LEH SHYU CAL POLY POMONA 2011-15
INFORMATION 1993-05-20
COMPITITION Born in Taipei, Taiwan
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LEH SHYU CAL POLY POMONA 2011-15
Cheng Gong Senior High School, Taipei Orange Lutheran High School, CA Cal Poly Pomona, CA Architecture major
Cal Poly Pomona, 3rd Year Design Awards AAa/e Undergraduate Scholarship Coalition for Adequate School Housing Student Award, First Prace
WORKING EXPERIENCE 2012
Fei & Cheng Associates- Taipei Pop Music Center Taichung Tower National Taiwan University Hospital
SPECIAL EXPERIENCE 2011 2013 2014
2012 2013 2014
San Deigo-San Francisco-Seattle, USA Osaka-Kyoto-Tokyo, Japan Chicago-Toledo-Cincinnati, USA Beijing-Shanghi-Suzhou-Hong Kong, China
ACTIVITES
AWARDS 2014 2014 2015
Taichung City Cultural Center, Wu Associates Lesley Wheel Memorial Scholarship Luminare Design Compition
TRAVELING EXPERIENCE
EDUCATION 2008 2008-2011 2011-
2013 2014
Brother Elephants Professional Baseball team- Training Pitcher Topco Tech Semi-Professional Baseball Team- Pitcher Architectural Guide for Taiwanese Exchange Students in LA Taiwan Architecture Trip Tour guide
Taiwanese Students Association TSA American Institute of Architecture Students AIAS Tau Sigma Delta, Architecture Honor Society
COMPUTER SKILL 2D Modeling Photoshop Illustrator Indesign AutoCAD Others Ecotect Lumion Lightroom
3D Modeling Revit Sketchup Rhino
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LEH SHYU TABLE
CAL POLY POMONA 2011-15
OF CO NTENTS
SILVERLAKE HOUSING
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KOREATOWN ELEMENTARY SCHOOL A SPACE FOR CROSSING ACTIVITIES SPRING 2014
DEMETER WINERY FOR BIODYNAMIC WINE
REPRESENTATION VS. ABSTRACTION
BULLOCKS BROADWAY MUSIC SCHOOL
WINTER 2014
ADAPTIVE REUSE
GENERATIVE ORDER
UNVEILING THE ELEMENT OF TIME
STUDENT LIGHTING SCHOLARSHIP DESIGN
TEMECULA
SPRING 2015
THE INFORMATIVE PRISTINE
FALL 2014
SPRING 2014
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KOREATOWN ELEMENTARY SCHOOL A SPACE FOR CROSSING ACTIVITIES SPRING 2014
DIALOGUE ABOUT PROJECT AND SITE
CONNECTION ABOUT SCHOOL IN APPROCHING A DESIGN FOR ELEMENTARY SCHOOL, I BELIEVE THAT THE FIRST THING IS TO REALIZE THAT IT IS THE FIRST AGENT OF SOCIALIZATION. AS AN ARCHITECTS, I HAVE THE RESPONSIBILITY TO CREATE A COMMUNITY SO THE ARCHITECTURE ITSELF CAN STIMULATE ACTIVITY. ESPECIALLY IN A ELEMENTARY, KIDS ARE YOUNGER AND ENERGETIC, THEY WILL NEED EXTRA SPACE FOR THEIR ENERGY. YET, NOT ONLY DOES KIDS NEED LARGE PLAYGROUND, SMALLER SCALE GATHERING SPACE IS ALSO NEEDED, SO THEY CAN BEGIN TO GROW IN GROUPS AND DEVELOP TIGHTER BONDS WITH EACH OTHERS.
DROPOFF ZONE
STUDENTS
IS
AX
DROPOFF ZONE
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CALIFORNIA HAS SEEN HISTORICAL ENROLLMENT RATES FOUR TIMES HIGHER THAN NATIONAL AVERAGES. MANY CURRENT SCHOOLS ARE AGING AND OVER 30% OF EXISTING FACILITIES NEED MAJOR RENOVATION. AT THE SAME TIME, CALIFORNIA SCHOOLS ARE SPENDING NEARLY $450 MILLION ON ENERGY,MORE THAN THE COMBINED COST OF SUPPLIES AND BOOKS, IN A TIME OF RISING CONCERN OVER ENERGY SUPPLIES AND TIGHT SCHOOL BUDGETS. THERE IS THEREFORE A NEED AND OPPORTUNITY TO DESIGN AND BUILD A NEW TYPOLOGY OF SCHOOL GROUNDS: FACILITIES THAT IMPROVE THE LEARNINGENVIRONMENT. THE ELEMENTARY SCHOOL WILL BE LOCATED IN THE CITY OF LOS ANGELES’ KOREATOWN AND IT WILL HOUSE 458 STUDENTS. THE SITE IS CURRENTLY OCCUPIED BY THE CHARLES KIM ELEMENTARY SCHOOL ; HOWEVER THIS PROJECT WILL IGNORE THE CURRENT SCHOOL AND THE DESIGN WILL BE BASE ON A EMPTY SITE. THE SITE IS FACING THE STREETS ON THREES SIDE. WESTERN AVENUE ON THE WEST SIE BEING THE BUSIEST. ON THE SOUTH SIDE,THERE IS A 5 STORY PARKING STRUCTURE AND A HOTEL.SURROUNDING BUILDING ON SITE ARE MOSTLY ORIENTATED TO THE E-W DIRECTION, FUTHER CLIMATE RESEARCH HAVE SHOWN THAT THE PEVILING WIND COMES FROM THE SOUTH SIDE. THEREFORE, I APPROCH THE SITE LOCATING THE BUILDING TO THE NORTH CORNER SO ORIENTATED TO THE E-W DIRECTION, SO SUNLIGTH WILL NOT BE BLOCKED AND ALLOW NATURE VENTILATION TO OCCUR.
LOADING
IS
AX PARKING
CONCEPT THE BUILDING IS DESIGN INTO A TWO STORY STRUCTURE. THE ONCEPT OF THE DESIGN IS TO USE A COURTYARD THAT BECOMES THE IMFORMED VALLEY, WHERE IT IS THE CENTRAL FOCUS IN THE ARCHITECTURE. ALL PROGRAMS
PROGRAM THE PROGRAM SEEKS TO CREATE A CONTINUOUS FLOW BETWEEN THE COURT, LIBRARY, AND THE MUTIPURPOSE ROOM. THESE ARE PROGRAM THATS HAS A STRONG PUBIC NATURE; THESE PROGRAMS SHOULD NOT BE SEEN AS NEGATIVE SPACE AND BEING PLACE IN THE CORNER. I BROUGHT THE STAGE OUT INTO THE COURT AND DESIGNED A STAIRCASE THAT SERVE BOTH FOR SEATING AND THE CIRCULATION TO LIBRARY. I BELIEVE THE DESIGN WILL GUIDE THE STUDENTS MORE INTO PUBLIC PROGRAMS AND ENCOURAGE THE STUDENTTO USE THEM.
LANDSCAPE
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THE LANDSCAPE WAS DESIGNED USING GUIDING LINES TO CREATED FRAGMENTED PIECES. THESE PIECES EXPAND AND GET LARGER AS IT GETS TO THE OUTDOOR AND BECOME THE PLAYING FIELDS. AT THE TWO ENDS OF THE AXIS, A STAIRCASE IS BEING USED AS A DESTINATION. HOWEVER, THESE STAIR IS NOT TO MARK THE END OF THE AXIS, BUT TO CREATE INTERACTION.
STRUCTURE & CONSTRUCTION
MATERIAL LIST
THE BUILDING IS CONSTRUCTED BY A LIGHT GAGUE STEEL FRAMING SYSTEM. VERTICAL LOAD ARE CARRIED BY HSS COLUMNS AND STUD BEARING WALL AND GOES INTO THE FOUNDATION. THE BEAM FRAMING SYSTEM IS A COMBINE OF STRUCTURAL STEEL FRAMING AND LIGHT GAGUE JOISTS. THE SPECIFIC SELECTION OF THE BEAM SIZE IS CALCULATE BASE ON A TOTAL LOAD OF 48 POUNDS PER SQUARE FEET FOR THE ROOF AND 136 POUNDS PER SQUARE FEET FOR THE SECOND FLOOR. FLOOR PLATES ARE CONSTRUCTED BY METAL DECKING WITH LIGHT WEIGHT CONCRETE FILL.
CONCERTE
SAND
WOOD
GRASS
RUBBER
KEY WALL SECTION
TYPICAL FRAMING MODULE
ANALYSIS AND ACCESSIBILITY THE CONSTRUCTION TYPE IS II-A, WITH A FIRE SPRINKLER SYSTEM. ADA RAMPS ARE PROVIDED FOR ACCESS TO THE UNDERGROUND MUTIPURPOSE ROOM. TWO ELEVATOR ARE PROVIDED; ONE FOR THE SECOND FLOOR AND THE OTHER FOR THE UNDERGROUND PARKING LOT. ALL RESTROOMS ARE ACCOMODATE TO ADA REGULATION WITH A MINIMUN 60” TURNING DIAMETER. ACCESSIBLE PARKING IS ALSO PROVIDED, 9’X18’ IN SIZE FOR VANS AND SATISFY THE 5’ LOADING AISLE RULE.
ENVIROMENTAL ANALYSIS ARCHITECTS ARE NOT ONLY SPACE DESIGNER, BUT ALSO NEED TO CONSIDERED FOR THE LIVING QUALITY OF THE SPACE BEING DESIGNED. ENVIOMENTAL CONTROLS IS THE CRITICAL PART OF THE BUILDING THAT HAS DIRECT IMPACT ON THE USER AND NEED TO BE IINTEGRATED INTO THE DESIGN. IN THIS PROJECT, I’VE LOOK INTO SEVERAL COMPONENT OF ENVIRONMENTAL CONTROLS INCLUDING HVAC DESIGN, LIGHTING DESIGN, SHADING DESIGN, ACOUSTIC, WATER SERVICE, AND ROOF TOP RENEWABLE ENERGY. ANALYSIS IS DONE THE TYPICAL ROOM TYPE CREATING A GENERAL PICTURE OF HOW THE SYSTEMS WILL BE DESIGNED AND CAN BE APPLIED TO THE OTHER PARTS OF THE BUILDING.
RENEWABLE ROOFTOP ENERGY 780 5’X3’ 240W SOLAR PANELS CAN BE PLACED ON TOP OF THE ROOF CAPABLE OF GENERATING 187.2KW OF ENERGY. ON A YEARLY SCHEDULE, IT IS ABLE TO 242019 KW OF ENERGY SAVING $30252.
LIGHTING THE DESIGN OF THE LIGHTING SYSTEM IS FIRST BY ANALYZING THE DAYLIGHT POTENTIALS IN THE SPACE. THEN, I USED THE ZONAL CAVITY METHOD (LUMEN METHOD) TO CALCULATION THE REQUIRED LIGHTING TO PROVIDE AMBIENT LIGHTING AND DESIGN THE LIGHTING LAYOUT. THE LIGHTING GOAL WAS SET AT 50FC, AND I APPLIED 2 SYSTEM TO THE DESIGN; ONE IS USING 18 PHILIPS 1001, AND THE OTHER IS USING SPS1GFSVA232 ALSO BY PHILIPS.
H.V.A.C. SYSTEM
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THE DESIGN OF THE HVAC SYSTEM IS DERIVE BASED ON THE MAXIMUM HEATING AND COOLING LOADS CALCULATED. I SELECTED THE 48VA-G FURNACE AND REFRIGERANT SYSTEM. THIS SYSTEM CAN SUPPORT UP TO 5 TONS OF COOLING LOAD, WHICH SASTISFY THE REQUIRED 3.45 TONS FROM THE SIZING CALCULATION. IT IS ALSO SUITABLE BECAUSE IT IS A PACKAGE SYSTEM THAT IS EXCELLENT FOTR SMALL BUILDING. A TOTAL OF 2000CFM IS NEED FOR TWO CLASSROOM, THEREFORE 1000 CFM IS REQUIRED FOR ONE. THE AIR IS BROUHT IN BY A 15”X12” DUCT, AND DISTRUBUTE TO FOR DIFFUSER
WATER SERVICES HOT AND COLD WATER IS SUPPLIED TO THE SINK AND COLD WATER IS SUPPLIED TO THE TOILET. THE VENT IS FOLLOWING THE SEWAGE LINE TO CARRY AWAY OFFENSIVE GASES, RELIEVE PRESSURE AND AIDS THE FLOW.
ACOUSTIC ACOUSTICAL CONDITIONS INCLUDE VALUES SUCH AS ABSORPTION VALUE ("A"-SABINS), AVERAGE ABSORPTION FACTOR (Α-BAR), AND THE REVERBERATION TIME ("T60") AT ALL BROAD-BAND FREQUENCIES TO CALCULATE. THESE VALUES ARE CALCULATED BY MATERIAL SETTING, SEVERAL TESTING NEED OT BE DONE BEFORE DETERMINING THE FINAL SURFACE MATERIAL SO THE ALPHA BAR SUM AND REVERBERATION TIME IS IN ACCEPTABLE RANGE.
SHADING SYSTEM THE SHADING SYSTEM SERVE TWO PURPOSE IN THIS DESIGN; ONE IS TO INFORCE THE CENTRAL FOCUS CONCEPT BY MAINTAINING A BOX EXTERIOR, AND THE OTHER IS TO CONTROL LIGHTING. IT IS A PERFORATED METAL SYSTEM WITH A PATTERN OF VARIOUS HOLE SIZES. IN ADDITION, THERE ARE OPENINGS ON THE SYSTEM ALLOWING THE USER TO CONTROL THE AMOUNT OF LIGHT THEY NEED.
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DEMETER WINERY FOR BIODYNAMIC WINE
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GENERATIVE ORDER TEMECULA FALL 2014
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The Client: A group of friends that graduated from the University of Santa Cruz. Strongly believed the writing of Rudolf Steiner, who promotes a new organic farming method known as Bio-dynamism. The group lived in a trailer before saving up enough money, and want to build a winery of their own that integrated holistically into the landscape.
ENCLOSURE
SITE PLAN Bio- Dynamism: Biodynamic agriculture is a method of organic farming originally developed by Rudolf Steiner that employs what proponents describe as "a holistic understanding of agricultural processes". One of the first sustainable agriculture movements, it treats soil fertility, plant growth, and livestock care as ecologically interrelated tasks, emphasizing spiritual and mystical perspectives.
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Changing Opacity
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The Preparations: Nine different preparations to aid fertilization. Steiner believed that these preparations mediated terrestrial and cosmic forces into the soil. The most famous- horn-manure a humus mixture prepared by filling the horn of a cow with cow manure and burying it in the ground.
CLIENTS
America
OUTREACH CENTER
Generated pattern
California
Temecula
SCHEME
WINERY LEVEL
enclosure for interaction PATTERN
The Design Process: The design search for an natural element that can generate a formal gesture. It results in a texture study of a vine leaf. In the primary study, space is created through extruding selected pattern and certain nodes are identified at where the vines meet as penetrations. In later studies, opacity was changed to create different shadows. Then, the form is seen as a wrapping that creates enclosures, which interaction can happen within and below. The design require a combining of random pattern into an orderly disciplined program, and not forgetting the experience has to always connect to nature. The final solution is a human scale village that the circulation consistently guides the indoor to outdoor experience.
TEXTURE
Visitor and Outreach ExhibitThe experience of the building starts with a narrow ramp with compress walls. Turning corners are designed for anticipation. The exhibit is meant for one experience in one building block. The visitors can experience nature from the continuity of transitioning from indoor gallery to outdoor landscape.
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Public Visitor PlazaThe Visitor Plaza is a designed outdoor room, with the texture generated wrapping 7 ft above. It is a space that is not wide open therefore the sense of enclosure can still be felt, yet does not block the vision to the vineyard.
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VISITOR CIRCULATION
Tasting RoomThe tasting room is located at the edge that has the open view to the hill side. Visitors can enjoy their wine can experience the landscape through a full height glass curtain wall. BARRELS
Fermentation tanksSince the wine making process is a gravity fed process, the fermentation tanks requires a double height space. The design utilizes the space so it became an exhibit to the wine making process.
GRAPE HANDELING
BARRELS
Wine LibraryThe barrel room is usually the eye catching part of the winery. The wine library in located in the center of the barrel room. It is an experience that is intimate, inside a glass box surrounded by barrels. WINERY WORKER CIRCULATION
11. 2.
10.
3.
1.
12.
19.
3. 5.
13.
4. 19. 16. 3.
14.
6.
18.
7.
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8. 9.
1. LOBBY 2. SHOP 3. EXHIBIT 4. TASTING ROOM 5. KITCHEN 6. ELEVATOR 7. DECK FOR FERMENTATION TANKS 8. AUDITORIUM/ LIBRARY 9. READING AREA
15.
17. 19.
8. 9.
10. WINE LIBRARY 11. BARREL ROOM 12. BOTTLING ROOM 13. FLEXIABLE ROOM 14. CONFERENCE ROOM 15. OFFICE 16. SHOWER 17. FERMENTATION TANKS 18. EQUIPMENT STORAGE 19. VOID FOR FLEXIABLE USE
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TAICHUNG CITY CULTURAL CENTER
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PUBLIC LIBRARY & FINE ARTS MUSEUM 2013 WU + ASSOCIATES
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SITE THE LAYOUT ON THE SITE PROVIDES AN INTERACTION BETWEEN THE BUILDING AND THE SURROUNDING CONDITIONS, AS WELL AS THE FUTURE PLANS. A TRIPARTITE STRUCTURE OF THE BUILDING OVERLAPS AT THE CORNER OF EACH BAR. AT ONE END OF THE SITE, THE DESIGN ALLOWS AN OPENING FOR THE COMMUNITY TO CIRCULATE INTO THE SITE.
4KM
IT ALSO FORMS A CONNECTION TO THE DEVELOPING PARK, PROVIDING INTERACTION WITH ITS SURROUNDINGS. TH E BUILDING ITSELF IS FORMED FROM THE IDEA OF A DOUBLE HELIX SEPARATION. TH E TWO HELIXES ARE CONNECTED AT ONE END, THE TOWER, AND THE TWO STRANDS PROVIDE AN OPENING FOR TWO NEW HELIXES TO FORM. TH ESE TWO SEPARATE STRANDS ARE THE WINGS OF THE BUILDING THAT EMBRACE THE INNER COURTYARD AND OPENS TO THE ADJACENT PARK.
逢甲商圈
LANDMARK
FENGJIA NIGHT MARKTET
THIS BUILDING DESIGN PROVIDES A TOWER THAT SERVES AS THE FOCAL POINT OF THE SITE IN
6KM
7.3KM
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CONJUNCTION WITH THE REST OF THE DESIGN. TH E FOCUS SHOWS A SPLIT IN THE FACADE, AS ANOTHER ARCHITECTURAL STYLE EMERGES FROM IT. TH IS GIVES A REVEAL TO WHAT LAYS INSIDE THIS BUILDING, URGING PERSONS TO COME INSIDE. TH E PEOPLE THEN TRAVERSE UNDER THE HEAVY MASS, COMING OUT TO AND OPEN
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COURTYARD, EXPERIENCING THE SITE IN FULL, BEFORE ULTIMATELY ENTERING THE BUILDING. THE TOWER PROVIDES AN ATRIUM SPACE THAT REDUCES VERTICALLY AND SERVES AS A HEAT EXHAUST. WITH THIS METHOD, THE SOLAR
老虎城
HEAT GAIN CAN BE PASSIVELY COOLED AND REDUCE THE INTERNAL HEAT GAIN. SINCE THE SIDING IS MAINLY
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TTIGER CITY
GLAZING, IT IS A BENEFI CIAL ASPECT TO THE DESIGN. TH E GRADUAL REDUCTION OF THE BUILDING’S MASS TOWARDS THE TOP AMPLIFI ES THE VIEWS TO THE CITY AND THE EXPERIENCE FROM THE DIFF ERENT LEVELS.
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INTEGRATION
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THE IDEA OF INTEGRATION IS A MAIN FOCUS THROUGHOUT THE DESIGN AND CONCEPT OF THIS PROJECT. BUILDINGS AND DESIGNS MUST MAINTAIN A CONNECTION WITH ITS SURROUNDINGS AND OVERALL LOCATION. SINCE IT IS A NEW COMPONENT TO THE SITE AND COMMUNITY, IT MUST PROVIDE A LINK BETWEEN ITSELF, THE CITY, AND THE CULTURE. TH E VISION OF “COSMOPOLITAN TAICHUNG” DRIVES THIS PROJECT TO PROVIDE THIS INTEGRATION AND INTERACTION. TH E PROGRAM OF THIS BUILDING AND SITE ASSIST IN THE CONNECTIVITY.
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國立自然科學博物館
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國立臺灣美術館
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臺中市文英館
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中山堂
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臺中文化創意產業園區
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臺中市圓滿戶外劇場
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臺中市大都會歌劇院（興建中）
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國立公共資訊圖書館
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勤美誠品綠道
NATIONAL MUSEUM OF NATURAL SCIENCE
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NATIONAL TAIWAN MUSEUM OF FINE ARTS
一中商圈 YIZHONG STREET
TAICHUNG WENIN CENTER
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CHUNG SHAN HALL TAICHUNG CULTURAL & CREATIVE INDUSTRUIES PARK
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10
FULFILLMENT AMPHITHEATER
TAICHUNG METROPOLITAN OPERA HOUSE (UNDER CONSTRUCTION) NATIONAL LIBRARY OF PUBLIC INFORMATION
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CMP PARK LANE
10 臺中公園 TAICHUNG PARK
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11 臺中棒球場 TAICHUNG BASEBALL FIELD 臺中市洲際棒球場 12 TAICHUNG INTERCONTINENTAL BASEBALL STADIUM
LOCAL CONNECTIVITY
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13 臺中車站 TAICHUNG STATION 14 大慶車站 DAQING STATION 8
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2.3 基地開發 SITE DEVELOPMENT SITE DEVELOPMENT
CONCEPT THE IDEA OF THE SHAPE OF THIS EDIFI CE IS
學習
TO CREATE A DESIGN BASED ON THE INTELLECTUAL
LEARNING
媒體
EXPERIENCE OF THIS BUILDING. TH IS RESULTED IN
MEDIA
實際
台中 清翠園 TAICHUNG GATEWAY PARK
LITERARY
ANALYZING
THE
PROGRAMMING
THAT
THIS
地景的延伸 EXTENTSION OF LANDSCAPE 綠屋頂 GREEN ROOF
BUILDING WILL HOLD. THE REALIZATION BECOMES
建築與地景的串聯 CONNECTION BETWEEN BUILDING AND LANDSCAPE
設計發想 INITIAL IDEA
THAT A MUSEUM, LIBRARY, AND OTHER PROGRAMS HELD IN THIS BUILDINGS ALL EQUATE TO ONE SIMILAR INTELLECTUAL IDEAL, AND THAT IS A CULTURAL CENTER. BASED UPON THIS CORE IDEAL, THE CONCEPT EMERGES AS A DNA STRAND. AS ITS
REPLICATION
PROCESS,
m 20
BEGINS
IT
10 m
m 25
DNA
1 0m
進口動線 WAYS OF APPROACHING 台中 清翠園 TAICHUNG GATEWAY PARK
基地範圍與退縮 BOUNDARIES OF SITE / MASSING SETBACK
UNRAVELS, SPLITTING INTO TWO PARTS. EACH PART
行人動線 PEDESRIAN CIRCULATION 城市景觀 CITY VIEW
CONTAINING THE GENES OF THE ORIGINAL BODY. DN
JUST THE SAME, A CULTURAL CENTER IS ONE BODY,
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公園景觀 PARK VIEW
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THAT IS THEN SPLIT INTO TWO WINGS, ONE FOR 臺中城市文化館 CITY CULTURAL CENTER
LITERARY STUDY AND ONE FOR AESTHETIC STUDY.
3.1 機能分區 ZONING
圖書館 LIBRARY
THUS AT THE UPPER MERGED PORTION, THE
博物館 MUSUEM
臺中城市文化館 CITY CULTURAL CENTER READING AND OBSERVATION SPACES, THEN THE
量體操作 STUDY OF PROGRAM MASSING
景觀 VIEWING
3.1 機能分區 ZONING
BUILDING SPLITS INTO SECTORS FOR THE MUSEUM AND THE LIBRARY.
臺中城市文化館 CITY CULTURAL CENTER
3.1 機能分區 ZONING
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公共設施 ^ĞƌǀŝĐĞ ^ƉĂĐĞ ϰϰϳϲ ŵϮ
10%
17%
讀者服務 ZĞĂĚĞƌ ^ĞƌǀŝĐĞ 展示 džŚŝďŝƟ ŽŶ 公共服務 WƵďůŝĐ ^ĞƌǀŝĐĞ 研究 ZĞƐĞĂƌĐŚ 典藏 ŽůůĞĐƟ ŽŶ 行政 ĚŵŝŶŝƐƚƌĂƟ ŽŶ 展示 džŚŝďŝƟ ŽŶ
會議學習 DĞĞƚ Θ >ĞĂƌŶ 技術服務 dĞĐŚŶŝĐĂů ^ĞƌǀŝĐĞ 公共設施 ^ĞƌǀŝĐĞ ^ƉĂĐĞ 行政支援 ĚŵŝŶŝƐƚƌĂƟ ŽŶ Θ ^ƵƉƉŽƌƚ 讀者服務 ZĞĂĚĞƌ ^ĞƌǀŝĐĞ
展示 džŚŝďŝƟ ŽŶ 公共服務 WƵďůŝĐ ^ĞƌǀŝĐĞ 研究 ZĞƐĞĂƌĐŚ 典藏 ŽůůĞĐƟ ŽŶ 展示 džŚŝďŝƟ ŽŶ 行政 ĚŵŝŶŝƐƚƌĂƟ ŽŶ 公共服務 WƵďůŝĐ ^ĞƌǀŝĐĞ 展示 džŚŝďŝƟ ŽŶ 研究 ZĞƐĞĂƌĐŚ 典藏 ŽůůĞĐƟ ŽŶ 行政 ĚŵŝŶŝƐƚƌĂƟ ŽŶ 展示 džŚŝďŝƟ ŽŶ
讀者服務 ZĞĂĚĞƌ ^ĞƌǀŝĐĞ
會議學習 DĞĞƚ Θ >ĞĂƌŶ 讀者服務dĞĐŚŶŝĐĂů ^ĞƌǀŝĐĞ ZĞĂĚĞƌ ^ĞƌǀŝĐĞ 技術服務 公共設施 ^ĞƌǀŝĐĞ ^ƉĂĐĞ 行政支援 ĚŵŝŶŝƐƚƌĂƟ ŽŶ Θ ^ƵƉƉŽƌƚ 會議學習 DĞĞƚ Θ >ĞĂƌŶ 讀者服務 ZĞĂĚĞƌ ^ĞƌǀŝĐĞ 技術服務 dĞĐŚŶŝĐĂů ^ĞƌǀŝĐĞ 公共設施 ^ĞƌǀŝĐĞ ^ƉĂĐĞ 行政支援 ĚŵŝŶŝƐƚƌĂƟ ŽŶ Θ ^ƵƉƉŽƌƚ 讀者服務 ZĞĂĚĞƌ ^ĞƌǀŝĐĞ
ZONING
LIBRARY
臺中城市文化館 CITY CULTURAL CENTER
4.1 地面層配置與平面 GROUND FLOOR PLAN
A LIBRARY IS A PIECE OF PROGRAM THAT MAY ALWAYS BE USED AND ENJOYED BY THE VISITORS TO THE BUILDING. HOWEVER, A MIXTURE OR INTERACTION OF VARIOUS PROGRAMS IN SAME LEVEL MAY CAUSE DISTRACTIONS. TH E LIBRARY IS DESIGNED IN A WAY THAT PROVIDES LEVELS OF ACTIVITIES FOR ALL AGE GROUPS AND INTEREST TYPES. ALL LEVELS OF THE LIBRARY MAY BE OCCUPIED BY ANYONE INTERESTED, BUT WILL CATER TO A PARTICULAR GROUP AND AGE. TH IS AMPLIFI ES THE LEVEL OF OCCUPANCY AND PROVIDES TO ALL. IT TAKES A TYPICAL LIBRARY AND TRANSFORMS INTO A NEW TYPOLOGY. IT INTRODUCES CONTEMPORARY METHODS OF LITERARY EDUCATION WITH MORE MEDIA AND INTERACTIVE TECHNOLOGIES THAT TRANSFORM THE TYPICAL PRACTICE OF READING BOOKS. THIS ATTRACTS THE YOUNGER VISITORS AND WELCOMES THE ELDER GENERATIONS INTO A MORE CONTEMPORARY WAY OF READING. HOWEVER, THIS DOES NOT DISMISS THE CLASSIC FUNCTION OF A LIBRARY OR ELIMINATE HARDCOVER BOOKS. AT ONE OF THE LEVELS, THE STACKS
文化館一樓 GROUND FLOOR
34
N
0
6
35
AND ROWS OF BOOKS AND PERIODICALS WILL REMAIN IN A MODIFI ED
LEVEL 1 0M SCALE 1:600
TRADITIONAL SETTING. TH E LIBRARY WILL ATTRACT THE COMMUNITY AND
GROUND FLOOR
24
LEVEL 1 0M SCALE 1:600
N
0
6
EDUCATE THEM ON THE CULTURE AND HISTORY OF THE AREA THROUGH THE 24
MILLIONS OF WORDS IN THE LITERARY WORKS.
CAFE 10
AT THE INTERSECTION OF THE LIBRARY
AND
MUSEUM,
A
CAFÉ
IS
INSTALLED TO PROVIDE A TRANSITION BETWEEN THE DIFF ERENT WINGS OF THE BUILDING. IN ADDITION, IT SERVES A SOCIAL SPACE FOR INTERACTION. TH E PATRON ENJOYS OBSERVATION LOOKING BACK UPON THE SITE, SEEING THE POINT IN WHICH THE
BUILDING
SPLITS
TO
CREATE
THE
COURTYARD BELOW.
N
N
FLOOR OF RECREATION
0
12
N
FLOOR OF READING LEVEL 12 42M SCALE 1:1200
LEVEL 5 18M SCALE 1:1200 48
0
12
UNDERGROUND PARKING LEVEL P1 -4.5 M SCALE 1:2400
48
0
24
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臺中城市文化館 CITY CULTURAL CENTER
MUSEUM
6.1 剖面 SECTION A
THE MUSEUM WILL FUNCTION AS THE VISUAL STIMULANT OF CULTURE AND EDUCATION. JUST AS THE LIBRARY, THE MUSEUM WILL TAKE ON THE TRADITIONAL
臺中城市文化館 CITY CULTURAL CENTER
臺中城市文化館 CITY CULTURAL CENTER
FUNCTION OF A MUSEUM AND MODIFY IT TO MEET THE NEEDS
6.2 圖書館剖面圖 PUBLIC LIBRARY SECTION B OF THE COMMUNITY. THE MUSEUM WILL PROVIDE SPACES FOR PERMANENT AND TEMPORARY EXHIBITION ITEMS. TH E
BOTTOM FL OORS WILL CONSIST OF THE MORE PERMANENT COLLECTIONS AND WORK UP TO THE TEMPORARY PIECES ON THE UPPER LEVELS. TH IS PROVIDES A CIRCULATION THROUGH THE MUSEUM FROM THE PERMANENT TO THE TEMPORARY. IN ADDITION, A VARIETY OF OUTDOOR SPACES LOCATED AT VARIOUS LEVELS PROVIDE NATURAL LIGHTING AND A BREAK FROM THE INDOORS. TH IS SPACE MAY BE USED FOR EVENTS OR FOR OUTDOOR ART AND EXHIBITS. TH E MUSEUM PROVIDES THE COMMUNITY WITH VARIOUS VISUAL ASPECTS OF THEIR
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HISTORY AND CULTURE. TH E PERMANENT GALLERIES WILL CONSIST OF VARIOUS ERAS OF THE CITIES TRAJECTORY, WHICH INCLUDES CULTURAL ITEMS. TH IS WILL FUNCTION AS A VISUAL EDUCATOR TO THE VISITORS. THE TEMPORARY
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GALLERIES WILL SHOWCASE ITEMS THAT ARE SIGNIFI CANT TO THE TAIWAN AS A WHOLE AND THOSEFROM THE WORLD. IT WILL PROVIDE THE CONNECTION TO THE COMMUNITY OUTSIDE OF TAIPEI.
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GRASS GROWING MEDIA FILTER FLEECE DRAINAGE LAYER WATERPROOF MEMBRANE CONCRETE SLAB
GREEN ROOF
WATER HARVESTING
WIDE FLANGE HP COLUMN
SOLAR USE
STEEL FRAME
DOUBLE PANE LOW-E WINDOW
0 to 20 degree
GKD Mediamesh
MATERIALS AND STRUCTURE
RAINFALL HAPPENS VERY OFT EN YEAR-ROUND IN
ALONGSIDE THE GREEN ROOF, A SYSTEM OF PHOTOVOLTAIC SOLAR PANELS WILL BE INSTALLED. TH
THIS AREA. THE WATER IS HARVESTED FROM THE ROOF AND
E GREEN ROOF WILL REFL ECT THE SOLAR HEAT GAINS, WHILE THE PV PANELS WILL COLLECT THE SOLAR RAYS
ROUTED TO AN UNDERGROUND CISTERN AND MAY BE USED
AND CONVERT THEM INTO USABLE ENERGY. THE PANELS WITH BE INSTALLED AT THE HIGHEST POINT OF THE
FOR A WATER FEATURE. WATER WILL BE COLLECTED INTO
BUILDING TO REDUCE ANY POSSIBILITY OF SHADOWS BEING CAST ON THEM, THUS ALLOWING THE MAXIMUM
THE
ENERGY GAIN.
WATER
RECLAMATION
AND
TREATMENT
TANK
UNDERGROUND. RAINWATER IS COLLECTED ONSITE FROM RAINFALL AND THEN STORED IN AN UNDERGROUND CISTERN.
GREY
WATER
FROM
IRRIGATION
IS
ALSO
COLLECTED FROM VARIOUS SOURCES ONSITE AND REUSED TO IRRIGATE ONSITE. BLACK WATER FROM TOILETS WILL BE
Summer 88.95’
COLLECTED AND FI LTERED ONSITE, THEN USED FOR THE
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TOILETS INSIDE THE BUILDING. WATER DIVERTED TO THE WATER FEATURE IS DISPLAYED AS WATERFALLS IN THE ATRIUM, WHICH IS FI LTERED AND PROMOTES INFI LTRATION
PASSIVE HEAT VENTILLATION
Winter 42.86’
OF WATER BEFORE IT IS RELEASED TO THE STORM SYSTEM. WATER DIRECTED TO THE CISTERN IS STORED FOR USE AS GRAY WATER IN THE BUILDING SYSTEM, LANDSCAPE
VENTILATION
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TH E ATRIUM NOT ONLY PROVIDES INTERNAL VIEWS WITHIN THE TOWER AND EXPANDS THE NATURAL LIGHT SOURCE, BUT IT ALSO SERVES AS A PASSIVE VENTILATION SYSTEM. TH IS ATRIUM REACHES THE ROOF AND FUNCTIONS AS AN EXHAUST TOWER FOR HEAT TO BE RELEASED AND COOL AIR TO ENTER. IN CONJUNCTION WITH THE ATRIUM SHAFT , FRESH AIR ENTERS THE BUILDING THROUGH THE USE OF OPERABLE WINDOWS THAT ARE PLACED ON FACADE. THESE WINDOWS CREATE CROSS VENTILATION AND ASSIST THE ATRIUM TO FUNCTION AS AN EXHAUST.
IRRIGATION, OR FOR THE WATER FEATURE. A CHILLED WATER SYSTEM WILL BE USED TO COOL DOWN THE BUILDING DURING SUMMER, RATHER THAN THE SOLE USE OF AN AIR
PHOTOVOLTAIC SOLAR PANEL
CONDITIONING SYSTEM, TO REDUCE THE CO2 EMISSIONS AND ENERGY CONSUMPTION. CHILLED BEAMS WILL BE
STORMWATER COLLECTION
IMPLEMENTED WITHIN THE BUILDING AND RECEIVE ITS WATER FROM THE AQUIFER BELOW THE BUILDING. THE CHILLED WATER WILL BE ALSO USED DIRECTLY IN THE COOLING COILS OF THE AIR-HANDLING UNITS TO COOL THE FRESH AIR HEAT ISLAND EFFECT
WATER RECLAIMATION TREATMENT
INNOVATE WASTEWATER TECHNOLOGIES Innovate Wastewater
Water Use Reduction
WATER USE REDUCTION
Stream Water
Stream Water
Irrigation Water
Water diverted from - Creek for use as irrigation water. First it travels through a heat
Water collected from various sources onsite to irrigate fields and gardens
Irrigation Water
Grey Water
Black Water
Water diverted from - Creek Water collected from various Locally collected(rainwater), Waste water from toilets that for use as irrigation water. sources onsite to irrigate filtered onsite, then used must be sent to local First it travels through a heat fields and gardens for toilets. sewage treatment. is stored. Rain Water Grey Water exchanger before it Black Water City Water Locally collected(rainwater), Waste water from toilets that Collected onsite from rainfall, Treated water delivered by filtered onsite, then used must be sent to local stored in underground tank. the city’s water system. for toilets. sewage treatment.
Rain Water
City Water
Collected onsite from rainfall, stored in underground tank.
Treated water delivered by the city’s water system.
ENTERING THE BUILDING.
GREEN ROOF SYSTEM THE GREEN ROOF SYSTEM TECHNOLOGY IS AN INEXPENSIVE, DURABLE, AND FL EXIBLE SYSTEM TO INTEGRATE INTO THE BUILDING DESIGN. IT PROVIDES A USABLE LANDSCAPE THAT ASSISTS IN THE COLLECTION OF RAINFALL AND THE NATURAL FI LTRATION PROCESS OF WATER BEFORE IT ENTERS THE CISTERN. DUE TO THE HIGH PRECIPITATION LEVELS, IT IS AN EXCELLENT SYSTEM TO INTEGRATE INTO THIS BUILDING. THE GREEN ROOF WILL ALSO PROVIDE A COOLING SYSTEM BY REFL ECTING SOLAR HEAT GAINS. TH E ROOF IS ALSO INHABITABLE IN SPECIFI C AREAS.
Technologies
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exchanger before it is stored.
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CIRCULATION
UNIT TYPE
Representation VS. Abstraction: This project is not only a project to explore the housing tyology, but also into the idea of the spirit of space. In believing that contemporary architecture need to have a neutral aesthetic, it also has the capacity to carry certain representaion ideas. This projects attempt to reflect my personal cultural background through a site plan developed by the idea of a Chinese garden. The element of “wall” is introduced to create both enclosure and seperation. All together, it created the progressive experience change in the sequence of start, anticipate, turn, and finally connect.
ELEMENTS
SILVERLAKE HOUSING REPRESENTATION VS. ABSTRACTION
TYPE A WORK LIVE TYPE B APARTMENT TYPE C WORK LIVE TYPE D APARTMENT COMMUNITY CENTER COMMERCIAL
WINTER 2014
BUILDING MASS GROUND PLANE 0FT ELEVATED GROUND 4FT CONNECTING BRIDGE 22FT VERTICAL CIRCULATION
WALLS CIRCULATION BUILDING MASS GROUND PARKING
The issue of housing: With a combine program of apartment units and work live units, a the issue of private vs, private needed to be address. In the public yards, openess is needed but not to figurative cluster. In the private space, intimacy is needed but not to create isolation. The issue of site: The project is site on a corner of a busy commercial boulevardand a highly residential street. It is a challenge to transform from the commercial to the residential courtyard in the back.
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SITE PLAN CENTRAL COURTYARD
UPPER PLAZA
PRIVATE YARD
BACK COURTYARD
BULLOCKS BROADWAY MUSIC SCHOOL ADAPTIVE REUSE UNVEILING THE ELEMENT OF TIME SPRING 2015
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Analysis of facade pattern
Removing floor plates to expose original structure
Generative space block
Adaptive reuse approach through the theme of revealing the element of time. Original structure is unveiled to create a new spatial experience and also redefining the ground floor into public accessible plaza. The new design reclam its presence on a location that was once L.A. ‘s major intersection.
SITE
47 Four cores are introduce to accommodate for new program need and also structural upgrades.
Opening up ground floor as a public atrium and allow free flow of circulation from both streets at the intersection
STUDENT LIGHTING SCHOLARSHIP DESIGN THE INFORMATIVE PRISTINE SPRING 2014
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Materiality can influence sensibility. Through the purist expression of material, it is a way to guide a person's emotion. I firmly believe that there is no grading to the quality of any material. As a designer, it is a constant adventure to explore what kind of spark the designed object can create with a certain material ; therefore the commitment into the articulation through materiality is always an interesting process. In this lighting design , I pick up this philosophy, leaving the heformal gestures to the purist simplicit of rectangular forms . The object itself is a boldly monolithic and monotone volume . However, granted the cold and abstract form, I believe it should reveal a soft ambience. The force of the design does not lies in the formal manipulation but the immediate, visceral impact on the viewer as light painted the shadow on the board.
Sustainability Drawing influence to recent Pritzker Prize Award winner, Shigeru Ban, I have been inspired to challenge myself to explore an unknown yet accessible and recyclable material. This wall sconce is constructed with recycled wire mesh from pervious concrete project and wood chip pick up outside of our studio. The back board wood is also recycled and sanded down from scrape piece picked up in our woodshop.
Material : Wire Mesh + Wood chip + Plywood Board
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