Modern Post––War Contemporary Prints & Works on Paper
edition 1 2017
“You could say making a pr You start with a white sheet – to which you add layers of sausage bits, tomato paste, In the end, the ‘pizza’ is ‘ed distributed for
int is like preparing a pizza. of paper – that is, the ‘dough’ images: cheese, mushrooms, immersed in overprinted inks. itioned’ – that is, sliced and consumption.”
Claes Oldenburg
Richard Hamilton Release Screenprint in colours with collage, 1972. Signed in pencil, numbered from the edition of 150. Printed on Hodgkinson mould-made paper by Kelpra Studios, London. Published by Petersburg Press for the National Council of Civil Liberties and Release, London. (Lullin 83). 70.1 x 94.2 cm
4
5
Richard Hamilton Fashion-Plate Photo-offset lithograph, collage, screenprint from two stencils and pochoir, retouched with cosmetics by the artist, 1969-70. Signed in pencil and numbered from the edition of 70. Printed on Fabriano paper. Photographic and screenprint elements printed by the artist and Kelpra Studios, London. Offset printing by Sergio and Fausta Tosi, Milan. Collage elements printed by David Bailey, Milan. Published by Professional Prints A.G., Zug (Petersburg Press S.A.) (Lullin 76). 99.3 x 69 cm
6
7
Richard Hamilton & Marcel Duchamp Sieves Screenprint with dust between two large sheets of glass, mounted on aluminium plinth, 1971. Signed ‘d’après Marcel Duchamp’ and ‘Richard Hamilton’ and numbered from the edition of 50, the screenprint to one glass panel, the signatures and numbers to the other. Printed by Richard Hamilton with Ernie Donagh. Published by Petersburg Press, London. 52 x 63.5 x 20.4 cm
David Hockney Celia with Green Plant Lithograph printed in colours, 1981. Signed and dated in pencil, numbered from the edition of 90. Printed on Arches Cover paper and published by Gemini G.E.L., Los Angeles, with their blindstamp and inkstamp on verso. (Tokyo 240). 75.6 x 100.3 cm
8
9
Howard Hodgkin Street Palm Intaglio print in colours with carborundum and hand-colouring, 1990-91. Initialled in pencil and numbered from the edition of 55. Printed on Velin Arches paper at the 107 Workshop, Wiltshire. Published by Waddington Graphics, London. (Heenk 87). 149.5 x 121.5 cm
David Hockney Rue de Seine Etching and aquatint, 1971. Signed and dated in pencil, numbered from the edition of 150. Printed on J Green mould-made paper by the Print Shop, Amsterdam. Published by Petersburg Press, London for the National Council of Civil Liberties and Release in London. (Scottish Arts Council 121; Tokyo 111). 89.4 x 70.6 cm
10
11
David Hockney The Student: Homage to Picasso Etching and aquatint, 1973. Signed in pencil and numbered from the edition of 90. From Homage to Picasso. Printed on Arches paper by Atelier Crommelynk, Paris. Published by Propyläen Verlag, Berlin/Pantheon Press, Rome. (Scottish Arts Council 153, Tokyo 143). 75.5 x 56.5 cm
David Hockney Potted Daffodils Lithograph, 1980. Signed and dated in pencil, numbered from the edition of 98. Printed on BFK Rives paper by Tyler Graphics Ltd., Mount Kisco, New York. Published by Tyler Graphics, New York, with their blind stamp. (Tokyo 259). 112 x 76 cm
12
13
David Hockney Godetia Etching and aquatint printed in colours, 1973. Signed and dated in pencil, numbered from the edition of 100. Printed on Arches mould-made paper by Atelier Crommelynk, Paris. Published by Petersburg Press, London. (Scottish Arts Council 155). 58.6 x 41.9 cm
Louise Bourgeois Youth Etching, aquatint and drypoint, 1941-44. Signed, titled and numbered from the edition of 7 in pencil. Dated and inscribed ‘Je suis là, et tu ne me vois’ in ink. The ninth (final) state. Printed and published by the artist. (Wye 18). 20.3 x 29.2 cm
14
15
Yayoi Kusama Sprout Etching, 1995. Signed in pencil and numbered from the edition of 100. Printed on VÊlin d’Arches paper by Kimura Kihachi. (Kusama 205). 38 x 28.5 cm
Peter Doig Big Sur Etching and aquatint printed in colours, 2000-2001. Signed in pencil and numbered from the edition of 46. Printed on 350g Hahnemuehle paper. Published by the Paragon Press, London. 114 x 160.5 cm
16
17
Peter Doig Black Palms The set of six etchings with aquatint printed in colours, 2004. Each signed in pencil, from the edition of 119. Printed on on Zerkall paper. Published by Griffelkunst-Vereinigung, Hamburg. Available individually. 53.5 x 38 cm (each)
18
19
Allen Jones Concerning Marriages The set of eight lithographs printed in colours, 1964. Each signed and dated in pencil, numbered from the edition of 75. Printed on BFK Rives paper by E. Matthieu, Zurich. Published by Editions Alecto, London, with their blindstamp. (Lloyd 24a-h). 76 x 56.5 cm (each)
20
21
Allen Jones Red and Green Baby Lithograph printed in colours, 1962. Signed, dated and titled in pencil, numbered from the edition of 23. Printed and published by the artist, Croydon College of Art, London. (Lloyd 15). 58 x 70.5 cm
22
23
Eduardo Paolozzi Agile Coin Gross Decision Logic Offset lithograph with screenprint on Astrolux laminated to clear acrylic, 1970. Signed in black felt-tip pen, numbered from the edition of 100. From the Zero Energy Experimental Pile series. Published by Petersburg Press, London. 84 x 58 cm
Bridget Riley Large Fragment Screenprint in colours, 2006. Signed in pencil and numbered from the edition of 50. Printed by Artizan Editions, Hove. Published by the artist. (Schubert 64). 128.3 x 109.2 cm
24
25
Bridget Riley From One to the Other Screenprint in colours, 2005. Signed in pencil and numbered from the edition of 75. Printed by Artizan Editions, Hove. Published by the artist. (Schubert 61). 49 x 91.2 cm
Sol LeWitt Two Asymmetrical Pyramids: Plate 3 Screenprint in colours, 1986. Signed in pencil, inscribed ‘TP’, a trial proof preceding the edition of 20. Printed on Arches Cover White paper by Jo Watanabe and Kei Tsujimura, New York. Published by Multiples Inc., New York. (Krakow 1986.04). 96.5 x 157.5 cm
26
27
Frank Stella Sidi Ifni Lithograph printed in colours, 1973. Signed and dated in pencil, numbered from the edition of 50. From Homage to Picasso. Printed and Published on J. Green mould-made paper by Petersburg Press London and New York. (Axsom 91a). 55.5 x 75.5 cm
Brice Marden Grid I Etching printed in black, 1971. Signed in pencil, inscribed ‘TP’. A trial proof preceding the numbered edition of 50. Printed by Nona Hershey, New York. Published by Parasol Press, New York. (Levinson 17). 56 x 76 cm
28
29
Donald Judd Untitled Woodcut printed in cadmium red, 1961-63. Signed in pencil and inscribed. An arist’s proof aside from the edition of approximately 20. Printed on cartridge paper by the artist’s father, Roy C. Judd. Published by the artist. (Schellman 56). 77.8 x 55.9 cm
Bruce Nauman Raw War Lithograph printed in colours, 1971. Signed and dated in pencil, numbered from the edition of 100. Printed on Arches paper. Published by Castelli Graphics and Nicholas Wilder Gallery, New York and Los Angeles. (Cordes 7). 70.5 x 91.4 cm
30
31
Bruce Nauman M. Ampere Lithograph printed in colours, 1973. Signed and dated in pencil, numbered from the edition of 50. Printed on Roll Rives paper by Ed Hamilton. Published by Cirrus Editions, Los Angeles. (Cordes 21). 78.7 x 115 cm
32
33
Bruce Nauman Doe Fawn Lithograph printed in colours, 1973. Signed in pencil and inscribed ‘AP’. One of 10 artist’s proofs aside from the edition of 50. Printed on Rives paper by Chris Cordes. Published by Cirrus Editions, Los Angeles. (Cordes 20). 81.5 x 114.3 cm
Richard Estes Holland Hotel Screenprint in colours, 1980. Signed in gold pen and numbered from the edition of 100. Printed on thick card by Editions Domberger, Stuttgart. Published by Parasol Press, New York. (Arthur 127). 119 x 190 cm
34
35
Richard Estes Qualicraft Shoes Screenprint in colours, 1974. Signed in pencil. Printed on thick card by Editions Domberger, Stuttgart. Published by Parasol Press, New York. (Arthur 115). 90 x 125 cm
Roy Lichtenstein Red Lamps Lithograph, woodcut, and screenprint in colours, 1990. Signed in pencil and numbered from the edition of 60. Printed on 4-ply Paper Technologies, Inc. Museum Board by Gemini G.E.L., California. Published by Gemini G.E.L. with their blindstamp. (Corlett 251). 145.9 x 200 cm
36
37
Roy Lichtenstein Reflections on Crash Lithograph, screenprint, relief, and metallic PVC collage with embossing, 1990. Signed in pencil and numbered from the edition of 68. Printed on mold-made Somerset paper by Tyler Graphics, New York. Published by Tyler Graphics, New York. (Corlett 239). 150.2 x 190.5 cm
38
39
Roy Lichtenstein Titled Screenprint in colours, 1996. Signed and dated in pencil, numbered from the edition of 175. Printed on 300-gram Coventry Rag Vellum by Noblet Serigraphie, Inc., New York. Published by the artist and Ronald Feldman Fine Arts, Inc., New York, for the Campaign for Freedom of Expression. (Corlett 307). 80.4 x 101 cm
Mel Bochner Blah Blah Blah Monoprint with collage, engraving and embossment on hand-dyed Twinrocker handmade paper, 2016. Signed in pencil. Printed and published by Two Palms, New York. 29.8 x 43.2 cm
40
41
Andy Warhol Green Pea Screenprint in colours, 1968. Signed in pen and stamp-numbered from the edition of 250 verso. From Campbell’s Soup I. Printed by Salvatore Silkscreen Co., New York. Published by Factory Editions, New York. (Feldman & Schellmann II.50). 89 x 58.4 cm
Andy Warhol Flowers Screenprint in colours, 1970. Signed and dated in ball-point pen verso, stamp-numbered from the edition of 250. Printed on wove paper by Aetna Silkscreen Products Inc., New York. Published by Factory Editions, New York. (Feldman & Schellmann II.65). 91.4 x 91.4 cm
42
43
Cy Twombly Natural History Part I, Mushroom: No. VII Mixed media lithograph printed in colours with collotype and photochrome elements, 1974. Signed in pencil and numbered from the edition of 98. Printed by Matthew Studio, Zurich. Published by Propyläen Verlag, Berlin. (Bastian 48). 75.5 x 56 cm
Cy Twombly Untitled Screenprint, 1969-71. Signed and numbered from the edition of 100. From On the Bowery. Printed on Schollers Parole Paper. Published by Edition Domberger, Stuttgart and New York, with their blindstamp. (Bastian 27). 65 x 65 cm
44
Ed Ruscha Insects The complete portfolio, comprising six screenprints in colours and justification page. Contained in the original cloth-covered portfolio case with plastic cover encapsulating brownish-red soil, 1972. Each signed, dated and numbered from the edition of 100 in pencil. Printed by Styria Studio, New York. Published by Multiples, Inc., New York and Los Angeles with their and the artist’s copyright inkstamp verso. (Engberg 60-65). 45 52.2 x 69.5 cm (each)
Ed Ruscha Sex Lithograph printed in colours, 1991. Signed in pencil and numbered from the edition of 30. Printed on Rives BFK paper by Hamilton Press, California, with their blindstamp. Published by the artist. (Engburg 205). 71.1 x 90.2 cm
46
47
Ed Ruscha Marble, Olive Lithograph printed in colours, 1969. Signed in pencil and numbered from the edition of 20. Printed on Rives BFK paper by Tamarind Lithography Workshop, Los Angeles. Published by Tamarind Lithography Workshop. (Engberg 26). 24.8 x 30.8 cm
Jasper Johns Cicada II Screenprint in colours, 1981. Signed in pencil and numbered from the edition of 50. Printed on Kurotani Hosho paper by Kenjiro Nonaka and Hiroshi Kawanishi. Published by ULAE, New York. (ULAE 214). 61 x 48.3 cm
48
49
Alex Katz Brisk Day The set of three prints; woodcut, screenprint and aquatint printed in colours, 1990. Each signed in pencil and numbered from the edition of 150. Printed on Somerset paper by Takanaka, Kyoto. Published by Gjon Inc., Kyoto. 91.4 x 73.7 cm (each). Available individually.
Wayne Thiebaud Chocolate Cake Lithograph, 1971. Signed in pencil and numbered from the edition of 50. Printed on Arches paper by Michael Knigin on Arches paper. Published by Parasol Press Ltd, New York. 76.8 x 56.8 cm
50
51
Tom Wesselmann TV Still Life Screenprint in colours, 1965. Signed in pencil, one of 50 artist’s proofs in Roman numerals aside from the edition of 200. Published by Original Editions, New York. 73 x 96 cm
Pablo Picasso Les Deux Femmes Nues Lithograph, 1946. Signed in pencil, numbered from the edition of 50. Printed on Arches wove paper by Mourlot, Paris. (Bloch 390; Mourlot 16). 33 x 44.3 cm
52
53
Joan Miró Série Noire et Rouge: one plate Etching printed in red and black, 1938. Signed in pencil, numbered from the edition of 30. Printed on Arches wove paper at the Atelier Lacourière, Paris. Published by Pierre Loeb, Paris, and Pierre Matisse, New York. (Dupin 39). 33 x 44.5 cm
Joan Miró Maquette for Personatge I Estels (Figures and Stars): IV Collage, ink, pastel and etching, 1979. Inscribed ‘IV’ in grey crayon verso. Authenticated in pencil verso by Rosa Maria Malet, Fundació Joan Miró, Barcelona. A maquette for the Personatge I Estels series made in the same year. The published edition was made with etching. Miró experimented with different materials on this maquette, which appears to incorporate woodcut elements on the cut-out paper used as collage on the support; black ink and pastel has also been used over an etched background. (See Dupin 1091). 90.5 x 63 cm 54
55
Joan Miró La Grève Noire Etching and aquatint printed in colours with carborundum, 1973. Signed in pencil and numbered from the edition of 50. Printed on Arches paper by Morsang, Paris. Published by Maeght, Paris. (Dupin 576). 60 x 138 cm
Joan Miró Partie de Campagne V Etching and aquatint printed in colours, 1967. Signed in pencil and inscribed ‘Pour Sylvie’. An artist’s proof aside from the edition of 75. Printed on Mandeure paper by Arte Adrien Maeght, Paris. Published by Maeght, Paris. (Dupin 434). 74.5 x 104 cm
56
57
Joan Miró Le Pitre Rose Etching and aquatint printed in colours, 1974. Signed in pencil, inscribed ‘HC’ (an hors commerce impression aside from the edition of 50). Published by Maeght Editeur, Paris. (Dupin 653). 140 x 96.2 cm
Aaron Kasmin Mayflower Hotel Coloured pencil, 2016. 30 x 21 cm
58
59
Published by Sims Reed Gallery June 2017 43a Duke Street St. James’s London SW1Y 6DD + 44 (0)20 7930 5111 gallery@simsreed.com www.gallery.simsreed.com Designed by Plakat Type set in Portrait by Berton Hasebe Text pages printed on Omnia, Cover on Cairn Board Storm Printed and bound in London by Jigsaw Colour and Diamond Print Services All rights reserved. No part of this publication maybe reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing from the publisher.