ENVIRONMENT IV - EMERGING TECHNOLOGIES PROTOTYPE - SECOND EDITION

ENVIRONMENT IV EMERGING TECHNOLOGIES PROTOTYPE

BRUNA STAUDOHAR FERNANDA CARNEVALLI LUCAS MELO RAISSA ESGOLMIN

SUMMARY

INTRODUCTION SURVEY OF TERRAIN MODELS RHINO STRUCTULE CORBUSIER POINT O VIEW REFERENCES MACROSETORIZATION DIAAREA CALCULATION MASS PLAN QUESTION

INTRODUCTION

In this electronic magazine we will talk about the evolution and development of a project, in general, but focusing on the activities proposed in the Projeto de Arquitetura e Arquitetura de Interiores class, which we are attending in the fifth semester of Architecture and Urbanism at Centro Universitรกrio Belas Artes.

We will cite the steps we have gone through and will explain each of them, with examples, references and in-depth studies on the development of this project. We will clarify why each activity is so important for a successful final project.

THE MEMBERS OF THE GROUP BRUNA STAUDOHAR

With 21 years old, born and raised in São Paulo, she does Architecture and Urbanism at Belas Artes College, where she entered in 2016. Engaged and practical, Bruna seeks perfection in her work and greater utility.

FERNANDA CARNEVALLI

19 years old. Architecture and Urban Planning Student - Belas Artes. Love traveling and getting knowledge while meeting new places around the world.

LUCAS MELO

My name is Lucas Melo, I’m studying the 5th semester of architecture at Centro Universitário Belas Artes São Paulo.

I was born in Fortaleza-CE, and I moved to São Paulo-SP when I was 17 years old.

RAISSA ESGOLMIN

Study Architecture and Urbanism at the University Center of Fine Arts, only 20 years old, lives in the great city of São Paulo. Dedicated, keeps your organization to your jobs always go as planned.

SARAH ZOGHEIB

Sarah Zogheib, 20 years, studying architecture and urbanism at the university’s Belas Artes Center.

Born in Bauru- SP. I came to the capital to realize my dream of studying architecture and seeking success in my professional life, taking courses and specializing in the area of ​​arts and interior design.

SURVEY OF TERRAIN

THE TERRAIN’S LOCATED IN THE CORNER OF JERICÓ STREET WITH PURPURINA STREET, IN VILA MADALENA NEIGHBORHOOD, SÃO PAULO. YOUR CURRENT SITUATION IS A PARKING ATTENDING TO THE EMPLOYEES AND VISITORS OF THE VILA MADALENA FORUM, LOCATED AT THE FRONT. ABOUT THE TERRAIN DATAS, THERE IS A SLOPE OF FOURTEEN METERS AND A SMALL WOODED AREA IN YOUR BACHGROUND. THE RECOGNITION OF THE TERRAIN IS THE FIRST STEP THAT AN ARCHITECT MUST ESTABLISH. WHILE VISITING THE PLACE, WE CAN HAVE A CERTAIN PERCEPTION OF THE GOOD AND BAD POINTS, SUCH AS ASPECTS, LIKE PEDESTRIAN FLOW, INSOLATION, ENVIRONMENTAL SITUATION, ETC. THOSE DATA CANNOT BE COLLECTED ONLY BY COMPUTER AND/OR MAPS.

THE FEELING OF BEING ON THE GROUND IS CRUCIAL TO THE DEVELOPMENT OF THE PROJECT, FOR AN EXAMPLE, LOCATE THE ENTRANCE OF VEHICLESAND PEDESTRIANS, SOLVING PROBLEMS SUCH AS INSOLATION OR THE LACK OF IT, PROVIDING A CERTAIN CONVERSATION

IN THIS SEMESTER, WE MADE A REPORT THAT CONTAINS ALL THE INFORMATION ABOUT THE TERRAIN AND IT’S SURROUNDINGS.

THE LAND PRESENTS A HIGH DEMOGRAPHIC DENSITY NUMBER, FROM 207 TO 351 HAB / HA. BY TREATING A NOBLE CITY, IT HAS A LOW SOCIAL VULNERABILITY BEING A AREA OF EXPANSION AND VERTICALIZATION, RESIDENTIAL WITH ADMINISTRATIVE ECONOMIC ACTIVITY BECAUSE OF GROUP ANALYSIS IN RELATION TO THE FIELD LAID THE STATE OF CONSERVATION AS REGULAR, BY THE AMOUNT OF HOLES AND TERRAIN. FOR ITS INCLINATION AND LOCATION, THE LAND DOES NOT SERVE AS EASY SHORTCUT TO PEDESTRIANS, BUT THEIR STREET CONTAINS A GOOD MOVEMENT OF VEHICLES.

THE LAND IS IN GOOD LOCATION REGARDING THE SUN, BECAUSE THE LARGEST PART OF ITS FACES PRESENTS SOLAR IMPACT, ONLY THE SOIL BACKGROUND ON THE SOUTH FACE, RECEIVES LESS LIGHT.

WITH COMMENTS MAINTAINED ON THE PROPRIETARY LAND AND STUDY ANALYSIS OF THE SITE, THE GROUP BELIEVES THAT THE LAND IS POSITIONED IN A LOCATION WITH MOVEMENT AND SITUATED IN THE MIDDLE OF RESIDENTIAL BUILDINGS, BUT STILL NOT FEATING LACK OF COMMERCIAL AREAS. ITS LAND NOT VERY CONSERVED, FEEL LACK OF TECHNICAL DETAILS IN HOLES AND STREETS AROUND YOU.

GROUP REFERENCE THE GROUP NEEDED TO STUDY REFERENCES BUILDINGS THAT CONTAINS ELEMENTS WHICH INSPIRE US BEING A OFFICE BUILDING. THE REFERENCES PICKED BY THE GROUP WAS...

NASP – NATURA SÃO PAULO HEADQUAR-

Year of the project: 2017 Area: 29700.0 m² Location: Av. Alexandre Colares – Parque Anhanguera, SP Arhitects: Dal Pian Arquitetos Associado Responsible Architect: Carolina Freire Company: HT

The building has 6 floors, is composed of a horizontal tower of 100 meters in length, where it is protected by metallic brisas on the North and South faรงade and by a metallic skin and brises of laminated glass in the facades East and West. Its internal spaces are articulated to the surroundings of an integrating void, on that emptiness there are internal gardens, panoramic elevators and a set of stairs.

AIRBNB OFFICE

Year of the project: 2017 Area: 14.000 m² Location: 999 brannan St, São Francisco, CA – Estados Unidos Architects: Airbin Environments

The building has 4 floors, is covered with glass bricks to filter the daylight. Inside, the main design approach was to use elements from the global Airbnb community to guide design decisions, so each hard floor is inspired by a city: Buenos Aires, Kyoto, Jaipur, and Amsterdam.

THE MO THE MO

THE SECOND STAGE OF THE PROJECT’S DEVELOPMENT W SHOULD CONTAIN THE EXISTING CURVES, THE BUILDINGS OF TREES, POLES, BUS STOP AND THE STRUCTURE PREDEFINED

ODELS ODELS

WAS THE PRODUCTION OF A 1:200 SCALE MODEL. ITS F THE SURROUNDINGS, THE PROJECTION OF THE STREET, D BY THE TEACHERS.

THE PROJECT RECEIVED A READY STRUCTURE IN WHICH TANLISHES A PARKING ON CURVE 787.50, THE GROUND FLOO ON CURVE 790.50 AND THERE ARE 8 METERS HIGH UP TO TH THE CONDITION WE HAD TO WORK RESPECTING THE MO

H WE, STUDENTS, COULD NOT DISREGARD. THE “GRID” ESOR, WHICH LEADS OUT TO PURPURINA STREET, WOULD BE HE UPPER SLAB. ODULATION OF THE STRUCTURE.

RHINO STRUCTURE Rhino 6 is a software that has several possibilities for developing a model. Unlike some programs, rhino has a greater precision in parametric modeling, which is why it is highlighted in the labor market and in study models.

During the Environment IV classes, we had the possibility to know more about the tool and its limits. The software is one of the best in object creation and architectures with curves, for an example, Zaha Hadid buildings.

STARTING FROM THE BEGINNING, WE MODEL THE TERRAIN OF THE PROJECT STUDIED ALONG THE SEMESTER WITH THE EXISTING STRUCTURE...

LE CORBUSIER POINT OF VIE THE 5 POINTS OF LE CORBUSIER’S MODERN ARCJITECTURE 1- FREE PLANT IS BASICALLY DEFINE THE STRUCTURE OF A BUILDING UNLINKED FROM THE SEAL, RESULTING IN A FLEXIBLE BUILDING, AS YOU CAN CREATE AND RECREATE A LACK OF ENVIRONMENTS, WITHOUT ANY DAMAGE TO ITS STABILITY, MAKING IT USEFUL FOR ANY USES AND FUNCTIONS THAT BUILDING COULD RECEIVE. 2- THE FREE FACADE IS A DIRECT CONSEQUENCE OF THE FREE PLANT, SINCE THE WALLS ARE SEPARETED FROM THE STRUCTURE, IT IS POSSIBLE TO CREATE ANU COMPOSITIONS WITHOUT THE STRUCTURE INFLUENCING IN ITS BEAUTY. 3- RIBBON WINDOW, A WINDOW APPEALS A TAPE TO TRAVERSE THE ENTIRE FACADE OF THE BUILDING, A GOOD ALTERNATIVE FOR WHEN THERE IS A LANDSCAPE, BECAUSE NO STRUCTURAL ELEMENT DISRUPTS THE VIEW. 4- THE GARDEN TERRACE AROSE FROM A QUESTIONING, WHY LOSE A SPACE WHEN YOU CAN USE THE LAST FLOOR OF A BUILDING IN A USEFUL WAY, BRINGING SOME FUNCTION SUCH AS LEISURE, CONTEPLATION, PERMANENCE, SOCIAL LIFE AND SO ON. 5 - PILOTIS IS NOTHING MORE THAN YOU LEAVE THE PILLARS EXPOSED AND ELEVATE THE BUILDING, MAKING THE GROUND FLOOR FREE AND CREATING A CONSTANT FLOW OF PEDESTRIANS AND A GOOD VISIBILITY OF THE ENVIRONMENT.

EW

CONTEMPORARY APPLICATIO LE CORBUSIER’S POINTS OF N 1- Le Corbusier’s free-plant idea is one of the most used points in contemporary architecture, since it guarantees flexibility to the spaces, allowing a different configuration for each user and function. A great alternative is to use the structure next to hydraulic or vertical circulation that are usually fixed at a single point in the plant.

Another strategy to be used is to leave the plant free without the presence of any vertical structure inside it, keeping it in roofs made in structural systems and materials capable of overcoming large spans, such as metal trusses.

2 - The free facade, like the free plant, guarantees flexibility in arranging them in the way that is well understood. Nowadays, one can create compositions with openings of infinite ways, it is possible to make volumetric and three-dimensional compositions without the structure representing a limiting factor, conquering volumes never before imagined.

3 - Initially, the objective of the pilotis was to “return” the ground level of the projects to the public space conquering a better visualization to the people. One of the main criticisms they received is related to the real wind runners that are often created next to them. A contemporary solution was to reduce pilotis areas to the corners of buildings, causing less heat to be lost by the building.

Another contemporary way of using pilotis is the creation of areas of arrival, reception and covered entrance for the users of the building, creating a space of transition between the public and the individual.

ONS OF 5 POINTS OF NEW ARCHITECTURE. 4 - The garden terrace was created with the intention of instead of tiles arranged in inclined planes, Le Corbusier imagined green terraces, with grass, plants, benches, areas of contemplation, meeting, leisure and so on. Although, it presents some problems, few variations have been done from the modernism to the contemporary architecture. What varied was the technical evolution of slabs and green systems for such solutions, more economical and less maintenance.

The garden terrace can be incorporated into buildings that have few attractions, such as ordinary residential buildings, for example. The same applies to abandoned public facilities, old viaducts, non-moving bridges and even aerial subway lines that can be revitalized with the implementation of garden terraces. We can find a re-reading of it, in the contemporary architecture, through the aerial gardens.

5- In modern architecture, the window in tape began to be used in a more justified way, considering other factors and possibilities, such as visuals, sunshine and the use of internal spaces. The tape window made possible a previously unimaginable appearance: massive, visually heavy parts could be “supported� over transparent and visually light parts.

REFERENCES BY 5 POINTS OF LE CORBU-

1. ONE ON ONE

ARCHITECTS: Moreno Architecture LOCATION: Cidade de Luxemburgo, Luxemburgo YEAR OF THE PROJECT: 2015 AREA: 5000 m² CHARACTERISTICS OF LE CORBUSIER POINTS: Free plant.

The One on One building is characterized by its bold glass and metal architecture, made up of staggered overlapping volumes. The complexity of the site is due to the triangular geometry of the terrain and its neighbors.

This was a 12-volume building with an ingenious optimization of the internal space, offering enough flexibility to accommodate free-standing or compartmentalized offices.

REFERENCES BY 5 POINTS OF LE CORBUSIER

2. STRATO

OFFICE

ARCHITECT: Hardel et Le Bihan Architectes LOCATION: Boulevard Pereire, Paris, França AREA: 12500.0 m² YEAR OF THE PROJECT: 2014 CHARACTERISTICS OF LE CORBUSIER POINTS: Free plant.

The mass of the structure is divided into several levels to reduce the monumentality of the building and smooth the smooth facades. This type of facade is fractional and smooth and made possible by having no structural element, so the architects could create something freer, called the free facade.

With the increase of aesthetic possibilities in the facade, the next point represents an innovation in the architecture of the time: the window in tape. This window was the result of the structural independence of the facade, since it made it possible to make windows and doors of any size and shape. With the purpose of valuing the landscape view of the surroundings of the building, this type of window made possible the diminution of the ornaments of the facade.

Thinking about the functionality of the environments, Le Corbusier questioned the reason for missing the coverage of people staying. Thus, he proposed terraces with gardens, leisure areas, social areas, etc.

Finally, the use of pilotis. With the intention that the building is not a physical barrier, keeping the ground floor free would be ideal for people to come and go. Another reason for the use of pilotis, would be the sense of security created by these elements.

REFERENCES BY 5 POINTS OF LE CORBU-

3. MAXXI

MUSEUM

ARCHITECT: Zaha Hadid LOCATION: Rome - Italy AREA: 27.000 m² YEAR OF THE PROJECT: 2010 CHARACTERISTICS OF LE CORBUSIER POINTS: Ribbon Window.

The chosen point known as Window in Ribbon, can be found i Italy. It has a Cultural purpose, being a museum, constructed o was chosen because its facade contain windows in tapes, foll busier.

in a project of Zaha Hadid called MAXXI Museum, located in of concrete and structures of concrete and steel. The work lowing the line of thought of the architectonic point of Le Cor-

4.

REFERENCES BY 5 POINTS OF LE CORBUSIER

SHENYE TAIRAN BUILDING

ARCHITECT: Zhubo Design LOCATION: Shenzhen, China AREA: 168950,0 m² YEAR OF THE PROJECT: 2012 CHARACTERISTICS OF LE CORBUSIER POINTS: Terrace garden

The Shenye TaiRan Building, is a commercial building, with 25 floors and 2 basements, its roof is a series of accessible terraces forming the gardens terraces, where they become the 5th facade of the building. These were designed as a uniform landscape, although they are all privately owned and feature lush gardens with curved benches, wooden terraces.

REFERENCES BY 5 POINTS OF LE CORBUSIER

5.

PARK ROYAL

ARCHITECT: WOHA LOCATION: Singapura AREA: 29.811 m² YEAR OF THE PROJECT: 2013 CHARACTERISTICS OF LE CORBUSIER POINTS: Pilotis

The PARKROYAL in Pickering was designed as both a hotel and a garden, which doubled the green potential of the terrain. The architecture is predominantly organic, with shapes that mirror in contour lines.

MACROSETORIZATION DIAGRAM

The evolution of a project starts from the initial thoughts until the lease of its spaces, for this we need to know what the main function of the building, what sectors it should have, what it should contain in each one of them and their respective areas.

The location of the spaces can only be done correctly if you follow the data of the diagram of the macro sectorization.

The same directs the necessary sectors for each building and its needs, for example, as in a Sports Center, it is essential the presence of locker rooms next to sports court and swimming pools, or as in this project, the reception being separated from the lounge.

AREA CALCULATION

Using Julius Panero’s book “Human Dimensioning for Inner Spaces”, the areas calculation was developed so that the sizing of the environments was totally feasible for use according to local purpose. It is worth mentioning that this was only possible because the human dimensions were considered.

Each space in each sector was thought millimetrically so its area would not be exaggerated or occured a limitation of human activities, as shown in the files made in Autocad.

MAKING THE STUDY OF AREAS DIMENSIONS, WE NEEDED TO CREAT AN EXECEL MODEL OF CALCULATION OF AREAS WE WANTED AND THINKED NECESSARY.

MASS PLAN

The Mass Plan is a crucial step in the development of our project. Because it was made in colored masses and with a reduced scale, we were able to explore its limits better.

The colors are according to the sectorization made in the calculation of areas, and their size is also purposeful, they all have the exact measurements of a standard sectorization and height of 4 meters.

We worked with it on the scale 1: 500 and the task requested was to assemble the building the way we wanted, respecting the macro sectorization. You can see next, the different models created by all the components of the group.

There are some of the mass plan created by the students of the group...

FERNANDA CARNEVALLI’S MASS PLAN

BRUNA STAUDOHAR’S MASS PLAN

RAISSA ESGOLMIN’S MASS PLAN

AND LUCAS MELO’S MASS PLAN

PAPERS MODEL

The last step taken so far was something never done before in the course. With the already dimensioned and calculated structural system, modulation concerns were cast aside and creativity became the main path.

The proposal of the paper models was to create a “skin� for the building choosing the form that better fits, exploring different materials and also, different architectural styles. Each color meant a material and the rules were almost nil at this stage.

Imagination and exploration are two important strands while creating a project, leading the architect to a free and more satisfactory project.

We can notice the differences we find in our own projects next door. Some simpler, others more geometric, others lighter, more ornate and so on

SOME OF THE PAPER MODEL OF THE INTEGRANTS OF THE GROUP BRUNA STAUDOHAR

SARAH ZOGHEIB

FERNANDA CARNEVALLI

LUCAS MELO

QUESTION

The notion of comfort in a building goes beyond the size of the space or the choice of decoration; we are talking about energy efficiency, acoustic comfort, luminous comfort, thermal efficiency and the necessary care when designing an environment with the right insolation, the good use of natural ventilation and the shading of facades.

Another important factor is the specification of the materials used, which guarantee the best climatic conditions in a building.

A good project should contain a solar incidence study so that does not become a problem in the future.

Air conditioning is so important indoors, it is not always a guarantee of comfort and it can prove to be a villain of energy consumption. In this case, the exit, especially in buildings with large glazed facades, is to have allies such as brises, blinds and polyester films applied on the glass, which reduce the incidence of direct sunlight and block UV rays, reducing the absorption of heat.

Solutions of energy efficiency with thermal 1) Glass Ceiling

A simple, inexpensive and high impact solution is the installation of transparent tiles on the roof. It could be applied to any type of property and includes the use of materials such as glass, polycarbonate or PET. Translucent tiles allow sunlight to enter the room through the roof, illuminating spaces without the need for artificial illumination. The solution has low cost and is easy to install, and brings a great benefit to the users of the building.

The architect can consider solutions like this already in the design phase of the property. Although they increase part of the cost in the construction budget, alternatives such as these generate future financial benefits for the owner and environmental benefits for the entire planet.

Solutions of energy efficiency with thermal 2) Brises

The brises make a barrier for incidence of solar radiation before it reaches the façade and consequently the internal environment, reducing the heat received. Compared to other sun protection devices, it offers better control of thermal gains, natural light and ventilation.

Joene Saibrosa, master architect in comfort, explains that the professional needs to evaluate the solar orientation of the surface and set the time to protect the construction of solar radiation. “These are some of the requirements to check the ideal type of brise, considering the brightness, ventilation, visibility, acquisition costs and maintenance; in hot climates, is critical to reducing heat gain. Already in climates or in cold periods, sunshine is welcome” The architects affirm that brise can be classified as a sustainable component. “It aims at the thermal comfort of the user, the natural light conditions and reduction of the thermal load in the buildings, having a significant impact in improving the performance of the building and, therefore, in the conditions of environmental comfort.”

Solutions of energy efficiency with thermal 3) Reflective Glasses:

Reflective glass has advanced technology for thermal comfort and brightness control. The specification of specialized professionals is essential so that the chosen glass is according to the indices of solar factor, transmission of light and reflectivity.

The metallization integrated into the glass causes much of the radiation emitted by the sun to be reflected into the external environment. The blocking of heat and light will vary according to the color of the glass and the degree of reflection chosen.

Reflective glass is capable of blocking heat by up to 70%. In addition to ensuring privacy due to the mirrored aesthetics found in some of the lines of solar control glasses, they also allow the entry of natural light, helping to save energy and keeping the temperature pleasant for longer.

THE FINAL PROJECT

The final design was designated in stages, first plant delivery, second delivery of cuts and elevations, third delivery of lighting plant and fourth a specification with a perspective of the interior environment of his building.

PLANTS

BRUNA STAUDOHAR

Project developed during the semester is an office of materials such as wood and glass were used, along with velopment of the interior design of the building focused attend, with darker shades and a good lighting employees.

ALUNA: RAISSA ESGOLMIN

TURMA: BM5AU

ALI PLANTA LAYOUT TÉRREO

ESC 1:100

RAISSA ESGOLMIN

Advocacy, in the neighborhood of Vila Madalena. Main a palette of colors between black, white and gray. The deon showing more seriousness and trust to customers who configuration for greater comfort of both customers and

COURTS

SARAH IZA ZOGHEIB

ALUNA: RAISSA ESGOLMIN

TURMA: BM5AU

ALI CORTES

ESC 1:100

RAISSA ESGOLMIN

The cuts were required one longitudinal and one transverse, in some of them crossing the ladder and representing the brise to thus have the detailing.

DETAILED CUT

FERNANDA CARNEVALLI

CORTE DETALHADO ESCADA

CORTE DETALHADO BRISE ALUNA: RAISSA ESGOLMIN

TURMA: BM5AU

ALI CORTES DETALHADOS

ESC 1:50

RAISSA ESGOLMIN

Another difficulty was the sunshine on the ground. The building would receive solar radiation for most of the day, necessitating an element of shading on the facade.

The element chosen in my design were vertical movable brises, which cover the entire facade and revolve on its own axis.

SARAH IZA ZOGHEIB

ELEVATIONS

FERNANDA CARNEVALLI

The project should contain two accesses, one for pedestrians and the other for vehicles, thus joining the landscaping and the surroundings, in order to facilitate access to the buil-

BRUNA STAUDOHAR

LIGHTING PLANT This phase of the project was the organization of lighting and air conditioning sources. The calculation for the best luminance was done in SoftLux software.

FERNANDA CARNEVALLI

SSA ESGOLMIN TURMA: BM5AU

RAISSA ESGOLMIN

ALI PLANTA ILUMINAÇÃO/FORRO TÉRREO

ESC 1:100

FINISH PLANT

RAISSA ESGOLMIN ALUNA: RAISSA ESGOLMIN

TURMA: BM5AU

ALI PLANTA DE ACABAMENTO MEZANINO

ESC 1:100

The last plant to be made was the finishing plant. specifying materials used in partitions, walls, floor and ceiling.

RAISSA ESGOLMIN

The last step of the project was the realization of a specification notebook, containing information such as the type of floor chosen, type of partition chosen, furniture, lining, fixtures and so on. It should contain the photo of the product, the manufacturer and its dimensions.

SPECIFICATION NOTEBOOK

SARAH IZA ZOGHEIB

Also, we had to do an internal perspective of the reception and lounge, using the furniture, type of floor and etc that we picked while making the especification notebook.

SARAH IZA ZOGHEIB

INTERNAL PERSPECTIVE

RAISSA ESGOLMIN