso. Free, with general admission seating. Tickets required. Free tickets can be obtained by contacting the Severance Hall Ticket OfÀce or visiting clevelandorchestra.com.

Celebrity Concert — Psycho Tuesday April 22 at 7:30 p.m. THE CLEVELAND ORCHESTRA Brett Mitchell, conductor

One night only! The collaboration between director Alfred Hitchcock and composer Bernard Herrmann resulted in a series of unforgettable Àlms — and the pinnacle of their efforts together is perhaps the most terrifying and powerful movie score of all time. Don’t miss this once-in-a-lifetime opportunity to experience this 1960 cinematic classic as you’ve never seen (or heard) it before! The Cleveland Orchestra performs the score live, with the Àlm projected on a large screen above the Severance Hall stage.

Under 18s Free FOR FAMILIES

<18s

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra in the United States. Our "Under 18s Free" program offers free tickets for young people attending with their families (one per paid adult admission).

Concert Calendar

The Cleveland Orchestra

ORCHESTRA I N

T H E

S P O T L I G H T

Beethoven’s First Piano Concerto Thursday April 24 at 7:30 p.m. Saturday April 26 at 8:00 p.m. THE CLEVELAND ORCHESTRA Jane Glover, conductor Imogen Cooper, piano

C.P.E. BACH Sinfonia No. 2 BEETHOVEN Piano Concerto No. 1 VANHAL Sinfonia in G minor HAYDN Symphony No. 103 (“Drum Roll”)

Mozart’s Requiem Thursday May 1 at 7:30 p.m. Friday May 2 at 7:00 p.m. <18s Saturday May 3 at 8:00 p.m. Sunday May 4 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA David Robertson, conductor Mary Kay Fink, piccolo Jessica Rivera, soprano Elizabeth DeShong, mezzo-soprano Garrett Sorenson, tenor John Relyea, bass-baritone Cleveland Orchestra Chorus

PSYCHO Tuesday April 22 at 7:30 p.m. THE CLEVELAND ORCHESTRA Brett Mitchell, conductor

ROUSE Rapture FRANK Will-o’-the-Wisp: Tone Poem for Piccolo and Orchestra* MOZART Requiem * not part of KeyBank Fridays@7 concert

Ohlsson Plays Grieg Thursday May 8 at 7:30 p.m. Saturday May 10 at 8:00 p.m. THE CLEVELAND ORCHESTRA Osmo Vänskä, conductor Garrick Ohlsson, piano

SALLINEN Symphony No. 1 GRIEG Piano Concerto SIBELIUS Symphony No. 5 Sponsor: Jones Day

One night only! The collaboration between director Alfred Hitchcock and composer Bernard Herrmann resulted in a series of unforgettable films — and the pinnacle of their efforts together is perhaps the most terrifying and powerful movie score of all time. Marion Crane (Janet Leigh) impulsively steals $40,000 from her employer, hoping to start a new life. She decides to stop for the night at the Bates Motel. And then . . . Don’t miss this once-in-a-lifetime opportunity to experience this 1960 cinematic classic as you’ve never seen (or heard) it before! With the film projected on a large screen above the stage and the original film score performed live by The Cleveland Orchestra.

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

CLEVELAND ORCHESTRA TICKETS PHONE

216 - 231-1111 800-686-1141

clevelandorchestra.com Severance Hall 2013-14

Concert Calendar

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A N C E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting clevelandorchestra.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall this season are on October 13, December 1, January 12, February 16, March 30, and May 4. For more information or to make a reservation for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available. Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111. Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2013-14

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K E T SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

AT SEVERANCE HALL . . . Franz Welser-Möst

Yuja Wang

Mitsuko Uchida

YUJA WANG PLAYS RACHMANINOFF

MITSUKO UCHIDA PLAYS MOZART Thursday April 3 at 7:30 p.m. Friday April 4 at 8:00 p.m. <18s Saturday April 5 at 8:00 p.m.

Thursday April 10 at 7:30 p.m. Friday April 11 at 11:00 a.m. <18s Friday April 11 at 7:00 p.m. <18s Saturday April 12 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Mitsuko Uchida, piano and conductor William Preucil, concertmaster

Mitsuko Uchida’s interpretations of Mozart are renowned for their intelligence, elegance, and sensitivity. She continues her acclaimed collaboration with The Cleveland Orchestra, which was recognized with a 2010 Grammy Award, with performances of two more of Mozart’s piano concertos (Nos. 18 and 19). “Mitsuko Uchida’s Mozart playing is stunningly sensitive, crystalline, and true.” —Boston Globe Sponsor: Quality Electrodynamics (QED)New!

THE CLEVELAND ORCHESTRA Giancarlo Guerrero, conductor Yuja Wang, piano

Rachmaninoff’s Piano Concerto No. 3 — “Rach 3,” as fans call it — is one of the most famously difficult pieces of music there is. The sheet music goes on and on, with notes so dense the pages start to look like a Rorschach test. Audience and critics’ favorite Yuja Wang, who has recorded this concerto for her newest album, joins The Cleveland Orchestra for these blockbuster performances. Pop culture note: Rachmaninoff’s Third Piano Concerto was central to the plot of the movie “Shine.” Friday evening sponsor: KeyBankNew!

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Cleveland Orchestra concerts.

TICKETS

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra