Lucas Coelho Netto - Portfolio 2018 by Lucas Coelho Netto

LUCAS COELHO NETTO PORTFOLIO

selected works architecture, urbanism, art

2014-2018

PROJECT

TYPE

YEAR

LOCATION

Sensorial Landscape

Academic Studio VIII

2017

Rio de Janeiro Brazil

22º58’46.6”S 43º13’31.5”W

Dense & Low

Competition

2018

Tampere Finland

61º26’31.5”N 23º48’29.8”E

Costa Rica Embassy

Comission

2017

Brazilia Brazil

15º50’08.9”S 47º54’21.6”W

Brisa del Cantabrico

Competition

2016

Cantabria Spain

43º27’24.8”N 3º34’03.1”W

Community Axis

Competition

2018

Pharping Nepal

27º38’11.2”N 85º14’28.8”E

Aviapolis Urban Blocks

Design development

2018

Vantaa Finland

60º17’40.0”N 24º58’31.1”E

Gloria Apartments

Academic STudio VII

2017

Rio de Janeiro Brazil

22º55’15.0”S 43º10’47.2”W

Human Displacement

Workshop

2016-17

Porto Academy

Workshop

2018

Porto Portugal

41º09’38.3”N 8º36’52.9”W

final: resume and authorship 2

AREA

PROGRAM

WITH

34.000m2

Landscape architecture

Gabriela Sad

4.175m2

Housing

as MassLab intern

redeemed: to be built

25.000m2

Services

as Gavea Arquitetos intern in collaboration with C+P and Embya

on going

90.000m2

Masterplan Mixed use Housing

as CI-AA intern in collaboration with Deborah Calfond

proposal

3.000m2

Community Center

Clara Marinho Petros Terra Ana Clara Bessa

proposal

240.000m2

Masterplan Mixed use Housing

as MassLab intern in collaboration with Mandaworks

on going competition winning proposal

640m2

Housing

8m2

Art instalation

Sarah Regensburg David Mergelmeyer Gabriel Gomes

exhibited at PUC-Rio

3.500m2

Urban instalation

leader: NP2F

STATUS

exhibited at Casa da Arquitectura

Lucas Coelho Netto Portfolio

Sensorial Landscapes

Context: a diffuse limit between GĂĄvea and Leblon. A walled g with no public access. Although it is a vast area and a privilege unnoticed by walkers. The project aims to reveal the site to any enter. It is neither about an attractive urban centre nor areas th In response to the functionalist tradition and the modern posi character of denial.

Recently, most architectures are found imprisoned to its conte themselves to the needy and clear definition of the program t a dependence on programmatic addiction to understand the making their spatial quality secondary.

2017 / Academic Studio VIII info: 34.000mÂ˛ Rio de Janeiro Brazil with: Gabriela Sad

right: water pavilion 4

ground; a public area ed location, it finds itself yone who wants to hirsty for consumption. itivism, we assume a

ent. Namely, they subject that they host. There is ese constructed objects,

Given this rather limited framework (after all, human activities seem to be easily exhausted), we seek to destabilize the programmatic recipe in order to perceive the architecture itself, to highlight the place and to provoke sensations of the body in space. Finally, to create a more palpable and sensitive relationship, on a scale that in uncompromising with fluctuating, speculative and commercial reality. We propose to create “significant nameless spaces”, anchored in the pavilion typology. We can even call it a park to satisfy the hungry for productivity, or rather a rereading of the park idea. However, faced with the inevitable and frequent question “what is it?” We prefer to say “this space is only.”

Lucas Coelho Netto Portfolio

axis, textures, pathways, pavilions

high vegetation

pavilions

pathways

medium vegetation

impermeable arid

axis/main lines

low vegetation

permeable arid

pavilions influence area

Lucas Coelho Netto Portfolio

site and surroundings axonometry

contrasting paths

flora narrative

whilst the first exemple transform the experience into something more dramatic and surprising, the second suggest more homogeneous pathways

we opt to create contrasting ambiences to stimulate the spatial perception of the landscape. all flora is divided in three categories: below eye-level, eye-level and above it.

Lucas Coelho Netto Portfolio

A slit is opened in the relief nearby Visconde de Albuquerque. It creates another access to the site and another access to the landscape virtuality. Stepping into the gloom, we abstract from sight. But the light is present. A generous zenithal light plunges the 30 meters lighting up and revealing the Corcovado reflected in the mirror.

PERISCOPE wood – vision – topography - light and shadow - proximity and virtuality - blind to reveal the view

Lucas Coelho Netto Portfolio

The water naturally follows the slope, succumbing to the porosity of the earth. But gradually it is retained in tanks of different depths. Walkable platforms enter the waters, hiding paths during the floods and revealing them during the lows.

PERISCOPE wood – vision – topography - light and shadow - proximity and virtuality - blind to reveal the view

Lucas Coelho Netto Portfolio

PLATFORM

S PAVILION

concrete – vision – topography

wood – sound – vegetation

- full and empty - axis

- concave and convex - noise and silence

Leblon’s preexisting staircase is extended through a horizontal axis entering the site. In this axis, an instigating architectonic body stands in front of a clearing. The opaque building is crossed by a void that fills it with light. We ascend the stairs, rediscovering the views of the surroundings.

At the encounter of two bustling streets, a sinuous structure delineates the corner. Interdependent pieces of wood are supported thanks to the power of the set. Convex spaces spread out the sound while concave spaces concentrate it. We walk through arid noises and shaded silences, in a narrative of movement.

CIRCULAR

MOUNT

wood – movement – wind

earth – corten - movement

- centrality and radiality - protection and dispersion

- natural and designed

Two pairs of old palm trees announce one of the site’s accesses. Between paths and axis, the circular pavilion centralizes flows, but, above all, proposes dispersion. It is a leaked body whose center radiates plans and possible routes to be explored. An arid environment, where the sand succumbs to the wind, and we, to the movement.

Aligned with the void between the neighboring buildings, a geometric mount stands out. Cylindrical, bipartite, and also, dislocated: a rupture in a projected relief, that reinforces the seizure of operations as the body moves through space.

Lucas Coelho Netto Portfolio

Dense & Low

2018 / Competition proposal as Masslab intern redeemed: to be built info: 4.175mÂ˛ Tampere Finland project leader: Duarte Fontes with: Giacomo Cruciani Paulina Kwiatkowska Contribution: Concept design 2D drawings and 3D models Rendering and postproduction

image credit: Mass Lab 16

The proposal is a building that takes advantage from the urba generated by the topography. The building combines the sens family dwelling with the semi-public character of the shared s building. The rotation of the volume follows the urban pattern new streets. The urban layout is simple and rational, providing defined urban spaces. Merging the higher and lower density in is the solution that perfectly agrees with the growth expectatio

an context, a shape se of privacy of a singlespaces of an apartment n providing continuity with flexible plots and well n a multi familiar building ons growth of this area.

Due to the social dimension resultant from the geographical position and the historical past, Tampere gathers a multi-generational community. Vuores district is a respond to the urban growth felt in Tampere where students, retired, young families and commuters can find a place that meet their needs: natural environment suitable for outdoor activities, services and facilities, commercial and working areas, different lifestyles, practical connection with the city center, an ideal place to take advantage from natural resources and practice a sustainable way of living.

Lucas Coelho Netto Portfolio

CHILLOUT

YKSITYINEN PUUTARHA

+ 128.5 m YHTEYS PYSÄKÖINTIIN

YKSITYINEN PUUTARHA D

PYÖRÄPARKKI YKSITYINEN PUUTARHA

YKSITYINEN PUUTARHA

+ 125.5 m GRILLI

YKSITYINEN PUUTARHA

+ 128 m

YHTEINEN PUUTARHA

HULEVEDEN PUSKURIVYÖHYKE H

YKSITYINEN PUUTARHA

YKSITYINEN PUUTARHA YKSITYINEN PUUTARHA

LEIKKIPUISTO KUNTOILUPUISTO YKSITYINEN PUUTARHA

+ 128.5 m YHTEINEN PUUTARHA

YKSITYINEN PUUTARHA

SAUNA

PYÖRÄPARKKI

+ 125.5 m

YHTEYS PYSÄKÖINTIIN

+ 128.5 m

second floor plan 1:400

Lucas Coelho Netto Portfolio

section 1:500

balcony view | Image credit: Mass Lab 20

Lucas Coelho Netto Portfolio

street view 22

Lucas Coelho Netto Portfolio

MEDIUM TYPOLOGY 72m2

SMALL TYPOLOGY 36M2

MEDIUM TYPOLOGY bis 72m2

DURING DAY

EX. YOUNG COUPLE

DURING NIGHT

EX. SMALL FAMILY

LARGE TYPOLOGY 100m2

EX. SMALL FAMILY

LARGE TYPOLOGY bis 100m2

EX. MEDIUM FAMILY

EX. LARGE FAMILY

EX. YOUNG COUPLE

EX. MEDIUM FAMILY

EX. LARGE FAMILY

apartment facing park

apartment facing street

apartment facing courtyard

Lucas Coelho Netto Portfolio

Costa Rica Embassy 2017 / Comission as Gavea Arquitetos intern info: 25.000mÂ˛ Brasilia Brazil with: Alziro Neto Felipe Rio Branco Carolina Lacerda Diego Portas Rodrigo Calvino Pierre Andre Martin Contribution: Concept design 2D drawings and 3D models Rendering, post-production

groundplan 26

Next to ParanoĂĄ lake on the south wing of the modernist axis Rica will soon build their own new embassy. The new building to think and be sensible about the environment and the land create, care and build.

By those means, the premise to occupy the site is related to th where aproximately 4% of the population is located in one sm represents not only a statistic figure but also the importance g their natural richness and their goal to preserve and respect m

drawing of Brasilia, Costa g represents an oportunity dscape that we inhabit,

he density of the country mall area. That number given by the population to most of it.

Following it, we propose a reflorestment of the many biomes of the brazilian savana, creating a dense and diverse forest that protects the buildings located on the center of the 25.000mÂ˛ plot. On the south side of the plot, closer to the public access, the first building hosts the activities of the embassy, The other, on the north, holds the embassors house. Between them, a third area is conformed to articulate and separate the two constructions. This disposition conforms three areas of identical proportions - squares with 40m sides - but different typologies and characteristics,, mostly on the way their limits are defined and the way their gaps between the built and open areas are established.

Lucas Coelho Netto Portfolio

1. SITE area: 25000m²

2. BUILT AREA 4%: 1000m²

3. PROGRAM residence / embassy

4. DIVISION public / private

5. SEPARATION spaces between

6. VOIDS

7. GREENS patios, tropical area, savanna

8. FINAL materiality, spheres

longitudinal section 28

1. SITE area: 25000m²

2. BUILT AREA 4%: 1000m²

3. PROGRAM residence / embassy

4. DIVISION public / private

5. SEPARATION spaces between

6. VOIDS

7. GREENS patios, tropical area, savanna

8. FINAL materiality, spheres

Lucas Coelho Netto Portfolio

embassy entrance 30

Lucas Coelho Netto Portfolio

embassy main patio 32

Lucas Coelho Netto Portfolio

Brisa del CantĂĄbrico 2016 / Competition proposal as CI-AA intern info: 12.200mÂ˛ Cantabria Spain with: Thiago Almeida Priscila Belas Lucas Ramos Deborah Calfond Contribution: Concept design 2D drawings and diagrams

This housing for the elderly is located in the rural area of Cantabria in a site that allows the views towards the the horizon due of its deployment at a site slope. Conceived as a small village for people over 65, the project seeks to create a network of community spaces that contribute to establishing a routine of collaboration among residents. The radial and compact format of the village aims to reduce the distances between its different parts, as well as building a simple and readable perimeter that demarcates its limits in relation to the vast rural context around it.

Lucas Coelho Netto Portfolio

01. ACCESS 02. CABLECAR 03. COMMON AREA 04. ENTRANCE 05. ADMINISTRATION 06. KITCHEN 07. CANTEEN 08. MULTIPURPOSE ROOM A 09. ASSEMBLY HALL 10. COFFEE / RESTAURANT 11. LIBRARY 12. INFIRMARY 13. HAIR DRESSER 14. GYMNASIUM 15. POOL 16. SILENCE ROOM 17. LAUNDRY 18. MULTPURPOSE A 19. PARKING 20. MACHINE ROOM 21. STAFF AREA 22. HOUSES 23. KIDS PLAY ROOM 24. STORES 25. LOCAL MARKET 36

Lucas Coelho Netto Portfolio

FUNICULAR FUNICULAR

FASE 1 FASE 1

PEATONES

FASE 2 FASE 2

PEATONES

ACCESSES // To access the central axis of

the village, where all the common activities are located, the residents have two diferent options: streets with soft ramps and a few steps or through two funiculars that connect the lower and the higher parts of the site.

CONSTRUCTION PHASES // For the first phase, it is suggested to build 60% of the houses below the common area. The second phase, related to the houses on the upper side of the site, would cause no harm to the residents while being built.

common area | image credit: CIAA 38

Image credit: Thiago Almeida

JARDÍN PRIVADO

VIVIENDAS 50m 50m VIVIENDAS

JARDÍN PRIVADO

VIVIENDAS 60m 60m VIVIENDAS

JARDÍN PUBLICO

HABITACIONES DE INVITADOS

ZONA COMÚN

PROGRAM // The common area program are located on a central axis, that also configures as an intermediate level between the houses of the upper and lower parts of the site; making it easier to access to all residents.

GARDENS // Each house has it’s own small private garden. Furthermore, medium sized gardens and crops were also inserted in the site to create local squares that work as a meeting point between the neighboors around it.

cafeteria | image credit: CIAA Lucas Image Coelho Netto credit: Thiago Almeida Portfolio

PANEL FUTURO

PLANTA BAJA VIVIENDA 50m2

housing unit A. 50m2

PLANTA BAJA VIVIENDA 60m2

housing unit | image credit: CIAA 40

10m

PANEL FUTU

PLANTA BAJA VIVIENDA 50m2

PLANTA BAJA VIVIENDA 60m2

housing unit B. 60m2

10m

common garden | image credit: CIAA Lucas Coelho Netto Portfolio

Community Axis 2018 / Competition info: 3000mÂ˛ Pharping Nepal with: Petros Terra Clara Marinho Ana Clara Bessa

valley view from community center 42

To face the rugged topography of the site was from the start a deter project. It is a response for a desire to explore the whole site and its design to grant the users all views and experiences offered at the lo

Natural elements are also the main influence on the programâ&#x20AC;&#x2122;s distri at three different moments and uses: first, the main building at the h four closed spaces: the kitchen, media room, atelier and a storage. distributed over a square base end up delimiting the Community cen Nepali vernacular architecture, with a rhythmic corridor and equally to it. Following it, the second moment, the pathways designed as a element connects the two extremes of the siteâ&#x20AC;&#x2122;s topography. Finally, of the site, a plateau works as a second community center and as a

rminant factor for the s topography; using the ocation.

ibution, being it organized higher part of the site holds Together, the four spaces nter as a reinterpretation of separated doors opening modular pre-fabricated , on the southernmost point an observatory of the valley.

“The strength of the project is in its structure! It’s a good study élégant wood frame. Seismic qualities and ease of construction were well thought. the structural grid and the structural element take so much importance on the project, that the rest is left behind. The different use of the building is not so defined. And the building does have planning that offers a community life. The path which leads to the community center is élegant. Beautiful graphic representation.” Jury report

Lucas Coelho Netto Portfolio

left: main building plan right: site sections 44

Lucas Coelho Netto Portfolio

view from lower platform 46

Lucas Coelho Netto Portfolio

Aviapolis Urban Blocks 2018 / ongoing competiton winning proposal as Mass Lab intern in collaboration with Mandaworks info: 240.000m² Vantaa Finland MassLab: Diogo Rocha Duarte Fontes Lourenço Menezes Petras Simões Petros Terra Mandaworks: Patrick Verhoeven Martin Arfalk Andrei Decau Contribution: Development of final masterplan 2D drawings and 3D models

top: schematic masterplan right: standard perimeter block 48

As an extension of the local context, the Aviapolis Urban Bloc city grid. The structure breaks down the larger scale Aviapolis grained blocks that are human scaled and walkable. At the c the existing vegetation and water are preserved and strengthen park structure, creating the neighbourhood’s main social spac

At the meeting of the central park and the two main streets socalled Atomi school and library building is situated, comb public life to generate year round social interaction on a neigh Inside the urban grid walking, cycling and public transportatio the block structure and creating social rooms in the public re ‘social atoms’ of the plan, collectively forming a network of spaces that support circular and shared activities throughout A

ck area grows into a dense framework plan into finer clash of the grid directions, ned into an inviting central ce.

The Aviapolis Block embraces diversity, encouraging a combination of building heights, typologies, configurations and uses. The result is a textured community where residents can choose to live how they please, top floors of the buildings offer the benefit of city views, while lower units have the advantage of a private garden. The block also offers residents collective spaces at different scales - from house to block, from street to neighbourhood: collective kitchens, sauna’s, roof gardens, maker-spaces, electric bike centers and repair s, Rälssitie and Äyritie, the cafés, tool rentals, washing facilities, lounge rooms, green houses, electric car pools, bining indoor and outdoor cinemas, food gardens, 3D printing spaces, waste recycle spaces, and energy pockets. hbourhood scale. on is prioritised by shifting Where in the generic city the common spaces are separated from the private ones, in ealm. These rooms are the Aviapolis the shared spaces are an integral part of the living situation. If in the traditional shared built and unbuilt Finnish block everyone experiences similar conditions, the Aviapolis urban block offers Aviapolis Urban Blocks. maximum diversity, promoting and supporting a wide range of tastes and lifestyles.

Lucas Coelho Netto Portfolio

N 00 10 20

masterplan 50

100m

Lucas Coelho Netto Portfolio

standard floorplan detail Lucas Coelho Netto Portfolio

social pocket | Credits: MassLab 54

Lucas Coelho Netto Portfolio

Gloria apartments 2017 / Academic Studio VII info: 640mÂ˛ Rio de Janeiro Brazil

top: siteplan bottom: facade view 56

Starting from an understanding of the neighborhood with cha public areas (parks and squares) and a community sense, the a large common area on the center of the building and a blur large windows and curtains divide the apartments.

All 18 units, divided in two blocks, have full opening to the atr spaces of encounter and diferent spatialities in the whole buil solutions not seen often on the surroundings such as not havin continuous and monotonous staircase. Instead, the dynamic a to the apartments garantee the use of those common area at apartments to apropriate of these area as a continuity of their

aracteristics such as project reflects it through rred privacy barrier as

Formally, the apparent structure and materiality strengthen the visual and physical continuity between public and private.

On the street level apartment, a 60 square meters loft is only divided internally by a curtain and the bathroom glass. With itâ&#x20AC;&#x2122;s only opening to the atrium, all of itâ&#x20AC;&#x2122;s front is rium. To create those composed by 3.5m pivoting doors. On the last three floors, the unity A, apartments with lding led to some one room and cross ventilation bring the common area and the back garden to the ng elevators or a apartment. Next to the street, the unity C has a more longitudinal floorplan as it consist and unpredictable course of an office+room program. With the possibilty to expand either of them, the apartment t the same time allows the can be adapted depending on itâ&#x20AC;&#x2122;s user. In both cases, the bedroom/office can fully private area. open to the atrium or be completely isolated by glass doors and curtains.

Lucas Coelho Netto Portfolio

top: floorplans bottom: lonngitudinal section 58

Unity A 65m²; one room; full opening to the atrium and to the back

Unity B 60m²; open spacea; full opening to the atrium; social/private area divided by curtains

Unity C 85m²; one room + office; full pening to atrium and street; flexible spaces

Lucas Coelho Netto Portfolio

common area view 60

Lucas Coelho Netto Portfolio

Human Displacement

2017 / Academic Workshop PUC-Rio + Peter Behrens School of Arts exhibited at PUC-Rio material: wood, nails and cotton string advisors: Veronica Natividade Bernhard Franken Gabi Schillig collaborators: Gabriel Gomes David Mergelmeyer Sarah Regensburger

photo: Lilian Soares 62

The instalation is the result of one year of research, experiments and discussions on the workshop â&#x20AC;&#x153;Surfaces of Contactâ&#x20AC;?, organized by DAU-PUC Rio and Peter Behrens School of Arts. During this period, the work was developed over the theme of exodus and migratory flows. Having as starting point the case study of the biggest refugee camp, it led to the production and construction of eight maps of 1x1m.

Lucas Coelho Netto Portfolio

phase 1: syrian civil crisis During the biggest social crisis ever lived, when 60 million of people find themselves away from their home and in the search for instant shelter, the case-study had a fundamental role to understand how we got to this point. Since 2011, syrian civil war counts more than 400.000 deaths and aproximately 11.000.000 international refugees. The proportion of the problem has gotten so big that IMPEDE any temporary shelter to fulfil its original role. Most of them become permanent assentments.

On a 2015 research by UNICEF (Zaatari Camp Population Count: Summary of Findings), the majority of Zaatari inhabitants claim they have no intention of returning to their hometown most of them still in war . Zaatari was the biggest refugee camp worldwide in 2013, giving shelter to 200.000 people, even though now it is reduced to 1/4 of that number. Analaysing the conditions of the camp, population profile, active NGOs, rotine and many other factors, it is perceivable the (aparently) inevitable

imprisionment and absence of any connection with the outside world of those who seek a temporary shelter to survive. However clarifying it was, to analyse this event separately seemed insuficient. The need to understand the formation of the camps resulted on a research of previous migratory movements that led to the forced nomadism these people are living on. Due to that, the next step was to search for previous movements once a solution for the problem as way out of reach.

TURQUIA

ALEPPO

HAMÃ

HOMS

LÍBANO

IRAQUE DAMASCO

GOVERNO JORDÂNIA

CURDOS JABHAT FATEH AL-SHAM REBELDES

top: syrian territory division right: syrian civil war data timeline 64

2011

2012

2013

2015

Pro democracy civil demonstrations

Start of Civil War (Damascus e Aleppo)

Chemical attacks

Peace attempt by UN

Deaths: 7841* Refugees: 15.000**

Deaths: 49294* Refugees: 750.000**

Deaths: 73447* Refugees: 1.500.000**

Deaths: 55219* Refugees: 4.500.000**

Lucas Coelho Netto Portfolio

phase 2: dusseldorf intramuros workshop Together with the design moveable graduate students David knots Mergelmeyer e Sarah single thread Regensburger, the study took new forms. The case study was creating surfaces momentainlyfixing put aside to give points room for phisical experiments which focus layering was the tectonic of the tends given by thesurfaces UNHCR twisted on refugee camps and to the grid formation of surfaces with lines regularity and of spaces with surfaces,

flexibility

Otto in the search for elements and characteristics that could relate to the UNHCR tends. Some of them were:

moveable knots single thread creating surfaces fixing points layering twisted surfaces grid regularity flexibility tension

Based on thetension book â&#x20AC;&#x153;The four elements of architectureâ&#x20AC;?, by Gottfried Semper, we structured this week of research on one question; how many lines are needed to create a surface? We looked and investigated the work of brazilian artists such as Ernesto Neto and Lygia Clark, the During the phenomenologic german-venezuelan artist Gego research we fould ourselves and other architects such as Frei

PREVIOUS TESTS // At Dusseldorf Hochschule IntraMuros 2016, we did a series of experiments with diferent materials to explore the creation of a surface and a space through a single thread Team // David Mergelmeyer and Sarah Regensburger 66

exploring different materials, structures and scales to understand how we could create quality spaces using a single element. A single material. And how our body would relate to it. We used ropes, plastics, sewing lines, nylon, fabrics... The continuous work led to a satisfying result. We elaborated a knot made on a single thread fixed on three points (2 superiors and 1 inferior, or the opposite) and managed to create a surface that would alter by the single push of the end of the thread. The instalation took over the space and instantly attracted everybody to walk through it, around it and between it to explore the built space.

Lucas Coelho Netto Portfolio

phase 3: the eight maps

De volta ao Rio, após uma série de pesquisas de mapas e estatísticas, foram levantados dados sobre os oito principais fluxos migratórios humanos. Seriam eles, por ordem cronológica: 1. Homo Sapiens; 2. Grandes Navegações; 3. Tráfico de Escravos; 4. África - Europa; 5. Diáspora judaica; 6. Sudeste Asiático; 7. México EUA; 8. Guerra civil Síria.

no chão) e um rolo de barbante tensionado entre eles (fazendo alusão ao tecido que constituí as paredes e cobertura das mínimas unidades habitacionais analisadas - se é que se pode classificar como tal). A instalação buscava materializar os fluxos migratórios e oferecer ao observador uma percepção dos mesmos no que diz respeito a seus focos Três pontos principais guiaram geográficos e continuidade a construção dos mapas: uma temporal. moldura rígida de madeira (semelhante à estrutura O perímetro interno é tubular das tendas), pontos de dividido em 60 pontos que, apoio (pregos no perímetro por proximidade geográfica, interior semelhantes aos representam países e regiões pontos de apoio da tenda do mundo. A tecelagem,

a partir de um único fio, gera malhas de diferentes densidades que permitem analisar a participação que os países têm, acolhendo ou expulsando seus habitantes. Por fim, posicionados em paralelo, os oito mapas criam uma continuidade visual que reforça a relação entre tais eventos e permitem, através da sobreposição, o entendimento dos fluxos como uma unidade que levou ao cenário com que estamos lidando hoje.

From left to right, above: 1. Homo Sapiens; 2. Great Navigations; 3. Slaves traffic; 4. Africa - Europe; From left to right, below: 5. Jewish Diaspora; 6. Southeast Asia; 7. Mexico - USA; 8. Syrian Civil War.

Lucas Coelho Netto Portfolio

Porto Academy 18

2018 / Workshop FAUP studio leader: NP2F

Inside a flat and encircled sports club on a hilly city, the project goal is to connect, contrast and enrich the public space. The ortogonal regularity of the tennis courts dialogues with the height difference and serial random positioning of three elements (points, curves and spheres) that connect the two entrances of the isled block and create three unique sheltered areas.

Lucas Coelho Netto Portfolio

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Lucas Coelho Netto Portfolio

Portfolio graphics resume; authorship

01 graphics: renderings sections plans diagrams models photos texts authorship: me collaboration others

Lucas Coelho Netto Portfolio