ARCHITECTURE
PORTFOLIO selected architecture projects LUCRETIA DEBORA
ABOUT ME LUCRETIA DEBORA Jakarta, Indonesia +62 81317772326 lucretiadeb@gmail.com linkedin.com/in/lucretiadebora
EDUCATION 2015-2019
Institut Teknologi Sepuluh Nopember Surabaya, Indonesia Bachelor of Architecture - BArch, Architecture, 3.51 Predicate: Cumlaude
LANGUANGE Indonesian Native English Upper-Intermediate Scored 580 in TOEFL ITP by ETS
skills Technical Skill
Personal Skill
Sketchup Autocad Corel Draw Adobe Photoshop Microsoft OfďŹ ce Revit Rhinoceros - Grasshopper
Teamwork Communication Management
experience Work Experience 2018
PTI Architects Architectural Intern
2019
PT. Tempo Scan Pacific Counter Design Staff (Counter Service Supervisor) - Brand Ultima II
Training & Certification 2018
International Symposium on Architecture Research and Design Architecture Pasca Campus (ARCAMPUS) Opentalk: Regulation Featuring Creativity
2017
Forum Arsitektur Archinesia (FAA) #28: Current Projects Leadership Training Architecture ITS
2015
Scientific Papers Writing Training Architecture ITS
ACHIEVEMENTS 2018 2019
Predicate Cum Laude Certificate Sepuluh Nopember Institute of Technology 2019 TOP 58 Rumah Sehat Sederhana Berbasis Nilai Lokal Kementrian PUPR (Ministry of Public Works & Housing) 2016
INTERESTS
CONTENTS ACADEMIC PROJECTS 01 Office Rent with Kinetic Facade as Visualization of Time
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02 Co-Housing for The Deaf
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03 Unplugged Music Center
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04 XY Center
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05 Coworking Food Station
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PROFESSIONAL WORKS 06 Setu Indah House
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07 Ultima II Department Store Counters
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08 Others
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COMPETITIONS 09 Recycle House 10 Magnified Dorm
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01 office rent with kinetic facade as VISUALIZATION OF TIME
Often Sometimes Never
Busy
Can’t feel outside’s activities Limited view
Work interest
The main issue in this design is the experience of time of office workers. It’s about time awareness or sense of time, so about how time passes in a day experienced by office workers who work in a room. Work as an office worker generally has a repetitive activities. Because of that pattern, there are times when office workers don't realize how the time pass when they are working in the room, so experience of time is the main issue of the design. Based on personal data, which is based on a survey on 112 office workers in Jakarta, at least 98.2% of them had experienced the phenomena of not awaring the changing of the time at work. Other than work related causes, environment factors such as how the outside activities, weather, sounds, lights, and other events outside the room can't be seen or felt by the user inside, is also the biggest reason. The ocularcentric theory that uses visual sense of the user as the main focus in an architecture, is the right approach to design a workspace that aim to increase sense and experience of time for the user. Time elements in the form of daylight and outside activities can be presented through visualization in the architecture so that users will be aware to the change of daily time. The visualization of the time elements is presented with the performance produced by facades using the kinetic facade, also orientation and massing and shaping that oriented to the outside activities points.
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Site is located on Jalan Prof. Dr. Satrio, Kuningan, Jakarta, which is also located in the "Golden Triangle" area of Jakarta, which is a business district area in Jakarta, so the typology of the surrounding buildings mostly includes ofďŹ ces and other commercial buildings.
The activity around the site is generally quite high considering it is located at business district, especially during work hours. Because of the pedestrian way there are decent and well-maintained, ofďŹ ce workers there tend to walk for mobility, so activities in the form of mobility can be clearly seen around the site. This provides support for the design so that human activity can be presented in the room or the users in the object design can access the view to those activities spots which also educates or shows users about the time.
PelIcan Crossing
Pedestrian Way
Fly Over
01 office rent with kinetic facade as VISUALIZATION OF TIME
FORM & MASSING CONCEPT One concept in response to the issue of experience of time is to present an element of time itself. One element of time denotation in this context can be from nature, like sunlight. Daylight is presented in the work space with openings, in addition to fulfilling the lighting requirements of the office lighting, it also creates users’ awareness of the sun's movement that shows the time itself. Using a lighting strategy with "Narrow floor plates". Taking advantage of the understanding that the concentration of height is 'h', has the ability to light the floor area of twice its height (in terms of depth) (morphogenesis.org)
7m
3,5m
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By implementing this strategy, an alternative size of ofďŹ ce room is created, with a width of 7m with one opening or 14m with two openings, and an alternative form of mass with consideration of those openings.
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7m
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01 office rent with kinetic facade as VISUALIZATION OF TIME
FORM & MASSING CONCEPT The concept of shape and massing is based on the existing site condition. Site is located in business district that is dominant with tall buildings. This has an influence on the site, one of them is in terms of light intensity and shading on the site.
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Shadowed parts of other buildings on the site are avoided for office or work space because they don't get efficient lighting, but can be used as landscape or as cores. With these considerations, the next shape alternatives, with the modules from the previous alternatives, are created
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Looking at the site itself, activity around the site is already dominant with business, office, or commercial activities, so that the activities of the population around the can indicate the time at that time, for example when office employees walk around during the daytime showing a break which is usually at 12: 00-13: 00, or when an office workers walks in the evening indicating the end time the work.
The activities of the surrounding population are clearly pictured on the surrounding roads, both lanes of vehicles, sidewalks or pedestrians, pelican crossing, and others. In the following illustration, activities spots from around the site are shown that can represent time.
Orientation with kinetic facade position as the force. Kinetic facade can be placed on the north or south sides to be responsive to the movement of the sun. Orientation with view access to the outside activities spots that shows time as the force.
Considering the activities spots beside, it is concluded that the object is oriented about 45º to the north (northeast) then the chosen shape and composition of the masses from the previous alternatives is the 1st alternative:
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01 office rent with kinetic facade as VISUALIZATION OF TIME
FORM TRANSFORMATION
+ alternative form and chosen module as massing selected by the module of considering the most each tower mass perimeter of view to the outside activities spots for both towers
Tower mass divided into three modules with maintaining length 14m
Modules arranged like this to create new space for view access to activities spots outside, also the fold create object’s orientation to 45º north
More view access to the activities spot outside Less view access to the activities spot outside
KINETIC FACADE TO REPRESENT TIME
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Towers form shrinked to the top to reduce shadowing the surroundings possibility, also to create various area type of ofďŹ ce rent room.
Podium mass arranged stacked to adjust the tower
The fold’s corners changed into blunt to divert the wind on those corners, so reducing the lateral wind force
Tower Mass Core Mass
01 office rent with kinetic facade as VISUALIZATION OF TIME
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Interior of rent ofďŹ ce 1st type that shows kinetic facade and its movement which visualize the movement of the sun from the east to the west. 12
01 office rent with kinetic facade as VISUALIZATION OF TIME
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01 office rent with kinetic facade as VISUALIZATION OF TIME
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02 co-housing for the deaf
Co-Housing Tunarungu is a communal housing for the deaf people, which is an eperimental architecture that goes from a “what if” question:
So that from the question formed a condition where deaf people are the majority of the city, or the normal-hearing people are the minority, regarding to the quantity.
“what if deaf people are being gathered in a city?”
Criteria choosing the site: Ÿ Enough intensity of light Light is important because one of the architectural concepts of Deaf Space is the eyes as the ears so light as one of the information that can be captured by the user. Ÿ Low frequency of noise One aspect of Deaf Space is also acoustics, where the acoustics of the room are very important for deaf people with a deafness level not one hundred percent, or not totally deaf.
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Using a method: “Deaf Space” from Byrd, Todd and Consoli,John T. (2007): Sensory Reach Vision & Touch as the ears
Light & Color Enough light to see fellow & skin-contrast color.
Space & Proximity “Sign-language: space: more space to move and to be face-to-face
Mobility & Proximity Mobility with “sign-languange” acitivity: have to be face-to-face, so using stairs might be disturbing.
Acoustic There are patients who isn’t totally deaf (not100% level of deaf), using hearing aid kit, so the acoustic has to be concerned.
Form experiments using design tools: adjusted to the site & circle orientation (for users to communicate with eyes with fellows)
02 co-housing for the deaf
SENSORY REACH: VISION LIGHT AND COLOR Using kinetic facade for each co-housing unit. There are two kinetic facades here, the ďŹ rst one is kinetic facade controlled by mechanical, with parameters of daylight, with photoelectric cells, when the side receives less daylight, the facade will be opened and vice versa. This kinetic facade aims to let the deaf dwellers know the movement of the sun, and when it rains because it is dark it will open and the residents know that it is raining even though they cannot hear it
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The second one is kinetic facade controlled by the wind, which is a curtain aluminium, kinetic facade that moves with the inuence of the wind. aluminum curtain areodynamic shaped that is hung in a row will create light movement in the room when blown by the wind.
a pipe room to catch the wind glass material so the movement of the curtain can be seen
02 co-housing for the deaf
SPACE & PROXIMITY The rooms and circulations designed at least 3,6 meters, based on regualtion: Peraturan Menteri Pekerjaan Umum Nomor 30/PRT/M/2006 Tentang Pedoman Teknis Fasilitas Dan Aksesibilitas Pada Bangunan Gedung Dan Lingkungan
1st oor
2nd oor
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MOBILITY & PROXIMITY The main transportation on the object is ramp, so that the occupants will not be disturbed to put their focus on the stair when communicating with each other while walking by using signlanguange
RUANG KOMUNAL Âą0.00
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02 co-housing for the deaf
KINETIC FACADE DETAILS
DETAIL A
DETAIL B
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DETAIL A
DETAIL B
02 co-housing for the deaf
In the laundry room, the visual access to mobility in the circulation cannot be accessed properly due to the position of the room, therefore there are mirrors on both sides (as shown) so that the occupants at the laundry room can see the mobility and the condition in circulation from reection on the mirror.
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02 co-housing for the deaf
SENSORY REACH: TOUCH Using wood material for the oor, in order to know the movement of people through vibrations or pounding that is produced, approaching or going away.
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02 co-housing for the deaf
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03 UNPLUGGED MUSIC CENTER
ARCHITECTURE = SENSE
DUR
SITE
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A
ADU
SELA T MA
AURAL
JEMBATAN SURAM
THERMAL
ISSUE STATEMENT Based on sense of human: aural (sound) and thermal issues, Unplugged Music Center designed as a 5-storeys music center located on Jalan Tambak Wedi which is located next to the Suramadu Bridge and in front of the Madura Sea. This object presents music from various sources including nature and let the visitors to deliver their musical desire. The response to the aural and thermal issues in the design is related with one another, such as one of the music sound created from the wind. The music center is expected to be a place of "escape" from the metropolitan atmosphere of the city of Surabaya or "healing space�.
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03 UNPLUGGED MUSIC CENTER
The background of this object is the main activity around the site, that is commercial activiy (street food sellers) that causes sensor y problems because every tenants plays different music with high volume using speakers side by side. For this reason, Unplugged Music Center is designed to be the core of t h e m u s i c a ro u n d t h a t a l s o accommodated the tenants so the music is centered and the street tenants still get the music-played atmosphere they wanted.
There Is a food center that houses street food sellers located next to the Suramadu Bridge and Suramadu Sea Front. Also equipped with private music studios, band music studios, and dance studio on the 1st floor. On the 3rd and 4th floors there is a food center that has an atrium so created a centralized void where there is a music performance space that is the "center" or the “highlight” of this music center. The rooftop and the connecting ramp of two masses are an open space for music performance with the concept of busking performance or street performance for visitors.
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Music Performance
Music Studio Private Music Studio for visitors
Dance Studio
Emergency Stairs
Busking Performance For visitors to perform or to enjoy the music performance with the concept of busking performance
Nature Music Space
Spot View For visitors to take photos and enjoy the beach and bridge view
Food Tenants & Indoor Dining Room
Outdoor Dining Room Void Visitors on the third oor may enjoy the music performance performed on the second oor
Ramp Connects mass A and mass B, also for buskingthemed music performace
Visitors can enjoy their food with beach ambience and buskingthemed music performance
03 UNPLUGGED MUSIC CENTER
MADU
RA JEMBATAN SURAMAD U
SELAT
Because it is located next to the Suramadu Bridge and in front of the Madura Sea, the existence of the environment around the site is very important, so this object formed from a grid (in the picture) which oriented to both bridge and sea view. The form of the object is also inspired by the shape of G key symbol in music. Hexagon geometry is used because the concept of void space required a centered shape and also because of the adjustment to the grid.
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There are circular and line holes on the south side facade. Circles represents the shape of musical notes, and 5 lines represents the lines on musical notes
03 UNPLUGGED MUSIC CENTER
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03 UNPLUGGED MUSIC CENTER
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03 UNPLUGGED MUSIC CENTER
fabricated concrete roof
steel beam
steel column steel & glass steel beam
steel & glass steel column
steel beam
steel column steel & glass
steel beam
bricks wall
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concrete column
This object mostly uses steel structure and cantilever & wide span structure system.
fabricated concrete roof
steel beam
steel column
open plan steel beam
steel column
open plan
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04 xy CENTER
This object is a mixed-use building which has three func ons such as Park, Co-Working Space, and Retail. The main issue of the design is "How Millennials (XY Genera on) Being Seen". Millennials themselves are considered special because this genera on is very dierent from previous genera ons, especially in ma ers of technology. What is stand out about this genera on compared to previous genera ons is using technologies. The life of the millennials can’t be separated from technology, especially the internet, entertainment / entertainment has become a basic necessity for this genera on.
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The percep ons of millennials or Y genera ons tend to be nega ve. This mixed use object aims to change the views and percep ons by telling the top genera on (genera on X) how millennial genera on (genera on x) works, their ac vi es, high mobility, and other things that are the posi ve side of the millennial genera on, and vice versa, trying to tell the millennials, the ac vi es and the social interac ons expected by genera on Y.
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04 xy CENTER
CO-WORKING SPACE
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Ÿ Co-Working Space: What is needed at the
me. Telling the Y Genera on how X Genera on use the technologies for good purpose as working. Ÿ Park: Telling the X Genera on what is Y Genera on wants that is socializing.
Those purposes are applied trough exposing the ac vi es and circula on from the coworking space.
One of the criteria for mixed-use building is same access to all func on . In this object, all func ons have main access that is the park, so that both masses, which are co-working space and retail, oriented to the park. That is also an applica on of conveying meaning concept between the func ons with the park as the main focus, so that all visitors can momentary forget the nega ve ac vi es in daily such as playing gadgets while walking, less a en on to the surroundings, less socializing, etc.
RETAIL
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04 xy CENTER
What is tried to be ďŹ xed by this object is the habit of millenials that often use gadgets everywhere including while walking. Therefore, to create their focus while walking, there are leveling from the park to the coworking space, that is a circulation that must be passed, so visitors has to focus on looking forward when walking.
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04 xy CENTER
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Another strategy to make millennials or visitors forget the negative habits for a moment is the existence of an indoor park in the co-working space, which is also a circulation that must be passed to reach the main room, the communal workspace. Visitors are expected to see the activities at the park and get the meaning of socializing itself. Not only that, it is also expected that visitors could pay attention to the surroundings because they get a "presentation" of the natural surroundings. At this indoor garden, the circulation of visitors is also being presented to the visitors at the outside park. This indoor garden is made indoor and separated from the outside garden in order to maintain co-working privacy.
GABION WALL
ARCHITECTURE IDENTITY
SUSTAINABLE FACADE
Facade is consists of gabion wall facade filled with rocks at the outside of the object. Not only for aesthetic purpose, this aims to create identity because of the large park function in this object so it will give a impression that is formed from the relation between buildings or masses and the park. At the top side of the facade there are vertical plants to presents the impression of "garden".
One of the advantages of Gabion Wall is it’s environmental friendly. Gabion wall is also the second layer or secondary skin for the object's wall, so it can block the heat that’s exposed directly to the object's wall. Also, the front side of the design object facing the west side.
DETAILS
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05 coworking food station
Co-Working Food Station is a food court which designed with considering urban issue, such as activities and density, as the main issue. This object located in Panglima Sudirman street which is one of Surabaya’s center that have office and other commercial buildings around. This food court named Co-Working Food Station is because the main concept that is “for working”, because of the main subject of this object is office workers from around the site, who sometimes still have to do their works anytime.
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1st floor is used as a parking lot as the respond to the density issue or vehicle density. Color and texture are created from the material itself because they are exposed material consisting a combination of cement exposed, tile press, and vertical plants. For visitors who wants to work at the same time (which usually use electronic devices), a particular room is available and suitable for working, such as working room and meeting room, so they are not disturbed by other visitors and are not hunted by the possibility of other visitors who wants their seat.
visitors’ meeting room
visitors’ working room
The connector between the 1st floor and the 2nd floor is a ramp, considering the disabled visitors, also make it easier for visitors to bring food from the 1st floor
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05 coworking food station
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06 setu indah HOUSE
1ST FLOOR
There are two exact houses designed on the site 1. Living room 2. Bedroom 3. Bathroom 4. Dining room 5. Indoor garden 6. Void 7. Rooftop
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3RD FLOOR (ROOFTOP)
06 setu indah HOUSE
The color for the facade is created by natural color of concrete exposed, not only to reduce the cost, also to make it looks warm & friendly.
Wood lattice to give it some ornament, also the wood material compliments the acid expose for the warm & friendly impression
Overhang for the window, for shading the window especially because it’s bedroom’s window so it’s important to avoid too much direct daylight for the comfort and the temperature.
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06 setu indah HOUSE
MAIN BEDROOM The challenging part of designing this bedroom is it’s not that spacious (5mx 3m) yet the user wants to have a walk-in closet in it, also it will be the main focus and the highlight of this bedroom.
Walk-in closet
LAYOUT PLAN
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06 setu indah HOUSE
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06 setu indah HOUSE
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07 ultima ii counters in department stores
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07 ultima ii counters in department stores
MATAHARI DEPARTMENT STORE DUTA DENPASAR, BALI
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07 ultima ii counters in department stores
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07 ultima ii counters in department stores
MATAHARI DEPARTMENT STORE TUNJUNGAN PLAZA 3, SURABAYA
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This Ultima II counter has Ultima II brand pattern wall on the pillar. The brand pattern wall usually placed at the main entrance side, which doesn’t have to be always on the traffic 1. Also if the counter location is side by side with another brand’s counter, it needs to leave a free zone 40 cm-50 cm (based on the department stores’ rules) on the another brand’s side. The vanity tables here aren’t placed on the pillar side, but used the divider for the back of the vanity tables.
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07 ultima ii counters in department stores
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08 OTHERS: batam mixed use masterplan
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08 OTHERS: batam mixed use masterplan
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DOUBLETREE BY HILTON HOTEL laos by pti architects 2018 | PROFESSIONAL project vientiane, LAOS Involvement: details DED Floor & Wall Patterns
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Credits to PTI Architects
08 OTHERS: doubletree by hilton hotel laos
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FLOOR TILE Roman Ceramics - dBrisbane Grigio G447323
WALL TILE Roman Ceramics - dDandelion Grey W40517
WALL TILE Roman Ceramics - Serenity White W40106
WALL TILE Roman Ceramics - Endtopping dPlutonic Grigio OTGB8003
09 RECYCLE HOUSE
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09 RECYCLE HOUSE
Recycle House is a healthy house located in Jakarta with local culture value in it. The local culture value doesn’t always have to be the traditional culture of the region, but also can be the circumstances of the region. One of the circumstances in Jakarta is there are too much waste. One of the biggest waste is shipping-containers stacks in Tanjung Priok.
Shipping-containers waste stacks problem is the main issue, so the shipping container waste used as the main material and structure of Recycle House. The shipping-container used here is the one with dimension 40 feet (L 12,2 ; W 2,4 ; H 2,6) Recycle House also applies some of Jakarta’s traditional house, Rumah Kebaya’s values in the design. The concept of Rumah Kebaya that’s applied are terrace for hosting guests, jalousie windows, and house on stilts concept.
Jakarta’s traditional house: Rumah Kebayas’s layout plan
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TERRACE
Recycle house has to be a healthy house but also with a low cost. To make it low at cost, the selection of the material is important. For the roof, it’s gogreen roof. It’s a roof similar to waved asbestos but much more environmentally friendly and safe for the users’ health.
To make it low cost, the railing here is a collaboration between steel pipe, steel wire, and pipe connector.
Galvallume steel
Gypsum
Steel hollow
Wall layers
Jalousie window, not only the concept of Rumah Kebaya, also for the air circulation
House on stilts concept
Shippingcontainer facade
Aluminium Foil, to reduce heat from the container wall
09 RECYCLE HOUSE
Bathroom Living Room Bedroom 1
1st Floor Plan
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Kitchen
Bedroom 2 Terrace
2nd Floor Plan
09 RECYCLE HOUSE
SECTION A
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SECTION B
10 magnified dorm
MagniďŹ ed Dorm is a small house (microhouse) with four college students as the main user, located in Rawamangun, DKI Jakarta, which is designed based on issues around the site such as population density and local population activities. The function and user target is based on one of the issues that is the activities of local residents, where the site is located in front of one of the university, so that many students both local or overseas live around the site.
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At the communal space (family room), one side of the walls is a transparant wall (glass wall) oriented to the garden for good lighting and atmosphere.
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10 magnified dorm
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10 magnified dorm
There is an indoor artiďŹ cial vertical garden made of bamboos to separate the family room and the back side of the house (bath room, kitchen, and garden)
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10 magnified dorm
MAGNIFY EFFECT This small expansion dorm has the concept of "magnify effect" that is an enlarged effect. This magnify effect not only affects the perspective of the occupants so they don’t feel that the space is small, but also from the outside observer's perspective. Big opening Bright color Rotation of mass Foldable furniture Sliding door
One of the magnify effect strategy in this design: The masses contains formed from a mass shaped rectangular cube that is divided as two (top mass and bottom mass) and the 0 top mass is rotated 10 . This mass composition has the purpose for the object looks larger from the observer's perspective.
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A touch of bamboo for the facade, not only for aesthetic purpose, but also to play a role as the curtain from direct sunlight and sunheat
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10 magnified dorm
The object designed thin for a better air circulation
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Bamboo Brick Exposed (white polished)
Acid Exposed
Brick Wall cement finished
Bamboo
Brick Exposed (white polished) Brick Wall cement finished
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10 magnified dorm
POT A
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POT B
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