Architecture Portfolio

Page 1

LUCIE KRULICHOVA M. A R C H (PART 2) ARCHITECTURAL PORTFOLIO SUMMARY ALL OWN WORK UNLESS STATED OTHERWISE


“The tree which moves

joy is in the eyes of oth

thing that stands in th

nature all ridicule an

some scarce see nature

eyes of the man of imag

imagination William Blake


s some to tears of

hers only a green

he way. Some see

nd deformity‌and

e at all. But to the

gination, nature is

n itself.“


CONTENTS

UNDERGRADUATE AND GRADUATE PROJECTS 01

CENTER FOR ENVIRONMENTAL RESEARCH AND AGROFORESTRY

JANUARY 2020 - JUNE 2020 - DISTINCTION FOR PORTFOLIO UCL, BARTLETT INDIVIDUAL PROJECT 02

REMOTE TREKKING PAVILLION

NOVEMBER 2019 - DECEMBER 2019 - DISTINCTION FOR PORTFOLIO UCL, BARTLETT INDIVIDUAL PROJECT 03

E-JEWLLERY: AN E-WASTE UPCYCLING HUB

JANUARY 2019 - MAY 2019 - DISTINCTION FOR PORTFOLIO UCL, BARTLETT INDIVIDUAL PROJECT 04

DESERT FLOWER

SEPTEMBER 2018 - DECEMBER 2019 - DISTINCTION FOR PORTFOLIO UCL, BARTLETT INDIVIDUAL PROJECT 05

THE URBAN AGORA OF COLLABORATIVE ARTS

JANUARY 2016 - MAY 2016 - DISTINCTION FOR PORTFOLIO OXFORD BROOKES UNIVERSITY INDIVIDUAL PROJECT 06

THE COMFO-SOFT POCKET

NOVEMBER 2015 - DECEMBER 2015 - DISTINCTION FOR PORTFOLIO OXFORD BROOKES UNIVERSITY INDIVIDUAL PROJECT 07

THE BIOPHILIC LOW-LINE LIBRARY

JANUARY 2015 - MAY 2015 - HIGH DISTINCTION FOR PORTFOLIO OXFORD BROOKES UNIVERSITY NOMINATION FOR LESLIE JONES MEMORIAL PRIZE INDIVIDUAL PROJECT 08

THE LIANA READING POD

NOVEMBER 2014 - DECEMBER 2014 - HIGH DISTINCTION FOR PORTFOLIO OXFORD BROOKES UNIVERSITY INDIVIDUAL PROJECT



01

CENTER FOR ENVIRONMENTAL RE COLOMBIA

January - June 2020 - UCL, Bartlett Supervisor : Ricardo Carvalho de Ostos <r.ostos@ucl.ac.uk> and Isaie bloch <i.bloch@ucl.ac.u Individual Project

This project is an experimental centre where the issues of water, plant and forest conservatio

knowledge and scientif ic knowledge, this project will actively try to mitigate biodiversity loss

interpretation centre will use monumentalised fog catchers to collect a substantial amount o

the local biodiversity. Furthermore, the building will promote sustainable agroforestry practi

the conservation of colombian endemic plants. Water and vegetation will manifest themselv

combining the aesthetic, the scientif ic, the ecological and the spiritual paradigm of water an

yet at the same time, instills a contemporary approach thanks to its sculpted form. Taking cu

indigenous houses the builduing offers visitors a humble yet signif icant starting point to the


ESEARCH AND AGROFORESTRY

uk>

on, are discussed. Through collaboration, action and discussion between indigenous

s, deforestation and promote sustainable water exploitation. This cultural, research and

of water for tree reforestation. The trees will be specif ically selected to contribute to

ices. Other programmatic function such as a herbarium and a seed bank will enable

ves within the architecture and landscape to create spaces of delight and wonder, thus

nd nature. The center is rooted in the heritage and harmony of the existing landscape,

ues f rom the traditional architecture of the area – specif ically the dome shaped

eir hiking adventures.


ZONES

CIRCULATION LINKS

The large site is divided into multiple zones to match the scale of the surrounding builduings

The zone are divided to create links betw pathways

EDGES

TRESHOLD

The builduing edges are shaped to create niches - These sub-spaces are small and intimate in character.

A staircase treshold creates a sheltered o integrating thresholds between one plac project into the spaces they connect. As t proportioned to enable stopping, sitting

FOCI

CONTEXTUALITY

In each building the fog collector occupies a central position within the roofscape in order to make it the focal point and become a jewel of the project.

The pitched timber roofs and curvilinear local indigenous vernacular houses,temp exploded diagram)


ween the existing

open public space. Staircases form ce and another, particularly if they threshold space the plaza is generously and resting.

geomentry are a reference to the ples and domes. (see the kogi house

Research center

Agroforestry center

Visitor center

PROGRAMME PLACEMENT The visitor center is located closer to the main road The agroforestry and research builduings are located closer to the forest pathways The tree nursuries are located on the edges of the site to create a gradient transition between the built project and the surrouding forest.

GREEN AVENUE A green avenue binds the 3 builduings together

SOLID VS POROUS

SOLID

POROUS

A contrast between the solid roof and the porous fog collector aims to spark an interest to explore further the inside.


EXISTING FOREST RESERVE STATION WITH AN AREA CONSIDERED STRATEGIC FOR CONSERVATION OF FAUNA AND FLORA

INDIGENOUS PEOPLE LIVE IN TOWN AND AROUND THE TOWN

IT IS A GATEWAY TO THE LOST CITY

ITS CONSTATNLY FOGGY 8 MONTHS A YEAR WITH LOW CLOUNDS

IT IS A HINKING PARADISE AND A POPULAR TOURIST DESTINATION

MINCA HAS ONE OF THE HIGHEST LEVEL OF BIODIVERSITY AND WILDLIFE ENDEMISM IN THE WORLD



Restaurant

Pathway leading to forest reserve

Farm house builduing

Prevailing

Secondary access path

Main access road to site

Pathway leading to the Ri

Rio Elemento Hostel

Road leading to the town’s city center

m

Yoga Cent


Pathway leading to forest reserve

Trail towards coee farm

Wind

Pathway leading to the Jungle Trail Jungle Trail

io gaira river

ter

0m

10 m

20 m

30 m

40 m


HIKERS, BACKPACKER AND LOST CITY VISITORS The town is located on a strategic trail route to the lost city., the archaeological site of an ancient city. Therfore tourists and backpackers would be frequesnt visitors.

Alexander von Humboldt Biological Resources Research Institute The group calls for more extensive and continuous monitoring of the climate, water levels, species distribution, and more. Several institutions and organizations are already collecting this type of data independently. Ruiz-Carrascal and his colleagues are launching a network called PEACE, the Plataforma de Estudios y Análisis sobre Colombia y sus Ecosistemas (Platform for Studies and Analysis of Colombia and its Ecosystems). VOLUNTEERS Interested in the restoration of local forests.

The Bachaqueros Biological Station Foundation The Bachaqueros Biological Station Foundation FEBB -​​ is a Colombian non-governmental organization (NGO) of national non-profit action. During its 25 years of continuous operation, its main mission has focused on the formulation, management and implementation of projects related to the restoration of tropical ecosystems, biodiversity research and implementation of agro-forestry systems and in the social field, training, environmental education, support and technical assistance to local communities for the development of concrete actions for the protection, recovery and sustainable management of ecosystems and water resources.

FARMERS The foundation offers personalized or group training services for groups of people interested in strengthening their knowledge for the ecological management of their farms or farms.


SCIENTISTS AND DEEP ECOLOGISTS Come to research the local plants and wildlife.

RESEARCH PROFESSIONALS Biologist from the National University of Colombia with particular interest to promote ecological conservation and restoration through environmental education.

STUDENTS Interested in learing more about forest restoration and plant conservation. Students in agroforestry.

FOREST RESEARCHERS the Conservation Team (ACT) has announced a new pilot to help the Kogi map their lands using an open-source mobile software called Open Data

INDIGENOUS FARMERS AND NATURE ACTIVISTS


Private

RESEARCH ZONE

Herbarium

Forest mapping studio

Research desks

Fog collector 100m

Lecture space

Tree seedling planters

Lobby

Fog collector 100m

Training field for forest restora�on

Toilet Mee�ng space

Semi-public planters with plants

Tree seedling planters

planters with plants

Educa�on Informa�on Point

Fog collector 100m

Workshop space

Water courtyard

EDUCATION ZONE

Container with seeds for plan�ng

Public toilet

Lookout and observa�on deck

Seed bank

Public

Hikers coffee space VISITORS/TOURISTS/ HIKERS ZONE

Toilet Trail informa�on desk

Sea�ng planters with plants

Fog collector 100m

planters with plants

Exhibi�on space

PROGRAM PROGRAM GROUP PROGRAM SUB-GROUP CONNECTIONS BETWEEN GROUPS CONNECTIONS BETWEEN SUB-GROUPS


Shading Cover

Shelter hut Pot filling space Compost SEEDLING BED OF 6M2

HOW MUCH SEEDLINGS WOULD BE SUITABLE TO PRODUCE AND HOW MUCH SPACE DO THEY REQUIRE?

Potbeds Seedbeds Reserve beds

SPACE REQUIREMENT CALCULATIONS The prototype layout shown opposite is for a medium-sized nursery with an annual capacity of about 100,000 containerised plants using pots of 8 cm diameter when filled. (If pots of, say, 4.5 cm diameter filled are used, 250,000 seedlings can be accommodated.) This layout can be scaled up or down according to the specific requirements. Each bed is 6M2 big and in this set up there are 60 beds this means : 6 x 60 = 360 M2 CONCLUSION A production of a 100,000 containarised plants wil require 360 square meters of space for the seedlings.


PLANT AND TREE RESEARCH NURSURY Colombian plants and trees are known to have health benef its and are rare. In this research nursery scientist grow and test unknown and new species for pharmaceutical and preservation purpuses.



RESEARCH CENTER 1. HALL

48

2. PLANT RESEARCH STUDIO 3. MEETING ROOM 4. MEETING ROOM 5. WC

2

6. FOREST RESEARCH AND MAPPING STUDIO

3

7. HALL

4

8. STUDY SPACE 9. STUDY SPACE

5

10. STORAGE

6

11. WC 12. WC 13. CO-WORKING SPACE MEZZANINE

30

14. TERRACE 15. PLANT AND TREE NURSURY FOR

29

RESEARCH 16. FOG COLLECTING CANOPY VISITOR CENTER

34

32

31 46

33

17. CAFE

45 18. STORAGE

Entrance

28

36 37

19. WC

21. HIKERS LOUNGE AND

44

STORYTELLING SPACE 22. TICKET AND TRAIL INFORMATION DESK 23. EXHIBITION 24. STAIR TO EXHIBITION SPACE 25. CISTERN 26. COFEE SEATING 27. OUTDOOR SEATING TERRACE

42

22

Entrance

39

38

20. TECHNICAL ROOM

23

41

40 Entrance

43

21 47


AGROFORESTRY CENTER 28. INFO POINT DESK 29. SEED MARKET

16

30. SEED SORTING AND STORING WORKSHOP 31. SEED ARCHIVE

Entrance

32. WC

15

33. AUDITORIUM EXIT

1

34. AUDITORIUM

11

12 10

36. ENTRANCE HALL

13

9

7

37. INSTRUCTION LOBBY 38. SEEDLING WORKSHOP

Entrance

8

14

49

39. WC 40. MEETING ROOM 41. MEETING ROOM 42. VOLUNTEERS HUB

50

43. TOOLS STORAGE Entrance

51

44.CLASSROOM 45. AGROFORESTRY NURSURY 46. FOG COLLECTING CANOPY

26

27

47. FOG COLLECTING RESTING SPACE

24

17

48. LOOKOUT TOWER

25 49. PARKING

18 50. EXHIBITION POD

19 20

51. WALKWAY


Indigenous people called the Kogis with mochilla bags that have weaved symbols into them

Indigenous traditional houses in northern Colombia

The Lost City archeological site


Palma Amarga thatched roof

Palma Amarga weaved roof

Timber roof structure

Local stone pedestal

Indigenous house traditional materiality


Vulture

Frog and water

Father of fire

The peaks of sierra nevada de santa marta


Rattlesnake

Hills and lagoons

ECRYPTED CULTURE Indigenous symbols are carved into the built fabric, in this cas the water cistern. The symbols carry different meanings related to the surrounding nature, landscape or local culture.


FRAILEJĂ“N

Conical shape passage

The so-called frailejĂłn is an important plant for the ecosystem because the sticks to its skin and form water droplets, which fall to the ground when the grow sufficiently heavy. The accumulated water flows into the lakes and riv that act as reservoirs for water for most of the country.

Water absorption through trichome cluster

paramo wetland pond paramo aquifier

LEARNING FROM ECOSYSTEMS In wet ecosystems, plants absorb water by their foliage. For example, mosses and lichens take water up by porous surfaces. Moss works like a carpet that will slow down and retain water, therefore reducing soil erosion and helping to prevent water loss during dry periods. Plants such as bromeliads take water up by their super hydrophilic leaf surfaces. In the centre of the leaf rosette the bromeliad forms an aquarium, which can contain up to 20 litres of water. Several hundred species of aquatic organisms can be found in these habitats. Through the lens of Bruno Latour and Steve Woolgar, fog, dew, and rain-catching devices are perfect examples of how architecture can perform nature.


MOSS

e fog ey vers

Moss works like a carpet that will slow down and retain water, therefore reducing soil erosion and helping to prevent water loss during dry periods.

BROMELIAD POOL The water held in the leaf rosette of a tank bromeliad forms a virtual aquarium, which may contain up to 20 litres (5 gallons) of water. Several hundred species of aquatic organisms can be found in these habitats, and some are found nowhere else except in bromeliad pools. Among the creatures found here are fungi, algae, protozoa, and small invertebrates such as insects, spiders, scorpions, mites, worms, and even crabs. Vertebrate inhabitants of bromeliad tanks include frogs, salamanders, and snakes.


The net captures fo

The fog passes through the net

Then gravity drips the water through the rain gauge 1. Rectangular shape LOCATION : ARID DESERT CLIMATE- PERU This is the simpliest way to collect fog and is only based on functional propreties, however it does not consider any experiential part of the process.

The centrifugal form is more efficient at channeling water than the rectangular shape

2. Aquair - Centrifugal shape LOCATION : TROPICAL CLIMATE - HONDURAS This shape draws in more fog and channels water into a funnel

Th to ca

The triagulated structure provides a framework for the net

3. Warka Water Tower - Conical shape LOCATION : WARM DESERT CLIMATE - EHTIOPIA The Warka Tower is first and foremost an architecture project. It is not be considered as the solution to all water problems in developing countries but rather as a tool that can provide clean water in selected areas,� says the firm.

The collector catches the water and is channled to the water tank

The gath


og particles FOG COLLECTOR OF 720 M2

SEEDLINGS OF 240 M2

5.0

5.4

Fall Down

3.6 M3 VOLUME CONTAINER FOR 3600 L OF WATER PRODUCED PER DAY

The fog collecting net has been specifically developed to accumulate water SCENARIO 1 - SIZE WITH 1 FOG COLECTORS

FOG COLLECTORS OF 360 M2

2 X 1.8 M3 VOLUME CONTAINER FOR 3600 L OF WATER PRODUCED PER DAY

SCENARIO 2 - SIZE WITH 2 FOG COLECTORS

he permeable mesh allows air pass through the material apturing water wich roll down

canopy provides shade creating a hering place for the community.

SEEDLINGS OF 240 M2

500 M2

360 M2

SEEDLINGS OF 180 M2

SEEDLINGS OF 180 M2 250 M2 250 M2 250 M2 250 M2 360 M2 360 M2

SCENARIO 3 - FINAL LAYOUT


The vers the


ARCHITECTURE AND ECOSYSTEMS

e landscape in this image is inspired by the paramo ecosystem. The carefully planned landscape is conceived as a condensed sion of the pรกramo wetland and allows people to gain a better understanding of how the frailejรณn cactus plant contributes to e water ecosystem. It is also aimed to educate people about the way the local environment and water interrelate.


Fog collector with cistern

Water ponds

Pools o

Natural Stepping stones

Pools of w sky and th Garden, Is ter resting reflects th dreams.

Water underground pipe

Water

According gelio Sale a modern dedicated mal vocab the exteri natural w water to fl continues experient


Exhibition Return pipes Supply water regulator Natural stepping stone

Cistern water pump Water pipes

of water

water are natural reflectors; their mirror surfaces reflect the he surroundings. In the land art project called Biotop Water shigami creates an oasis made of small, shallow pools of wag among a variety of trees. This carefully planned landscape he trees and, by doing so, creates a romantic repository of

streams, or “atarjeas”

g to Webb, the buildings of the Colombian architect Roemona refer to the use of water in Islamic architecture in n interpretation. For example, in the Quimbaya museum, d to indigenous culture Salemona invites water into the forbulary of his projects. Water streams, or “atarjeas” run across ior courtyards as well as the interior producing a constant whisper. The creation of subtle changes in the floor allows flow in through the centre of stairs. The narrative of water s through a series of courtyards and by doing so creates an tial value.

Water cistern Fog collector

51. Exhibition pod

Natural stepping stones Under ground water pipes Water ponds

52. Paramo walkway


THE WATER COURTYARD Water can encourage movement and exploration of the situation, inviting the observer to be a participant. This emphasis on the sequence and visual continuity is often exhibited Islamic architecture where water leads the eye throughout the length of a garden or a courtyard and highlights specific moments through fountains, pools, and basins.



CEDAR SHINGLES

RASCHEL MESH

PINE WOOD

LOCAL STONE

BLUE TILES


Metal flashing Glass roof system

Raschel fog collecting mesh Vertical clamp support profile Hanging support system fixed to the structure

Fixing brackets, imbedded in the wood Pressure treated wooden load bearing structure.

''L'' Shaped metal profile Linear support profile

Waterproof translucent fabric

Plywood boards coated with a water proofing paint Roofing membrane Wooden shingles Metal flashing Glass roof system

Fixing brackets, imbedded in the wood Pressure treated wooden load bearing structure. Internal glass wall


¿UN CAFÉ POR FAVOR? The project is located in the heart of Colombia’s coffee region. Visitors can come and experience the a variety of locally produced coffee.



CAFETERIA

EXHIBITION COLOMBIAN ENDEMIC PLANTS

AUDITORIUM MEZANNINE FOG COLLECTOR WITH CISTERN

SEED ARCHIVE

EXHIBITION FOG COLLECTOR WITH CISTERN

SEED MARKET


WATER COURTYARD

FOREST MAPPING STUDIO

PLANT RESEARCH ATRIUM WITH

FOG COLLECTOR

STUDIO

WITH CISTERN

SEATING AREA COMPUTER ROOM

EXHIBITION WATER COURTYARD FOG COLLECTOR WITH CISTERN


02

REMOTE TREKKING PAVILLION COLOMBIA

September - December 2020 - UCL, Bartlett Supervisor : Ricardo Carvalho de Ostos <r.ostos@ucl.ac.uk> and Isaie bloch <i.bloch@ucl.ac Individual Project

Sheltering travellers in a vast, dynamic landscape defined by topographic contrast and ecological variation; ass

embedded in the environment so it appears as though it has emerged from the ground. As a shelter for noma

leads visitors around a fog and water collecting device placed at the center of the project to promote awarenes

need to translate innovation and to find new ways to create architecture that is in the service of the environme monumentalise this technique.


c.uk>

sociated with cultural folklore, wonder and imagination this structure is a sculpture

ads and backpackers, the project is conceived as an open, framework where a pathway

ss about the preciousness of water. Furthermore, this project argues that today there is a

ent. The analysis of existing fog collectors revealed the untapped potential to celebrate and


INITIAL CONCEPT STREAMS IN LANDSCAPE EXPERIMENTS The massing can be seen changing using the circulation and the idea of one central space as the emphasised driver for the form. The idea is that the circulation takes inspiration from the flow of a river stream. It cuts through mass to create circulation the same way as a river cuts through a valleys

Rio de gaira river stream pattern



Fog and water collection incrporated within the roof deisgn.

A river like canyon gets cut into the landscape to proovide walkway for the occupants. Timber structural ribbs


UPPER LEVEL CONCEPT

Trail path Trail path

FEATURE

River viewpoint

The fog and rain collecting device is incorporated in the roof structure and is a central element of the design. The circulation of the pavilion leads the people walking on the trail around the feature in order to celebrate the preciousness of water.

LOWER LEVEL CONCEPT

Trail path

Trail path

RESTING SPACE In the central resting and seating space people are invited to interact and sit by the refreshing water pool.

WALL/ROOF TWIST The wall transforms into a roof through a gentle twisting and sweeping gesture.



A GATEWAY Created as natural extension to the pristine landscape, the duo-functional space will feature a roof that is covered by a gently sloping, curving wooden boardwalk that becomes the starting point for the world heritage trail and simultaneously, serve as a gathering point, a viewing platform, and an informal seating area.


STRUCTURAL EVOLUTION OF THE ROOF These project finds inspiration from nature—the final structure emphasises the idea of leaf venation. The building takes the form of a giant wooden truss, allowing the structure to float delicately above the landscape of the Rio Giara Valley. The framework is clad in wooden decking on the sides to provide access to the viewing platform on the pavilion’s roof.

THE SEED IS A CONTAINER IN ITSELF A large number of terms are used to describe seed shapes, many of which are largely self-explanatory such as Bean-shaped (reniform) – resembling a kidney.The idea of a seed facade was devlopped as part of a seed exhibition space.




“MEET ME BY THE FOG CATCHER” The fog and rainwater collector occupies a central position within the roofscape in order to make it the focal point and become a jewel of the project. The funnel partially reveals the water passing throug, thus creating an “aesthetic spectacle” from fog and water collection.


03

E-JEWLLERY: AN E-WASTE UPCYCLIN GHANA JANUARY- MAY 2019 - DISTINCTION FOR PORTFOLIO SUPERVISOR : Ricardo Carvalho de Ostos <r.ostos@ucl.ac.uk> and Isaie bloch <i.bloch@uc INDIVIDUAL PROJECT

This project identifies a business opportunity to work with local artisans to create treasure from trash. The g

James town area and empower e-waste low wage informal sector workers as well as give a possibility to the com

modern and beautiful jewellery and metal crafts. This project proposes a jewellery innovation hub and mark

education and training, to apply fabrication know-how skills toward new opportunities for employment. The m that they can earn money from selling them as well as set up their own business.


G HUB l.ac.uk>

goal is to create a positive impact on the households in the

mmunity to showcase their skills across the world by creating

ket space to promote formalised entrepreneurship through

makers will upcycle e-waste to make value added products so


E- jewelry market space


Vertical relationship between market space and jewelry workshop

Typical market athmosphere, Ghana


position

Air Conditioner

AirComposition Conditioner Overview Material

Common Brands: Bryant, Carrier, Danby, Hitachi, Kenmore, LG, Samsung, Voltas 4. STEEL COVERING

FAN

Hazardous Materials: PARTITION Chlorofluorocarbon (CFC), Polychlorinated biphenyls (PCB), polyvinyl chloride (PVC)

BLOWER

CONDENSER COIL

ADJUSTABLE LOUVRES

Key components/parts: 3. GLASS WINDOW Capillary tube, compressor, compressor coil, 2. TURN PLATE evaporator coil, expansion device, fans, indoor 1. HANDLE and outdoor

EXPANSION VALVE

CONTROL PANEL BLOWER FRONT GRILLE

COMPRESSOR FILTER

n Agbogbloshie

Primary materials: Aluminium (Al), copper (Cu), plastics, steel

Scrap Value In Agbogbloshie

1 Front Grille OTHER OTHER 2 Blower OTHER 3 Control Panel 4 Adjustable Louvres 5 BlowerOTHER

STEEL

Microwave

6 Control Panel ALUMINUM ALUMINUM

Types: 1. Handle Central air conditioning, portable air conditioner, window air conditioner, 2. Turn plate 3. Glass window Weight composition (%): 4. Steel Covering 13%Al, 17%Cu, 15% plastics, 3% PCB, 46% OTHER OTHER steel [1]. 5. Fan

7 Fan 8 Partition 9 Condenser Coil

Air conditioners contain PVC, which is highly

10Expansion Valve STEEL 11Compressor 12Filter

STEEL

STEEL

Health

ALUMINUM

toxic, especially when combusted. The combusted STEELOTHER particles are carcinogenic and hence cause ALUMINUM cancer. ALUMINUM

Hazardous Material STEEL ALUMINUM Urban Mining

OTHER

Health

Polychlorinated biphenyl (PCB) - Liver & Copper can be extracted from various parts COPPER immune system damage, cancer, damage to the COPPER COPPER such of the microwave as the cables and the COPPER COPPER COPPER COPPER nervous system, and infertility. COPPER anodes in the magnetron. The main body is Polyvinylchloride (PVC) - Headaches, made up of stainless steel and the microwave dizziness, eye and throat irritation, lung and B door has a glass window which keeps the kidney irritation, liver damage and increased waves in the chamber and prevents them from C Copper can be extracted ss steel. In all these cases, cancer risk. The copper & aluminium coils of the radiator and other comescaping, since they can be harmful to humans.wave such as the cables D can be reused as they ponents are the most valuable parts of in an air conditioner. Cadmium (Cd) - Lung, kidney, immune system In some microwaves, the turning plate is made The main body is made u E STEEL The compressor can also be sold or copper can be extracted ld to industries, smelted damage, Diarrhoea, Infertility, DNA damage. up of glass, which offers various opportunities wave door has a glass wi and sold separately from the steel black box at a moderate chamber and prevents t erial for other objects or price. There is also the casing which is made out of stainless for extraction. There is also a fan which blows be harmful to humans. COPPER FOAM I steel. In all these cases, the extracted metals can beFreu+sed out the hotSafety air fromGear the chamber. This is made plate is made up of glass

um coils of the radiator s are the most valuable OPPER ditioner. The compressor opper can be extracted and the steel black box at a e is also the casing which

ALU

GLASS

A

as they are or they can be sold to industries, smelted and The market for scrap parts includefor extraction. There is al used as raw material for other objects or equipment. STEEL up of plastic. The disassembly process exposes thefrom worker the chamber. This

B. Respiratory system

metalwork industries and local community scrap parts include meta to various levels of potential harm. There is a makers. The steel outer covers are perforated nity makers. The steel ou PLASTICS need for protective gear to reduce impact of in Agbogbloshie to make and used in Agbogbloshie to make cooker grills. COPPER these practises. Safety gear include gas masks to protect e-waste workers from dust and toxic D. Urinary system A. Nervous System REM gases and hazmat suits, which are full garments E. Reproductive system

C. Immune system

F.Skin

FOAM A. Nervous System

REMAKE

B. Respiratory syst

with footwear and masks, worn to protect e-waste C. Immune system workers from exposure to dangerous chemicals.

ALU

ssembly processing are: pliers, wire cutter and

PLASTICS

Step by Step Disassembly

Tools For Disassembly

Step by Ste

hammer, pliers, screw drivers, wire cutters.

1. The take out screws at the

1 The outer shell is removed by unscrewing and GLASSThe tools required for processing are: chisel,

removing all the fasteners.

2 Once it’s done, the copper wires and condenser

2. All the interior cutting off the

lines are cut off and the condenser is taken apart. 3 Then, the motor and other parts such as the

blower are removed by using screwdriver, mallet and wire cutter. Separate copper and aluminium

Fan

Blower

3. The transform


w g

Material Composition

Computer

Computer Overv

Common Brands: Acer, Apple, Asus, Dell, F Medion, Sony, Toshiba*

Microwave Overview Common brands: Emerson, general electronic1.MONITOR (GE), LG, Magic chef, Panasonic, Sanyo, Samsung, and Whirlpool*.

2. CASE

3. KEYBOARD

Hazardous materials: Beryllium (Be), lead (Pb), polychlorinated biphenyl (PCB)

4. MOUSE

Key components/parts: Case, central processing monitor, motherboard, po access memory (RAM) 9. STAINLESS STEEL CASE

5. FAN 6. MAGNETRON 7. CAPACITOR

Key components/parts: Capacitor, transformer, magnetron, circuit board, and cavity. 10. TIMERfan DISPLAY

OTHER

9. CIRCUIT BOARD

Scrap Value In Agbogbloshie Primary materials:

Copper, glass, steel.

10. POWER PACK Primary

OTHER

5. CD ROM

STEEL11. VENTS

6. HARD DISK

10. Timer Display

Types: ALUMINUM Desktop, Laptop, Notebo

Types: 8. POWER SUPPLY Commercial, convection and built-in microwave ovens

COPPER Weight composition (% 5% Al, 20% Cu, 18% glas plastic, 7% steel, [1]

COPPER

Weight Composition: 12% Cu, 1% glass, 1% plastic, 49% steel

OTHER STEEL

STEEL

STEEL Urban Mining

materials: Aluminium (Al), copper (C iron (Fe), plastic

12. MOTHERBOARD

7. FLOPPY DISK DRIVE

6. Magnetron 7. Capacitor 8. Transformer 9. Circuit Board

Hazardous Materials: Beryllium oxide (BeO), ca chromium (Cr VI), lead (P

The high voltage capacitor is charged and OTHER lethal. Steps should be taken to discharge it ALUMINUM before disassembly. Health

OTHER FOAM

STEEL

A computer contains several haza

These should be handled with car COPPER

Hazardous Mate

Antimony (Sb) - Lung di A STEELCopper, aluminium, steel, gold and palladiumSTEEL STEEL ALUMINUM Hazardous Material ALU are found in computers. In the motherboard, diarrhoea, severe vomitin ALUMINUM Beryllium (Be) - Pneumonia, lung damage, A access memory the random (RAM), central Barium (Ba) PLASTICS COPPER increased cancer risk and DNA damage. COPPER B unit (CPU) and processing peripheral component blood pressure, stomach GLASS R Lead COPPER (Pb) - Anaemia, interconnects (PCIs) consists of some amountkidney and brain weakness, liver, kidney, h B infertilitymemory ( in men and women), cancer, of precious metals. Thedamage, random access paralysis. C headache behaviour disruption of children. (RAM) isCfor data storage and it is and a valuable Cadmium (Cd) - Psycho Polychlorinated biphenyl (PCB) Liver & D part because its connectors are gold plated (Au) liver & kidney damage. sp d from various parts of the microCopper, aluminium, steel, gold and palladium are found in immune damage, damage to the E coated with palladium (Pd). system The hard drive cancer, defects and headaches. and the anodesand in the magnetron. computers. In the motherboard, the random access memnervous system, andisinfertility. ory (RAM), central processing unit (CPU) and peripheral up of stainless steel andD the microcomposes of aluminium (Al). The heat sink STEEL component interconnects (PCIs) consists of some amount indow which keeps the waves in the E on central a covering processing unit (CPU)

of precious metals. The random access memory (RAM) Safety is for them from escaping, since they can Gear is F made of aluminium (Al) and its alloys. COPPER whichthe data storage and it is a valuable part because its connectors In some microwaves, turning F The disassembly process are gold plated (Au) and coated with palladium (Pd). The s, which offers various opportunities The case of a computerSafety is made Gear of steel and hard drive composes of aluminium (Al). The heat sink istoa various levels of poten lso a fan which blows out the hot air the power supply box with stainless steel. In the worker to covering on central processing unit (CPU) which is made of for protective gear t is made up of plastic. The market for The disassembly process exposes need ALU Agbogbloshie, the printed circuit board industry (Al) and its alloys. alwork industries and local commu- various levels of potential harm. aluminium Disassembling these practises. Safety ge uter covers are perforated andofused is worth tens thousands of dollars and is a microwave requires protective gear to e cooker grills. to protect e-waste worker controlled mostly by Nigerian Migrants A. Nervous System D. Urinary system GLASS reduce risks of electrocution, inhalation of toxic gases, safety boots, hand B. Respiratory E. Reproductive system chemicals such as beryllium oxide. Dependingsystem HazMat suits, which are f mMAKE D. Urinary system REMAKE Immune system F. Bone on scale and/or volume, hazmat C. suits, which footwear and masks, wor tem E. Reproductive system

m

F. Bone

are full garments with footwear and masks, may have to be worn to protect e-waste workers from dangerous chemicals.

Tools For Disassembly

Step by Step Disassembly

The tools required for processing: chisel, mallet,

1. Cut off all the wires and remove all connections between various components. 6 After disassembly, components2.should be the capacitor and remove the Discharge documented via labelling and photography. circuit board.

ep Disassembly pliers,screwdriver, and wire cutters.

the housing, by detaching all the e joints.

r components can be removed by e connecting wires.

mer, capacitor, diode, magnetron

from dangerous chemica

3. Detach the motherboard by using screw drivers. Carefully pull off the CPU and the random access memory (RAM) from the motherboard. 4. The PCIs are also pulled off by hand since

9 After disassembly, com

documented. See exam AMPQAMP workshop.


MADE BY

YALA

ALLOYED WITH COPPER AND SILVER

9cts E-WASTE GOLD

18cts

ALLOYED WITH PALLADIUM, SILVER AND

ALLO

HIG

PER

COPPER

22cts ALOY

YELLOW GOLD

WHITE GOLD

RO


MADE BY

MADE BY

LYLIE’S

BUISNESS MODEL - DELL

BUISNESS MODEL - LYLIE’S LONDON

Dell gadgets contain so many valuable resources that can be recycled and upcycled, and Dell and their partners have a process for extracting gold from old computer motherboards that is 99% more environmentally friendly than extracting gold from the earth. Not to mention the ethical benefits by avoiding the hars labor conditions where gold is so often mined.

Lylie’s believes that even though jewellery-making might be a traditional industry, but that doesn't mean we have to do things traditionally. With a bit of effort, it is possible to dismantle e-waste, and extract its precious metals as well as less valuable metals and ceramics. Once refined, such precious metal are used at Lylie’s to make their jewellery which is 99% percent from e-waste.

OYED WITH

ETHICAL

GHER COP-

PRODUCT

R CONTENT

OSE GOLD

E-WASTE PRODUCT

SUISTAINABLE

E-JEWELLERY IS ETHICAL, SUISTAINABLE AND CREATIVE.


AGBOBLOSHIE LANDSCAPE AND LANDUSE

THE SC

E-WASTE RE

100m SLUM

SCRAPYARD

INDUSTRIAL AREA

E-WAST (All pho


COLLECTOR

WEIGHT DEALER

CRAPYARD ACTIVITIY MAP

WEIGHT DEALER

DISMANTLER

COLLECTOR

WEIGHT MIDDLEMEN DEALER

DISMANTLER

REPAIRER COLLECTOR

MIDDLEMEN

BURNER DISMANTLER

REPAIRER WEIGHT DEALER

MIDDLEMEN

COLLECTOR

DISMANTLER

MIDDLEMEN

REPAIRER

BURNER

WEIGHT DEALER

MARKET

BURNER

WEEE DEALER

COLLECTOR

SORTING THE METALS

COLLECTOR

WEEE DEALER

REPAIRER BLACKSMITH REPARING

MARKET

DISMANTLER DISMANTLER

MARKET

BURNER

WEEE DEALER

MIDDLEMEN

MARKET

REPAIRER

WEEE DEALER

MIDDLEMEN

REPAIRER

BURNER BURNER

MARKET

WEEE DEALER

ETAIL SHOP

TE AREA otograph credits - Lucie Krulichova)

E-WASTE DISSASEMBLER IS WORKING

INFORMAL DUMPING AND BURNING TO EXTRACT COPPER

WEIGHT MARKET DEALER

COLLECTOR WEEE DEALER

DISMANTLER

MIDDLEMEN

REPAIRER

BURNER SCRAP DEALER IS WEIGHING THE METALS

MARKET

WEEE DEALER

GAMES AT E-WASTE SITE


SITE PLAN

50 m GOLDSMITHS

CRAFTSMEN


SITE CHARACTER

CONCLUSIONS

HIGH CONCENTRATION OF GOLDSMITHS AND CRAFSMEN IN THE AREA

JAMES TOWN USED TO BE THE BIGGEST PORT IN ACCRA DURING THE COLONIAL PERIOD

USSHER FORT The Dutch Fort Creve Couer was transferred to the English in 1868. It was then partly reconstructed and named Ussher Fort, after the British administrator who had been instrumental in the Exchange of Territories between the Dutch and the English in that year. Located on the High Street, about 500m past Fort James , Ussher Fort is in the locality of James Town, by the Central Business District in Accra.

MY SITE HAS A JEWELLERY AND ARTS TRADING HISTORY

THE OLD KINGSWAY BUILDUING Built in 1914 the Jamestown Kingsway was the first modern shopping centre in Accra, property of the United Africa Company (UAC) which was later relocated to its final spot where it took its last breath. The Red book of Africa describes the builduing as the finest retail store on the West coast of Africa.

THE E-WASTE SITE IS A 10 MIN DRIVE

Tarquah trading house Merchandise of all kinds were supplied with thouroughness and completeness for ordinary requirement, tepering off into specialisation of fancy or caprice wither clothis or provisions in jewellery or hardware, in perfumery or tobacco, in crokery or cutlery. The upper floor was devoted to wholesale operations. Currenlty it is owned by the architect Joe Ossae Ado who refurbished it into a hostel and a cafe called the James towm cafe.

THE HOUSEHOLDS NEED TO DIVERSIFY THEIR INCOME BECAUSE THE FISHING INDUSTRY HAS NOT PROVEN TO BE ROBUST ENOUGH.


DELIVERY 6 am - 7 am

SORTING 7 am - 8 am THE E-WASTE COMES DISSASEMBLED FROM THE SCRAPYARD

The salvaged metals arrive from the e-waste scrapyard by van to the goods recieving dock.

The metals are sorted into types: copper, zinc, silver, gold and paladium. The salvaged metals are deposited on a automated goods recieving dock.

TESTING 8 am - 9am

O Accurate scrap metal analysis and testing for composition, grade and presence of impurities is a key component of scrap metal recovery and upcycling. After testing the metal is priced accordingly.

LEARNIG NEW SKILLS 9 am - 17 pm

Design of jewellery requires to learn new fabrication and design skills.

JEWELLERY DESIGN

WAX PROTOTYPING

CASTING

9 am - 17 pm

9 am - 17 pm

9 am - 17 pm

Design of jewellery is done through sketches or on a computer.

During the design process jewellery and the mold for the metal cast are both made from wax. This is called lost wax casting.

The metal is melted in a furnace and pored into a mold.


TRADING ORGANISATION

TRANSFER 9 am - 9:30 am

9 am - 17 pm

TRADING 10 am - 12 am The trading office assures a smooth organisation of the trading process.

Once sorted and tested the metals are brought to the main trading hall.

PURIFICATION

Once the traders are ready the customers enter the trading hall. When the metal has been traded it is handed over to its new owner.

Not possible to determine

Sometimes purification of metal is necessary.

LOADING 7 am - 9 am

Loading jewellery into the van for export.

MARKET ORGANISATION 9 am - 17 pm

The market office assures a smooth organisation of the market.

SEALING, WRAPPING 12 am - 17 pm

When the jewellery is fabricated it is packed into a box and ready to get dispatched.

THE JEWELLERY MARKET IS OPEN 12 am - 20 pm

The jewellery market opens to the public and the fabricated jewellery is displayed and sold to the customers.


THE E-WASTE ARRIVES IN CONTAINERS FROM THE PORT IN TEMA

THE E-WASTE IS DISASSEMBLED

THE E-WAS

THE METALS ARE WEIGHED AND THE BLACKSMITH MOSES BUYS IT FROM THE SCRAP DEALER

E-WASTE METALS SAMPLES THAT I HAVE COLLECTED FROM THE SCAPYARD

THE JEWE FROM

TRANSFORMATON


FROM E-WASTE TO JEWELRY This diagram shows the journey of a piece of e-waste metal from the scrapyard. It also show how the blacksmith Moses that I have met in Ghana transforms the it into jewelry

STE IS SORTED ACCORDING TO THE METAL TYPE

MOSES MAKES JEWELLERY FROM E-WASTE METALS IN HIS TINY WORKSHOP IN JAMES TOWN

GRINDER

ELLERY THAT I HAVE BOUGHT THE BLACKSMITH MOSES

HAND TORCH


Workshop


Library


LONG SECTION Responding to the urgent environmental issues of e-waste in Accra and an expanding jewellery market demand in Africa the project is a building with a hybrid of program focused on a symbiosis around commercial jewellery production from e-waste. This project combines a public cultural program with workshops and office spaces. The project is both informed and inspired by the nuance and sophistication of traditional practices, yet embraces an innovative future for Ghana.

Open plan workspace

Market space

Metal furnace. The conical shape of the furn is designed to allow cooling and ventilation lower maintenance and operating costs tha mechanical systems


nace n with an

Meeting space

Offices

Workshop

Van entrance

E-waste metal storage


04

DESERT FLOWER

SEPTEMBER-DECEMBER 2019 - DISTINCTION FOR PORTFOLIO SUPERVISOR : Ricardo Carvalho de Ostos <r.ostos@ucl.ac.uk> and Isaie bloch <i.bloch@ucl. INDIVIDUAL PROJECT

This conceptual exhibition space is conceived as an architectural minescape. The atrium is carved like a cathedr

access to the gallery floors that are organised around the central atrium. The cut edges are polished to give a m

Similarily to Herzberger’s Centraal Beheer insurance company project, the idea is not to provide to provide a spa

enabled in the correlation between the environment, the people using it, and the culture in which the environm open-ended matrix capable of responding to changing patterns of social association and use over time.


.ac.uk>

ral, to form the builduing’s heart. Scooped from the centre, it provides

mirrored finish that contrasts with the building’s concrete aggregate.

atial framework to be filled in by the users. The social interactions are

ment is placed. The idea is to have a spontaneous appropriation of an


ANALOGY BETWEEN MINI

Now it is more efficient for us to mine materials from our e-waste of our electronics than in one ton of ore mined from beneath the cy. Devices are dissected to recover materials, parts and compone of electr

V

MINESCAPE, GOLDMINE, OBUASI, GHANA

The country is faced with a lot of challenges like pollution of water bodies, destruction of livelihoods, land degradation and creating serious social and environmental problems, thanks to irresponsible mining activities.

3.0 MT SMALL IT (MOBILE PHONES,

1.0 MT LAMPS

6.3 MT SCREEENS (TVS, MONITORS, LAPTOPS, TABLETS)

7.0 MT HEAT EQUIPMENT (REFRIGERATORS, AIR CONDITIONERS, HEAT PUMPS)

11.8 MT LARGE EQUIPMENT

12.8 MT SMALL EQUIPM

(WASHING MACHINES,

(VACUM CL

CLOTHES DRYERS,

MICRWAVE

DISHWASHERS)

TOASTERS)

COMPUTERS, PRINTERS)

(LIGHTBULBS)

MOUNTAINS OF E-WASTE

Mountains of things we no longer need, want use. These growing mountains, however, also create large stores of potential resources.


ING AND URBAN MINING

e. There is 10 times more gold, silver, platinum, palladium in one ton e surface of the earth. In Agbogbloshie, weight is a form of currenents with incredible attention to detail, down to the aluminum tips ric plugs.

VS.

T L MENT

LEANERS

ES,

,

10 X MORE Au, Ag, Pd and Pt

TRASHSCAPE, AGBOGBLOSHIE, GHANA

A computer salvager at Agbogbloshie in Accra, Ghana The re-cycling of computers dumped from Europe and the West, causes catastrophic environmental consequences.

41.8 MT 2014 TOTAL

50 MT 2018 ESTIMATE


CREATING POCKETS AROUND A CENTRAL “MINEWAS THE INITIAL DRIVER.

THE CONIC PARABOLOID CYLINDERS ENHANCED THE PROJ

A SMOOTH TRANSITION B FLOOR ENHANCED THE LAN INTO THE DESERT


D SECTIONS OF PACKED E SPATIAL QUALITY OF THE JECT

BETWEEN ROOF AND NDSCAPE INTEGRATION T LANDSCAPE

EXTENDING THE PARABOLOID SECTIONS OUTWARDS ENHANCED LADSCAPE INTEGRATION AND AT THE SAME TIME FORMED PRODUCTIVE SPACES AROUND THE “BALCONIES”.


CIRCLE PACKI

CONDENSED ELEMENTS - P

EXPANDING ELEMENTS- GR


ING CONCEPT

PACKING BASED ON TIME

ROWTH BASED ON TIME


INTERIOR CO

The dangers of e-waste

Co-working space

Library


OMPONENTS

E-waste depository

Copper e-waste intake

E-waste depository

E-waste upcycling possibilities

Steel e-waste intake

The metals in e-waste

E- waste exhibition

Reception

ENTRANCE


THE NEIGHBOR MODEL

SPATIAL CLUSTERING MODEL

3 circle union using 4 circles with the same diameter

The uniform neighbours : center of each circle is equidistant

The uniform neighbours : center of each circle is equidistant

3 circle union using 4 circles with the same diameter The non-uniform neighbours : The center of each circle is not equidistant

4 circle union using 4 circles with the same diameter

The non-uniform neighbours : The center of each circle is not equidistant

4 circle union using 4 circles with the same diameter

A HIERARCHY OF CIRCLE PACKING STRUCTURE

ANALYTICAL THINKING IN CIRCLE PACKING Circle packing can be seen as the art of placing tangent circles on the plane, leaving as little unoccupied space as possible. Understanding the different typologies and opprotunities that circle packing enbles is crucial in order to gain complete control over the clustering process.

Interstice

CLEAVING AN INTERSTICE The procedure, then, is to jiggle all the quadrilateral interstices in S and fill them with packings, leaving only triangular interstices.

Interstice Petal

Petal

Packing

Packing

8 cir usin diffe


INTERSTICE MODEL

INTERSTICE CLUSTERING MODEL

3 side interstice

Hexagonal packing

4 side interstice

5 side interstice

3 side interstice 4 side interstice

Hexagonal packing Square packing

5 side interstice

rcle union ng circles with erent diameters

Square packing

8 circle union using circles with different diameters

CLEAVING AN INTERSTICE Circle

Circle Tangent Pair 4 side interstice

Tangent Pair 4 side interstice Triple

Cleaving a five sided interstice

Triple Flower

Cleaving a five sided interstice 5 side interstice

Flower

5 side interstice

Cleaving a five sided interstice

Cleaving a five sided interstice



COMBINATION OF MULTIPLE ELEMENTS

UNION, SPATIALLY MIXED

SPACE WITHIN SPACE, SPATIALLY CONTAINED

COMBINATION ON 2 ELEMENTS

UNION, SPATIALLY MIXED

SPACE WITHIN SPACE, SPATIALLY CONTAINED


TRANSITION A gradient materiality blends the roofscape with the landscape. The visual contrast between the seemingly simple landscape level view and the view from the interior balcony creates disorienting grandeur upon entrance.



05

THE URBAN AGORA OF COLLABORATIVE

JANUARY- MAY 2016 - DISTINCTION FOR PORTFOLIO SUPERVISOR: DECLAN MOLLOY <dmolloy@brookes.ac.uk> , NINA SHEN-POBLETE <nina.shenpoble INDIVIDUAL PROJECT

Where in the past our social lives revolved mostly around our own houses and neighbourhoods, the advent of d more disconnected, further increasing our desire to collaborate. This project responds to the spatial dimensions of Collaborative Arts is not only a performing arts centre for film, music and drama but also a public space wh keeping a slight overall visual separation. The interpenetration of three building units brings about a conflict on the importance of the performance happening on the stage and at the same time enhances acoustics. The ove encounters occur. The grand main entry that is located on the prominent corner of London Road is a melting p semi-public courtyards. Making the performing arts centre an integrated element in the landscape contributes extension of the existing landscape. The ramps lead to a diversity of internal space as well as green terraces w provides meeting places and fosters social ties of a kind that have been disappearing in many urban areas. Thes for the students. The vegetation on the roof creates a positive impact in terms of mental health during stressfu ramps fuction as streets. A central entrance and theatre connects the three departments and is easily accessib warm sun, green space and the views around the site. The project celebrates human, creative emotional, and n


E ARTS

ete@gmail.com>

digitalization and the ongoing data revolution have already drastically started to change our lives. We may feel s of these challenges. This project intends to make a positive contribution for social interaction. The Urban Agora here students are brought together. The idea was to create one building that encompasses 3 art schools whilst n the inside and outside so the tension in the composition is heightened. The organic roof of the theatre reveals erall objective is to produce a public space where the idea of contingency is a pronounced feature where social pot where students mix and connect. The three ramps create fluidity within the design and connect the existing to the surroundings as an attractive part of the Oxford Brookes University area. The green expression is a natural with benches and relaxing areas. The green space within the builduing brings student communities together, se spaces shape the cultural identity of Oxford and are part of its unique character. They provide a sense of place ul study perriods. One of the fundamental functions of a public space is that it allows us to move around . The ble from each one them. In my project Urban Agora of Collaborative Arts I include gardens so people can enjoy natural aesthetics.


re To City Cent HEADING

HEADINGTON HILL

T ON ON H ILL

HHH

Cheney Student Village

HHN

Footbridge

Studental

Drama Studio

Nursery

HHRH

fo o t pa

Foo

t h t o Sp

tpat

h to

orts

Mor

GH

PU (leaLdLinEgNS LANE to Cotuit Hall)

Bus Stop U1

GIPSY LANE T

M

IC JHB

JP

G S

MAIN ENTRANCE

i

RECEPTION & SECURITY

COL

AB

LONDON ROAD

F

OL

Main Hall

Bus Stop U2/(N)U3

GIPSY LANE

Hall

Disabled Parking Bike Racks Site Location and important information

No U2 bus Paul Kent Hall Crescent Hall

Bus Stop U1

CENTRAL COURTYARD

C

eford To W arn

rell

C e nt

re

and

Cliv

e Bo

oth

Hal

ls a

Teaching HK Rooms

nd

SPORTS CENTER

Nur ser

Morell Hall

No (N)U3 bus Paul Kent Hall Crescent Hall City Centre

Bus Stop U1

Bus Stop U1

Headington Hill GH Gate House: Estates and Facilities Management HHH Headington Hill Hall: Alumni Relations, Continuing Education, Development Office (Appeal), Law, Socrates and Student Exchanges, Vice-Chancellor’s Office HHN Pooled teaching rooms HK Helena Kennedy Student Centre: Accommodation Office, Careers, Student Services, Students’ Union HHRH Richard Hamilton Building: Art, Publishing & Music

Gipsy Lane JHB John Henry Brookes: Library, Brookes Union, IT Service Desk, Lecture Theater, Deli and Lounge, Main Reception, Terrace, Stu AB Abercrombie Building:Architecture, Computer Services BH Birch House: Computer Suite C Clerici Building: Board Rooms Conference Services, Enquiry Centre, Finance, Food Hall, Health Care (Community Group, Main Hall, Main Lecture Theatre, Psychology, Reception, Student Administration D Darcy Building: Building, Cartography, Civil Engineering, Engineering, Estate Management, Medical Centre 24-hour Comp G Gibbs Building: Banking facilities, Geography, Humanities, Lang F Fuller Building: Brookes Restaurant, Business, Hotel & Restauran IC ICELS Building: International Centre for English Language Stud OL Old library (Site for Project 1) COL Colonade: Bank, Bookshop, Colonade Store, Medical Center M Media Centre Creative Services, Graphics Workshop Media Workshop, Public Relations, Reprographics Unit S Sinclair Building: Biological & Molecular Sciences, Examinations, Geology, Postgraduate Research Centre, Students’ T Tonge Building Biotechnology , Engineering, Humanities Resear


re

Gipsy Lane JHB John Henry Brookes: Library, Brookes Union, IT Service Desk, Lecture Theater, Deli and Lounge, Main Reception, Terrace, Student Central, Upgrade AB Abercrombie Building:Architecture, Computer Services BH Birch House: Computer Suite C Clerici Building: Board Rooms Conference Services, Enquiry Centre, Finance, Food Hall, Health Care (Community Group, Main Hall, Main Lecture Theatre, Psychology, Reception, Student Administration D Darcy Building: Building, Cartography, Civil Engineering, Engineering, Estate Management, Medical Centre 24-hour Computer Suite G Gibbs Building: Banking facilities, Geography, Humanities, Languages, Social Sciences F Fuller Building: Brookes Restaurant, Business, Hotel & Restaurant Management IC ICELS Building: International Centre for English Language Studies OL Old library (Site for Project 1) COL Colonade: Bank, Bookshop, Colonade Store, Medical Center M Media Centre Creative Services, Graphics Workshop Media Workshop, Public Relations, Reprographics Unit S Sinclair Building: Biological & Molecular Sciences, Examinations, Geology, Postgraduate Research Centre, Students’ Union Shop T Tonge Building Biotechnology , Engineering, Humanities Research Centre

To City Cent

JP

HEADING

Footbridge

ford Hal

HHN

e To W arn

Studental

SPORTS CENTER

Mapping of flow of students walking around the site and campus

Drama Studio

HHRH

GH

rell

t s C e nt

re

and

Cliv

e Bo oth

Hal

ls a

Teaching HK Rooms

h to Foo tpat

or t h t o Sp

Site Location and important information

Bus Stop U1

GIPSY LANE T

IC

M

PU (leaLdLinEgNS LANE to Cotuit Hall)

nd

Cheney Student Village

fo o t pa

’ Union Shop rch Centre

HHH

ILL

puter Suite guages, Social Sciences nt Management dies

HEADINGTON HILL

TON ON H

udent Central, Upgrade

Mor

Joh leadninGgarne Waay to Mars ton Roa d

y

Headington Hill GH Gate House: Estates and Facilities Management HHH Headington Hill Hall: Alumni Relations, Continuing Education, Development Office (Appeal), Law, Socrates and Student Exchanges, Vice-Chancellor’s Office HHN Pooled teaching rooms HK Helena Kennedy Student Centre: Accommodation Office, Careers, Student Services, Students’ Union HHRH Richard Hamilton Building: Art, Publishing & Music


Watercolor Sketches - Site Strategy

Hand crafted concep

+ 3 Departments merging together

Sharing a central spa

Process render 1


pt model 1:500

ace

Hand carved plaster concept model

+ All 3 departments have their own entry point

Process render 2


Timber roof inspiration / experiment model


Initial roof development


1/10 Roof detail 2 1 3 5

4 6 8 7 9

1/20 technical section

1. Gridshell structure of 80 x 50 mm larch laths on 1 m grid with double layer 10 mm ply as brace 2. Rainscreen 100 x 20 mm oak boards forced to 75 x 35 mm oak support beareres on insulated aluminium standing seam 3. Preformed aluminium gutter 4. 100 mm perimeter tube ring 5. Double-glazed clerestory unit 6. Insulated clerestory vent with automated opening 7. Reinforced concrete wall 8. Tube ring to support leg 9. Acoustic wall tie

Ac


coustic principles

Reflection

Absorbtion

Diffusion


Ceiling- mounted absorbers perform similarly to wall-mounted absorbers

For a given area of absorptive material, banners offer twice the sound absorption because both sides are exposed.

1-inch thick membrane banners hung in a loose, catenary fashion

If holes are too large, the spaces between them reflect high-frequency sound, if they are too small they may be clogged by paint.

Porus absorbers may be screened with slatted or perforated wood or metal to improve appearance and protect the absorbers.

Rather than an acoustically translucent cover to an absorber behind, micro perforated memebranes are the absorber themselves

Tiny half milimiter hole, each act as a resonant absorber


REFLECTOR PANNEL : creates acoustically reflective surface

1/20 model photograph of rehearsal studio

ROCKWOOL : increases acoustic insulation POLYURETHAN FOAM : increases acoustic insulation

ABSORPTIVE COMPOSITE PANEL : porus plywood or metal pannels with cells increasing acoustic performance ABSORPTIVE COMPOSITE PANEL : porus plywood or metal pannels with cells increasing acoustic performance

ROOF STRUCTURE : beams 60 x 20 cm this is a substructure of the roof : holds acoustic pannels beneath and glazed or copper pannels above also creates a beatiful grid-like structure.

Photograph showing acoustic pannel prototypes and the shadows casted by the roof structure.

Photograph showing light coming into the passagways under the ramps through gaps

GALVANIZED STEEL NODES : timber members joined by a series of galvanized steel nodes Space between the superstructure, the grid held by copper rods


Ground floor plan - showing schools of music, film and drama Public spaces The ground level is designed to have a large open public space after the entrance

Theater foyer interior render

Communication and performance. Creating social synergy can make people learn mor tial diversity and visual transparancy enhances well


Rainscreen 100 x 20 mm oak boards forced to 75 x 35 mm oak support beareres on insulated aluminium standing seam - covering timber structure

Gridshell structure of 80 x 50 mm larch laths on 1 m grid with double layer 10 mm ply

re, stimulate. The buildings spal beeing and knowledge sharing’

Walking on ramp render

Steel 100 mm perimeter tube ring to support roof structure




06

THE COMFO-SOFT POCKET

NOVEMBER -DECEMBER 2015 - DISTINCTION FOR PORTFOLIO SUPERVISOR: DECLAN MOLLOY <dmolloy@brookes.ac.uk> , NINA SHEN-POBLETE <nina.shenpoblet INDIVIDUAL PROJECT

Have you ever dreamed of an intimate, comfortable study space just for yourself? he Comfo-soft pocket is an inn trast to the host building’s architectural style. This parasitic cell is an elevated study space where students enjoy a existing trees. Translucent fiberglass pods bring and filter light into the space. I surgically insert a pocket of mod in order to renovate them, I provide a new function for people and activate life within the building. Following Ced but only envisage magnets inserted into old neighbourhoods to re-stimulate them. This micro-utopian project is architecture with new energy. In this way, the study space aims to revitalize the old building through the transfo ist in a finite, yet dream-like world.


te@gmail.com>

novative experiment that acts as a parasite and is in a complete cona private comfortable atmosphere whilst being surrounded by the dernity into the existing building. Instead of fragmenting old buildings dric Price´s ideas, cities do not require entirely new neighbourhoods, s a small space that I see as a new-born cell of vitality, endowing old ormation of a few components. The past and the future can thus coex-


April 6:00 51° Oxford

Desig


August 6:00 51° Oxford

gn process section in context of the existing builduing : view from the interior

Febuary 6:00 51° Oxford

Concept sketch : how to bring light to soft pocket

Construction process of wood components : Joint details. The primary members are laminated offsite and delivered on site with a max size of 2.2m: conceptual link between practice and design.

Window location


1

3

2

4

5

The innovative idea

6

This model was a de

78 9 10

1/50 model showing

23 23 22 22 21 21 20 20 19 19 18 18

1516 15 1617 17

14 14

13 13

12 12

11 11 Technical section

1. metal connection concrete floor 2 . semi-transparen cushion 3. 50 x 150 mm rou structure 4. 25 x 50 mm roug fiberglass panel 5. 25 x 114 mm roug panel 6. titanium bed bo 7. timber fascia 9. timber frame for


to create the Comfo-soft pocket emerged from models

etailed part of 2 components from the surface model

g integration within the existing builduing

n between concrete panel and

nt insulating fiberglass panel/pod/

ugh sawn timber beam: main

gh sawn timber beam clamping

gh sawn timber lamping fiberglass

olt

r fiberglass pod

1/50 model showing inside out relatioship

10. M5 titanium coach bolt 11. 20 mm transparent aerogel insulation 12. memory foam layer 3. 20 mm plywood 14. 50 x 50 rough sawn timber beam 15. custom made timber frame 16. metal anchor 17. M20 stainless coach bolt 18. suspended ceiling of existing builduing 19. wafle concrete ceiling cast in-situ 20. chrome cable end 22. stair timber stringer 23. chrome tension cable


fiberglass cushion beyond wood blocking glass sealant continous facia plate cut to match wood curve

Assem

fixed panel in

edge of face plate beyond flashing window frame sealant wood beam box beam

Wind

Plan showing inside-out relationship


mbly skrew

nsulated glass limit

Semi-transparent fiberglass pods

dow section detail

Metal plate flitched into beam

Inner skin made out of memory foam

Inside-out view

Exploded view


07

THE BIOPHILIC LOW-LINE LIBRARY

JANUARY - MAY 2015 - HIGH DISTINCTION FOR PORTFOLIO BARRY WARK < barrywark@hotmail.com > , MARIA KNUTSSON-HALL < mariaknutssonhall@gmail.co NOMINATION FOR LESLIE JONES MEMORIAL PRIZE FOR THE MOST PROGRESS IN BUILT CONSTRU INDIVIDUAL PROJECT

The Lowline Biophilic Library is located among of the historical complex of Seville University. The univeristy is lacking in library creates a connection point between the University of Seville and an existing trench surrounding the university. The library is a active urban spaces and green areas the library and the park is an attractive destination for the citizens and a recreational sett the project and therfore establish a unique position within the built environment. A important part of the concept was was to the High-line project in New york this Low-line trench will become a public park for students with a variety of plants and benc vive the area. The project is about the relationships, interlinks and exchanges between patterns of urbanization and the biosph an opportunistic, technical and imaginative way. This project alleviates the social, economic and environmental conditions in S not just as pleasant amenities, but as essential tolls for neighborhood stability and economic development. It ameliorates the


om > UCTION

and study spaces, thus this project responds to the needs of the students. A ramped topology series of spaces organised around this ramp. With the integration of intimate study pockets, ting for the students. The non-linear formal language gives an instantly recognizable character to refurbish and regenerate a large existing trench to create a Low-line biophilic park. Inspired by ches for relaxation and studying. It will be a creative, beautiful walk around a university and will rehere. It addresses the fundamental question of our relationship with the natural environment in Seville through green infrastructure. At the same time it ecourages city leaders to think of parks study conditions of the students and improves their quality of life.


3D printed roof

Final timber model

Laser-cut 2.5m x 2.5m wooden formwork, which was positioned using GPS technology on site.

Fibre C pannels : concrete appearance The three-dimensional mould made of glass fibre-reinforced concrete make facades and roofs with ambitious geometric forms possible. The mixture of the desired colour is created before the actual production process and becomes part of the product by being added in the blending of the raw materials.

Rocca gallery, London

Large timber batten

Column structure: The rolex learning center main structure are numerous columns between the concrete floor and the ceiling.

Metal floor sheating

Large wooden stringers to support the wooden stairs

Kilden perfomance arts center, ALA Glulam is much lighter than the equivalent concrete or steel products . The benefits of the exceptional strength that glulam offers makes it especially suitable for use in the load bearing structures of buildings with long spans and where high aesthetic performance is a pre-requisite.


f

Metal joist hangers


14

16

10

9

6 7

15

1. Lobby (entrance from 10. Computer room university) 11. Library shelves 2. Storage 12. Open study space atrium 3. Office 13. Library shelves 14. Open relax study space 4. Meeting office 5. Toilets woman 15. Group study space 6. Toilets men 16. Lobby (entrance from street) 7. Study room 17. Roof of book storage space 8. Slide into study room 9. Slide towards low line park

17

8


3

2 13

11 1 2 4 12

5 1

1st floor plan

3


5

6

4

3


7

1

2

1. Library shelves 2. Toilets woman 3. Toilets men 4. Study space and shelves 5. Open sudy space 6. Timber stairs/relax/terrace area 7. Timber stairs

2nd floor plan



Interior render showing timber staircase - ceiling

Interior render showing ceiling void



Ramp concept

Massing process

Library as connection between university and low line park Massing Diagram Main ramp circulation

Pockets articulated around the ramp circilation

3D printed roof

Circulation Diagram Final timber model

ramping up direction ramp going up (20 meters long, 2 meters up) flat piece of ramps (landing)


Ramped topology : connection / “lanscape� to acces

Library as connection between university and trench park

Yellow flower field

Rose flower field

Pink flower field

Violet flower field

White flower field


s the trench Improve the study conditions

Park Trees

Park Trees

Trench Refurbishment

Urban and landscape design of the “Low-line park� in the existing trench



Low - line section cutt


08

THE LIANA READING POD

NOVEMBER - DECEMBER 2014 - HIGH DISTINCTION FOR PORTFOLIO BARRY WARK < barrywark@hotmail.com > , MARIA KNUTSSON-HALL < mariaknutssonhall@gmail.com INDIVIDUAL PROJECT

This dynamic reading pod is a temporary outdoor installation in Barcelona during summer. The design is inspired capacity to develop aerial roots or lianas, which hold from their branches forming nets and natural columns. The and the surrounding greenery. This innovative and unique typology for a public realm promotes reading within p the existing trees.


m>

d by local “liana trees�, refering to their metal skin reflect the ever-changing sky public parks and blends naturally within


Steel inner st

Steel ou

Layered concrete in

Exploded axonometric view

Tree root pockets

Tree root pocket


tructure

uter shell

nner shell

After several tests of models the most dynamic form was chosen

Windows

Tree like t-spline tests

Exterior side view


Thank you for looking th

portfolio that showcases journey so far. Lucie Krulichova


hrough my

s my architectural


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