Kim Yu-jeong’s prose, with its liberal use of lively onomatopoeia, rustic dialects, and homespun colloquialisms, lends great animation to his subjects, providing readers with vitality-filled sketches of the impoverished and miserable lives lived by the lowest classes in rural villages under Japanese colonial rule. “The Heat of the Sun” (1937) follows Deoksun as he struggles to carry his starving, deathly-ill wife to the hospital, buoyed by the foolish hope that the hospital will pay them for the opportunity to research the wife’s illness.