40 prints
40 Prints Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com
Miles Aldridge Extravagant Sophisticated Lady Lithograph and screenprint in colours, 2015. Signed in pencil and numbered from the edition of 25 verso. Printed on 400gsm Hello Gloss paper by K2 Screen, London and Pureprint, Uckfield. Published by Sims Reed Gallery, London. 67 x 100 cm
4
5
Mel Bochner Thanks Etching, 2015. Signed in pencil and numbered from the edition of 20. Printed by Two Palms, New York. Published by Two Palms. 55.6 x 45.7 cm
6
7
Richard Estes Quality Craft Shoes Screenprint in colours, 1970. Signed in pencil. An artist’s proof aside from the edition of 100. Printed on thick card by Editions Domberger, Stuttgart. Published by Parasol Press, New York. 90 x 125 cm
8
9
Richard Hamilton Swingeing London 67 Etching and aquatint printed in colours with embossing, 1968. Signed in pencil and numbered from the edition of 70. Printed on mould-made paper by Grafica Uno, Milan. Published by Petersburg Press, London. (Lullin 70) 57 x 73 cm
10
11
Jane Hammond Korean Vase with Kingfisher, Heliconia and Currents Unique botanical collage using lithography, linocut, relief printing, digital printing, coloured pencil, watercolour and gouache, hand cut and assembled on collaged Japanese papers, 2015. 127 x 96.5 cm
12
13
David Hockney Alka Seltzer Etching, 1961. Signed in pencil and numbered from the edition of 15. Printed on Crisbrook handmade paper by Maurice Payne, London. Published by Petersburg Press, London. (Tokyo 6) 40 x 29 cm
14
15
David Hockney Rue de Seine Etching and aquatint, 1971. Signed in pencil and numbered from the edition of 150. Printed on J Green mould-made paper by the Print Shop, Amsterdam. Published by Petersburg Press, London for the National Council of Civil Liberties and Release in London. (Scottish Arts Council 121; Tokyo 111) 89.4 x 70.6 cm
16
17
Alex Katz The Green Cap Woodcut printed in colours, 1985. Signed in pencil and numbered from the edition of 200. Printed on Tosa Koza paper by Shi-un-do Print Shop, Kyoto. Published by Crown Point Press, San Francisco. 45 x 61 cm
18
19
Alex Katz Joan Aquatint printed in colours, 1986. Signed in pencil and inscribed ‘Bon a Tirer’. A proof impression aside from the numbered edition of 65. Printed on Somerset paper by Doris Simmelink and Chris Sukimoto, Jeryl Parker Editions, New York. Published by Crown Point Press, San Francisco. 79.7 x 99.7 cm
20
21
Alex Katz White Roses Screenprint in colours, 2014. Signed in pencil and numbered from the edition of 50. Printed on Saunders Waterford HP High White 425 gsm paper by Brand X Editions, New York. Published by Lococo Fine Art Publisher, Saint Louis. 109 x 218 cm
22
23
Ellsworth Kelly Saint Martin Tropical Plant Lithograph, 1981. Signed in pencil and numbered from the edition of 50. Published to Benefit the Foundation for Contemporary Performance Arts, Inc., New York. 61 x 89 cm
24
25
Yayoi Kusama Pumpkin Army '85 Etching, 1985. Signed in pencil and numbered from the edition of 50. Printed on BFK Rives Gris paper by Kimura Kihachi. (Kusama 75) 46 x 63 cm
26
27
Yayoi Kusama Stars Etching, 1994. Signed in pencil and numbered from the edition of 50. Printed on Velin d'Arches paper by Kimura Mihachi. (Kusama 200) 63 x 45.5 cm
28
29
Fernand LĂŠger Les Constructeurs Lithograph printed in colours, 1955. Signed in ink and numbered from the edition of 260. Printed on Johannot paper by Desjobert, Paris. Published by Folkorelsernas Konstframjande, Stockholm. (Saphire 141) 50 x 63 cm
30
31
Sol LeWitt Wavy Lines Gouache on paper, 1994. Signed in pencil. 56.5 x 74.9 cm
32
33
Roy Lichtenstein Ten Landscapes The complete portfolio of ten screenprints with photographic and Rowlux additions, 1967. In their original presentation box with the title page. Each signed and numbered from the edition of 100 verso. Printed by Fine Creations, Inc. New York with Charles Cardinale. Published by Original Editions, New York. (Corlett 51 - 60) Each mount: 42.2 x 54.7 cm
34
35
Roy Lichtenstein Nude Lithograph, waxtype, woodcut, and screenprint in colours, 1989. Signed in pencil and numbered from the edition of 60. Printed on cold-pressed Saunders Waterford paper by Graphicstudio, University of Southern Florida, Florida. Published by Waddington Graphics, London and Graphicstudio, Florida. (Corlett 233) 142.9 x 82.6 cm
36
37
Roy Lichtenstein Living Room Woodcut and screenprint in colours, 1990. Signed in pencil and numbered from the edition of 60. Printed on 4-ply Paper Technologies, Inc. Musuem Board by Gemini G.E.L., California. Published by Gemini G.E.L. with their blindstamp. (Corlett 250) 147.6 x 182.9 cm
38
39
Roy Lichtenstein Reflections on Conversation Lithograph, screenprint, woodcut, and metalised PVC with embossing,1990. Signed in pencil and numbered from the edition of 68. Printed on Somerset paper by Tyler Graphics, New York. Published by Tyler Graphics, New York. (Corlett 240) 136.5 x 169.9 cm
40
41
Glenn Ligon Detail Screenprint, 2014 Signed in pencil and numbered from the edition of 50. Published by Camden Arts Centre. 41 x 33 cm
Harland Miller Rags to Polyester GiclĂŠe printed in colours, 2014. Signed in pencil and numbered from the edition of 50. Printed on German etching 310gsm paper. Published by White Cube, London. 95 x 75 cm
44
45
Joan Mir贸 Femme et Chien Devant la Lune Pochoir printed in colours, 1936. Signed in pencil and numbered from the edition of 60. Published by Adlan, Barcelona. (Dupin 18) 65 x 49.5 cm
46
47
Yoshitomo Nara Untitled (The Fuck) Coloured pencil drawing on an envelope, 2004. (D-2004-076) 16.4 x 12.4 cm
48
49
Bruce Nauman Help Me Hurt Me Lithograph printed in colours, 1975. Signed in pencil and numbered from the edition of 20. Printed on Arches paper by Serge Lozingot at Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles. (Cordes 28) 91.4 x 129.6 cm
50
51
Pablo Picasso Françoise, Claude, Paloma: La Lecture et les jeux. II Etching and aquatint, 1953. Signed in pencil and inscribed ‘epreuve d’artist’. An artist’s proof aside from the edition of 50. Printed on Arches paper by Frelaut, Paris. Published by Galerie Louise Leiris, Paris. (Baer 901 V.c.; Bloch 737) 41.5 x 44.8 cm
52
53
Kelly Reemtsen Birthday Girl Etching and screenprint in colours, 2015. Signed in pencil and numbered from the edition of 25. Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, New Hampshire. Published by the artist. 91.4 x 91.4 cm
54
55
Kelly Reemtsen Twisted Sister Etching with extensive hand-colouring, 2015. Signed in pencil and numbered from the edition of 25. Printed on Rives BFK paper by Peter Pettengill at Wingate Studio, New Hampshire. Published by the artist. 91.4 x 91.4 cm
56
57
Bridget Riley June Screenprint in colours, 1992. Signed in pencil and numbered from the edition of 75. Printed by Sally Gimson and Angus Wade, Artizan Editions, Hove. Published by the artist. (Schubert 51) 80 x 114.3 cm
58
59
Bridget Riley Shade Screenprint in colours, 1992. Signed in pencil and numbered from the edition of 75. Printed by Advanced Graphics, London. Published by the artist. (Schubert 37) 53 x 38.8 cm
60
61
Ed Ruscha Marble, Olive Lithograph printed in colours, 1969. Signed in pencil and numbered from the edition of 20. Printed on Rives BFK paper by Tamarind Lithography Workshop, Los Angeles. Published by Tamarind Lithography Workshop, Los Angeles. (Engberg 26) 24.8 x 30.8 cm
62
63
Ed Ruscha History Kids Screenprint in colours, 2013. Signed in pencil and numbered from the edition of 60. Printed by Hamilton Press, Los Angeles. Published by Tate America. 73.6 x 71.1 cm
64
65
Ed Ruscha Periods Screenprint in colours, 2013. Signed in pencil and numbered from the edition of 60. Printed by Hamilton Press, Los Angeles. Published by Hamilton Press, Los Angeles. 73.6 x 71.1 cm
66
67
Fred Sandback Untitled Linocut printed in colour, 1975. Signed in pencil and numbered from the edition of 20. Printed on Japanese paper by Karl Imhof, Munich. Published by Edition Heiner Friedrich, Munich. (Jahn 34) 44.5 x 53 cm
68
69
Frank Stella Benjamin Moore The complete portfolio of six screenprints in colour, 1971. Each signed in pencil and numbered from the edition of 100. Printed by Ron McPherson and Stuart Henderson at Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles. (Axsom 57 - 62) Each sheet: 40.6 x 55.9 cm
70
71
Frank Stella Purple Series The complete portolio of nine lithographs printed in colours, 1972. Each signed in pencil and numbered from the edition of 100. Printed on Deluxe Paper by Ron Adams at Gemini G.E.L., Los Angeles. Published by Gemini G.E.L., Los Angeles. (Axsom 64 - 72) Each sheet: 40.6 x 55.9 cm
72
73
Frank Stella Sidi Ifni (from Homage to Picasso) Lithograph printed in colours, 1973. Signed in pencil and numbered AP 15/15. One of 15 artist’s proofs aside from the edition of 100. Printed on Copperplate Deluxe paper by Petersburg Press, London. Published by Propylaen Verlag, Berlin and Pantheon-Presse, Rome. (Axsom 91) 55.8 x 76.2 cm
74
75
Wayne Thiebaud Toy Counter (from Seven Still Lifes and a Rabbit) Screenprint in colours, 1970. Signed in pencil and inscribed AP. An artist’s proof aside from the edition of 50. Published by Parasol Press, New York. 56.8 x 76.2 cm
76
77
Wayne Thiebaud Cones Etching, 1964. Signed in pencil and numbered from the edition of 25. 37.5 x 27.9 cm
78
79
Cy Twombly Untitled (from On the Bowery) Screenprint in colours, 1969-71. Signed in pencil verso and numbered from the edition of 100. Printed on Schollers Parole Paper by Edition Domberger, Stuttgart. Published by Edition Domberger, New York. (Bastian 27) 64.8 x 64.8 cm
80
81
Cy Twombly Natural History Part II, Some Trees of Italy The complete portfolio of eight lithograph, granolythograph, and collotype printed in colours with collage, 1975-76. Each signed in pencil and numbered from the edition of 98. Printed on Fabriano paper by Matthieu Studio, Zurich. Published by Propylaen Verlag. (Bastian 52-59) Each sheet: 76.4 x 56.7 cm
Tom Wesselmann Nude (from 11 Pop Artists II) Screenprint in colours, 1965. Signed in pencil and numbered from the edition of 200. Printed on smooth wove paper by Knickerbocker Machine and Foundry Inc., New York. Published by Original Editions, New York. 60.9 x 75.5 cm
84
85
Designed by Lucy Harbut Printed by Dayfold 2015
Sims Reed Gallery 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 E gallery@simsreed.com www.gallery.simsreed.com