40 Prints

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40 Prints sims reed gallery The Economist Building 30 Bury Street London SW1Y 6AU Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555 gallery@simsreed.com www.gallery.simsreed.com

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Francis Bacon

T hree Studies for a Portrait of John Edwards Lithograph printed in colours, 1987.

Signed in pencil and numbered from the edition of 180.

Printed on Arches paper by Galerie Lelong, Paris.

Published by L’Ire des Vents, Paris.

(Tacou 20) 81 x 60 cm

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Francis Bacon

Study for Pope Innocent X

Lithograph printed in colours, 1980.

Signed in pencil and numbered from the edition of 60.

Printed on Rives paper by Art Estampe, Paris.

Published by Librairie Seguier, Paris.

(Tacou 9) 95 x 69 cm

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Eduardo Chillida

From: Inguru Aquatint, 1968.

Siged in pencil and numbered from the edition of 50.

Published by Gustavo Gili, Barcelona.

63.5 x 89.8 cm

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Peter Doig

Surfer Etching and aquatint printed in colour, 2000- 2001.

Signed in pencil and inscribed BAT. The Bon a Tirer proof before the edition of 46.

Printed on 350g Hahnemuehle paper.

Published by The Paragon Press, London.

166 x 111.5 cm

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Richard Estes

V enezia Murano Screenprint in colours, 1979.

Signed in pencil and numbered from the edition of 100.

Printed on Fabriano Cottone paper by Editions Domberger, Stuttgart.

Published by Parasol Press, New York.

70 x 50 cm

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Walton Ford

Dying W ords Hardground etching, aquatint, spit-bite aquatint & drypoint, 2005.

Signed in pencil and inscribed ‘AP 18’.

An artists proof aside from the edition of 75.

Printed by Wingate Studio, New Hampshire.

Published by Paul Kasmin, New York.

57 x 75.5 cm

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Sarah Graham

Salvazana Imperialis Lithograph printed in colours, 2012.

Signed and numbered from the edition of 25.

Printed on 350g Hahnemuehle paper by Michael Woolworth, Paris.

Published by Sims Reed Gallery, London.

124 x 220 cm

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Richard Hamilton

Release Screenprint in colours with collage, 1972.

Signed in pencil and numbered from the edition of 150.

Printed on Hodgkinson mould-made paper by Kelpra Studios, London.

Published by Petersburg Press for the National Council of Civil Liberties and Release (Lullin 83) 70.1 x 87 cm

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Richard Hamilton

Picasso’s Meninas Etching with aquatint, roulette, and drypoint, 1973.

Signed in pencil and numbered from the edition of 120.

From: Hommage to Picasso.

Printed on Rives paper by Aldo Crommelynck, Paris.

Published by Propylaen Verlag, Berlin/Pantheon Press, Rome.

(Lullin 90) 80.5 x 63.2 cm

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David Hockney

Myself and My Heroes Etching and aquatint, 1961.

Signed and dated in pencil.

From the edition of approximately 50.

Printed on English hand-made paper by Ron Fuller and Peter Matthews at the Royal College of Art in London.

Published by the artist.

(Scottish Arts Council 4; Tokyo 4) 54.7 x 77.4 cm

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David Hockney

Lithographic W ater Made of Lines Lithograph printed in colours, 1978-1980.

Signed in pencil and inscribed.

A proof aside from the edition of 42.

Printed on handmade paper by Tyler Graphics, New York.

Published by Tyler Graphics with their blindstamp.

(Tokyo 210) 74.3 x 86.4 cm

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David Hockney

Four Flowers in Still Life Lithograph printed in colours, 1990.

Signed in pencil and numbered from the edition of 50.

Printed on Arches 88 paper by Tyler Graphics, New York.

Published by Tyler Graphics with their blindstamp.

(Tokyo 322) 68.6 x 96.9 cm

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David Hockney

Rue de Seine Etching and aquatint, 1971.

Signed in pencil and numbered from the edition of 150.

Printed on J Green mould made paper by the Print Shop, Amstredam.

Published by Petersburg Press, London for the National Council of Civil Liberties and Release in London.

(Scottish Arts Council 121, Tokyo 111) 89 x 71 cm

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Allen Jones

Fleet of Buses The complete portfolio of five lithographs printed in colours, 1966.

Each signed in pencil and numbered from the edition of 20.

With the signed title page and portfolio cover.

Printed on Arches paper by the Tamarind Lithography Workshop, Los Angeles.

Published by Editions Alecto, London.

(Lloyd 37 a-e) Each sheet 64 x 57 cm (irregular)

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Gerald Laing

Dragsters The complete portfolio of 5 screenprints in colours, 1968.

Each signed in pencil and numbered from the edition of 150 Printed on smooth white paper by the artist.

Published by the artist with his blind stamp.

(Ingram & Halliwell 17 - 21) Each sheet: 58.5 x 89 cm

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Roy Lichtenstein

Shipboard G irl Lithograph printed in colours, 1965.

Signed in pencil.

Printed by Graphic Industries, Inc., New York.

Published by Leo Castelli Gallery, New York.

(Corlett II.6) 69 x 51.5 cm

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Roy Lichtenstein

Moonscape Screenprint on blue Rowlux, 1965.

Signed in pencil and number from the edition of 200.

Printed by Knickerbocker Machine and Foundry Inc., New York.

Published by Original Editions, New York.

(Corlett 37) 50.6 x 60.8 cm

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Matthias Mansen

Potsdamer Strasse, B Woodcut, 2012.

Signed in pencil and numbered from the edition of 3.

Printed by the artist 225 x 151 cm

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Christian Marclay

Splat!

Photogravure on chine colle, 2011.

Signed in pencil verso and numbered from the edition of 25.

Printed on Revere Silk Polar White Paper by Graphicstudio, Florida.

Published by Graphicstudio with their wet stamp, verso.

32.5 x 23 cm

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Henri Matisse

La Danse Aquatint printed in colours, 1935.

Signed in pencil and numbered from the edition of 50.

Printed on Arches paper.

(Duthuit 247) 29.7 x 80.7 cm

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Henri Matisse

Nu, main gauche pres de l’epaule Lithograph, 1926.

Signed in pencil and numbered from the edition of 50.

Printed on japon paper.

(Duthuit 474) 46 x 56 cm

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Joan Mir贸

Partie de C ampagne V Etching and aquatint printed in colours, 1967.

Signed in pencil and numbered from the edition of 75.

Printed on Mandeure paper by Arte Adrien Maeght, Paris.

Published by Maeght Editeur, Paris.

(Dupin 434) 74.5 x 104 cm

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Joan Mir贸 La bague d'aurore Etching and aquatint printed in colours, 1957.

Signed in pencil and numbered from the edition of 60.

Printed on Rives paper by Crommrlynck and Dutrou, Paris.

Published by Louis Broder, Paris.

(Dupin 138) 37.8 x 28.2 cm

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Henry Moore

Sheep in Landscape Etching and drypoint. 1974.

Signed in pencil and numbered from the delux edition of 15.

Printed on Rives paper by Lacouriere et Frelaut, Paris.

Published by Gerald Cramer, Geneva (Cramer 235).

30.6 x 38.7 cm

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Takashi Murakami

A n Homage to IKB Lithograph on paper, 2011.

Signed and numbered from the edition of 300.

73.6 x 52.9 cm

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Yoshitomo Nara Untitled Lithograph printed in colours, 2005.

Signed in pencil and numbered from the edition of 100.

Printed on Arches paper.

30 x 23 cm

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Enoch Perez Marina T owers Lithograph with extensive hand colouring, 2012.

Signed in pencil and numbered from the edition of 20.

Printed by Poligrafa, Spain.

Published by Poligrafa, Spain.

100 x 70 cm

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Peter Phillips

Pneumatics The complete portfolio of 8 screenprints with collage in colours, 1968.

Each signed in pencil and inscribed AP. Artist’s proofs aside from the edition of 75.

With the portfolio cover.

Printed by Kelpra Studio, London.

Published by Galerie Bischofburger, Zurich.

Each sheet: 59 x 94 cm

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Pablo Picasso

Femme se Reposant Etching, 1931.

Signed in pencil.

From the edition of 250.

From: Suite V ollard.

Printed on Montval paper by Lacouriere, Paris.

Published by Vollard, Paris.

(Bloch 143) 34 x 44.5 cm

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Pablo Picasso

Jeune Femme Laissant T omber Sa Robe Aquatint and drypoint, 1968.

Signed in pencil and numbered from the edition of 50.

From: 347 Series.

Printed on Rives paper by Crommelynck, Paris.

Published by Galerie Louise Leiris, Paris.

(Bloch 1652; Baer 1668) 35 x 28 cm

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Pablo Picasso Paloma et sa poupee, fond blanc Lithograph, 1952.

Signed in red crayon and inscribed ‘epreuve d’artiste’.

A proof aside from the edition of 50.

Printed on Arches paper by Mourlot, Paris.

(Bloch 726; Mourlot 228) 72 x 54 cm

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Pablo Picasso

Deux Femmes sur la Plage Lithograph, 1956.

Signed in pencil and numbered from the edition of 50.

Printed on Arches paper by Mourlot, Paris.

(Bloch 789; Mourlot 273) 50.5 x 66 cm

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Gerhard Richter

Uran (Uranium) Silver gelatin print, 1989.

Scratch signed and numbered from the edition of 50.

Published by Museum Boijmans Van Beuningen, Rotterdam.

(Butin 68) 99.8 x 69.9 cm

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Bridget Riley

Untitled (Based on Primitive Blaze) Screenprint, 1962.

Signed in pencil and numbered from the edition of 40.

(Schubert 1a) 45.7 x 45.7 cm

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Bridget Riley

Untitled (Fragment 7) Screenprint on plexiglas, 1965.

Scratch signed and numbered from the edition of 75 verso.

Printed by Kelpra Studio, London.

Published by Robert Fraser Gallery, London.

(Schubert 5g) 50.9 x 99 cm

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Ed Ruscha

Q uestion Lithograph, 1989.

Signed in pencil and inscribed AP. An artist’s proof aside from the edition of 35.

Printed on 300g Rives BFK paper by Hamilton Press, California.

Published by the artist.

(Engberg 186) 68.6 x 91.4 cm

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Gert & Uwe Tobias Dresden Joker Woodcut printed in colours, 2012.

Signed in pencil and numbered from the edition of 8.

Hand printed on 300g acid free paper.

Published by Hatje Cantz, Germany.

In the artist’s designed frame.

134 x 114 cm

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Andy Warhol

Liz Lithograph printed in colours, 1964.

Signed in ball-point pen.

From the edition of 300.

Printed by Total Colour, New York.

Published by Leo Castelli Gallery, New York.

(Feldman & Schellmann II.7) 56 x 56 cm

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Andy Warhol

Marilyn Screenprint in colours, 1967.

Signed in pencil verso. An unnumbered proof aside from the edition of 250.

Printed by Aetna Silkscreen Products, Inc., New York.

Published by Factory Additions, New York.

(Feldman & Schellmann II.24) 91.4 x 91.4 cm

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Andy Warhol

Electric C hair The complete portfolio of 10 screenprints in colours, 1971.

Each signed in ball-point pen verso and numbered from the edition of 250.

Printed by Silkprint Kettner, Zurich, Switzerland.

Published by Bruno Bischofberger, Zurich, Switzerland.

(Feldman & Schellmann II.75) Each sheet: 89.8 x 121.6 cm

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Andy Warhol

Mao Screenprint in colours, 1972.

Signed in ink verso and numbered from the edition of 250.

Printed on Beckett High White paper by Styria Studio, Inc., New York.

Published by Castelli Graphics and Multiples, Inc., New York.

(Feldman & Schllemann II.93) 91.4 x 91.4 cm

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Printed by Dayfold 2012

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sims reed gallery The Economist Building 30 Bury Street London SW1Y 6AU Tel. +44 (0) 207 930 5111 Fax +44 (0) 207 930 1555 gallery@simsreed.com www.gallery.simsreed.com