Sims Reed Gallery 2018 Catalogue | Edition #2

Modern Post––War Contemporary Prints & Works on Paper

1

edition 2 2018

43a Duke Street St. James’s London SW1Y 6DD + 44 (0)20 7930 5111 gallery@simsreed.com www.gallery.simsreed.com

2

Modern Post––War Contemporary Prints & Works on Paper

edition 2 2018

“You can do things in print you

can’t do in any other medium’.

Richard Hamilton

Patrick Caulfield Napkin and Onions Screenprint printed in colours, 1972.

Signed in pencil, numbered from the edition of 72.

Printed on wove paper by Kelpra Studio, London.

Published by Leslie Waddington Prints, London.

(Dempsey 28).

87 x 66 cm

6

7

Patrick Caulfield Paris Separates Signed in pencil, an artist’s proof aside from the edition of 72.

Printed at Kelpra Studios, London, with their inkstamp verso.

Published by Waddington Graphics, London.

(Dempsey 36).

72.8 x 95 cm

Bridget Riley Large Fragment Screenprint in colours, 2006.

Signed in pencil, numbered from the edition of 50.

Printed by Artizan Editions, Hove.

Published by the artist.

(Schubert 64).

128.3 x 109.2 cm

8

9

Bridget Riley Nineteen Greys The complete set of four screenprints in greys, 1968.

Each signed, dated, and titled in pencil, numbered from the edition of 75.

From the deluxe edition of 30 with the additional screenprint.

Printed on stiff card by Kelpra Studio, London.

Published by the artist.

(Schubert 8a-d).

75.5 x 76 cm (each)

Bridget Riley To Midsummer Screenprint in colours, 1989.

Signed and titled in pencil, numbered from the edition of 100.

Printed by Graham Henderson, London.

Published by the artist.

(Schubert 34).

92.7 x 91.5 cm

10

11

Patrick Caulfield Signature Pots Screenprint in colours, 1975.

Signed in pencil, numbered from the edition of 70.

Printed at Kelpra Studios, London.

Published by Waddington Graphics, London.

(Dempsey 42).

77.2 x 102.6 cm

David Hockney Myself and My Heroes Etching and aquatint, 1961.

Signed and dated in pencil, from the edition of approximately 50.

Printed on English handmade paper by Ron Fuller and Peter Matthews at the Royal College of Art in London.

(Tokyo 4; Scottish Arts Council 4).

54.7 x 77.4 cm

12

13

David Hockney My Bonnie Lies Over the Ocean Etching and aquatint printed in colours with collage, 1962.

Signed and dated in pencil, numbered from the edition of approximately 50.

Proofed by the artist at the Pratt Graphic Workshop, New York.

Printed on wove paper by Ron Fuller and Peter Mathews at the Royal College of Art, London.

(Tokyo 29; Scottish Arts Council 13).

57.2 x 77.8 cm

14

15

David Hockney A Hollywood Collection The complete portfolio of six lithographs printed in colours, 1965.

Each signed and dated in pencil, numbered from the edition of 85.

With the title page and colophon.

Printed on Rives BFK paper by Kenneth Tyler at Gemini Ltd., Los Angeles.

Published by Editions Alecto.

(SAC & MCA Tokyo 41-46).

77.2 x 56.5 cm (each)

David Hockney Pool Made with Paper and Blue Ink for Book Lithograph printed in colours, 1980.

Signed and dated in pencil, numbered from the edition of 1000.

Printed on Arches paper by Tyler Graphics.

Published by Tyler Graphics, with their blindstamp.

Accompanied by the numbered and signed book, Paper Pools, and the original cardboard slipcase.

(Tokyo 234).

26.6 x 22.9 cm

16

17

David Hockney White Porcelain (from Moving Focus) Lithograph, etching and aquatint printed in colours, 1985-86.

Signed and dated in pencil, numbered from the edition of 80.

Printed on HMP handmade paper by Roger Campbell, Lee Funderburg and Rodney Konopaki, New York.

Published by Tyler Graphics, Mount Kisco, New York, with their blindstamp.

(Tokyo 285).

48 x 56.3 cm

Marcel Duchamp Boîte-en-valise Comprising 68 miniature replicas and colour reproductions of works by the artist inserted or placed loosely as issued in the original grey cloth box, 1941-58.

From the Series ‘C’ issued in Paris in 1958, limited to 30 unnumbered copies, assembled by Iliazd (Ilia Zdanevitch), with three signed presentations from Duchamp to Arthur ‘Art’ Buchwald.

40.6 x 38.1 x 10.2 cm

18

19

Dieter Roth Postcard (Hyde Park and Kensington Gardens Showing The Serpentine and the Round Pond) Photomechanical reproduction of an enlarged postcard, with relief, plastic colour-foil and grey impasto on photograph, 1969.

Signed in green ink verso, numbered from the edition of 50 unique colour variants.

Printed by the artist with the assistance of Rudolf Rieser, Cologne, and Bernd Minnich, DĂźsseldorf.

Published by Taucher Verlag, Cologne.

(Dobke 103).

64 x 95.4 cm

20

21

Richard Hamilton Swingeing London 67 Etching and aquatint with embossing, 1968.

Signed in pencil, numbered from the edition of 70.

Printed on mould-made paper by Grafica Uno, Milan.

Published by Petersburg Press, London.

(Lullin 70).

57 x 73 cm

Richard Hamilton I’m Dreaming of a Black Christmas Screenprint on collotype with collage, 1971.

Signed in pencil, numbered from the edition of 150.

Printed on Schoeller Elfenbein-Karton by Schreiber, Dietz Offizin, and HP Haas, Germany.

Published by Petersburg Press, London.

(Lullin 82).

74.8 x 100 cm

22

23

Richard Estes Eiffel Tower Restaurant Screenprint in colours, 1981.

From Urban Landscapes 3.

Signed in pencil, numbered from the edition of 250.

Printed on Fabriano Cottone Paper by Editions Domberger, Stuttgart.

Published by Parasol Press, New York.

(Arthur p. 123).

50 x 70 cm

Allen Jones Fast Car Lithograph printed in colours, 1962.

Signed and dated in pencil, numbered from the edition of 30.

Printed and published by the artist at the Croydon College of Art, London.

(Lloyd 16).

58.2 x 79 cm

24

25

Andy Warhol Electric Chair Screenprint in colours, 1971.

Signed in ball-point pen, stamp-numbered from the edition of 250 verso.

Printed by Silkprint Kettner, Zurich, Switzerland.

Published by Bruno Bischofberger, Zurich, Switzerland.

(Feldman & Schellmann II.81).

90 x 121.4 cm

Howard Hodgkin Put Out More Flags Lift-ground etching, aquatint, carborundum and hand-colouring, 1992.

Signed and dated in pencil, numbered from the edition of 75.

Commissioned by the Modern Art Museum of Fort Worth, Texas, to celebrate their 100th anniversary, as part of the Centennial Print Project for the Artists’ Fund.

Printed by Jack Shirreff at the 107 Workshop, Wiltshire.

Published by the Modern Art Museum of Fort Worth, Texas.

(Heenk 90).

43.2 x 53.3 cm

26

27

Roy Lichtenstein Brushstrokes Screenprint in colours, 1967.

Signed in pencil, numbered from the edition of 300.

Printed on off-white wove paper by Aetna Silkscreen Products, New York.

Published by Leo Castelli Gallery, for the Pasadena Art Museum, California.

(Corlett 45).

58.2 x 78.5 cm

Sol LeWitt Grids and Color. Fifty Silk Screen Prints Using All Combinations of Grids and Color.

The complete portfolio comprising fifty screenprints in colour, 1979.

Each signed in pencil, numbered from the edition of 10. Each numbered 1 to 50.

With the title-page and colophon.

Loose as issued in original wooden box with two clasps.

Printed by Jo Watanabe, New York.

Published by RĂźdiger SchĂśttle, Munich.

(Krakow 1979.01).

40.8 x 76.5 cm (each)

28

29

Brice Marden Beyond Eagles Mere 2 Etching and lithograph printed in colours, 2001.

Signed and dated in pencil, numbered from the edition of 45.

Printed on Somerset Satin paper and published by Gemini G.E.L., Los Angeles, with their blindstamps and inkstamp verso.

(Gemini 1872).

55.9 x 76.2 cm

Ed Ruscha Sex Lithograph printed in colours, 1991.

Signed in pencil, numbered from the edition of 30.

Printed on Rives BFK paper by Hamilton Press, California, with their blindstamp.

Published by the artist.

(Engburg 205).

71.1 x 90.2 cm

30

31

Donald Judd Untitled Woodcut printed in cadmium red, 1961-63.

Signed in pencil and inscribed.

An artist’s proof aside from the edition of approximately 20.

Printed on cartridge paper by the artist’s father, Roy C. Judd.

Published by the artist.

(Schellman 56).

77.8 x 55.9 cm

Bruce Nauman Untitled (Salmon Pink) Lithograph printed in colours, 1971.

Signed in pencil, numbered from the edition of 100.

Printed on Rives paper by Cirrus Editions, Los Angeles.

Co-published by Castelli Graphics, New York, and Nicholas Wilder Gallery, Los Angeles.

(Cordes 6).

56.5 x 71.8 cm

32

33

Bruce Nauman Untitled Offset lithograph printed in pink and green, 1969.

Signed in pen, from the edition of unknown size.

Printed on Kromekote paper.

Published by Leo Castelli Gallery, New York.

Published in conjunction with the exhibition ‘Bruce Nauman: Holograms, Videotapes, and Other Works’ at the Leo Castelli Gallery (May-June 1969).

(Cordes App. V).

61.5 x 51 cm

Bruce Nauman Malice Lithograph, 1980.

Signed in pencil, numbered from the edition of 75 Printed on Rives BFK paper by Donald Roberts.

Published by Trisolono Gallery, Ohio University, Ohio.

(Cordes 37).

74.9 x 105.4 cm

34

35

Bruce Nauman Life Mask Lithograph, 1981.

Signed and dated in pencil, numbered from the edition of 50.

Printed on Arches Cover paper by Charly Ritt.

Published by Gemini G.E.L., Los Angeles, with their blindstamp verso.

(Cordes 41).

71 x 96.5 cm

Richard Estes Holland Hotel Screenprint in colours, 1980.

Signed in gold pen. Inscribed ‘AP’, an artist’s proof aside from the edition of 100.

Printed on thick card by Editions Domberger, Stuttgart.

Published by Parasol Press, New York.

(Arthur p. 127).

119 x 190 cm

36

37

Cy Twombly Untitled Offset lithograph printed in colours, 1970.

Initialled in pencil, numbered from the edition of 250 in blue ink on a label affixed verso (as published).

Printed on heavy wove paper.

Published by Verein Progressiver Galerien, Cologne.

(Bastian 28).

31.2 x 42.2 cm

38

39

Gerhard Richter Wolken (Clouds) Offset lithograph, 1969.

Signed and dated in pencil, from the edition of 300.

Printed on lightweight cardboard.

Published by Griffelkunst-Vereinigung Hamburg-Langenhorn e.V., Hamburg.

(Butin 24).

50 x 55 cm

Kiki Smith Dandelions Suite The complete set of six mezzotints, 1999.

Each signed and dated in pencil, numbered from the edition of 24.

Printed on mold-made HahnemĂźller paper.

Published by Pace Editions, Inc., New York.

25.4 x 22.2 cm (each)

40

41

Peter Doig Muldenberg Etching and aquatint printed in colours, 2000- 2001.

Signed in pencil and inscribed ‘PP’. A printer’s proof aside from the edition of 46.

Printed on 350g Hahnemühle etching paper by Hope (Sufferance) Press, London.

Published by the Paragon Press, London.

96.5 x 133.5 cm

Alex Katz Nicole Lithograph, woodcut and screenprint, 2018.

Signed in pencil, numbered from the edition of 50.

Printed and published by Graphicstudio, Tampa.

36 x 80 cm

42

43

Howard Hodgkin Late Afternoon in the Museum of Modern Art Soft-ground etching printed in black, 1979.

Signed and dated in red crayon, numbered from the edition of 100.

Printed on buff BFK Rives mould-made paper by Petersburg Studios, New York.

Published by Petersburg Press, New York.

(Heenk 50).

75.5 x 100 cm

44

45

Howard Hodgkin Turkish Delight Etching with aquatint and hand-colouring, 2004.

Signed with initials and dated in pencil, numbered from the edition of 80.

Printed on handmade Two Rivers cotton paper by the 107 Workshop, Wiltshire.

Published by Mezzanine Gallery, New York.

24.4 x 28.9 cm

Gerald Laing Lincoln Convertible Screenprint in colours with silver leaf, 1963-2007.

Signed in pencil, numbered from the edition of 60.

Printed on heavy wove paper by Advanced Graphics, London.

Published by Sims Reed Gallery, London.

(Knight P74).

110 x 150 cm

46

47

Allen Jones Waitress I Photo-etching, 1999.

Signed and dated in pencil, one of five artist’s proofs (aside from the numbered edition of 30).

Printed on Bütten paper by Erhard Schmidt, Münster.

Published by LEVY Galerie, Hamburg.

53.5 x 39.5 cm

Wayne Thiebaud Glassed Candy Lithograph printed in colours, 1980.

From the Presidential Portfolio.

Signed in pencil, numbered from the edition of 150.

Printed on Rives BFK paper.

Published by the Democratic Committee Service Corporation, Washington DC. 76.2 x 56 cm

48

49

Aaron Kasmin Friar’s Inn Coloured pencil, 2018.

30 x 21 cm

Sarah Graham Salvazana Imperialis Lithograph printed in colours, 2012.

Signed in pencil, numbered from the edition of 25.

Printed on 350g Hahnemuehle paper by Michael Woolworth, Paris.

Published by Sims Reed Gallery, London.

124 x 220 cm

50

51

Humphrey Ocean Love Chair Aquatint, 2006.

Signed and dated in pencil, numbered from the edition of 15.

Printed on Somerset Velvet Soft White paper.

The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.

94.6 x 77.4 cm

Huphrey Ocean Cassette Aquatint, 2018.

Signed and dated in pencil, numbered from the edition of 20.

Printed on Arches Platine paper.

The coloured plate was hand-drawn by the artist, editioned by Maurice Payne, New York.

41.6 x 51 cm

52

53

Declan Jenkins Dynamitis Woodcut, 2017.

Signed and numbered from the edition of 5.

Printed and published by the artist.

137 x 101 cm

Tom Wesselmann TV Still Life Screenprint in colours, 1965.

Signed in pencil, one of 50 artist’s proofs in Roman numerals aside from the edition of 200.

Published by Original Editions, New York.

73 x 96 cm

54

55

Tom Wesselmann Drawing for Still Life with 7-Up Pencil on paper, 1962.

27.3 x 35.6 cm

Frank Stella York Factory I Screenprint in colours, 1971.

Signed and dated in pencil, numbered from the edition of 100.

Printed and published by Gemini G.E.L., Los Angeles, with their blindstamp.

(Axsom 63).

44 x 113 cm

56

57

Bridget Riley Elapse Screenprint in colours, 1982.

Signed, dated and titled in pencil, from the edition of 260.

Printed on BFK Rives paper by Graham Henderson, London, with the blindstamp.

(Schubert 30).

121 x 80.5 cm

Joan Miró L’Etranglé Etching with aquatint printed in colours, 1974.

Signed in pencil, numbered from the edition of 50.

Printed on Arches paper by Morsang, Paris.

Published by Maeght, Paris.

(Dupin 651).

140.5 x 94.5 cm

58

59

Joan Mirรณ Gargantua Etching and aquatint printed in colours with extensive carborundum, 1977.

Signed in pencil, numbered from the edition of 50.

Printed on Arches paper by Morsang, Paris.

Published by Galerie Maeght, Paris.

(Dupin 972).

160.5 x 120 cm

Pablo Picasso Pierrot (Massine en Pierrot) Etching, 1918.

Signed and dated in pencil, inscribed ‘à Madame / Tournaire juillet 1918’.

A rare proof preceding the edition of between 20 to 25 that accompanied Max Jacob’s Le Phanérogame in December 1918. With wide margins (the version issued with the book was on smaller paper).

Printed on laid paper by Les Presses Eugène Delâtre, Paris, with the Eugène Delâtre watermark.

Published by Max Jacob, Paris.

(Bloch 33; Baer 55; Cramer 5).

29.9 x 22 cm

60

61

George Braques Equinoxe Lithograph printed in colours, 1962.

Signed in pencil, numbered from the edition of 75.

Printed on Rives BFK paper and published by Maeght, Paris.

(Vallier 117).

54 x 80 cm

Henri Matisse Jazz The complete set of the 20 pochoirs printed in colours, 1947.

From the book edition of 270 copies or from the album edition of 100 copies.

Printed on Arches paper by Edmond Vairel, Paris.

Published by Tériade, Paris.

(Duthuit Livres 22).

65 x 42.5 cm (each) A selection is illustrated here. A full list is available.

I. Le Clown –– edition of 270

62

63

Above: II. Le Cirque –– edition of 270 Below: XV. Le Lanceur de couteaux –– edition of 270

Above: V. Le Cheval , l’ecuyère et le clown –– edition of 270 Below: IV. Le Cauchemar de l’eléphant blanc

64

65

Above: VII. Le Coeur –– edition of 270 Below: VIII. Icare –– edition of 100

Above: X. L’Enterrement de Pierrot –– edition of 270 Below: XI. Les Codomas –– edition of 270

66

Published by Sims Reed Gallery June 2018 43a Duke Street St. James’s London SW1Y 6DD + 44 (0)20 7930 5111 gallery@simsreed.com www.gallery.simsreed.com Designed by Plakat (www.plakat.co.uk) Type set in Portrait by Berton Hasebe.

Text pages printed on Omnia, Cover on Cairn Board Storm.

Printed and bound in London by Jigsaw Colour and Diamond Print Services.

67

All rights reserved. No part of this publication maybe reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission in writing from the publisher.

68