THE
CLEVEL AND ORC HE STR A FRANZ WELSER-MÖST
@HOME LISTENING GUIDE
SEPTEMBER 2020 Weekend Broadcasts / Saturdays and Sundays
“
I give because the Orchestra is one of the best things about Cleveland, and I want it to continue to thrive.”
—Proud Orchestra Supporter
Photo by Roger Mastroianni
Cancellations in the wake of COVID-19 have had a serious financial impact on your Cleveland Orchestra. To help the Orchestra weather this unprecedented crisis, our Board of Trustees is DOUBLING all gifts to the Orchestra Preservation Fund. Make your donation today by visiting clevelandorchestra.com/donate or calling 216-456-8400. Thank you!
Welcome For more than a hundred years, The Cleveland Orchestra has been part of the Northeast Ohio community — through thick and thin, from wartime to peace, in moments of sadness and triumph. Although much has changed in our daily lives and routines, the Musicians, Music Director Franz Welser-Möst, President & CEO and all of us at The Cleveland Orchestra remain deeply committed to the people of our great community. Music can lift spirits and inspire hope for the future. While we cannot offer live performances at the moment, we are working to share our music and do everything we can to help make the world a better place. Through our longtime partnership with ideastream, we’re privileged to offer the people of Northeast Ohio — including listeners online — Cleveland Orchestra performances every day of the week, with weekend concert broadcasts on Saturday evening and Sunday afternoons, and with Lunchtime with The Cleveland Orchestra every weekday. Through these, we offer you the opportunity to turn your focus away from the here and now, and reflect on the wonder and beauty of musical performances from across our great ensemble’s history. I hope these presentations will provide you with some musical nourishment for your soul — and a respite from each day’s challenges in these uncertain times. We wish you and your family good health — and together we look forward to The Cleveland Orchestra’s future live performances.
André Gremillet President & CEO The Cleveland Orchestra
The Cleveland Orchestra
Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Page 3 Experience More . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Weekend Broadcasts, September 2020 . . . . . . . . . . . 7 Franz Welser-Möst . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . . . 25
Welcome — Table of Contents
DRAFT
IN THIS BOOK
3
EXPERIENCE!
THE CLEVELAND ORCHESTRA
@HOME LISTENING GUIDE
Listen to more music and stay connected. “I believe that it is important for each of us to discover the spark within us, to find the fire that matters, and to put that fire to good use — to make a difference in this world. It is up to each of us, it is up to you to do something with your life. But I firmly believe that great art and great music can help lead you to that moment of choice. Art can help identify what excites us and what makes each of our lives different. It can unite us with others in commonality and agreement. It can inspire and encourage the good in each of us.” —Franz Welser-Möst
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Listening and Learning Online
The Cleveland Orchestra
Weekend Broadcasts (St-Sn) Full-length concerts of The Cleveland Orchestra can be heard each Saturday and Sunday on ideastream WCLV Cleveland Classical (104.9 FM, or via online streaming of WCLV). These radiocasts have been featured on WCLV since 1965. For details and programming for upcoming weeks, see the following pages, which include links to the full printed program books for recent concerts.
Weekday Broadcasts Lunchtime with The Cleveland Orchestra (M-F) The Cleveland Orchestra is featured on a noontime broadcast five days each week, including brief updates about the Orchestra and preparations for future seasons. Tune in now via www.ideastream.org/live/wclv
On Demand Broadcasts The Cleveland Orchestra offers past concert broadcasts for listening “on demand” at anytime via several options — including streaming radio broadcasts from radio station WCLV and, beginning in summer 2020, with a monthly set of “TCO Classics” focusing on a special selection of past concerts. For more details, visit www.clevelandorchestra.com/classics and also www.clevelandorchestra.com/streaming
New Podcast Series The Cleveland Orchestra has recently launched a weekly series of podcasts, titled On a Personal Note. These podcasts feature Orchestra musicians talking about their journeys in music, focusing on music that has inspired or challenged them. For more details, visit www.clevelandorchestra.com/podcast
Social Media Offerings and Online Resources Since the spring, many Cleveland Orchestra musicians have recorded performances at their homes to post on the Orchestra’s social media channels (Facebook, Twitter, Instagram, and YouTube). In addition, the Orchestra has adapted its school-based Mindful Music Moments program to reach community members of all ages across all of its social media platforms and website. This summer, Mindful Music Moments have reached more than 300,000 people across The Cleveland Orchestra’s social media channels. For more, visit us online. The Cleveland Orchestra
Listening and Learning Online
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Rainey Institute El Sistema Orchestra
A SYMPHONY OF
success
We believe that all Cleveland youth should have access to high-quality arts education. Through the generosity of our donors, we have invested more than $5 million since 2016 to scale up neighborhoodbased programs that now serve 3,000 youth yearround in music, dance, theater, photography, literary arts and curatorial mastery. That’s a symphony of success. Find your passion, and partner with the Cleveland Foundation to make your greatest charitable impact.
(877) 554-5054 clevelandfoundation.org/success 6
The Cleveland Orchestra
Listen Live on the air to WCLV Classical 104.9 or online via ideastream/WCLV
Saturday, September 5 at 8:00 p.m. EDT T H E C L E V E L A N D ORCH ESTR A F R A N Z
W E L S E R - M Ö S T
M U S I C
D I R E C T O R
Severance Hall
Friday evening, January 16, 2015, at 8:00 p.m. Saturday evening, January 17, 2015, at 8:00 p.m.
Franz Welser-Möst, conductor RYAN WIGGLESWORTH (b. 1979)
SEASON
Études-Tableaux [Study-Pictures] WORLD PREMIERE PERFORMANCES
Commissioned by The Cleveland Orchestra with support from the Young Composers Endowment Fund, generously established by Jan R. and Daniel R. Lewis.
INTERMISSION GUSTAV MAHLER (1860-1911)
Symphony No. 6 in A minor 1. 2. 3. 4.
Allegro energico, ma non troppo Andante moderato Scherzo: Wuchtig [Powerful] Finale: Allegro moderato
PROGRAM BOOK
ideastream WCLV
Click here to view
Click here to listen
The Cleveland Orchestra
Radio Broadcast — Saturday, September 5
7
A Pilgrimage of Hope
2020-2021 SEASON
NEW - ATTEND IN PERSON or AT HOME! Your ticket allows you either to attend the concert in person, OR receive a password to watch the exclusive concert-video 1 week later in the comfort of your home.
Resilience
Allure
Delight
Elegance
Triumph
Celebration Vivaldi’s Four Seasons – rediscovered
Music for Troubled Times OCTOBER 8-11
The Harper’s Voice FEBRUARY 18-21
The Three Amandas NOVEMBER 5-8
Handel’s Israel in Egypt MARCH 18-21
A Fiddler’s Noël DECEMBER 12-13 & 19-21
APRIL 9-12 & 17-18
TICKETS ARE ON SALE NOW! 216.320.0012 | apollosfire.org
Listen Live on the air to WCLV Classical 104.9 or online via ideastream/WCLV
Sunday, September 6 at 4:00 p.m. EDT T H E C L E V E L A N D ORCH ESTR A F R A N Z
W E L S E R - M Ö S T
M U S I C
D I R E C T O R
Severance Hall
Thursday evening, January 8, 2015, at 7:30 p.m. Friday evening, January 9, 2015, at 8:00 p.m. Saturday evening, January 10, 2015, at 8:00 p.m.
Franz Welser-Möst, conductor WOLFGANG AMADÈ MOZART (1756-1791)
SEASON
Symphony No. 41 (“Jupiter”) in C major, K551 1. 2. 3. 4.
Allegro vivace Andante cantabile Menuetto: Allegro Molto allegro
INTERMISSION MAURICE RAVEL (1875-1937)
Daphnis and Chloé Choreographic Symphony in Three Parts part one Introduction and Religious Dance — Danse générale — Dorcon’s Grotesque Dance — Daphnis’s Light and Graceful Dance — Lycéion’s Entrance — Dance of the Nymphs (Nocturne) part two Interlude — War Dance — Chloé’s Dance of Supplication part three Daybreak (Introduction) — Pantomime (The Love of Pan and Syrinx) — Danse générale (Bacchanale) CLEVELAND ORCHESTRA CHORUS Robert Porco, director
PROGRAM BOOK
ideastream WCLV
Click here to view
Click here to listen
The Cleveland Orchestra
Radio Broadcast — Sunday, September 6
9
INTRODUCING THE CONCERTS
Bach, Music& God
J O H A N N S E B A S T I A N B A C H is — along with Mozart and
OCT
OBE
R 1525
S
B A IN FOCH CU
Beethoven — among the best-known brandnames in classical music. This month, The Cleveland Orchestra explores Bach’s greatness in ten days of programming titled “Bach in Focus,” encompassing two weekends of concerts at Severance Hall, plus several free community events. Franz Welser-Möst’s idea for these performances is to focus on Bach’s achievements and genius. It is neither a programming of greatest hits (although some of those are included), nor exhaustive in breadth or depth. It is the start — and the continuation — of a conversation about the power of music, and about Bach’s influence, on other composers, and on us and our understanding of music. Bach created hundreds of works, and many many masterpieces. He wrote in many genres — works for solo instrument, duets, small ensemconc bles, concertos, cantatas, choral pieces, pieces for organ and ssolo keyboard. Humorous and serious, convventional in form and stretching the imaginave ttion. Much of his output was religious, built within his own deep belief in God. Much also was work-for-hire, as an employee, often for the Lutheran church. Although he certainly wrote pieces for his own gratification or amusement, in his mind these were almost aassuredly also and primarily for God’s gratification tion, as His humble servant. In addition to two weekends of concerts at Severance H Hall (Mass in B minor on October 16 and 18, and Hilary Hahn Plays Bach on October 23, 24, 25), Bach’s Missa Brevis (the first half of the Mass) is being presented in a free community concert on the evening of October 17 at the Cathedral of Saint John the Evangelist in downtown Cleveland, and a free Bach Make Music! Marathon is offered on Saturday afternoon, October 18, featuring students and performers from area educational and performing institutions. Keep the focus, think, and enjoy!
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—Eric Sellen
The Cleveland Orchestra
Listen Live on the air to WCLV Classical 104.9 or online via ideastream/WCLV
Saturday, September 12 at 8:00 p.m. EDT T H E C L E V E L A N D ORCH ESTR A F R A N Z
W E L S E R - M Ö S T
M U S I C
D I R E C T O R
Severance Hall
Thursday evening, October 16, 2014, at 7:30 p.m. Saturday evening, October 18, 2014, at 8:00 p.m.
Franz Welser-Möst, conductor
SEASON
Mass in B minor, BWV 232
by JOHANN SEBASTIAN BACH (1685-1750)
I. II. III. IV.
Missa (Kyrie and Gloria) Symbolum Nicenum (Credo) Sanctus Osanna, Benedictus, Agnus Dei, and Dona Nobis Pacem JOÉLLE HARVEY, soprano IESTYN DAVIES, countertenor NICHOLAS PHAN, tenor HANNO MÜLLER-BRACHMANN, bass-baritone CLEVELAND ORCHESTRA CHORUS Robert Porco, director CLEVELAND ORCHESTRA YOUTH CHORUS Lisa Wong, director
Please note that the concert is performed without intermission and will run about two hours in performance.
PROGRAM BOOK
ideastream WCLV
Click here to view
Click here to listen
The Cleveland Orchestra
Radio Broadcast — Saturday, September 12
11
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Listen Live on the air to WCLV Classical 104.9 or online via ideastream/WCLV
Sunday, September 13 at 4:00 p.m. EDT Thursday evening, January 21, 2016, at 8:00 p.m. Friday evening, January 22, 2016, at 8:00 p.m.
Knight Concert Hall Miami, Florida
The Cleveland Orchestra and the Adrienne Arsht Center present
The Cleveland Orchestra Franz Welser-Möst, conductor pyotr ilyich tchaikovsky
Romeo and Juliet Overture-Fantasy
robert schumann
Piano Concerto in A minor, Opus 54
(1840-1893)
(1810-1856)
1. Allegro affetuoso 2. Intermezzo: Andantino grazioso 3. Allegro vivace
LEIF OVE ANDSNES, piano INTERMISSION
Symphony No. 1 (“Winter Daydreams”) in G minor, Opus 13
tchaikovsky
1. 2. 3. 4.
Reveries of a Winter Journey: Allegro tranquillo Land of Desolation, Land of Mists: Adagio cantabile Scherzo: Allegro scherzando giocoso Finale: Andante lugubre — Allegro maestoso
PROGRAM BOOK
ideastream WCLV
Click here to view
Click here to listen
The Cleveland Orchestra
Radio Broadcast — Sunday, September 13
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ARTS@ HOLY TRINITY Franz Schubert born in Himmelpfortgrund (now part of Vienna) on January 31, 1797 died in Vienna on November 19, 1828
Michael Kelly, baritone & David Leisner, guitar Sunday, September 20, 4 p.m. Watch live-stream at artsholytrinity.org
Julian Anderson born in London on April 6, 1967
Organist Christa Rakich Sunday, October 4, 4 p.m. Holy Trinity Lutheran Church 50 N. Prospect Street, Akron Watch live-stream at artsho lytrinity .org or attend FREE in-person performance.
Richard Strauss born in Munich on June 11, 1864 died in Garrnisch-Partenkirchen on September 8, 1949
Visit artslwlytrinity.argfar safety guidelines Corporatt & Outrtadt Uttderwri�r, Lttk Pi� Oeyatt Compatty Cottart & Workshop Co•Spottsor, Akrott Cha,:iter AGO
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The Cleveland Orchestra
Listen Live on the air to WCLV Classical 104.9 or online via ideastream/WCLV
Saturday, September 19 at 8:00 p.m. EDT
2005-06 Program No. 15 — Severance Hall Thursday evening, March 16, 2006, at 8:00 p.m. Friday morning, March 17, 2006, at 11:00 a.m. Saturday evening, March 18, 2006, at 8:00 p.m.
Franz Welser-Möst, conductor franz schubert (1797-1828)
Symphony No. 5 in B-flat major, d.485 1. 2. 3. 4.
julian anderson (b. 1967)
Allegro Andante con moto Menuetto: Allegro molto — Trio Allegro vivace
Diptych [performed at evening concerts only] UNITED STATES PREMIERE PERFORMANCES
1. Parades 2. Pavillons en l’air
INTERMISSION
richard strauss (1864-1949)
Don Quixote, Opus 35
Fantastic Variations on a Theme of Knightly Character DESMOND HOEBIG, cello ROBERT VERNON, viola
The Cleveland Orchestra is working on a project to scan and make available online all our printed program books. Watch for more details in the future.
The Cleveland Orchestra
ideastream WCLV Click here to listen
Radio Broadcast — Saturday, September 19
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The Cleveland Orchestra
Listen Live on the air to WCLV Classical 104.9 or online via ideastream/WCLV
Sunday, September 20 at 4:00 p.m. EDT T H E C L E V E L A N D ORCH ESTR A F R A N Z
W E L S E R - M Ö S T
M U S I C
D I R E C T O R
Severance Hall
Thursday evening, May 26, 2016, at 7:30 p.m. Saturday evening, May 28, 2016, at 8:00 p.m.
Franz Welser-Möst, conductor
2015-16 SE A SON
ANTONÍN DVOR ÁK (1841-1904) V
Stabat Mater, Opus 58 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
Orchestral Introduction, Solo Quartet and Chorus: Stabat Mater dolorosa Solo Quartet: Quis est homo, qui non fleret Chorus: Eja, Mater, fons amoris Bass Solo and Chorus: Fac, ut ardeat cor meum Chorus: Tui Nati vulnerati Tenor Solo and Chorus: Fac me vere tecum flere Chorus: Virgo virginum praeclara Duet, Soprano and Tenor: Fac, ut portem Christi mortem Alto Solo: Inflammatus et accensus Solo Quartet and Chorus: Quando corpus morietur
ERIN WALL, soprano JENNIFER JOHNSTON, mezzo-soprano NORBERT ERNST, tenor ERIC OWENS, bass-baritone CLEVELAND ORCHESTRA CHORUS Robert Porco, director
PROGRAM BOOK
ideastream WCLV
Click here to view
Click here to listen
The Cleveland Orchestra
Radio Broadcast — Sunday, September 20
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I F YO U ’ R E LO O K I N G TO
X
O H I O C I T Y S T R E E T F E S T I VA AL
ClevelandArtsEvents.com connects you to the region’s vibrant arts and culture scene. With just a few clicks, discover hundreds of events made possible in part with public funding from Cuyahoga Arts & Culture.
O
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Listen Live on the air to WCLV Classical 104.9 or online via ideastream/WCLV
Saturday, September 26 at 8:00 p.m. EDT T H E C L E V E L A N D ORCH ESTR A F R A N Z
W E L S E R - M Ö S T
M U S I C
D I R E C T O R
Severance Hall
Thursday evening, March 16, 2017, at 7:30 p.m. Saturday evening, March 18, 2017, at 8:00 p.m.
16 17
Franz Welser-Möst, conductor
2 O 1 6 -1 7
S E A S O N
IGOR STRAVINSKY (1882-1971)
Fireworks, Opus 4 Apollo, Ballet Music in Two Scenes (for string orchestra) First Tableau: Prologue: The Birth of Apollo Second Tableau Variation d’Apollon — Pas d’Action (Apollo and the Three Muses) — Variation de Calliope — Variation de Polymnie — Variation de Terpsichore — Variation d’Apollon — Pas de deux (Apollo and Terpsichore) — Coda — Apothéose
Symphonies of Wind Instruments INTER MISSION
Threni: Lamentations of Jeremiah Soloists of SERAPHIC FIRE
Patrick Dupré Quigley, artistic director
MARGOT ROOD, soprano MARGARET LIAS, mezzo-soprano STEVEN SOPH, tenor
BRIAN GIEBLER, tenor JAMES K. BASS, bass CHARLES WESLEY EVANS, bass
CLEVELAND ORCHESTRA CHORUS Robert Porco, director
PROGRAM BOOK
ideastream WCLV
Click here to view
Click here to listen
The Cleveland Orchestra
Radio Broadcast — Saturday, September 26
19
T H E
C L E V E L A N D
Franz Welser-Möst MUSIC DIREC TOR
CELLOS Mark Kosower *
Kelvin Smith Family Chair
SECOND VIOLINS Stephen Rose* FIRST VIOLINS Peter Otto
FIRST ASSOCIATE CONCERTMASTER
Virginia M. Lindseth, PhD, Chair
Jung-Min Amy Lee
ASSOCIATE CONCERTMASTER
Gretchen D. and Ward Smith Chair
Jessica Lee
ASSISTANT CONCERTMASTER
Clara G. and George P. Bickford Chair
Stephen Tavani
ASSISTANT CONCERTMASTER
Takako Masame Paul and Lucille Jones Chair
Wei-Fang Gu Drs. Paul M. and Renate H. Duchesneau Chair
Kim Gomez Elizabeth and Leslie Kondorossy Chair
Chul-In Park Harriet T. and David L. Simon Chair
Miho Hashizume Theodore Rautenberg Chair
Jeanne Preucil Rose Dr. Larry J.B. and Barbara S. Robinson Chair
Alicia Koelz Oswald and Phyllis Lerner Gilroy Chair
Yu Yuan Patty and John Collinson Chair
Isabel Trautwein Trevor and Jennie Jones Chair
Mark Dumm Gladys B. Goetz Chair
Katherine Bormann Analisé Denise Kukelhan Zhan Shu
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Alfred M. and Clara T. Rankin Chair
The GAR Foundation Chair
Charles Bernard2 Helen Weil Ross Chair
Emilio Llinás2 James and Donna Reid Chair
Bryan Dumm Muriel and Noah Butkin Chair
Eli Matthews1 Patricia M. Kozerefski and Richard J. Bogomolny Chair
Sonja Braaten Molloy Carolyn Gadiel Warner Elayna Duitman Ioana Missits Jeffrey Zehngut Vladimir Deninzon Sae Shiragami Scott Weber Kathleen Collins Beth Woodside Emma Shook Dr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair
Yun-Ting Lee Jiah Chung Chapdelaine VIOLAS Wesley Collins* Chaillé H. and Richard B. Tullis Chair
Lynne Ramsey
Louis D. Beaumont Chair
Richard Weiss1
1
Charles M. and Janet G. Kimball Chair
Stanley Konopka 2 Mark Jackobs Jean Wall Bennett Chair
Arthur Klima Richard Waugh Lisa Boyko Richard and Nancy Sneed Chair
Lembi Veskimets The Morgan Sisters Chair
Eliesha Nelson Joanna Patterson Zakany
The Musicians
Tanya Ell Thomas J. and Judith Fay Gruber Chair
Ralph Curry Brian Thornton William P. Blair III Chair
David Alan Harrell Martha Baldwin Dane Johansen Paul Kushious BASSES Maximilian Dimoff* Clarence T. Reinberger Chair
Kevin Switalski2 Scott Haigh1 Mary E. and F. Joseph Callahan Chair
Mark Atherton Thomas Sperl Henry Peyrebrune Charles Barr Memorial Chair
Charles Carleton Scott Dixon Derek Zadinsky HARP Trina Struble* Alice Chalifoux Chair This roster lists the fulltime members of The Cleveland Orchestra. The number and seating of musicians onstage varies depending on the piece being performed.
The Cleveland Orchestra
FLUTES Joshua Smith* Elizabeth M. and William C. Treuhaft Chair
Saeran St. Christopher Jessica Sindell2 Austin B. and Ellen W. Chinn Chair
Mary Kay Fink PICCOLO Mary Kay Fink Anne M. and M. Roger Clapp Chair
OBOES Frank Rosenwein* Edith S. Taplin Chair
Corbin Stair Sharon and Yoash Wiener Chair
Jeffrey Rathbun2 Everett D. and Eugenia S. McCurdy Chair
HORNS Nathaniel Silberschlag* George Szell Memorial Chair
Michael Mayhew
Knight Foundation Chair
Jesse McCormick Robert B. Benyo Chair
Hans Clebsch Richard King Alan DeMattia TRUMPETS Michael Sachs* Robert and Eunice Podis Weiskopf Chair
Jack Sutte Lyle Steelman2 James P. and Dolores D. Storer Chair
Robert Walters
Michael Miller
ENGLISH HORN Robert Walters
CORNETS Michael Sachs*
Samuel C. and Bernette K. Jaffe Chair
CLARINETS Afendi Yusuf* Robert Marcellus Chair
Robert Woolfrey Victoire G. and Alfred M. Rankin, Jr. Chair
Daniel McKelway2 Robert R. and Vilma L. Kohn Chair
E-FLAT CLARINET Daniel McKelway Stanley L. and Eloise M. Morgan Chair
BASSOONS John Clouser *
§
Mary Elizabeth and G. Robert Klein Chair
Michael Miller TROMBONES Shachar Israel2 Richard Stout Alexander and Marianna C. McAfee Chair
EUPHONIUM AND BASS TRUMPET Richard Stout TUBA Yasuhito Sugiyama* Nathalie C. Spence and Nathalie S. Boswell Chair
Louise Harkness Ingalls Chair
Gareth Thomas Barrick Stees2 Sandra L. Haslinger Chair
Jonathan Sherwin CONTRABASSOON Jonathan Sherwin
The Cleveland Orchestra
SEASON
2020-21
O R C H E S T R A PERCUSSION Marc Damoulakis* Margaret Allen Ireland Chair
Donald Miller Tom Freer Thomas Sherwood KEYBOARD INSTRUMENTS Joela Jones* Rudolf Serkin Chair
Carolyn Gadiel Warner Marjory and Marc L. Swartzbaugh Chair
LIBRARIANS Robert O’Brien Joe and Marlene Toot Chair
Donald Miller ENDOWED CHAIRS CURRENTLY UNOCCUPIED Sidney and Doris Dworkin Chair Blossom-Lee Chair Sunshine Chair Myrna and James Spira Chair Gilbert W. and Louise I. Humphrey Chair
* Principal § 1 2
Associate Principal First Assistant Principal Assistant Principal
CONDUCTORS Christoph von Dohnányi MUSIC DIRECTOR LAUREATE
Vinay Parameswaran ASSISTANT CONDUCTOR
TIMPANI Paul Yancich* Otto G. and Corinne T. Voss Chair
Tom Freer 2 Mr. and Mrs. Richard K. Smucker Chair
The Musicians
Elizabeth Ring and William Gwinn Mather Chair
Lisa Wong
DIRECTOR OF CHORUSES
Frances P. and Chester C. Bolton Chair
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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra
Franz Welser-Möst is among today’s most distinguished conductors. The 2020-21 season marks his nineteenth year as music director of The Cleveland Orchestra, with the future of this acclaimed partnership extending into the next decade. The New York Times has declared Cleveland under Welser-Möst’s direction to be the “best American orchestra“ for its virtuosity, elegance of sound, variety of color, and chamber-like musical cohesion. Under his direction, The Cleveland Orchestra has been praised for its inventive programming, its ongoing support for new musical works, and for its innovative approach to semi-staged and staged opera presentations. An imaginative approach to juxtaposing newer and older works has opened new dialogue and fresh insights for musicians and audiences alike. The Orchestra has also been hugely successful in building up a new and, notably, a young audience. As a guest conductor, Mr. WelserMöst enjoys a particularly close and The Cleveland Orchestra
Music Director
productive relationship with the Vienna Philharmonic. He has twice appeared on the podium for their celebrated New Year’s Concert, and regularly conducts the orchestra in subscription concerts in Vienna, as well as on tours in Japan, China, Australia, and the United States. Highlights of his guest conducting appearances in the 2019-20 season included performances of Strauss’s Die Aegyptische Helena at Teatro alla Scala, and concerts with the New York Philharmonic, Leipzig Gewandhaus Orchestra, and Amsterdam’s Royal Concertgebouw Orchestra. Mr. Welser-Möst is also a regular guest at the Salzburg Festival, where his work leading a series of opera performances has been widely acclaimed. Franz Welser-Möst’s recordings and videos have won major international awards and honors. With The Cleveland Orchestra, his recordings include a number of DVDs on the Clasart Classic label, featuring live performances of five of Bruckner’s symphonies and a multi-DVD set of major works by Brahms. A number of his Salzburg opera productions, including Rosenkavalier, have been released internationally on DVD by Unitel. In June 2019, Mr. Welser-Möst was awarded the Gold Medal in the Arts by the Kennedy Center International Committee on the Arts in recognition of his long-lasting impact on the international arts community. Other honors include recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, a Decoration of Honor from the Republic of Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner Society of America.
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Cleveland Orchestra . . . “The has never sounded finer on disc.” —Gramophone Magazine A NEWCENTURY Available as a deluxe box set, or digitally online via your favorite streaming service. Released June 5, 2020 3-DISC BOX SET 150-PAGE BOOK FREE HD DOWNLOAD Musical selections by Beethoven, Strauss, Varèse, Prokofiev, Staud, and Deutsch
clevelandorchestra.com/newcentury
THE
CLEVELAND ORCHESTRA
THE CLEVELAND ORCHESTRA
PHOTO BY ROGER MASTROIANNI
is today hailed as one of the very best orchestras on the planet, noted for its musical excellence and for its devotion and service to the community it calls home. The 2020-21 season marks the ensemble’s nineteenth year under the direction of Franz Welser-Möst, one of today’s most acclaimed musical leaders. Working together, the Orchestra and its board of trustees, staff, and volunteers have affirmed a set of community-inspired goals for the 21st century — to continue the Orchestra’s legendary command of musical excellence while focusing new efforts and resources toward fully serving its hometown community throughout Northeast Ohio. The promise of continuing extraordinary concert experiences, engaging music education programs, and innovative technologies offers future generations dynamic access to the best symphonic entertainment possible anywhere. The Cleveland Orchestra divides its time across concert seasons at home — in Cleveland’s Severance Hall and each summer at Blossom Music Center. Additional portions of the year are devoted to touring and intensive performance residencies. These include recurring residencies at Vienna’s Musikverein, and regular appearances in European music capitals, in New York, at Indiana University, and in Miami, Florida. Musical Excellence. The Cleveland Orchestra has long been committed to the pursuit of excellence in everything that it does. Its ongoing collaboration with Welser-Möst is widely-acknowledged among the best orchestra-conductor partnerships of today. Performances of standard repertoire and new works are unrivalled at home and on tour across the globe, and through recordings and broadcasts. The Orchestra’s longstanding championing of new composers and the commissioning of new works helps audiences experience music as a living language that grows with each new generation. Fruitful juxtapositions and re-examinations of classics, new recording projects and tours of varying repertoire and in different locations, and acclaimed collaborations in 20th- and 21st-century masterworks together enable The Cleveland Orchestra the ability to give musical performances second to none in the world. Serving the Community. Programs for students and engaging musical explorations for the community are core to the Orchestra’s mission, fueled by a commitment to serving Cleveland and surrounding communities. All are being created to connect people to music in the concert hall, in classrooms, and in everyday lives. Recent seasons have seen the launch of a unique series of neighborhood initiatives and performances, designed to bring the Orchestra and the citizens of NorthThe Cleveland Orchestra
The Cleveland Orchestra
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Each year since 1989, The Cleveland Orchestra has presented a free concert in downtown Cleveland, with last summer’s for the ensemble’s official 100th Birthday bash. Nearly 3 million people have experienced the Orchestra through these free performances.
PHOTO BY ROGER MASTROIANNI
east Ohio together in new ways. Active performance ensembles and teaching programs provide proof of the benefits of direct participation in making music for people of all ages. Future Audiences. Standing on the shoulders of more than a century of quality music education programs, the Orchestra made national and international headlines through the creation of its Center for Future Audiences in 2010. Established with a significant endowment gift from the Maltz Family Foundation, the Center is designed to provide ongoing funding for the Orchestra’s continuing work to develop interest in classical music among young people. The flagship “Under 18s Free” program has seen unparalleled success in increasing attendance — with 20% of attendees now comprised of concertgoers age 25 and under — as the Orchestra now boasts one of the youngest audiences for symphonic con concerts anywhere. Innovative Programming. The Cl Clev Cleveland Orchestra was among the first Ame American orchestras heard on a regular seri of radio broadcasts, and its Severseries anc Hall home was one of the first concert ance hallll in the world built with recording and h halls b bro broadcasting capabilities. Today, Cleveland Orc Orchestra concerts are presented in a varietyy of formats for a variety of audiences — incl including casual Friday night concerts, film scor performed live by the Orchestra, scores colla ll collaborations with pop and jazz singers, ball and opera presentations, and stanballet dard repertoire juxtaposed in meaningful con contexts with new and older works. Franz W lser-Möst’s creative vision has given the Wel Orc Orchestra an unequaled opportunity to exp p explore music as a universal language of com communication and understanding.
An Enduring Tradition of Community Support. The Cleveland Orchestra was born in Cleveland, created by a group of visionary citizens who believed in the power of music and aspired to having the best performances of great orchestral music possible anywhere. Generations of Clevelanders have supported this vision and enjoyed the Orchestra’s performances as some of the best such concert experiences available in the world. Hundreds of thousands have learned to love music through its education programs and have celebrated important events with its music. While strong ticket sales cover less than half of each season’s costs, the generosity of thousands each year drives the Orchestra forward and sustains its extraordinary tradition of excellence onstage, in the classroom, and for the community. Evolving Greatness. The Cleveland Orchestra was founded in 1918. Over the ensuing decades, the ensemble quickly
The Cleveland Orchestra
The Cleveland Orchestra
grew from a fine regional organization to being one of the most admired symphony orchestras in the world. Seven music directors have guided and shaped the ensemble’s growth and sound: Nikolai Sokoloff, 1918-33; Artur Rodzinski, 193343; Erich Leinsdorf, 1943-46; George Szell, 1946-70; Lorin Maazel, 1972-82; Christoph von Dohnányi, 1984-2002; and Franz Welser-Möst, since 2002. The opening in 1931 of Severance Hall as the Orchestra’s permanent home brought a special pride to the ensemble and its hometown. With acoustic refinements under Szell’s guidance and a building-wide restoration and expansion in 1998-2000, Severance Hall continues to provide the Orchestra an enviable and intimate sound environment in which to perfect the ensemble’s artistry. Tour-
ing performances throughout the United States and, beginning in 1957, to Europe and across the globe have confirmed Cleveland’s place among the world’s top orchestras. Year-round performances became a reality in 1968 with the opening of Blossom Music Center. Today, concert performances, community presentations, touring residencies, broadcasts, and recordings provide access to the Orchestra’s acclaimed artistry to an enthusiastic, generous, and broad constituency at home throughout Northeast Ohio and around the world.
The Cleveland Orchestra
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Whatever greatness The Cleveland Orchestra has achieved is because of all the people in this community, from Cleveland and surrounding communities, who believe in what the power of music can do.
P H OTO BY R O G E R MA S T R O I A N N I
—Franz Welser-MÜst
MUSICAL ARTS ASSOCIATION
as of December 2 019
operating The Cleveland Orchestra, Severance Hall, and Blossom Music Festival OFFICERS AND EXECUTIVE COMMITTEE Richard K. Smucker, Chair André Gremillet, President & CEO Dennis W. LaBarre, Immediate Past Chair Richard J. Bogomolny, Chair Emeritus Alexander M. Cutler Hiroyuki Fujita David J. Hooker Michael J. Horvitz Douglas A. Kern RESIDENT TRUSTEES Robin Dunn Blossom Richard J. Bogomolny Yuval Brisker Helen Rankin Butler Irad Carmi Paul G. Clark Robert D. Conrad Margot Copeland Matthew V. Crawford Alexander M. Cutler Hiroyuki Fujita Robert A. Glick Iris Harvie Dee Haslam Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey Betsy Juliano Jean C. Kalberer
Norma Lerner, Honorary Chair Hewitt B. Shaw, Secretary Beth E. Mooney, Treasurer
Virginia M. Lindseth Nancy W. McCann Larry Pollock Alfred M. Rankin, Jr. Audrey Gilbert Ratner
Barbara S. Robinson Jeffery J. Weaver Meredith Smith Weil Paul E. Westlake Jr.
Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch Richard Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Milton S. Maltz Nancy W. McCann Stephen McHale Thomas F. McKee Loretta J. Mester Dr. Tomislav Mihaljevic Beth E. Mooney Katherine T. O’Neill Larry Pollock Alfred M. Rankin, Jr. Clara T. Rankin Audrey Gilbert Ratner
Charles A. Ratner Zoya Reyzis Barbara S. Robinson Steven M. Ross Luci Schey Spring Hewitt B. Shaw Richard K. Smucker James C. Spira R. Thomas Stanton Richard Stovsky Russell Trusso Daniel P. Walsh Thomas A. Waltermire John Warner Geraldine B. Warner Jeffery J. Weaver Meredith Smith Weil Paul E. Westlake Jr. David A. Wolfort Dr. Anthony Wynshaw-Boris
N ATI O NA L A ND I N T E RN AT I O N AL T RUS T E E S Virginia Nord Barbato (New York) Richard C. Gridley Wolfgang C. Berndt (Austria) (South Carolina) Mary Jo Eaton (Florida) Herbert Kloiber (Germany) TRUSTEES EX- OFFICIO Lisa Fedorovich, Co-Chair, Cleveland Orchestra Chorus Operating Committee Barbara R. Snyder, President, Case Western Reserve University TRUSTEES EMERITI George N. Aronoff Dr. Ronald H. Bell David P. Hunt S. Lee Kohrman Raymond T. Sawyer
Benjamin N. Pyne (New York) Paul Rose (Mexico)
Dr. Patricia M. Smith, President, Friends of The Cleveland Orchestra Todd Diacon, President, Kent State University
HONORARY TRUSTEE S FOR LIFE Alex Machaskee Gay Cull Addicott Robert P. Madison Charles P. Bolton John C. Morley Jeanette Grasselli Brown The Honorable John D. Ong Allen H. Ford James S. Reid, Jr. Robert W. Gillespie
PA S T BOA R D PR E S ID E N T S D. Z. Norton 1915-21 John L. Severance 1921-36 Dudley S. Blossom 1936-38 Thomas L. Sidlo 1939-53
Percy W. Brown 1953-55 Frank E. Taplin, Jr. 1955-57 Frank E. Joseph 1957-68 Alfred M. Rankin 1968-83
Ward Smith 1983-95 Richard J. Bogomolny 1995-2002, 2008-09 James D. Ireland III 2002-08 Dennis W. LaBarre 2009-17
TH E C L E V E L A N D O R C H E S TR A FRANZ WELSER-MÖST, Music Director
The Cleveland Orchestra
ANDRÉ GREMILLET, President & CEO
Musical Arts Association
29
THE CLEVELAND ORCHESTRA The Cleveland Orchestra’s Board of Trustees is grateful to the community leaders listed on this page, who provide valuable knowledge, expertise, and support in helping propel the Orchestra forward into the future.
ADVISORY COUNCIL Larry Oscar, Chair Greg Chemnitz, Vice Chair Richard Agnes Mark J. Andreini Lissa Barry Dean Barry William P. Blair III Frank Buck Becky Bynum Phil Calabrese Paul Clark Richard Clark Kathy Coleman Judy Diehl Barbara Hawley Matt Healy Brit Hyde Rob Kochis Janet Kramer David Lamb Susan Locke
30
Todd Locke Amanda Martinsek Michael Mitchell Randy Myeroff George Parras Beverly Schneider Astri Seidenfeld Reg Shiverick Tom Stanton Fred Stueber Terry Szmagala Brian Tucker Peter van Dijk* Diane Wynshaw-Boris Tony Wynshaw-Boris * deceased
EUROPEAN ADVISORY BOARD Herbert Kloiber, Chair Wolfgang Berndt, Vice Chair Gabriele Eder Robert Ehrlich Peter Mitterbauer Elisabeth Umdasch
MIAMI ADVISORY COUNCIL Michael Samuels, Co-Chair Mary Jo Eaton, Co-Chair Bruce Clinton Martha Clinton Betty Fleming Joseph Fleming
Alfredo Gutierrez Luz Maria Gutierrez Maribel Piza Judy Samuels
Lists as of September 2 O19
Advisory Councils and Boards
The Cleveland Orchestra
1918
Seven music directors have led the Orchestra, including George Szell, Christoph von Dohnányi, and Franz Welser-Möst.
16 19th
1l1l 11l1 l1l1 1 1lI
The The2017-18 2020-21season seasonwill marks mark Franz FranzWelser-Möst’s Welser-Möst’s19th 16th year yearas asmusic musicdirector. director.
SEVERANCE HALL, “America’s most beautiful concert hall,” opened in 1931 as the Orchestra’s permanent home.
40,000
each year
Over 40,000 young people attend Cleveland Orchestra concerts each year via programs funded by the Center for Future Audiences, through student programs and Under 18s Free ticketing — making up 20% of audiences.
52 53%
Over half of The Cleveland Orchestra’s funding each year comes from thousands of generous donors and sponsors, who together make possible our concert presentations, community programs, and education initiatives.
4million
Follows Followers on Facebook on social (as ofmedia June 2016)
The Cleveland Orchestra has introduced over 4.1 million children in Northeast Ohio to symphonic music through concerts for children since 1918.
129,452 200,000
1931
150
concerts each year.
The Orchestra was founded in 1918 and performed its first concert on December 11.
The Cleveland Orchestra performs over
THE CLEVEL AND ORCHESTRA
BY THE NUMBERS
Rainey Institute El Sistema Orchestra
A SYMPHONY OF
success
We believe that all Cleveland youth should have access to high-quality arts education. Through the generosity of our donors, we have invested more than $5 million since 2016 to scale up neighborhoodbased programs that now serve 3,000 youth yearround in music, dance, theater, photography, literary arts and curatorial mastery. That’s a symphony of success. Find your passion, and partner with the Cleveland Foundation to make your greatest charitable impact.
(877) 554-5054 clevelandfoundation.org/success