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e S un , t h e Mo o n , a n d t h e S t a rs ( T a ke t h e A T ra i n ) , 2 0 1 8 , M ary W eatherford F lashe and neon on linen, 1 1 7 in x 2 3 4 in
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muscles and furnishings are flaunting their curves. ere are the latest trends in art, architecture, and design. A RT
rtists are rediscovering the lumines1 cence of the neon light, incorporating it into their works in innovative ways. While some, notably enny ol er, 8(32"%9.35.$:%.$7%;(.2"4%<5&$:%,&*1 erally are spelling out messages in their think pieces, others such as ary Weath1 erford are shedding new light on neon. he os ngeles-based painter started adding the colorful neon tubes to her large sponged-paint-on-linen abstract canvases in . er inspiration came during a night1
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"#$%&'%("&$)"$*&$+%&*'",-%.'%.% /0'*12"$*3(4%.(*%-#(56%("'&7"$*&.,% N layouts are fle ing their nontraditional
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