40 prints
40
prints Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com
Josef Albers Josef Albers Honors the Hirschorn Museum and Sculpture Garden Screenprint in colours, 1973. Signed in pencil and numbered from the edition of 144. Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman, New Haven. (Danilowitz 224) 63.5 x 88.6 cm
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Mel Bochner Silence Screenprint in colours with colour shifting inks, 2013. Signed in pencil and numbered from the edition of 20. Printed and published by Two Palms, New York. 152.4 x 114.3 cm
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Jim Dine The New Building Woodcut, etching, and hand drawing in colour, 2013. Signed in pencil and numbered from the edition of 30. Printed and published by Tandem Press, Wisconsin. 162.5 x 121.9 cm
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Peter Doig 100 Years Ago Etching and aquatint printed in colour, 2000- 2001. Signed in pencil and numbered from the edition of 46. Printed on 350g Hahnemuehle paper. Published by the Paragon Press, London. 120.5 x 82.5 cm
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Richard Estes Urban Landscapes III The complete set of 8 screenprints in colours, 1981. Each signed in pencil and numbered from the edition of 250. Printed on Fabriano Cottone Paper by Editions Domberger, Stuttgart. Published by the Parasol Press, New York. Each sheet: 50 x 70 cm
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Richard Estes Grant’s Screenprint in colours, 1972. Signed in pencil and numbered from the edition of 250. Printed on Fabriano Cottone Paper by Editions Domberger, Stuttgart. Published by the Parasol Press, New York. 50 x 70 cm
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Richard Hamilton La Scala Milano Photo-etching and screenprint in colours, 1968. Signed in pencil and numbered from the edition of 65. Printed on mould-made etching paper by the artist and Chris Prater at Kelpra Studio, London. Published by Petersburg Press, London. (Lullin 71) 50.4 x 59.2 cm
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Jane Hammond From the Goose to the Girl Iris print, pochoir, relief and hand-colouring by the artist, 1999. Signed in pencil and numbered from the edition of 25. Published by Pace Editions, Inc., New York. 68.5 x 67.3 cm
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David Hockney Amaryllis in Vase Lithograph printed in colours, 1985. Signed in pencil and numbered from the edition of 80. Printed on white TGL handmade paper by Tyler Graphics, New York. Published by Tyler Graphics with their blindstamp. (Tokyo 266) 127 x 92.5 cm
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David Hockney The Wave, A Lithograph Lithograph printed in colours, 1990. Signed in pencil and numbered from the edition of 50. Printed on mould-made Arches 88 paper by Lee Funderburg. Published by Tyler Graphics, New York. (Tokyo 324) 68.5 x 97 cm
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David Hockney Celia in the Directors Chair Lithograph, 1980. Signed in pencil and numbered from the edition of 100. Printed on Kurotani paper by Gemini G.E.L., Los Angeles. Published by Gemini G.E.L.. (Tokyo 244) 106.7 x 96.5 cm
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Howard Hodgkin Sea Etching and aquatint printed in colours with hand-colouring, 2002-2003. Signed in pencil and numbered from the edition of 100. Printed by Jack Sherriff, Wiltshire. Published by Thames and Hudson, London. 23.2 x 26.5 cm
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Jasper Johns Usuyuki Lithograph printed in colours, 1980. Signed in pencil and numbered from the edition of 57. Printed on BFK Rives paper by ULAE, New York. Published by ULAE. (ULAE 211) 133.4 x 51.4 cm
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Jasper Johns Cicada II Screenprint in colours, 1981. Signed in pencil and numbered from the edition of 50. Printed on Kurotani Hosho paper by Kenjiro Nonaka and Hiroshi Kawanishi. Published by ULAE, New York. (ULAE 214) 61 x 48.3 cm
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Donald Judd Untitled Woodcut printed in cadmium red, 1961 - 1969. Signed in pencil and numbered from the edition of 12. Printed on cartridge paper by the artist and his father, Roy Judd. Published by the artist. (Schellmann 39) 77.8 x 55.9 cm
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Donald Judd Untitled The complete set of six aquatints, 1980. Each signed in pencil and numbered from the edition of 150. Printed on wove paper by Styria Studios, New York, with their blind stamp. Published by the artist. (Schellman 118-123) Each sheet 74.5 x 87 cm
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Alex Katz Sharon Lithograph and woodcut printed in colours, 2010. Signed in pencil and numbered from the edition of 55. Printed on Somerset Satin white 300g paper by Tom Pruitt at Graphicstudio, Tampa Florida. Published by Margaret Miller, Graphicstudio. 60.3 x 91.4 cm
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Yayoi Kusama Pumpkin (BSQ) Screenprint in colours, 1998. Signed in pencil and numbered from the edition of 120. Printed on Arches paper by Okabe Tokuzo, Japan. (Kusama 244) 39.5 x 38 cm
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Sol LeWitt Bands of Color in Different Directions Etching and aquatint printed in colours on two sheets, 1996. Signed in pencil and numbered AP 2/8. One of eight artist’s proofs aside from the edition of 36. Printed on wove paper by Watanabe Studio Ltd., New York. Published by John Campione, New York and Annemarie Verna, Zurich. (Krakow 1996.08) 50.8 x 210.8 cm
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Sol LeWitt Monotype #25 Unique monotype screenprint printed in colours, c. 1996. Signed in pencil. 140 x 140 cm
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Roy Lichtenstein Yellow Vase Lithograph, woodcut, and screenprint in colours, 1990. Signed in pencil and numbered from the edition of 60. Printed on 4-ply Paper Technologies, Inc. Musuem Board by Gemini G.E.L., California. Published by Gemini G.E.L. with their blindstamp. (Corlett 253) 141.4 x 214.6 cm
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Roy Lichtenstein Illustration for ‘De Nouveau au-dessus de Denver’ Etching and aquatint printed in colours, 1992. Signed in pencil and numbered from the edition of 80. Printed on velin d’Arches paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris. (Corlett 272) 35.4 x 48 cm
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Roy Lichtenstein Illustration for ‘Bayonne en Entrant dans NYC’ Etching and aquatint printed in colours, 1992. Signed in pencil and numbered from the edition of 80. Printed on velin d’Arches paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris. (Corlett 269) 35.4 x 48 cm
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Joan Mir贸 Fus茅e (Pink) Etching and aquatint printed in colours, 1959. Signed in pencil and numbered I/XV. From the deluxe edition of 15, aside from the regular edition of 65. Printed on Japan paper by Crommelynck et Dutrou, Paris. Published by Louis Broder, Paris. (Dupin 257) 28 x 38 cm
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Henry Moore Sheep in Landscape From the Sheep Album. Etching and aquatint, 1974. Signed in ink. One of three proofs on vellum aside from the delux edition of 15. Printed by Lacouriere and Frelaut, Paris. Published by Gerald Cramer, Geneva. (Cramer 234) 42 x 48 cm
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Yoshitomo Nara Tell Me Ukiyo-e woodcut, 2014. Signed in pencil and numbered from the edition of 25. Published by Pace Prints, New York. 37.1 x 26 cm
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Yoshitomo Nara Stay Good Ukiyo-e woodcut, 2014. Signed in pencil and numbered from the edition of 25. Published by Pace Prints, New York. 41.9 x 29.2 cm
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Bruce Nauman Study for Holograms (a-e) The complete set of five screenprints in colour, 1970. Each signed in pen and numbered 95/150 (with one numbered 48/150). Printed on 100 lb. Kromekote paper by Aetna Studios, New York. Published by Castelli Graphics, New York. (See Cordes 1 - 5) Each sheet: 66 x 66 cm
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Claes Oldenberg Screwarch Bridge (State III) Etching, aquatint, and monoprint in colours, 1981. Signed in pencil and inscribed BAT. The Bon a Tirer proof before the edition of 25 Printed by Patricia Branstead at Aeropress, New York. Published by Multiples, New York. 59.7 x 128.3 cm
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Pablo Picasso Franรงoise Lithograph, 1946. Signed in pencil and numbered from the edition of 50. Printed on Arches wove paper by Mourlot, Paris. (Bloch 396; Mourlot 40) 66 x 50 cm
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Pablo Picasso Franรงoise Lithograph, 1946. Signed in pencil and numbered from the edition of 50. Printed on Arches wove paper by Mourlot, Paris. (Bloch 400; Mourlot 44) 65.5 x 49.8 cm
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Gerhard Richter Ice II Screenprint in colours, 2003. Signed in pencil and numbered a.p. 12/18 One of 18 artist’s proofs aside from the edition of 108. Printed on heavy rag paper by Brand X Editions, New York. Published by Lincoln Center for the Performing Arts, New York. (Butin 123) 111.3 x 88.9 cm
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Bridget Riley Untitled (Fragment 3) Screenprint on Plexiglas, 1965. Scratch signed verso. From the edition of 75. Printed by Kelpra Studio, London. Published by Robert Fraser Gallery, London. (Schubert 5c) 62.2 x 80.5 cm
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Bridget Riley Large Fragment Screenprint in colours, 2006. Signed in pencil and numbered from the edition of 50. Printed by Artizan Editions, Hove. Published by the artist. (Schubert 64) 128.3 x 109.2 cm
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Ed Ruscha Fruit-Metrecal Hollywood Screenprint in colour with grape, apricot jam and Metrecal soda, 1971. Signed in pencil and numbered from the edition of 85. Printed on Copperplate Deluxe paper by Jean Milant & Jane Aman, Los Angeles. Published by the artist & Bernard Jacobson, London. (Engberg 53) 25.4 x 95.2 cm
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Ed Ruscha OOO Lithograph printed in colours, 1969. Signed in pencil and inscribed AP. A proof aside from the edition of 90. Printed on calendered RFK paper by Jean Milant at the Tamarind Lithography workshop, Los Angeles. Published by Tamarind Lithography Workshop. (Enberg 24) 51 x 72.1 cm
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Wayne Thiebaud Palms Etching, 1965. Signed in pencil and numbered from the edition of 25. 29.8 x 27.6 cm
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Wayne Thiebaud Dark Cake Woodcut printed in colours, 1987. Signed in pencil and numbered from the edition of 200. Printed on Tosa Kozo paper by Tadashi Toda at Shi-un-do Print Shop, Kyoto. Published by Crown Point Press, San Francisco with their blindstamp. 51.8 x 57.2 cm
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Cy Twombly Natural History Part I, Mushroom (No. IV) Mixed media lithograph printed in colours with collotype and photochrome elements, 1974. Signed in pencil and numbered from the edtition of 98. Printed by Matthew Studio, Zurich. Published by Propylean Verlag, Berlin. 75.5 x 56 cm (Bastin 44)
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Andy Warhol In the Bottom of My Garden (IV.89) Lithograph with extensive watercolour applied by hand, c. 1956. From: In the Bottom of My Garden. This impression is from the Estate of Andy Warhol, with the Foundation number PM 12.0025. (Feldman Schellmann IV.89) 21.6 x 27.9 cm
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Andy Warhol Self-portrait Unique screenprint, circa 1978. Printed on Curtis Rag paper by Rupert Jasen Smith, New York. Stamped Andy Warhol Enterprises Inc. 1987 verso, with the Andy Warhol Estate stamp numbered WP890.2, and the Andy Warhol Authentication Board Inc. stamp numbered A120.100 in pencil. (Feldman and Schellmann IIIA.10) 114.2 x 89.1 cm
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Designed by Lucy Harbut Printed by Dayfold 2014
Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com