The Cleveland Orchestra April 17, 19, 22 Concerts by Live Publishing

SPRING SEASON

SEVERANCE HALL

April 17, 19 BLOMSTEDT CONDUCTS DVOŘÁK AND TCHAIKOVSKY April 22 CELEBRITY SERIES: PSYCHO

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TA B L E

CONTENTS

THIS WEEK THE

CLEVELAND

ORCHESTRA

WEEK 17 PAGE

COVER PHOTOGRAPHY BY ROGER MASTROIANNI

In the News From the Executive Director . . . . . . . . . . . . . . . . . . 7 Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

About the Orchestra About the Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . 8 Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22 Education and Community . . . . . . . . . . . . . . . . . . 61 Young Audiences . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 Severance Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

DVOŘÁK

Cello Concerto . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 TCHAIKOVSKY

Symphony No. 6 (“Pathétique”) . . . . . . . . . . . . 51 Conductor: Herbert Blomstedt . . . . . . . . . . . . 39 Solist: Mark Kosower . . . . . . . . . . . . . . . . . . . . . . 47 Celebrity Series: Psycho: April 22 . . . . . . . . . 57 Conductor: Brett Mitchell . . . . . . . . . . . . . . . . . 59

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members. Program book advertising is sold through Live Publishing Company at 216-721-1800

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture. The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio. The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Corporate Annual Support . . . . . . . . . . . . . . . . . . . Foundation / Government Annual Support . . . Individual Annual Support . . . . . . . . . . . . . . . . . .

Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com

NATIONAL ENDOWMENT FOR THE ARTS

Concerts — Week 17 Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Classical Program: April 17, 19 . . . . . . . . . . . . 35 Introducing the Concerts . . . . . . . . . . . . . . . . . . . . 37

48 64 69 73 75 76

50%

All unused books are recycled as part of the Orchestra’s regular business recycling program. These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Future Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

This program book is printed on paper that includes 50% recycled post-consumer content.

Table of Contents

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Judson Manor resident Jordan Perlman has amassed VË8? ÄËÍ ËÍ jË jÜj ? a over 8,000 volunteer hours at Cleveland Clinic, Museum of Art greeting patients and guests. “I answer about 80 VË Áj¶Öj Í ßË ÄÍÄËË questions a day,” he says. dinner parties Jordan moved to Judson Manor because it was VË ¬?ÁÍ j ÍËÄ ÝW?ÄjÄ convenient to all the things important to him—his Clinic Ë ÄËjW jWÍ WË?ÁÍËW jWÍ volunteer position and Cleveland’s cultural scene. This is Smart Living™ deﬁned at Judson Manor. Interested in learning more? Call (216) 791-2004 to arrange for a tour today.

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Perspectivesfrom the Executive Director Spring 2014 Two of this season’s major projects take place in May — following many months of planning and much preparation. The first is the premiere here at Severance Hall of our brand-new, made-for-Cleveland production of Leoš Janáček’s opera The Cunning Little Vixen, with evening performances on May 17, 20, and 22, and a special matinee on Saturday, May 24. At the same time, from May 17 to 24, the Orchestra is celebrating a week of musicmaking in Lakewood during our second “At Home” neighborhood residency. Together, these two projects showcase our commitment to serving the community with diverse performances and collaborative partnerships. Franz Welser-Möst is at the center of both projects. In addition to leading the performances of Vixen, he will conduct an Education Concert for Lakewood High School students on May 23 and the culminating free public concert of our “At Home” in Lakewood residency on Saturday evening, May 24, bringing to a close an action-packed week of music performances, community activities, and public musical get-togethers. Every day of that week, Cleveland Orchestra musicians are involved in exciting and sometimes unexpected ways to bring music to the streets and homes of Lakewood, and into the lives of its citizens. The week’s presentations and collaborations also bring to a close the residency’s special semester-long involvement with Lakewood’s music education programs. Franz has also been instrumental in integrating opera into The Cleveland Orchestra’s annual schedule at Severance Hall. This season, with The Cunning Little Vixen, we are creating our own brand-new operatic production for the first time since the mid-1980s. For this, we are jumping forward with technology, to create a presentation that compellingly combines live action with projected video animation. Working with director Yuval Sharon and the creative team at Robot Studios in Los Angeles, we are building this innovative production from the ground up. Because of the unique nature of this opera production for The Cleveland Orchestra and Northeast Ohio, we are using new ways to communicate the excitement of this undertaking. A series of video “Production Diaries” about The Making of The Cunning Little Vixen is unfolding online. These videos feature behind-the-scenes looks at the creative team and processes in motion. I hope that you will take a few minutes to see what’s in store for you at Severance Hall in May. Visit clevelandorchestra.com to view these using the homepage link. It takes concentrated effort, many hands, and dedicated focus to do all of this. Not just from the Orchestra musicians, staff, trustees and other volunteers, but from the community surrounding us, supporting us, and collaborating with us. Our neighborhood residencies are created at the grassroots level. This year’s partnerships with businesses, schools, and organizations from across Lakewood have been stimulating and creative. The opera production is also possible only through the collaboration of many, with support from generous donors, including The Andrew W. Mellon Foundation and a group of local donors who have responded to this Foundation’s matching gift challenge to support our ongoing opera presentations. Thank you to everyone involved.

Severance Hall 2013-14

Gary Hanson

CLEVELAND ORCHESTRA ARCHIVES

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PLAY BALL! The “home” team of a baseball game played on May 7, 1921, at Oberlin College, between a rehearsal for and the performance of Wagner’s opera Lohengrin that same evening. All of the ball players were members of The Cleveland Orchestra, fielding “Cleveland” (pictured) and “New York” teams for the afternoon of sport.

and around the globe, The Cleveland Orchestra remains Northeast Ohio’s most visible international ambassador and one of the most sought-after performing ensembles in the world. In concerts at its winter home at Severance Hall and at each summer’s Blossom Music Festival, in residencies from Miami to Vienna, and on tour around the world, The Cleveland Orchestra sets standards of artistic excellence, creative programming, and active community engagement. With the 2013-14 season, Franz Welser-Möst marks his twelfth year leading the ensemble, with a commitment extending to the Orchestra’s centennial in 2018. This artistic partnership continues to move the ensemble forward through a series of new and ongoing initiatives, including: IN PE RFORMANCE S AT HOME

expansion of education and community programs in Northeast Ohio to feature music as an integral and regular part of everyday life for more people, including the launch in 2013 of an “At Home” neighborhood residency program that brings The Cleveland Orchestra to a single neighborhood or town for an intensive period of special activities and performances, as well as the broaden-

About the Orchestra

The Cleveland Orchestra

ing of the Orchestra’s ongoing education and community engagement initiatives to include Make Music!, a program of active and participatory experience and learning; the establishment of residencies around the world, fostering creative artistic growth and an expanded financial base — including ongoing residencies at the Vienna Musikverein (the first of its kind by an American orchestra) and in Florida under the name Cleveland Orchestra Miami (featuring an annual series of concerts and community activities, coupled with educational presentations and collaborations based on programs pioneered at home in Cleveland); creative new artistic collaborations with arts institutions in Northeast Ohio, including staged works, concerts, and chamber music performances; a concentrated and successful effort to develop future generations of audiences for Cleveland Orchestra concerts in Northeast Ohio, through research, targeted discounts, social media promotion, and student ticket programs, with demonstrated results at Severance Hall and Blossom; a variety of new concert offerings (including staged opera and ballet, as well as KeyBank Fridays@7 and Celebrity Series at Severance Hall and movie, themed, and family presentations at Blossom) to play more music for more people; continuing and expanded educational partnerships with schools, colleges, and universities across Northeast Ohio and beyond; ongoing recording activities, including new releases under the direction of Franz Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of acclaimed DVD concert presentations of symphonies by Anton Bruckner led by Welser-Möst. The Cleveland Orchestra was founded in 1918 by a group of local citizens intent on creating an ensemble worthy of joining America’s ranks of major symphony orchestras. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. Seven music directors have guided and shaped the ensemble’s growth and sound: Nikolai Sokoloff, 1918-33; Artur Rodzinski, 1933-43; Erich Leinsdorf, 1943-46; George Szell, 1946-70; Lorin Maazel, 1972-82; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002. The opening in 1931 of Severance Hall as the Orchestra’s permanent home, with later acoustic refinements and remodeling of the hall under Szell’s guidance, brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States. Severance Hall 2013-14

The Orchestra Today

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T H E M U S I C AL AR TS ASSOCIATION

as of March 2014

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival

O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Norma Lerner, Honorary Chair Hewitt B. Shaw, Jr., Secretary Beth E. Mooney, Treasurer

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson Raymond T. Sawyer

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland James D. Ireland III

Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong

Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner James S. Reid, Jr. Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Hewitt B. Shaw, Jr. Richard K. Smucker R. Thomas Stanton Daniel P. Walsh Thomas A. Waltermire Geraldine B. Warner Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) Loren W. Hershey (DC) Herbert Kloiber (Germany)

Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFIC IO Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee TR U S TE E S E M ERIT I Clifford J. Isroff Samuel H. Miller David L. Simon PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Dr. Lester Lefton, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O N O RARY T RUS TEES FOR LIFE Robert W. Gillespie Gay Cull Addicott Dorothy Humel Hovorka Oliver F. Emerson Robert F. Meyerson Allen H. Ford

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2013-14

Gary Hanson, Executive Director

Musical Arts Association

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May 17 . 20 . 22 . 24 A N EW P R RO OD DU UC C T IIO ON N C R E ATE AT E D F O R C L E V E L A N D W I TH D I G I TA L A N I M AT I ON ON TH R E E G I A N T 2 5- F O OT S C R E E N S TOG ET HER W I TH L I V E AC TI O N A N D S I N G I N G BY A N I N T E R N ATI O N A L LY-ACC L A I ME D C AST! S SU U NG N G I N C Z EC ECH WIT TH E N G L I S H S U P E R TI TL E S

THE CLEVELAND OR ORCHESTRA R conducted cond cted b by Franz W Welser-Möst

T ENN! EV O A S R EA PE S O E E TH TH OF

Don’t miss this unique unique, made-for-Cleveland opera presentation presentation! Staged at Severance Hall with an international cast and innovative, original animated projections. While plumbing the depths of human experience, The Cunning Little Vixen tells a charmingly bittersweet tale f of love, peril, freedom, and family. The opera’s title character, portrayed by Czech soprano Martina M Janková, wends her way through life’s cycles of learning and danger, dange love and happiness. Janáček’s score mixes lyrical symphonic writing wit the songful serenity and energetic pulse of Moravian folk music. with This Cleveland Orchestra opera presentation is supported in part by The Andrew W. Mellon Foundation and by the National Endowment for the Arts

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

marks Franz Welser-Möst’s twelfth year as music director of The Cleveland Orchestra, with a long-term commitment extending to the Orchestra’s centennial in 2018. Under his direction, the Orchestra is acclaimed for its continuing artistic excellence, is extending and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, continues its historic championship of new composers through commissions and premieres, and has re-established itself as an important operatic ensemble. Concurrently with his post in Cleveland, Mr. Welser-Möst is general music director of the Vienna State Opera. With a committed focus on music education in Northeast Ohio, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. Mr. Welser-Möst’s championship of community music-making expands upon his active participation in educational programs and collaborative programming, including the Cleveland Orchestra Youth Orchestra and partnerships with music conservatories, universities, and other arts institutions across Northeast Ohio. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established an ongoing biennial residency in Vienna at the famed Musikverein concert hall and another at Switzerland’s Lucerne Festival. Together, they have appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland Orchestra residency in Florida under the name Cleveland Orchestra Miami and, in 2011, launched a regular new residency at New York’s Lincoln Center Festival. To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction. Through the Roche Commissions project, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festival and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth. Franz Welser-Möst has led a series of opera performances during his tenure P H OTO BY S ATO S H I AOYAG I

THE 2013 -14 SEASON

Severance Hall 2013-14

Music Director

in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the MozartDa Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 leads an innovative made-for-Cleveland production of Leoš Janáček’s The Cunning Little Vixen at Severance Hall. Franz Welser-Möst became general music director of the Vienna State Opera in 2010. His long partnership with the company has included acclaimed performances of Tristan and Isolde, a new production of Wagner’s Ring cycle with stage director Sven-Eric Bechtolf, and critically praised new productions of Hindemith’s Cardillac and Janáček’s Katya Kabanova and From the House of the Dead. During the 201314 season, his Vienna schedule includes a new production of Puccini’s The Girl of the Golden West, as well as performances of Tristan and Isolde, Verdi’s Don Carlo, Beethoven’s Fidelio, and Richard Strauss’s Ariadne auf Naxos and Der Rosenkavalier. Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include appearances at New York’s Carnegie Hall, in concert at La Scala Milan, and in opera presentations at the Salzburg Festival. He also led the Philharmonic’s New Year’s Day concert, viewed by telecast in seventy countries worldwide in 2011 and again in 2013. Across a decadelong tenure with the Zurich Opera, culminating in three seasons as general music director (2005-08), Mr. Welser-Möst led the company in more than 40 new productions. Franz Welser-Möst’s recordings and videos have won major awards, including the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of five of Bruckner’s symphonies, presented in three acoustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musikverein, and Severance Hall). With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano Measha Brueggergosman. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

Music Director

The Cleveland Orchestra

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P H OTO BY R O G E R MA S T R O I A N N I

Franz Welser-MĂśst and The Cleveland Orchestra, performing Brucknerâ&#x20AC;&#x2122;s Fourth Symphony in concert at Severance Hall in April 2012.

T H E

C L E V E L A N D

FRANZ WELSER-MÖST MUSIC

DIRECTOR Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra Preucil

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Katherine Bormann

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut Yun-Ting Lee VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Ralph Curry Brian Thornton David Alan Harrell Paul Kushious Martha Baldwin Thomas Mansbacher BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune S Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

O R C H E S T R A FLUTES Joshua Smith *

HORNS Richard King * George Szell Memorial Chair

PERCUSSION Marc Damoulakis°

Margaret Allen Ireland Chair

Donald Miller Tom Freer

Elizabeth M. and William C. Treuhaft Chair

Michael Mayhew §

Saeran St. Christopher Marisela Sager 2

Jesse McCormick Hans Clebsch Alan DeMattia

KEYBOARD INSTRUMENTS Joela Jones *

TRUMPETS Michael Sachs *

Carolyn Gadiel Warner

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Mary Lynch Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

Barrick Stees

Sandra L. Haslinger Chair

Knight Foundation Chair

Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

Michael Miller TROMBONES Massimo La Rosa* Gilbert W. and Louise I. Humphrey Chair

Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Joe and Marlene Toot Chair

Donald Miller ORCHESTRA PERSONNEL Karyn Garvin DIRECTOR

Christine Honolke MANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIED Sidney and Doris Dworkin Chair Sunshine Chair

Richard Stout Alexander and Marianna C. McAfee Chair

* Principal

Shachar Israel 2

° Acting Principal

BASS TROMBONE Thomas Klaber

Associate Principal First Assistant Princi pal 2 Assistant Principal S On sabbatical §

EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

Jonathan Sherwin

CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE

Giancarlo Guerrero

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

Brett Mitchell

ASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

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Frances P. and Chester C. Bolton Chair

CONTRABASSOON Jonathan Sherwin

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Details of Orchestra’s “at home” in Lakewood neighborhood residency announced for May 17-24 Four months of education activities presented in partnership with Lakewood schools lead up to an intensive week of free public performances and events, including Orchestra concert on May 24

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Lakewood is known for its commitment to the arts. The Orchestra’s events will strengthen this commitment and showcase the city’s great quality of life, local organizations, restaurants, schools, and businesses that make our community special.” The Cleveland Orchestra introduced neighborhood residencies in May 2013 in the Gordon Square community of Cleveland. The activities, including a Cleveland Orchestra Concert at Saint Colman Catholic Church, were taped and aired by WVIZ/PBS ideastream. WCLV 104.9 also broadcast the concert on radio. The goals of the neighborhood residencies are to bring increased visibility and vibrancy to greater Cleveland’s neighborhoods, build community through arts and culture in tandem with local partners, and offer more people the opportunity to engage with the music and the musicians of The Cleveland Orchestra. The culminating residency week of activities will include solo and chamber music performances in unique locations, educational programs at local schools, and new artistic collaborations with neighborhood arts and cultural organizations — all in partnership with local businesses and community groups. Complete “at Home in Lakewood” details can be found at clevelandorchestra.com.

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The Cleveland Orchestra and the Lakewood community are joining together to present “The Cleveland Orchestra at Home in Lakewood,” a neighborhood residency that features an intensive week of free public performances and events May 17-24. A series of prepartory events in partnership with Lakewood schools began in February and continue through the public residency week. The centerpiece of the Orchestra’s activities in Lakewood will be a free Cleveland Orchestra concert led by Music Director Franz Welser-Möst at Lakewood Civic Auditorium on Saturday evening, May 24, at 7:30 p.m. Tickets will be distributed at locations throughout Lakewood beginning on Saturday, April 26. (A delayed telecast of the concert will be presented by WVIZ/PBS ideastream; the concert will be broadcast live on radio by WCLV 104.9 ideastream. The television broadcast will feature a composite of community collaborations, musical performances, and joint events and activities throughout Lakewood.) “Creating a ‘grass roots’ opportunity for Lakewood to experience perhaps the greatest orchestra in the world at a very personal level is a cultural experience that we will remember for years to come,” commented Michael P. Summers, Lakewood’s mayor, in announcing resdiency details. “Our increasingly vibrant commercial corridors and neighborhoods will be made ever-more-so by the music and the musicians.” Ian Andrews, executive director of LakewoodAlive, Lakewood’s nonprofit economic development organization, said, “We are ecstatic to have been chosen as The Cleveland Orchestra’s destination for immersion into a Northeast Ohio community.

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Women’s Committee’s spring fundraiser on April 25

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The Musical Arts Association gratefully acknowledges the artistry and dedication of all the musicians of The Cleveland Orchestra. In addition to rehearsals and concerts throughout the year, many musicians donate performance time in support of community engagement, fundraising, education, and audience development activities. We are pleased to recognize these musicians, listed below, who have volunteered for such events and presentations during the 2012-13 and 2013-14 seasons. Mark Atherton Martha Baldwin Charles Bernard Katherine Bormann Lisa Boyko Charles Carleton John Clouser Kathleen Collins Patrick Connolly Ralph Curry Maximilian Dimoff Bryan Dumm Tanya Ell Kim Gomez David Alan Harrell Miho Hashizume Shachar Israel Joela Jones Alicia Koelz Stanley Konopka Mark Kosower Paul Kushious Jung-Min Amy Lee Mary Lynch Thomas Mansbacher Takako Masame Eli Matthews Jesse McCormick Daniel McKelway Sonja Braaten Molloy

Eliesha Nelson Chul-In Park Joanna Patterson Zakany Alexandra Preucil William Preucil Lynne Ramsey Jeffrey Rathbun Jeanne Preucil Rose Stephen Rose Frank Rosenwein Jonathan Sherwin Sae Shiragami Emma Shook Joshua Smith Saeran St. Christopher Barrick Stees Jack Sutte Brian Thornton Isabel Trautwein Lembi Veskimets Carolyn Gadiel Warner Stephen Warner Richard Weiss Beth Woodside Robert Woolfrey Paul Yancich Derek Zadinsky Jeffrey Zehngut

The volunteers of the Women’s Committee of The Cleveland Orchestra are holding their spring benefit evening of music and friendship on Friday, April 25, at Shaker Heights Country Club. The evening features an audience participation performance by Dueling Pianos with The Rocket Men. For more information or reservations, please call 440-946-6189.

Next “Meet the Artist” luncheon on Friday, May 2,, p previews opera production duction of “Vixen” The Women’s ’s Committee’s next “Meet the Artist” luncheon features a preview ew of behind-the-scene ne details of The Cleveland eland Orchestra’s new opera pro pro-duction in May. The May 2 preview event features Mark Williams, the Orchestra’s director of artistic planning, and Julie Kim, director of operations, discussing details of preparations and the creation of animated scenery, lighting, and costumes, plus other details for Leoš Janáček’s The Cunning Little Vixen, being performed at Severance Hall May 17 to 24. The luncheon takes place at Acacia Reservation on Cedar Road in Lyndhurst, and includes a reception beginning at 11:30, lunch at noon, and the presentation and discussion about the opera at 1:00 p.m. Reservations can be made through the Severance Hall Ticket Office by calling 216-231-1111. $38 for the general public, and $35 for Women’s Committee members.

Silence is golden As a courtesy to the performers onstage and the audience around you, all patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to each concert.

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Mahler, in a photograph taken in 1909 in New York

PNC helps introduce children to music and more . . . May 16 and 17 mark the final performances of this season’s PNC Musical Rainbows series, with a program titled “Heavenly Harps.” Sponsored by PNC Bank, Musical Rainbows concerts for pre-K to Grade 1 students take place in Reinberger Chamber Hall and introduce specific instruments and instrument families. With animated support from host Maryann Nagel, Cleveland Orchestra musicians bring their instruments, talk about them, and play short selections. Concerts feature a mix of serious pieces and age-appropriate music from “Old MacDonald” to the “Bingo” song. PNC Bank has provided more than $5 million in grants for local preschool education in recent years, including $2.5 million to support programs developed by The Cleveland Orchestra, Cleveland Museum of Art, PlayhouseSquare, and the Rock and Roll Hall of Fame and Museum.

Support from PNC Bank also enables the Orchestra to engage young children in music and learning, right from the start, with PNC Grow Up Great. This pre-school program uses music to help children develop basic skills like counting and following instructions — necessary for success in kindergarten and beyond. According to PNC Regional President Paul Clark, the results have been more than gratifying. “We have been so impressed with the positive results these programs have delivered for teachers, parents, and students,” he says. “Teachers report that they are more confident and creative in their ability to teach the arts, parents have become more likely to spend time engaging with their children and arts, and students who participate are receiving higher scores in music and imaginative play — with a positive impact on their cognitive, social, and academic development.”

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OrchestraNews I.N M.E.M.O.R.I.A.M The Cleveland Orchestra notes the death on March 11 of retired Orchestra horn player Albert Schmitter at the age of 81. He served as a member of the Orchestra for 29 years, retiring in 1995. Schmitter was a graduate of J.F. Rhodes High School in Cleveland and of the United States Military Academy at West Point. He also attended Baldwin Wallace College. The entire Orchestra family extends its condolences to his family and friends.

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Cleveland Orchestra presents Hitchcock’s “Psycho” live at Severance Hall April 22 Festival of films with scores by Bernard Herrmann April 24-27 at Cleveland Cinematheque The Cleveland Orchestra’s Celebrity series concludes for the 2013-14 season with a special presentation of Hitchcock’s thriller movie “Psycho” on Tuesday evening, April 22. The film’s famously dramatic score by Bernard Herrmann will be performed live by the Orchestra, with the film projected above the stage. For tickets, contact the Severance Hall Ticket Office or visit clevelandorchestra.com. The showing coincides with a festival of films with scores by Herrmann being screened at the Cleveland Cinematheque, April 24-27. Films to be screened include “On Dangerous Ground,” “Marnie,” “The Devil and Daniel Webster,” and “Citizen Cane.” For more information, visit www.cia. edu/cinematheque.

Special free community concert presented April 18 with Cleveland Orchestra and Youth Orchestra The Cleveland Orchestra has announced a special free community concert on Friday, April 18, featuring the Orchestra sitting sideby-side with the Cleveland Orchestra Youth Orchestra. In this unique annual concert, often presented on a weekday for high school students, Orchestra musicians mentor their younger counterparts in performance. This year’s evening concert has been opened to the general public. The program features works by Berlioz and Shostakovich, plus Youth Orchestra alumnus James Thompson performing as soloist in Saint-Saëns’s Introduction & Rondo Capriccioso. Free, with general admission seating. Tickets required. Free tickets can be obtained by contacting the Severance Hall Ticket Office or visiting clevelandorchestra.com.

Special thanks to Cleveland Orchestra musicians The Board of Trustees extends special thanks to the members of The Cleveland Orchestra for donating their services for four performances this season as part of the musicians’ ongoing commitment to provide additional revenue-generating opportunities to benefit the institution. These four concerts include the Severance Hall Gala with Itzhak Perlman in September 2013 and a benefit concert in Palm Beach, Florida, in January 2014, along with performances at New York’s Lincoln Center and in Cologne, Germany, as part of the Orchestra’s touring this past autumn. “These and other donated services each year are a meaningful demonstration of the musicians’ commitment to this institution’s future,” notes Gary Hanson, executive director. “The members of The Cleveland Orchestra are committed to ensuring that the Orchestra can present music as an important and vital part of life.”

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Cleveland Orchestra launches new group for networking and socializing with dynamic young professionals The Cleveland Orchestra has announced a new group called The Circle, welcoming young professionals ages 21-40. The group is designed for those who share a love of music and an interest in supporting The Cleveland Orchestra in a new and dynamic way. The Circle provides members exclusive access to the Orchestra, with opportunities to meet musicians, and socialize at Severance Hall and at Blossom Music Festival events. Memberships include bi-monthly concert tickets along with opportunities to attend social gatherings to network with friends and cultural business leaders of Northeast Ohio. The objectives of The Circle are to increase engagement opportunities for young people ages 21-40 and to help develop future volunteer community leaders and arts advocates. The Circle was launched at a Cleveland

Orchestra concert in January, and is continuing to grow. Plans for events throughout the spring are posted on the orchestra’s website, including concert receptions, a tour of Severance Hall, and more. Cost of membership in The Circle is $15 per month for one membership and $20 per month for two memberships and includes bi-monthly tickets. New members join for a minimum of six months. For additional information, visit clevelandorchestra.com or send an email to thecircle@clevelandorchestra.com.

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Mahler, in a photograph taken in 1909 in New York

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Chorus auditions announced for children, youth, and adult singers for Blossom and 2014-15

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or an equivalent classical solo piece; Broadway or “pop” tunes are not acceptable. In addition to the prepared piece, students will be asked to sight-read and demonstrate their vocal range. An accompanist is provided at the audition. The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer choruses sponsored by a major American orchestra. Coming from nearly fifty Northeast Ohio communities, members of the Chorus perform with The Cleveland Orchestra in subscription and Christmas concerts each year. Previous choral experience and sight-reading skills are required. The Blossom Festival Chorus includes many members of the Cleveland Orchestra Chorus and other Northeast Ohio choral groups. It has established itself as a permanent annual part of the summertime Blossom Festival and has sung in more than 100 concerts since its 1968 debut. Both groups are directed by Robert Porco. Auditions for the Cleveland Orchestra Chorus and Blossom Festival Chorus will be held April 16 and April 19, by appointment only. Those auditioning are asked to prepare two pieces from the classical literature, one of which should be in a foreign language. Each piece should be approximately two minutes in length. Previous choral experience and sight-reading skills are required. An accompanist is provided at the audition. To schedule an audition, call the Chorus Office at 216-231-7374, or send an email to chorus@clevelandorchestra.com.

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Spring audition dates for the choral groups sponsored by The Cleveland Orchestra have been announced. The auditions — for adults, youth, and children — are for membership in groups singing during the 2014 Blossom Music Festival and the 2014-15 Season at Severance Hall. Auditions will take place in May and June. The Cleveland Orchestra Choruses embody a long-standing commitment to choral music in which community members of all ages have the opportunity to participate. The Cleveland Orchestra Children’s Chorus is open to students in grades 6-8 and directed by Ann Usher, and the Cleveland Orchestra Children’s Preparatory Chorus is open to students in grades 5-8 and directed by Suzanne Walters. Both groups are holding auditions on June 2, June 7, and June 14. The Children’s Chorus, formed in 1967, provides musical training in vocal production and choral performance skills. The Children’s Preparatory Chorus provides children with initial choral experiences to which younger singers may not have been exposed, while establishing a solid foundation in vocal production techniques. To audition, children must sing one verse of “America” (My Country, ’Tis of Thee) with piano accompaniment in the key of his or her choice and one verse of “America the Beautiful” (Oh beautiful, for spacious skies) without accompaniment in the key of D. Singing scales and doing some rhythmic exercises may also be included in the audition, for which an accompanist is provided. Students in grades 9-12 are welcome to audition for the Cleveland Orchestra Youth Chorus, directed by Lisa Wong, on May 3, May 11, or June 11. Created in 1991, the Youth Chorus helps raise awareness of choral music-making in the schools of Northeast Ohio and encourages students to continue their choral activities through college and into adulthood. The Youth Chorus collaborates each season in performance with the Cleveland Orchestra Youth Orchestra. Youth Chorus audition requirements are to prepare a piece from the OMEA Solo & Ensemble list,

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LEARNING MORE ABOUT THE MUSIC

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives. Free Concert Previews are presented one hour before most subscription concerts throughout the season at Severance Hall. The previews (see listing at right) feature a variety of speakers and guest artists speaking or conversing about that weekend’s program, and often include the opportunity for audience members to ask questions.

Severance Hall 2013-14

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka. April 10, 11, 12 “Romantic vs. Modern” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

April 17, 19 “Bittersweet Farewells” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

April 24, 26 “Bach’s Son, Papa Haydn, and Beethoven” with Pierre van der Westhuizen, executive director of the Cleveland International Piano Competition

May 1, 3, 4 “Mozart’s Requiem” with Jason Harris, assistant professor of choral conducting, Oberlin College Conservatory of Music

May 8, 10 “Nordic Notions”

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with Jerry Wong, associate professor of piano, Kent State University

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Thursday evening, April 17, 2014, at 7:30 p.m. Saturday evening, April 19, 2014, at 8:00 p.m.

Herbert Blomstedt, conductor Cello Concerto in B minor, Opus 104

antonín dvor ák V

(1841-1904)

1. Allegro 2. Adagio ma non troppo 3. Finale: Allegro moderato MARK KOSOWER, cello

INTERMISSION

pyotr ilyich tchaikovsky (1840-1893)

Symphony No. 6 (“Pathétique”) in B minor, Opus 74 1. 2. 3. 4.

Adagio — Allegro non troppo Allegro con grazia Allegro molto vivace Finale: Adagio lamentoso

Thursday’s concert is sponsored by Thompson Hine LLP. With this weekend’s concerts, The Cleveland Orchestra gratefully honors the Kulas Foundation for their generous support.

Mark Kosower’s solo appearance with The Cleveland Orchestra is made possible by a contribution to the Orchestra’s Guest Artist Fund from the Kulas Foundation. The concert will end on Thursday evening at about 9:20 p.m. and on Saturday evening at approximately 9:50 p.m. CLEVELAND ORCHESTRA RADIO BROADCASTS

Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.

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Concert Program — Week 17

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INTRODUCING THE CONCERTS

Concerto& Symphony THIS WEEKEND’S CONCERTS

feature two masterpieces of Romanticism, a concerto and a symphony, written within a three-year period at the end of the 19th century by two composers at the height of their powers. Antonín Dvořák and Pyotr Tchaikovsky both came from Slavic lands (Bohemia and Russia), but pursued a classic Central European tradition in music. Following in the footsteps of Mozart, Beethoven, and Brahms, this was a style they believed to be universal, and universally good. Nevertheless, both composers infused their work with ideas from their native land’s music. But dressed them so well in Classical traditions that some of their own countrymen called their music “too Germanic” — and meant it in a mean way. Dvořák’s Cello Concerto, performed here by Cleveland Orchestra d principal cello Mark Kosower, is both big and tender. This music, from 1895, sails forth in giant bursts and surging melodies. Within its musical contours, the composer included a loving tribute to his wife’s sister, who had meant much to him through much of his life,, even before he married her sister. To close the evening, guest conductor Herbert Blomstedt has chosen Tchaikovsky’s immensely popular final symphony (No. 6), nicknamed “Pathétique.” Written with all the facility of a great and mature artist, this work from 1893 features music that is both expanust sively happy and inwardly sad. Premiered just days before Tchaikovsky’s accidental death, the symphony soared in popularity as a memorial to his life and work — and continues to confront audiences with both pleasure and questions. Fate was never far from Tchaikovsky’s mind. —Eric Sellen

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Introducing the Concerts

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Herbert Blomstedt Swedish-American conductor Herbert Blomstedt has been leading orchestras for more than half a century. Known throughout the world and especially associated with the San Francisco Symphony, Leipzig Gewandhaus Orchestra, and Dresden Staatskapelle, Mr. Blomstedt first conducted The Cleveland Orchestra in April 2006. His most recent performances with the Orchestra were in February 2013. Born in Springfield, Massachusetts, to Swedish parents, Herbert Blomstedt began his musical education at the Royal Academy of Music in Stockholm and at the University of Uppsala. He later studied conducting at the Juilliard School, contemporary music in Darmstadt, and renaissance and baroque music at the Schola Cantorum Basiliensis. He also worked with Igor Markevich in Salzburg and Leonard Bernstein at Tanglewood. Mr. Blomstedt is conductor laureate of the San Francisco Symphony, where he served as music director (1985-95). He was subsequently music director of Hamburg’s NDR Symphony Orchestra (1996-98), and of Leipzig’s Gewandhaus Orchestra (1998-2005). Mr. Blomstedt made his professional conducting debut with the Stockholm Philharmonic Orchestra in 1954, and subsequently served terms as music director of the Danish Radio Symphony Orchestra, Oslo Philharmonic, Swedish Radio Symphony Orchestra, and Dresden Staatskapelle prior to coming to San Francisco. In recent years, Herbert Blomstedt has been named honorary conductor of the Bamberg Symphony Orchestra, Leipzig Gewandhaus Orchestra, NHK Symphony, and the Danish and Swedish radio symphony orchestras. In addition, he has guest conducted many of the world’s great orchestras, including the Berlin Philharmonic, London Philharmonic, Royal Concertgebouw Orchestra, and the orchestras of Boston, Chicago, Los Angeles, New York, and Philadelphia. Herbert Blomstedt’s discography features over 130 works with the Dresden Staatskapelle, as well as the complete works of Carl Nielsen with the Danish Radio Symphony. His recordings with the San Francisco Symphony are available on Decca. His collaborations with other ensembles, including the Leipzig Gewandhaus Orchestra, can be heard on Decca, Deutsche Grammophon, and RCA Red Seal. Mr. Blomstedt is recording the complete Bruckner symphonies with the Gewandhaus Orchestra for the German label Querstand. Herbert Blomstedt’s honors include membership in the Royal Swedish Music Academy. In 2003, he received the Grosses Bundesverdienstkreuz from the German Federal Republic.

Severance Hall 2013-14

Conductor

Cello Concerto in B minor, Opus 104 composed 1894-95 W R I T T E N AT T H E E N D

Antonín

DVOŘÁK born September 8, 1841 Nelahozeves, Bohemia died May 1, 1904 Prague

Severance Hall 2013-14

of Dvořák’s three-year tenure as director of the National Conservatory in New York City, the Cello Concerto reflects some of the composer’s American experiences, but is at the same time filled with the spirit of his beloved Bohemia, where he longed to return. The idea of writing a cello concerto certainly had something to do with Dvořák’s experiences in America. He was inspired by the example of his colleague at the National Conservatory, cellist-composer Victor Herbert, who performed his own Second Cello Concerto with conductor Anton Seidl and the New York Philharmonic in March 1894. As a young man, Dvořák had written a cello concerto, but he had never finished orchestrating it, and it remained unperformed. In the case of a cello concerto, orchestration is a matter of crucial importance, because the lower overall pitch of the instrument makes it more difficult for it to stand out against a full orchestral texture (compared with a violin or other higher-voiced instrument). The 24-year-old Dvořák may not have been prepared to meet this challenge, but three decades later the mature composer knew how to solve the problem. He solved it not simply by reducing the volume of the accompaniment, but by placing the solo cello into a variety of constantly changing combinations with selected wind soloists from the orchestra. This results in a delicate, almost chambermusic-like instrumental writing in which the timbre of the cello comes into full display. It is remarkable that despite this chamber-music quality, the concerto also features a symphonic grandeur one doesn’t find in most other 19th-century Romantic cello concertos (such as those by Schumann or Saint-Saëns). Dvořák continues the Beethoven-Brahms tradition in which solo passages (including several prominent ones for the flute) are balanced by full-fledged orchestral statements. The orchestra’s role is not restricted to mere accompaniment — it always shares the limelight with the soloist and often even takes center stage. That is because, clearly, this concerto is much more than a virtuoso showpiece for the soloist. It is in many ways a dramatic, even tragic, work, from its somber opening to the unprecedented closing section of the finale. We have a great deal of evidence to show that Dvořák was About the Music

Most of us know and love these four notes. Allegro con brio

No one cares how long it took Beethoven to compose them. Accomplishments are what matter. How long it takes to achieve them does not.

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grappling with important life issues as he was writing his Cello Concerto. Musicologist Michael Beckerman has discussed some of these issues in a highly readable and illuminating book — titled New Worlds of Dvořák: Searching in America for the Composer’s Inner Life and published in 2003 — that every Dvořák lover would read with pleasure. In fact, the concerto memorializes Dvořák’s sister-in-law Josefina Kaunitzová, who became seriously ill shortly after the composer had begun work on the concerto. It is no secret that, as a young man, Dvořák was deeply in love with Josefina, but their union was not to be; instead, the composer ended up marrying Josefina’s sister. In the second movement of his cello concerto, Dvořák quoted one of his own songs — “Lasst mich allein” (“Let Me Be Alone”), Opus 82, No.1 — which, according to leading Dvořák biographer Otakar Šourek, was a favorite song of Josefina’s and appears in the concerto as a personal tribute. This view is supported by the fact that the song’s melody returns at the end of the concerto, in the part that Dvořák revised after his return to Bohemia, and after Josefina’s death. Here Dvořák made the almost unheard-of decision to insert a wistful and elegiac slow section in the middle of a finale that is up to that point dominated by a spirited dance melody. What is more, the solo cello is joined by a second solo voice coming from the concertmaster, with the combination of violin and cello (high and low) creating unmistakable associations with an operatic love duet. Precisely at the moment when one would expect a fast-paced final presto section to begin, the music drifts more and more into sadness. The dramatic first theme of the opening movement is recalled, as is a variant of Josefina’s song. Eventually, and only with some effort, does Dvořák gather up enough momentum in the music for a few measures of Allegro vivo to end the concerto.

In the second movement of his Cello Concerto, Dvorák quotes one of his own songs as a personal tribute to his sister-in-law Josefina, with whom he was once in love — and who died prior to the concerto’s premiere. v

AFTER COMPLETING

his cello concerto, Dvořák asked his friend, the renowned cellist Hanuš Wihan, to add fingerings and bowing instructions to the solo part. In addition to these, however, Wihan proposed some changes and wrote solo cadenzas (for the first and last movements) that the composer found impossible to accept. Šourek believed that it was because of these differences of opinion that Wihan did not play the concerto’s premiere. But research has discovered that this was not

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About the Music

ANTONÍN DVOŘÁK 1841-1904

TOP HALF OF PAGE:

The house where Antonín Dvořák was born in Nelahozeves, Bohemia (now the Czech Republic) in 1841; Dvořák as a young man; and Dvořák with his wife, Ottilie, in 1886 in London.

LOWER HALF OF PAGE:

Dvořák in 1885, a few years before he came to New York; the Statue of Liberty, erected in New York harbor in 1886, greeted Dvořák upon his arrival in 1892; Dvořák’s funeral procession in Prague in 1904.

Antonín Dvořák

The Cleveland Orchestra

the case. Wihan was simply not free on the day suggested by the London Philharmonic Society, which then engaged another solo cellist, much to Dvořák’s dismay, because he had already committed himself to Wihan. Dvořák apparently cleared the situation with his friend, was released from his promise, and worked with the new cellist, Leo Stern, intensely for several days. “I hope he will be all right,” he wrote to London a few days before leaving for the premiere. The concert featuring the premiere was extremely long by today’s standards. In addition to Dvořák’s Eighth Symphony and five of his Biblical Songs, it also contained a performance of Beethoven’s “Emperor” Concerto (No. 5) with pianist Emil Sauer, and additional works. Yet the Cello Concerto was received with enthusiasm. Stern subsequently introduced it to several cities in Europe and the United States, and other cellists took it on as well. Wihan finally performed the work in January 1899 at The Hague, with the Concertgebouw Orchestra conducted by Willem Mengelberg. —Peter Laki Copyright © Musical Arts Association

At a Glance Dvořák composed his Cello Concerto in New York during the last two months of 1894 and the first two of 1895, subsequently revising the ending after his return to Europe later that spring. In the published score (1896), he dedicated the concerto to cellist Hanuš Wihan. The first performance was given on March 19, 1896, by the London Philharmonic Society at Queen’s Hall in London, with Leo Stern as soloist and the composer conducting. The

United States premiere took place on December 19, 1896, with cellist Alwin Schroeder and the Boston Symphony Orchestra conducted by Emil Paur. This concerto runs about 40 minutes in performance. Dvořák scored it for 2 flutes, piccolo, 2 oboes, 2 clarinets, 2 bassoons, 3 horns, 2 trumpets, 3 trombones, tuba, timpani, triangle and strings, plus the solo cello. The first Cleveland performance of Dvořák’s Cello

Concerto took place on March 4, 1918, at Grays’ Armory, when Pablo Casals was soloist with the visiting New York Philharmonic under Josef Stransky. Casals was also the first artist to play the work with The Cleveland Orchestra, at a pair of concerts in January 1924, conducted by Nikolai Sokoloff. It has been programmed frequently since that time, most recently in November 2012, with cellist Yo-Yo Ma, under Carlos Miguel Prieto’s direction.

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Mark Kosower

Principal Cello Louis D. Beaumont Endowed Chair The Cleveland Orchestra

P H OTO BY R O G E R MA S T R O I A N N I

Described as “an extraordinary talent” by the legendary cellist and teacher Janos Starker, Mark Kosower became principal cello of The Cleveland Orchestra in July 2010 and subsequently joined the faculty at the Cleveland Institute of Music. He previously served as solo cellist (a position equivalent to the American title principal cello) of the Bamberg Symphony Orchestra in Germany (2006-10) and was professor at the San Francisco Conservatory of Music (2005-07). In addition to his orchestral career and teaching activities, Mark Kosower continues an active career as a soloist. Highlights of recent seasons include his debut with the Rotterdam Philharmonic, as well as appearances with the Venezuelan Symphony Orchestra, Virginia Symphony Orchestra, and at Eastern Music Festival. In previous seasons he has appeared internationally with the Orchestre de Paris, Hong Kong Philharmonic, Beijing’s China National Symphony, National Symphony Orchestra of Taiwan, and the Brazilian Symphony Orchestra, among others. In the United States, his appearances as a soloist have included engagements with the orchestras of Detroit, Houston, Indianapolis, Minnesota, Milwaukee, Ravinia, St. Paul, and Seattle. An active advocate of 20th- and 21st-century music, Mark Kosower has brought lesser-known contemporary masterworks to international attention in recent years, demonstrated by two recent albums on the Naxos label, the first featuring the complete cello concertos of Alberto Ginastera (making Kosower the first cellist to record the complete works for solo cello by this composer) and a second album with the world premiere recording of Miklós Rózsa’s Rhapsodie for solo cello and orchestra. Mr. Kosower also recently recorded works by Reger, Strauss, and Eberhard Klemmstein with pianist Jee-Won Oh for the Ambitus label, and has recorded for Delos and VAI. As a recitalist, Mark Kosower has appeared on the Great Performers series at Lincoln Center, and at the Kennedy Center, Aspen Music Festival, Philadelphia Chamber Music Society, and the National Gallery in Washington D.C. He has also performed with the Chamber Music Society of Lincoln Center and the Juilliard String Quartet. Born in Wisconsin, Mark Kosower began studying cello at the age of one-anda-half with his father, who studied with former Cleveland Orchestra principal cello Ernst Silberstein. He holds a bachelor’s degree and artist diploma in cello performance from Indiana University, where he studied with Janos Starker, and a master’s degree and artist diploma in cello performance from the Juilliard School, where he studied with Joel Krosnick. Mr. Kosower’s many accolades include an Avery Fisher Career Grant, and being a top prize winner in both the Rostropovich and Pablo Casals International Cello Competitions. Severance Hall 2013-14

Soloist

Sound for the Centennial TH E C A M PAI G N FO R TH E C LE V EL AN D O RC H ESTR A

In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through THE cash gifts and legacy commitments, while also securing broad-based and increasCLEVELAND ORCHESTRA ing annual support from across Northeast Ohio. The generous individuals and organizations listed on these pages have made long-term commitments of annual and endowment support, and legacy declarations to the Campaign as of April 5, 2014. We gratefully recognize their extraordinary commitment toward the Orchestra’s future success. Your participation can make a crucial difference in helping to ensure that future generations of concertgoers experience, embrace, and enjoy performances, collaborative presentations, and education programs by The Cleveland Orchestra. To join this growing list of visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520. GIFTS OF $5 MILLION AND MORE

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Symphony No. 6 (“Pathétique”) in B minor, Opus 74 composed 1893 O N T H E T WE NT Y- E I G H T H

Pyotr Ilyich

TCHAIKOVSKY born May 7, 1840 near Votkinsk, Russia died November 6, 1893 St. Petersburg

Severance Hall 2013-14

of October, in 1893, Tchaikovsky conducted the premiere of his Sixth Symphony in St. Petersburg. Nine days later, he was dead. His death was sudden and unexpected, and in all probability due to the cholera epidemic that had broken out in St. Petersburg — the story that used to enjoy a certain currency in the music world, about a suicide forced upon the composer by his homosexuality, is now widely discounted. Yet there is no mistaking the funereal character of this work, which bears witness to what Tchaikovsky biographer David Brown describes as the “deepening inner gloom” of the composer’s last years. Still, this was also the time when Tchaikovsky arrived at the zenith of his international fame — two years earlier, he had been feted throughout his trip to America, had participated in the opening concerts for New York’s new Carnegie Hall, and had been hailed in the press in the New World as well as in the Old. At 53, he was at the height of his powers. The “Pathétique” is not only the most intensely emotional of Tchaikovsky’s symphonies. It is also the one in which Tchaikovsky reached the pinnacle of his art in terms of compositional technique and sophistication. The combination of these two aspects — exceptional emotional richness and supreme craftsmanship — makes the “Pathétique” Tchaikovsky’s crowning masterpiece. Technical devices, such as the re-use of the bassoon theme from the opening movement’s introductory Adagio as the first theme of the Allegro non troppo main section, produce an immediate dramatic effect, enhanced by the brilliant orchestration with divided violas and cellos answered by a quartet of woodwinds. The gulf between this “active” first theme and the expansive, warmly melodic second idea is widened by the fact that the two themes are separated by a lengthy transition section, and a significantly slower tempo (Andante) for the second theme. The movement’s development section carries the tension to a high point through intense contrapuntal activity punctuated by violent syncopated figures in the woodwinds; then we About the Music

PYOTR ILYICH TCHAIKOVSKY 1840-1893 1

1. Tchaikovsky at the age of twenty in 1860. 2. The three Tchaikovsky brothers in 1875. Family friend Nikolai Dmitrievich Kondratiev (standing at left), Anatoli Tchaikovsky (seated), Modest Tchaikovsky, and Pyotr.

hear an almost Mahlerian tragic march, whose rumbling bass accompaniment is derived from the main theme. The full orchestral sonorities of the movement’s recapitulation change the character of the first theme from painful and languid to desperate and dramatic, with the return of the expansive second melody bringing muchneeded solace. The subdued, morendo (“dying away”) ending of the movement foreshadows the feeling of the fourth movement. In between, however, there are two lighter movements: a graceful waltz with a limp (written in 5/4 time, with every other 3/4 measure shortened by a beat), and a lively march whose theme unfolds only gradually and that seems, at least momentarily, to suggest triumph and happiness. (Many audiences have applauded at the ending of the third movement, reacting to the movement’s high ending, only to be surprised that the finale is yet to come. Some are embarrassed at the “mistake” of applauding too soon; others instead try harder to understand Tchaikovsky’s intent.) The respite brought by the two middle movements proves to be only temporary. The fourth-movement finale is one of the most heart-rending Adagios in the history of music. Its doleful B-minor theme (whose notes are played alternately by first and second violins)

About the Music

The Cleveland Orchestra

3. With his wife Antonina Miliukova, during their brief marriage in 1877. 4. His patroness, Nadezhda von Meck. 5. Late in life, in the early 1890s.

is followed by a second idea that is no less sad in tone despite being in the major mode. Tchaikovsky marked this D-major theme con lenezza e devozione (“soft ly and with devotion”). Twice, the music rises to triple fortissimo in a state of utter despair, only to fall back each time into the quiet pianissimo in which the symphony finally dies away. —Peter Laki Copyright © Musical Arts Association

At a Glance Tchaikovsky began writing his Sixth Symphony in February 1893 and conducted the work’s first performance on October 28 of that year in St. Petersburg. The subtitle “Pathétique” was suggested by Tchaikovsky’s brother Modest a few days after the premiere; the composer liked the suggestion and wrote the subtitle on the score, which was dedicated to Tchaikovsky’s nephew Vladimir

Severance Hall 2013-14

“Bob” Davydov. Tchaikovsky died just nine days after the premiere. This symphony runs about 45 minutes in performance. Tchaikovsky scored it for 3 flutes (third doubling piccolo), 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion (bass drum, cymbals, tam-tam), and strings. The United States premiere of Tchaikovsky’s Sixth Symphony

About the Music

was given on March 16, 1894, by the New York Symphony Society. The Cleveland Orchestra first presented it during the 1919-20 season, under Nikolai Sokoloff ’s direction. The Orchestra’s most recent performances of the “Pathétique” were in January 2011, when Christoph von Dohnányi conducted it at a weekend of Severance Hall concerts.

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â&#x20AC;&#x153;If any one composer can be said to encapsulate the essence of Russianness, it is Pyotr Ilyich Tchaikovsky. Yet, although he associated with prominent nationalist colleagues, he followed a fiercely independent path, and he paid heavily for his determination to be musically true to himself above all else. . . . Tchaikovsky is the most powerful and direct of composers. His music is characterized above all by its tunefulness, sweeping orchestral sound, and sincerity.â&#x20AC;? â&#x20AC;&#x201D;The Rough Guide to Classical Music

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T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ă&#x2013; ST M U S I C

D I R E C T O R

CELEBRITY SERIES SEVERANCE HALL Tuesday evening, April 22, 2014, at 7:30 p.m. A S Y M P H O N I C N I G H T AT T H E M O V I E S

with the score performed live by THE CLEVELAND ORCHESTRA conducted by BRETT MITCHELL Screenplay by Joseph Stefano and Robert Bloch Directed by Alfred Hitchcock Music by Bernard Herrmann A Universal Picture

THE CAST Anthony Perkins . . . . . . . . . . . . . . . . . . . . . . . . . . . . Norman Bates Vera Miles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lila Crane John Gavin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sam Loomis Martin Balsam . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Milton Arbogast John McIntire . . . . . . . . . . . . . . . . . . . Deputy Sheriff Al Chambers Simon Oakland . . . . . . . . . . . . . . . . . . . . . . . . . Dr. Fred Richmond Vaughn Taylor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . George Lowery Frank Albertson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tom Cassidy Lurene Tuttle . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mrs. Chambers Patricia Hitchcock . . . . . . . . . . . . . . . . Caroline (as Pat Hitchcock) John Anderson . . . . . . . . . . . . . . . . . . . . . . . . . . . California Charlie Mort Mills . . . . . . . . . . . . . . . . . . . . . . . . . . . Highway Patrol Officer Janet Leigh . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Marion Crane The film is presented with one intermission and will end at approximately 9:40 p.m.

Producer: John Goberman

Music Consultant: John Waxman

The producer wishes to acknowledge the contributions and extraordinary support of John Waxman (Themes & Variations). A Symphonic Night at the Movies is a production of PGM Productions Inc. of New York and is presented by arrangement with IMG Artists.

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Celebrity Series: Psycho

Images courtesy of Universal Pictures.

THE STORY — Acting on a spur of the moment decision, Marion Crane decides to leave Phoenix with the $40,000 her boss had entrusted to her to deposit at the bank. She drives toward Fairvale, California, where her boyfriend Sam lives. She believes the money will finally let them start their life together. She spends the first night in her car, but can’t make her destination the next day. She decides to stop for the night at a small establishment called the Bates Motel. There she meets Norman Bates, a shy and withdrawn young man who seems to be dominated by his mother. They talk for a time and, as a result, she decides she must go back to Phoenix the next morning and return the money. She decides to have a shower before going to bed. A week later, Marion’s sister arrives at Sam’s store in Fairvale to tell him Marion has disappeared. Together with a private detective, Milton Arbogast, they begin searching the area and eventually come across the Bates Motel.

CELEBRITY SERIES SEVERANCE HALL Celebrity Series Media Partner: The Plain Dealer

Brett Mitchell Assistant Conductor Elizabeth Ring and William Gwinn Mather Endowed Chair The Cleveland Orchestra

P H OTO BY R O G E R MA S T R O I A N N I

Music Director Cleveland Orchestra Youth Orchestra

Brett Mitchell is in his first year as assistant conductor of The Cleveland Orchestra and music director of the Cleveland Orchestra Youth Orchestra. As assistant conductor, Mr. Mitchell serves as cover conductor for Severance Hall and Blossom Music Festival subscription concerts — he recently stepped in to lead two evening subscription concerts of The Cleveland Orchestra for music director Franz Welser-Möst, who was temporarily taken ill that weekend. In addition to his responsibilities in Cleveland, Brett Mitchell is also in his fourth season as music director of Michigan’s Saginaw Bay Symphony Orchestra. In recent seasons, Mr. Mitchell has led the London Philharmonic Orchestra and the Leipzig Gewandhaus Orchestra, as well as the orchestras of Baltimore, Memphis, Oregon, Philadelphia, Pittsburgh, and Rochester, Frankfurt Radio Symphony, Washington D.C.’s National Symphony Orchestra, Saint Paul Chamber Orchestra, and the Northwest Mahler Festival Orchestra. He has also served as musical assistant and cover conductor with the New York Philharmonic and Philadelphia Orchestra. Recent return engagements include appearances with the National Symphony Orchestra, Saint Paul Chamber Orchestra, Houston Symphony, and the Rochester Philharmonic Orchestra. Brett Mitchell served as assistant conductor with the Houston Symphony (2007-11), where he concurrently held a League of American Orchestras American Conducting Fellowship. Since that time, he has returned to lead the Houston Symphony regularly as a guest conductor. He was also an assistant conductor to Kurt Masur at the Orchestre National de France (2006-09) and served as director of orchestras at Northern Illinois University (2005-07). He was associate conductor of the Pittsburgh New Music Ensemble (2002-06), where he led many subscription programs, six world premieres, and several recording projects. Mr. Mitchell has also served as music director of nearly a dozen opera productions, principally as music director at the Moores Opera Center in Houston (2010-13), where he led eight productions. A native of Seattle, Brett Mitchell holds a doctor of musical arts degree from the University of Texas at Austin, where he was also music director of the University Orchestra. He earned a bachelor of music degree in composition from Western Washington University. Mr. Mitchell also participated in the National Conducting Institute in Washington D.C., and has studied with Lorin Maazel and Kurt Masur.

Severance Hall 2013-14

Conductor: Psycho

Good Friday Concert Friday, April 18, 2014 | 7:30 p.m. Gregorio Allegri: Miserere Francis Poulenc: Four Lenten Motets Trinity Chamber Singers

Maurice Duruﬂé: Requiem, Op. 9 Trinity Cathedral Choir and Chamber Orchestra Elizabeth Lenti, organist; Todd Wilson, conductor Duruﬂe’s sublime Requiem is one of deeply moving masterpieces of the 20th century. Poulenc felt that his musical voice was best expressed through his distinctively powerful sacred choral works. Freewill offering

Music&Art Trinity Cathedral

Music and Art at Trinity Cathedral www.trinitycleveland.org 2230 Euclid Avenue 216-774-0420

Where people with disabilities thrive 216.662.1880 ncch.org

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A TRIBUTE TO NASA

Friday, April 25th ~ 8:00 p.m. ~ Severance Hall ~ 216-231-1111 The Cleveland Orchestra

Education and Music Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R MA S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 60,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades. Severance Hall 2013-14

Education & Community

T H E

C L E V E L A N D

Each season’s Family Concert series at Severance Hall offers world-class music with outstanding singers, actors, mimes, and more to families from across Northeast Ohio. Last season’s “Under the Sea” concert featured music from Disney’s The Little Mermaid with The Singing Angels.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program, which fosters the use of music and the arts to support general classroom learning.

Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestra’s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Cleveland Clinic The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lubrizol Corporation Macy’s The Music and Drama Club The Nord Family Foundation Nordson Ohio Arts Council Ohio Savings Bank, A Division of New York Community Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation The Sherwin-Williams Foundation Surdna Foundation Target Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice H. Cull Memorial Fund Mr. and Mrs. Charles R. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Machaskee Fund for Community Programming Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education The Eric & Jane Nord Family Fund Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. In memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund Anonymous

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More than 1,250 talented youth musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since the ensemble’s founding in 1986. Many have gone on to careeers in professional orchestras around the world, including four current members of The Cleveland Orchestra.

Education & Community

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y The Heritage Society honors those individuals who are helping to ensure the future of The Cleveland Orchestra with a Legacy gift. Legacy gifts come in many forms, including bequests, charitable gift annuities, and insurance policies. The following listing of members is current as of March 2014. For more information, please call Bridget Mundy, Legacy Giving Officer, at 216-231-8006. Lois A. Aaron Leonard Abrams Shuree Abrams* Gay Cull Addicott Stanley and Hope Adelstein Sylvia K. Adler* Gerald O. Allen* Norman and Marjorie* Allison George N. Aronoff Herbert Ascherman, Jr. Jack and Darby Ashelman Mr. and Mrs. William W. Baker Ruth Balombin* Mrs. Louis W. Barany* D. Robert* and Kathleen L. Barber Jack L. Barnhart Margaret B. and Henry T.* Barratt Norma E. Battes* Rev. Thomas T. Baumgardner and Dr. Joan Baumgardner Fred G. and Mary W. Behm Bertram H. Behrens* Dr. Ronald and Diane Bell Bob Bellamy Joseph P. Bennett Ila M. Berry Howard R. and Barbara Kaye Besser Dr.* and Mrs. Murray M. Bett Dr. Marie Bielefeld Raymond J. Billy (Biello) Dr. and Mrs. Harold B. Bilsky* Robert E. and Jean Bingham* Claudia Bjerre Mr. William P. Blair III Mrs. Flora Blumenthal Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Charles P. Bolton Kathryn Bondy* Loretta and Jerome* Borstein Mr. and Mrs.* Otis H. Bowden II Ruth Turvy Bowman* Drs. Christopher P. Brandt and Beth Brandt Sersig Mr. D. McGregor Brandt, Jr. David and Denise Brewster Richard F. Brezic* Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Ronald and Isabelle Brown* Mr. and Mrs. Clark E. Bruner* Mr. and Mrs.* Harvey Buchanan

Rita W. Buchanan* Joan and Gene* Buehler Gretchen L. Burmeister Stanley and Honnie* Busch Milan and Jeanne* Busta Mrs. Noah L. Butkin* Mr. and Mrs. William C. Butler Minna S. Buxbaum* Gregory and Karen Cada Roberta R. Calderwood* Jean S. Calhoun* Harry and Marjorie M. Carlson Janice L. Carlson Dr. and Mrs. Roland D. Carlson Mr. and Mrs. George P. Carmer* Barbara A. Chambers, D. Ed. Arthur L. Charni* Ellen Wade Chinn* NancyBell Coe Kenneth S. and Deborah G. Cohen Ralph M. and Mardy R. Cohen Victor J. and Ellen E. Cohn Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway James P. and Catherine E. Conway* Rudolph R. Cook* The Honorable Colleen Conway Cooney John D. and Mary D.* Corry Dr. and Mrs. Frederick S. Cross* Martha Wood Cubberley Dr. William S. Cumming* In Memory of Walter C. and Marion J. Curtis William and Anna Jean Cushwa Howard Cutson Mr.* and Mrs. Don C. Dangler Mr. and Mrs. Howard J. Danzinger Barbara Ann Davis Carol J. Davis Charles and Mary Ann Davis William E. and Gloria P. Dean, Jr. Mary Kay DeGrandis and Edward J. Donnelly Neeltje-Anne DeKoster Carolyn L. Dessin William R. Dew* Mrs. Armand J. DiLellio James A. Dingus, Jr. Dr. and Mrs. Richard C. Distad Maureen A. Doerner and Geoffrey T. White Henry and Mary Doll Gerald and Ruth Dombcik Mr.* and Mrs. Roland W. Donnem Nancy E. and Richard M. Dotson

Legacy Giving

Mrs. John Drollinger Drs. Paul M.* and Renate H. Duchesneau George* and Becky Dunn Warren and Zoann Dusenbury* Mr. and Mrs. Robert Duvin Paul and Peggy Edenburn Robert and Anne Eiben* Mr. and Mrs. Alfred M. Eich, Jr. Mr. and Mrs. Ramon Elias* Roger B. Ellsworth Oliver and Mary Emerson Lois Marsh Epp Patricia Esposito Margaret S. Estill* Dr. Wilma McVey Evans* C. Gordon and Kathleen A.* Ewers Patricia J. Factor Susan L. Faulder* Dr. and Mrs. Frederick Fennell* Mrs. Mildred Fiening Gloria and Irving B. Fine Jules and Lena Flock* Joan Alice Ford Dr. and Mrs. William E. Forsythe* Mr.* and Mrs. Ralph E. Fountain Gil and Elle Frey Arthur and Deanna Friedman Mr.* and Mrs. Edward H. Frost Dawn Full Henry S. Fusner Dr. Stephen and Nancy Gage Charles and Marguerite C. Galanie* Barbara and Peter Galvin Mr. and Mrs. Steven B. Garfunkel Donald* and Lois Gaynor Barbara P. Geismer* Albert I. and Norma C. Geller Carl E. Gennett* Dr. Saul Genuth John H.* and Ellen P. Gerber Frank and Louise Gerlak Dr. James E. Gibbs In Memory of Roger N. Gifford Dr. Anita P. Gilger* S. Bradley Gillaugh Mr.* and Mrs. Robert M. Ginn Fred and Holly Glock Ronald* and Carol Godes William H. Goff Mr. and Mrs. Henry J. Goodman John and Ann Gosky Mrs. Joseph B. Govan* Elaine Harris Green

The Cleveland Orchestra

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y Tom and Gretchen Green Richard and Ann Gridley Nancy Hancock Griffith David E.* and Jane J. Griffiths David G. Griffiths* Ms. Hetty Griffiths Margaret R. Griffiths* Bev and Bob Grimm Judd and Zetta Gross* Candy and Brent Grover Mrs. Jerome E. Grover* Thomas J.* and Judith Fay Gruber Mr. and Mrs. David H. Gunning Mr. and Mrs. William E. Gunton Joseph E. Guttman* Mrs. John A Hadden Jr. Richard* and Mary Louise Hahn James J. Hamilton Kathleen E. Hancock Douglas Peace Handyside* Holsey Gates Handyside Norman C. and Donna L. Harbert Mary Jane Hartwell William L.* and Lucille L. Hassler Peter and Gloria Hastings* Mrs. Henry Hatch (Robin Hitchcock) Virginia and George Havens Gary D. Helgesen Clyde J. Henry, Jr. Ms. M. Diane Henry Wayne and Prudence Heritage Rice Hershey* T. K. and Faye A. Heston Gretchen L. Hickok Mr. and Mrs.* Daniel R. High Edwin R. and Mary C. Hill* Ruth Hirshman-von Baeyer* Mr. and Mrs. D. Craig Hitchcock* Bruce F. Hodgson Goldie Grace Hoffman* Mary V. Hoffman Feite F. Hofman MD* Mrs. Barthold M. Holdstein Leonard* and Lee Ann Holstein David and Nancy Hooker Gertrude S. Hornung* Patience Cameron Hoskins Elizabeth Hosmer Dorothy Humel Hovorka Dr. Christine A. Hudak, Mr. Marc F. Cymes Dr. Randal N. Huff Mrs. Marguerite B. Humphrey Adria D. Humphreys* Ann E. Humphreys and Jayne E. Sisson Karen S. Hunt Mr. and Mrs. G. Richard Hunter Ruth F. Ihde Mr. and Mrs. Jonathan E. Ingersoll Pamela and Scott Isquick Mr. and Mrs.* Clifford J. Isroff Mr. and Mrs. Donald M. Jack, Jr. Carol S. Jacobs Milton* and Jodith Janes

Alyce M. Jarr* Jerry and Martha* Jarrett Merritt Johnquest Allan V. Johnson E. Anne Johnson Nancy Kurfess Johnson, M.D. Paul and Lucille Jones* Mrs. R. Stanley Jones* William R. Joseph* David and Gloria Kahan Julian and Etole Kahan Drs. Julian* and Aileen Kassen Milton and Donna* Katz Patricia and Walter* Kelley Bruce and Eleanor Kendrick Malcolm E. Kenney Nancy H. Kiefer* Charles M. and Janet G. Kimball* James and Gay* Kitson Mr. Clarence E. Klaus, Jr. Mary Elizabeth and G. Robert Klein* Julian H. and Emily W. Klein* Thea Klestadt* Paul and Cynthia Klug Martha D. Knight Mr. and Mrs. Robert Koch Dr. Vilma L. Kohn Elizabeth Davis Kondorossy* Mr. Clayton Koppes Mr.* and Mrs. James G. Kotapish, Sr. LaVeda Kovar* Margery A. Kowalski Bruce G. Kriete* Mr. and Mrs. Gregory G. Kruszka Thomas and Barbara Kuby Eleanor and Stephen Kushnick Mr. and Mrs. Dennis W. LaBarre James I. Lader Mr. and Mrs. David A. Lambros Dr. Joan P. Lambros* Mrs. Carolyn Lampl Marjorie M. Lamport Louis Lane Kenneth M. Lapine and Rose E. Mills Charles K. László and Maureen O’Neill-László Anthony T. and Patricia Lauria Charles and Josephine Robson Leamy Fund Teela C. Lelyveld Mr. and Mrs. Roger J. Lerch Judy D. Levendula Gerda Levine Dr. and Mrs. Howard Levine Bracy E. Lewis Mr. and Mrs.* Thomas A. Liederbach Rollin and Leda Linderman Ruth S. Link Dr. and Mrs. William K. Littman Jeff and Maggie Love Dr. Alan and Mrs. Min Cha Lubin Ann B. and Robert R. Lucas* Linda and Saul Ludwig Kate Lunsford Mr. and Mrs. Thomas E. Lynch*

Patricia MacDonald Alex and Carol Machaskee Jerry Maddox Mrs. H. Stephen Madsen Alice D. Malone Mr. and Mrs. Donald Malpass, Jr. Lucille Harris Mann Mr. and Mrs. Richard A. Manuel Clement P. Marion Mr. Wilbur J. Markstrom* Dr. and Mrs. Sanford E. Marovitz David C.* and Elizabeth F. Marsh Duane and Joan* Marsh Florence Marsh, Ph.D.* Mr. and Mrs. Anthony M. Martincic Kathryn A. Mates Dr. Lee Maxwell and Michael M. Prunty Alexander and Marianna* McAfee Nancy B. McCormack Mr. William C. McCoy Marguerite H. McGrath* Dorothy R. McLean Jim and Alice Mecredy* James and Virginia Meil Mr. and Mrs.* Robert F. Meyerson Brenda Clark Mikota Christine Gitlin Miles Chuck and Chris Miller Edith and Ted* Miller Leo Minter, Jr. Mr. and Mrs. William A. Mitchell Robert L. Moncrief Ms. Beth E. Mooney Beryl and Irv Moore Ann Jones Morgan Mr. and Mrs. Stanley L. Morgan* George and Carole Morris Mr. and Mrs. Thomas W. Morris Mr. and Mrs.* Donald W. Morrison Joan R. Mortimer, PhD Florence B. Moss Susan B. Murphy Dr. and Mrs. Clyde L. Nash, Jr Deborah L. Neale Mrs. Ruth Neides David and Judith Newell Dr.* and Mrs. S. Thomas Niccolls Russell H. Nyland* Katherine T. O’Neill The Hon. and Mrs. John Doyle Ong Aurel Fowler-Ostendorf* Mr. J. William and Dr. Suzanne Palmer R. Neil Fisher and Ronald J. Parks Nancy* and W. Stuver Parry Mrs. John G. Pegg* Dr. and Mrs. Donald Pensiero Mary Charlotte Peters Mr. and Mrs. Peter Pfouts* Janet K. Phillips* Florence KZ Pollack Julia and Larry Pollock Victor and Louise Preslan Mrs. Robert E. Price* LISTING CONTINUES

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Legacy Giving

Legacy & Planned Giving THE CLEVELAND ORCHESTRA

H E R I TAGE S O C I ET Y L I S T I N G C O N T I N U ED

Lois S.* and Stanley M. Proctor Mr. David C. Prugh Leonard and Heddy Rabe M. Neal Rains Mr. George B. Ramsayer Joe L. and Alice Randles* Mrs. Alfred M. Rankin, Sr. Mrs. Theodore H. Rautenberg* James and Donna Reid Mrs. Hyatt Reitman* Mrs. Louise Nash Robbins* Dr. Larry J.B.* and Barbara S. Robinson Dwight W. Robinson Margaret B. Babyak* and Phillip J. Roscoe Audra and George Rose Dr. Eugene and Mrs. Jacqueline Ross Helen Weil Ross* Robert and Margo Roth Marjorie A. Rott Howard and Laurel Rowen Professor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster Rutter Mr. James L. Ryhal, Jr. Renee Sabreen Marjorie Bell Sachs Dr. Vernon E. Sackman and Ms. Marguerite Patton Sue Sahli Mr. and Mrs. James A. Saks Mr. and Mrs. Sam J. SanFilipo* Larry J. Santon Stanford and Jean B. Sarlson Sanford Saul Family James Dalton Saunders Patricia J. Sawvel Ray and Kit Sawyer Richard Saxton* Alice R. Sayre In Memory of Hyman and Becky Schandler Robert Scherrer Sandra J. Schlub Ms. Marian Schluembach Robert and Betty Schmiermund Mr.* and Mrs. Richard M. Schneider Lynn A. Schreiber* Jeanette L. Schroeder Frank Schultz Carol* and Albert Schupp Roslyn S. and Ralph M. Seed Nancy F. Seeley Edward Seely Oliver E. and Meredith M. Seikel Russell Seitz* Reverend Sandra Selby Eric Sellen Andrea E. Senich Thomas and Ann Sepúlveda Elsa Shackleton* B. Kathleen Shamp Jill Semko Shane

David Shank Dr. and Mrs. Daniel J. Shapiro Norine W. Sharp Norma Gudin Shaw Elizabeth Carroll Shearer Dr. and Mrs. William C. Sheldon Frank* and Mary Ann Sheranko Kim Sherwin Mr. and Mrs. Michael Sherwin Reverend and Mrs. Malcolm K. Shields Rosalyn and George Sievila Mr. and Mrs. David L. Simon Dr.* and Mrs. John A. Sims Naomi G. and Edwin Z. Singer Lauretta Sinkosky H. Scott Sippel and Clark T. Kurtz Ellen J. Skinner Ralph* and Phyllis Skufca Janet Hickok Slade Alden D. and Ellen D. Smith* Mr.* and Mrs. Ward Smith M. Isabel Smith* Nathan Snader* Sterling A. and Verdabelle Spaulding* Barbara J. Stanford and Vincent T. Lombardo Sue Starrett and Jerry Smith Lois and Tom Stauffer Willard D. Steck* Merle Stern Dr. Myron Bud and Helene* Stern Mr. and Mrs. John M. Stickney Nora and Harrison Stine* Mr. and Mrs. Stanley M. Stone Mr.* and Mrs. James P. Storer Ralph E. and Barbara N. String The Irving Sunshine Family Vernette M. Super* Mr. and Mrs. Herbert J. Swanson* In Memory of Marjory Swartzbaugh Lewis Swingley* Lorraine S. Szabo Norman V. Tagliaferri Susan and Andrew Talton* Frank E. Taplin, Jr.* Charles H. Teare* and Clifford K. Kern* Mr. Ronald E. Teare Pauline Thesmacher* Dr. and Mrs. Friedrich Thiel Mrs. William D. Tibbetts* Mr. and Mrs. William M. Toneff Marlene and Joe Toot Alleyne C. Toppin Janice and Leonard Tower Dorothy Ann Turick Mr. and Mrs. Robert A. Urban Robert and Marti Vagi Robert A. Valente J. Paxton Van Sweringen Mary Louise and Don VanDyke Elliot Veinerman* Nicholas J. Velloney* Steven Vivarronda

Legacy Giving

Hon. William F.B. Vodrey Pat and Walt* Wahlen Mrs. Clare R. Walker John and Deborah Warner Mr. and Mrs. Russell Warren Joseph F. and Dorothy L. Wasserbauer Charles D. Waters* Reverend Thomas L. Weber Etta Ruth Weigl Lucile Weingartner Eunice Podis Weiskopf* Max W. Wendel William Wendling and Lynne Woodman Marilyn J. White Robert and Marjorie Widmer* Yoash and Sharon Wiener Alan H. and Marilyn M. Wilde Elizabeth L. Wilkinson* Helen Sue* and Meredith Williams Carter and Genevieve* Wilmot Miriam L. and Tyrus W.* Wilson Mr. Milton Wolfson* and Mrs. Miriam Shuler-Wolfson Nancy L. Wolpe Mrs. Alfred C. Woodcock Katie and Donald Woodcock Dr.* and Mrs. Henry F. Woodruff Marilyn L. Wozniak Nancy R. Wurzel Michael and Diane Wyatt Mary Yee Emma Jane Yoho, M.D. Libby M. Yunger Dr. Norman Zaworski* William L. and Joan H. Ziegler* Carmela Catalano Zoltoski* Roy J. Zook* Anonymous (103)

*deceased

The lotus blossom is the symbol of the Heritage Society. It represents eternal life and recognizes the permanent benefits of legacy gifts to The Cleveland Orchestra’s endowment. Said to be Elisabeth Severance’s favorite flower, the lotus is found as a decorative motif in nearly every public area of Severance Hall.

The Cleveland Orchestra

Student attendance continues to grow at Severance Hall As The Cleveland Orchestra’s 2013-14 season has gotten underway, more Student Advantage Members, Frequent Fan Card holders, Student Ambassadors, and student groups are contributing to the continued success of these programs. The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend concerts at Severance Hall and Blossom through discounted ticket offers. Membership is free to join and rewards members with discounted ticket purchases. For this season, a record 6,000 students have joined. The Student Frequent Fan Card was introduced a year ago with great success. The program is continuing to grow, with the number of Frequent Fan Card holders tripling so far this season over 2012-13. Priced at $50, the Fan Card offers students unlimited single tickets (one ticket per card holder) to weekly classical subscription concerts all season long. The Student Ambassador program is also growing. These young volunteers help to promote the Orchestra’s concert offerings and student programs directly on campuses across Northeast Ohio. Also this year, a group of Student Marketing Advisors was formed to help the Orchestra incorporate student feedback and insight to programs, and give local marketing majors a chance to work closely with the Orchestra’s sales team. In addition, attendance through Student Group sales are also bringing in more and more young people to Cleveland Orchestra concerts. From as far as Toronto and Nashville, these groups make up an integral part of the overall success toward generating participation and interest among young people. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences, through the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio.

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Student Attendance

The Cleveland Orchestra Center for Future Audiences T H E C L E V E L A N D O R C H E S T R A ’s Center for Future Audiences was estab-

lished to fund programs to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. The Center was created in 2010 with a $20 million lead endowment gift from the Maltz Family Foundation. Centerfunded programs focus on addressing economic and geographic barriers to attending Cleveland Orchestra concerts at Severance Hall and Blossom Music Center. Programs include research, introductory offers, targeted discounts, student ticket programs, and integrated use of new technologies. The goal is to create one of the youngest audiences of any symphony orchestra in the country. For additional information about these plans and programs, call us at 216-231-7464.

E N DOWE D FU N DS

Maltz Family Foundation Mr. and Mrs. Alexander M. Cutler

For information about contributing to this major endowment initiative, please contact the Orchestra’s Philanthropy & Advancement Department by calling Jon Limbacher, Chief Development Officer, at 216-231-7520.

THANK YOU for helping develop tomorrow’s audiences today. 68

Center for Future Audiences

The Cleveland Orchestra

THE

CLEVELAND ORCHESTRA

Endowed Funds

funds established as of August 2013

The generous donors listed here have made endowment gifts to support specific artistic initiatives, education and community programming and performances, facilities maintenance costs, touring and residencies, and more. (Additional endowment funds are recognized through the naming of Orchestra chairs, listed on pages 22-23.) Named funds can be established with new gifts of $250,000 or more. For information about making your own endowment gift to The Clevelamd Orchestra, please call 216-231-7438.

ARTISTIC endowed funds support a variety of programmatic initiatives ranging from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus. Artistic Excellence

Guest Artists Fund

George Gund III Fund

Artistic Collaboration Joseph P. and Nancy F. Keithley

Artist-in-Residence Malcolm E. Kenney

Young Composers Jan R. and Daniel R. Lewis

Friday Morning Concerts Mary E. and F. Joseph Callahan Foundation

Radio Broadcasts Robert and Jean Conrad Dr. Frederick S. and Priscilla Cross

Cleveland Orchestra Chorus Jerome and Shirley Grover Meacham Hitchcock and Family

American Conductors Fund Douglas Peace Handyside Holsey Gates Handyside

Severance Hall Guest Conductors Roger and Anne Clapp James and Donna Reid

Cleveland Orchestra Soloists Julia and Larry Pollock Family

The Eleanore T. and Joseph E. Adams Fund Mrs. Warren H. Corning The Gerhard Foundation, Inc. Margaret R. Griffiths Trust The Virginia M. and Newman T. Halvorson Fund The Hershey Foundation The Humel Hovorka Fund Kulas Foundation The Payne Fund Elizabeth Dorothy Robson Dr. and Mrs. Sam I. Sato The Julia Severance Millikin Fund The Sherwick Fund Mr. and Mrs. Michael Sherwin Sterling A. and Verdabelle Spaulding Mr. and Mrs. James P. Storer Mrs. Paul D. Wurzburger

Concert Previews Dorothy Humel Hovorka

International Touring Frances Elizabeth Wilkinson

Unrestricted Art of Beauty Company, Inc. William P. Blair III Fund for Orchestral Excellence John P. Bergren and Sarah S. Evans Nancy McCann Margaret Fulton-Mueller Virginia M. and Jon A. Lindseth

CENTER FOR FUTURE AUDIENCES â&#x20AC;&#x201D; The Cleveland Orchestraâ&#x20AC;&#x2122;s Center for Future Audiences, created with a lead gift from the Maltz Family Foundation, is working to develop new generations of audiences for The Cleveland Orchestra. Center for Future Audiences Maltz Family Foundation

Student Audiences Alexander and Sarah Cutler

Endowed Funds listing continues

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Endowed Funds

THE

CLEVELAND ORCHESTRA

Endowed Funds continued from previous page EDUCATION AND COMMUNITY endowed funds help support programs that deepen connections to symphonic music at every age and stage of life, including training, performances, and classroom resources for thousands of students and adults each year. Education Programs Anonymous, in memory of Georg Solti Hope and Stanley I. Adelstein Kathleen L. Barber Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Alice H. Cull Memorial Frank and Margaret Hyncik Junior Committee of The Cleveland Orchestra Mr. and Mrs. David T. Morgenthaler John and Sally Morley The Eric & Jane Nord Family Fund The William N. Skirball Endowment

Education Concerts Week

In-School Performances Alfred M. Lerner Fund

Classroom Resources Charles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund Foundation Christine Gitlin Miles, in honor of Jahja Ling Jules and Ruth Vinney Touring Fund

Musical Rainbows Pysht Fund

Community Programming Alex and Carol Machaskee

The Max Ratner Education Fund, given by the Ratner, Miller, and Shafran families and by Forest City Enterprises, Inc.

SEVERANCE HALL endowed funds support maintenance of keyboard instruments and the facilities of the Orchestraâ&#x20AC;&#x2122;s concert home, Severance Hall. Keyboard Maintenance William R. Dew The Frederick W. and Janet P. Dorn Foundation Mr. and Mrs. Richard A. Manuel Vincent K. and Edith H. Smith Memorial Trust

Organ D. Robert and Kathleen L. Barber Arlene and Arthur Holden Kulas Foundation Descendants of D.Z. Norton Oglebay Norton Foundation

Severance Hall Preservation Severance family and friends

BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the Orchestraâ&#x20AC;&#x2122;s summer performances and maintenance of Blossom Music Center. Blossom Festival Guest Artist Dr. and Mrs. Murray M. Bett The Hershey Foundation The Payne Fund Mr. and Mrs. William C. Zekan

Landscaping and Maintenance The Bingham Foundation Emily Blossom family members and friends The GAR Foundation John S. and James L. Knight Foundation

Blossom Festival Family Concerts David E. and Jane J. Griffiths

Endowed Funds

The Cleveland Orchestra

Act one begins

Beck Center for the Arts

... WITH INVESTMENT BY CUYAHOGA ARTS & CULTURE Cuyahoga Arts & Culture (CAC) uses public dollars approved by you to bring arts and culture to every corner of our County. From grade schools to senior centers to large public events and investments to small neighborhood art projects and educational outreach, we are leveraging your investment for everyone to experience.

Your Investment: Strengthening Community Visit cacgrants.org/impact to learn more.

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to artistic excellence at the highest level.

$5 MILLION AND MORE

KeyBank PNC Bank $1 MILLION TO $5 MILLION

BakerHostetler Bank of America Eaton FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company Hyster-Yale Materials Handling NACCO Industries, Inc. The Lubrizol Corporation / The Lubrizol Foundation Merrill Lynch Parker Hannifin Corporation The Plain Dealer PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of March 2014.

gifts of $2,500 or more during the past year, as of March 20, 2014

PARTNERS IN EXCELLENCE $300,000 AND MORE

Hyster-Yale Materials Handling NACCO Industries, Inc. KeyBank The Lubrizol Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton FirstEnergy Foundation Forest City Enterprises, Inc. PNC Bank Thompson Hine LLP PARTNERS IN EXCELLENCE $100,000 TO $199,999

The Cliffs Foundation Google, Inc. Medical Mutual of Ohio Nordson Corporation and Foundation Parker Hannifin Corporation $50,000 TO $99,999

Jones Day Quality Electrodynamics (QED) voestalpine AG (Europe) Anonymous $25,000 TO $49,999 Charter One Dix & Eaton The Giant Eagle Foundation Greenberg Traurig (Miami) Litigation Management, Inc. Northern Trust Bank of Florida (Miami) Park-Ohio Holdings Corp. The Plain Dealer RPM International Inc. Squire Sanders (US) LLP

Severance Hall 2013-14

Corporate Annual Support

$2,500 TO $24,999 AdCom Communications Akron Tool & Die Company AkronLife Magazine American Fireworks, Inc. American Greetings Corporation Bank of America BDI Brothers Printing Co., Inc. Brouse McDowell Eileen M. Burkhart & Co LLC Buyers Products Company Calfee, Halter & Griswold LLP Cleveland Clinic The Cleveland Wire Cloth & Mfg. Co. Cohen & Company, CPAs Community Behavioral Health Center Conn-Selmer, Inc. Consolidated Solutions Dollar Bank Dominion Foundation Ernst & Young LLP Evarts Tremaine Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Victor Kendall, Friends of WLRN Gallagher Benefit Services Great Lakes Brewing Company Gross Builders Hahn Loeser + Parks LLP Hyland Software The Lincoln Electric Foundation Littler Mendelson, P.C. C. A. Litzler Co., Inc. Live Publishing Company Macy’s Materion Corporation Miba AG (Europe) MTD Products, Inc. North Coast Container Corp. Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Olympic Steel, Inc. Oswald Companies PolyOne Corporation Pricewaterhouse Coopers LLP The Prince & Izant Company The Sherwin-Williams Company Stern Advertising Agency Swagelok Company Tucker Ellis Ulmer & Berne LLP University Hospitals Ver Ploeg & Lumpkin, P.A. (Miami) WCLV Foundation Westlake Reed Leskosky Anonymous (2)

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THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation

gifts of $2,000 or more during the past year, as of March 20, 2014

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture The Andrew W. Mellon Foundation The Kelvin and Eleanor Smith Foundation $500,000 TO $999,000

The George Gund Foundation $250,000 TO $499,000

Kulas Foundation John P. Murphy Foundation The Eric & Jane Nord Family Fund Ohio Arts Council

$5 MILLION TO $10 MILLION

The George Gund Foundation Knight Foundation (Cleveland, Miami) The Andrew W. Mellon Foundation John P. Murphy Foundation $1 MILLION TO $5 MILLION

The William Bingham Foundation The George W. Codrington Charitable Foundation GAR Foundation Ann and Gordon Getty Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation National Endowment for the Arts The Eric & Jane Nord Family Fund The Payne Fund The Reinberger Foundation The Sage Cleveland Foundation The Severance Society recognizes generous contributors of $1 million or more in cumulative giving to The Cleveland Orchestra. Listing as of March 2014.

Severance Hall 2013-14

$100,000 TO $249,999

The George W. Codrington Charitable Foundation Sidney E. Frank Foundation GAR Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation $50,000 TO $99,999

Ann and Gordon Getty Foundation The Hearst Foundations Martha Holden Jennings Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation Marlboro 2465 Foundation Miami-Dade County Department of Cultural Affairs (Miami) Donald and Alice Noble Foundation, Inc. The Nord Family Foundation The Payne Fund The Sage Cleveland Foundation Surdna Foundation $20,000 TO $49,999 The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation The Gerhard Foundation, Inc. The Helen Wade Greene Charitable Trust John S. and James L. Knight Foundation The Margaret Clark Morgan Foundation National Endowment for the Arts The Frederick and Julia Nonneman Foundation William J. and Dorothy K. O’Neill Foundation Peacock Foundation, Inc. (Miami) Polsky Fund of Akron Community Foundation The Reinberger Foundation The Sisler McFawn Foundation

$2,000 TO $19,999 The Abington Foundation Ayco Charitable Foundation The Ruth and Elmer Babin Foundation The Batchelor Foundation, Inc. (Miami) Dr. NE & JZ Berman Foundation The Bernheimer Family Fund of the Cleveland Foundation Bicknell Fund Eva L. and Joseph M. Bruening Foundation The Conway Family Foundation Mary and Dr. George L. Demetros Charitable Trust The Fogelson Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation The William O. and Gertrude Lewis Frohring Foundation Funding Arts Network (Miami) The Hankins Foundation The Muna & Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Jean Thomas Lambert Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation The Mandel Foundation The McGregor Foundation Bessie Benner Metzenbaum Foundation M.G. O’Neil Foundation Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation Jean C. Schroeder Foundation Kenneth W. Scott Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The Veale Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward and Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

Foundation/Government Annual Support

THE CLEVELAN D ORCHESTRA

Individual Support The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of March 20, 2014 INDIVIDUAL GIFTS OF $500,000 AND MORE

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland) $5 MILLION TO $10 MILLION

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner $1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. Francis J. Callahan* Mrs. M. Roger Clapp Mr. George Gund III* Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson The Ralph and Luci Schey Foundation Mr.* and Mrs. Ward Smith Anonymous (2) The Severance Society recognizes generous contributors of $1 million or more in lifetime giving to The Cleveland Orchestra. As of March 2014.

Daniel R. and Jan R. Lewis (Miami) Peter B. Lewis* and Janet Rosel Lewis (Miami) Mr. and Mrs. Albert B. Ratner INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) David and Francie Horvitz Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) INDIVIDUAL GIFTS OF $100,000 TO $199,999

James D. Ireland III Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Elizabeth R. Koch Mrs. Emma S. Lincoln Elizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Mr. and Mrs. Franz Welser-Mรถst Janet* and Richard Yulman (Miami) INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Mary M. Spencer (Miami) INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Mr. William P. Blair III Mr. Allen H. Ford Hector D. Fortun (Miami) Mr. and Mrs. Michael J. Horvitz Elizabeth B. Juliano (Cleveland, Miami) R. Kirk Landon and Pamela Garrison (Miami) Toby Devan Lewis

Individual Annual Support

The Cleveland Orchestra

Leadership Council

Mr. and Mrs. Edward A. Lozick Robert M. Maloney and Laura Goyanes Ms. Beth E. Mooney Mr. Patrick Park (Miami) Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Sally and Larry Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous

Mr. and Mrs. James A. Ratner Mr. and Mrs. James A. Saks Paul and Suzanne Westlake

INDIVIDUAL GIFTS OF $30,000 TO $49,999

INDIVIDUAL GIFTS OF $20,000 TO $24,999

Mr. and Mrs. Daniel M. Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s Committee Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Jeanette Grasselli Brown and Glenn R. Brown Judith and George W. Diehl Mr. and Mrs. Geoffrey Gund George Gund* Trevor and Jennie Jones Giuliana C. and John D. Koch Dr. Vilma L. Kohn Charlotte R. Kramer Virginia M. and Jon A. Lindseth Ms. Nancy W. McCann Sally S. and John C. Morley Mrs. Jane B. Nord Luci and Ralph* Schey Rachel R. Schneider Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton

Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia Barbato Mr. and Mrs. Matthew V. Crawford Esther L. and Alfred M. Eich, Jr. Jeffrey and Susan Feldman (Miami) Dr. Edward S. Godleski Andrew and Judy Green Mr. and Mrs. Jack Hoeschler Richard and Erica Horvitz (Cleveland, Miami) Mr. and Mrs. Christopher Kelly Jonathan and Tina Kislak (Miami) Joy P. and Thomas G. Murdough, Jr. (Miami) Marc and Rennie Saltzberg Raymond T. and Katherine S. Sawyer Mr. and Mrs. Donald Stelling (Europe) Mr. Joseph F. Tetlak Tom and Shirley Waltermire Mr. Gary L. Wasserman and Mr. Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Women’s Committee of The Cleveland Orchestra Anonymous gift from Switzerland (Europe)

INDIVIDUAL GIFTS OF $25,000 TO $29,999

Martha and Bruce Clinton (Miami) Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway Do Unto Others Trust (Miami) George* and Becky Dunn Dr. and Mrs. Hiroyuki Fujita Gary Hanson and Barbara Klante Mr. and Mrs. Jeffrey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland Orchestra Dr. David and Janice Leshner Milton and Tamar Maltz Margaret Fulton-Mueller William J. and Katherine T. O’Neill Julia and Larry Pollock

Severance Hall 2013-14

The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

INDIVIDUAL GIFTS OF $15,000 TO $19,999

Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. and Mrs. David J. Carpenter Scott Chaikin and Mary Beth Cooper Jill and Paul Clark Mr. Peter and Mrs. Julie Cummings (Miami) Mr. and Mrs. Peter O. Dahlen Colleen and Richard Fain (Miami) Joyce and Ab* Glickman Richard and Ann Gridley Mrs. John A Hadden Jr. Jack Harley and Judy Ernest Mary and Jon Heider (Cleveland, Miami) David and Nancy Hooker Mr. and Mrs. Donald M. Jack, Jr.

Individual Annual Support

listings continue

THE CLEVELAN D ORCHESTRA

listings continued INDIVIDUAL GIFTS OF $10,000 TO $12,499

Andrew and Katherine Kartalis Tati and Ezra Katz (Miami) Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Mr. and Mrs. Stanley A. Meisel Lucia S. Nash Mr. Gary A. Oatey (Cleveland, Miami) Claudia and Steven Perles (Miami) Steven and Ellen Ross Mr. and Mrs. David A. Ruckman Mrs. David Seidenfeld Dr. and Mrs. Neil Sethi David and Harriet Simon Rick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Jeffrey M. Weiss Anonymous INDIVIDUAL GIFTS OF $12,500 TO $14,999

Mr. and Mrs. William E. Conway Ms. Dawn M. Full Robert K. Gudbranson and Joon-Li Kim Tim and Linda Koelz Mr.* and Mrs. Richard A. Manuel Mr. Larry J. Santon Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Alfred Umdasch (Europe)

Leadership

Annual Campaign Patrons

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson

Jack Harley Iris Harvie Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Sawyer

Ongoing annual support gifts are a critical component toward sustaining The Cleveland Orchestra’s economic health. Ticket revenues provide only a small portion of the funding needed to support the Orchestra’s outstanding performances, education activities, and community projects. The Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Mr. and Mrs. George N. Aronoff Jayusia and Alan Bernstein (Miami) Marsha and Brian Bilzin (Miami) Mr. and Mrs. Richard L. Bowen Mr. D. McGregor Brandt, Jr. Paul and Marilyn* Brentlinger Augustine* and Grace Caliguire Richard J. and Joanne Clark Mrs. Barbara Cook Mrs. Barbara Ann Davis Mr. and Mrs. Robert P. Duvin Mike S. and Margaret Eidson (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Mr. Neil Flanzraich Mr. Monte Friedkin (Miami) Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie Mr. David J. Golden Elaine Harris Green Sondra and Steve Hardis Michael L. Hardy Mr. and Mrs. James A. Haslam II Mr. and Mrs. James A. Haslam III T. K. and Faye A. Heston Joan and Leonard Horvitz Pamela and Scott Isquick Allan V. Johnson Janet and Gerald Kelfer (Miami) Mr. Jeff Litwiller Mr. and Mrs. Thomas B. McGowan Edith and Ted* Miller Mr. Donald W. Morrison Elisabeth and Karlheinz Muhr (Europe) Brian and Cindy Murphy Mr. Raymond M. Murphy Donald and Alice Noble Foundation, Inc. Mr. and Mrs. William M. Osborne, Jr. Brian and Patricia Ratner Audra and George Rose Dr. Tom D. Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel Rutherford Carol* and Albert Schupp Dr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer Foundation Mrs. Gretchen D. Smith Jim and Myrna Spira Lois and Tom Stauffer Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. Taber Dr. Russell A. Trusso Sandy and Ted Wiese Anonymous (4)* INDIVIDUAL GIFTS OF $7,500 TO $9,999

Mr. and Mrs. Dean Barry Mr. William Berger Laurel Blossom Mr. Robert W. Briggs Dr. and Mrs. Jerald S. Brodkey Dr. Ben H. and Julia Brouhard listings continue

Individual Annual Support

The Cleveland Orchestra

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THE CLEVELAN D ORCHESTRA listings continued

Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Nancy and Richard Dotson Harry and Joyce Graham Mr. Paul Greig Kathleen E. Hancock Mary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. Haslinger Amy and Stephen Hoffman Joela Jones and Richard Weiss Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs.* Robert P. Madison Mr. J. William and Dr. Suzanne Palmer Pannonius Foundation Douglas and Noreen Powers Paul A. and Anastacia L. Rose Rosskamm Family Trust Patricia J. Sawvel Drs. Daniel and Ximena Sessler Naomi G. and Edwin Z. Singer Family Fund Dr. and Mrs. Frank J. Staub Mr. and Mrs. Donald W. Strang, Jr. Mrs. Marie S. Strawbridge* Bruce and Virginia Taylor Dr. Gregory Videtic Anonymous (2) INDIVIDUAL GIFTS OF $5,000 TO $7,499

Norman and Helen Allison Susan S. Angell Mr.* and Mrs. Albert A. Augustus Mr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. Behm Dr. Ronald and Diane Bell Drs. Nathan A. and Sosamma J. Berger Dr. and Mrs. Eugene H. Blackstone Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Mrs. Lester E. Coleman Mr. Owen Colligan Marjorie Dickard Comella Corinne L. Dodero Foundation for the Arts and Sciences Mr. and Mrs. Ralph Daugstrup Mr. and Mrs. Edward B. Davis Mr. and Mrs. Thomas S. Davis Pete and Margaret Dobbins Mr. and Mrs. Terry C. Z. Egger Dr. and Mrs. Robert Elston Mary and Oliver Emerson Mr. and Mrs. Alex Espenkotter (Miami) Dr. D. Roy and Diane A. Ferguson Christopher Findlater (Miami) Barbara and Peter Galvin Joy E. Garapic Brenda and David Goldberg Mr. and Mrs. Henry J. Goodman Mr. and Mrs. Randall J. Gordon Robert N. and Nicki N. Gudbranson David and Robin Gunning

Clark Harvey and Holly Selvaggi Henry R. Hatch Robin Hitchcock Hatch Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller Thomas and Mary Holmes Mr. and Mrs. John Hudak (Miami) Bob and Edith Hudson (Miami) Ms. Charlotte L. Hughes Mr. James J. Hummer Mr. and Mrs. Brinton L. Hyde Mr. and Mrs. Christopher Hyland Donna L. and Robert H. Jackson Mr. and Mrs. Richard A. Janus Rudolf D. and Joan T. Kamper Milton and Donna* Katz Dr. Richard and Roberta Katzman Dr. and Mrs. William S. Kiser Mr. and Mrs.* S. Lee Kohrman Mrs. Justin Krent Mr. Donald N. Krosin Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. Mr. Brian J. Lamb David C. Lamb Shirley and William Lehman (Miami) Mr. Lawrence B. and Christine H. Levey Mr. and Mrs. Adam Lewis Mr. Dylan Hale Lewis (Miami) Ms. Marley Blue Lewis (Miami) Mr. Jon E. Limbacher and Patricia J. Limbacher Elsie and Byron Lutman Mr. and Mrs. Alex Machaskee Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Alexander and Marianna C.* McAfee Ms. Maureen M. McLaughlin (Miami) James and Virginia Meil Claudia Metz and Thomas Woodworth Mr. and Mrs. Abraham C. Miller (Miami) Drs. Terry E. and Sara S. Miller David and Leslee Miraldi Mr. and Mrs. William A. Mitchell Ann Jones Morgan Richard and Kathleen Nord Mr. Henry Ott-Hansen Nan and Bob Pfeifer Mr. and Mrs. John S. Piety Dr. and Mrs. John N. Posch William and Gwen Preucil Lois S.* and Stanley M. Proctor Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Ms. Deborah Read Mr. William J. Ross Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter Mr. and Mrs. David R. Sawyier Bob and Ellie Scheuer David M. and Betty Schneider Linda B. Schneider Dr. and Mrs. James L. Sechler Lee G. and Jane Seidman Charles Seitz (Miami)

listings continue

Individual Annual Support

The Cleveland Orchestra

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Severance Hall 2013-14

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED

Mr. Eric Sellen and Mr. Ron Seidman Mrs. Frances G. Shoolroy Marjorie B. Shorrock David Kane Smith Dr. Marvin and Mimi Sobel George and Mary Stark Howard Stark M.D. and Rene Rodriguez (Miami) Stroud Family Trust Dr. Elizabeth Swenson Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly

Robert and Marti Vagi Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Fred A. Watkins Robert C. Weppler Dr. Edward L. and Mrs. Suzanne Westbrook Tom and Betsy Wheeler Sandy Wile and Susan Namen Fred* and Marcia Zakrajsek Anonymous (4)

INDIVIDUAL GIFTS OF $3,500 TO $4,999

Ms. Nancy A. Adams Dr. and Mrs. D. P. Agamanolis Mrs. Joanne M. Bearss Mr. and Mrs. Jules Belkin Howard R. and Barbara Kaye Besser Suzanne and Jim Blaser Ms. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mrs. Millie L. Carlson Mr. and Mrs. Frank H. Carpenter Mr.* and Mrs. Robert A. Clark Drs. Mark Cohen and Miriam Vishny Diane Lynn Collier Thomas and Dianne Coscarelli Ms. Maureen A. Doerner and Mr. Geoffrey T. White Peter and Kathryn Eloff Mr. Brian L. Ewart and Mr. William McHenry David and Margaret Ewart Mr. and Mrs. John R. Fraylick Peggy and David* Fullmer Dr. and Mrs. Ronald L. Gould Nancy and James Grunzweig Mr. Robert D. Hart Hazel Helgesen* and Gary D. Helgesen

Mr. David and Mrs. Dianne Hunt Dr. and Mrs. Scott R. Inkley Helen and Erik Jensen Barbara and Michael J. Kaplan Mr. James and Mrs. Gay* Kitson Dr. Gilles and Mrs. Malvina Klopman Mr. Thomas and Mrs. Deborah Kniesner Cynthia Knight (Miami) Mr. and Ms. James Koenig Marion Konstantynovich Judy and Donald Lefton (Miami) Ronald and Barbara Leirvik Mr. and Mrs. Irvin A. Leonard Dr. Alan and Mrs. Joni Lichtin Anne R. and Kenneth E. Love Robert and LaVerne* Lugibihl Joel and Mary Ann Makee Martin and Lois Marcus William and Eleanor* McCoy Dr. Susan M. Merzweiler Bert and Marjorie Moyar Richard B. and Jane E. Nash Mr. and Mrs. Peter R. Osenar Dr. Lewis and Janice B. Patterson Mr. Robert S. Perry Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak

Dr. Robert W. Reynolds Mrs. Charles Ritchie Amy and Ken Rogat Carol Rolf and Steven Adler Fred Rzepka and Anne Rzepka Family Foundation Dr. and Mrs. Martin I. Saltzman Mr. Paul H. Scarbrough Ginger and Larry Shane Ms. Frances L. Sharp Mr. Richard Shirey Howard and Beth Simon Mr. and Mrs. William E. Spatz Mr. Taras G. Szmagala, Jr. Mr. Karl and Mrs. Carol Theil Mr. and Mrs. Lyman H. Treadway Drs. Anna* and Gilbert True Miss Kathleen Turner Mr. and Mrs. Mark Allen Weigand Richard Wiedemer, Jr. Nancy V. and Robert L. Wilcox Mr. and Dr. Ann Williams Tony and Diane Wynshaw-Boris Anonymous

Doug and Barbara Bletcher Dennis and Madeline Block Mr. and Mrs. Richard H. Bole John and Anne Bourassa Lisa and Ron Boyko Mr. and Mrs. David Briggs Mrs. Ezra Bryan J. C. and Helen Rankin Butler Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick Ms. Mary E. Chilcote Mr. and Mrs. Homer D. W. Chisholm Daniel D. Clark and Janet A. Long Mr. and Mrs. Stanley Cohen (Miami) Dr. Dale and Susan Cowan Mr. and Mrs. Manohar Daga Mrs. Frederick F. Dannemiller Charles and Fanny Dascal (Miami) Jeffrey and Eileen Davis

Mrs. Lois Joan Davis Dr. and Mrs. Richard C. Distad Dr. M. Meredith Dobyns Mr. George and Mrs. Beth Downes Harry and Ann Farmer Dr. Aaron Feldman and Mrs. Margo Harwood Ms. Karen Feth Carl and Amy Fischer Mr. Isaac Fisher Scott Foerster, Foerster and Bohnert Joan Alice Ford Mrs. Amasa B. Ford Mr. Randall and Mrs. Patrice Fortin Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Jeanne Gallagher Marilee L. Gallagher

INDIVIDUAL GIFTS OF $2,500 TO $3,499

Mr. and Mrs. Charles Abookire, Jr. Nancy L. Adams, PhD Stanley I. and Hope S. Adelstein Mr. and Mrs. Monte Ahuja Mr. and Mrs. Robert J. Amsdell Mr. and Mrs. Jeffrey R. Appelbaum Dr. Mayda Arias Mr. and Mrs. James B. Aronoff Agnes Armstrong Geraldine and Joseph Babin Ms. Delphine Barrett Ellen and Howard Bender Mr. Roger G. Berk Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Margo and Tom Bertin Julia and David Bianchi (Cleveland, Miami) Carmen Bishopric (Miami) Bill* and Zeda Blau

Individual Annual Support

listings continue

The Cleveland Orchestra

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Mrs. Georgia T. Garner Loren and Michael Garruto Mr. Wilbert C. Geiss, Sr. Anne and Walter Ginn Mr. and Mrs. David A. Goldfinger Mr. and Mrs. Robert T. Graf The Thomas J. and Judith Fay Gruber Charitable Foundation Mr. Davin and Mrs. Jo Ann Gustafson Dr. Phillip M. and Mrs. Mary Hall Norman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Sally and Oliver Henkel Mr. and Mrs. Jerry Herschman Mr. Robert T. Hexter Dr. and Mrs. Robert L. Hinnes Dr. Feite F. Hofman* Dr.* and Mrs. George H. Hoke Peter A. and Judith Holmes Dr. Keith A. and Mrs. Kathleen M. Hoover Dr. Randal N. Huff and Ms. Paulette Beech Ms. Carole Hughes Ms. Luan K. Hutchinson Ruth F. Ihde Ms. LaVerne Jacobson Dr. Michael and Mrs. Deborah Joyce Rev. William C. Keene Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary & Robert Kendis and Susan & James Kendis Bruce and Eleanor Kendrick Fred and Judith Klotzman Mr. Ronald and Mrs. Kimberly Kolz Jacqueline and Irwin Kott (Miami) Ellen Brad and Bart Kovac Dr. Ronald H. Krasney and Ms.* Sherry Latimer Marcia Kraus Mr. James Krohngold Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. John J. Lane Anthony T. and Patricia A. Lauria Mr. Jin-Woo Lee Ivonete Leite (Miami) Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Mr. Rudolf and Mrs. Eva Linnebach Martha Klein Lottman Ms. Mary Beth Loud Herbert L. and Rhonda Marcus Dr. and Mrs. Sanford E. Marovitz David* and Elizabeth Marsh Dr. Ernest and Mrs. Marian Marsolais Mr. Julien L. McCall Ms. Nancy L. Meacham Mr. James E. Menger

Stephen and Barbara Messner Ms. Betteann Meyerson Mr. and Mrs. Roger Michelson (Miami) Curt and Sara Moll Susan B. Murphy Joan Katz Napoli and August Napoli Mr. David and Mrs. Judith Newell Marshall I. Nurenberg and Joanne Klein Richard and Jolene Oâ&#x20AC;&#x2122;Callaghan Harvey and Robin Oppmann Nedra and Mark Oren (Miami) Mr. and Mrs. Robert D. Paddock Mr. and Mrs. Christopher I. Page Deborah and Zachary Paris Mr. Thomas and Mrs. Tommie Patton Mrs. Ingrid Petrus Drs. John Petrus and Sharon DiLauro Dr. Roland S. Philip and Dr. Linda M. Sandhaus Dale and Susan Phillip Ms. Maribel Piza (Miami) Dr. Marc and Mrs. Carol Pohl Ms. Carolyn Priemer Mr. Richard and Mrs. Jenny Proeschel Kathleen Pudelski Ms. Rosella Puskas Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Michael Forde Ripich Ms. Linda M. Rocchi Robert and Margo Roth Miss Marjorie A. Rott Michael and Roberta Rusek Dr. Lori Rusterholtz Dr. Harry S. and Rita K. Rzepka Ms. Patricia E. Say Mr. James Schutte Ms. Adrian L. Scott Dr. John Sedor and Ms. Geralyn Presti Harry and Ilene Shapiro Ms. Marlene Sharak Norine W. Sharp Dr. and Mrs. William C. Sheldon Mr. and Mrs. Reginald Shiverick, Jr. Grover Short Laura and Alvin A. Siegal Robert and Barbara Slanina Ms. Donna-Rae Smith Mr. and Mrs. Richey Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Lucy and Dan Sondles Mr. John C. Soper* and Dr. Judith S. Brenneke Mr. John D. Specht Mr.* and Mrs.* Lawrence E. Stewart Mr. Joseph Stroud Ken and Martha Taylor

member of the Leadership Council (see page 77)

* deceased

Individual Annual Support

Greg and Suzanne Thaxton Dr. and Mrs. Thomas A. Timko Steve and Christa Turnbull Mrs. H. Lansing Vail, Jr. Robert A. Valente Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Ms. Laure A. Wasserbauer Philip and Peggy Wasserstrom Eric* and Margaret Wayne Mr. and Mrs. Jerome A. Weinberger Dr. Paul R. and Catherine Williams Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Mr. Robert Wolff and Dr. Paula Silverman Katie and Donald Woodcock Kay and Rod Woolsey Elizabeth B. Wright Rad and Patty Yates Dr. William Zelei Mr. Kal Zucker and Dr. Mary Frances Haerr Anonymous (7) *

THE

CLEVELAND ORCHESTRA

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestraâ&#x20AC;&#x2122;s Annual Report, which can be viewed online at CLEVELANDORCHESTRA . COM For information about how you can play a supporting role with The Cleveland Orchestra, please contact our Philanthropy & Advancement Office by calling 216-231-7545.

The Cleveland Orchestra

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SPRING AT CIM Pianist and student Daniil Trifonov will premiere his first original concerto at a benefit concert at CIM, April 23 at 8pm. Tickets at: cim.edu or call 216.795.3211.

SUMMER AT CIM Alumni will present their Lunch & Listen concert series this July in Mixon Hall. Join us Tuesdays in July for these free, one-hour recitals, starting at 12:30pm.

For a complete list of CIM concerts and events, visit cim.edu/calendar. 11021 East Boulevard | Cleveland, OH 44106

We believe in working for the greater good of all and we are proud to support any organization that shares this value. We thank The Cleveland Orchestra for its commitment to excellence! Ken Lanci, Chairman & CEO Consolidated Solutions

Never miss a live performance... We serve all of Northeast Ohio with quality care at home, social outings and appointments. Call Hanson Services for a free needs assessment. Cleveland 216-226-5425 Fairlawn/Akron 330-836-2020

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The Cleveland Orchestra

Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated important events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends. Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Campaign. By making a dona on, you can make a crucial diﬀerence in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on programs, and community ac vi es and partnerships. To make a gi to The Cleveland Orchestra, please visit us online, or call 216-231-7562.

clevelandorchestra.com

11001 Euclid Avenue Cleveland, Ohio 44106

CLEVELANDORCHESTRA.COM

the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant

HAILED AS ONE OF

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and gala events each year.

Severance Hall

The Cleveland Orchestra

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CAR DONATION PROGRAM

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Part Emotion, Part Memory

All Magic

The Cleveland Carousel Society is bringing back the Grand Carousel from Euclid Beach Parkâ&#x20AC;&#x2122;s historic past for all to ride again. You can be a part of this historic restoration by becoming a member, naming donor or sponsor of the Carousel horses right now.

Situated on a 32-acre private estate, with views of Lake Erie and walk-out gardens, McGregor offers choice of ďŹ&#x201A;oor plans, amenities and life enrichment activities. Located just minutes from University Circle, major hospitals, Severance Center and Clevelandâ&#x20AC;&#x2122;s ďŹ nest museums, McGregor is an innovative and comprehensive provider for all the seasons of your life!

Assisted Living â&#x20AC;˘ Independent Living Rehabilitation â&#x20AC;˘ Long Term Care Respite Care â&#x20AC;˘ Hospice McGregor Foundation â&#x20AC;˘ PACE McGregor 14900 Private Drive, Cleveland OH 44112 (north of intersection of MayďŹ eld and Lee roads)

www.mcgregoramasa.org 216-851-8200

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â&#x20AC;&#x153;Spring Flingâ&#x20AC;? Open House Saturday May 31, 2014 1:30 pm-4:00 pm

Go to: www.clevelandcarousel.org

Call 216-851-8200 ext. 2080 or register online www.mcgregoramasa.org

Or call: 216-752-1505

Serving seniors in need since 1877

Severance Hall 2013-14

THE CLEVELAND C O N C E R T SPRING

C A L E N D A R

SEASON

Yuja Wang Plays Rachmaninoff

Celebrity Concert — Psycho Tuesday April 22 at 7:30 p.m. THE CLEVELAND ORCHESTRA Brett Mitchell, conductor

Thursday April 10 at 7:30 p.m. Friday April 11 at 11:00 a.m. <18s * Friday April 11 at 7:00 p.m. <18s * Saturday April 12 at 8:00 p.m. THE CLEVELAND ORCHESTRA Giancarlo Guerrero, conductor Yuja Wang, piano

One night only! The collaboration between director Alfred Hitchcock and composer Bernard Herrmann resulted in a series of unforgettable films — and the pinnacle of their efforts together is perhaps the most terrifying and powerful movie score of all time. Don’t miss this once-in-a-lifetime opportunity to experience this 1960 cinematic classic as you’ve never seen (or heard) it before! The Cleveland Orchestra performs the score live, with the film projected on a large screen above the Severance Hall stage.

PROKOFIEV Classical Symphony RACHMANINOFF Piano Concerto No. 3 RIMSKY-KORSAKOV Scheherazade* * not part of Friday morning or KeyBank Fridays@7 concerts

Beethoven’s First Piano Concerto

Dvořák and Tchaikovsky

Thursday April 24 at 7:30 p.m. Saturday April 26 at 8:00 p.m. THE CLEVELAND ORCHESTRA Jane Glover, conductor Imogen Cooper, piano

Thursday April 17 at 7:30 p.m. Saturday April 19 at 8:00 p.m. THE CLEVELAND ORCHESTRA Herbert Blomstedt, conductor Mark Kosower, cello

C.P.E. BACH Sinfonia No. 2 BEETHOVEN Piano Concerto No. 1 VANHAL Sinfonia in G minor HAYDN Symphony No. 103 (“Drum Roll”)

DVOŘÁK Cello Concerto TCHAIKOVSKY Symphony No. 6 (“Pathétique”)

Side-by-Side: The Cleveland Orchestra and Cleveland Orchestra Youth Orchestra

Mozart’s Requiem

Friday April 18 at 7:30 p.m. THE CLEVELAND ORCHESTRA CLEVELAND ORCHESTRA YOUTH ORCHESTRA Brett Mitchell, conductor James Thompson, violin The Cleveland Orchestra is committed to promoting musicmaking and nurturing aspiring musicians across Northeast Ohio. In this unique annual concert, featuring Cleveland Orchestra musicians sitting side-by-side with Youth Orchestra members, Cleveland Orchestra musicians mentor their younger counterparts and serve as role models. The concert features works by Berlioz and Shostakovich, plus Youth Orchestra alumnus James Thompson performing as soloist in Saint-Saëns’s Introduction & Rondo Capriccioso. Free, with general admission seating. Tickets required. Free tickets can be obtained by contacting the Severance Hall Ticket Office or visiting clevelandorchestra.com.

Under 18s Free FOR FAMILIES

ROUSE Rapture FRANK Will-o’-the-Wisp: Tone Poem for Piccolo and Orchestra* MOZART Requiem * not part of KeyBank Fridays@7 concert

<18s

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra in the United States. Our "Under 18s Free" program offers free tickets for young people attending with their families (one per paid adult admission).

Thursday May 1 at 7:30 p.m. Friday May 2 at 7:00 p.m. <18s Saturday May 3 at 8:00 p.m. Sunday May 4 at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA David Robertson, conductor Mary Kay Fink, piccolo* Jessica Rivera, soprano Elizabeth DeShong, mezzo-soprano Garrett Sorenson, tenor John Relyea, bass-baritone Cleveland Orchestra Chorus

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

Concert Calendar

The Cleveland Orchestra

ORCHESTRA I N

T H E

S P O T L I G H T

Ohlsson Plays Grieg Thursday May 8 at 7:30 p.m. Saturday May 10 at 8:00 p.m. THE CLEVELAND ORCHESTRA Osmo Vänskä, conductor Garrick Ohlsson, piano

SALLINEN Symphony No. 1 GRIEG Piano Concerto SIBELIUS Symphony No. 5 Sponsor: Jones Day

Cleveland Orchestra Youth Orchestra Friday May 9 at 8:00 p.m. <18s CLEVELAND ORCHESTRA YOUTH ORCHESTRA Brett Mitchell, conductor Ann Yu, violin

TORKE Bright Blue Music PROKOFIEV Violin Concerto No. 2 BERLIOZ Symphonie fantastique Friday May 16 at 10:00 a.m. <18s Saturday May 17 at 10:00 a.m. <18s Saturday May 17 at 11:00 a.m. <18s PNC MUSICAL RAINBOW

HEAVENLY HARPS 30-minute programs for ages 3 to 6.

Family Concert — The Composer Is Dead Friday May 16 at 7:30 p.m. <18s THE CLEVELAND ORCHESTRA Brett Mitchell, conductor Nathaniel Stookey, narrator There’s dreadful news from Severance Hall — the composer is dead! The musicians are most certainly guilty of something. Where were the violins on the night in question? Did anyone see the harp? Is the trumpet protesting a bit too boisterously? Everyone seems to have a motive, everyone has an alibi, and nearly everyone is a musical instrument. Join the Inspector as he interrogates all the unusual suspects in a concert based on the book by Lemony Snicket with the music of Nathaniel Stookey.

PSYCHO Tuesday April 22 at 7:30 p.m. THE CLEVELAND ORCHESTRA Brett Mitchell, conductor

One night only! The collaboration between director Alfred Hitchcock and composer Bernard Herrmann resulted in a series of unforgettable films — and the pinnacle of their efforts together is perhaps the most terrifying and powerful movie score of all time. Marion Crane (Janet Leigh) impulsively steals $40,000 from her employer, hoping to start a new life. She decides to stop for the night at the Bates Motel. And then . . . Don’t miss this once-in-a-lifetime opportunity to experience this 1960 cinematic classic as you’ve never seen (or heard) it before! With the film projected on a large screen above the stage and the original film score performed live by The Cleveland Orchestra.

Sponsor: The Giant Eagle Foundation

The Cleveland Orchestra at Home in Lakewood May 17 to 24

CLEVELAND ORCHESTRA TICKETS PHONE

Visit clevelandorchestra.com for complete details.

216 - 231-1111 800-686-1141

clevelandorchestra.com Severance Hall 2013-14

Concert Calendar

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A N C E H A LL CONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visiting clevelandorchestra.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall this season are on October 13, December 1, January 12, February 16, March 30, and May 4. For more information or to make a reservation for these tours, please call the Severance Hall Ticket Office at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available. Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111. Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING

For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

QUESTIONS

CONCERT PREVIEWS

ATM — Automated Teller Machine

If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2013-14

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K E T SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

AT SEVERANCE HALL . . .

Jane Glover

Vladimir Jurowski

JANE GLOVER CONDUCTS

PROKOFIEV’S CINDERELLA

Thursday April 24 at 7:30 p.m. Saturday April 26 at 8:00 p.m.

Thursday May 29 at 7:30 p.m. Friday May 30 at 11:00 a.m.* <18s Saturday May 31 at 8:00 p.m.

THE CLEVELAND ORCHESTRA Jane Glover, conductor Imogen Cooper, piano

Multi-talented conductor, historian, and writer Jane Glover leads a program of gems from the Classical era — with works by Beethoven, Haydn, Vanhal, and one of Bach’s talented sons. Imogen Cooper matches her artistry to Beethoven’s delightful First Piano Concerto, a work sparkling with exuberance and originality. Glover brings the concert to a fitting conclusion with Haydn’s masterful “Drum Roll” Symphony. Pop Culture Note: Jane Glover is well known for her book “Mozart’s Women,” an insightful and readable look at the women who influenced Mozart’s life, art, and desires.

THE CLEVELAND ORCHESTRA Vladimir Jurowski, conductor Janine Jensen, violin *

Prokofiev’s Cinderella is a fairytale score, delicate and charming. But like all fairytales, a dark undercurrent runs beneath. In this score, the chiming of a clock can sound like a thunderous battlefield, while the waltzes and love scenes sing. Benjamin Britten’s charming Violin Concerto * and Stravinsky’s explosive Scherzo fantastique round out this weekend’s season-ending concerts with guest conductor Vladimir Jurowski and violinst Janine Jensen. Sponsor: Baker Hostetler * Not part of the Friday Morning concert.

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Cleveland Orchestra concerts.

TICKETS

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra