Sims Reed Gallery | Summer Salon 2022 | Group Show Digital Catalogue by Sims Reed

JOHN CHAMBERLAIN EDUARDO CHILLIDA

NAUM GABO RICHARD HAMILTON

EILEEN COOPER

DAVID HOCKNEY

ANDRÉ DERAIN

HOWARD HODGKIN

JEAN DUBUFFET

AARON KASMIN

JOAN MIRÓ HENRY MOORE BRUCE NAUMAN HUMPHREY OCEAN PABLO PICASSO

MAX ERNST

GERALD LAING

DIETER ROTH

SAM FRANCIS

HENRI MATISSE

YVES TANGUY

Running at the gallery on Duke Street St James's until late August 2022, the show brings together prints by modern masters as well as a selection of contemporary works in a range of mediums - from etching to lithography, screenprint and linocut. Sims Reed Gallery 43A Duke Street St. James’s London SW1Y 6DD + 44 (0)20 7930 5111 | gallery@simsreed.com

Patrick Caulfield And I am alone in my house Screenprint in colours, 1973. From 'Some Poems of Jules Laforgue'. Signed in pencil verso, numbered from the edition of 200. Printed on Neobond synthetic wove paper by Frank Kicherer, Stuttgart. Co-published by Petersburg Press and Waddington Galleries, London. (Dempsey 38R) 40 x 35 cm £ 1,000

John Chamberlain Untitled Monoprint in colors on two sheets, 1988, signed in silver ink, from Salty Water/Fan Mail, on Arches wove paper, with the £800 blindstamp of the publisher, Novak Graphics, Toronto. 239 x 79.4 cm £ 32,000

Eduardo Chillida Concordia Lithograph, 1960. Signed in pencil, numbered from the edition of 150. Printed by Atelier Maeght, Levallois. Published by Maeght, Paris. (Koelen 60002) 47 x 60.5 cm £ 2,500

Eduardo Chillida Harvard III Woodcut, 1977. Signed in pencil, numbered 7 from the edition of 50. Printed by Féquet et Baudier, Paris. Published by Harvard University, Carpenter Center, Cambridge, Massachusetts. (Koelen 77013) 38 x 32 cm £ 3,000

Eileen Cooper Fable, Dawn Collage with linocut and monoprint, 2018. Signed in pencil. 38 x 56.5 cm £ 2,000

Eileen Cooper Dancing Bear Collage with linocut, monoprint, screenprint and pastel, 2019. Signed in pencil. 38 x 25.5 cm £ 1,750

Eileen Cooper Kissing Couple Linocut printed in colours, 2020. Signed in pencil. Edition of 25. Printed by Blackbird Editions, London. 28 x 37.5 cm £ 650

Eileen Cooper Blue Moon Woodcut printed in colours, 2020. Signed in pencil. Numbered from the edition of 40. Printed on Japanese paper. Printed by Blackbird Editions, London. 24 x 31 cm £ 600

Sims Reed Gallery 43A Duke Street St. James’s London SW1Y 6DD T + 44 (0)20 7930 5111 F + 44 (0)20 7930 1555 gallery@simsreed.com www.gallery.simsreed.com Registered in England No. 6765400 VAT No. GB982 1475

André Derain Bouquet de fleurs dans un vase Woodcut, the colours inked à la poupée, 1945-48. Signed in ink, numbered from the edition of 100 in pencil. Printed on wove paper. (Adhémar 117) 35 x 24 cm £ 2,000

Jean Dubuffet Mirobolus, Macadam & Cie, Hautes Pâtes de Jean Dubuffet (610 x 415 mm). Lithograph text and illustration ('Suite de Visages II') in black over multicolour screenprint paper recto only. The spectacular polychromatic poster for the exhibition 'Mirobolus, Macadam & Cie' held at the Galerie René Drouin, 3rd May - 1st June, 1946. From the edition of 340 copies ('environ') including 40 on larger white paper; copy on 'papier d'affiche multicolore'. [Webel 97, see Webel 88: 'Suite de Visages II']. £ 3,000

Max Ernst Original signed collage for La Brebis Galante. Paris, 1949 Original collage of excised sections of paper, some with additional with frottage, pasted to larger sheet over black ink drawing by Max Ernst, signed in black ink lower right. This collage was not included in the book by Benjamin Péret published by Les Editions Premières. The book included colour etchings as well as reproductions of collages by Ernst and was published in an edition of 321 copies. The verso of the present sheet also includes work in black ink crossed through in pencil beneath what appears to be left-handed or mirror writing. [see Spies / Lepien 28 for the book]. £ 28,000

Sam Francis Poemes dans le Ciel (Poems in the Sky) Lithographs, 1986 Each signed and numbered in pencil lower margin, from the edition of 50 in Roman numerals. Printed on Rives BFK paper. Published by Philosophie des Arts et F. Delille, Paris Printed by Ateliers Desjobert, Paris. 76.2 x 55.88 cm £ 3,000 - £4,000 each £ 18,500 for the six

28.2 x 21.4 cm

Naum Gabo Opus XX Lithograph printed in colours on wove paper, 1933-1957. Signed in pencil and numbered from the edition of 150. 17 x 19 cm £ 2,000

Richard Hamilton Fashion-plate Photo-offset lithograph, collage, screenprint from two stencils, and pochoir, retouched with cosmetics by the artist, 1969-70. Signed in pencil and numbered from the edition of 70. On Fabriano paper. Photographic and screenprint elements printed by the artist and Kelpra Studios, London. Offset printing by Sergio and Fausta Tosi, Milan. Collage elements printed by David Bailey, Milan. Published by Professional Prints A.G., Zug (Petersburg Press S.A.) (Lullin 76) 39.09 x 27.17 in 99.3 x 69 cm £ 25,000

David Hockney Pretty Tulips Lithograph printed in colours, 1969. Signed in pencil and numbered from the edition of 200. Issued for the Hockney Retrospective Exhibition, Whitechapel Art Gallery, London 1970. Printed by Ernest Donoagh at Cook Hammond and Kell in London. Published by Petersburg Press. (Scottish Arts Council 115). 72.1 x 50.6 cm £ 45,000

David Hockney Christopher Isherwood and Don Bachardy Lithograph in two colours: grey and black. 1976. Worked on two aluminium plates with crayon. Printed on Laurence Barker handmade paper. Signed, dated and numbered in pencil from an edition of 96 plus 36 proofs. Proofed by Serge Lozingot and printed by Mrk Stock in Los Angeles. Published by Gemini G E L 1976. (Tokyo 174; Scottish Arts Council 186) 73.5 x 95 cm £ 22,500

Howard £25,000 Hodgkin Venice, Morning Etching with aquatint and carborundum in colours, with hand-colouring, 1995. From 'Venetian Views'. Signed and dated in pencil. Inscribed 'AP', an artist's proof aside from the edition of 60. Printed on 16 sheets of Arches wove paper by the 107 Workshop, Wiltshire. Published by Alan Cristea Gallery, London. (Heenk 93). 160 x 196.5 cm £ 16,500

Howard Hodgkin Street Palm 1990 - 1991 Intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand colouring in vermillion red egg tempera. On 300 gsm Velin Arches paper. Signed with initals, numbered and dated. Edition of 55, with 15 APs, 3 PPs and 1 B.A.T. (Heenk 87) 160 x 137 cm £ 18,500

Aaron Kasmin Fort Ticondero Coloured pencil, 2018 21 x 15 cm £ 850

Aaron Kasmin The Winners Enclosure Coloured pencil drawing , 2021 21 x 15 cm £ 850

Gerald Laing AAD Screenprint in colours, 1968. Signed in pencil. Titled and dated in pencil. Numbered from the edition of 150. Printed on smooth white paper by the artist. Published by the artist with his blind stamp. (Ingram & Halliwell 18) 58.5 x 89 cm £ 1,800

Gerald Laing Francine Screenprint in colours, 1968. Signed in pencil. Titled and dated in pencil, numbered from the edition of 200. From 'Baby, Baby, Wild Things'. Printed on smooth white paper by the artist. Published by Richard Feigen, New York, with the artist's blind stamp. (Sims Reed 27) 89.1 x 58.8 cm £ 4,500

Gerald Laing Brigitte Bardot Screenprint in colours, 1968. Signed and dated in pencil. An artist's proof aside from the edition of 200. Printed on smooth white paper by the artist. Published by the artist, with his blind stamp. (Sims Reed 22) 58.6 x 89 cm £ 10,000

Henri Matisse Le Loup Pochoir printed in colours, 1947. From: Jazz, Plate VI. From the book edition of 270. Printed on Arches paper by Edmond Vairel, Paris. Published by Teriade, Paris. (Duthuit Livres 22) 42 x 65 cm £ 15,000

Joan Miró Barcelona: XXV Lithograph, 1939. From the 'Barcelona Series'. Signed and dated in pencil, numbered from the edition of 5. Printed in 1944 on Torras Juvinya paper. Published by Joan Prats, Barcelona. (Mourlot 30) 69 x 52 cm £ 20,000

Joan Miró Barcelona: XXXVI Lithograph, 1939. From the 'Barcelona Series'. Signed and dated in pencil, numbered from the edition of 5. Printed in 1944 on Torras Juvinya paper. Published by Joan Prats, Barcelona. (Mourlot 41) 69 x 54 cm £ 20,000

Joan Miró Les Perséides: Plate III Lithograph printed in colours, 1970. Signed in pencil, numbered from the edition of 75. Printed by Mourlot on wove paper. Published by Louis Broder, Paris. (Mourlot 658) 66 x 50.9 cm £ 9,000

Joan Miró Trace sur la Paroi: I Etching and aquatint printed in colours, 1967 Signed in pencil, numbered from the edition of 75. Printed on Mandeure rag paper by Arte Adrien Maeght, Paris. Published by Maeght editeur, Paris. (Dupin 440) 74 x 104.8 cm £ 18,000

Henry Moore Sculptural Ideas 3 1980 Etching and aquatint on paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome. Plate mark: 21.9 x 24.2 cm Cramer IV 582 43.5 x 58.2 cm £ 2,500

Henry Moore Sculptural Ideas 4 1980 Etching and aquatint on paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the Henry Moore Foundation, Much Hadham in association with 2 RC Editrice, Rome. Plate mark: 25.1 x 34.2 cm. Cramer VI 583 43.2 x 58.2 cm £ 2,500

Bruce Nauman Untitled Offset lithograph printed in pink and green, 1969. Signed in pen, from the edition of unknown size. Printed on Kromekote paper. Published by Leo Castelli Gallery, New York. Published in conjunction with the exhibition 'Bruce Nauman: Holograms, Videotapes, and Other Works' at the Leo Castelli Gallery (May-June 1969). 61.5 x 51 cm £ 4,000

Mark Quinn Portraits of Landscapes 07 Pigment print, 2007. Signed in pencil and numbered from the edition of 59. Printed on 330 gsm Somerset Velvet Enhanced paper. Published by The Paragon Press, London. 100 x 75 cm £ 2,500

Dieter Roth In Oelper Scheperts. (Braunschweiger Landschaft mit Käsebäumen). [Shedheads at Oelper. (Landscape near Braunschweig with Cheese Trees)]. (Braunschweig). Karl Schulz for Kunstverein Rheinland-Westfalen. 1973. Folio. (320 x 490 mm). Brown hand-offset planographic printing on white card with additional applied soft cheese recto, signed and dated at lower right and numbered (vertically) at right. Housed in plastic sleeve as issued, framed. Dieter Roth's Braunschweig landscape with additional applied cheese. From the edition limited to 100 copies, signed, numbered and dated '73' by Roth in black ink. (Dobke 281). The application of soft cheese has, as with many of Dieter Roth's food-related work, produced a unique work: the soft cheese has developed mould, in this instance, both green and brown varieties and oil from the cheese has leeched into the printed sheet giving the rather banal printed background colour and texture and, as per the title, 'Cheese Trees'. £ 4,500 Sims Reed Gallery 43A Duke Street St. James’s London SW1Y 6DD T + 44 (0)20 7930 5111 F + 44 (0)20 7930 1555 gallery@simsreed.com www.gallery.simsreed.com Registered in England No. 6765400 VAT No. GB982 1475

Humphrey Ocean Love Chair Aquatint, 2006 Signed and dated in pencil, numbered from the edition of 15 (total edition includes 5 artist’s proofs). Printed on Somerset Velvet Soft White paper. The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York. 94.6 x 77.4 cm £7,700

Humphrey Ocean Stripey Love Chair Aquatint, 2006 Signed and dated in pencil, numbered from the edition of 15 (total edition includes 5 artist’s proofs). Printed on Somerset Velvet Soft White paper. The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York. 94.6 x 77.4 cm £10,100

Humphrey Ocean Fat Check Chair Aquatint, 2006 Signed and dated in pencil, numbered from the edition of 30 (total edition includes 5 artist’s proofs). Printed on Somerset Velvet Soft White paper. The two coloured plates were hand-drawn by the artist, editioned by Maurice Payne, New York. 94.6 x 77.4 cm £7,700

Humphrey Ocean Black Stripey Love Chair Aquatint, 2006 Signed and dated in pencil, numbered from the edition of 15 (total edition includes 5 artist’s proofs). Printed on Somerset Velvet Soft White paper. The plate was hand-drawn by the artist, editioned by Maurice Payne, New York. 94.6 x 77.4 cm £7,700

Humphrey Ocean Black Love Chair Aquatint, 2006 Signed and dated in pencil, numbered from the edition of 15 (total edition includes 5 artist’s proofs). This print has been used by Sir Paul McCartney for the cover of his album Memory Almost Full, released in 2007. Printed on Somerset Velvet Soft White paper. The plate was hand-drawn by the artist, editioned by Maurice Payne, New York. 94.6 x 77.4 cm £14,900

Humphrey Ocean Check Chair Aquatint, 2006 Signed and dated in pencil, numbered from the edition of 30. (total edition includes 5 artist’s proofs). Printed on Somerset Velvet Soft White paper. The two coloured plates were hand-drawn by the artist, editioned by Maurice Payne, New York. 94.6 x 77.4 cm £7,700

Yves Tanguy Le Mythe de la roche percée: One Plate Etching, 1947. On wove paper, signed in pencil. Unnumbered from the edition of 100. 25.4 x 19.4 cm £2,500

Yves Tanguy Le Mythe de la roche percée: One Plate Etching, 1947. On wove paper, signed in pencil. 25.4 x 19.4 cm £2,500

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