Architecture Portfolio (2022) by Luthan Araniry

PORTFOLIO LUTHAN ARANIRY 2022

Luthan Araniry Ahmad

Bachelor of Architecture / Bandung Institute of Technology (ITB)

PROFILE Qualified graduate in architectural studies. Achieved cum laude at Bandung Institute of Technology. Passionate in computational design and architectural visualization. Interested in emergent technologies and design in architecture.

EDUCATIONS 2022

Bandung Institute of Technology (ITB) Bachelor of Architecture GPA: 3.54/4.00 (150 credits)

2021

Architectural Association (AA) Visiting School Grade: A (12 UK credits)

WORK EXPERIENCE 2021

Design Alliance Workshop Architecture Internship (3 months) Involved in seven projects, including residential, commercial, and institutional projects. Mainly contribute to preliminary design which are project analysis, concept development, 3D models, 2D drawing, and visualization drawing for client presentation.

AWARDS/ACHIEVEMENTS 2022

Graduating with Honors Bandung Institute of Technology Cum Laude

2021

Best Architectural Paper AR4151 Architecture Seminar skill developed: Design Theory, Critical Thinking

2021

Best Architectural Paper AR3112 Design Theory of Architecture skill developed: Design Theory, Critical Thinking

2020

Competition Finalist Facade 2020 Architectural Competition skill developed: Team Work, Problem Solving

ARCHTECTURAL EXPERIENCE 2021

Event Director of Architectural Competition Gaung Bandung 2021 skill developed: Directing, Teamwork, Leadership

2021

Bamboo Lab Architectural Association Visiting School skill developed: Rhinoceros, Grasshopper, Materiality

2021

BIM in Architecture Collaborative & Interdisciplinary Design Project skill developed: BIM, Interdisciplinary Collaboration, Revit

2021

Speaker of Architectural Seminar AR4151 Architecture Seminar skill developed: Public Speaking

2020

Architectural Podcaster G-Mic Architecture Student Association ITB skill developed: Public Speaking, Communication

2019

President of ITB Architecture Students skill developed: Leadership, Public Speaking

SKILLS 3D

ArchiCAD, Revit, Rhinoceros, Grasshopper, Sketchup, Lumion, Vray, Lasercutting, 3D Printing

AutoCAD, Adobe Photoshop, Adobe Indesign, Adobe Illustrator

Language

English (Fluent), Indonesian (Native)

CONTACT Address

Pribadi Street No. 11 Batu Ampar, Kramat Jati District East Jakarta 13520

luthan.arran@gmail.com

Mobile

+62 811 1708123

Links

linktr.ee/luthanaraniry (QR Code)

CONTENTS Aliquam erat volutpat. Proin porttitor sodales libero, at varius massa sagittis eget. Nunc velit lorem, lacinia nec pharetra et, varius non mauris. Duis egestas dui vitae leo laoreet, a vehicula urna egestas. Pellentesque bibendum consequat ante vitae pellentesque. Ut consequat mollis enim, non viverra neque. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos.

CONTENTS Project 1:

Jakarta Cultural Center

Final Project Project 2:

Cibadak Residence

Architectural Design Studio V Project 3:

Kosambi Lifestyle Center and Residence

Architectural Design Studio IV Project 4:

Aerodynamics Bamboo Pavilion

Architectural Association Visiting School Project 5:

3 Forms, 3 Structures, 3 Places Form and Structure Design Studio

Project 1: An Expression of City Identity

Jakarta Cultural Center Final Project Year 4 Semester 2 (2022) Studio Supervisor: Dr. Ir. Lily Tambunan, M.T. Location: Jakarta, Indonesia

City identity is a certain character that distinguishes a city from other cities. It is needed to form society’s sensitivity to their own city. In the more recent years, globalization has created a sense of uniformity in the building forms of every city. This causes urban people to feel strange in their own city. Unfortunately, architecture projects in Jakarta tend to imitate cities abroad and lose their identity. The identity of the city is formed from the social, economic, and cultural activities of the society. Betawi is the native culture of Jakarta which creates the city’s identity. However, globalization has caused the disappearance of Betawi culture. Cultural preservation efforts are needed to protect this culture as the identity of Jakarta. Jakarta’s public enthusiasm for cultural facilities is still not extensive enough. In order to increase the interest in visiting, these facilities need to offer a variety of functions. A cultural center with a gallery, auditorium, library, and commercial functions is needed to preserve and express the city’s identity. The challenge for architects in the era of globalization is to create works that still possess an identity. Critical regionalism is a theory that aims to preserve locality while following the flow of modernization. By applying this theory, Jakarta Cultural Center can express the city’s identity.

Project 1

ACCESS

INFRASTRUCTURE

ZONATION

The site is surrounded by vehicle lanes so it can be accessed from every side. 40-meter-wide Panjang street is strategic to be the main access to the cultural center.

There are bus stops and parking lots around the site that can support the activities in the building. There is also a pedestrian bridge in front of the site for pedestrians.

The area around the site is dominated by residential zones. It is necessary to provide public space so that local residents can participate in livening up the atmosphere.

GREEN AREA

ORIENTATION

TRAFFIC

Currently, most of the green area around the site is not used as public space. The design of the cultural center needs to maximize this area by opening it to the visitors.

The site get excessive sun exposure from the west and east direction. An architectural response is needed regarding this orientation issue.

Access for vehicles needs to be moved to the back due to the traffic jam on Panjang Street. The congestion also causes air and noise pollution in the site area.

Project 1

BETAWI ARCHITECTURE

KEBAYA HOUSE

KEBAYA CLOTH

The form is intended to interpret the kebaya house with the folds of the roof resembling the kebaya cloth. It is a type of house that shows authentic Betawi architecture.

The basic form of this house comes from the kebaya cloth which is divided into six parts. The four middle sections are then folded up at different heights.

The shape of the design starts from a piece of kebaya cloth that is cut into three parts of different lengths. Only the sides are cut to the ends.

FOLD

CUT

BASIC FORM

The parts of the kebaya cloth will then be folded according to the folding principle of the kebaya house. There are four different folds carried out in this phase.

To create the basic form of the cultural center, the result of these folds will then be cut out and partially removed. The kebaya cloth is now divided into three sections.

The result is the basic form of the cultural center. The shape will then be adjusted to the composition of building the mass.

Jakarta Cultural Center

ORIENTATION

COMPOSITION

MASS FORM

The longest side of the site faces east and west, so the orientation of the building mass needs to be adjusted to minimize the excessive sun exposure.

The mass of the building is placed based on a grid system which is intended to represent the character of the Betawi village as well as provide the same experience.

The mass of the building is adjusted to the concept of form that comes from the folds of the kebaya house. The building masses are then connected through corridors.

SUBTRACTION

INDOOR ZONING

OUTDOOR ZONING

The mass of the building is subtracted to maximize natural lighting and also natural ventilation. There are voids laid at each circulation node in each mass.

The building mass zonation is divided into four main functions which are gallery, auditorium, library, and commercial areas.

The character of the Betawi village is strengthened by the presence of ponds and plazas that represent the activities of the Betawi people, which are fishing and gardening.

Project 1

Jakarta Cultural Center’s design is intended to express the identity of the city. Based on the theory of critical regionalism, the concept for the cultural center is divided into three parts which are regional character, environmental character, and material character. The regional character differences in each region will certainly express a different identity. Betawi culture is the regional character as well as the identity of Jakarta. To express it, the regional characters that will be presented in the cultural center are history, culture, and Betawi art. The cultural center’s basic form is intended to interpret the traditional Betawi architecture which is the kebaya house. The interpretation of the kebaya house can be seen through the composition of the cultural center’s basic form, which is carried out based on the folding principle of the kebaya house. The cultural center also uses a structure that is similar to the kebaya house, which mainly uses wood material. For this reason, the cultural center design is also dominated by wooden structures. There is a stone structure that serves as a support for the foundation of the kebaya house. The stone structure is represented in the design with brick material which is located on the ground floor.

Jakarta Cultural Center

Project 1

Jakarta Cultural Center

Project 1

The composition of the separate cultural center masses tries to represent the character of the Betawi village. The outer space of the cultural center is equipped with ponds and plazas that represent the daily activities of the Betawi people which are fishing and gardening. The terrace and open space are the hallmarks of the kebaya house. These spaces have an implied meaning of Betawi people’s friendliness to newcomers. The design of the cultural center is dominated by the presence of open spaces and terraces on each floor. The environmental character difference in each region gives a different identity to its region. The design adjustment to the environment will express the area’s identity. It is then needed for an architectural response to Jakarta’s tropical climate.

The mass composition of the cultural center is oriented to the north and south to minimize the excessive sun exposure. In addition to that, cultural center is also surrounded by vegetation barriers. The cultural center air ventilation system is designed to produce a stack effect. This effect is optimized by the presence of voids, presenting water elements, and the use of a sloping roof. The design also enhances natural lighting and ventilation. The cultural center can maximize these natural resources through the open building mass. The materials used in the design are wood and bricks, which are identical to the tropical climate. The presence of these materials can strengthen the expression of tropical character.

Jakarta Cultural Center

Project 1

The material character of each region certainly has its own uniqueness. Even though similar materials are found, the different conditions, such as the environment and production process, help create specific characteristics and differences that can be felt. These material character distinctions allow the emergence of identity. Differences in material characteristics need to be noticeable by the visitors so they can feel the material identity. In order to sense the material differences, the design needs to maximize the visual and tactile experience. The design uses local bricks on the walls of the first floor. For the rest floors, the design uses local wood materials on the walls and floors. The materials are exposed so that visitors can see and touch them directly. The wood material characteristics can not only be seen in the wall and floor elements but also in the structural elements. The structure is not covered so that the tectonics can be visually perceived. The regional identity certainly cannot be felt if the cultural center uses uniform materials. As can be seen in the ground floor axonometric illustration below, the uniformity of the material resulting meaningless spaces.

Architectural Design Report

issuu.com/luthanaraniry/docs/ jakarta_cultural_center

Jakarta Cultural Center

Project 2:

Cibadak Residence Architectural Design Studio V Year 4 Semester 1 (2021) Studio Supervisor: Dr. Eng. Bambang Setia Budi, S.T, M.T. Location: Cibadak, Bandung, Indonesia

Cibadak street is one of the commercial areas in Bandung which is dense and has limited open space. Cibadak Residence offers a vertical residence with a public plaza in the middle of this dense area. The plaza functions as green open space as well as connecting various pedestrian paths around the building. The plaza is surrounded by commercial functions located on the ground floor of the building. Cibadak Residence rise in the middle of the plaza that is extruded upward following the site shape. The building mass consists of a collection of pixels that are extruded to form a relief pattern on the building’s facade. Each pixel creates a vertical green space that contributes to the provision of green space in the city. The facade of the building uses white ceramic material which is the character of surrounding buildings. The building is designed to minimize exposure to the east-west sun which is a source of heat in the tropics. The mass of the building is tilted smaller on the east-west side to avoid the sun’s heat. The building mass is also made with holes on each floor to maximize cross ventilation in public areas and residential corridors. The spaces resulting from mass compositions function as public areas for the community on each floor. Each floor has at least 1-4 public areas that can be used for various activities. As a response to hybrid work methods in the future, these public spaces can function as co-working spaces that provide a new working atmosphere.

Project 2

BASE

REDUCTION

BALCONY

The shape of basic mass follows the shape of the site. Part of the building is facing east-west which exposed to excessive sunlight.

Reducing the side of the building that faces east-west to minimize sun exposure. The sunlight is maximized to the residence plaza.

The side of the building is reduced to make a balcony and to minimize the sunlight exposure which comes into the unit.

SUBTRACTION

EXTURSION

GREEN PUBLIC SPACE

The mass of the building is made with an opening on each floor to maximize natural lighting and ventilation.

The building mass consists of a collection of pixels that are extruded to create a relief pattern that will increase the elongated facade attractiveness.

The spaces resulting from mass compositions function as green and public areas. Each floor has at least 1-4 public areas that can be used for various activities.

Project 2

Cibadak Residence

Cibadak Residence has three types of units, which are 2 bedroom units (2BR), 1 bedroom units (1BR), and studio units. Cibadak Residence has a total of 380 units, which consist of: 2BR: 75 units 1BR: 129 units Studio: 176 units Studio units are placed on the inner side facing the residence plaza. 1BR and 2BR units are placed on the outer side facing the main road.

Perspective Units Plan: 2 Bedroom Unit (left) 1 Bedroom Unit (middle) Studio Unit (Right)

Project 2

Relief patterns on the building’s facade come from several extruded units. The extruded units have more extra space for the balconies.

PERMEABILITY

VERTICAL CIRCULATION

VEHICLE ACCESS

The residence can be accessed through three entrances. The plaza can be accessed by pedestrians through the side of the residence.

Vertical circulation is a transitional area from public and private zones. There are three vertical circulations in the residence.

All vehicle parking is placed on the basement floor. The access is designed looping from Cibadak and Abuya Street.

Cibadak Residence

Project 2

The plaza is surrounded by commercials located on the ground floor of the residence. One of the commercials is a daycare, there is a playground facility in front of it that can liven up the atmosphere of the plaza. The river next to the plaza will also improve the sense of place.

Cibadak Residence

Project 2

At the plaza, there are swimming pool, badminton court, and jogging track facilities for residents. The plaza is surrounded by trees that can protect the surrounding activities from sun exposure. The plaza is also equipped with a sitting area for visitors to sit around.

Cibadak Residence

Project 2

One example of the public space located on each floor of the apartment. when working with the hybrid method, this public space can be used as a co-working space. Working while seeing the sights of the city will be very sensational. The function of the public space can also vary depending on the community on each floor.

Cibadak Residence

Project 3:

Kosambi Lifestyle Center and Residence Architectural Design Studio IV Year 3 Semester 2 (2021) Studio Supervisor: Permana S.T. M.T. Location: Kosambi, Bandung, Indonesia

The project consists of two buildings, Kosambi Lifestyle Center and Kosambi Residence, which are located in Kosambi, Bandung. This project’s aim is to optimize the building system integration between typical plan, building safety circulation, and mechanical/electrical aspects. The design used placemaking approach which is expected to strengthen the character of its place, in this case, the tropical character. These two buildings are combined with the main concept which is a tropical architecture that maximizes passive climatic control through wooden facades.

Contents:

Kosambi Lifestyle Center Kosambi Residence

Project 3

Kosambi Lifestyle Center The idea is to provide a shopping center with green open space in a densely residential area. Kosambi Lifestyle Center is designed with tropical architecture concept that maximizes passive climate control as well as natural ventilation and lighting. Kosambi Lifestyle Center is also designed to respond to its target users with placemaking approach.

Kosambi Lifestyle Center and Residence

SITE

GRID

FORM

The basic mass follows the shape of the site and also the regulation. It is intended to maximize land use for the lifestyle center.

The grid that follows the site shape and also the golden section rule creates two main masses with a circular shape.

The two main masses are then extruded with different heights. Mass composition is done by addition and subtraction to improve the sense of place.

GAPS

SHADINGS

GREEN PUBLIC SPACE

Each floor is designed with gaps to maximize natural ventilation as well as the permeability of visitor circulation.

The addition of a transparent roof for natural lighting and a wooden facade that functions as sun shading.

The outdoor and rooftop are used as green open spaces that can be used by the surrounding community.

Project 3

Kosambi Lifestyle Center and Residence

1. Retail Lot 2. Minimarket 3. ATM Center 4. Restaurant 5. Cafe

Project 3

6. Management Office 7. Toilet 8. Open Space 9. Waiting Area 10. Parking Lot

11. Utility 12. Coworking Space 13. Green Roof 14. Sky Garden 15. Prayer Room

16. Main Entrance (pedestrian) 17. Side Entrance (vehicle) 18. Side Entrance (apartment) 19. Basement Lobby X. Gaps (for natural ventilation)

Kosambi Lifestyle Center and Residence

Project 3

Kosambi Residence Kosambi Residence is designed with a tropical architecture concept that maximizes passive climatic control as well as natural ventilation and lighting. This concept is supported through the design of the building that is not massive, with gaps that penetrate air and light. The gaps are then covered with wooden facades to maintain the privacy of the residents while strengthening the impression of tropical architecture. The wooden facade design is also part of the uniform design with the adjacent building, Kosambi Lifestyle Center. The composition of the building mass is done by subtraction on the part that coincides with the lifestyle center as well as providing an open space for social interaction between residents. The overall design of Kosambi Residence is designed through a building system integration approach which is the most suitable approach in designing high-rise buildings with typical floor.

Kosambi Lifestyle Center and Residence

BASE

EXTRUSION

SUBTRACTION

The mass of the building is a rectangle following the shape of the site as high as 8 floors.

Extrusion is done on the side of the building that coincides with the lifestyle center. The subtraction will provide public space for residents.

Subtraction on the inside of the building is done to provide natural ventilation and lighting in the corridors and ground floor.

ADDITION

ROOF

FACADE

The addition is done by adding a roof garden on the 2nd floor and a balcony for each unit.

The roof is used as a utility area which is plumbing, mechanical, and electrical. This utility area on the roof is covered by walls.

The gaps from the subtraction are covered with wooden facades to maintain residents’ privacy while strengthening the impression of tropical architecture.

Project 3

Kosambi Lifestyle Center and Residence

Project 3

Kosambi Lifestyle Center and Residence

Project 4:

Aerodynamics Bamboo Pavilion Architectural Association Visiting School Bamboo Lab 2021 Studio Supervisor: John Osmond Naylor Dr. Ing. Andry Widyowijatnoko, S.T, M.T. Location: Peniche, Portugal

A pavilion made of full-culm bamboo offers a new experience through its aerodynamic and organic shape. The shape is inspired by streamline body which is the most aerodynamically efficient shape. This site is a historical area with ruins of the fortress which was destroyed by intense wind. Therefore the building resistance from these winds is extremely important. The ruins will be presented in the design as pedestals of bamboo structures. The pavilion will accommodate Bobbin Lace Festival which is a local event that celebrates traditional craftsmanship, align with bamboo material which is often found in traditional buildings. Southern European countries, have the best Climates for farming bamboo. These regions also have the most to gain economically, as this fast-growing and readily renewable crop could bring great opportunities to those rural communities. Some of the bamboos available in this region include Phyllostachys Edulis, Phyllostachys Viridiglaucescens, and Bambusa Vulgaris.

About The Course: Advanced design studio for full-culm bamboo to appropriately design and increase the design space for bamboo using digital design tools. Aim to produce a design and algorithm which can respond to external factors and ensure durability also buildability into these bamboo designs.

Project 4

AERODYNAMICS

BAMBOO

DIRECTION

Streamline body as the inspiration for the most aerodynamically efficient shape.

Shape development uses bamboo material with considering the characteristics which need to be protected from soil, sunlight, and water.

The direction of the building follows the prevailing wind direction. Prevailing wind in peniche comes from the north.

Project 4

Aerodynamics Bamboo Pavilion

Project 5:

3 Forms, 3 Structures, 3 Places Form and Structure Design Studio Year 3 Semester 2 (2021) Studio Supervisor: Dr. Ing. Andry Widyowijatnoko, S.T, M.T. Location: Africa

The idea is to design three buildings in different places with their own environmental condition so that the three forms and structures of the building can correlate with each condition. Africa is the richest continent in the world in terms of natural resources, animal, and plant life. It is a land with a variety of diverse environmental conditions. North Africa in particular, has a dry climate like a desert. Rainforests are found around the Equator and the western coasts. To the south of the rainforest is the savanna which is home to Africa’s wildlife. The projects are located in these three different conditions, which are the Rainforest of Cameroon, the Sahara of Egypt, and the Savanna of Kenya.

About The Course: This course delivers the correlation between structure, form, and material. The task is to design three buildings with three forms and also three structure systems which are frame system, form-active and surfaceactive.

Contents:

Watchtower in the Rainforest A Shelter in Sahara Savanna Visitor Center

Project 5

Watchtower in the Rainforest Location: Cameroon Structure System: Frame System Structure Classification: Reciprocal Frame Material: Glue Laminated Wood

Watchtower In The Rainforest is a birdwatching tower that is provided for tourists. It is located in the middle of the rainforest of Cameroon and far away from the settlement which makes it the best spot for bird-watching. Cameroon is the richest country in West Africa for birds, 968 bird species live in this country. This variety of the bird species makes cameroon one of the best place for bird watchers. The main concept of the watchtower is to combine reciprocal frame, tension, and reciprocal roof. The idea is to create a simple module which is then assembled to produce a magnificent form. The glulam wood material is chosen because it has sufficient tensile strength and elasticity, the wood structure also gives a natural impression so that it blends with the environmental landscape. The watchtower is designed without walls to show the structure more clearly, so that the glulam wood structure can be seen from every side. The ground floor is designed with an amphitheater to widen the visibility of the reciprocal frame, so that structure will looks more impressive when viewed from below. Since the watchtower is designed without walls, it is able to maximize natural lighting and cross ventilation. The location of the watchtower is in the middle of the rainforest so that the air and natural light are in good condition to be utilized.

3 Forms, 3 Structures, 3 Places

MODULE

RECIPROCAL TOWER

Shape the X module using 2 glulam rods joined together. Connect 8 X modules by screwing the top and bottom of the rod.

The pedestals are placed in a circle. Then assemble all the modules into the pedestals to create a reciprocal tower. There will be 8 pedestals and reciprocal frames.

BLOOMS

RECIPROCAL ROOF

Addition of a tensile element to the end of each frame using steel cables. Pull each end of the frames, up and below, until the reciprocal tower blooms.

The addition of 8 rods for the roof structure that is placed between the reciprocal towers. Connect the eight rods to form a reciprocal roof structure.

Exploded The structure system is using frame system: reciprocal frame. The main structural components use 24 glulam rods 30m long with dimension size of 30x40cm. The glulam rod is supported by a tensile force using a 4cm diameter steel cable.

Model The model is made using bamboo sticks as the main structure and rubber bands as the joints. This model uses 16 bamboo sticks for the X module, 8 bamboo sticks for the reciprocal roof, and 8 rubber bands for the pull cables.

Project 5

3 Forms, 3 Structures, 3 Places

Project 5

A Shelter in Sahara Location: Egypt Structure System: Form-active Structure Classification: Tent Structure Material: Membrane

A Shelter in Sahara is a resting point for tourists who travel in Sahara. The visitors can take a rest in this shelter while enjoying the beautiful sunset in the desert. The shelter is located in a Sahara tourist destination in the desert of Egypt. Tents are usually used in the deserts because they allow air to circulate within them, keeping them cool in the desert. The structure of the shelter uses a majestic tent structure which can give the impression of a tent in a modern way. The basic concept of this shelter is the combination of the normal tent structure which a curve-down membrane and the reverse tent structure which a curve-up membrane. The shelter is designed with a circular structural layer. there are two layers of structure, the inner circle structure layer is a normal tent structure, and the outer circle structure layer is a reverse tent structure. The shelter is designed with a single mast in the center and free of supporting mast in the surrounding area so that each side of the building can be used more freely.

3 Forms, 3 Structures, 3 Places

PREPARATION

MAIN STRUCTURE

Preparing foundations, pedestals, and mainmast structures. The mainmast is at the center and the pedestals are around it creating a circle.

installation of steel post structures and steel tensile cables as the main structures of the tent.

TENT STRUCTURE

FINALIZE

Setting up the tent structure with steel frames creates the form of the tent. The frames are connected to the steel post structures and cables.

installation of membrane layers and cables tensile steel to create stability. The membrane layers are following the shape of the frames.

Exploded The structural system is using form-active: tent structure system. The main structural components use a steel mast 20 meters long, a membrane as the building envelope, and steel cables as a tensile element in the building.

Model Models are made using wooden sticks, steel cables, ropes, and elastic fabric. Sticks, cables, and ropes are used to make the basic form of the tent. Then the fabric will be installed following that form.

Project 5

3 Forms, 3 Structures, 3 Places

Project 5

Savanna Visitor Center Location: Kenya Structure System: Surface-active Structure Classification: Folded Plate Material: Glue Laminated Wood

Savanna Visitor Center is an information center for tourists in the savanna tourism park. The visitor center is located in the savanna of Kenya. Savanna is a grassland ecosystem characterized by the trees being sufficiently widely spaced. The Savanna of Kenya is one of the beautiful savannas in Africa because it offers the most diverse scenery with a surrounding of Mountain Kilimanjaro and also a variety of animal species, especially the elephant of Kenya. The basic form of the visitor center is designed through a sheet of paper that is folded according to space requirements. The modules are formed by Hyperbolic Paraboloid (Hypar), a structure that relies on the strength of its curvature. The curvature produced by Hypar surface is able to reduce the tendency of the structure to be deformed when given a load. Through the folding strength and curvature, the building design is able to support its own load, so that no additional supporting structure is needed. Hypar structure gives a dynamic shape to the building due to the curvature it makes. The dynamic form will make the building blend with the environmental landscape. The material used is a combination of glulam wood and glass material which have the same tone as the surrounding landscape.

3 Forms, 3 Structures, 3 Places

MODULE

WALL

The rods that were originally separated are joined using the glulam technique to form a curvature in the module and create the Hypar Surface.

Modules at the bottom are installed first and connect the modules into the pedestal. Each wall is created from 8 hypar modules.

ROOF

FINALIZE

The next module is connected to the lower module until it reaches the upper module. Each upper module is then connected by a single-joint bending system.

Adding aluminum frames for the glass and also a floor plate to accommodate the activities inside.

Exploded The structural system is using surface-active: folded plate structure. The main structural components use glulam rods which are joined to form a hypar surface. There are 48 hypar surface modules measuring 3 x 6 meters that are used in the design.

Model The model is made using polylactic acid with a 3D printing method. This method can make the hypars curvature seen clearly.

Project 5

3 Forms, 3 Structures, 3 Places