Tuesday Musical November 3, December 4 Concerts

The Tell-Tale Heart Saturday, November 3, 2018

Canadian Brass — Christmas Time is Here Tuesday, December 4, 2018

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Up next—Tuesday Musical’s MainStage series presents Calidore String Quartet with Inon Barnatan, piano Tuesday, January 22, at 7:30 p.m.

EJ Thomas Hall Making international headlines by winning the $100,000 grand prize of the 2016 M-Prize International Chamber Music Competition — the largest prize for chamber music in the world — Calidore is one of today’s most in-demand young chamber ensembles. Adding to its growing prestige: Calidore is the winner of the 2018 Avery Fisher Career Grant.

Israeli-born pianist Inon Barnatan has been deemed as “one of the most-admired pianists of his generation” by the New York Times.

Lawrence Brownlee, tenor Eric Owens, bass-baritone Tuesday, February 12, at 7:30 p.m.

EJ Thomas Hall Two international superstars and good friends join forces for a special duo concert spanning opera to spirituals. The Chicago Tribune observed that their recent Lyric Opera performance “had the assembled opera aficionados and newbies all but dancing in the aisles.”

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MainStage series 7:30 p.m. at Akron’s EJ Thomas Hall $45 / $40 / $25 / free for students

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Tuesday, January 22, 2019 Calidore String Quartet with Inon Barnatan, piano

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Tuesday, February 12 Lawrence Brownlee, tenor Eric Owens, bass-baritone Tuesday, March 12 Chamber Music Society of Lincoln Center Russian Mastery

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Thursday, March 28 Escher String Quartet World Premiere

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EJ Thomas Performing Arts Hall—The University of Akron Saturday, November 3, 2018 7:30 p.m.

The Tell-Tale Heart Gregg Kallor, composer/piano Jennifer Johnson Cano, mezzo-soprano Joshua Roman, cello A Single Noon

Kallor

Kallor

Espresso Nirvana Kallor

Kallor

Undercurrent Kallor three movements Roman, Kallor Gestillte Sehnsucht Brahms op. 91, no. 1 Johnson Cano, Roman, Kallor Verborgenheit Wolf from “Morike Lieder” no. 12 Johnson Cano, Kallor Unbewegte laue Luft Brahms op. 57, no. 8 Johnson Cano, Kallor Go ’way from my Window Niles improvised arrangement Johnson Cano, Kallor INTERMISSION

The Tell-Tale Heart Kallor

Johnson Cano, Roman, Kallor Tuesday Musical’s Three Graces Steinway D piano is on stage this evening.

Generous support for this performance and related education and community engagement activities comes from the Arts Midwest Touring Fund, a program of Arts Midwest that is funded by the National Endowment for the Arts with additional contributions from the Ohio Arts Council and the Crane Group, as well as from other foundations, corporations and individuals.

Among Tuesday Musical’s season supporters:

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The Artists Gregg Kallor, composer/piano

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regg Kallor, Tuesday Musical’s new composer-in-residence, is a composer and pianist whose music fuses the classical and jazz traditions he loves into a new, deeply personal language. The New York Times writes: “At home in both jazz and classical forms, [Kallor] writes music of unaffected emotional directness. Leavened with flashes of oddball humor, his works succeed in drawing in the listener—not as consumer or worshipful celebrant, but in a spirit of easygoing camaraderie.”

In 2017, Mr. Kallor was named the Classical Recording Foundation’s Composer of the Year.

In October 2018, The Angel’s Share and On Site Opera presented the world premiere of Mr. Kallor’s new suite of operatic sketches based on the monster’s harrowing tale from Mary Shelley’s Frankenstein in the Catacombs at the historic Green-Wood Cemetery in Brooklyn, NY, as well as the premiere of a solo piano tribute to Leonard Bernstein (a permanent Green-Wood resident), and a reprise of Kallor’s acclaimed setting of

Edgar Allan Poe’s chilling story, The Tell-Tale Heart, with mezzo-soprano Jennifer Johnson Cano and cellist Joshua Roman, directed by Sarah Meyers. The New York Observer wrote: “I can’t think of a better opera to become a new Halloween tradition.”

These performances will coincide with the release of Mr. Kallor’s new album, The Tell-Tale Heart, the premiere recording of his musical ghost story, performed by the composer with soprano Melody Moore and cellist Joshua Roman, recorded

by GRAMMY®-winning producer Adam Abeshouse. A celebration of music and literature, the album also features the first recording of Mr. Kallor’s 11 new song-settings of poems by Sara Teasdale, Elinor Wylie, Stephen Crane, Mark Twain, William Butler Yeats, DAVID WHITE as well as the young phenomenon Clementine Von Radics’ “A Prayer,” which Ms. Moore premiered at Carnegie Hall in 2016.

Other recent projects include Mouthful of Forevers, his work for string orchestra commissioned by Town Hall Seattle, premiered by the Seattle Youth Symphony Orchestra and conducted by Joshua Roman; and Some

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Not Too Distant Tomorrow, a tribute to the legacy of Martin Luther King, Jr. for piano and string quartet, commissioned by The Classical Recording Foundation and funded by a gift from Stuart and Linda Nelson, which Mr. Kallor premiered with the Attacca Quartet.

Mr. Kallor is the inaugural composer-Inresidence at SubCulture in New York City, named one of Time Out New York’s best new music venues. His residency has featured collaborations with artists encompassing a wide spectrum of musical flavors — including instrumentalists Joshua Roman, Miranda Cuckson, Joel Frahm, Alan Hampton, Ben Wittman, Claire Jensen, Chris Van Voorst Van Beest, and Laura Metcalf; singers Melody Moore, Adriana Zabala, Matthew Worth, Jo Lawry, Laila Biali, Kate McGarry, and Peter Eldridge; tap dancer Andrew Nemr; beat-boxer Mark Martin; and more.

Mr. Kallor joined an all-star roster of musicians, including Joyce DiDonato, Yo-Yo Ma, Jamie Barton, Isabel Leonard, Susanna Phillips, Anthony McGill, actors Sharon Stone and Ansel Elgort, and many more, for An AIDS Quilt Songbook: Sing for Hope.

Gregg Kallor was born in Cleveland, Ohio, and raised in West Hartford, Connecticut. He began improvising on the piano in his home as soon as he could walk over to it, began taking classical piano lessons when he was six, and added jazz lessons a few years later. He graduated from Tufts University with a degree in American Studies.

Jennifer Johnson Cano, mezzo-soprano

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uring the 2018-2019 season, Jennifer Johnson Cano returns to The Metropolitan Opera as Emilia in Otello and Meg Page in Falstaff and makes her role debut as Offred in Poul Ruders’s The Handmaid’s Tale with Boston Lyric Opera.

LISA MAZZUCCO Ms. Cano’s orchestral engagements include Bernstein’s Jeremiah Symphony with the Pittsburgh Symphony Orchestra, Mahler’s Das Lied von der Erde with the Colorado Springs Philharmonic, and Beethoven’s Ninth Symphony with the Pittsburgh and Cincinnati symphonies. expect great music

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The Artists A dedicated recitalist and chamber musician, she joins tenor Matthew Polenzani and pianist Julius Drake at Carnegie Hall for an evening of Schubert, Beethoven, Brahms and Janáček’s The Diary of One Who Disappeared. She will return to Chamber Music of Lincoln Center’s Alice Tully Hall for a performance of Ravel’s Sheherazade and Falla’s Psyche. Ms. Cano will also be part of two world premiere performances this season: Paul Moravec’s A New Country and Gregg Kallor’s Sketches from Frankenstein Suite.

Ms. Cano has given over 100 performances at The Metropolitan Opera, with recent roles including Bersi, Emilia, Hansel, Meg Page, Mercedes, Nicklausse, Wellgunde and Waltraute. Other operatic appearances have included Donna Elvira in Don Giovanni with Boston Lyric and Arizona operas, The Sharp Eared Fox in Janáček’s The Cunning Little Vixen with the The Cleveland Orchestra, Carmen in Bizet’s Carmen with Boston Lyric Opera, Orphée in Orphée et Eurydice with Opera Theatre of Saint Louis and Des Moines Metro Opera, Diana in La Calisto with Cincinnati Opera, and Marguerite in Berlioz’s La Damnation de Faust with the Tucson Symphony. She has recently worked with an impressive array of conductors, including Yannick Nézet-Séguin, Franz Welser-Möst, Gustavo Dudamel, Manfred Honeck, Marin Alsop, Robert Spano, Louis Langrée, Osmo Vänskä and Sir Andrew Davis.

Ms. Cano joined The Lindemann Young Artist Development Program at The Metropolitan Opera after winning the Metropolitan Opera National Council Audition, and made her Met debut during the 2009-2010 season. Among her honors are a First Prize winner of the Young Concert Artist International Auditions, Sara Tucker Study Grant, Richard Tucker Career Grant and George London Award.

Jennifer Johnson Cano is a native of St. Louis, Missouri and made her professional operatic debut with Opera Theatre of St. Louis. She has earned degrees from Webster University and Rice University and was honored as a distinguished alumna and commencement speaker at Webster University last May.

Joshua Roman, cello

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s well as being a celebrated performer, Joshua Roman is recognized as an accomplished composer and curator, and was named a TED Senior Fellow in 2015.

Mr. Roman recently played Mason Bates’s Cello Concerto with four different orchestras: 10

the Portland, Berkeley, Spokane, and Memphis symphonies. The concerto is dedicated to the cellist, who gave its “world-class world premiere” (Seattle Times) with the Seattle Symphony in 2014, and has since performed it with orchestras around the U.S. HALEY YOUNG Recent seasons have seen Mr. Roman premiere Awakening, his own cello concerto, with the Illinois Philharmonic Orchestra, and subsequently perform it with ProMusica Chamber Orchestra; make his debut with the Pittsburgh Symphony Orchestra playing Dvořák’s Cello Concerto; give a solo performance on the TED2015 main stage; perform a program of chamber works by Lera Auerbach at San Francisco Performances with Auerbach and violinist Philippe Quint; and make appearances with the Columbus, Fort Worth, New World and Seattle symphonies as well as with the Moscow State Symphony Orchestra and BBC Scottish Symphony Orchestra.

As artistic director of TownMusic in Seattle, he has showcased his own eclectic musical influences and chamber music favorites, while also promoting newly commissioned works.

Under his direction, the series has offered world premieres of compositions by some of today’s brightest young composers and performances by cutting-edge ensembles. In 2016 he performed at the Kennedy Center Arts Summit and was a member of the Kennedy Center Honors artists committee.

Mr. Roman’s cultural leadership includes using digital platforms to harness new audiences.

For example, in a recent YouTube project, “Everyday Bach,” he performs Bach’s cello suites in beautiful settings around the world. For his creative initiatives on behalf of classical music, he was named a TED Fellow in 2011, joining a select group of next-generation innovators who show potential to positively affect the world.

Beyond these initiatives, Mr. Roman’s adventurous spirit has led to collaborations with artists outside the music community, including his co-creation of “On Grace” with Tony Awardnominated actress Anna Deavere Smith, a work for actor and cello which premiered in February 2012 at San Francisco’s Grace Cathedral. His outreach endeavors have taken him to Uganda tuesdaymusical.org ■ 330.761.3460

tuesday musical 2018 | 2019

with his violin-playing siblings, where they played chamber music in schools, HIV/AIDS centers and displacement camps, communicating a message of hope through music.

Before embarking on a solo career, he spent two seasons as principal cellist of the Seattle Symphony, a position he won in 2006 at the age of 22. Since that time he has appeared as a soloist with the San Francisco Symphony, Los Angeles Philharmonic, Mariinsky Orchestra, New World Symphony, Alabama Symphony, and Orquesta Sinfónica Nacional del Ecuador, among many others. An active chamber musician, he has collaborated with such established artists as Andrius Zlabys, Cho-Liang Lin, Assad Brothers, Earl Carlyss, Christian Zacharias and Yo-Yo

Ma, as well as with dynamic young soloists and performers from New York City’s vibrant music scene, including the JACK Quartet, Talea Ensemble, Derek Bermel and the Enso String Quartet. He performed for Tuesday Musical in 2011.

A native of Oklahoma City, Joshua Roman began playing the cello at age 3 on a quartersize instrument, and gave his first public recital at age 10. Home-schooled until he was 16, he then pursued his musical studies at the Cleveland Institute of Music with Richard Aaron. He received his bachelor’s degree in cello performance in 2004 and his master’s in 2005 as a student of Desmond Hoebig. He is grateful for the loan of an 1899 cello

by Giulio Degani of Venice.

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Composer’s Notes

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ennifer Johnson Cano and Joshua Roman are two of the most extraordinary artists I know, and two of the finest humans I have the pleasure to call my friends. I couldn’t be more honored to perform with them, or more excited to share this music with you tonight.

A Single Noon Espresso Nirvana A Single Noon is the first movement and title of a 9-movement suite I wrote a few years ago. It begins with simple melody that floats over gently pulsing chords—like something you might hum to yourself while taking a walk. The title comes from Emily Dickinson’s exquisite riff on the ‘carpe diem’ theme: “It bloomed and dropt—a single noon.” I set the poem for voice and piano in my song-cycle, Exhilaration, and her words continue to inspire me.

Espresso Nirvana is my ode to caffeine.

Undercurrent Sometimes there’s a disconnect between the things we feel and the things we say; Undercurrent explores where the two meet. The simmering line that the cello and piano pass back and forth is always churning away just under

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the surface, until it bubbles up and explodes.

(Some relationships are…dynamic.) The middle movement evokes that fragile place of unspoken intimacy—where a glance, a gesture, a touch can mean everything.

Joshua brings the perfect blend of soaring lyricism and heart-pounding drive to this music.

It’s thrilling to hear him dispatch the not-exactlyeasy cello part with casual virtuosity, moving fluidly from pulsating groove to aching poignancy. We’ve performed Undercurrent together many times, and we recently recorded it. Every time we play it, it feels like a new adventure with an old friend.

The Tell-Tale Heart I always wanted to compose a musical ghost story that would make listeners feel as if they’re sitting around a crackling campfire, deep in the woods. And for a gripping, macabre tale, who better than Edgar Allan Poe? The world that Poe creates in “The Tell-Tale Heart” is particularly frightening because we recognize it. He brilliantly, and horrifically, invites us to sympathize with the murderous narrator, who could easily be someone we know—someone we trust—who is caring for someone we love.

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The narrator’s need to explain, to be believed— to be heard—is so finely wrought that we can’t turn away; we’re beguiled and repulsed by the conspiratorial confiding and furtively joyful flights of fancy, and Poe heightens the suspense through a long, slow build—continually turning up the heat.

All of which made setting “The Tell-Tale Heart” to music a lot of fun.

In composing my musical adaptation, I wanted to pull us deeply into the narrator’s world so that we experience the events as she relives them, and feel what she feels: the hypnotic pull of the old man’s glass eye, pride in how meticulously the atrocious crime is planned and carried out, pity for her victim, giddy excitement and demonic pleasure.

When Jenn sings, there is nothing else — she draws me in, and it’s as though the lights dim everywhere and there is only the world she creates through the music.

She performed The Tell-Tale Heart and premiered sketches from my first opera (in progress! based on Mary Shelley’s novel, Frankenstein) with me and Joshua in the Catacombs of Green-Wood Cemetery in Brooklyn a few weeks ago. She gave me—and everyone—chills. It was absolutely stunning/ thrilling/scary. One of the most extraordinary performances I’ve ever experienced.

And you get to experience it tonight.

These extraordinary artists are exceptionally riveting storytellers, and I hope that listening to this music sends shivers down your spines.

Trick or treat.

— Gregg Kallor, November 2018

Find your focus.

School of Music

www.uakron.edu/music 330-972-7590 music@uakron.edu expect great music

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Text & Translations Gestillte Sehnsucht

Yearning Appeased

In goldnen Abendschein getauchet, Wie feierlich die Wälder stehn!

In leise Stimmen der Vöglein hauchet Des Abendwindes leises Wehn.

Was lispeln die Winde, die Vögelein?

Sie lispeln die Welt in Schlummer ein.

Steeped in the golden glow of evening, How solemnly the forests stand!

In soft voices, the birds sigh Into the evening wind’s gentle breeze.

What whispers the wind, the little birds?

They whisper the world to sleep.

Ihr Wünsche, die ihr stets euch reget Im Herzen sonder Rast und Ruh! Du Sehnen, das die Brust beweget, Wann ruhest du, wann schlummerst du?

Beim Lispeln der Winde, der Vögelein, Ihr sehnenden Wünsche, wann schlaft ihr ein?

You, desires, that ever stir In my heart without rest or peace!

You, yearning, that agitates my heart, When will you rest, when will you sleep?

When the whispering of the breezes, of the little birds, You yearning desires, when will you sleep?

Ach, wenn nicht mehr in goldne Fernen Mein Geist auf Traumgefieder eilt, Nicht mehr an ewig fernen Sternen Mit sehnendem Blick mein Auge weilt; Dann lispeln die Winde, die Vögelein, Mit meinem Sehnen mein Leben ein.

Ah, when no longer into golden distances My spirit, on wings of dreams, shall make haste, No more on eternally distant stars With yearning glance my eyes dwell Then the whispers of the wind, the little birds, With my longing, and my life to sleep.

Friedrich Rückert (1788-1866)

Translation: Jennifer Johnson Cano

Verborgenheit Seclusion Lass, o Welt, o lass mich sein!

Locket nicht mit Liebesgaben, Lasst dies Herz alleine haben Seine Wonne, seine Pein!

Let me be, oh world, oh let me be!

Do not tempt me with love’s gifts, Let this heart alone have Its joy and its pain!

Was ich traure, weiss ich nicht, Es ist unbekanntes Wehe; Immerdahr durch Tränen sehe Ich der Sonne liebes Licht.

What saddens me, I do not know, It is an unknown pain; Always through my tears I see The sun’s loving light.

Oft bin ich mir kaum bewusst, Und die helle Freude zücket Durch die Schwere, so mich drücket, Wonniglich in meiner Brust.

I am often unaware, And the bright joy glimmers Through the heaviness and presses Blissfully within my breast.

Lass, o Welt, o lasst mich sein!

Locket nicht mit Liebesgaben, Lasst dies Herz alleine haben Seine Wonne, seine Pein!

Let me be, oh world, oh let me be!

Do not tempt me with love’s gifts, Let this heart alone have Its joy and its pain!

Eduard Mörike (1804-1875)

Translation: Jennifer Johnson Cano

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Unbewegte laue Luft

Motionless Tepid Air

Unbewegte laue Luft, Tiefe Ruhe der Natur; Durch die stille Gartennacht Plätschert die Fontäne nur.

Aber im Gemüte schwillt Heißere Begierde mir, Aber in der Ader quillt Leben und verlangt nach Leben.

Sollten nicht auch deine Brust Sehnlichere Wünsche heben?

Sollte meiner Seele Ruf Nicht die deine tief durchbeben?

Leise mit dem Ätherfuß Säume nicht, daher zu schweben!

Komm, o komm, damit wir uns Himmlische Genüge geben!

Motionless tepid air, Deep peace of nature; Through the quiet garden night Splashes only the fountain.

But hotter desires Swell within me, But in my veins gush Life and longing for life.

Should your breast Not also heave with yearning desires?

Should my soul’s call Not tremble deeply within yours?

Softly with ethereal feet Float here, do not delay!

Come, oh come, so that we May share heavenly satisfaction.

Georg Friedrich Daumer (1800-1875)

Translation: Jennifer Johnson Cano

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EJ Thomas Performing Arts Hall—The University of Akron Tuesday, December 4, 2018 7:30 p.m.

Chuck Daellenbach, tuba Christopher Coletti and Caleb Hudson, trumpets Achilles Liarmakopoulos, trombone Jeff Nelsen, horn

Christmas Time is Here Renaissance Fireworks

arr. Hudson/Coletti

Arrival of the Queen of Sheba

Handel/arr. Allen

Little Fugue in G Minor

Bach/arr. Romm

Bach’s Bells

Bach/arr. Coletti

Christmas Time is Here

Guaraldi/arr. Ridenour

You’re a Mean One, Mr. Grinch

Hague/arr. Coletti and Ridenour INTERMISSION

It’s the Most Wonderful Time

Pola and Wyle/arr. Hudson

Jolly Old Saint Nicholas

arr. Robertson

White Christmas

arr. Henderson

I Saw Three Ships

arr. Henderson

Glenn Miller Christmas

Miller/arr. Coletti

The official website of Canadian Brass is www.canadianbrass.com.

Keep up with Canadian Brass via Twitter, Facebook and YouTube.

Canadian Brass performs on 24-karat gold-plated Canadian Brass Collection instruments and is an Opening Day artist.

Canadian Brass recordings are available at www.canadianbrassstore.com.

Canadian Brass appears by arrangement with IMG Artists in New York City.

Among Tuesday Musical’s season supporters:

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The Artists Canadian Brass

W

ith an international reputation as one of the most popular brass ensembles today, Canadian Brass has truly earned the distinction of “the world’s most famous brass group.”

Friends Chuck Daellenbach and Gene Watts first came together in 1970 to form a brass quintet — a chamber music setting not entirely new, but never before having garnered the success and storied career Canadian Brass would achieve over the next 40 years.

Initially, Gene took on the role of developing new repertoire while Chuck was the moving force in marketing, publishing and managing the business. Three empty chairs were quickly filled and together the group’s imagination and consummate musicianship elevated the art of the brass quintet to what it is today. Here was not only an opportunity to explore the possibilities of an all-brass chamber group but a challenge to bring the sound and the excitement of brass music to new audiences.

A master of concert presentations, Canadian Brass has developed a uniquely engaging

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MB DAELLENBACH AND RAVINDRA SINGH

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stage presence and rapport with audiences.

Each concert shows the full range from trademark Baroque and Dixieland tunes to new compositions and arrangements created especially for them — from formal classical presentation to music served up with lively dialogue and theatrical effects. The hallmark of any Canadian Brass performance is entertainment, spontaneity, virtuosity and, most of all, fun — but never at the expense of the music: Whatever the style, the music is central and performed with utmost dedication, skill and excellence.

With a discography of more than 130 albums and an extensive world-wide touring schedule, Canadian Brass is an important pioneer in bringing brass music to mass audiences everywhere. It has sold well over 2 million albums worldwide, with 1.2 million sold in the Nielsen Soundscan era alone (since 1991). It continues to score Billboard chart positions — like with their rousing recording of patriotic songs and marches, Stars & Stripes: Canadian Brass Salute America, which spent 8 weeks in the Top 25 on the Billboard Classical Chart, peaking at #2.

Touring legends with an enthusiastic fan base, the Canadian Brass plays to packed houses everywhere throughout the U.S., Canada, Japan and Europe. It has also toured Australia, the Middle East, the Soviet Union and South America. It was the first brass ensemble from the West to perform in the People’s Republic of China (where it returned for a five-city tour to great acclaim in the spring of 2010 and several visits after this, including an appearance on Hunan TV for Chinese New Year) as well as the first brass group to take the main stage at the venerable Carnegie Hall. On numerous occasions Canadian Brass has been invited by the Canadian Government to play for visiting heads of states, becoming one of Canada’s greatest resources and musical ambassadors.

Millions of television viewers have had Canadian Brass in their homes with appearances on The Tonight Show, Today and Entertainment Tonight and recently to more than a half billion viewers for Chinese New Year on China’s most popular station. The quintet has appeared on Evening at Pops with John Williams and the Boston Pops, Beverly Sills’ Music Around the

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World, numerous PBS specials, including a celebrated appearance on Sesame Street, and is a frequent guest of many major symphony orchestras.

Canadian Brass was the featured artists on the soundtrack to the 1988 film The Couch Trip, starring Dan Aykroyd and Walter Matthau.

Consummate artists, the quintet has also created unique and interactive videos that have gained an international audience including a series of DVDs featuring the brass in concert and teaching. They are on the cutting edge of technology, offering their fans multimedia airplay, downloads and YouTube videos and streaming opportunities as well as digital applications with iPhone and other smartphone carriers. You can find them twittering and on Facebook with their fanbase growing daily!

The varied Canadian Brass repertoire features brass standards as well as a wide-ranging library of original arrangements. These include the works of Renaissance and Baroque masters, classical works, marches, holiday favourites, ragtime, Dixieland, Latin, jazz, big band, Broadway and Christian music as well as popular songs and standards. Having started with a very limited base, Canadian Brass has created its own

musical world by transcribing, arranging and commissioning more than 600 works, including critically acclaimed compositions from Michael Kamen, Luther Henderson, Bramwell Tovey, Don Gillis and more.

The ensemble has transformed a previously neglected group of instruments with a limited repertoire into a versatile and vital ensemble that can play everything from Gabrieli to Gershwin.

Canadian Brass is especially noted for its famous holiday concerts at Christmas time and was at the forefront of re-establishing Scott Joplin with today’s audiences through research, arrangements and recordings of his “rags” and other works.

Education plays a key role in the story of Canadian Brass and each member is uniquely attuned to training the next generation of players. On their travels around the world, they often pause for masterclasses and are more than happy to work with students and young audiences. Canadian Brass is currently ensemble-in-residence at the University of Toronto, after having been chamber quintet-inresidence for many years at the Music Academy of the West in Santa Barbara, California, and creating an innovative brass summer course at

2018-19 SEASON

CANTON SYMPHONY ORCHESTRA GERSHWIN & TCHAIKOVSKY

SPENCER MYER, PIANO SUNDAY, NOV. 18, 2018 7:30PM

HOLIDAY POPS 2018

with the CANTON SYMPHONY CHORUS SUNDAY, DEC. 9, 2018 3:00PM

Umstattd Performing Arts Hall 2331 17th St NW - Canton

TICKETS: $28 | $38 | $48 cantonsymphony.org 330-452-2094 20

tuesdaymusical.org ■ 330.761.3460

tuesday musical 2018 | 2019

the Eastman School of Music. Their support of education is also clearly viewed in their outreach and interaction with El Sistema, the acclaimed global music education program in Venezuela.

In conjunction with the Hal Leonard Corporation, the Canadian Brass has made available its extensive library of brass music for performers of all levels as well as learning tools.

Since 1998 Canadian Brass has been a recording artist at Opening Day Entertainment Group (distributed by IDLA), releasing more than 25 CDs on the imprint to date. Opening Day is owned and run by Chuck Daellenbach together with his wife, MB. Canadian Brass sheet music and recordings are available in their online store.

The Canadian Brass is represented by IMG Artists in New York.

Canadian Brass is founding member Chuck Daellenbach (tuba), Christopher Coletti and Caleb Hudson (trumpets), Achilles Liarmakopoulos (trombone) and Jeff Nelsen (horn).

With four decades under its belt, Canadian Brass continues to thrill audiences around the world — and they don’t look like they are letting up anytime soon!

expect great music

Great Views. Great Look. Great Food.

Located at the Sheraton Suites Akron Cuyahoga Falls t – 330-920-7530 www.BeausOnTheRiver.com © 2017 RDA Hotel Management Company All Rights Reserved • 3180 W. Market Street Akron, Ohio 44333 • 330.867.5024

1989 Front Street Cuyahoga Falls, OH 44221 t – 330.929.3000 salesinfo@sheratonakron.com www.sheratonakron.com

21

tm

ENGAGING our community

Inspiring current and future generations of music lovers Annual Scholarship Competition Hailed as the best of its kind in Ohio, the competition awards more than $25,000 each year to help college and university students prepare for careers as music educators and performers.

Decompression Chamber As an antidote to workplace stress, our Decompression Chamber brings free concerts to hospitals, factories, government offices, social service agencies, and other high-pressure environments throughout Akron.

“We bring great music to stages, schools, hospitals, libraries – anywhere music enriches learning and lives.”

- Jarrod Hartzler

Executive and Artistic Director

tuesdaymusical.org or 330-761-3460 22

tuesdaymusical.org ■ 330.761.3460

ENGAGING our community

Throughout NE Ohio, Tuesday Musical expands access to the world’s best music and musicians.

tm

Benefitting students and adults with innovative programs Education and Community Engagement Every season, TM’s guest artists also teach, perform and inspire during multi-day visits to K-12 schools, universities, libraries, retirement communities, workplace venues, and more.

Quartet-in-Residence The acclaimed Escher String Quartet visits 3-4 times each season to work closely with students, perform, and share the gift of music throughout our region.

Kennedy Center Partners in Education Program Recognizing our commitment to arts education, TM has been chosen to join this prestigious and powerful program. Together with schools and teachers, we work to increase the artistic literacy of young people.

Monthly Members’ Gatherings Expand your arts community and join Tuesday Musical. Enjoy short afternoon performances by talented local and regional musicians, followed by refreshments and opportunities to socialize with other music lovers..

Brahms Allegro TM’s junior music club encourages young members to develop their skills, perform for their peers, and compete in regional competitions. expect great music

23

PART OF A

BALANCED MORNING.

Wake up with WKSU. Start your morning with WKSU as your wake-up alarm.

Listen to our balanced news and NPR programming as part of your morning routine.

Kent State University, Kent State and KSU are registered trademarks and may not be used without permission. Kent State University is committed to attaining excellence through the recruitment and retention of a diverse student body and workforce .

18-IMPACT-00454-128

DOWNLOAD THE APP TODAY

CHRISTMAS on Sugarloaf Mountain

Baroque orchestra jeannette sorrell

An Irish-Appalachian Gathering

“Riveting... spectacularly performed and deeply moving.”

– SEEN & HEARD INTERNATIONAL, 2017

A lively new version of last year’s sold-out program! The people of the mountains welcome Christmas with LOVE, SINGING, DANCING and PRAYER.

apollosfire.org 800.314.2535 24 af1819_tma_october.indd

1

MONDAY, DECEMBER 10, 7:30PM THE BATH CHURCH, UCC

Other performances around Northeast Ohio December 7-9 & 14

tuesdaymusical.org ■10/4/18 330.761.3460 8:37 AM

Support: Individuals

tuesday musical 2018 | 2019

W

e gratefully acknowledge all donors this season. Every gift helps to support the success of Tuesday Musical’s MainStage and Fuze concert series and Education and Community Engagement Programs. (as of October 22, 2018) Director $5,000+ Anne Alexander Ann G. Allan Frances Yates Bittle David and Margaret Hunter Cynthia Knight Tim and Jenny Smucker Darwin Steele “Three Graces Piano” Mr. and Mrs. James Venner Lucinda Weiss Benefactor $1,500 to $4,999 Diana and John Gayer DuWayne and Dorothy Hansen Peter and Dorothy Lepp Christine and Lawrence Levey Paul and Linda Liesem Rusty and Marianne Miller George Pope Patrick Reilly Corrinne and Donald Rohrbacher Dr. Pat Sargent Kenneth E. Shafer Larry and Cyndee Snider R. Thomas and Meg Harris Stanton Sustainer $700 to $1,499 Eleanor and Richard M. Aron Earl and Judy Baxtesser Family John Bertsch Rob and Alyssa Briggs Alfred Cavaretta Kittie Clarke Harloe and Harriet Cutler Barbara and Denis Feld Robert and Beverley Fischer Laurie and Mark Gilles

Sue Jeppesen Gillman Joy and Bruce Hagelin Jarrod Hartzler John Vander Kooi James and Maureen Kovach Elizabeth and Charles Nelson Lola Rothmann Dr. Pamela Rupert Elizabeth and Michael Taipale Tom and Sue Tuxill Patron $400 to $699 Anonymous William P. Blair III John and Betty Dalton Mr. and Mrs. George W. Daverio, Jr. Paul Filon Lois and Harvey Flanders Patricia Hartzler Mary Ann Jackson Mary Jo Lockshin Thomas and Cheryl Lyon Barbara and Mark MacGregor Stan and Roberta Marks Anita Meeker Earla Patterson Roger Read Peter and Nanette Ryerson Jean Schooley Sandra and Richey Smith Drs. Fred and Elizabeth Specht Donor $200 to $399 Anonymous John and Kathleen Arther Drs. Mark and Sandy Auburn Jack and Bonnie Barber Carmen and David Beasley Myrna Berzon Cheryl Boigegrain

Guy and Debra Bordo Sarah J. Buck Alan and Sara Burky Margo Snider and Rick Butler Dr. and Mrs. Herbert E. Croft Mary Lynn and Tom Crowley Jane Delcamp Gary E. DeVault Barbara Eaton Carolyn Esman Jon A. Fiume Paul and Michele Friday Deanna Friedman Sharon and Robert Gandee Barbara Gillette Ted and Teresa Good Michael T. Hayes Patti Hester Loren Hoch Mark and Karla Jenkins Susan and Allen Kallor Cally Gottlieb King Bill and Sally Manby JoAnn and Paul Marcinkoski Natalie Miahky Al and Judy Nicely Alan and Marjorie Poorman Paula Rabinowitz Sandra and Ben Rexroad Rachel R. Schneider Betty and Joel Siegfried Cecilla and Nathan Speelman Darwin Steele Dina and Brooks Toliver Daniel Velasco Susan and Reid Wagstaff Kathleen Walker Keryl Whetstone Jorene F. Whitney Christopher Wilkins

Advertise in the Tuesday Musical Programs Contact Ruth Krise 330.714.2704 for More Information expect great music

Joyce Ya

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no Margaret Baxtres ser Ann Tuesday, ual Piano Septem Concert ber 11, 2018

25

Support: Memorials & Tributes These gifts to Tuesday Musical are meaningful ways to honor special people.

In Memory of Barry Collier

In Memory of Elizabeth Kime

Barbara Eaton Anita Meeker

Robert and Beverley Fischer

In Memory of Elizabeth Dalton Robert and Beverley Fischer Jarrod Hartzler Paul and JoAnn Marcinkoski Natalie Miahky

In Memory of Eugene Mancini Toshie Haga In Memory of Paul Marcinkoski Barbara Eaton Robert and Beverley Fischer In Honor of George Pope

In Memory of Betty Sibley Watts Wetterau Jarrod Hartzler Pamela Johnson Peter and Dorothy Lepp Lynne Margolies Anita Meeker David Watts In Honor of Billie Whittum Harriet Richman

Elizabeth Sandwick

AKRON SYMPHON Y ORCHESTRA

HOME FOR THE HOLIDAYS DECEMBER 7 7:30 P.M.

26

ASO_TuesMusical-Holidays-Ad.indd 1

TICKETS:

330.535.8131 akronsymphony.org

10/4/18 10:28 AM

tuesdaymusical.org â– 330.761.3460

Support: Foundations, Corporations & Government Agencies Tuesday Musical thanks these foundations, corporations and government agencies for their support. $25,000+

$1,000 to $4,999

Corporate Partners

GAR Foundation

Akron/Summit Convention & Visitors Bureau

Akron Tool & Die Co.

John S. and James L. Knight Foundation Louis S. and Mary Schiller Myers Foundation Ohio Arts Council

Arts Midwest Touring Fund The Lisle M. Buckingham Endowment Fund of Akron Community Foundation

Nelson Development In-kind Services Akron Beacon Journal Cally Graphics

Peg’s Foundation

Kenneth L. Calhoun Charitable Trust, KeyBank, Trustee

$10,000 to $24,999

KeyBank Foundation

Cogneato

Lehner Family Foundation

ideastream®

Beatrice K. McDowell Family Fund

Labels and Letters

Community Fund—Arts & Culture of the Akron Community Foundation

ClevelandClassical.com

Sheraton Suites Akron/ Cuyahoga Falls

C. Colmery Gibson Polsky Fund of Akron Community Foundation

R. C. Musson and Katharine M. Musson Charitable Foundation

Kulas Foundation

OMNOVA Solutions Foundation

John A. McAlonan Fund of Akron Community Foundation

Sisler McFawn Foundation

The University of Akron School of Music

$200 to $999

WKSU-FM

Gertrude F. Orr Trust Advised F und of Akron Community Foundation

KeyBank Foundation Community Leadership Fund

$5,000 to $9,999

W. Paul Mills and Thora J. Mills Memorial Foundation

Mary S. and David C. Corbin Foundation

Maynard Family Foundation

Mary and Dr. George L. Demetros Charitable Trust Charles E. and Mabel M. Ritchie Memorial Foundation

Steinway Piano Gallery— Cleveland

Wooster Color Point

Laura R. and Lucian Q. Moffitt Foundation Richard and Alita Rogers Family Foundation

Lloyd L. and Louise K. Smith Foundation Welty Family Foundation

>> 44 <<

**OPEN LATE**

Visit our website at briccorestaurants.com for hours and links to our locations in Fairlawn, Kent and the Merriman Valley.

expect great music

1 W. Exchange St. 330-475-1600 JOIN US BEFORE OR AFTER THE SHOW Monday thru Saturday 11 am—11 pm Sun 10 am— Justvisit Blocks FromatEJbriccorestaurants.com Thomas Hall our website for ho 1 W. links Exchange St., Downtown Akron 330-475-1600 to our locations in Fairlawn, Kent and the Merr >> > JOIN US BEFORE OR AFTER THE SHOW > > >

Monday thru Saturday 11 am–11 pm Sun 10 am–11 pm NEWEST LOCATION—Bricco Prime, 4315 Manchester Rd., Akron 44319

27

tuesday musical

2018-2019 Board of Directors

Executive Committee President Paul Filon

Vice President/President Elect Linda Liesem

Treasurer Stephannie Garrett

Secretary Marianne Miller Governance Committee Chair Bob Fischer

Committee Chairs

Brahms Allegro Chair Cheryl Boigegrain

Development Chair Charles Nelson Student Voucher Chair Magdalena McClure

Finance Chair Stephannie Garrett

Hospitality Co-Chairs Barbara Eaton & Joy Hagelin

Membership Chair Fred Specht

Member Program Chair Teresa Good

Scholarship Chair George Pope

At-large Members Mary Jo Lockshin, Cheryl Lyon, Mike Magee,

Paul Mucha & James Wilding Staff

Executive & Artistic Director Jarrod Hartzler

Director of Development & Communications Cyndee Snider

Programs Director Moneeb Iqbal

Director of Operations Karla Jenkins

Program art direction by Live Publishing Co.

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29

House Notes Parking Beginning at 5 p.m. for evening concerts and 12:30 p.m. for Sunday concerts, special event parking is available at $5 per vehicle in the EJ Thomas Hall parking deck or in surrounding campus lots.

Late Seating Out of consideration for other audience members and the performers, latecomers will be seated at a suitable pause in the program.

Emergency Numbers Physicians and others expecting calls are requested to leave their name and seating location with the Head Usher upon arrival. Please leave your seat location with the person(s) who may need to reach you in case of an emergency and ask them to call EJ Thomas Hall at 330.972.6828.

Pre-concert Talks Free Pre-concert Talks, designed to enrich the concert-going experience, are presented one hour before most Tuesday Musical concerts and last 30 minutes.

Intermission Intermissions are 20 minutes in length. The flashing of the lobby lights is your signal to return to your seat for the start of the performance.

Special Accommodations If you have special seating requirements, please inform the Ticket Office when you place your ticket order. EJ Thomas Hall has wheelchair accommodations and other seating services for the physically challenged in both the Orchestra and Grand Tier sections. Handicapped parking is available in the EJ Thomas Hall deck and the North parking deck accessed from both Forge St. and Buchtel Ave.; a valid parking permit must be displayed. A special sound system for the hearing impaired and large print program notes are available, free of charge, with advance notice. Please see the Head Usher for the sound system device and call the Tuesday Musical office to request the program notes.

Restrooms Public restrooms are located in the Robertson Lobby of EJ Thomas Hall. The ladies’ room can be accessed from the odd-numbered entry doors and the men’s room access is from the even-numbered entry doors. The center stairs in the Robertson Lobby lead to both restrooms. Accessible restrooms are located at the bottom of each ramp.

Cameras, Audio Recorders & Video Equipment Cameras, video and audio recording devices of any kind are prohibited at all performances. Our ushers are instructed to retrieve these prohibited items from patrons in the auditorium.

30

Paging Devices, Phones & Hearing Aids All electronic and mechanical devices—including pagers, cellular telephones, and wrist-watch alarms—must be turned off while in the concert hall.

Patrons with hearing aids are asked to be attentive to the sound level of their hearing device and adjust it accordingly.

Refreshments Bar service is offered in the center lobby before concerts and at intermission. Soda and light snacks are also available in the lobby. The EJ Café, located in the Herberich Lobby, offers appetizers, desserts, gourmet coffees, espresso and cappuccino.

Drinking fountains are in the center lobby.

Smoke Free Theatre Smoking is not permitted anywhere inside EJ Thomas Hall, but designated smoking areas are located outside the building.

Event Cancellation On very rare occasions, severe weather forces EJ Thomas Hall to cancel or postpone an event.

Cancellation information is available by calling the Tuesday Musical office at 330.761.3460.

Security Policy Customer safety and security is of the utmost importance. All patrons entering the facility must have a ticket for that day’s event. There is a police presence both inside and outside of the theatre.

Program Information For information about any Tuesday Musical concert, please call the Tuesday Musical Association office at 330.761.3460 or visit the website at www.tuesdaymusical.org.

Ticket Information Single Tickets To purchase single tickets to any Tuesday Musical concert, call the Tuesday Musical Association office at 330.761.3460 or visit the website at www.tuesdaymusical.org.

Tuesday Musical Association 1041 West Market Street, Suite 200 Akron, OH 44313-7103 Releasing Tickets Tuesday Musical subscribers who are not able to attend a concert are encouraged to release their tickets 24 hours prior to the concert. In exchange for their tickets, subscribers may receive tickets to a different 2018/2019 Tuesday Musical concert (some restrictions may apply) or receive a charitable donation receipt for the value of the tickets. Please remember to call the office 24 hours PRIOR to the concert. Your seats are the best in the house and someone else would love the experience of sitting just where you do.

tuesdaymusical.org ■ 330.761.3460

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