THE ARMORY SHOW 2015
THE ARMORY SHOW 2015 Thursday 5th – Sunday 8th March
Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com
Josef Albers Josef Albers Honors the Hirschorn Museum and Sculpture Garden Screenprint in colours, 1973. Signed in pencil and numbered from the edition of 144. Printed by Sirocco Screenprints, New Haven. Published by Ives-Sillman, New Haven, for the Hirschorn Museum and Sculpture Garden, Washington, D. C. (Danilowitz 224) 63.5 x 88.6 cm
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Richard Estes Quality Craft Shoes Screenprint in colours, 1970. Signed in pencil. An Artist’s proof aside from the edition of 100. Printed on thick card by Editions Domberger, Stuttgart. Published by Parasol Press, New York. 90 x 125 cm
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Richard Estes Bus Interior Screenprint in colours, 1981. Signed in pencil and numbered from the edition of 250. Printed on Fabriano Cottone Paper by Editions Domberger, Stuttgart. Published by the Parasol Press, New York. 50 x 70 cm
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Richard Estes Cafeteria, Vatican Screenprint in colours, 1981. Signed in pencil and numbered from the edition of 250. Printed on Fabriano Cottone Paper by Editions Domberger, Stuttgart. Published by the Parasol Press, New York. 50 x 70 cm
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David Hockney Rue de Seine Etching and aquatint, 1971. Signed in pencil and numbered from the edition of 150. Printed on J Green mould-made paper by the Print Shop, Amsterdam. Published by Petersburg Press, London for the National Council of Civil Liberties and Release in London. (Scottish Arts Council 121; Tokyo 111) 89.4 x 70.6 cm
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David Hockney Godetia Etching and aquatint printed in colours, 1973. Signed in pencil and inscribed AP. An artist’s proof aside from the edition of 100. Printed on Arches mould-made paper by Atelier Crommelynk, Paris. Published by Petersburg Press, London. (Scottish Arts Council 155) 58.5 x 42 cm
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David Hockney Small Dogs Etching and aquatint printed in colours, 1995. Signed in pencil and numbered from the edition of 80. Printed on on Arches Watercolor, paper by Maurice Payne; Los Angeles, New York, published by George Mulder, Lococo Mulder Inc. / David Hockney. (Tokyo 344) 41.6 x 55.6 cm
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Sol Lewitt Two Asymmetrical Pyramids: Plate 1 Screenprint in colours, 1986. Signed in pencil and numbered from the edition of 20. Printed on Arches Cover White paper by Jo Watanabe and Kei Tsujimura, New York. Published by Multiples Inc., New York. (Krakow 1986.04) 96.5 x 157.5 cm
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Sol Lewitt Pyramids (Plate #1) Aquatint printed in colours, 1987 Signed in pencil and numbered from the edition of 19 Printed on Somerset Satin Paper by Jeryl Parker Published by Parasol Press, New York (Krakow 1987.03) 59.4 x 90.2 cm
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Sol LeWitt Pyramids (Plate #6) Aquatint printed in colours, 1987 Signed in pencil and numbered from the edition of 19 Printed on Somerset Satin Paper by Jeryl Parker Published by Parasol Press, New York (Krakow 1987.03) 59.4 x 90.2 cm
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Roy Lichtenstein Yellow Vase Lithograph, woodcut, and screenprint in colours 1990. Signed in pencil and numbered from the edition of 60. Printed on 4-ply Paper Technologies, Inc. Musuem Board by Gemini G.E.L., California. Published by Gemini G.E.L. with their blindstamp. (Corlett 253) 141.4 x 214.6 cm
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Roy Lichtenstein Living Room Woodcut and screenprint in colours 1990. Signed in pencil and numbered from the edition of 60. Printed on 4-ply Paper Technologies, Inc. Musuem Board by Gemini G.E.L., California. Published by Gemini G.E.L. with their blindstamp. (Corlett 250) 147.6 x 182.9 cm
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Robert Mangold (Greeting Card 1) Woodcut, screenprint and ink, 2004. Initialled in pencil and accompanied by a handwritten letter from the artist. 15.9 x 24.5 cm
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Robert Mangold (Greeting Card 5) Woodcut, screenprint and ink, 2004. Initialled in pencil and accompanied by a handwritten letter from the artist. 15.9 x 24.5 cm
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Yoshitomo Nara On the F-word Intaglio, photogravure and aquatint printed in colours, 2002. Signed in pencil and numbered from the edition of 35. Printed by KIDO Press, Inc., Tokyo. (E-2002-015) 72 x 56 cm
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Michelangelo Pistoletto Colomba (from Homage to Picasso) Lithograph printed in colours, 1974. Signed in pencil and numbered from the edition of 90. From: Homage to Picasso. Printed on inox steel by Serighelli, Mailand. Published by Edition Propyl_en Verlag, Berlin/Pantheon Press, Rome. 55 x 75 cm
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Gerhard Richter Abstract Photo Silver gelatin print mounted on card, 1989. Signed, dated, and numbered from the edition of 50. Published by Galerie Fred Jahn, Munich. (Butin 69) 49.5 x 69.5 cm
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Ed Ruscha City Lithograph printed in colours, 1969 Signed in pencil and inscribed ‘Color Trial Proof’ A unique colour proof aside from the edition of 20. Printed on Rives BFK paper by Robert Rogers at the Tamarind Lithography Workshop, Los Angeles. Published by Tamarind Lithography Workshop, Los Angeles (Enberg 22) 43.2 x 60.9 cm
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Ed Ruscha Sin Screenprint in colours, 1970. Signed in pencil and numbered from the edition of 150. Printed on Louvain Opaque Cover paper by Cirrus Editions, Los Angeles. Published by Cirrus Editions. (Enberg 41) 48.6 x 67.3 cm
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Cy Twombly On the Bowery Screenprint in colours, 1969-1971. Signed in pencil verso and numbered from the edition of 100. Printed on Schollers Parole Paper. 64.8 x 64.8 cm
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Andy Warhol Jackie Kennedy I (Jackie I) Screenprint in silver, 1965. Stamp signed verso and number XXVI. One of 50 artists proofs aside from the edition of 200. From: 11 Pop Artists Volume I. Printed by Knickerbocker Machine and Foundry Inc., New York. Published by Original Editions, New York. (Feldman & Schellmann II. 13) 61 x 50.8 cm
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Andy Warhol Jackie II (from 11 Pop Artists II) Screenprint in colours, 1965 Stamp signed on the verso and numbered from the edition of 200 Printed by Knickerbocker Machine and Foundry Inc., New York Published by Original editions, New York (Feldman & Schellmann II.14) 61 x 75.5 cm
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Andy Warhol Self Portrait Lithograph, 1966. Signed in pencil verson and numbered 236 from the edition of 300. Printed on silver coated paper by Total Color, New York. Published by Leo Castelli Gallery, New York. (Feldmann & Schellmann II.16) 58.4 x 58.4 cm
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Christopher Wool Untitled Soft-ground etching, 1998. Signed in pencil and numbered from the edition of 30. Printed by Jacob Samuels, Los Angeles. Published by Lapis Press, LA. 40.6 x 29.8 cm
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Designed by Lucy Harbut 2015
Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU
T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com