The Cleveland Orchestra May 14,15, 16 Concerts by Live Publishing

SPRING SEASON

S E A S O N

SEVERANCE HALL

May 14, 16 DVOŘÁK’S NEW WORLD SYMPHONY — page 36 MAY 15 KEYBANK FRIDAYS@7: DVOŘÁK’S NEW WORLD — page 37

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TA B L E

CONTENTS

THIS WEEK CLEVELAND

WEEK

ORCHESTRA

About the Orchestra

PAGE

THE

From the Executive Director . . . . . . . . . . . . . . . . . . . . 7 About the Orchestra . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Musical Arts Association . . . . . . . . . . . . . . . . . . . . . . . 13 Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . . . 22 Orchestra News. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 Education and Community Programs . . . . . . . . . . 67 Building Young Audiences . . . . . . . . . . . . . . . . . . . . . 71 Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

Week 22 DVOŘÁK’S NEW WORLD SYMPHONY Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Program: May 14, 16 . . . . . . . . . . . . . . . . . . . . . . . . . Program: May 15 Fridays@7 . . . . . . . . . . . . . . . . . Introducing the Concert . . . . . . . . . . . . . . . . . . . . . . . KeyBank Fridays@7: The Evening . . . . . . . . . . . . . .

SEASON

COVER PHOTOGRAPHY BY ROGER MASTROIANNI

Copyright © 2015 by The Cleveland Orchestra and the Musical Arts Association Eric Sellen, Program Book Editor E-MAIL: esellen@clevelandorchestra.com Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members. Program book advertising is sold through Live Publishing Company at 216-721-1800

NATIONAL ENDOWMENT FOR THE ARTS

35 36 37 39 41

HINDEMITH

Concert Music for Strings and Brass . . . . . . . . . 43 WIDMANN

Violin Concerto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 DVOŘÁK

Symphony No. 9 (“From the New World”) . . . . 55 Conductor: Franz Welser-Möst . . . . . . . . . . . . . . . . . 17 Violin Soloist: Christian Tetzlaff . . . . . . . . . . . . . . . . 53 Fridays@7 Guest Artists . . . . . . . . . . . . . . . . . . . . . . 61-65

The Cleveland Orchestra is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture. The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio. The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

This program is printed on paper that includes 50% recycled content.

Support Sound for the Centennial . . . . . . . . . . . . . . . . . . . . . . Corporate Annual Support . . . . . . . . . . . . . . . . . . . . . Foundation/Government Annual Support . . . . . Individual Annual Support . . . . . . . . . . . . . . . . . . . .

48 73 75 76

50% All unused books are recycled as part of the Orchestra’s regular business recycling program. These books are printed with EcoSmart certified inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

Upcoming Concerts Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . . . 94

Table of Contents

The Cleveland Orchestra

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Severance Hall 2014-15

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Perspectivesfrom the Executive Director April-May 2015 To everyone hearing The Cleveland Orchestra at this weekend’s concerts: thank you. Each year’s success is built on the efforts of many. As we approach the conclusion of the Severance Hall season, with a final month of exciting concerts in May, we are preparing to close the books on another great year. Many of you attending are also generous in supporting the Orchestra financially through the Annual Fund. Your support fuels the Orchestra’s ongoing success, artistic excellence, community and education programs, and new innovations: More music for more people. The Cleveland Orchestra has made this a mantra and an engine propelling us forward each season. We are engaging more deeply with music lovers across Northeast Ohio, from our homebase at Severance Hall, to our summer home at Blossom, and many places beyond and in between. We have added opera and ballet to the annual schedule. We are stepping off the stage into coffee shops, restaurants, and churches through our neighborhood residency program and community engagement activities, creating untold enthusiasm at the grassroots level. Innovation and engagement. We are welcoming tens of thousands of young people to Orchestra concerts each season. We are expanding our reach into local schools, performing in auditoriums and classrooms and bringing students of all ages into Severance Hall for a variety of education programs. From innovative opera productions to new series — like Summers@Severance — we are exploring new and better ways of showcasing the world’s best music. We have established fruitful and rewarding residencies in Miami, Vienna, New York, and at Indiana University, building on our reputation for excellence and innovation. Measurable success. Alongside producing musical experiences of the highest quality, we are achieving new levels of success across all aspects of our operations. With ticket sales at 10-year highs and record philanthropic support from thousands of donors, we have balanced the budget for three consecutive years. This period of renewal and transformation for the future is built on our long-held tradition of excellence in everything we do, and is earning The Cleveland Orchestra recognition among our peers as a leader in what it means to be an orchestra in the 21st century. The Cleveland Orchestra’s success is the result of concentrated effort by everyone involved — on and off the stage. This institution’s greatest asset has always been the vision, dedication, and support of the people of Northeast Ohio. Generations of Greater Clevelanders, through their generous support and repeated patronage, have inspired and fueled The Cleveland Orchestra’s trademark musical excellence and ongoing service to this region. As the fiscal year comes to a close on June 30, we invite you to consider your own investment in sustaining the Orchestra. Please be counted among the thousands of supporters who enable this Orchestra to serve the people of Northeast Ohio with quality musical experiences, community presentations, and education programs.

Gary Hanson Severance Hall 2014-15

CLEVELAND ORCHESTRA ARCHIVES

PHOTO OF THE WEEK follow the Orchestra on Facebook for more archival photos

APRIL 1935: Act Three, Scene One from Wagner’s opera Die Meistersinger at Severance Hall. During his tenure as music director of The Cleveland Orchestra (1933-43), Artur Rodzinski used the hall’s orchestra pit to feature staged opera productions in five of his ten seasons — including the American premiere of Shostakovich’s Lady Macbeth of Mzensk in 1935. Staged opera continues this month at Severance Hall with Richard Strauss’s Daphne, May 27 and 30.

of its founding in 2018, The Cleveland Orchestra is undergoing a new transformation and renaissance. Universallyacknowledged among the best ensembles on the planet, its musicians, staff, board of directors, volunteers, and hometown are working together on a set of enhanced goals for the 21st century — to continue its legendary command of musical excellence, to renew its focus on fully serving the communities where it performs through concerts, engagement, and music education, to develop the youngest audience of any orchestra, to build on its tradition of community support and financial strength, and to move forward into the Orchestra’s next century with a unswerving commitment to innovation and daring to succeed. The Cleveland Orchestra divides its time each year across concert seasons at home in Cleveland’s Severance Hall and each summer at Blossom Music Center. Additional portions of the year are devoted to touring and to a series of innovative and intensive performance residencies. These include an annual set of concerts and education programs and partnerships in Florida, a recurring resiAS IT NEARS THE CENTENNIAL

About the Orchestra

The Cleveland Orchestra

S E A S O N

dency at Vienna’s Musikverein, and regular appearances at Switzerland’s Lucerne Festival, at New York’s Lincoln Center Festival, and at Indiana University. Musical Excellence. Under the leadership of Franz Welser-Möst, now in his thirteenth season as the ensemble’s music director, The Cleveland Orchestra is acknowledged among the world’s handful of best orchestras. Its performances of standard repertoire and new works are unrivalled at home in Ohio, in residencies around the globe, on tour across North America and Europe, and through recordings, telecasts, and radio and internet broadcasts. Its longstanding championship of new composers and commissioning of new works helps audiences understand music as a living language that grows and evolves with each new generation. Recent performances with Baroque specialists, recording projects with internationally-renowned soloists, fruitful re-examinations and juxtapositions of the standard repertoire, and acclaimed collaborations in 20th and 21st century masterworks together enable The Cleveland Orchestra the ability to give musical performances second to none in the world. Serving the Community. Programs for students and community engagement activities have long been part of the Orchestra’s commitment to serving Cleveland and surrounding communities, and have more recently been extended to its touring and residencies. All are designed to connect people to music in the concert hall, in classrooms, and in everyday lives. Recent seasons have seen the launch of a unique “At Home” neighborhood residency program, designed to bring the Orchestra and citizens together in new ways. Additionally, a new Make Music! initiative is taking shape, championed by Franz Welser-Möst in advocacy for the benefits of direct participation in making music for people of all ages. Future Audiences. Standing on the shoulders of more than nine decades of presenting quality music education programs, the Orchestra made national and international headlines through the creation of its Center for Future Audiences in 2010. Established with a significant endowment gift from the Maltz Family Foundation, the Center is designed to provide ongoing funding for the Orchestra’s continuing work to develop interest in classical music among young people. The flagship “Under 18s Free” program has seen unparalleled success in increasing attendance and interest, and was recently extended to the Orchestra’s concerts in Miami. Innovative Programming. The Cleveland Orchestra was among the first American orchestras heard on a regular series of radio broadcasts, and its Severance Hall home was one of the first concert halls in the world built with recording and broadcasting capabilities. Today, Cleveland Orchestra concerts are presented in a variety of formats for a variety of audiences — including a popular Fridays@7 series (mixing onstage symphonic works with post-concert world music performances), film scores performed live by the Orchestra, collaborations with pop and jazz singers, ballet and opera presentations, and standard repertoire juxtaposed in Severance Hall 2014-15

The Orchestra Today

meaningful contexts with new and older works. Franz Welser-Möst’s creative vision has given the Orchestra an unequaled opportunity to explore music as a universal language of communication and understanding. An Enduring Tradition of Community Support. The Cleveland Orchestra was born in Cleveland, created by a group of visionary citizens who believed in the power of music and aspired to having the best performances of great orchestral music possible anywhere. Generations of Clevelanders have supported this vision and enjoyed the Orchestra’s concerts. Hundreds of thousands have learned to love music through its education programs and celebrated important events with its music. While strong ticket sales cover just under half of each season’s costs, it is the generosity of thousands each year that drives the Orchestra forward and sustains its extraordinary tradition of excellence onstage, in the classroom and for the community. The Cleveland Orchestra was founded in 1918. Over the ensuing decades, the Orchestra quickly grew from a fine regional organization to being one of the most admired symphony orchestras in the world. Seven music directors have guided and shaped the ensemble’s growth and sound: Nikolai Sokoloff, 1918-33; Artur Rodzinski, 1933-43; Erich Leinsdorf, 1943-46; George Szell, 1946-70; Lorin Maazel, 1972-82; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002. The opening in 1931 of Severance Hall as the Orchestra’s permanent home, with later acoustic refinements and remodeling of the hall under Szell’s guidance, brought a special pride to the ensemble and its hometown, as well as providing an enviable and intimate acoustic environment in which to develop and refine the Orchestra’s artistry. Touring performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality in 1968 with the opening of Blossom Music Center, one of the most beautiful and acoustically admired outdoor concert facilities in the United States. Today, concert performances, community presentations, touring residencies, broadcasts, and recordings provide access to the Orchestra’s acclaimed artistry to an enthusiastic, generous, and broad constituency around the world. Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra has introduced more than 4 million young people to symphonic music over the past nine decades.

About the Orchestra

The Cleveland Orchestra

1918

Seven music directors have led the Orchestra, including George Szell, Christoph von Dohnányi, and Franz Welser-Möst.

13th

1l1l 11l1 1l1

The 2014-15 season marks Franz Welser-Möst’s 13th year as music director.

SEVERANCE HALL, “America’s most beautiful concert hall,” opened in 1931 as the Orchestra’s permanent home.

120,000+

120,000 young people have attended Cleveland Orchestra symphonic concerts via programs funded by the Center for Future Audiences since 2011, through student programs and Under 18s Free ticketing.

52%

Over half of The Cleveland Orchestra’s funding each year comes from thousands of generous donors and sponsors, who together make possible our concert presentations, community programs, and education initiatives.

4million

Likes on Facebook (as of April 5, 2015)

The Cleveland Orchestra has introduced over 4 million children in Northeast Ohio to symphonic music through concerts for children since 1918.

The Cleveland Orchestra performs over

87,931

1931

concerts each year.

The Orchestra was founded in 1918 and performed its first concert on December 11.

150

THE CLEVEL AND ORCHESTRA

BY THE NUMBERS

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T H E M U S I C AL ARTS ASSOCIATION

as of March 2015

operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival

O F F I C E R S A ND E X E C UT IVE C O MMI T T E E Dennis W. LaBarre, President Richard J. Bogomolny, Chairman The Honorable John D. Ong, Vice President Jeanette Grasselli Brown Matthew V. Crawford Alexander M. Cutler David J. Hooker Michael J. Horvitz

Norma Lerner, Honorary Chair Hewitt B. Shaw, Secretary Beth E. Mooney, Treasurer

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner Barbara S. Robinson

R E S I D E NT TR U S T E E S George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland Trevor O. Jones

Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill The Honorable John D. Ong Larry Pollock Alfred M. Rankin, Jr.

Clara T. Rankin Audrey Gilbert Ratner Charles A. Ratner Zoya Reyzis Barbara S. Robinson Paul Rose Steven M. Ross Raymond T. Sawyer Luci Schey Hewitt B. Shaw Richard K. Smucker James C. Spira R. Thomas Stanton Joseph F. Toot, Jr. Daniel P. Walsh Thomas A. Waltermire Geraldine B. Warner Jeffery J. Weaver Jeffrey M. Weiss Norman E. Wells Paul E. Westlake Jr. David A. Wolfort

NO N- R E S I D E NT T RUS T E E S Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) Loren W. Hershey (DC) Herbert Kloiber (Germany)

Ludwig Scharinger (Austria)

TR U S TE E S E X- O FFI C I O Faye A. Heston, President, Volunteer Council of The Cleveland Orchestra Shirley B. Dawson, President, Women’s Committee of The Cleveland Orchestra Claire Frattare, President, Blossom Women’s Committee

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee Beverly J. Warren, President, Kent State University Barbara R. Snyder, President, Case Western Reserve University

H O NO R A RY TR U S T E E S FO R L IFE Robert W. Gillespie Gay Cull Addicott Dorothy Humel Hovorka Oliver F. Emerson Robert P. Madison Allen H. Ford PA S T PR E S I D E NT S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53

Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83

Robert F. Meyerson James S. Reid, Jr.

Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director

Severance Hall 2014-15

Gary Hanson, Executive Director

Musical Arts Association

Welcome Spring

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The Cleveland Orchestra

THE C L E V E L A N D ORCHESTRA

BU CO LIC T R AGE DY I N O N E AC T

Libretto by JOSEPH GREGOR Music by RICHARD STRAUSS

SEVERANCE HALL

MAY 27 Wednesday MAY 30 Saturday

Franz Welser-Möst leads The Cleveland Orchestra in performances of Richard Strauss’s captivating opera about Daphne, a young woman who must choose between the love of men and her love for nature. Composed during the politically perilous period after the Nazis came to power and first performed in 1938, the opera had deep personal significance to the composer. Strauss knew that the myth of Daphne was the subject of the very first opera ever composed — and his own version can be viewed as a guarded demand for creative freedom in the face of political and worldly hindrances. Sung in German with projected English supertitles. Sponsored by Litigation Management, Inc.

Apollo and Daphne, marble statue by Gian Lorenzo Bernini, 1625.

Regine Hangler (soprano) as Daphne Andreas Schager (tenor) as Apollo Norbert Ernst (tenor) as Leukippos Ain Anger (bass) as Peneios Nancy Maultsby (mezzo-soprano) as Gaea Men of the Cleveland Orchestra Chorus directed by James Darrah with The Cleveland Orchestra conducted by Franz Welser-Möst

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S E A S O N

Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

marks Franz Welser-Möst’s thirteenth year as music director of The Cleveland Orchestra, with the future of this acclaimed partnership now extending into the next decade. Under his direction, the Orchestra is hailed for its continuing artistic excellence, is broadening and enhancing its community programming at home in Northeast Ohio, is presented in a series of ongoing residencies in the United States and Europe, and has re-established itself as an important operatic ensemble. With a commitment to music education and the Northeast Ohio community, Franz Welser-Möst has taken The Cleveland Orchestra back into public schools with performances in collaboration with the Cleveland Metropolitan School District. He has championed new programs, such as a community-focused Make Music! initiative and a series of “At Home” neighborhood residencies designed to bring the Orchestra and citizens together in new ways. Under Mr. Welser-Möst’s leadership, The Cleveland Orchestra has established a recurring biennial residency in Vienna at the famed Musikverein concert hall and appears regularly at Switzerland’s Lucerne Festival. Together, they have also appeared in residence at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency included five sold-out performances of a staged production of Dvořák’s opera Rusalka. In the United States, an annual multi-week Cleveland Orchestra residency in Florida was inaugurated in 2007 and an ongoing relationship with New York’s Lincoln Center Festival began in 2011. To the start of this season, The Cleveland Orchestra has performed fourteen world and fifteen United States premieres under Franz Welser-Möst’s direction. In partnership with the Lucerne Festival, he and the Orchestra have premiered works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin, Toshio Hosokawa, and Matthias Pintscher. In addition, the Daniel R. Lewis Young Composer Fellow program has brought new voices to the repertoire, including Pintscher, Marc-André Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann, Sean Shepherd, and Ryan Wigglesworth. Franz Welser-Möst has led annual opera performances during his tenure in Cleveland, re-establishing the Orchestra as an important operatic ensemble. Following six seasons of opera-in-concert presentations, he brought fully staged opera back to Severance Hall with a three-season cycle of Zurich Opera productions of the Mozart-Da Ponte operas. He led concert performances of Strauss’s Salome at Severance Hall and at Carnegie Hall in May 2012 and in May 2014 led an innovative madeP H OTO BY S ATO S H I AOYAG I

THE 2014 -15 SEASON

Severance Hall 2014-15

Music Director

for-Cleveland production of Leoš Janáček’s The Cunning Little Vixen at Severance Hall. They present performances of Richard Strauss’s Daphne in May 2015. As a guest conductor, Mr. Welser-Möst enjoys a close and productive relationship with the Vienna Philharmonic. Recent performances with the Philharmonic include a critically-acclaimed production of Strauss’s Der Rosenkavalier at the 2014 Salzburg Festival as well as appearances at New York’s Carnegie Hall, at the Lucerne Festival, and in concert at La Scala Milan. During the 2014-15 season, he returns to Europe for a tour of Scandinavia with the Philharmonic, and will also lead them in a new production of Beethoven’s Fidelio at Salzburg in 2015. He led the Philharmonic’s celebrated annual New Year’s Day concert in 2011 and 2013, viewed by tens of millions as telecast in seventy countries worldwide. From 2010 to 2014, Franz Welser-Möst served as general music director of the Vienna State Opera. His partnership with the company included an acclaimed new production of Wagner’s Ring cycle with stage director Sven-Eric Bechtolf, and critically-praised new productions of Hindemith’s Cardillac, Janáček’s Katya Kabanova and From the House of the Dead, Puccini’s The Girl of the Golden West, and Verdi’s Don Carlo, as well as performances of a wide range of other operas, particularly of works by Wagner and Richard Strauss, including Tristan and Isolde and Parsifal, and Der Rosenkavalier and Ariadne auf Naxos. Prior to his years with the Vienna State Opera, Mr. Welser-Möst led the Zurich Opera across a decade-long tenure, leading more than forty new productions and culminating in three seasons as general music director (2005-08). Franz Welser-Möst’s recordings and videos have won major awards, including a Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and two Grammy nominations. With The Cleveland Orchestra, he has created DVD recordings of live performances of five of Bruckner’s symphonies, and is in the midst of a new project recording major works by Brahms. With Cleveland, he has also released a recording of Beethoven’s Ninth Symphony and an all-Wagner album. DVD releases on the EMI label have included Mr. Welser-Möst leading Zurich Opera productions of The Marriage of Figaro, Così fan tutte, Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes. For his talents and dedication, Mr. Welser-Möst has received honors that include the Vienna Philharmonic’s “Ring of Honor” for his longstanding personal and artistic relationship with the ensemble, as well as recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, a Gold Medal from the Upper Austrian government for his work as a cultural ambassador, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America. He is the co-author of Cadences: Observations and Conversations, published in a German edition in 2007.

Music Director

The Cleveland Orchestra

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T H E

C L E V E L A N D

FRANZ WELSER-MÖST MUSIC

DIRECTOR Kelvin Smith Family Chair

FIRST VIOLINS William Preucil CONCERTMASTER

Blossom-Lee Chair

Yoko Moore

ASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter Otto

FIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy Lee

ASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Alexandra Preucil

ASSISTANT CONCERTMASTER

Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Takako Masame Paul and Lucille Jones Chair

Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair

Kim Gomez Elizabeth and Leslie Kondorossy Chair

Chul-In Park Harriet T. and David L. Simon Chair

Miho Hashizume Theodore Rautenberg Chair

Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair

Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair

Yu Yuan Patty and John Collinson Chair

Isabel Trautwein Trevor and Jennie Jones Chair

Mark Dumm Gladys B. Goetz Chair

Katherine Bormann Analisé Denise Kukelhan

SECOND VIOLINS Stephen Rose * Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2 James and Donna Reid Chair

Eli Matthews 1 Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna Duitman Ioana Missits Carolyn Gadiel Warner Stephen Warner Sae Shiragami Vladimir Deninzon Sonja Braaten Molloy Scott Weber Kathleen Collins Beth Woodside Emma Shook Jeffrey Zehngut Yun-Ting Lee VIOLAS Robert Vernon * Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey 1 Charles M. and Janet G. Kimball Chair

Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair

Arthur Klima Richard Waugh Lisa Boyko Lembi Veskimets Eliesha Nelson Joanna Patterson Zakany Patrick Connolly

The Orchestra

CELLOS Mark Kosower* Louis D. Beaumont Chair

Richard Weiss 1 The GAR Foundation Chair

Charles Bernard 2 Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya Ell Thomas J. and Judith Fay Gruber Chair

Ralph Curry Brian Thornton William P. Blair III Chair

David Alan Harrell Paul Kushious Martha Baldwin BASSES Maximilian Dimoff * Clarence T. Reinberger Chair

Kevin Switalski 2 Scott Haigh 1 Mary E. and F. Joseph Callahan Chair

Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair

Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble * Alice Chalifoux Chair

The Cleveland Orchestra

SEASON

O R C H E S T R A FLUTES Joshua Smith * Elizabeth M. and William C. Treuhaft Chair

Saeran St. Christopher Marisela Sager 2 Austin B. and Ellen W. Chinn Chair

Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair

OBOES Frank Rosenwein * Edith S. Taplin Chair

Jeffrey Rathbun 2 Everett D. and Eugenia S. McCurdy Chair

Robert Walters ENGLISH HORN Robert Walters Samuel C. and Bernette K. Jaffe Chair

CLARINETS Franklin Cohen * Robert Marcellus Chair

Robert Woolfrey Daniel McKelway 2 Robert R. and Vilma L. Kohn Chair

Linnea Nereim E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair

BASS CLARINET Linnea Nereim BASSOONS John Clouser * Louise Harkness Ingalls Chair

Gareth Thomas Barrick Stees 2 Sandra L. Haslinger Chair

Jonathan Sherwin CONTRABASSOON Jonathan Sherwin

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HORNS Richard King * George Szell Memorial Chair

Michael Mayhew § Knight Foundation Chair

Jesse McCormick Robert B. Benyo Chair

Hans Clebsch Alan DeMattia

PERCUSSION Marc Damoulakis* Margaret Allen Ireland Chair

Donald Miller Tom Freer KEYBOARD INSTRUMENTS Joela Jones * Rudolf Serkin Chair

TRUMPETS Michael Sachs * Robert and Eunice Podis Weiskopf Chair

Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair

Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair

LIBRARIANS Robert O’Brien Joe and Marlene Toot Chair

Donald Miller

Michael Miller CORNETS Michael Sachs * Mary Elizabeth and G. Robert Klein Chair

ORCHESTRA PERSONNEL Karyn Garvin DIRECTOR

Christine Honolke

Michael Miller

MANAGER

TROMBONES Massimo La Rosa*

ENDOWED CHAIRS CURRENTLY UNOCCUPIED

Gilbert W. and Louise I. Humphrey Chair

Richard Stout Alexander and Marianna C. McAfee Chair

Shachar Israel 2 BASS TROMBONE Thomas Klaber

Sidney and Doris Dworkin Chair Sunshine Chair

* Principal § 1 2

Associate Principal First Assistant Principal Assistant Principal

EUPHONIUM AND BASS TRUMPET Richard Stout

CONDUCTORS Christoph von Dohnányi

TUBA Yasuhito Sugiyama*

Giancarlo Guerrero

Nathalie C. Spence and Nathalie S. Boswell Chair

MUSIC DIRECTOR LAUREATE

PRINCIPAL GUEST CONDUCTOR, CLEVELAND ORCHESTRA MIAMI

Brett Mitchell

ASSISTANT CONDUCTOR

TIMPANI Paul Yancich * Otto G. and Corinne T. Voss Chair

Tom Freer 2

The Orchestra

Elizabeth Ring and William Gwinn Mather Chair

Robert Porco

DIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

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News

Cleveland Orchestra “At Home” neighborhood residency continues in Broadway Slavic Village

Cleveland Orchestra News

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THE CLEVELAND ORCHESTRA

The Cleveland Orchestra’s third neighborhood residency is taking place on Cleveland’s southeast side. The Cleveland Orchestra At Home in Broadway Slavic Village began in earnest with a Neighborhood Summit on March 21, and continues with a variety of community activities, musical performances, and education presentations in the neighborhood to early June. The centerpiece was a free community concert by The Cleveland Orchestra on Friday, April 10 — broadcast live on radio WCLV 104.9, and recorded for delayed telecast on ideastream/WVIZ on Friday, April 17. Free tickets to the concert were soldout within hours of being released to the public on Saturday, March 21. Broadway Slavic Village was chosen for this year’s residency as a Cleveland neighborhood that symbolizes both the history and the future of the city. The Broadway Historic District at the intersection of East 55th street has ethnic roots in the Czech and Polish communities with rich musical heritages. Broadway Slavic Village was not long ago a center of the forecloat home sure crisis, but today it is a national leader in reimagining urban land use and is home to people of all ages, races, and income levels, active families, young professionals, and empty nesters. “The diverse neighborhoods of Broadway Slavic Village are ideal settings for music and celebration,” says Chris Alvarado, executive director of Slavic Village Development. “We are thrilled to have been chosen to host the third annual Cleveland Orchestra neighborhood residency. We are enjoying welcoming The Cleveland Orchestra and all who believe that music spans cultures and brings joy. This is proving to be a great collaboration.” For a complete listing of this year’s ongoing “At Home” residency events, please visit: www.clevelandorchestra/slavicvillage.

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OrchestraNews HAIL AND FAREWELL Clarinetist Franklin Cohen will retire from The Cleveland Orchestra at the end of the Orchestra’s summer season at Blossom, after serving as principal clarinet for thirty-nine seasons, the longest tenure of any solo clarinetist in the ensemble’s history. Please join in extending heartfelt thanks and congratulations to Frank. A special commemoration of his tenure and artistry will be featured in the Blossom program book for July 26.

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Franklin Cohen Principal Clarinet Robert Marcellus Endowed Chair The Cleveland Orchestra

Franklin Cohen, Principal Clarinet since 1976, will retire from The Cleveland Orchestra in the summer of 2015. After 39 seasons, Mr. Cohen will have had the longest tenure of any solo clarinetist in the Orchestra’s history. The title of Principal Clarinet Emeritus will be bestowed on Mr. Cohen upon retiring. He will be the first Cleveland Orchestra musician officially recognized with this honor. Frank Cohen joined The Cleveland Orchestra at the invitation of Music Director Lorin Maazel. In 1968, he gained international recognition as the first clarinetist to win the First Prize at the prestigious Munich International Music Competition. Cohen is one of the few musicians of his time to combine a world-class solo, chamber, and orchestral career. He is widely considered among the great musicians of his generation. Acclaimed for the strength, passion, and beauty of his playing, he is one of the most frequent concerto soloists in the history of The Cleveland Orchestra, appear-

ing as soloist at Severance Hall, Blossom Music Center, Carnegie Hall, and on tours throughout the United States, Asia, and Europe to critical acclaim. Over the span of Cohen’s career, he has been heard in many thousands of concerts and broadcasts. His commercial recording performances include a Grammy Award and much additional critical acclaim. He has earned glowing praise for his poignant musicality and technical mastery, and has performed with many of the great string quartets of the 20th century. Cohen has taught and performed at virtually all the major American music festivals and has served as department head at the Cleveland Institute of Music for 39 years. He has also been an honored juror at many of the most prestigious international music competitions. In demand internationally as both a performer and teacher, Cohen looks forward to an expanded career as soloist and collaborative artist, in addition to ongoing mentoring of the next generation of young musicians. Upcoming plans include work and performances in Asia, Italy, Scandinavia, France, South America, Canada, and throughout the United States. Cohen will continue as co-artistic director of ChamberFest Cleveland, celebrating its fourth season in summer 2015. He has also launched a new custom-made clarinet mouthpiece company and has plans to conduct. He looks forward to traveling the world with friends and family. Additional information can be found at franklincohen.com. Two special concerts in tribute to Franklin Cohen’s career are being planned for this coming summer: CHAMBERFEST CLEVELAND June 19 — Celebration Concert with ChamberFest Cleveland, at CIM’s Kulas Hall. For more information, please visit chamberfestcleveland.com. July 26 — Blossom Music Festival concert with The Cleveland Orchestra conducted by Jahja Ling, featuring Cohen performing Weber’s Clarinet Concerto No. 2. For tickets, visit clevelandorchestra.com.

Cleveland Orchestra News

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SEASON 4

J U N E 1 7 - J U LY 1 2 0 1 5

THIS VIBRANT SUMMER MUSIC FESTIVAL IS BACK FOR ANOTHER SEASON OF WORLD-CLASS CONCERTS.

FEATURED FESTIVAL PERFORMANCE

“FRANK!” A special concert, including an all-star orchestra, celebrates Franklin Cohen’s stellar 39-year career as the principal clarinetist of The Cleveland Orchestra. Friday, June 19, 8:00 p.m. CIM’s Kulas Hall

Subscriptions and tickets can be purchased online at www.ChamberFestCleveland.com or by phone at 216.471.8853.

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News

OrchestraNews Neighborhood residency partnership between Orchestra and Lakewood Schools receives recognition with Yale Award

THE CLEVELAND ORCHESTRA

The educational partnership between The Cleveland Orchestra and the Lakewood Public Schools during The Cleveland Orchestra’s “At Home” in Lakewood neighborhood residency a year ago has been selected for recognition by the 2015 Symposium on Music in Schools. The Cleveland partnership is among about a dozen partnerships across the country that were selected. Elizabeth Hankins (Lakewood Schools Music Supervisor) and Joan Katz (Director of Education and Community Programs for the Orchestra) will both receive a Yale Distinguished Music Educator Award in June. The partnership with Lakewood Schools resulted in twenty-six school music activities during the residency in spring 2014, and continues through an ongoing partnership.

2015 Blossom Music Festival tickets now on sale Breaking with the traditional postMemorial Day on-sale date for the summer Blossom season, The Cleveland Orchestra opened sales for all Blossom concerts on May 12 for the 2015 Festival. “It’s contradictory, in part,” says Ross Binnie, chief marketing officer for The Cleveland Orchestra. “But in this day and age when people do less planning and are more spontaneous, Blossom remains extraordinarily popular. There are people who travel here and have to plan ahead — we saw no reason not to open ticket sales sooner, and allow people more opportunities.” The 2015 Festival, presented by The J.M. Smucker Company, runs from the Fourthof-July weekend through Labor Day with a variety of orchestral offerings each weekend throughout the summer.

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Cleveland Orchestra Youth Orchestra preparing for second international tour, with concerts in China in June 2015

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Plans have been finalized for the Cleveland Orchestra Youth Orchestra to make its second international tour in 2015. The tour to China June 15-24 includes concerts in Beijing, Tianjin, Shanghai, and Ningbo. The Youth Orchestra will be conducted by its music director, Brett Mitchell, who is also assistant conductor of The Cleveland Orchestra. The repertoire includes Dmitri Shostakovich’s Festive Overture, Wojciech Kilar’s Orawa, Samuel Barber’s Medea’s Dance of Vengeance, and Tchaikovsky’s Symphony No. 4. In addition to concerts, tour activities for the Youth Orchestra members include guided historic sightseeing tours of each city as well as visits to the Great Wall of China, the Forbidden City, Tiananmen Square, and the Temple of Heaven. The Cleveland Orchestra Youth Orchestra tour is made possible in part through the generosity of the Vinney family. In 2011, the Jules and Ruth Vinney Cleveland Orchestra Youth Orchestra Touring Fund was established to help cover costs of Youth Orchestra touring and to provide scholarships to eligible Youth Orchestra members. An endowment gift from the Jules and Ruth Vinney Philanthropic Fund, advised by their children Les Vinney, Margo Vinney, and Karen Jacobs, established this generous Touring Fund, which will provide perpetual support toward the Youth Orchestra’s ongoing touring program. CHINA TOUR SEND-OFF CONCERT Sunday, June 14, at 3:00 p.m. Severance Hall Tickets: Free admission, but tickets are required. Tickets on sale beginning May 4 at 9 a.m.

Grand Theater, Tianjin

Forbidden City

National Performing Arts Center, Beijing

You can help . . . For more information about the Youth Orchestra tour or how to make a contribution to the Student Tour Scholarship Fund, please contact Katie Oppenheim by calling 216-456-8410 or via email at koppenheim@clevelandorchestra.com.

Youth Orchestra China Tour 2015

The Cleveland Orchestra

OrchestraNews W.E.L.C.O.M.E New oboist joins Orchestra with ﬁnal concerts of season The Cleveland Orchestra welcomes a new member of the ensemble with the final three weeks of the 2014-15 Severance Hall season. Corbin Stair has joined The Cleveland Orchestra as second oboe, after completing his bachelor of music degree at the Curtis Institute of Music, where he studied with Richard Woodhams, principal oboe of the Philadelphia Orchestra. Other major teachers have included Elaine Douvas, John Ferrillo, and Reid Messich. Mr. Stair served as principal oboe of the Symphony of the Lakes in Winona Lake, Indiana, 2009-2011. He has also performed as a substitute with the Philadelphia Orchestra and in orchestras and chamber music ensembles at the

THE CLEVELAND ORCHESTRA THE CLEVELAND ORCHES TRA THE CLEVELAND ORCHESTRA

News

Aspen Music Festival, MasterWorks Festival, and at Tanglewood Music Center, where he received the 2013 Mickey L. Hooten Memorial Award.

Silence is golden As a courtesy to the performers onstage and the audience around you, all patrons are reminded to turn off cell phones and to disengage electronic watch alarms prior to each concert.

Committed to Accessibility Severance Hall is committed to making performances and facilities accessible to all patrons. For information about accessibility or for assistance, call the House Manager at 216-231-7425.

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Chorus auditions announced for children, youth, and adult singers for Blossom and 2015-16

Cleveland Orchestra News

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Severance Hall 2014-15

or an equivalent classical solo piece; “pop” tunes are not acceptable. In addition to the prepared piece, students will be asked to sight-read and demonstrate their vocal range. An accompanist is provided at the audition. The Cleveland Orchestra Chorus is one of the few professionally trained, all-volunteer choruses sponsored by a major American orchestra. Coming from nearly fifty Northeast Ohio communities, members of the Chorus perform with The Cleveland Orchestra in subscription and Christmas concerts each year. Previous choral experience and sight-reading skills are required. The Blossom Festival Chorus includes many members of the Cleveland Orchestra Chorus and other Northeast Ohio choral groups. It has established itself as a permanent annual part of the summertime Blossom Music Festival and has sung in more than 100 concerts since its 1968 debut. Both groups are directed by Robert Porco. Auditions for the Cleveland Orchestra Chorus and Blossom Festival Chorus are being held June 2, 3, and 4. Those auditioning are asked to prepare two pieces from the classical literature, one of which should be in a foreign language. Each piece should be approximately two minutes in length. Previous choral experience and sight-reading skills are required. An accompanist is provided at the audition. To schedule an audition, please complete and submit the form on the Orchestra’s website, at clevelandorchestra.com/chorus-auditions, or send an email to: chorus@clevelandorchestra.com.

THE CLEVELAND ORCHESTRA

Spring audition dates for the choral groups sponsored by The Cleveland Orchestra have been announced. The auditions — for adults, youth, and children — are for membership in groups singing during the 2015 Blossom Music Festival and the 2015-16 Season at Severance Hall. Auditions will take place in May and June. The Cleveland Orchestra Choruses embody a long-standing commitment to choral music in which community members of all ages have the opportunity to participate. The Cleveland Orchestra Children’s Chorus is open to students in grades 6-9 and directed by Ann Usher, and the Cleveland Orchestra Children’s Preparatory Chorus is open to students in grades 5-8 and directed by Suzanne Walters. Both groups are holding auditions on June 1, June 6, and June 13. The Children’s Chorus, formed in 1967, provides musical training in vocal production and choral performance skills. The Children’s Preparatory Chorus provides children with initial choral experiences to which younger singers may not have been exposed, while establishing a solid foundation in vocal production techniques. To audition, children must sing one verse of “America” (My Country, ’Tis of Thee) with piano accompaniment in the key of his or her choice and one verse of “America the Beautiful” (Oh beautiful, for spacious skies) without accompaniment in the key of D. Singing scales and doing some rhythmic exercises may also be included in the audition, for which an accompanist is provided. Students in grades 9-12 are welcome to audition for the Cleveland Orchestra Youth Chorus, directed by Lisa Wong, on May 23, May 30, or June 14. Created in 1991, the Youth Chorus helps raise awareness of choral music-making in the schools of Northeast Ohio and encourages students to continue their choral activities through college and into adulthood. The Youth Chorus collaborates each season in performance with the Cleveland Orchestra Youth Orchestra. Youth Chorus audition requirements are to prepare a piece from the OMEA Solo & Ensemble list,

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LEARNING MORE ABOUT THE MUSIC

SEASON

Concert Previews The Cleveland Orchestra offers a variety of options for learning more about the music before each concert begins. For each concert, the program book includes program notes commenting on and providing background about the composer and his or her work being performed that week, along with biographies of the guest artists and other information. You can read these before the concert, at intermission, or afterward. (Program notes are also posted ahead of time online at clevelandorchestra.com, usually by the Monday directly preceding the concert.) The Orchestra’s Music Study Groups also provide a way of exploring the music in more depth. These classes, professionally led by Dr. Rose Breckenridge, meet weekly in locations around Cleveland to explore the music being played each week and the stories behind the composers’ lives.

Cleveland Orchestra Concert Previews are presented before every regular subscription concert, and are free to all ticketholders to that day’s performance. Previews are designed to enrich the concert-going experience for audience members of all levels of musical knowledge through a variety of interviews and through talks by local and national experts. Concert Previews are made possible by a generous endowment gift from Dorothy Humel Hovorka. May 14, 16 “New Worlds and New Ideas” with Katherine Bormann, violin, The Cleveland Orchestra

May 22 “Discussing Musical Themes” with Randy Elliot, asst. artistic administrator, and Brett Mitchell, assistant conductor, The Cleveland Orchestra

May 28, 29 “Exploring Tonight’s Music” with Meaghan Heinrich, eduation and community programs advisor, The Cleveland Orchestra

Previously known as Golden Age Centers of Cleveland 216.231.6500 • www.rosecenters.org Severance Hall 2014-15

Concert Previews

T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ö ST M U S I C

D I R E C T O R

Severance Hall

Thursday evening, May 14, 2015, at 7:30 p.m. Saturday evening, May 16, 2015, at 8:00 p.m.

Franz Welser-Möst, conductor PAUL HINDEMITH (1895-1963)

Concert Music for Strings and Brass, Opus 50 Part One. Moderately fast, with power — Very broad, but always flowing Part Two. Fast — Slow — Tempo primo

JÖRG WIDMANN (b. 1973)

Violin Concerto (in one movement) CHRISTIAN TETZLAFF, violin

INTERMISSION V

ANTONÍN DVOR ÁK (1841-1904)

Symphony No. 9 (“From the New World”) in E minor, Opus 95 1. 2. 3. 4.

Adagio — Allegro molto Largo Molto vivace Allegro con fuoco

These concerts are sponsored by Thompson Hine, a Cleveland Orchestra Partner in Excellence. Saturday’s concert is sponsored by Olympic Steel, Inc. and co-sponsored by RPM International, Inc. Christian Tetzlaff ’s appearance this weekend with The Cleveland Orchestra is made possible by a contribution to the Orchestra’s Guest Artist Fund from The Sherwick Fund. The Thursday evening concert is dedicated to Hewitt and Paula Shaw in recognition of their extraordinary generosity in support of The Cleveland Orchestra’s 2013-14 Annual Fund. The concert will end on Thursday evening at about 9:15 p.m., and on Saturday at approximately 9:45 p.m.

Concert Program — Week 22

The Cleveland Orchestra

T H E C L E V E L A N D O R C H E S T R A F R A N Z

W E L S E R - M Ö ST M U S I C

D I R E C T O R

Severance Hall

Friday evening, May 15, 2015, at 7:00 p.m.

Franz Welser-Möst, conductor JÖRG WIDMANN (b. 1973)

SEASON

Violin Concerto (in one movement) CHRISTIAN TETZLAFF, violin

ANTONÍN DVOR ÁK (1841-1904)

Symphony No. 9 (“From the New World”) in E minor, Opus 95 1. 2. 3. 4.

Adagio — Allegro molto Largo Molto vivace Allegro con fuoco

FRIDAYS@

The Fridays@7 concert series is sponsored by KeyBank, a Cleveland Orchestra Partner in Excellence. Friday’s concert is co-sponsored by North Coast Container Corp. The Friday evening concert is performed without intermission and will end at about 8:15 p.m.

Additional information about the Fridays@7 evening can be found on page 41.

Severance Hall 2014-15

Concert Program — Week 22 Friday

> >

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INTRODUCING THE CONCERTS

New Music&New Worlds

feature music that is new and unfamiliar, alongside a well-loved symphony that, of course, was also once brand new. Dvořák’s Ninth Symphony was the work of a mature artist fully in command of his artistry and musical vocabulary — written in 1892-93 during the composer’s brief three years in America, as director of the National Conservatory of Music in New York City. Yet even an old composer wanted to learn new tricks. Dvořák was keenly interested in “American” music. In this symphony, he adopted and adapted ideas from the new world around him, of Native American and African idioms mixed together with American poetry and plans for an opera on Hiawatha. He molded these impeccably together with his own European classical music sensibilities to create a musical postcard to his own Czech homeland back across the Atlantic. Nostalgia, homesickness, wonder, joy, and grandeur are all intermixed in this formidable and much-loved masterpiece. This week also features the Cleveland Orchestra premiere of Jörg Widmann’s Violin Concerto, written in 2007 and played here by the violinist it was originally created for, Christian Tetzlaff. Widmann is well known to Cleveland audiences from his fellowship here as Daniel R. Lewis Young Composer. His music represents an important creative voice in today’s classical world. Carnegie Hall in New York City, Thursday and Saturday audiences also get where Dvořák’s Ninth Symphony, nicknamed “From the New a chance to experience a rarely-heard work by World,” was premiered in 1893. Paul Hindemith, from the middle of the 20th century. Its interesting contours, written only for brass and strings, bring an unexpected mixture of sounds to our ears, beautifully formed and defined by a unique master. —Eric Sellen THIS WEEK’S CONCERTS

CLEVELAND ORCHESTRA RADIO BROADCASTS

Current and past Cleveland Orchestra concerts are broadcast as part of regular weekly programming on WCLV (104.9 FM), Saturday evenings at 8:00 p.m. and Sunday afternoons at 4:00 p.m.

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Introducing the Concert

Justice. Kindness. Jewish peoplehood. Let it live on.

Create Your Jewish Legacy. For a conďŹ dential conversation about including the Jewish Federation in your estate plan, please contact Carol Wolf at 216.593.2805 or e-mail cwolf@jcfcleve.org. We look forward to hearing from you.

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D N A A R L E V E ST FRIDAYS H E T LE H C RC O May 15 friday evening SEVERANCE HALL

pre-concert st@rters 5:00 p.m.

doors open, bars open with snacks and drinks

6:00 p.m.

the evening begins in Reinberger Chamber Hall: featuring Jovino Santos Neto

— three-time Latin Grammy nominee performs improvisations on Dvořák’s “New World” Symphony and songs of immigration read about the performers on page 61 > > >

clevel@nd orchestra concert 7:00 p.m.

THE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst < < < biographical information on page 17

“DvoŐák’s New World” featuring works by Widmann and Dvořák < < <

musical selection details listed on page 37

read background and commentary about the music: < < < Introduction (page 39), Widmann (page 51), Dvořák (page 55) > > >

@fterparty after the concert ends, the evening continues . . . 8:10 p.m.

n tio Op

in the BOGOMOLNY-KOZEREFSKI GRAND FOYER

Jovino Santos Neto & Friends — contemporary Brazilian bossa nova in a blend with

European, African, Middle Eastern, and American elements . . . bio information on pages 61-64 > > > n tio Op

in SEVERANCE RESTAURANT

Vanessa Rubin — a jazz singer of sultry warmth and surprising range bio information on page 65 > > >

bars are open around the performances, with a dining menu in the Restaurant . . . Severance Hall 2014-15

KeyBank Fridays@7 — May 15

THURSDAY AND SATURDAY

Concert Music [Konzertmusik] for strings and brass, Opus 50 composed 1930 H I N D E M I T H ’ S K O N Z E R T M U S I K for brass and strings is one

Paul

HINDEMITH born November 16, 1895 Hanau, Germany died December 28, 1963 Frankfurt, Germany

Severance Hall 2014-15

of the most thrilling orchestral works of the 20th century. Yet it is too little played today — as, indeed, his admirers would say of all of Hindemith’s music. Regarded by many in the period between the two world wars, along with Igor Stravinsky and Béla Bartók, as a leader in European music, Hindemith was equally berated by critics who were uncomfortable with the complexities of “modern” music and who were disturbed by the enfant terrible direction of his earliest pieces. In the early 1920s, Hindemith relied on outrage and iconoclasm to make his mark, toying with jazz, dissonance, and anything that seemed to overturn the luxuriant inheritance of musical sounds from the pre-war generation. His stage works were scandalous in various ways, and in a series of pieces titled Kammermusik or “Chamber Music,” he presented unconventional music for unconventional groups of instruments. Kammermusik was a supremely abstract name for pieces that grouped themselves into more normal categories (concerto, quintet, etc); it is also an abstract label for music that strongly denied poetic or literary content and in which the composer wished to present the art of music as free of any rationale other than being music, being itself. From these years, a mature style formed itself within Hindemith’s writing, and by 1927, when he took a teaching position at the Berlin Staatliche Hochschule für Musik, Hindemith had found a distinctive voice that was no longer anxious to shock, but was instead designed to be music that could be assimilated readily by both audiences and younger composers. It was the basis of a long and distinguished career as a teacher (especially during the years 1940-53 at Yale) and of his various books outlining his musical craft. In addition to his work as composer and teacher, Hindemith also had a demanding schedule as the violist in the Amar String Quartet and was widely known as a virtuoso on his instrument. His own contribution to the viola repertoire greatly enriched a rather meager stock of quality pieces to showcase the viola. In a concert in Paris in May 1927, Hindemith played his viola concerto (officially titled Kammermusik No. 5) under Serge About the Music

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Koussevitsky, whose Paris concerts were an annual sensation. Koussevitsky had already been heading the Boston Symphony Orchestra for three years, so when he sent out the many invitations offering commissions to mark that orchestra’s 50th anniversary season, Hindemith was on his list. The Konzertmusik for brass and strings thus joined Stravinsky’s Symphony of Psalms, Roussel’s Third Symphony, Prokofiev’s Fourth Symphony, and works by Copland, Gershwin, and Respighi in a famous series of celebratory works heard for the first time in Boston’s Symphony Hall in 1930-1931. For the Boston commission, Hindemith wrote for an orchestra that lacks woodwinds and percussion and sets the two families of brass and strings in amicable opposition — with brilliant effect. The vitality of this Konzertmusik lies in its masterful scoring and inventive use of rhythm and counterpoint. The brass section is the normal orchestral complement, while the strings are laid out in four sections rather than the usual five, with all the violins grouped together, not divided into firsts and seconds. This happens to give prominence to Hindemith’s beloved violas, but it also concentrates the weight of the string body (which he asks to be as large as possible) in balance with the brass. The brass cannot attempt the delicate filigree or the cascading scales that are second nature for strings, while the strings lack the formidable bite and weight of the brass. But Hindemith has an uncanny feeling for both groups and writes for them with a sure hand, finding ways to place them, sometimes in opposition, sometimes in harmonious blend. The opening movement, which is divided into two sections, starts by emphasizing the contrast between the brass’s solid melodic statement and the strings’ busy, jumping phrases, like mighty insects on a lion’s back. The brass then take over the jumpy music on their own. The strings have their turn, showing off scales and spiky phrases, and then both groups come together with exuberant energy. The second part of the movement is much broader in character. Here the whole string body except the double basses intones a strong melody in unison, punctuated by irregular brass chords. As the tune repeats, the four horns take sides with the strings and draw the movement to a strong close in C-sharp major. The second movement opens arrestingly with three crisp chords that launch a busy fugue. The strings do all the rushing Severance Hall 2014-15

About the Music

At a Glance Hindemith composed his Konzertmusik [“Concert Music”] for strings and brass, Opus 50, in 1930, on a commission from Serge Koussevitzky for the Boston Symphony Orchestra’s 50th anniversary season. Koussevitzky led the premiere performance on April 3, 1931. This work runs about 15 minutes in performance. Hindemith scored it for an orchestra of brass (4 horns, 4 trumpets, 3 trombones, tuba) and strings (violins, violas, cellos, and basses). The Cleveland Orchestra first played this music in December 1949, conducted by George Szell. It has been played by the Orchestra on a few other occasions since that time, most recently in 1974 under the direction of Kurt Masur.

about while the brass never miss an opportunity to call out the three chords to mark the entry of a new voice. When the fugue fades, leaving the violas briefly all alone, the violins launch a new and very catchy tune. The middle section of the movement is slow — against the background of a brief rhythmic figure in the four horns the violas carve out an expressive chromatic melody. The quick music soon returns, with the fugue more brilliant than ever and the three crisp chords driving the music forward to a tumultuous hurrah from the full ensemble that brings this exhilarating work to a close.

—HUGH MACDONALD © 2015 Hugh Macdonald is Avis H. Blewett Professor Emeritus of Music at Washington University in St. Louis and is a noted authority on French music. He has written books on Beethoven, Berlioz, and Scriabin. His latest book, on Bizet, was published in the autumn of 2014.

In appreciation of their support, The Cleveland Orchestra extends a special welcome to Huntington National Bank, whose guests are enjoying a special time at Severance Hall this weekend.

Kulas Series of Keyboard Conversations® with Jeffrey Siegel 28th Season 2015-2016 Presented by Cleveland State University’s Center for Arts and Innovation

Masterly Enthralling Charming Scintillating “An afternoon of entertaining talk and exhilarating music.” – The Washington Post

Sunday, October 18, 2015

Robert Schumann — Passionate music inspired by Schumann’s beloved!

Sunday, January 10, 2016

Chopin & Grieg — A Musical Friendship.

Sunday, April 10, 2016

Splendor from Silence: Smetana, Fauré & Beethoven — Written after deafness engulfed them.

Sunday, May 1, 2016

Musical Pictures — Visually inspired, gloriously colorful works.

All concerts begin at 3:00 pm in Cleveland State University’s Waetjen Auditorium, Euclid Ave. and E. 21st St. For more information call 216.687.5022 or visit www.csuohio.edu/concertseries/kc

About the Music

The Cleveland Orchestra

Madama É¤É&#x153;É&#x153;Č?É&#x2018;Ń&#x2020;É´ by Giacomo Puccini

Grzegorz Nowak

Opera Circle Cleveland returns to Playhouse Square with a full-scale opera production of 0DGDPD %XWWHUĹ´\ by Giacomo Puccini, in which the tragic love story of a beautiful Japanese girl DQG D 86 QDYDO RIĆ&#x201C;FHU LV EURXJKW WR OLIH WKURXJK PDJQLĆ&#x201C;FHQW PXVLF This opera classic will feature soloists, chorus, orchestra, FRVWXPHV VWDJLQJ DQG VXSHUWLWOHV Maestro Grzegorz Nowak, Principal Associate Conductor of the Royal Philharmonic Orchestra in London, will come especially to conduct one performance only, not to be missed!

One Performance Only!

Saturday, June 13, 2015 | 7:30pm | The Ohio Theatre | Playhouse Square 1511 Euclid Avenue | Cleveland OH 44115

7LFNHWV DUH DYDLODEOH WKURXJK WKH 3OD\KRXVH 6TXDUH %R[ 2IĆ&#x201C;FH 216-241-6000 or online at PlayhouseSquare.org

Sound for the Centennial TH E C A M PAI G N FO R TH E C LE V EL AN D O RC H ESTR A Dennis W. LaBarre, President, Musical Arts Association Richard J. Bogomolny, MAA Chairman and Fundraising Chair Nancy W. McCann, Fundraising Vice Chair Alexander M. Cutler, Special Fundraising Beth E. Mooney, Pension Fundraising John C. Morley, Legacy Giving Hewitt B. Shaw, Annual Fund

In anticipation of The Cleveland Orchestra’s 100th anniversary in 2018, we have embarked on the most ambitious fundraising campaign in our history. The Sound for the Centennial Campaign seeks to build the Orchestra’s Endowment through cash gifts and THE legacy commitments, while also securing broad-based and increasing annual support CLEVELAND ORCHESTRA from across Northeast Ohio. The generous individuals and organizations listed on these pages have made long-term commitments of annual support, endowment funds, and legacy declarations to the Campaign. We gratefully recognize their extraordinary commitment toward the Orchestra’s future success. Your participation can make a crucial difference in helping to ensure that future generations of concertgoers experience, embrace, and enjoy performances, collaborative presentations, and education programs by The Cleveland Orchestra. To join this growing list of visionary contributors, please contact Jon Limbacher, Chief Development Officer, at 216-231-7520. Listing as of May 5, 2015. GIFTS OF $5 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts and Culture Mr. and Mrs. Alexander M. Cutler

Maltz Family Foundation Mr. and Mrs. Albert B. Ratner Anonymous

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Art of Beauty Company, Inc. BakerHostetler Mr. William P. Blair III Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mrs. M. Roger Clapp Eaton FirstEnergy Foundation Forest City Enterprises, Inc. The George Gund Foundation Mr. and Mrs. Michael J. Horvitz Hyster-Yale Materials Handling NACCO Industries, Inc. Jones Day The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley KeyBank Kulas Foundation Mr. and Mrs. Dennis W. LaBarre Mrs. Norma Lerner The Lubrizol Corporation The Andrew W. Mellon Foundation Ms. Beth E. Mooney

Sally S.* and John C. Morley John P. Murphy Foundation David and Inez Myers Foundation The Eric & Jane Nord Family Fund Ohio Arts Council The Honorable and Mrs. John Doyle Ong The Payne Fund PNC Bank Julia and Larry Pollock Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Alfred M. Rankin, Jr. James and Donna Reid Barbara S. Robinson The Leighton A. Rosenthal Family Foundation The Sage Cleveland Foundation The Ralph and Luci Schey Foundation The Kelvin and Eleanor Smith Foundation The J. M. Smucker Company Joe and Marlene Toot Anonymous (3)

Sound for the Centennial Campaign

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GIFTS OF $500,000 TO $1 MILLION

Gay Cull Addicott Darby and Jack Ashelman Claudia Bjerre Jeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad GAR Foundation Richard and Ann Gridley The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Mr. and Mrs. Douglas A. Kern James and Gay* Kitson Virginia M. and Jon A. Lindseth

Ms. Nancy W. McCann Nordson Corporation Foundation Parker Hannifin Corporation Charles and Ilana Horowitz Ratner Sally and Larry Sears Mr. and Mrs. Richard K. Smucker Squire Patton Boggs (US) LLP Thompson Hine LLP Timken Foundation of Canton Ms. Ginger Warner Anonymous (2)

GIFTS OF $250,000 TO $500,000

Randall and Virginia Barbato John P. Bergren* and Sarah S. Evans The William Bingham Foundation Mr. and Mrs.* Harvey Buchanan Cliffs Natural Resources The George W. Codrington Charitable Foundation Mr. and Mrs. Matthew V. Crawford William and Anna Jean Cushwa Nancy and Richard Dotson Patricia Esposito Sidney E. Frank Foundation Albert I. and Norma C. Geller The Gerhard Foundation Mary Jane Hartwell David and Nancy Hooker Mrs. Marguerite B. Humphrey James D. Ireland III* Trevor and Jennie Jones Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation

Mr. Clarence E. Klaus, Jr. Giuliana C. and John D. Koch Dr. Vilma L. Kohn* Mrs. Emma S. Lincoln Mr. and Mrs. Alex Machaskee Robert M. Maloney and Laura Goyanes Elizabeth Ring Mather and William Gwinn Mather Fund Mr. Donald W. Morrison Margaret Fulton-Mueller National Endowment for the Arts William J. and Katherine T. Oâ&#x20AC;&#x2122;Neill Mr. and Mrs. James A. Saks Hewitt and Paula Shaw The Skirball Foundation Richard and Nancy Sneed R. Thomas and Meg Harris Stanton Mr. and Mrs. Jules Vinney* David A. and Barbara Wolfort

GIFTS OF $100,000 TO $250,000

The Abington Foundation Mr. and Mrs. George N. Aronoff Jack L. Barnhart Fred G. and Mary W. Behm Ben and Ingrid Bowman Dr. Christopher P. Brandt and Dr. Beth Sersig Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation Mary Kay DeGrandis and Edward J. Donnelly Judith and George W. Diehl George* and Becky Dunn Mr. Allen H. Ford Dr. and Mrs. Hiroyuki Fujita Dr. Saul Genuth The Giant Eagle Foundation JoAnn and Robert Glick Hahn Loeser & Parks LLP Iris and Tom Harvie Jeff and Julia Healy The Hershey Foundation Mr. Daniel R. High Mr. and Mrs. Donald M. Jack, Jr.

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Mr. and Mrs.* S. Lee Kohrman Kenneth M. Lapine and Rose E. Mills Jeffrey Litwiller Dr. David and Janice Leshner Linda and Saul Ludwig Dr. and Mrs. Sanford E. Marovitz Mr. Thomas F. McKee The Margaret Clark Morgan Foundation The Nord Family Foundation Mr. Gary A. Oatey Park-Ohio Holdings Corp. Polsky Fund of Akron Community Foundation Quality Electrodynamics (QED) Helen Rankin Butler and Clara Rankin Williams The Reinberger Foundation Amy and Ken Rogat Audra and George Rose RPM International Inc. Raymond T. and Katherine S. Sawyer Mrs. David Seidenfeld

Sound for the Centennial Campaign

Andrea E. Senich David Shank Naomi G. and Edwin Z. Singer Sandra and Richey Smith Ms. Lorraine S. Szabo Virginia and Bruce Taylor Dorothy Ann Turick The Denise G. and Norman E. Wells, Jr. Family Foundation Mr. Max W. Wendel Paul and Suzanne Westlake Marilyn J. White The Edward and Ruth Wilkof Foundation Katie and Donald Woodcock William Wendling and Lynne Woodman Anonymous (3)

* deceased

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Violin Concerto composed 2007

Jörg

WIDMANN born June 19, 1973 Munich now living in Freiburg

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S T I L L I N H I S E A R LY F O R T I E S , Jörg Widmann pursues a double career as composer and solo clarinetist, and has enjoyed continuous success in both roles. This is remarkable since his list of compositions is long, and he produces new works, some of them very substantial, with regularity while still maintaining his teaching position (as part-time professor of composition at the Institute of New Music at the Freiburg Music College) and performing on the clarinet. He is also now principal guest conductor for the Irish Chamber Orchestra. Widmann served as The Cleveland Orchestra’s Daniel R. Lewis Young Composer Fellow, 2009-11, during which time Cleveland audiences met him and his music. He also created a flute concerto especially for the Orchestra’s principal flute, Joshua Smith. That and several other of Widmann’s works were featured last autumn during the Orchestra’s 2014 European Tour under Franz Welser-Möst’s direction, including a unique concert in Berlin devoted entirely to Widmann’s music. Of course, he has written a variety of works for clarinet, which he has played himself and recorded under leading conductors, and in addition his list of orchestral works is extensive. He has composed a cycle of five string quartets and an oboe concerto, and works for piano and horn. The Violin Concerto was written in 2007 for the Junge Deutsche Philharmonie [German Youth Philharmonic] and for Christian Tetzlaff, who has been a tireless advocate for the work, playing it in many cities and recording it with the Swedish Radio Symphony Orchestra conducted by Daniel Harding. In the concerto’s single movement lasting just over 25 minutes, the soloist is playing continuously. The calm, unaccompanied statement of the opening gives way to a stretch of double-stopping and then to a highly intricate line, sometimes drawing out broad melodic shapes in the lower registers, sometimes reaching stratospherically high, and often tracing detailed filigree patterns of notes. The tempo is constantly shifting and the soloist is rarely presenting any steady pulse. The orchestra, meanwhile, with no heavy brass and only the lighter percussion, provides a background of kaleidoscopic colors, with the strings often required to divide into individual players for clusters of notes. The double basses reach low into

About the Music

the depths, and the delicate sounds of harp and celesta punctuate the texture. The harmony often recalls the bittersweet sound world of Alban Berg, and the almost impenetrable orchestral detail might be attributed to the heritage of Pierre Boulez. But this is unmistakably 21st-century music, the product of an experienced, expert technique, and a visionary, searching mind.

—HUGH MACDONALD © 2015 At a Glance Widmann composed his Violin Concerto in 2007 on a commission from the Junge Deutsche Philharmonie [German Youth Philharmonic]. It was first performed on September 17, 2007, in Essen, Germany, with Christian Tetzlaff as the soloist and Manfred Honeck conducting. This concerto runs just over 25 minutes in performance. Widmann scored it for an orchestra of 2 flutes and piccolo,

2 oboes and english horn, 2 clarinets and bass clarinet, 2 bassoons and contrabassoon, 4 horns, percussion (glockenspiel, crotales, cymbals, tam-tams, bass drum, vibra-slap), harp, celesta, and strings, plus the solo violin. The Cleveland Orchestra is performing this work for the first time at this weekend’s concerts.

Helping to ensure great music at Severance Hall, this season and for generations to come.

Olympic Steel is a proud sponsor of The Cleveland Orchestra. Photo Credit: Roger Mastroianni

About the Music

The Cleveland Orchestra

Christian Tetzlaff German violinist Christian Tetzlaff is internationally recognized among the important violinists of his generation. He made his United States debut with The Cleveland Orchestra in September 1988; his most recent appearances with the Orchestra were in July 2011. Born in Hamburg in 1966, Christian Tetzlaff began playing violin and piano at age six. After his concert debut at age fourteen, he began studies at the conservatory in Lübeck with Üwe-Martin Haiberg. In 1985, he began to work with Walter Levine at the University of Cincinnati College-Conservatory of Music, and also spent two summers at Vermont’s Marlboro Music Festival. Throughout his career, Mr. Tetzlaff has performed a broad repertoire, from Bach’s unaccompanied sonatas and partitas to world premieres. He is a guest artist with the world’s leading ensembles, including regular engagements with the orchestras of Amsterdam, Berlin, Boston, Chicago, Cleveland, London, Los Angeles, Montreal, Munich, New York, Paris, Philadelphia, Pittsburgh, Rome, San Francisco, Toronto, Vienna, and Zurich. His recent and upcoming appearances include performances at Lincoln Center’s Mostly Mozart Festival and Chicago’s Grant Park Festival, a residency with the Berlin Philharmonic, and concert tours with the Deutsche Kammerphilharmonie Bremen and the Swedish Radio Orchestra. He also recently performed the complete Bach unaccompanied sonatas and partitas at New York’s 92nd Street Y and presented duo-recitals with Lars Vogt in California and Santa Fe. In chamber music, Mr. Tetzlaff collaborates regularly with Leif Ove Andsnes, Alexander Lonquich, Sabine Meyer, Heinrich Schiff, Lars Vogt, and Tabea Zimmermann. He founded the Tetzlaff Quartet in 1994 with violinist Elisabeth Kufferath, violist Hanna Weinmeister, and his sister, cellist Tanja Tetzlaff. Christian Tetzlaff’s recordings reflect his wide-ranging preferences in concertos, sonatas, and other works by composers from Bach, Beethoven, and Schumann to Berg, Sibelius, and Szymanowski. His discography includes albums on the Arte Nova, AVI, Decca, Deutsche Grammophon, Edel Classics, EMI Classics, Haenssler, Musical Heritage, PentaTone Classics, and Virgin Classics labels. Mr. Tetzlaff’s honors include two Diapason d’Or awards, the Echo Klassik prize, Edison prize, Midem Classical Award, and several Grammy nominations. He was named “Instrumentalist of the Year” in 2005 by Musical America. Mr. Tetzlaff performs on a violin modeled after a Guarneri del Gesù, made by the German violin maker Peter Greiner.

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Guest Artist

James W. Wert A. Chace Anderson Aileen P. Bost Neal B. Colby Thomas V. David Karen L. Greco Deborah C. Jira John E. Kohl Cynthia G. Koury Marcy W. Robbins Douglas J. Smorag

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Symphony No. 9 (“From the New World”) in E minor, Opus 95 composed 1892-93 T H E C O M P O S E R H U G O W O L F voiced a common European

Antonín

DVOŘÁK born September 8, 1841 Nelahozeves, Bohemia died May 1, 1904 Prague

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prejudice of a century ago (and a strong Viennese one) when he described America as the “land where no nightingales sing.” In the later 19th century, emigration to the States, or even a visit, was widely considered the last resort of the unsuccessful. Nevertheless Antonín Dvořák, like Gustav Mahler after him, put up only brief resistance to an invitation to take up a position in Manhattan. Dvořák was appointed head of New York’s Conservatory of Music, arriving in September 1892. He was handsomely paid by his patron, Jeannette Thurber, and despite his strong attachment to his homeland and a distaste for travel, he overcame many bouts of anxiety and made the journey, bringing along his wife and several of their children. He expressed an interest in both Negro and American Indian themes, and within a few months he had begun a new symphony, his ninth, making use of the non-tonal and pentatonic scales that give the “New World” Symphony such striking color. An article titled “Negro Music” appeared in the Chicago journal Music in December 1892, whose author, hidden behind a pseudonym, was probably a lady from Kentucky who had studied African American music and who also happened to be the composer of “Happy Birthday To You.” Her name was Mildred Hill. The themes she quoted included “Swing Low, Sweet Chariot,” whose resemblance to one of the first movement’s themes in Dvořák’s symphony has long been remarked upon. Dvořák was also reading Longfellow and thinking about a Hiawatha opera, which was never written. Nonetheless, there is some evidence that Hiawatha’s adventures lie behind the central two movements of the symphony, in rhythms and in the atmosphere of the music — transformed from an operatic mold to a symphonic setting. Over and above all this concern for local American inspiration, Dvořák felt the constant tug of his homeland and a natural predilection for Bohemian musical shapes and rhythms. Perhaps to put a check on all this exotic inspiration, Dvořák employed the latest “glues” from the German music industry to bind his work into a single entity. The anticipation and recall of About the Music

CONSERVATORY

ALUMNI

BALTIMORE SYMPHONY James Wyman, timpani

BOULDER PHILHARMONIC ORCHESTRA Beth Allen, flute

CINCINNATI SYMPHONY James Braid, viola

THE CLEVELAND ORCHESTRA

MACON SYMPHONY ORCHESTRA Peter Mueller, trombone

METROPOLITAN OPERA ORCHESTRA Richard Herbert, bassoon

NAPLES PHILHARMONIC Andrew Snedeker, oboe

NASHVILLE SYMPHONY ORCHESTRA

Michael Miller, trumpet Lyle Steelman, trumpet

Alice Lloyd, cello Ben Lloyd, violin

DETROIT SYMPHONY ORCHESTRA

PHILADELPHIA ORCHESTRA

Kevin Good, trumpet

FLORIDA SYMPHONY Anna Kate Mackle, harp Carolyn Wahl, horn

FLORIDA WEST COAST SYMPHONY Betsy Traba, flute

HOUSTON SYMPHONY Tom Booth, trumpet Lynette Mayfield, flute Mitta Angell, viola

THE INDIANAPOLIS SYMPHONY Paul Berns, percussion

LOUISVILLE SYMPHONY ORCHESTRA Don Gottlieb, flute Jason Seber, conductor

Robert Earley, trumpet

PHOENIX SYMPHONY Charles Berginc, trumpet

THE PRESIDENT’S OWN Joe Deluccio, oboe

RHODE ISLAND PHILHARMONIC ORCHESTRA Karen Geary, violin

SAN ANTONIO SYMPHONY Lauren Eberhart, trumpet

SARASOTA ORCHESTRA Carlann Evans, violin

UNITED STATES AIR FORCE ACADEMY BAND Katherine Stites, oboe

...oh the places they go! www.bw.edu/conservatory

melodies from one movement to another in thorough-going cyclic fashion, for instance, is a self-conscious imposition of European methods, of which he had not often before felt the need. But, whatever the formula, it worked. And the symphony has remained one of the best-loved works in the concert repertory for over a hundred years. Dvořák turned his attention to opera after this work and, unlike Beethoven, never even contemplated a tenth symphony. A dramatic introduction to the first movement throws out various musical fragments. One of these, played by the horns, will become the theme of the movement’s main Allegro section. The movement’s second theme also arrives after anticipatory hints, and its curious sonority (flute and oboe in unison) and its modal flavor are quickly modified to suit the demands of the full orchestra. The famous tune for solo flute, low in its register, is given first to the principal player and then on its later return to the second flute, as if to distribute these beautiful gems fairly between the players. The glorious chords at the beginning and end of the slow second movement employ the tuba for the only time in the whole work. The unforgettable melody on the english horn seems to have represented for Dvořák the love between Hiawatha and Minnehaha, whose journeys may be portrayed in the quicker sections that follow. There are clear sounds of birdsong. The melodies are beautifully contrasted, and, at the climax, the trombones remind us of the first movement’s main theme. The last chord is entrusted to the double basses divided into four parts. The third movement, created as a Scherzo, may have originated in the music for Hiawatha’s wedding feast, with its lively dance and lop-sided rhythms. The triangle plays a leading role. A relaxed pentatonic melody in the major key provides the first contrasting episode, and a lilting Schubertian theme provides a second. The movement’s coda section contains the essential reminder of the first movement’s horns, while the fourth-movement finale is full of such memories, with additional fragments of all three previous movements called back at one time or another. Whatever their purpose or effect, it is Dvořák’s energy and his ear sharply tuned to unusual captivating melodic shapes that claim our admiration and give the symphony its unique character. Dvořák’s enthusiasm for the new world’s local music was Severance Hall 2014-15

About the Music

At a Glance Dvořák wrote his “New World” Symphony in New York City between December 1892 and May 1893. He added the subtitle Z nového světa, meaning “From the New World,” in November 1893, shortly before the work’s premiere at Carnegie Hall by the New York Philharmonic conducted by Anton Seidl. This symphony runs about 45 minutes in performance. Dvořák scored it for 2 flutes (second doubling piccolo), 2 oboes (second doubling english horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion (cymbals and triangle), and strings. The Cleveland Orchestra first performed the “New World” Symphony in April 1920 under Nikolai Sokoloff, and it has been a regular part of the Orchestra’s repertoire ever since. The most recent performance took place as part of the 2014 Blossom Music Festival, conducted by Hans Graf.

PRESENTED BY CLEVELAND STATE’S CENTER FOR ARTS AND INNOVATION

THURSDAY, JUNE 11 JOIN US AS WE

CELEBRATE CREATIVITY IN CLEVELAND!

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HONORARY CHAIR:

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Gary Hanson

Actress and Singer

Executive Director, The Cleveland Orchestra PART ONE

PART TWO

Creative Voices Summit

Arts Education Day Luncheon

Thursday, June 11, 2015 10:00 – 11:30 am

Thursday, June 11, 2015 12:00 noon – 2:00 pm

Complimentary admission (Reservations Required) Westﬁeld Insurance Studio Theatre at the Idea Center

Cost $30 State Theatre Stage, Playhouse Square

“MUSIC AND THE BRAIN” An interactive, entertaining performance based presentation from renowned neuroscientist Dr. Lawrence Sherman. Produced in partnership with ideastream®

KEYNOTE SPEAKER:

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FOR MORE INFORMATION, CALL JUDY TERRIGNO AT 216-687-5018.

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regarded with great suspicion by the musical establishment in New York and Boston, who felt that music had to be German, or at least European, to be worthy of the name. The new symphony sparked a lively debate, which was still alive thirty years later when Aaron Copland argued that American music needed to find its own identity. But surely the “Gaelic” symphony that Mrs. Amy Beach composed in 1896 in undisguised imitation of Dvořák’s work, even to using the same key of E minor, is as American as apple pie. Nationality is in the ears and eyes, and hearts and minds, of the beholder.

ABOVE:

The title page of Dvořák’s manuscript for the “New World” Symphony. From the listing at the left, Dvořák considered it to be his eighth symphony. It was originally published as his “Symphony No. 5” but later redesignated in the middle of the 20th century as “No. 9” in chronological order, when earlier works were added to published and cataloged.

Severance Hall 2014-15

About the Music

‘‘

It cannot be emphasized too strongly that art, as such, does not pay, to use an American expression — at least not in the beginning. And that art that has to pay its own way is apt to become vitiated and cheap.

‘‘

—Antonin Dvořák

The Cleveland Orchestra

D N A RA L E E T TH EV ES C L R C H 15 y O Ma

PRE-CONCERT

st@rters

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Jovino Santos Neto improvizing on Dvořák’s New World Symphony and songs and melodies of immigration Jovino Santos Neto, keyboards Dylan Moffitt, percussion Patrick Graney, percussion

Jovino Santos Neto is a three-time Latin

6 p.m. in Reinberger Chamber Hall

Grammy nominee, master pianist, composer, and arranger. Currently based in Seattle, Washington, he has throughout his career been closely affiliated with the Brazilian master Hermeto Pascoal. He was an integral part of Pascoal’s group from 1977-92, where he fine-tuned his artistry, performing around the world and co-producing several legendary records. Jovino’s personal style is a creative blend of energetic grooves, deep harmonies, telepathic improvisation, lyrical melodies, and great ensemble playing, always inspired and informed by the colorful richness of Brazilian music. His compositions include samba, choro, baião, xote, forró, marcha, and many more styles, rooted in centuries-old musical tradition while pointing to new and adventurous harmonic languages. Currently, Jovino leads his Seattle-based Quinteto and teaches piano and composition at Cornish College of the Arts. He can also be heard around the world as a piano soloist, working with symphony orchestras, jazz big bands, chamber music groups, and in collaboration with musicians such as his mentor Hermeto Pascoal, Bill Frisell, Paquito d’Rivera, Airto Moreira, Claudio Roditi, David Sanchez, Joe Locke, Marco Granados, and many more. For additional information, visit www.jovisan.net

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D N A RA L E E T TH EV ES C L R C H 15 y O Ma

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Jovino Santos Neto

& FRIENDS

Jovino Santos Neto, keyboards Kenia, vocals Maggie Green, vocals Roberto Occhipinti, bass Jay Ashby, trombone Jamey Haddad, drums/percussion Kenia was born into a family of Italian origins in the city of Nova

8:10 p.m. in the Bogomolny Kozerefski Grand Foyer

Iguaçu, a distant working-class suburb of Rio de Janeiro. She and her family moved frequently, acquiring insight into life’s diversity. Interest in music came early, while her choice for interpreting came from the talents of the generation of composers that followed the 1960s and put a new Brazilian sound on the world map. Arriving in the U.S. in 1980, Kenia established herself as the new Brazilian singer on the scene with her recording debut with trumpeter Claudio Roditi on his album Red on Red. She subsequently launched her solo recording career, with popular and criticallyacclaimed albums for the MCA and Denon labels, and then launching her own label, Mooka Records. For more information, visit kenialive.com.

Maggie Green’s self-titled album of Brazilian music conveys a longing for the endless beaches and samba rhythms of Rio de Janeiro. With her soft yet rhythmic interpretations of bossa nova and samba, sung in masterful Portuguese, the brilliant waters seem but a heartbeat away. This may sound like a stretch for a girl who grew up in Michigan’s Upper Peninsula, but for Maggie, it was just a natural progression. While pursuing a degree in classical piano at Michigan State University, her ear began to wander toward jazz music, especially the haunting vocals of Billie Holiday and Chet Baker. After graduating from Berklee in 2000, Maggie moved to Columbus, Ohio and began establishing herself as a vocal artist, performing widely in festivals and clubs. To learn more, visit www.maggiegreen.com.

Roberto Occhipinti has won awards and acclaim as a musician, composer, and record producer. Throughout his career, the Toronto-born bassist has performed in classical orchestras, jazz ensembles, Latin groups, rhythm & blues outfits, and rock bands. He has worked in theater and opera, written for radio and television, and played on film soundtracks. Severance Hall 2014-15

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Occhipinti believes that his versatility is the direct result of his instrument, whether acoustic double bass or elective bass guitar. After youthful stints with professional orchestras, Occhipinti fell under the spell of Latin music. Playing with Memo Acevedo’s Banda Brava led saxophonist Jane Bunnett to ask him to fill in for her bass player on a tour, which eventually took him to the heart of jazz in Cuba. Occhipinti also played as principal bassist with the Esprit Orchestra and as a longtime member of Arraymusic. From his first album, he has forged a synthesis of symphonic strings, big-band horns, and a rhythm section on a mix of original compositions and his interpretations of works by composers as varied as Puccini, Monk, Hendrix, and Djavan. To learn more, visit www.robertoocchipinti.com.

Jay Ashby is a faculty member at Oberlin College. A five-time Grammy

8:10 p.m. in the Bogomolny Kozerefski Grand Foyer

Award-winning producer and arranger, he is known for his performances with such music icons as Paquito D’Rivera and Paul Simon. He has performed, toured, and recorded with some of the most renowned jazz artists over the past twenty-five years. As a member of Dizzy Gillespie’s United Nation Orchestra and Dizzy’s Alumni All-Star Big Band, Ashby forged long-lasting musical relationships with a long list of jazz greats. Through his association with trumpet master Claudio Roditi, Ashby developed a strong affinity for Brazilian Jazz, which led to a ten-year stint as soloist with Astrud Gilberto, as well as arrangements, tours, and recordings with numerous Brazilian artists.

Jamey Haddad has curated and planned the world music performances for The Cleveland Orchestra’s Fridays@7 concerts since the series began in 2009. Born in Cleveland, Ohio, he holds a unique position in the world of jazz and contemporary music, with his musical voice transcending styles and trends. Regarded as one of the foremost world music and jazz percussionists in the United States, Mr. Haddad is an associate professor at the Cleveland Institute of Music, Oberlin Conservatory of Music, Boston’s Berklee College of Music, and the New England Conservatory. To learn more, visit www.jameyhaddad.com.

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The Cleveland Orchestra

D N A RA L E E T TH EV ES C L R C H 15 y O Ma

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Vanessa Rubin Vanessa Rubin, vocals Sullivan Fortner, keyboard

Vanessa Rubin is an ever-evolving classic jazz singer. Capable of employing the gamut of emotions, Rubin can range from whisper to shout in the blink of an eye; from honey-laden ballads purring like a kitten, to up tempo swinging and scatting like a fluent saxophone, she delivers the goods. From her introduction to the New York jazz scene in the 1980s to today, instrumentalists have always been impressed by her way around a song, her willingness to flow with their muse, and her innate ability to swing that music. For more information, visit www.vanessarubin.com.

8:10 p.m. in Severance Restaurant

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Severance Hall 2014-15

Saturday, May 16, 5 pm – Duo Amaral Saturday, May 16, 8 pm – Denis Azabagic Sunday, May 17, 3 pm – Socrates Leptos

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The Cleveland Orchestra

Education and Music Serving the Community The Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

P H OTO G R A P H Y BY R O G E R MA S T R O I A N N I

T H E C L E V E L A N D O R C H E S T R A has a long and proud history of sharing the value and joy of music with citizens throughout Northeast Ohio. Education and community programs date to the Orchestra’s founding in 1918 and have remained a central focus of the ensemble’s activities for over ninety years. Today, with the support of many generous individual, foundation, corporate, and governmental funding partners, the Orchestra’s educational and community programs reach more than 60,000 young people and adults annually, helping to foster a love of music and a lifetime of involvement with the musical arts. On these pages, we share photographs from a sampling of these many programs. For additional information about these and other programs, visit us at clevelandorchestra.com or contact the Education & Community Programs Office by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more than 4 million young people to symphonic music over the past nine decades. Severance Hall 2014-15

Education & Community

T H E

C L E V E L A N D

Each season’s Family Concert series at Severance Hall offers world-class music with outstanding singers, actors, mimes, and more to families from across Northeast Ohio. A recent “Under the Sea” concert featured music from Disney’s The Little Mermaid with The Singing Angels.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program, which fosters the use of music and the arts to support general classroom learning.

Education & Community

The Cleveland Orchestra

O R C H E S T R A THANK YOU The Cleveland Orchestra’s Education & Community programs are made possible by many generous individuals and organizations, including:

PROGRAM FUNDERS The Abington Foundation The Eva L. and Joseph M. Bruening Foundation Charter One The Cleveland Foundation Conn-Selmer, Inc. Cuyahoga Arts & Culture Dominion Foundation FirstMerit Bank The Harry K. Fox and Emma R. Fox Charitable Foundation The Giant Eagle Foundation Muna & Basem Hishmeh Foundation Martha Holden Jennings Foundation KeyBank The Laub Foundation The Lubrizol Corporation Macy’s The Music and Drama Club National Endowment for the Arts The Nord Family Foundation Ohio Arts Council Ohio Savings Bank, A Division of New York Community Bank PNC The Reinberger Foundation Albert G. & Olive H. Schlink Foundation Harold C. Schott Foundation The Sherwin-Williams Foundation Surdna Foundation Target Thomas H. White Foundation, a KeyBank Trust The Edward & Ruth Wilkof Foundation Women’s Committee of The Cleveland Orchestra

Cleveland Orchestra flutist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

ENDOWMENT FUNDS AND FUNDERS Hope and Stanley I. Adelstein Kathleen L. Barber Mr. Roger G. Berk In memory of Anna B. Body Isabelle and Ronald Brown Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Roberta R. Calderwood Alice H. Cull Memorial Fund Mr. and Mrs. Charles R. Emrick, Jr. Charles and Marguerite C. Galanie Mr. David J. Golden The George Gund Foundation The Hershey Foundation Dorothy Humel Hovorka Mr. James J. Hummer Frank and Margaret Hyncik Walter and Jean Kalberer Foundation Alfred Lerner In-School Performance Fund Linda and Saul Ludwig Machaskee Fund for Community Programming Mr. and Mrs. Stanley A. Meisel Christine Gitlin Miles Mr. and Mrs. David T. Morganthaler Morley Fund for Pre-School Education The Eric & Jane Nord Family Fund Pysht Fund The Ratner, Miller, and Shafran Families and Forest City Enterprises, Inc. Anonymous, in memory of Georg Solti The William N. Skirball Endowment Jules and Ruth Vinney Youth Orchestra Touring Fund

Severance Hall 2014-15

More than 1,350 talented youth musicians have performed as members of the Cleveland Orchestra Youth Orchestra in the quarter century since the ensemble’s founding in 1986. Many have gone on to careers in professional orchestras around the world, including four current members of The Cleveland Orchestra.

Education & Community

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The Cleveland Orchestra

Building Audiences for the Future . . . Today! The Cleveland Orchestra is committed to developing interest in classical music among young people. To demonstrate our success, we are working to have the youngest audience of any orchestra. With the help of generous contributors, the Orchestra has expanded its discounted ticket offerings through several new programs. In recent years, student attendance has doubled, now representing 20% of those at Cleveland Orchestra concerts. Since inaugurating these programs in 2011, over 130,000 young people have participated. U N D E R 1 8 s F R E E F O R FA M I L I E S

Introduced for Blossom Music Festival concerts in 2011, our Under 18s Free program for families now includes select Cleveland Orchestra concerts at Severance Hall each season. This program offers free tickets (one per regular-priced adult paid admission) to young people ages 7-17 on the Lawn at Blossom and to the Orchestra’s Fridays@7, Friday Morning at 11, and Sunday Afternoon at 3 concerts at Severance. STUDENT TICKET PROGRAMS

In the past two seasons, The Cleveland Orchestra’s Student Advantage Members, Frequent Fan Card holders, Student Ambassadors, and special offers for student groups attending together have been responsible for bringing more high school and college age students to Severance Hall and Blossom than ever before. The Orchestra’s ongoing Student Advantage Program provides opportunities for students to attend concerts at Severance Hall and Blossom through discounted ticket offers. Membership is free to join and rewards members with discounted ticket purchases. A record 6,000 students joined in the past year. A new Student Frequent Fan Card is available in conjunction with Student Advantage membership, offering unlimited single tickets (one per Fan Card holder) all season long. All of these programs are supported by The Cleveland Orchestra’s Center for Future Audiences and the Alexander and Sarah Cutler Fund for Student Audiences. The Center for Future Audiences was created with a $20 million lead endowment gift from the Maltz Family Foundation to develop new generations of audiences for Cleveland Orchestra concerts in Northeast Ohio. Severance Hall 2014-15

Student Ticket Programs

Dreams can come true

Cleveland Public Theatreâ&#x20AC;&#x2122;s STEP Education Program Photo by Steve Wagner

... WITH INVESTMENT BY CUYAHOGA ARTS & CULTURE Cuyahoga Arts & Culture (CAC) uses public dollars approved by you to bring arts and culture to every corner of our County. From grade schools to senior centers to large public events and investments to small neighborhood art projects and educational outreach, we are leveraging your investment for everyone to experience.

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THE CLEVELAN D ORCHESTRA

Corporate Support The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

The Partners in Excellence program salutes companies with annual contributions of $100,000 and more, exemplifying leadership and commitment to musical excellence at the highest level.

$5 MILLION AND MORE

KeyBank PNC Bank $1 MILLION TO $5 MILLION

BakerHostetler Bank of America Eaton FirstEnergy Foundation Forest City Enterprises, Inc. The Goodyear Tire & Rubber Company Hyster-Yale Materials Handling NACCO Industries, Inc. Jones Day The Lubrizol Corporation / The Lubrizol Foundation Medical Mutual of Ohio Merrill Lynch Parker Hannifin Corporation The Plain Dealer PolyOne Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company UBS The John L. Severance Society recognizes the generosity of those giving $1 million or more in cumulative giving. Listing as of December 2014.

gifts of $2,500 or more during the past year, as of December 20, 2014

PARTNERS IN EXCELLENCE $300,000 AND MORE

Hyster-Yale Materials Handling NACCO Industries, Inc. KeyBank The Lubrizol Corporation Raiffeisenlandesbank Oberösterreich (Europe) The J. M. Smucker Company PARTNERS IN EXCELLENCE $200,000 TO $299,999

BakerHostetler Eaton FirstEnergy Foundation Forest City Enterprises, Inc. Jones Day PNC Bank Thompson Hine LLP PARTNERS IN EXCELLENCE $100,000 TO $199,999

The Cliffs Foundation Google, Inc. The Lincoln Electric Foundation Medical Mutual of Ohio Nordson Corporation and Foundation Squire Patton Boggs (US) LLP $50,000 TO $99,999

Dollar Bank Parker Hannifin Corporation Quality Electrodynamics (QED) voestalpine AG (Europe) Anonymous $25,000 TO $49,999 Charter One Greenberg Traurig (Miami) Huntington National Bank Litigation Management, Inc. Morrison, Brown, Argiz & Farra, LLC (Miami) Northern Trust Bank of Florida (Miami) Olympic Steel, Inc. Park-Ohio Holdings Corp. The Plain Dealer RPM International Inc.

Severance Hall 2014-15

Corporate Annual Support

$2,500 TO $24,999 Akron Tool & Die Company American Fireworks, Inc. American Greetings Corporation Bank of America BDI Brothers Printing Co., Inc. Brouse McDowell Eileen M. Burkhart & Co LLC Buyers Products Company Calfee, Halter & Griswold LLP Cleveland Clinic The Cleveland Wire Cloth & Mfg. Co. Cohen & Company, CPAs Consolidated Solutions Dominion Foundation Ernst & Young LLP Evarts Tremaine The Ewart-Ohlson Machine Company Feldman Gale, P.A. (Miami) Ferro Corporation FirstMerit Bank Frantz Ward LLP Gallagher Benefit Services The Giant Eagle Foundation Great Lakes Brewing Company Gross Builders Hahn Loeser & Parks LLP Jones Day (Miami) Littler Mendelson, P.C. Live Publishing Company Macy’s Marsh/AIG (Miami) Materion Corporation Miba AG (Europe) MTD Products, Inc. North Coast Container Corp. Northern Haserot Oatey Co. Ohio CAT Ohio Savings Bank, A Division of New York Community Bank Oswald Companies PolyOne Corporation The Prince & Izant Company The Sherwin-Williams Company Stern Advertising Agency Struktol Company of America Swagelok Company Sylvester Comprehensive Cancer Center (Miami) Tucker Ellis UBS University Hospitals Ver Ploeg & Lumpkin, P.A. (Miami) WCLV Foundation Westlake Reed Leskosky Margaret W. Wong & Assoc. Co., LPA Anonymous (2)

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THE CLEVELAN D ORCHESTRA

Foundation & Government Support The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

Cumulative Giving

Annual Support

JOHN L. SEVERANCE SOCIETY

$1 MILLION AND MORE

$10 MILLION AND MORE

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture Kulas Foundation Maltz Family Foundation State of Ohio Ohio Arts Council The Kelvin and Eleanor Smith Foundation $5 MILLION TO $10 MILLION

The George Gund Foundation Knight Foundation (Cleveland, Miami) The Andrew W. Mellon Foundation John P. Murphy Foundation

gifts of $2,000 or more during the past year, as of December 20, 2014

The Cleveland Foundation Cuyahoga County residents through Cuyahoga Arts & Culture The Andrew W. Mellon Foundation The Kelvin and Eleanor Smith Foundation $500,000 TO $999,999

The George Gund Foundation $250,000 TO $499,999

Knight Foundation (Miami, Cleveland) Kulas Foundation John P. Murphy Foundation The Eric & Jane Nord Family Fund Ohio Arts Council $100,000 TO $249,999

The George W. Codrington Charitable Foundation GAR Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation

$1 MILLION TO $5 MILLION

The William Bingham Foundation The George W. Codrington Charitable Foundation GAR Foundation Ann and Gordon Getty Foundation The Louise H. and David S. Ingalls Foundation Martha Holden Jennings Foundation Elizabeth Ring Mather and William Gwinn Mather Fund David and Inez Myers Foundation National Endowment for the Arts The Eric & Jane Nord Family Fund The Payne Fund The Reinberger Foundation The Sage Cleveland Foundation The John L. Severance Society recognizes the generosity of those giving $1 million or more in cumulative giving. Listing as of December 2014.

Severance Hall 2014-15

$50,000 TO $99,999

Ann and Gordon Getty Foundation The William Randolph Hearst Foundation Martha Holden Jennings Foundation Myra Tuteur Kahn Memorial Fund of The Cleveland Foundation Marlboro 2465 Foundation Miami-Dade County Department of Cultural Affairs (Miami) The Nord Family Foundation The Payne Fund The Sage Cleveland Foundation Surdna Foundation $20,000 TO $49,999 Paul M. Angell Family Foundation The Batchelor Foundation, Inc. (Miami) The Helen C. Cole Charitable Trust The Mary S. and David C. Corbin Foundation Mary and Dr. George L. Demetros Charitable Trust The Gerhard Foundation, Inc. The Helen Wade Greene Charitable Trust National Endowment for the Arts The Frederick and Julia Nonneman Foundation William J. and Dorothy K. O’Neill Foundation Peacock Foundation, Inc. (Miami) Polsky Fund of Akron Community Foundation The Reinberger Foundation The Sisler McFawn Foundation The Veale Foundation

$2,000 TO $19,999 The Abington Foundation Ayco Charitable Foundation The Ruth and Elmer Babin Foundation Dr. NE & JZ Berman Foundation The Bernheimer Family Fund of the Cleveland Foundation Eva L. and Joseph M. Bruening Foundation The Conway Family Foundation The Fogelson Foundation The Harry K. Fox and Emma R. Fox Charitable Foundation Funding Arts Network (Miami) The Hankins Foundation The Muna & Basem Hishmeh Foundation Richard H. Holzer Memorial Foundation The Laub Foundation Victor C. Laughlin, M.D. Memorial Foundation Trust The G. R. Lincoln Family Foundation The Mandel Foundation The McGregor Foundation Bessie Benner Metzenbaum Foundation The Margaret Clark Morgan Foundation The M. G. O’Neil Foundation Paintstone Foundation The Charles E. & Mabel M. Ritchie Memorial Foundation The Leighton A. Rosenthal Family Foundation SCH Foundation Albert G. & Olive H. Schlink Foundation Jean C. Schroeder Foundation Kenneth W. Scott Foundation The Sherwick Fund Lloyd L. and Louise K. Smith Memorial Foundation The South Waite Foundation The George Garretson Wade Charitable Trust The S. K. Wellman Foundation The Welty Family Foundation Thomas H. White Foundation, a KeyBank Trust The Edward and Ruth Wilkof Foundation The Wuliger Foundation Anonymous (2)

Foundation and Government Annual Support

THE CLEVELAN D ORCHESTRA

Individual Annual Support The Cleveland Orchestra gratefully recognizes the individuals listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the Annual Fund, benefit events, tours and residencies, and special annual donations.

Lifetime Giving

Giving Societies

JOHN L. SEVERANCE SOCIETY

gifts during the past year, as of December 20, 2014

$10 MILLION AND MORE

In celebration of the critical role individuals play in supporting The Cleveland Orchestra each year, donors of $2,500 and more are recognized as members of special Leadership Giving Societies. These societies are named to honor important and inspirational leaders in the Orchestra’s history. The Adella Prentiss Hughes Society honors the Orchestra’s founder and first manager, who from 1918 envisioned an ensemble dedicated to community service, music education, and performing excellence. The George Szell Society is named after the Orchestra’s fourth music director, who served for twenty-four seasons (1946-70) while refining the ensemble’s international reputation for clarity of sound and unsurpassed musical excellence. The Elisabeth DeWitt Severance Society honors not only the woman in whose memory Severance Hall was built, but her selfless sharing, including her insistence on nurturing an orchestra not just for the wealthy but for everyone. The Dudley S. Blossom Society honors one of the Orchestra’s early and most generous benefactors, whose dedication and charm rallied thousands to support and nurture a hometown orchestra toward greatness. The Frank H. Ginn Society honors the man whose judicious management of Severance Hall’s finances and construction created a beautiful and welcoming home for Cleveland’s Orchestra. The 1929 Society honors the vibrant community spirit that propelled 3,000 volunteers and donors to raise over $2 million in a nine-day campaign in April 1929 to meet and match John and Elisabeth Severance’s challenge gift toward the building of the Orchestra’s new concert hall.

Jan and Daniel Lewis (Miami, Cleveland) $5 MILLION TO $10 MILLION

Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Mrs. Norma Lerner and The Lerner Foundation Mrs. Alfred M. Rankin, Sr. Mr. and Mrs. Albert B. Ratner $1 MILLION TO $5 MILLION

Irma and Norman Braman (Miami) Mr. Francis J. Callahan* Mrs. M. Roger Clapp Mr. George Gund III* Francie and David Horvitz (Miami) Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Peter B. Lewis* and Janet Rosel Lewis (Miami) Sue Miller (Miami) Sally S.* and John C. Morley The Family of D. Z. Norton The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson The Ralph and Luci Schey Foundation Mr.* and Mrs. Ward Smith Anonymous (2)

The John L. Severance Society is named to honor the philanthropist and business leader who dedicated his life and fortune to creating The Cleveland Orchestra’s home concert hall, which stands today as an emblem of unrivalled quality and community pride. Lifetime giving listing as of December 2014.

Individual Annual Support

The Cleveland Orchestra

Adella Prentiss Hughes Society

Leadership Council

gifts of $100,000 and more INDIVIDUAL GIFTS OF $500,000 AND MORE

Mr. and Mrs. Albert B. Ratner INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) The Walter and Jean Kalberer Foundation Jan and Daniel Lewis (Miami) Mrs. Norma Lerner and The Lerner Foundation Peter B. Lewis* and Janet Rosel Lewis (Miami) Sue Miller (Miami) INDIVIDUAL GIFTS OF $100,000 TO $199,999

David and Francie Horvitz Family Foundation (Miami) James D. Ireland III Mr. and Mrs. Joseph P. Keithley Dr. and Mrs. Herbert Kloiber (Europe) Mrs. Emma S. Lincoln Elizabeth F. McBride Ms. Ginger Warner (Cleveland, Miami) Janet* and Richard Yulman (Miami)

George Szell Society gifts of $50,000 and more INDIVIDUAL GIFTS OF $75,000 TO $99,999

Mr. William P. Blair III Mr. Richard J. Bogomolny and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. Cutler Dr. Wolfgang Eder Dr. and Mrs. Hiroyuki Fujita Elizabeth B. Juliano (Cleveland, Miami) Mr. and Mrs. Douglas A. Kern Mr. and Mrs. Dennis W. LaBarre Milton and Tamar Maltz Ms. Beth E. Mooney The Honorable and Mrs. John Doyle Ong Mr. Patrick Park (Miami) Mr. and Mrs. Alfred M. Rankin, Jr. Mary M. Spencer (Miami) Mr. and Mrs. Franz Welser-MĂśst INDIVIDUAL GIFTS OF $50,000 TO $74,999

Sheldon and Florence Anderson (Miami) Blossom Womenâ&#x20AC;&#x2122;s Committee Jeanette Grasselli Brown and Glenn R. Brown Hector D. Fortun (Miami) Mrs. John A. Hadden, Jr.

The Leadership Council salutes those extraordinary donors who have pledged to sustain their annual giving at the highest level for three years or more. Leadership Council donors are recognized in these Annual Support listings with the Leadership Council symbol next to their name:

Mr. and Mrs. Michael J. Horvitz R. Kirk Landon and Pamela Garrison (Miami) Giuliana C. and John D. Koch Toby Devan Lewis Mr. and Mrs. Edward A. Lozick Robert M. Maloney and Laura Goyanes Ms. Nancy W. McCann Margaret Fulton-Mueller Mrs. Alfred M. Rankin, Sr. Charles and Ilana Horowitz Ratner James and Donna Reid Barbara S. Robinson Sally and Larry Sears Hewitt and Paula Shaw Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous

Elisabeth DeWitt Severance Society gifts of $25,000 and more INDIVIDUAL GIFTS OF $30,000 TO $49,999

Daniel and Trish Bell (Miami) Dr. and Mrs. Wolfgang Berndt (Europe) Mr. and Mrs. Charles P. Bolton The Brown and Kunze Foundation Judith and George W. Diehl Mr. and Mrs. Geoffrey Gund T. K. and Faye A. Heston Milton A. and Charlotte R. Kramer Charitable Foundation Virginia M. and Jon A. Lindseth Sally S.* and John C. Morley The Claudia and Steven Perles Family Foundation (Miami) Luci and Ralph* Schey Rachel R. Schneider Richard and Nancy Sneed (Cleveland, Miami) R. Thomas and Meg Harris Stanton listings continue

Severance Hall 2014-15

Individual Annual Support

THE CLEVELAN D ORCHESTRA

listings continued

Jonathan and Tina Kislak (Miami) Marc and Rennie Saltzberg Mr. and Mrs. Donald Stelling (Europe) Gary L. Wasserman and Charles A. Kashner (Miami) The Denise G. and Norman E. Wells, Jr. Family Foundation Anonymous gift from Switzerland (Europe)

INDIVIDUAL GIFTS OF $25,000 TO $29,999

In dedication to Donald Carlin (Miami) Martha and Bruce Clinton (Miami) Robert and Jean* Conrad Mr. and Mrs. Gerald A. Conway Do Unto Others Trust (Miami)

INDIVIDUAL GIFTS OF $15,000 TO $19,999

George* and Becky Dunn JoAnn and Robert Glick Mr. and Mrs. Donald M. Jack, Jr. Gary Hanson and Barbara Klante Mr. and Mrs. Jeffrey Healy Mrs. Marguerite B. Humphrey Junior Committee of The Cleveland Orchestra Dr. David and Janice Leshner Mrs. Jane B. Nord William J. and Katherine T. O’Neill Julia and Larry Pollock Mr. and Mrs. James A. Ratner Mr. and Mrs. James A. Saks Paul and Suzanne Westlake Women’s Committee of The Cleveland Orchestra

Dudley S. Blossom Society gifts of $15,000 and more INDIVIDUAL GIFTS OF $20,000 TO $24,999

Gay Cull Addicott Mr. and Mrs. William W. Baker Randall and Virginia Barbato Mr. and Mrs. Matthew V. Crawford Jeffrey and Susan Feldman (Miami) Dr. Edward S. Godleski Trevor and Jennie Jones Mr. and Mrs. Christopher Kelly

Leadership

PATRON PROGRAM

Barbara Robinson, chair Robert Gudbranson, vice chair Gay Cull Addicott William W. Baker Ronald H. Bell Henry C. Doll Judy Ernest Nicki Gudbranson Jack Harley

Iris Harvie Faye A. Heston Brinton L. Hyde Randall N. Huff David C. Lamb Raymond T. Saw yer

Art of Beauty Company, Inc. Marsha and Brian Bilzin (Miami) Mr. and Mrs. Richard L. Bowen Dr. Christopher P. Brandt and Dr. Beth Sersig Dr. Ben H. and Julia Brouhard Mr. and Mrs. David J. Carpenter Mrs. Barbara Cook Scott Chaikin and Mary Beth Cooper Jill and Paul Clark Mr. and Mrs. William E. Conway Mr. Peter and Mrs. Julie Cummings (Miami) Dr. and Mrs. Robert Ehrlich (Europe) Mike S. and Margaret Eidson (Miami) Colleen and Richard Fain (Miami) Mr. Allen H. Ford Richard and Ann Gridley Jack Harley and Judy Ernest Ms. Dawn M. Full Mary and Jon Heider (Cleveland, Miami) David and Nancy Hooker Richard and Erica Horvitz (Cleveland, Miami) Allan V. Johnson Andrew and Katherine Kartalis Tati and Ezra Katz (Miami) Mr. Jeff Litwiller Mr.* and Mrs. Arch J. McCartney Mr. Thomas F. McKee Mr. and Mrs. Stanley A. Meisel Lucia S. Nash Mr. Gary A. Oatey (Cleveland, Miami) Mr. and Mrs. David A. Ruckman Mrs. David Seidenfeld David* and Harriet Simon Rick, Margarita and Steven Tonkinson (Miami) Mr. and Mrs. Daniel P. Walsh Tom and Shirley Waltermire Mr. and Mrs. Jeffrey M. Weiss Anonymous

Frank H. Ginn Society gifts of $10,000 and more INDIVIDUAL GIFTS OF $12,500 TO $14,999

The Leadership Patron Program recognizes generous donors of $2,500 or more to the Orchestra’s Annual Campaign. For more information on the benefits of playing a supporting role each year, please contact Elizabeth Arnett, Manager, Leadership Giving, by calling 216-231-7522.

Mrs. Barbara Ann Davis Robert K. Gudbranson and Joon-Li Kim Sondra and Steve Hardis Mr.* and Mrs. Richard A. Manuel Mr. Larry J. Santon Mr. and Mrs. Oliver E. Seikel Kim Sherwin Mr. and Mrs. Alfred Umdasch (Europe) Sandy and Ted Wiese listings continue

Individual Annual Support

The Cleveland Orchestra

Should I help her be more social? Does she need more playmates? Do we give in to him too often? Do we give her too much praise? Should he be reading and writing more? Doing long division? Am I a bad parent that when I’m tired, I plop him in front of the television?

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THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $10,000 TO $12,499

Mr. and Mrs. George N. Aronoff Mr. and Mrs. Dean Barry Jayusia and Alan Bernstein (Miami) Laurel Blossom Mr. D. McGregor Brandt, Jr. Paul and Marilyn* Brentlinger Mr. and Mrs. Marshall Brown J. C. and Helen Rankin Butler Augustine* and Grace Caliguire Richard J. and Joanne Clark Nancy and Richard Dotson Mr. and Mrs. Robert P. Duvin Mary Jo Eaton (Miami) Dr. and Mrs. Lloyd H. Ellis Jr. Mr. Brian L. Ewart and Mr. William McHenry Nelly and Mike Farra (Miami) Kira and Neil Flanzraich (Miami) Sheree and Monte Friedkin (Miami) Francisco A. Garcia and Elizabeth Pearson (Miami) Mr. and Mrs. Richard T. Garrett Albert I. and Norma C. Geller Mr. and Mrs. Robert W. Gillespie

Mr. David J. Golden Andrew and Judy Green Kathleen E. Hancock Michael L. Hardy Mary Jane Hartwell Iris and Tom Harvie Mr. and Mrs. James A. Haslam II Mr. and Mrs. James A. Haslam III Joan and Leonard Horvitz Mark and Ruth Houck (Miami) Pamela and Scott Isquick Ruth and Pedro Jimenez (Miami) Cherie and Michael Joblove (Miami) Janet and Gerald Kelfer (Miami) Mrs. Elizabeth R. Koch Tim and Linda Koelz Mr. and Mrs. Stewart A. Kohl Thomas E. Lauria (Miami) Mr. and Mrs.* Robert P. Madison Mr. and Mrs. Thomas B. McGowan Edith and Ted* Miller Mr. Donald W. Morrison Joy P. and Thomas G. Murdough, Jr. (Miami)

Brian and Cindy Murphy Mr. Raymond M. Murphy Mr. and Mrs. William M. Osborne, Jr. Audra and George Rose Dr. and Mrs. Ronald J. Ross Dr. Isobel Rutherford Raymond T. and Katherine S. Sawyer Carol* and Albert Schupp Dr. Gerard and Phyllis Seltzer and the Dr. Gerard and Phyllis Estelle Seltzer Foundation Jim and Myrna Spira Howard Stark M.D. and Rene Rodriguez (Miami) Lois and Tom Stauffer Charles B. and Rosalyn Stuzin (Miami) Mrs. Jean H. Taber Bruce and Virginia Taylor Joseph F. Tetlak Joe and Marlene Toot Dr. Russell A. Trusso Mr. and Mrs. Fred A. Watkins Anonymous (4)*

The 1929 Society gifts of $2,500 to $9,999 INDIVIDUAL GIFTS OF $7,500 TO $9,999

Robert and Alyssa Lenhoff-Briggs Dr.* and Mrs. Jerald S. Brodkey Ellen E. & Victor J. Cohn Supporting Foundation Henry and Mary Doll Harry and Joyce Graham Mr. Paul Greig Mrs. Sandra L. Haslinger Henry R. Hatch Robin Hitchcock Hatch Amy and Stephen Hoffman Ms. Elizabeth James

Joela Jones and Richard Weiss Mr. and Mrs.* S. Lee Kohrman Kenneth M. Lapine and Rose E. Mills Judith and Morton Q. Levin Mr. and Mrs. Alex Machaskee Claudia Metz and Thomas Woodworth Mr. J. William and Dr. Suzanne Palmer Pannonius Foundation Nan and Bob Pfeifer Douglas and Noreen Powers Paul A. and Anastacia L. Rose Steven and Ellen Ross

Rosskamm Family Trust Patricia J. Sawvel Drs. Daniel and Ximena Sessler Bill* and Marjorie B. Shorrock Mrs. Gretchen D. Smith Dr. and Mrs. Frank J. Staub Mr. and Mrs. Donald W. Strang, Jr. Dr. Gregory Videtic Anonymous

Mr. and Mrs. Ralph Daugstrup Mr. and Mrs. Thomas S. Davis Pete and Margaret Dobbins Mr. and Mrs. Paul Doman Dr. and Mrs. Robert Elston Mary and Oliver Emerson Barbara and Peter Galvin Joy E. Garapic Brenda and David Goldberg Mr. and Mrs. Henry J. Goodman Patti Gordon (Miami) Mr. and Mrs. Randall J. Gordon Robert N. and Nicki N. Gudbranson David and Robin Gunning Clark Harvey and Holly Selvaggi Barbara Hawley and David Goodman Janet D. Heil* Anita and William Heller Dr. Fred A. Heupler Thomas and Mary Holmes John and Hollis Hudak (Miami) Bob and Edith Hudson (Miami)

Ms. Carole Hughes Mr. David and Mrs. Dianne Hunt Mr. and Mrs. Brinton L. Hyde Mr. and Mrs. Christopher Hyland Donna L. and Robert H. Jackson Rudolf D. and Joan T. Kamper Milton and Donna* Katz Dr. Richard and Roberta Katzman Dr. and Mrs. William S. Kiser Cynthia Knight (Miami) Mrs. Justin Krent Mr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr. Mr. Brian J. Lamb David C. Lamb Anthony T. and Patricia A. Lauria Mr. Lawrence B. and Christine H. Levey Dylan Hale Lewis (Miami) Marley Blue Lewis (Miami) Dr. Alan and Mrs. Joni Lichtin

INDIVIDUAL GIFTS OF $5,000 TO $7,499

Mr.* and Mrs. Albert A. Augustus Mr. and Mrs. Robert H. Baker Stephen Barrow and Janis Manley (Miami) Fred G. and Mary W. Behm Drs. Nathan A. and Sosamma J. Berger Mr. William Berger Dr. and Mrs. Eugene H. Blackstone Mr. and Mrs. David Briggs Mr. and Mrs. Robert R. Broadbent Frank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William and Dottie Clark Kathleen A. Coleman Diane Lynn Collier and Robert J Gura Mr. Owen Colligan Marjorie Dickard Comella Corinne L. Dodero Foundation for the Arts and Sciences

Individual Annual Support

listings continue

The Cleveland Orchestra

THE CLEVELAND ORCHESTR A at SEVER ANCE HALL

PRE-ORDER INTERMISSION DRINKS NEW

New to Severance Hall this season, you can now pre-order your beverages before the concert to enjoy during intermission. Our new pre-order option offers you the beneďŹ t of an intermission without waiting in line. Simply visit one of our conveniently located bars to place and pay for your order before the concert starts.

CHEERS!

NEW

POST-CONCERT DINING New for the 2014-15 season, we are offering post-concert dining at Severance Restaurant. Enjoy a convenient dining experience including full-service bar, desserts and coffee, or our special Ă la carte dining choices.

Severance Restaurant is a great place to extend your night out following the concert. Come in and sit down for dinner, or stop by for drinks or dessert. No reservations required for post-concert dining. Reservations are suggested but not required for pre-concert dining. Book online by visiting the link to OpenTable at clevelandorchestra.com. Post-concert dining is available following evening performances by The Cleveland Orchestra.

Severance Hall and The Cleveland Orchestra are proudly partnered with Marigold Catering to enhance your experience.

THE CLEVELAND ORCHESTR A at SEVER ANCE HALL

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $5,000 TO $7,499 CONTINUED

Mr. Jon E. Limbacher and Patricia J. Limbacher Mr. Rudolf and Mrs. Eva Linnebach Anne R. and Kenneth E. Love Elsie and Byron Lutman Ms. Jennifer R. Malkin Mr. and Mrs. Morton L. Mandel Alan Markowitz M.D. and Cathy Pollard Mr. and Mrs. E. Timothy McDonel Ms. Maureen M. McLaughlin (Miami) James and Virginia Meil David and Leslee Miraldi Mr. and Mrs. William A. Mitchell Curt and Sara Moll Ann Jones Morgan Richard and Kathleen Nord Mr. Thury Oâ&#x20AC;&#x2122;Connor Mr. Henry Ott-Hansen Ms. MacGregor W. Peck Mr. and Mrs. John S. Piety Mr. and Mrs. Richard W. Pogue In memory of Henry Pollak Dr. and Mrs. John N. Posch

William and Gwen Preucil Lois S. and Stanley M. Proctor* Ms. Rosella Puskas Mr. and Mrs. Thomas A. Quintrell Drs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. Rankin Brian and Patricia Ratner Ms. Deborah Read Mr. and Mrs. Robert J. Reid Amy and Ken Rogat Mr. and Mrs. Robert C. Ruhl Mrs. Florence Brewster Rutter Drs. Michael and Judith Samuels (Miami) Bob and Ellie Scheuer David M. and Betty Schneider Linda B. Schneider Dr. and Mrs. James L. Sechler Lee and Jane Seidman Charles Seitz (Miami) Mr. Eric Sellen and Mr. Ron Seidman Seven Five Fund Ms. Marlene Sharak

Mrs. Frances G. Shoolroy Naomi G. and Edwin Z. Singer Family Fund David Kane Smith Dr. Marvin and Mimi Sobel Mr. and Mrs. William E. Spatz George and Mary Stark Stroud Family Trust Dr. Elizabeth Swenson Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. Trombly Robert and Marti Vagi Don and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami) Mr. and Mrs. Ronald E. Weinberg Robert C. Weppler Tom and Betsy Wheeler Nancy V. and Robert L. Wilcox Sandy Wile and Susan Namen Dr. and Mr. Ann Williams Anonymous (6)

Mr. Robert T. Hexter Dr.* and Mrs. George H. Hoke Dr. Keith A. and Mrs. Kathleen M. Hoover Dr. and Mrs. Scott R. Inkley Mr. and Mrs. Richard A. Janus Robert and Linda Jenkins Dr. and Mrs. Richard S. Kaufman James and Gay* Kitson Mrs. Natalie D. Kittredge Dr. Gilles and Mrs. Malvina Klopman Mr. and Ms. James Koenig Mr. James Krohngold Ronald and Barbara Leirvik Irvin and Elin Leonard Robert and LaVerne* Lugibihl Joel and Mary Ann Makee Herbert L. and Rhonda Marcus Martin and Lois Marcus Ms. Nancy L. Meacham Dr. Susan M. Merzweiler Bert and Marjorie Moyar Susan B. Murphy Richard B. and Jane E. Nash Mr. and Mrs. Peter R. Osenar Dr. Lewis and Janice B. Patterson

Mr. Robert S. Perry Dr. Robert W. Reynolds Michael Forde Ripich Mrs. Charles Ritchie Carol Rolf and Steven Adler Dr. Lori Rusterholtz Fred Rzepka and Anne Rzepka Family Foundation Dr. and Mrs. Martin I. Saltzman Mr. Paul H. Scarbrough Ginger and Larry Shane Harry and Ilene Shapiro Mr. Richard Shirey Howard and Beth Simon Ms. Lorraine S. Szabo Mr. Taras G. Szmagala, Jr. Mr. Karl and Mrs. Carol Theil Drs. Anna* and Gilbert True Miss Kathleen Turner Margaret and Eric* Wayne Mr. and Mrs. Mark Allen Weigand Richard Wiedemer, Jr. Tony and Diane Wynshaw-Boris Marcia and Fred* Zakrajsek

Kerrin and Peter Bermont (Miami) Barbara and Sheldon Berns Margo and Tom Bertin Carmen Bishopric (Miami) Bill* and Zeda Blau Doug and Barbara Bletcher Mr. and Mrs. Richard H. Bole John and Anne Bourassa Laurie Burman Mr. Adam Carlin (Miami) Irad and Rebecca Carmi Leigh Carter Mr. and Mrs. James B. Chaney Dr. and Mrs. Ronald Chapnick

Dr. Christopher and Mrs. Maryanne Chengelis Ms. Mary E. Chilcote Mr. and Mrs. Homer D. W. Chisholm Daniel D. Clark and Janet A. Long Kenneth S. and Deborah G. Cohen Mr. and Mrs. Stanley Cohen (Miami) Dr. and Mrs. Delos M. Cosgrove III Dr. Dale and Susan Cowan Mr. and Mrs. Manohar Daga Mrs. Frederick F. Dannemiller Charles* and Fanny Dascal (Miami) Dr. Eleanor Davidson listings continue

INDIVIDUAL GIFTS OF $3,500 TO $4,999

Dr. Jacqueline Acho and Mr. John LeMay Ms. Nancy A. Adams Dr. and Mrs. D. P. Agamanolis Susan S. Angell Mr. and Mrs. Jules Belkin Howard R. and Barbara Kaye Besser Suzanne and Jim Blaser Lisa and Ron Boyko Mr. and Mrs. Henry G. Brownell Ms. Mary R. Bynum and Mr. J. Philip Calabrese Dr. and Mrs. William E. Cappaert Mr. and Mrs. Frank H. Carpenter Mrs. Robert A. Clark Drs. Mark Cohen and Miriam Vishny Thomas and Dianne Coscarelli Peter and Kathryn Eloff Mr. and Mrs. John R. Fraylick Peggy and David* Fullmer Loren and Michael Garruto Dr. and Mrs. Ronald L. Gould Nancy and James Grunzweig Mr. Robert D. Hart Mary S. Hastings Hazel Helgesen* and Gary D. Helgesen Mr. and Mrs. Jerry Herschman INDIVIDUAL GIFTS OF $2,500 TO $3,499

Mr. and Mrs. Charles Abookire, Jr. Stanley I.* and Hope S. Adelstein Mr. and Mrs. Norman Adler Mr. and Mrs. Monte Ahuja Mr. and Mrs. Robert J. Amsdell Dr. Mayda Arias Agnes Armstrong Mr. and Mrs. James B. Aronoff Geraldine and Joseph Babin Ms. Jennifer Barlament Ms. Delphine Barrett Rich Bedell and Elizabeth Grove Dr. Ronald and Diane Bell Mr. Roger G. Berk

Individual Annual Support

The Cleveland Orchestra

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Severance Hall 2014-15

THE CLEVELAN D ORCHESTRA listings continued INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED

Mr. and Mrs. Edward B. Davis Jeffrey and Eileen Davis Mrs. Lois Joan Davis Mr. and Mrs. David G. de Roulet Dr. and Mrs. Richard C. Distad Ms. Maureen A. Doerner and Mr. Geoffrey T. White William Dorsky and Cornelia Hodgson Esther L. and Alfred M. Eich, Jr. Harry and Ann Farmer Ms. Karen Feth Mr. Isaac Fisher (Miami) Joan Alice Ford Mr. Paul C. Forsgren Richard J. Frey Marvin Ross Friedman and Adrienne bon Haes (Miami) Arthur L. Fullmer Mr. Bennett Gaines Mrs. Georgia T. Garner Mr. Wilbert C. Geiss, Sr. Dr. and Mrs. Edward C. Gelber (Miami) Anne and Walter Ginn Mr. and Mrs. David A. Goldfinger The Thomas J. and Judith Fay Gruber Charitable Foundation Dr. Phillip M. and Mrs. Mary Hall Mr. and Mrs. David P. Handke, Jr. Norman C. and Donna L. Harbert Mr. and Mrs. Donald F. Hastings Dr. Robert T. Heath and Dr. Elizabeth L. Buchanan Sally and Oliver Henkel Dr. and Mrs. Robert L. Hinnes Dr. Randal N. Huff and Ms. Paulette Beech Elisabeth Hugh Ruth F. Ihde Mrs. Carol Lee and Mr. James Iott Richard and Michelle Jeschelnig Dr. Michael and Mrs. Deborah Joyce Mr. Peter and Mrs. Mary Joyce Mr. Stephen Judson Barbara and Michael J. Kaplan Rev. William C. Keene Angela Kelsey and Michael Zealy (Miami) The Kendis Family Trust: Hilary and Robert Kendis and Susan and James Kendis Bruce and Eleanor Kendrick Fred* and Judith Klotzman Jacqueline and Irwin* Kott (Miami) Dr. Ronald H. Krasney and Vicki Kennedy Marcia Kraus Mr. Donald N. Krosin Eeva and Harri Kulovaara (Miami) Mr. and Mrs. S. Ernest Kulp Mrs. Carolyn Lampl Mr. and Mrs. John J. Lane, Jr. Mr. Gary Leidich Ivonete Leite (Miami) Michael and Lois A. Lemr Dr. Edith Lerner Dr. Stephen B. and Mrs. Lillian S. Levine Robert G. Levy Ms. Mary Beth Loud Michael J. and Kathryn T. Lucak Mrs. Idarose S. Luntz Mr. and Mrs. Raul Marmol (Miami) Dr. and Mrs. Sanford E. Marovitz

Dr. Ernest and Mrs. Marian Marsolais Ms. Amanda Martinsek Mr. Julien L. McCall William and Eleanor* McCoy Mr. James E. Menger Stephen and Barbara Messner Ms. Betteann Meyerson Mr. and Mrs. Roger Michelson (Miami) Drs. Terry E. and Sara S. Miller Ms. Carla Miraldi Jim and Laura Moll Dieter and Bonnie Myers Joan Katz Napoli and August Napoli David and Judith Newell Mr. Carlos Noble (Miami) Marshall I. Nurenberg and Joanne Klein Richard and Jolene Oâ&#x20AC;&#x2122;Callaghan Harvey and Robin Oppmann Nedra and Mark Oren (Miami) Mr. and Mrs. Robert D. Paddock Mr. and Mrs. Christopher I. Page Mr. Dale Papajcik Deborah and Zachary Paris Mr. Thomas and Mrs. Tommie Patton Dr. Roland S. Philip and Dr. Linda M. Sandhaus Ms. Maribel Piza (Miami) Dr. Marc and Mrs. Carol Pohl Ms. Carolyn Priemer Kathleen Pudelski Mr. Lute and Mrs. Lynn Quintrell Dr. James and Lynne Rambasek Ms. C. A. Reagan Alfonso Conrado Rey (Miami) David and Gloria Richards Mr. Timothy D. Robson Robert and Margo Roth Dr. Harry S. and Rita K. Rzepka Bunnie Sachs Family Foundation Dr. Vernon E. Sackman and Ms. Marguerite Patton Father Robert J. Sanson Ms. Patricia E. Say Mr. James Schutte Ms. Adrian L. Scott Dr. John Sedor and Ms. Geralyn Presti Ms. Kathryn Seider Mr. and Mrs. Thomas W. Seitz Donna E. Shalala (Miami) Norine W. Sharp Dr. and Mrs. William C. Sheldon Mr. and Mrs. Reginald Shiverick Laura and Alvin A. Siegal Robert and Barbara Slanina Bruce Smith Ms. Donna-Rae Smith Sandra and Richey Smith Mr. and Mrs.* Jeffrey H. Smythe Mrs. Virginia Snapp Ms. Barbara Snyder Lucy and Dan Sondles Michalis and Alejandra Stavrinides (Miami) Mr. Joseph Stroud Mr. and Mrs. Joseph D. Sullivan Mr. Robert Taller Ken and Martha Taylor Dr. and Mrs. Thomas A. Timko Mr. and Mrs. Robert J. Tomsich Erik Trimble Steve and Christa Turnbull

Individual Annual Support

Mrs. H. Lansing Vail, Jr. Mr. and Mrs. Roger Vail Robert A. Valente George and Barbara Von Mehren Brenton Ver Ploeg (Miami) Mr. and Mrs. Joaquin Vinas (Miami) Mr. and Mrs. Les C. Vinney Dr. Michael Vogelbaum and Mrs. Judith Rosman Philip and Peggy Wasserstrom Alice & Leslie T. Webster, Jr. Mr. and Mrs. Jerome A. Weinberger Mr. Peter and Mrs. Laurie Weinberger Florence and Robert Werner (Miami) Richard and Mary Lynn Wills Michael H. Wolf and Antonia Rivas-Wolf Katie and Donald Woodcock Elizabeth B. Wright Rad and Patty Yates Mrs. Jayne M. Zborowsky Dr. William Zelei Mr. Kal Zucker and Dr. Mary Frances Haerr Anonymous (4)

member of the Leadership Council (see page 77)

* deceased

THE

CLEVELAND ORCHESTRA

The Cleveland Orchestra is sustained through the support of thousands of generous patrons, including members of the Leadership Patron Program listed on these pages. Listings of all annual donors of $300 and more each year are published in the Orchestraâ&#x20AC;&#x2122;s Annual Report, which can be viewed online at CLEVELANDORCHESTRA . COM For information about how you can play a supporting role with The Cleveland Orchestra, please contact our Philanthropy & Advancement Office by calling 216-231-7558.

The Cleveland Orchestra

Your Role . . . in The Cleveland Orchestra’s Future Genera ons of Clevelanders have supported the Orchestra and enjoyed its concerts. Tens of thousands have learned to love music through its educa on programs, celebrated important events with its music, and shared in its musicmaking — at school, at Severance Hall, at Blossom, downtown at Public Square, on the radio, and with family and friends. Ticket sales cover less than half the cost of presen ng The Cleveland Orchestra’s season each year. To sustain its ac vi es here in Northeast Ohio, the Orchestra has undertaken the most ambi ous fundraising campaign in our history: the Sound for the Centennial Campaign. By making a dona on, you can make a crucial diﬀerence in helping to ensure that future genera ons will con nue to enjoy the Orchestra’s performances, educa on programs, and community ac vi es and partnerships. To make a gi to The Cleveland Orchestra, please visit us online, or call 216-231-7562.

clevelandorchestra.com

THE CLEVELAN D ORCHESTRA R E C O R D I N G S great gift ideas

Critics from around the world have acclaimed the partnership of Franz Welser-Möst and The Cleveland Orchestra, and their recorded legacy continues to grow. Their newest DVD features Bruckner’s Fourth Symphony recorded live in the Abbey of St. Sy FFlorian in Linz, Austria in 2012. “A great orchestra, a Bruckner expert. . . . Five out of five e stars,” declared Austria’s Kurier newspaper. Dvořák’s opera Rusalka on CD, recorded live at the Salzburg Festival, elicited the reviewer for London’s Sunday Times to praise the performance as “the most spellbinding accountt off D Dvořák’s miraculous score I have ever heard, either in the theatre or on record. . . . I doubt this music can be better played than by the Clevelanders, the most ‘European’ of the American orchestras, with wind and brass soloists to die for and a string sound of superlative warmth and sensitivity.” Other recordings released in recent years include four acclaimed albums of Mozart piano concertos with Mitsuko Uchida and two under the baton of renowned conductor Pierre Boulez. Visit the Cleveland Orchestra Store for the latest and best Cleveland Orchestra recordings and DVDs.

11001 Euclid Avenue Cleveland, Ohio 44106

CLEVELANDORCHESTRA.COM

the world’s most beautiful concert halls, Severance Hall has been home to The Cleveland Orchestra since its opening on February 5, 1931. After that first concert, a Cleveland newspaper editorial stated: “We believe that Mr. Severance intended to build a temple to music, and not a temple to wealth; and we believe it is his intention that all music lovers should be welcome there.” John Long Severance (president of the Musical Arts Association, 1921-1936) and his wife, Elisabeth, donated most of the funds necessary to erect this magnificent building. Designed by Walker & Weeks, its elegant HAILED AS ONE OF

Georgian exterior was constructed to harmonize with the classical architecture of other prominent buildings in the University Circle area. The interior of the building reflects a combination of design styles, including Art Deco, Egyptian Revival, Classicism, and Modernism. An extensive renovation, restoration, and expansion of the facility was completed in January 2000. In addition to serving as the home of The Cleveland Orchestra for concerts and rehearsals, the building is rented by a wide variety of local organizations and private citizens for performances, meetings, and special events each year.

Severance Hall

The Cleveland Orchestra

Distinctive

AND ELEGANT

The elegance of Severance Hall provides the perfect location for your event, with rooms to accommodate all sizes of groups. Located in the heart of University Circle, the ambiance of one of Clevelandâ&#x20AC;&#x2122;s most outstanding architectural landmarks will provide you and your guests with an event to be remembered fondly for years to come. Marigoldâ&#x20AC;&#x2122;s professional staff and culinary expertise provide the world-class cuisine and impeccable service to make your event extraordinary. PREMIUM DATES STILL AVAILABLE . . .

Call the Manager of Facility Sales at 216-231-7421 or email hallrental@clevelandorchestra.com

THE CLEVELAND C O N C E R T

C A L E N D A R

SPRING SEASON PNC MUSICAL RAINBOW

FAMILY CONCERT

The Vivacious Viola

Vivaldi’s Ring of Mystery May 3 — Sunday at 3:00 p.m.

May 8 — Friday at 10:00 a.m. <18s May 9 — Saturday at 10:00 and 11:00 a.m.

<18s

THE CLEVELAND ORCHESTRA Emil de Cou, conductor with Classical Kids Live! This concert celebrates Vivaldi, Venice, and violins in this compelling mystery set in the early 1700s. Katarina, a young orphan, is sent to study violin at the Ospedale della Pietà with the great composer Antonio Vivaldi, where she discovers clues to her past and a missing Stradivarius violin. Drama and music are interwoven to reveal the story of Vivaldi’s life and his most important musical works. Sponsor: The Giant Eagle Foundation

Cleveland Orchestra Youth Orchestra May 3 — Sunday at 8:00 p.m.

<18s

CLEVELAND ORCHESTRA YOUTH ORCHESTRA Brett Mitchell, conductor Henry Shapard, cello

BARBER Medea’s Dance of Vengeance KABALEVSKY Cello Concerto No. 1 BARTÓK Concerto for Orchestra A free Prelude Concert begins at 7:00 p.m. featuring members of the Youth Orchestra performing chamber music.

Berlioz’s Damnation of Faust May 7 — Thursday at 7:30 p.m. May 9 — Saturday at 8:00 p.m. May 10 — Sunday at 3:00 p.m. <18s THE CLEVELAND ORCHESTRA Charles Dutoit, conductor Paul Groves, tenor (Faust) Willard White, bass (Méphistophélès) Ruxandra Donose, mezzo-soprano (Marguerite) Christopher Feigum, baritone (Brander) Cleveland Orchestra Chorus Cleveland Orchestra Children’s Chorus

BERLIOZ The Damnation of Faust Berlioz’s rarely performed masterpiece conducted by a legendary interpreter of this work. Faust, an aging scholar, impulsively makes a bargain with Mephistopheles, who promises him the restoration of his youth, knowledge, and the fulfillment of all of his wishes. Faust falls for the woman of his dreams, Marguerite, but ultimately he must relinquish his soul to Mephistopheles to save hers. Sponsor: BakerHostetler

<18s

with Lisa Boyko, viola

For ages 3 to 6. Host Maryann Nagel gets attendees singing, clapping, and moving to the music in this series introducing instruments of the orchestra. With solo selections, kid-friendly tunes, and sing-along participation. Sponsor: PNC Bank

Dvořák’s New World Symphony May 14 — Thursday at 7:30 p.m. May 15 — Friday at 7:00 p.m. <18s * May 16 — Saturday at 8:00 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor Christian Tetzlaff, violin

HINDEMITH Concert Music* WIDMANN Violin Concerto DVOŘÁK Symphony No. 9 (“New World”) * not part of Fridays@7 concert

Sponsors: Thompson Hine and KeyBank (Fridays@7)

SPRING COMMUNITY CONCERT

Children’s Choruses

May 18 — Monday at 7:30 p.m. CLEVELAND ORCHESTRA CHILDREN’S CHORUS Ann Usher, director CHILDREN’S PREPARATORY CHORUS Suzanne Walters director University School, Shaker Campus 20701 Brantley Road Shaker Heights, Ohio 44122 A free concert performed by the Cleveland Orchestra Children’s Chorus and Cleveland Orchestra Children’s Preparatory Chorus. Free and open to the public; no tickets are required.

Beethoven’s Sixth Symphony May 22 — Friday at 8:00 p.m. <18s May 28 — Thursday at 7:30 p.m. THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor

BEETHOVEN Symphony No. 6 (“Pastoral”) STRAUSS Symphonia domestica Sponsors: Hyster-Yale Materials Handling, Inc.

Concert Calendar

The Cleveland Orchestra

ORCHESTRA

S E A S O N

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OPERA PRESENTATION

T H E

S P O T L I G H T

Richard Strauss’s Daphne May 27 — Wednesday at 7:30 p.m. May 30 — Saturday at 8:00 p.m. Regine Hangler, soprano (Daphne) Andreas Schager, tenor (Apollo) Norbert Ernst, tenor (Leukippos) Ain Anger, bass (Peneios) Nancy Maultsby, mezzo-soprano (Gaea) Men of the Cleveland Orchestra Chorus directed by James Darrah with THE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst Franz Welser-Möst leads The Cleveland Orchestra in performances of Richard Strauss’s captivating opera about Daphne, a young female spirit who must choose between the love of men and her love for nature. In the spirit of last season’s innovative and critically-acclaimed production of The Cunning Little Vixen, director James Darrah will transform the concert hall into a tableau of nature with staging and costumes inspired by ancient Greek theater. Strauss knew that the myth of Daphne was the subject of the very Àrst opera ever composed — and his own version can be viewed as a guarded demand for creative freedom in the face of political and worldly hindrances. Sung in German with projected English supertitles. Sponsor: Litigation Management, Inc. and supported by The Andrew W. Mellon Foundation

DvoŐák and Messiaen May 29 — Friday at 8:00 p.m.

<18s

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor

MESSIAEN Hymne MESSIAEN Chronochromie DVOŏÁK Symphony No. 5

Under 18s Free FOR FAMILIES

<18s

Concerts with this symbol are eligible for "Under 18s Free" ticketing. The Cleveland Orchestra is committed to developing the youngest audience of any orchestra. Our "Under 18s Free" program offers free tickets for young people attending with families (one per full-price paid adult for concerts marked with the symbol above).

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Cleveland Orchestra concerts, visit www.clevelandorchestra.com.

RICHARD STRAUSS

DAPHNE OPERA PRESENTATION Wednesday May 27 at 7:30 p.m. Saturday May 30 at 8:00 p.m. THE CLEVELAND ORCHESTRA conducted by Franz Welser-Möst in a new production directed by James Darrah

Franz Welser-Möst leads The Cleveland Orchestra in performances of Richard Strauss’s captivating opera about Daphne, a young female spirit who must choose between the love of men and her love for nature. In the spirit of last season’s innovative and critically-acclaimed production of The Cunning Little Vixen, director James Darrah will transform the concert hall into a tableau of nature with staging and costumes inspired by ancient Greek theater. Sponsor: Litigation Management, Inc. with additional support from The Andrew W. Mellon Foundation

CLEVELAND ORCHESTRA TICKETS PHONE

216-231-1111 800-686-1141

clevelandorchestra.com Severance Hall 2014-15

Concert Calendar

11001 Euclid Avenue, Cleveland, Ohio 44106 CLEVELANDORCHESTRA.COM

AT SE V E R A N C E H A LL RESTAURANT AND CONCESSION SERVICE Pre-Concert Dining: Severance Restaurant at Severance Hall is open for pre-concert dining for evening and Sunday afternoon performances, and for lunch following Friday Morning Concerts. For reservations, call 216-231-7373, or make your plans on-line by visiting CLEVELANDORCHESTRA . COM . Intermission & Pre-Concert: Concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the BogomolnyKozerefski Grand Foyer, and in the Dress Circle Lobby. Post-Concert Dining: New this season, the Severance Restaurant will be open after evening concerts with à la carte dining, desserts, full bar service, and coffee. Friday Morning Concert postconcert luncheon service continues.

CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleveland Orchestra — including logo apparel, compact disc recordings, and gifts — are available for purchase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

ATM — Automated Teller Machine For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground floor.

QUESTIONS If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to info@clevelandorchestra.com

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and conferences, pre- or post-concert dinners and receptions, weddings, and social events. Catering provided by Marigold Catering. Premium dates are available. Call the Facility Sales Office at 216-231-7420 or email to hallrental@clevelandorchestra.com

BE FO R E T H E CO NC E R T GARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Garage can be purchased in advance through the Ticket Office for $15 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order prepaid parking, call the Severance Hall Ticket Office at 216-231-1111. Parking can be purchased for the at-door price of $11 per vehicle when space in the Campus Center Garage permits. However, the garage often fills up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overflow parking is available in CWRU Lot 1 off Euclid Avenue, across from Severance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING Due to limited parking availability for Friday Matinee performances, patrons are strongly encouraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

CONCERT PREVIEWS Concert Previews at Severance Hall are presented in Reinberger Chamber Hall on the ground floor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

The Cleveland Orchestra

AT T H E CO NC E R T COAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground floor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videography are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the first break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consultation with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES Severance Hall provides special seating options for mobility-impaired persons and their companions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheelchairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Office. Infrared Assistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

Severance Hall 2014-15

Guest Information

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Office when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you require medical assistance.

SECURITY For security reasons, backpacks, musical instrument cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a firearms-free facility. No person may possess a firearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat throughout the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

T IC K E T SE RV IC ES TICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a different performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to five days prior to a performance. There will be no service charge for the five-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Office so that those tickets can be resold. Because of the demand for tickets to Cleveland Orchestra performances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each calendar year.

S E A S O N

THE CLEVELAND ORCHESTRA U P C O M I N G

C O N C E R T S

AT SEVERANCE HALL . . .

DOWNTOWN CLEVELAND . . .

BEETHOVEN AND STRAUSS

STAR-SPANGLED SPECTACULAR

Brought to You by Cuyahoga Arts & Culture

Friday May 22 at 8:00 p.m. <18s Thursday May 28 at 7:30 p.m.

Wednesday July 1 at 9:00 p.m. Mall B in downtown Cleveland

THE CLEVELAND ORCHESTRA Franz Welser-Möst, conductor

Beethoven was a lover of nature who delighted in frequent hikes in the countryside surrounding Vienna. The Sixth Symphony, nicknamed the “Pastoral,” is his most programmatic. Here you can hear the rolling of thunder, a joyous country dance, and the calling of a shepherd’s pipes. The concert also presents an amusing contrast in spirit, with Richard Strauss’s musical reflection on his comfortable domestic life, harmoniously conveying daily events and family life, including a musical portrait of his wife, their child, arguing, and making up. Sponsor: Hyster-Yale Materials Handling, Inc.

THE CLEVELAND ORCHESTRA Thomas Wilkins, conductor Nathan Gunn, baritone

Join thousands of your neighbors, family, and friends for a very special evening celebrating Independence Day. Each summer since 1989, The Cleveland Orchestra has presented a free concert in downtown Cleveland. This year, the Orchestra celebrates our nation’s founding with a spectacular concert, ending with Tchaikovsky’s “1812” Overture and fireworks. The concert begins at 9:00 p.m. Admission is free, no tickets are required. Brought to you by: Cuyahoga Arts & Culture Sponsored by: KeyBank

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24 / 7 for Cleveland Orchestra concerts.

TICKETS

216-231-1111

clevelandorchestra.com

Upcoming Concerts

The Cleveland Orchestra