Sims Reed Gallery | Christmas 2014
Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com
Miles Aldridge Carousel Plate 15: Like a Painting #1 Lithograph and screenprint, 2013. From: Carousel. Numbered from the edition of 180 (plus 30 AP’s) on the title page. Printed on 400gsm Hello Gloss Paper by K2 Screen, London and Pureprint, Uckfield. Published by Brancolini Grimaldi, London. 46.7 x 67.7 cm
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Mel Bochner Crazy Monoprint with collage, engraving and embossment on hand-dyed Twinrocker handmade paper, 2014. Signed in pencil. Published by Two Palms, New York. 24.1 x 31.1 cm
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Blaise Drummond Pacific Palisades Lithograph with photogravure printed in colours, 2012. Signed in pencil and numbered from the edition of 30. Printed by Michael Woolworth, Paris. 56 x 76 cm
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Richard Estes Movies Screenprint in colours, 1981. Signed in pencil and numbered from the edition of 250. Printed on Fabriano Cottone Paper by Editions Domberger, Stuttgart. Published by the Parasol Press, New York. 50 x 70 cm
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David Hockney Godetia Etching and aquatint printed in colours, 1973. Signed in pencil and inscribed AP. An artist’s proof aside from the edition of 100. Printed on Arches mould-made paper by Atelier Crommelynk, Paris. Published by Petersburg Press, London. (Scottish Arts Council 155) 58.5 x 42 cm
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David Hockney Dog Wall (1) Etching, 1998. Signed in pencil and numbered from the edition of 35. Printed on Somerset wove paper. Published by the artist. 42.5 x 46.9 cm
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Roy Lichtenstein Illustration for ‘De Denver au Montana, Depart 27 Mai 1972’ (II) Etching and aquatint printed in colours, 1992. Signed in pencil and numbered from the edition of 80. Printed on velin d’Arches paper by Atelier Dupont-Visat, Paris. Published by Les Editions du Solstice, Paris. (Corlett 276) 48.1 x 35.4 cm
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Robert Mangold (Greeting Card 1) Woodcut, screenprint and ink, 2004. Initialled in pencil and accompanied by a handwritten letter from the artist. 15.9 x 24.5 cm
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Henry Moore Ready For Shearing Etching and drypoint. 1974. Signed in pencil and numbered from the edition of 80. Printed on Rives paper by Lacouriere et Frelaut, Paris. Published by Gerald Cramer, Geneva (Cramer 230) 30.6 x 38.7 cm
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Takashi Murakami An Homage to Yves Klein, Multicolor Lithograph printed in colours, 2012. Signed and numbered from an edition of 300. Published by Kaikai Kiki, Tokyo. 73.6 x 52.9 cm
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Yoshitomo Nara Untitled Lithograph printed in colours, 2005. Signed in pencil and numbered from the edition of 100. Printed on Velin d’Arches by Editions Copenhagen, Denmark. Published by Editions Copenhagen. 42.5 x 33 cm
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Enoc Perez Hotel La Concha Etching printed in colours, 2005. Signed in pencil and numbered from the edition of 30. Published by Grimm Fine Art Editions, Amsterdam. 56.5 x 76 cm
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Bridget Riley Passing By Screenprint in colours, 2005. Signed in pencil and numbered from the edition of 75. Printed by Artizan Editions, Hove. Published by the artist. (Schubert 60) 44.5 x 98.9 cm
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Andy Warhol (Pink Sam with Yellow Eyes) Lithograph with extensive watercolour applied by hand, c. 1954. From: 25 Cats Named Sam and One Blue Pussy. Signed in ball-point pen on the colophon and numbered from the edition of 190. Printed by Seymour, Berlin. Published by the artist. (See Feldman & Schellmann IV 52A - 68A) 22.8 x 14.8 cm
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Andy Warhol In the Bottom of My Garden (IV.88) Lithograph with extensive watercolour applied by hand, c. 1956. From: In the Bottom of My Garden. This impression is from the Estate of Andy Warhol, with the Foundation number PM 12.0025. (Feldman Schellmann IV.88) 21.6 x 27.9 cm
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Designed by Lucy Harbut 2014
Sims Reed Gallery The Economist Building 30 Bury Street London SW1Y 6AU T +44 (0)20 7930 5111 F +44 (0)20 7930 1555 E gallery@simsreed.com www.gallery.simsreed.com