Luxe Magazine - September/October 2022 Austin

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AUSTIN + SAN ANTONIO

YOTA

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©2022 Benjamin Moore & Co. AURA, Benjamin Moore, Gennex, and the triangle “M” symbol are registered trademarks licensed to Benjamin Moore & Co. Color accuracy is ensured only when tinted in quality Benjamin Moore® paints. Color representations may differ slightly from actual paint. 7/22 WALL: York Harbor Yellow 2154-40, AURA® Matte UNMATCHABLE When you find the perfect color, nothing else will do Perfection comes from our paint and our proprietary Gennex® colorants, together, creating results that are breathtaking. Rely on Benjamin Moore® for premium quality and Gennex Color Technology, which makes our long-lasting colors, all 3,500 of them, one-of-a-kind. Unmatchable.

WHEN ONE CONTEMPLATES GREAT DESIGN, THEMES EMERGE. IT MIGHT BE EXPECTED THAT THESE WOULD BE AESTHETIC PRINCIPLES, AN EXPERT’S EXPERIENCE OR EDUCATION, OR THE HOMEOWNER’S LEVEL OF INVOLVEMENT.

This is rarely exemplified so well as in the relationship between interior designer and paint contractor. After the style whiz selects the perfect palette to complement architecture, building materials, furnishings and accessories, those talented with a brush bring it to fruition with deft hands and a deeply rooted understanding of application techniques, product composition, layering and more. When interior designer and paint contractor meet in the middle, a true marriage of art and science is at work. In this special section presented in partnership with Benjamin Moore, 10 such dynamic duos showcase the perspectives, craftsmanship and love for hue and tone that they pour into every project. Introducing, the Faces of Design.

Blueprints + BRUSHSTROKES I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

CERTAINLY, THOSE FACTORS PLAY A ROLE IN ANY PROJECT. BUT THE TRUTH IS THAT, SO OFTEN, THE MARKER OF IMPACTFUL DESIGN IS AN ALL-IMPORTANT, BEHIND-THE-SCENES INGREDIENT: COLLABORATION.

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

Sarah: We believe that walls are our canvas and backdrop to life and art—the quality of the painting is important. So, we like to work with level-five finishes a lot. Early on in our firm, Enrique executed that with fantastic attention to detail and dedication to craft. We have worked together for the 20 years since! Describe the impact of paint on interiors.

How did you three come to work together?

Enrique: Paint can give everything a rhythmic look by connecting many aspects of the project, creating intimacy or openness across spaces. Paint a picture of the design journey and the role you play within it. Luis: We try to see things from the perspective of the design team, making their vision beautiful with color and craftsmanship. rowlandbroughton.com, forrestpaintingcolorado.com

SILVER SPRING, MD IANTHA CARLEY + JAMES LACKFORD

“People often try to identify what creates that ce rtain sense of elegance and luxury in their favorite spaces. It’s the paint and finishes.”

When clients expect close to perfection, smoothing the behind-the-scenes processes is key. Enter, designer Iantha Carley and paint expert James Lackford. The husbandand-wife team has built a gorgeous portfolio, with Iantha contributing the eye for color and James keeping upto-date on products and techniques. And while Iantha’s attention to detail is most immediately noticed in a completed space, James plays that role too. “Putting the paint on is the easy part. The prep takes the most time. One of my best guys goes out at night with a bare bulb and circles everything he finds wrong on the surface.” ianthainteriors.com, properpaintandpaper.com

PHOTOGRAPHY: CARLEY/LACKFORD BY STACY ZARIN GOLDBERG; BROUGHTON/PENA BY MATT NAGER

IANTHA CARLEY ASPEN, CO SARAH BROUGHTON + ENRIQUE AND LUIS PENA

Asked to share the story of her collaboration with paint craftsman Rye Nazarian, designer Emilie Munroe says, “There is no lack of stories to share over a glass of wine!” Indeed, from executing an entire project during a client’s two-week vacation to perfecting the boldest of hues (an Emilie signature), the duo is always up to a challenge. Rye speaks to one he often undertakes: “There is this ‘freshly fallen snow look’ people are often seeking. We do it by using 18-inch rollers and a sprayer loaded with Benjamin Moore Regal in a dead flat finish on the ceiling.” studiomunroe.com, surfacepaintdesign.com

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

SAN FRANCISCO, CA

RYE NAZARIAN

EMILIE MUNROE + RYE NAZARIAN

NEW YORK CITY, NY

In historic, iconic spaces, selecting paint can be daunting. Every hue should be perfectly attuned to the design, worthy of the home’s precedence, elegant yet ahead of the trends. Such is the challenge that often faces Jamie Drake and Caleb Anderson. Beloved for their balance of timelessness and today, the designers embrace the art of “repolishing” interiors in buildings like One57 and Herzog & de Meuron’s 56 Leonard. And behind the scenes, one partner has played a key role. Jonathan Kutzin met the design duo when they collaborated at a Kips Bay Decorators Show House in 2008. The rest is a history of perfect pairing. “I work almost exclusively with the design community to deliver top quality in high-end environments,” Jonathan shares. “I have developed many unique specialty finishes, including one that incorporates eyeshadow into the medium and others with mica flakes and iron oxides.” With this innovative mindset, he creates capsule collections of samples for each of Jamie and Caleb’s illustrious projects. As for the team’s favorite formula, Jamie says, “Benjamin Moore AURA®’s quality makes it our go-to pick.” drakeanderson.com, americapainting.nyc “Paint can be the star or supporting role. I like when we use it to surprise or ‘wink’ at you—a bright orange peeking at you from the back of a bookcase.”

JAMIE DRAKE AND CALEB ANDERSON + JONATHAN KUTZIN

AUSTIN, TX SARA MALEK BARNEY + LISA AND PETER MOON

Upon being asked to describe the impact paint has on an interior, Lisa Moon says, “Use of light, use of color and good space planning are the essence of great design. If any of these is not executed well, the environment falls flat or, worse, feels ‘off.’” It’s this level of insight that has made Lisa, her husband Peter and their team at Paper Moon Painting invaluable resources for Sara Malek Barney, the founder and principal at BANDD/DESIGN. She chimes in, “We believe that everyone deserves to live, work and experience life in an aesthetically pleasing space, and having true craftspeople applying paint of the quality Benjamin Moore provides is key to creating that.” As is the breadth of selection. “Benjamin Moore does an excellent job of curating rich, lovely colors, plus providing the greatest selection of whites and off-whites in various undertones,” Lisa says. “They always seem to land on the perfect amount of saturation, ensuring brilliant hues never look like Crayola colors on the wall.” Peter adds his application tip for those bright shades: “Use a gray primer under reds and blues to avoid multiple coats.” bandddesign.com, papermoonpainting.com

PHOTOGRAPHY: DRAKE/ANDERSON/KUTZIN BY BRITTANY AMBRIDGE; MUNROE/NAZARIAN BY ALANNA HALE; BARNEY/MOON BY JUSTIN CLEMONS; CORRIGAN/SUPLEE BY BRITTANY AMBRIDGE

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

Why do you consider it critical to work with a skilled painting contractor? Timothy: Our projects tend to have beautiful architectural details, wood paneling and plasterwork, which require specialty painting. We also work on historic homes where an understanding of preservation is key.

LOS ANGELES, CA TIMOTHY CORRIGAN + BILL SUPLEE

How do the feature benefits of a paint product influence your specification? Bill: We love Benjamin Moore’s SCUFF-X® for families because it is washable and scrubbable. Low or no-odor formulas like Eco Spec® are desirable for health-conscious clients and those with young children. I also recommend semigloss and eggshell finishes for kitchens and baths, but flat ones for ceilings and matte for walls. Which colors inspire you the most? Timothy: I am most influenced by the vibrant, saturated colors used in mid-18th-century French design. I like warm shades versus cooler ones in any color, because they make a space feel welcoming. timothy-corrigan.com, pinkpainter.net

Chad: Benjamin Moore’s Regal Select Matte is a favorite because it has a very subtle sheen but is almost flat. The way it toys with light gives a home a lovely glow. It can also be scrubbed clean without damage. paladinorudd.com, irawalden.com

TRACY MORRIS

MCLEAN, VA TRACY MORRIS + GEORGE FRITZ

tracymorrisdesign.com, horizonbuildersinc.net

Why is your collaborative relationship critical to a project’s success? Allison: It broadens how creative you can be. Recently, we wanted to bleach a mahogany ceiling in an outdoor space and then apply a beige stain to cut the green hue and create a soft shade. It would be challenging, but Chad accomplished it in one try. He is a master of subtle texture! Describe the impact of paint on interiors. Zita: We’ve been doing a lot of transitional spaces where the walls, moldings and ceilings are the same color but varying finishes. This becomes a clean and serene envelope perfect for showcasing art, which exemplifies the influence paint has on our designs. What role does paint sheen/finish play?

“ The design journey is a bit of a relay race where we continuously pass the baton back and forth , supporting each other at each stage.”

A warm taupe, a deep blueberry, a soft blush—out of all the colors under the sun, these three, Tracy Morris says, will always captivate her. The interior designer has a deep appreciation for color’s role in her creations, and construction and paint expert George Fritz has a passion for exceptional paint application. “Paint can transform a ‘blah’ space into something spectacular,” Tracy says. George adds, “And selecting the right paint can make the difference between an easy project and happy client or an extended project and miserable client.” Perhaps it’s no wonder these two have been a dream project team for almost a decade.

PALM BEACH GARDENS, FL ALLISON PALADINO AND ZITA RUDD + CHAD QUIST

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

EVERICK AND LISA BROWN + PETER BUTTENWIESER

How did you three come to work together?

What is your all-time favorite Benjamin Moore product?

WESTCHESTER, NY

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E

Exactitude and craftsmanship, vision and inspiration —these are the elements that come together in the partnership of Joan Craig and Steve Hester. The designer and painting pro, and their respective teams, have made an art form out of collaboration for more than a decade. Joan knows that color transforms a space, and Steve’s 70-plus skilled painters take the utmost pride in their work. “We want to give our customers a finished product that will last for years to come,” Steve says. And they do, by helping designers like Joan select the perfect formula and finish before applying it beautifully. craigandco.com, hesterdecorating.com “ Th e final paint coats impact the big picture. If they aren’t perfect, every other effort and vision is diminished.”

Peter: We went to college together and ultimately found ourselves in the same industry 20 years later. Share your tips for paint selection. Everick: For a modern feel, Lisa and I like to specify our signature look, which includes painting the trim, doors and baseboard the same color as the wall in a satin or matte finish. In rooms where the ceilings are 8 feet tall or shorter, we choose white or lighter colors in flat finishes to create the illusion of a taller space.

JOAN CRAIG

PHOTOGRAPHY: MORRIS/FRITZ BY RYAN DONNELL; PALADINO/RUDD/QUIST BY MARY BETH KOETH; BROWN/BUTTENWIESER BY BRITTANY AMBRIDGE; CRAIG/HESTER BY CYNTHIA LYNN

Peter: Believe it or not, AURA® in a basic white. Simply put, it works the best for trim, and this is an area that often gets overlooked. Why do you consider it critical to work with a skilled interior designer? Peter: If the client loves their color selections, they’ll be happy with our work and vice versa. We make the colors look their best, but it’s all about the color for the homeowner. everickbrown.com, certapro.com/westchester CHICAGO, IL JOAN CRAIG + STEVE HESTER

“Use AURA® Bath & Spa matte in the bathroom, especially for deeper colors. I’ve got baths I painted 10-plus years ago that still look new because of this formula.” JAMES LACKFORD “High-gloss ceilings, which have great drama and bounce light off, take a room to heaven.”

GEORGE FRITZ

JAMIE DRAKE “Deep, saturated hues for the win! Life is too short to live in a sea of white. Make a choice and lean in. If you tire of it (you won’t) you can easily repaint.”

TIMOTHY CORRIGAN “ When chosen well, paint can regulate the mood of a room, making a sunny space feel fresh and cool or an area with minimal windows feel cozy and comfortable.”

LISA BROWN “Always determine the best color for a room by painting a 2-by-2-foot foam board and moving it around the space. It should suit in every patch of light.”

I N P A R T N E R S H I P W I T H B E N J A M I N M O O R E Advice FROM THE Experts

ALLISON PALADINO “I a m a China White OC-141 fan. We work with a lot of natural materials, and its taupe undertone works amazingly well with wood and stone.”

EMILIE MUNROE “ The level of preparation a surface needs for a perfect application depends on the sheen, and that decision is informed by many factors: lighting, traffic, color and more.” STEVE HESTER “Next to space planning, paint is the most significant effect we can have on an environment.”

PETER MOON SCAN TO JOIN THE BENJAMIN MOORE A&D COMMUNITY. benjaminmoore.com Dragonwell CSP-930 Decorator’s White CC-20 Chartreuse 2024-10 North Sea Green 2053-30 Peridot 594 Harbor Fog 2062-70 Sanibel Peach 072 Pashmina AF-100 Dark Pewter 2122-10 “ Whites and beiges are difficult colors to pick because the differences are so subtle. We have our go-to favorites!”

SARAH BROUGHTON Chantilly Lace OC-65 Wind’s Breath OC-24 Jute AF-80

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68 EDITOR'S LETTER Scene 82 DESIGN DISPATCH The little black book of all things new and fabulous in the local community. Radar 104 INSPIRATION Designers dish on the artistic talents catching their eye. 108 SHOWROOMS Brands rethink the meaning of home base for presenting their collections. 112 NOTEWORTHY Modern artists discuss traditional Shaker style and its in uence. Market 148 MATERIAL Brush up on all things fabric with Luxe’s comprehensive A-to-Z guide. 158 TREND A-list creatives pen the must-have design books of the season. 166 SPOTLIGHT Seating with curvaceous silhouettes shines against artistic architectural backdrops. Living 186 KITCHEN + BATH Bold and colorful schemes are on the rise in kitchens and baths. 198 THE REPORT Industry experts chat groundbreaking artists, can’t-miss events and art world headlines. 2 0 2 2 SEP OCTCONTENTS L U X E S O U R C E C O M

E X T E R I O R S

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FEATURES L U X E S O U R C E C O M CONTENTS

ON THE COVER: Kit Kemp’s Mythical Land wallpaper shines in this Austin dining room by SCW Interiors, LLC, pairing with Farrow & Ball’s Pitch Black on the ceiling. A Staffordshire collection lines Highland House étagères customized in coral lacquer. The raw-crystal chandelier hangs above a table by Iatesta Studio. Page 274 248 Rooms With a View Dallas Arts District vistas inspire the design of an artfilled high-rise residence.

Written by Christine DeOrio Photography by Lisa Petrole Styling by Michelle Aviña 270 Into the Glow A Houston artist with a background in Japanese toy design creates ethereal sculptures.

Written by Monique McIntosh Photography by Jenn Duncan 274 Returning to Your Roots Texas lures a designer back west with a nostalgic renovation to a beloved Austin home.

Written by Maile Pingel Photography by Douglas Friedman 258 Worlds Collide Dreams of Italy and Mexico actualize in a Houston abode with unexpected details.

Written by Kate Abney Photography by Stephen Karlisch Styling by Frances Bailey

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DIRECTOR, SPECIAL EDITORIAL PROJECTS Katy Olson Wenzel

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SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.

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Luxe Interiors + Design (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 20, No. 5, September/October, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“ Luxe ”) provides information on luxury homes and lifestyles. Luxe Interiors + Design SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. SUBSCRIPTION AND CORRESPONDENCE TO: Luxe, P.O. Box 808, Lincolnshire, IL 60069-0808. Email: luxe@omeda.com or call toll-free 800.723.6052 (continental U.S. only, all others 847.559.7358).

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At this same museum in January 2015, I stood in front of John Singer Sargent’s Lady Agnew of Lochnaw, a painting I studied in my college art history classes. It has had a profound effect on me as both a design editor and an artist. I have my calendar marked to be back at the Frick in Fall 2023 to view Hendrick’s Steve with an equal measure of exuberant anticipation. Enjoy our art-focused issue. Please support artists and the arts.

EDITOR’SLETTER

Artists to Discover: Delphine Desane’s painting Georgia, Mother of Three (top left); Ilídio Candja Candja’s Olhando Para O Passaso a mixed media on canvas (top right); Sage High Rise, an oil and acrylic on canvas, by Amanda Baldwin (above).

pamela jaccarino portrait: chelsae anne horton. photos, top left, georgia , mother of three , 2020 , delphine desane, acrylic on arches paper. courtesy artist and cfhill, stockholm; top right, olhando para o passaso , 2019 , ilÍidio candja candja, mixed media on canvas, courtesy bill lowe gallery; bottom, sage high rise , 2020 , amanda baldwin, oil and acrylic on canvas. courtesy artist and hesse flatow, new york.

Art, Now

I recently read that portraits by Barkley L. Hendricks will be featured alongside old masters at The Frick Collection in New York City. Hendricks is the first artist of color to have a solo show at the 87-year-old museum. That an institution presenting European art from the 14th to 19th centuries will be showing work of a contemporary artist whose focus is large-scale portraits of Black Americans—and who was an influential predecessor to the likes of Kehinde Wiley, Amy Sherald, Toyin Ojih Odutola and others—is significant for the art world...and, indeed, for us all.

L U X E S O U R C E C O M

Pamela Jaccarino VP, Editor in @pamelajaccarinoChief

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082 L U X E S O U R C E C O M

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Expected to open at The Shops of Highland Park in Dallas this year, Coupes Champagne Bar is sure to delight both bubbly and design enthusiasts alike. Says Coeval Studio creative director John Paul Valverde: “The design goal for Coupes was to create a space that celebrates the power of women over time through the influences of classic French architecture, the Art Deco movement and contemporary works of today, in order to create an authentic and exciting luxury experience.” Highlights include bar shelving inspired by the shape of coupes glassware and bead detailing resembling champagne bubbles. We’ll toast to that! coupesdallas.com

launch photos: courtesy the annie selke companies. toastworthy rendering: courtesy coeval studio.

WRITTEN BY PAULETTE PEARSON LAUNCH MARIE FLANIGAN FOR ANNIE SELKE

Houston designer Marie Flanigan and Annie Selke (the beloved founder and visionary behind Dash & Albert rugs and Pine Cone Hill bedding) have teamed up to launch an assortment of 45 handcrafted rugs, exquisite bedding, plush decorative pillows and chic accessories. The collection—available this September—is driven by textures, patterns and colors reminiscent of nature. Earthy neutrals, muted gemstone tones and elegant textiles carry through each and every piece. “I am constantly inspired by my surroundings—so much so that I hand-painted some of the designs, making the patterns one-of-akind,” Flanigan explains. “Some of the pillows were also inspired by antique materials and artworks.” The pair leaned on Selke’s textile and product development know-how, as well as her dedication to quality and her keen merchandising eye, to help bring Flanigan’s unique vision to life. “As a trained architect, Marie is a master of proportion and balance,” Selke muses. “She has created a signature look that is classic and modern, elevated and calm, all at the same time. And her attention to detail is extraordinary—not fussy, just fabulous!” In particular, the collection’s bedding and rugs—including several made-to-measure designs like the Afton, Elkins, Mina and Talus—reflect Flanigan’s penchant for sophistication, functionality approachability and versatility. No doubt we’ll be seeing many of these pieces showcased in Flanigan’s future projects and beyond. “This collection is truly a dream and accurately reflects my design aesthetic paired with the quality and meticulousness that Annie Selke is known for,” the designer says. annieselke.com

TOASTWORTHY COUPES CHAMPAGNE BAR

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SCENE CGSEDINDISPATH

FIRST LOOK ELYSIAN COLLECTIVE

DON’T MISS “GORDON PARKS: STOKELY CARMICHAEL AND BLACK POWER”

OPEN HOUSE SHOPS + SHOWROOMS Austin is now home to a two-story Hermès boutique (above), designed by Parisian architecture agency RDAI, which blends Southwestern urbanism with French savoir faire. Think raffia walls, graphic dune-colored carpets and contemporary photographs by Terri Weifenbach. And, at the heart of the space: a warm-gray terrazzo ramp with amber accents inspired by skate parks. Elsewhere in Austin, designer Laura Pankonien opened the utterly charming Bleu by TPG , where you’ll find curated home accessories, lighting, custom pillows, original art and kitchenware items, plus rare antique and vintage pieces. Further afield, Houston mainstay M.Naeve (below) has added a host of exclusive home decor lines to its oeuvre, all handpicked by founder Margaret Naeve Parker. True to form, selections from lines like Materia and Madda Studio possess a core feeling of quality and purpose. Meanwhile, Houston designer Jill Egan of Jill Egan Interiors has set up shop in Rice Village. Her gallery-like space not only serves as a client meeting locale and laboratory for developing and selling Egan’s own custom furnishings and accessories, but also showcases globally sourced open house photos: top, frank oudeman, courtesy hermès; bottom, pär bengtsson. first look photo: kara marie collective. don’t miss photo: gordon parks, untitled, los angeles, california, 1966 printed 2022 , courtesy © the gordon parks foundation.

On view at The Museum of Fine Arts, Houston (MFAH), from October 16 until January 16, “Gordon Parks: Stokely Carmichael and Black Power” is a celebration of the photographer’s unique ability to capture a balanced, multifaceted profile of Carmichael, who was a prominent civil rights activist. Parks’ 1967 Life magazine essay, “Whip of Black Power,” recounts his travels with Carmichael from fall 1966 until the following spring. While the publication contained only five photographs, the exhibition presents 53 of Parks’ images from that period of time—all selected by MFAH associate curator of photography, Lisa Volpe, in consultation with The Gordon Parks Foundation. mfah.org

Designers Jamie Williams and Michael Brown—based in Austin and Dallas, respectively—have joined forces to unveil Elysian Collective. After years of exploring the world together and admiring makers across Europe, South America and Asia, they decided to channel their mutual love of contemporary design and exceptional quality into a gallery devoted to extraordinary objects and their stories. And so, Elysian Collective was born, offering a unique assortment of one-of-a-kind textiles, rugs, art, and decorative and functional objects by emerging artists. “It’s the culmination of our discoveries as we continue to expand our work with innovative designers and makers near and far,” says Williams. The word “elysian” refers to blissful peace, paradise and delight, and “this is a state we wish to embody and create with every interaction,” adds Brown. elysian-collective.com

084 L U X E S O U R C E C O M

BESPOKE SPACES A TRIO OF CUSTOM JEWEL-BOX DESIGNS EMBODIES THE VIBRANT STYLES OF THESE DALLAS DESIGNERS.

That legendary saying, “If you build it, they will come,” is something designer Kara Adam of Kara Adam Interiors kept top of mind for this sunny Dallas closet. “She wanted it to be a space where all the girls could end up during a party that wasn’t a white box,” Adam says of her client. As a first step, the designer measured the amount of space the homeowner would need for every type of item she had, before adding a touch of more storage so she could continue to collect, “aka shop,”

First impressions are everything. Just ask Dallas designer Holly Hickey Moore of Holly Hickey Moore Interior Design, who dressed this entryway for success. “Entries should always feel welcoming and naturally lead you into the rest of the interiors,” she says. “I also like to get more daring here because it’s a pass-through space. You are not hanging out in it all day long, so why n ot go bold and tease guests with the edgier side of your personality?” A bold, hand-painted mural by artist Nikki Stinson gets the conversation started, with swirls of Benjamin Moore’s Black bleeding from the walls over the crown, trim and baseboards. A custom console fabricated by Martin & Brockett, Made Goods mirror, Stray Dog Designs sconce and rug from Nomads Loom round out the fetching scene. hollyhickeymoore.com

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KARA ADAM

photos: kara adam interiors, michael hunter; holly hickey moore interior design, lisa petrole, styling, melanie mckinley; studio ten 25 , emily hart photography.

ABBE FENIMORE For a home office with main character energy, Dallas homeowners turned to designer Abbe Fenimore of Studio Ten 25. “I love the mix of bold modern color, traditional accents and statement lighting,” Fenimore says. “It’s happy yet sophisticated, and since the space is visible from the formal sitting room, it has the ‘wow’ factor my client was after.” Working with Mark Clifton Homes, she punched an opening into a wall to connect the space with adjacent rooms while allowing for more natural light. Custom built-in bookshelves painted Sherwin-Williams’ Coral Island were also installed, providing much-needed storage space and enabling the client to display her large majolica collection in style. “We used the coral color throughout the home in art, pillows and accessories to create a cohesive color palette,” Fenimore notes. studioten25.com

Adam laughs. From there, the fun really began with Christian Lacroix wallpaper on the ceiling, a graphic rug from Interior Resources and a Julie Neill chandelier hung above a Blue C eleste marble island countertop. karaadaminteriors.com

HOLLY HICKEY MOORE

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BesidesBesides the lone bird flying overhead, there are an additan additional 23 life-size larks within the portrait.

The colleThe collective noun for a group of larks is an exaltation. Larks, beLarks, best known for their song, are one of the few birds thabirds that can sing even when they fly.

John Mo Morse, Exaltation: 24 Birds, 2021, fou2021, found paper collage, 35” x 44”

JOHN MORSE

Photo by Nick Simonite

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RADAR I N S P I R AT I O N | S H OW R O O M S | N OT E WO RT H Y Luxe explores artists making waves, the latest showroom model and modern Shaker style. vanity , katie stout. courtesy artist and nina johnson, miami, photo by blaine davis.

Stroke of Genius FOUR DESIGNERS SHARE THE ARTISTIC TALENTS THEY’RE COLLECTING FOR PROJECTS AND PERSONAL USE ALIKE. PRODUCED BY KATHRYN GIVEN “I wasdrawnimmediatelyto juxtapositionsboldKremer’sPaulcolor, vivid paint application and sensuous use of lines. I discovered his work last year through a group exhibition that featured artists engaging with geometric abstraction. I quickly FaceTimed a client who bought a piece right then and there.” –DAVID NETTO, davidnettodesign.com david netto headshot: rozette rago, paul kremer photo: courtesy artist. Window 07 by Paul Kremer, paulkremer.info, alexanderberggruen.com RADAR OSNIPIRATIN L U X E S O U R C E C O M

Shouldn’t All Rooms Be Living? annsacks.com | 1.800.278.8453

“On the surface, David Austen’s work simpleappears , but when you spend time with it—and with David—you begin to theuncoverworldheinhabitsEach piece is a microcosm that appears as the tip of the iceberg, a snippet of a story that you want to keep listening to and watching.”

RADAR OSNIPIRATIN L

SHEILA BRIDGES HEADSHOT: ALARIC CAMPBELL, FLETCHER WILLIAMS III PHOTO: COURTESY ARTIST. WILL COOPER HEADSHOT: COURTESY DESIGNER, DAVID AUSTEN PHOTO: COURTESY ARTIST AND TOTAH. DAVID KAIHOI HEADSHOT: JAKA VINSEK, CARLOS OTERO PHOTO: JOE KRAMM, COURTESY ARTIST AND HOSTLER BURROWS.

Untiled Mural by Carlos Otero,hostlerburrows.comcarlos-otero.com, “Abstract forms in anishmonochromelookgoodeverywhere, and Carlos Otero’s clay work is dynamite in both contemporary interiors and more settingstraditional I’m drawn to the idea of this ancient material represented in a modern language.”

–DAVID KAIHOI, reddkaihoi.com U X E S O U R C E C O M

–SHEILA

–WILL COOPER, ashiscoming.com “I was introduced to Fletcher Williams III on a trip to Charleston, where I saw his art at the historic Dock Street Theatre. I love his works on paper and thoughtful exploration of the American dream’s complexities and symbolism home.”thesealley, BRIDGES, sheilabridges.com dream’s and I could see these colorful pieces in my Hudson Valley, New York, home.”

Moonglade II by Fletcher Williams III, fletcher3.com Ocean by David Austen, davidaustenstudio.com, davidtotah.com

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photo: evan joseph photography. Home, Sweet Home LUXURY DECOR BRANDS ARE PUTTING THE SHOW IN SHOWROOMS BY TURNING TO AN ENTIRELY NEW MODEL. WRITTEN BY KATHRYN O’SHEA-EVANS RADAR OOOSHWRMS L U X E S O U R C E C O M

ANTHONY M C GILL Principal Clarinet, New York Philharmonic & Artistic Director, Music Advancement Program, The Juilliard School JACKET IN: TUXEDO PARK GILLESPIE GREEN TIE IN: BILLIE OMBRE GREEN BRINGING ART TO LIFE CHICAGO DALLAS NASHVILLE NEW JERSEY NEW YORK SAN FRANCISCO NJ SLAB GALLERY 844-302-9366 ARTISTICTILE.COM

beni rugs photo: stephen kent johnson. gabriel & guillaume photo: courtesy company.

L U X E S O U R C E C O M RADAR OOOSHWRMS

When it came time for Beni Rugs to open a brick-and-mortar outpost, the standard-issue gallery didn’t feel right. So, co-founder Robert Wright opted to do what a rare but emerging coterie of brands have embraced: roll out the welcome mat for clients in a place that would typically have one in the first place. An actual home. In 2018, the then digital-only company got its start by allowing people to fully customize Moroccan rugs. But a few years later, the time had come to expand to a physical location. “We wanted it to feel like you’re coming over to your friend’s apartment....and oh, by the way, on the floor are rugs from our newest collection,” Wright explains. “It was a fun exercise to think: ‘Well, why don’t we come up with an apartment in New York that’s the home of our ideal Beni consumer?’” They imagined everything from this fictitious client’s art collection down to the trinkets brought home from their travels. Thus, their new appointment-only Greenwich Village studio in a circa 1900 brownstone on West 9th Street in Manhattan was born. Other brands embracing the idea that style begins at home include Casa Perfect, Lee Broom, Gabriel & Guillaume and Galerie Philia (the latter of which opened its latest traveling showroom inside a $10 million Chelsea apartment). “We wanted to show that you can not only live with these historical pieces, but also mix them in a very casual way,” says Guillaume Excoffier, co-founder (with Nancy Gabriel) of Gabriel & Guillaume, which procures everything from Martin Szekely’s 1988 Betty armchairs to a 1950 Italian sofa by Federico Munari. The gallery, featuring rotating exhibitions, is currently ensconced in an appointment-only, twostory residence at 11 West 57th Street in New York City. “We have created a new kind of retail experience—something more exclusive, something more private— like entering into the apartment of a collector,” Gabriel says. It’s no surprise then that companies are seeing this model resonate with consumers, as navigating the sometimes-arduous task of making design choices now seems much easier in a familiar setting.

Beni Rugs worked with stylist Colin King to perfect their townhouse space in New York City’s Greenwich Village (left). In a sleek corner of Gabriel & Guillaume’s Manhattan skyscraper residence, beautiful furnishings mingle with works of art. Galerie Philia’s latest traveling showroom extends to all five floors of a stately brownstone (previous page).

Philadelphia-based artist

uses 3-D printing along with hand crafted materials to fashion out-of-this-world objects. Ikebana shown above, features plastic flowers and terracotta rocks. RADAR OONTEWRTHY L U X E S O U R C E C O M

photo: joe kramm.Jolie Ngo

Built to Last AS THE SHAKER MUSEUM GETS A MODERN MAKEOVER, THE INSTITUTIONS’ NEW ARTIST-LED MAKERS’ CIRCLE WEIGHS IN ON THE EVOLVING INFLUENCE OF SHAKER STYLE TODAY. WRITTEN BY KATHRYN GIVEN

Grand Palace Collection: Wallpaper, Print and Woven Fabrics www.thibautdesign.com Velvet.LabyrinthinChairsDiningDarienMural.BloomJardin

NOSANCHUK David Nosanchuk, studying designs of the allowed him to develop an oeuvre very rooted in the present. Using new materials, methods and processes, Nosanchuk is remaking traditional Shaker work such as wooden candlestands in translucent resin. A longtime student of Shaker style, the New York-based artist has come to understand that their culture and beliefs were tied to what they produced. Be it a chair, table or baby’s toy, form harks back to the maker’s values—a quiet Nosanchuk honors throughout every stage of construction. davidnosanchuk.com

DAVID For artist David Nosanchuk, of the past has allowed him to an oeuvre very much rooted in the new materials, methods and processes, Nosanchuk is as candlestands in translucent resin. A student of Shaker the New York-based come to culture and beliefs were tied to what produced. Be it a chair, table or baby’s toy, every form harks back to the maker’s values—a quiet beauty Nosanchuk honors every stage

RADAR OONTEWRTHY L U X E S O U R C E C O M

LADIES & GENTLEMEN STUDIO

“Iconic Shaker pieces, like chairs and boxes, have always had a pull on us as designers,” explains Ladies & Gentlemen Studio’s Dylan Davis, adding that working with the museum has “been an amazing opportunity to do a deeper dive into their culture.” Davis, who founded his multidisciplinary Brooklyn studio in 2010 with wife Jean Lee, believes historical principles of Shakerism can change how we look at contemporary life. For example, they reimagined one of the Shakers’ most intentionally designed furnishings that centers around a closely held belief: the workstation. The pair’s secretary-style iteration features just the right amount of room for everyday items while allowing them to be concealed at the end of the day ladiesandgentlemenstudio.com

JOLIE NGO PHOTO: JOE KRAMM, LADIES & GENTLEMEN STUDIO PHOTO: CHARLES SCHUCK, OTHER PHOTOS: COURTESY RESPECTIVE DESIGNERS.

JOLIE NGO As the youngest member of the museum’s Makers’ Circle, recent art school graduate Jolie Ngo creates ceramic ‘cyborg-like’ objects and vessels using modern technologies, including 3-D printing and rapid prototyping. A child of the early aughts, her aesthetic was shaped by digital interfaces including Minecraft and The Sims, and she continues to explore the intersection between handmade and automated. “Shaker work is quite the opposite of my own with a focus on simplicity and purpose,” Ngo says. “Their objects lack unnecessary ornamentation and decorative detail.” But, nonetheless, she has come to appreciate this ethos of making. “They believed that mastery of craft was a partnership with tools, materials and process—an idea I hold close within my own work, continuously probing the synergy between what is formed by hand versus technology.” ngojolie.net

A step ahead

samuelandsons.com

A preview of the new museum, which includes an outdoor amphitheater.

Today, the Shaker Museum in Chatham, New York, continues to tell their story, showcasing the most comprehensive collection of art, furniture, objects and materials in the country—much of which was out of view for the last decade. The museum will soon enter a new iteration, and double in size, as it moves to a 19th-century industrial building within Colombia County, where Selldorf Architects and Nelson Byrd Woltz Landscape Architects are heading up interior and exterior renovations respectively. An inaugural Makers’ Circle, consisting of contemporary artists and designers, is collaborating with the museum’s leadership on institutional decisions. As executive director Lacy Schutz notes, “the Shaker Museum continues to convene and engage a community of creatives connected to its material culture and whose work is informed by it today.” shakermuseum.us

On the Move

As a direct response to a bonnet and cloak she found in the archives, the trail blazing artist created a whimsical chair out of muslin layered with ruffles and ruching. Stout describes the final result as “a silly, frilly duo of cloaked and bonnet-ed chairs joined in a permanent Shaker dance.”

KATIE STOUT When going through the Shaker Museum’s collection, Katie Stout was drawn to colorful, sweet and soft objects— in other words, not the iconic pieces noted for minimalism.

A HISTORICAL RENOVATION IS IN THE WORKS AT THE SHAKER MUSEUM.

katie stout photo: courtesy r & company and the artist, rendering: courtesy selldorf architects.

RADAR OONTEWRTHY L U X E S O U R C E C O M

And while the contemporary artist is drawn to the group’s “resourcefulness, simple solutions and entrepreneurial genius” she is also interested in the predominance of female makers and the role women played in propelling 19th century craft forward. katiestout.com

Arriving in the United States around 1774, the Shakers were a Utopian sect who created a distinctly new design vernacular. Prioritizing function above all else, they favored simple, pared-down aesthetics that allowed an object’s materiality to shine. The group was also known for championing gender and racial equality, communal living and sustainability. At their peak in the 1900s, thousands of members resided throughout the Northeast, Kentucky, Ohio and Indiana.

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Fewer that are done well. There are none like The Lodge in Hunters Creek… The Lodge in Hunters Creek sits on a coveted, private, secluded incredible nine acres in the heart of Houston’s wealthiest zip code. An economy fueled by the energy business and a myriad of cultures. Sports teams, real estate and political force all underpinned historically by Oil & Gas. There is a conflux of quiet seasoned wealth and now new money, via a variety of entrepreneurial industry sectors such as renewables, entertainment and technology. Set within the acclaimed Hunters Creek Village, the elevated estate is surrounded by a moat on three sides; a horseshoe bend of the 18,000-year-old legendary Buffalo Bayou (The Lodge in Hunters Creek is one of few estates sustaining zero problems in the recent floods) It is also buffered by the expansive green space of the Houston Country Club and all of it, takes in the vibrant Houston skyline. Accessed only via a secured gate of a private cul de sac, the secluded, mysterious and dramatic estate resembles a stately presence more akin to a fortified French chateau or English castle likewise surrounded by moats and incredible grounds. Like any centuries old estate, the property exudes a quiet, patient and impressive grandeur. A true and timeless presence honed through an impeccable and careful mix and seamless grafts of limestone, steel and concrete. The result is an efficient, modern and very private entertainer’s home and a fortified masterpiece, which is designed and built to last for hundreds of years to come.

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So, while work was temporarily delayed, the owner took off on a year-long European sojourn with two antique and interior design experts on a substantial buying tour across Europe. Antiques and architecturals includ ed and incorporated into the design build came from (to name a few): Paris, Marche aux Puces de Paris Saint- Ocen 1870, stores across Germany, Medussa in Belgium, and Heist op-den Berg outside of Antwerp, across Holland as well as throughout En gland, including the Cotswolds. Except for a single custom built walk in fireplace, four of five equisite mantels came from European castles and manor houses. Privacy and security amenities are many… Intricate and impeccable details, finishes and technologies are incredible, while oldworld class architecturals are far too many to list. It is intentionally and distinctly, a One of One! “As an architect doing work for over 35 years across the United States and in several other countries around the world, I will tell you that this estate in Houston, Texas is one of the most extraordinary houses anyone may ever see” -- Ken Newberry. Listed for $60 Million

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The owner wanted old, hand-crafted, hand cut stone. “Like that used in the university buildings of New York and Chicago, like the Empire State Building, the Vanderbilt and Wrigley estates and other world landmarks, such as the Pentagon.” Indeed, that is precisely what they got! The US Government came calling and for a period, halting the estates construction after the terrorist attack on the Pentagon in 2001. They needed all available limestone from the quarry and diverted all production to rebuild. The estate had to wait…

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The Lodge in Hunters Creek is an architectural, design and builder/construction marvel that has long been the subject of community mystery and enviable comment. The interior of the home has never been shown nor open to the public (and won’t be). It has not ever been for sale until now. Listed for $60 Million, it is the highest priced residential listing in Texas. Exclusively by Icon Global The estate exudes privacy, charm, serenity, security and prominence. It carries an understated elegance and simplicity yet is sophisticated in its design and intentions of use and comfort. It is riddled with high tech, security functions, incredible one of a kind custom / handmade finishes, architectural details with amenities ahead of its time; all the while remaining timeless. Six years in construction, and completed in 2005, the 22,000 SQFT masterpiece is complemented by a separate 3,500 SQFT guest home, complete with its own spacious private, 5-acre grounds. Once the site of Houston’s original hunting lodge and even a fabled exotic birdcage folly, the lodge site itself is rife with its own legacy including being a favored es-cape for Houstonian rebel youth of that era. A hideout, sans adult supervision!

The accomplishment began with architect, Ken Newberry, and a submersion into what would become a carefully choreographed abyss of ideas brought to life by Newberry’s pencil and perfected by builder, Jeff Thompson, and construction supervisor extraordinaire, Mike Timmons. The cornerstone to the owners dream would be utilizing authentic Indiana limestone construction. Original machine cut blocks, a minimum of 12” thick (no veneers) were crafted by none other than the renowned Bybee quarries from her native state. (These authentic limestone blocks also breath and capture efficiently circulated radiant energy throughout, ensuring a cool home and low energy bills in the summer and high heat retention in the winter).

INTERNATIONAL Sherle Wagner International creates a sensory experience in the bath and beyond, with a range of luxury hardware and fixtures that, like fine art, satisfy intellectual curiosity and an appreciation of beauty. sherlewagner.com

DISCOVERIES F R E S H . D E S I G N . F I N D S . | NATIONAL | P R O M O T I O N BOKARA RUG Handmade of the finest wools and luxurious silk, this incredible Bokara piece is sure to make a statement. bokara.com

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SCHONBEK Atomic, from the Beyond collection, is an artistic, rotating blend of light and movement in space. Handstitched black Italian leather bands illuminate uniformly from within. In the nucleus of this dynamic piece, a central crystal glows with an LED beam on the outer ring. This is a head-turning attention-getter. schonbek.com

OFFICINE GULLO Unique design, cutting-edge technology and elegance blend together in Fiorentina Collection ranges. The range shown enhances the beauty of the kitchen, with its colors, finishes and details. It’s a classic cooker that looks right in any home. officinegullo.com

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HUBBARDTON FORGE They say lighting is the jewelry of the home. The Link collection of pendant lighting—available singly or in multiples—features handcrafted steel cuffs by a Vermont artisan, which embrace teardrop blown-glass shades. hubbardtonforge.com CONTAINER STORE

The regal arch pattern on the Royce sideboard hides nine drawers behind a gorgeous walnut front in a Dark Walnut finish. Measures 30"H x 72"W x 22"D. Priced at $7,290. noirfurniturela.com

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TEAK WAREHOUSE Teak Warehouse balances modern outdoor living with quality handcrafted furniture. This elegantly curved table set boasts quality aged teak on top of a rich lava powdercoated aluminum frame, complemented by timeless woven rope chairs. teakwarehouse.com

CHRISTOPHER PEACOCK Christopher Peacock introduces his Hudson Collection. A clean aesthetic this more modern style perfect for an urban apartment or a large contemporary, suburban home. hardware finishes

Built-in beauty, LED lighting and push-to-open drawers—you can have it all. Discover the effortless functionality that only Avera Custom Closets from The Container Store can deliver. Schedule your free virtual, in-store or in-home design consultation today. containerstore.com/custom-closets

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BROWN SAFE Brown Safe specializes in creating one-ofa-kind safes that stand the test of time. From small jewelry safes to large doubledoor safes, they are designed to be passed on to future generations just like the valuables and heirlooms they protect. brownsafe.com

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TED Inspired by Japanese Noren curtain panels that lend a peek of what is on the other side, this piece’s alternating grain direction subtly plays across the lateral face. It is available in two standard configurations: a six-drawer version or one with doors, drawers and adjustable shelves. tedboerner.com

Take a bit of Bevolo craftsmanship wherever you go, with the portable Cupola Pool House lantern. Ideal for use outdoors, it will warmly illuminate any area. It is offered in three sizes and handcrafted in antique copper. bevolo.com

The Sun Valley Bronze Gate Latch collection is handmade from art-grade bronze or brass. This unique alternative to standard door hardware is available in 12 finishes with a range of lever options. It is made in the U.S. Price available upon request. sunvalleybronze.com

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M AT E R I A L | T R E N D | S P OT L I G H T MARKET A fabric lover’s guide, new design books overflowing with eye candy and covetable seating.

A is for Animal: Thaiger in Ochre / jimthompsonfabrics.com.

Textiles: A to Z LUXE ’S MODERN FABRIC ENCYCLOPEDIA EXPLORES TRIED-AND-TRUE PATTERNS, MATERIALS AND TECHNIQUES THAT CONTINUE TO STUN IN TODAY’S INTERIORS. WRITTEN AND PRODUCED BY

D is for Damask: Venetian Damask in Tombacco by Patrick Kinmonth / chelseatextiles.com.

C is for Chintz: Upton in Java/Moss by Oscar de la Renta for Lee Jofa / kravet.com.

E is for Embroidery: Passage in Goldensage / pindler.com. KATHRYN GIVEN AND SARAH SHELTON

B is for Bouclé: K2 in Paprika / scalamandre.com.

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F is for Flamestitch: Fanfare in Sorbet / pierrefrey.com. G is for Gingham: Petite Gingham in Ochre / serenaandlily.com.

F G H

H is for Houndstooth: Dandy in Toffee / pollackassociates.com. I is for Ikat: Presidio Ikat in Orange / fschumacher.com.

J is for Jacquard: Milo in Ruban Enlacé / elitis.fr/en. K is for Kuba Cloth: Amber Stripe / stfrank.com.

J I K L MARKET LAIRETAM L U X E S O U R C E C O M

L is for Lace: Tilda in Lace / weitznerlimited.com.

N is for Needlepoint: Paige Sampler in Chestnut by Scot Meacham Wood / somerselle.com.

Q is for Quilted: Phoenix in Olivine / kettlewellcollection.com.

O is for Ombre: Bellavista in Blossom / designersguild.com.

R is for Raffia: Raphia Abaca Noir / cmoparis.com.

M is for Moiré: Iris in Bleu Clair by Manuel Canovas / cowtan.com.

P is for Paisley: Kashmir in Red/Blue / peterdunhamtextiles.com.

S is for Surrealism: Matisse in Tempera by S. Harris / fabricut.com.

M N O P R S Q MARKET LAIRETAM L U X E S O U R C E C O M

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U is for Upcycle: Nexus in Pesco / rubelli.com.

T U V W X Y Z MARKET LAIRETAM L U X E S O U R C E C O M

T is for Tree of Life: Fusang Tree in Cinnabar Red by Sanderson sandersondesigngroup.com./

V is for Velvet: Striéd Velvet in Amber jimthompsonfabrics.com./ W is for Watercolor: Blooms in Blushing Taupe / rebeccaatwood.com.

X is for X Marks the Spot: Felix in Wheat on Oyster / greigetextiles.com. Y is for Yarn: Coral in Blush / boleroadtextiles.com.

Z is for Zigzag: Gravitas in No. 05 / zakandfox.com.

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Step inside the magical world of three aesthetes releasing evocative new tomes.

PHOTO: FRANÇOIS HALARD. G: FOREVER GREEN BY CARLOS MOTA, © 2022 PUBLISHED BY VENDOME. L U X E U R C E C O M

WRITTEN AND PRODUCED BY SARAH SHELTON

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Verdant Views Carlos Mota’s G: Forever Green is a scrapbook-like compilation dedicated to the universally loved of—you guessed it—green. No subject too or shade too bright is off limits for this well-traveled style guru. A mixture of his own snapshots—glossy Portuguese tiles and ivy-clad façades—mingle with infamous interiors, like this bedroom Tangier residence of Yves Saint Laurent and Bergé. Prepare for a jolt of serotonin with each of the page. casamota.com

Clockwise from top right: Raya Perennials Performance Weave in Verde / Price upon request / christopherfarrcloth.com Sultan’s Garden Salad & Dessert Plate / $48 / sonahomenyc.com Hardwick Decorative Jar / $325 / bunnywilliamshome.com Mara Side Table in Hunter and Apple / Price upon request / oriorfurniture.com Coleridge Armchair in Putting Green / $1,695 / oka.com Sapling Floor Lamp / Price upon request / coxlondon.com Zellige Terracotta Tile in Coriander / $27 per sq. ft. / artistictile.com G: Forever Green by Carlos Mota / $85 / vendomepress.com is a dedicated to the loved color No too humble or shade too is off limits for this well-traveled guru. A mixture of his own tiles and with infamous like this bedroom from the residence of Yves Saint Laurent and Pierre for a of serotonin with each turn

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Clockwise from top Rousham Fabric in Pink Luke Edward Hall / Price upon request / . Double Sconce J. Randall Powers / $819 / circalighting.com. Capitellum . Maxi Ceramic Shell by Lucie De Moyencourt / $475 / A Kind of The World of Luke Edward Hall by Luke Edward Hall / $60 / PHOTO: BILLAL TARIGHT. A KIND OF MAGIC: THE KALEIDOSCOPIC WORLD OF LUKE EDWARD HALL BY LUKE EDWARD HALL, © 2022 PUBLISHED BY VENDOME.

Clockwise from top right: Rousham Fabric in Pink by Luke Edward Hall / Price upon request / rubelli.com Huntingdon Double Sconce by $819 Outdoor Chair in Yellow / $2,950 / fornasetti.com Swan Vanity Bench by Kristi Nelson / Price upon request / chelseahouseinc.com by choixhome.com Piranesi Fireplace Mantel / Price upon request / jamb.co.uk A Kind of Magic: The Kaleidoscopic World of Luke Edward Hall by Luke Edward Hall / $60 / vendomepress.com Cosimo Coupes by Campbell-Rey / $735 for set of six / theinvisiblecollection.com Large Flora Wall Mirror in Pale Pink / $1,785 / balineum.co.uk

Fantastical Delights From the Bloomsbury Group to ‘80s pop and ancient mythology, British artist and designer Luke Edward Hall finds gleeful inspiration in all things colorful and whimsical. In Hall’s second book, A Kind of Magic: The Kaleidoscopic World of Luke Edward Hall, his singular brand of wonder is on full display. Having dabbled in everything from product design and decorating to fashion and hospitality, there’s no telling what kind of magic is on the horizon for this wunderkind. lukeedwardhall.com L U X E S O U R C E C O M

THE MODERN GODDESS FEATURING THE ODIN® KITCHEN COLLECTION OR FOR THAT MATTER , forgiveness SHE DIDN’T BELIEVE IN ASKING permission .

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Hand Painted Paper Mache Urn in Sa ron by Mark Gagnon / $5,200 / tributegoods.com

Clockwise from top right: Dark Cornflower with Pink Daisies Cocktail Napkin / $37 / hibiscuslinens.com Scallop Jute Rug / From $278 / serenaandlily.com

Sierra Embroidered Straw Clutch Bag in Natural / $295 / kayudesign.com Tole Hibiscus / Price upon request / getthegusto.com

Georgica Round Dining Table by Mabley Handler / Price upon request / kravet.com Second Bloom Wrapping Paper / $24 for 10 sheets / cbgraham.com

PHOTO: BRETT WOOD. CATHY B. GRAHAM: FULL BLOOM BY CLINTON SMITH, © 2002 PUBLISHED BY VENDOME. Frenzy For a lighthearted read brimming with eye-candy, add-to-cart Cathy B. Graham’s newest title, Full Bloom The perennial artist (she has a BFA in painting), entertainer and gardener is back with a perfectly packaged collection featuring her latest flower arrangements and cheerful table settings accompanied by helpful how-tos, playful collages and personal illustrations. The overarching takeaway?

There’s a reason—and a season—to celebrate just about anything. cbgraham.com L U X E U R C E C O M

Cathy B. Graham: Full Bloom by Clinton Smith / $45 / vendomepress.com

Hayworth Storage Bench in Ranjit Floral / $525 / onekingslane.com

Flower

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From a front façade to a fireplace design or a spalike bathroom wall, stone plays an integral role in creating exterior and interior places that feel both sturdy and stylish. For decades, Eldorado Stone has been inviting architects, designers, builders and homeowners alike to explore the possibilities as they seek that marriage of beauty and function. With a wide range of premium stone profiles and a second-to-none approach to the development and application of trend-leading color palettes, the company has become a beloved stone resource.

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A SEASONED STONE PURVEYOR’S NEXT MOVE: A FRESH LOOK + NEW PRODUCTS

And now, it’s entering a new chapter … “Through a brand refresh and novel product offerings, our goal is to continue to promote a lifestyle-centric perspective and emphasize how stone can play a key role in creating spaces where memories are made and design influences the everyday moments of life,” says Sarah Lograsso, Eldorado Stone’s director of marketing and product design. “We want to help people curate the perfect backdrop for every space.”

– Kerrie Kelly of Kerrie Kelly Design Lab, an Eldorado Stone Design Partner Left The unique colorway and texture of Latigo TundraBrick® adds a dash of rustic allure in the kitchen as a bold “bricksplash.”

THE START OF SOMETHING BEAUTIFUL™ “With respect to new product development, we look carefully at the influence of people’s lifestyles on architecture and design, and how the comprehensive purpose of everyday environments will impact those who inhabit them in a very practical way,” Lograsso says. “We look to where a client chooses to spend time and what draws them into that space. Is it a tranquil and serene retreat for unwinding at the end of the day? Or is it the hustle and bustle of a lively kitchen for family gatherings? Perhaps a curated display of adventures traveled? Any of those elements can spark inspiration and play an integral role in shaping beautiful spaces.”

Opposite Indoors or out, Loire Valley™ RoughCut® pairs brilliantly with other natural elements for the perfect expression of organic luxury.

Photography Left by Lauren Konrad; Opposite Courtesy of Eldorado Stone

I N P A R T N E R S H I P W I T H E L D O R A D O S T O N E

“Every home should be uniquely designed for the people living in it, especially with respect to evoking emotion and forming lifelong memories. Adding textural touches is a wonderful way to set a tone for each space.”

MELTING POINT Bower Studios’ organic Melt Armchair appears to capture metamorphosis in motion. As if subjected to extreme heat, the upholstered bouclé cushion gracefully drapes over a walnut base before settling into its final state: a light and airy contoured perch. Showcased throughout are architectural backdrops painted by New York City-based artist Haleh Atabeigi using Benjamin Moore’s Citrus Burst 364, Jalapeño Pepper 2147-30 and Easter Hunt 554. bower-studios.com, halehpaint.com, benjaminmoore.com Curves Ahead DRAMATIC AND SINUOUS, THESE SCULPTURAL FURNISHINGS WILL HAVE YOU ON THE EDGE OF YOUR SEAT. PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON WRITTEN BY KHADEJAH KHAN PHOTOGRAPHY BY PATRICIA HEAL MARKET GOSPTLIHT L U X E S O U R C E C O M

Artisan Aleiya Olu pays homage to her Detroit homebase with the Lyndon chair. When conceiving the design, Olu found inspiration everywhere from the Motor City’s rich craft tradition and midcentury modern aesthetic to its buzzy creative scene. The resulting hand-assembled cherry oak chair is simple in materiality but playful in shape; sturdy in stance but warm in embrace. studiofromus.co

RIPPLE EFFECT

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The Squiggle Chairs by Christopher Miano, founder of CAM Design Co., are a true product of the pandemic. During days at home, the furniture designer felt compelled to create something that would elicit a smile and bring lightness to a space. Shown here in bleached maple, red oak and walnut, and topped with bouclé cushions, the playful chairs are crafted from sustainably sourced woods in Union City, New Jersey. chrismiano.com

MARKET GOSPTLIHT L U X E S O U R C E C O M

FRESH FORM

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Informed by her collection of handmade ceramic vessels, artist Simone Bodmer-Turner is quickly turning heads with her first foray into sculpted furniture. The petite stature of Chair I, (left), unites flowing lines into a cohesive, organic silhouette, while Chair II features a larger structure and elongated foot. Matte white and textured to the touch, both handcrafted pieces feel as though they were composed from a single clay slab. simonebodmerturner.com, mattermatters.com

MONOLITHIC MOMENT

MARKET GOSPTLIHT L U X E S O U R C E C O M

As a classically trained woodworker, Brooklyn-based artist Luke Malaney begins each composition with a sketch, making changes along the way. His resulting creations meld fantastical ideas with form and functionality. Crafted in rich walnut, Lev’s Chair is one such free-form design featuring rear lunate legs and elegant curves. For the chair’s back, Malaney used jewelers’ tools to add an intricate gouge texture that appears to come to life. lukemalaney.com

MARKET GOSPTLIHT L U X E S O U R C E C O M

WHIMSICAL TAKE

Fine Solid Bronze Architectural Hardware 866-788-3631 • Madewww.sunvalleybronze.comintheUSA

For their freshman debut, The High Key’s Relief collection explores curvaceous shapes as is evident in the Glove Couch. Founder and creative director John Vieweg first designs pieces using 3D software, after which a network of manufacturers build the designs to exact renderings. Vieweg contemplated the idea of ‘relief’ throughout the design process: from the physical relief of sitting on a sofa, to the way in which reliefs were historically made by carving away at materials—a method employed on the sofa’s interior foam body to achieve its final construction. thehighkey.design

MARKET GOSPTLIHT L U X E S O U R C E C O M

SERPENTINE SEAT

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Imagine feeling good about the future every time you gaze out at your view. That's the idea behind our seed-to-window approach. By using replenished wood from our own forestlands and sustainable manufacturing that makes use of everything, we preserve resources and reduce waste, which makes your tomorrow look even better than today. It's one of the many benefits of windows that never compromise.

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3 | What can I expect to do while a remodeling project is being done in my home? Most importantly, keep the lines of communication open between you and your contractor. Ask questions. Let them know what your family schedule is and whether you have pets confined somewhere. It’s important to keep the work areas off limits to children and pets for their safety; however, you may have a little extra dust and dirt in your house, so keeping the work area off limits will avoid them tracking the dust to other parts of the house.

A D V E R T I S E M E N T ANCHOR-VENTANA BUILDERSGLASSADAMSFIRSTSOURCE COMPANY SOLEDAD BUILDERS, LLC.

4 | Should I plan more money than the contract price? Additional work or a change in the project requested by the remodeling homeowner usually requires a contract price change. Planning for the unforeseen is wise, though, so putting aside an extra 10% over the contract price makes for a less stressful remodel.

While conventional wisdom dictates getting three estimates for anything involving labor, this doesn’t necessarily hold true when it comes to comprehensive remodeling projects such as a kitchen, bathroom, addition, or whole house remodel. The real comparison is in the team you will be working with. Chemistry and trust are key! NARI recommends that you interview at least three remodelers and then select the one you feel most comfortable with to bid out your project. This is because there are multiple ways of tackling a project and, unless you know exactly which methods and/or the subs the contractor will be using, there is no way to get an apples-to-apples comparison.

6 | What is the time frame for starting the project? Now is the time to ask questions about work schedules. You should ask: What is your estimate for completion? How early will your crew normally begin work? When will they normally quit for the day? Will I be contacted about delays or changes in the schedule? By whom?

THE RIGHT RESOURCE FOR YOUR Next Remodeling Project NARI stands for “National Association of the Remodeling Industry” and is the only professional association dedicated solely to the remodeling industry.

7 | Do you have design services available? If you are considering a large or involved project, you will need design services. If the contractor does not have design-build capabilities, you should consider hiring an architect and/or designer. Depending on the size and scope of the project, you may also need a structural engineer. Visit AustinNARI.org, or call 512.997.6274. + the number of NARI members in the Austin area. 7 ,000+ the number of NARI members nationwide. $95k the starting price a homeowner will spend on a luxury kitchen remodel.

The National Association of the Remodeling Industry (NARI) is the only independent national association dedicated solely to the remodeling industry. Austin NARI’s goal is to help homeowners find the right professional partners to execute their remodel project. Austin NARI wants each homeowner to get the maximum value and enjoyment for the dollars they invest in their remodel and to avoid the pitfalls so many make when hiring ill-equipped contractors. Ask your remodeling contractor if their company is a member of Austin NARI.

2 | Should I get multiple estimates for a remodeling project?

1 | What is NARI?

5 | While I’m interviewing remodeling contractors, what questions should I ask? Look for a company with an established business history in your community. Surviving in any business in today’s competitive marketplace is a difficult task. Most successful contractors are proud of their history in the industry.

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K I TC H E N + B AT H | T H E R E P O RT LIVING Inspiration abounds with unabashedly bold kitchens and baths and art world discoveries.

Bold Moves FROM EYE-CATCHING COLORS TO A MÉLANGE OF PATTERNS, TODAY’S KITCHENS AND BATHS PULL OUT ALL THE STOPS. BY ALYSSA BIRD

Drake/Anderson filled this Manhattan kitchen with striking touches, like custom cabinetry in Benjamin Moore’s Vermont Slate, Oyster White marble countertops, Mondrian-esque stone flooring, artwork by Melinda Hackett and an Apparatus light fixture.

Jamie Drake and Caleb Anderson, the design duo behind Drake/Anderson, are known for their stylish schemes and a penchant for producing luxurious, impactful spaces. So, when their clients—a couple who had just purchased an apartment in a new Manhattan building—wanted to gut their kitchen in favor of injecting some personality and color, the designers were more than happy to oblige. “We landed on a beautiful blue for the cabinetry, which looks rich, sophisticated and playful,” Anderson says of the chosen hue: Benjamin Moore’s Vermont Slate. The painted custom cabinetry also cam ouflages all appliances and even houses a semi-walk-in pantry and breakfast bar. “The color was the biggest point of departure, and the marble came second,” Anderson continues. “The client loves interesting stones, and this room has three! The Oyster White marble on the countertops and backsplash is highly gestured with organic veining, while the White Thassos and Blue de Savoie marbles on the floor are laid in a geometric Mondrian-style pattern but they all marry together wonderfully.” Another focal point is the plush L-shape banquette, which is built into the back of the peninsula, saving valuable square footage and giving the room a nice sense of movement. This informal dining nook is visually connected to the prep area with a large lighting piece from Apparatus overhead while artwork by Melinda Hackett enlivens the entire space. “This kitchen isn’t huge,” Anderson says, “but it certainly feels dynamic.” drakeanderson.com

LIVING K I TC H E N + B AT H

WRITTEN

photo: joshua mchugh. L U X E S O U R C E C O M

“In my own thetoaofIapartment,addedtouchesyellowtomarblebathcomplementadjacentyellowlibrary.”

–JAMIE DRAKE kitchen and bar photos: simon upton. book cover and bathroom photos: stephen kent johnson.

Jamie Drake and Caleb Anderson’s book Bold: The Interiors of Drake/Anderson (Rizzoli) drops in October. The tome contains 11 projects, including Anderson’s own New York apartment, where a marble bath features pops of yellow. Both the brass-sheathed wet bar and kitchen are located in a London residence. rizzoliusa.com A SELECTION OF KITCHENS AND BATHS FROM THEIR NEW BOOK. “It’s fun combining details that feel antique or old-world with those that are more modern. Textural connections unite a space, such as the glass cabinetry and hammeredbrass island here.”

PAGE TURNER DRAKE/ANDERSON CHATS ABOUT

–CALEB ANDERSON “The projects in the book run the gamut from contemporary to transitional to traditional, but each expresses our feelings toward luxury, materials, texture and movement.”

–CALEBClockwiseANDERSONfromabove:

LIVING K I TC H E N + B AT H L U X E S O U R C E C O M

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ALL SQUARE

To satiate the same client’s love of color and Bisazza tile, Drake/Anderson enveloped a powder bath located off the office in a mesmerizing gradient mosaic. “The upper half almost recalls windows in a skyscraper,” Jamie Drake says. Since the design of the adjacent workspace is fun and whimsical, the same feeling was carried into the bathroom with a playful all-over tile arrangement. Drake notes that, “the clean, contemporary floating vanity doesn’t compete with the surroundings, but its curved shape adds another layer of visual interest.” A benefit of sheathing every surface in tile? “It melts the perimeters of the room, making it appear larger,” Drake explains. drakeanderson.com

In this Upper West Side bath designed by Drake/Anderson, a custom vanity topped with Calacatta Turquoise marble complements Bisazza mosaic tiles. Sconces from Circa Lighting flank a mirror from Mirror Home.

LIVING K I TC H E N + B AT H L U X E S O U R C E C O M

photo: joshua mchugh.

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FLORAL FAN TASY

For his third collaboration with Ann Sacks, designer Martyn Lawrence Bullard embraced his love of historic fabrics. The new Eutopia line of glass mosaics features five botanical patterns—three of which are based on wallcovering motifs previously conceived by Bullard, including Sultan’s Garden (shown)—in 49 custom shades. “This collection was born out of my passion for East-Indian and Middle-European textiles,” Bullard says, “which often contain magical patterns depicting the Tree of Life and Mughal flowers.” annsacks.com HEADSHOT: COURTESY DESIGNER. PHOTO: COURTESY ANN SACKS.

BULLARD

LIVING K I TC H E N + B AT H L U X E S O U R C E C O M

Located in the Hill Country Galleria • 12701 Hill Country Blvd #O120 Austin, TX • 512 263-5115 www.anthonyspatio.com WWW.GLOSTER.COM ZENITH COLLECTION BY HENRIK PEDERSEN

The only mandate was to incorporate blue, so we gave this bath a ‘wow’ factor using many shades of the vibrant hue. I really enjoy creating one-of-a-kind powder rooms—they are truly the best space to do something out of the ordinary. Talk to us about the brass accents. We carried the subtle gold shimmer in the wallpaper through to the modern brushed-brass Kohler sink fi xtures. Lucky for us, the client already had the metallic mirror from her previous home, and it worked perfectly with the round sconce from Arteriors.

LIVING K I TC H E N + B AT H L U X E S O U R C E C O M

BLUE CRUSH SHANNON MURRAY PETRUZELLO

MURRAY PETRUZELLO HEADSHOT: COURTESY DESIGNER. PHOTO: KYLE J. CALDWELL.

What an interesting vanity! The custom L-shape vanity was purely an aesthetic choice. The client didn’t have a need for storage below, which allowed us to do something a bit di erent with the design. For the wallpaper installation, we mimicked the form of the vanity and extended it from one accent wall up to the ceiling. shannonmurrayinteriors.com

What did the client want for this powder room?

For a residence in Rye, New York, designer Shannon Murray Petruzello of Shannon Murray Interiors envisioned a glamorous powder room inspired by her client’s favorite color. “This home was originally built in the 1980s, so we did a full renovation of the first floor— including this existing powder room—in order to modernize it for a young family,” explains Murray Petruzello, who paired a cool marbleized wallpaper by Schumacher with Benjamin Moore’s Cable Knit Sweater on the remaining walls.

Strategic. Collaborative. Experienced. Let me guide you home. SOLD | SPICEWOOD, TX THE RESERVE AT LAKE TRAVIS Chat Wynne Broker Associate | REALTOR® WYNNEGROUPre.comchat.wynne@compass.com737.333.5557 Compass is a licensed real estate broker. All material is intended for informational purposes only and is compiled from sources deemed reliable but is subject to errors, omissions,changes in price, condition, sale, or withdrawal without notice. No statement is made as to the accuracy of any description or measurements (including square footage). This isnot intended to solicit property already listed. No financial or legal advice provided. Equal Housing Opportunity. Photos may be virtually staged or digitally enhanced and maynot reflect actual property conditions.

SARAH WITTENBRAKER DESIGN sarahwittenbraker.com

New View IT’S A THRILLING TIME OF DISCOVERY IN THE ART WORLD. LUXE CHECKS IN WITH EXPERTS ACROSS THE INDUSTRY WHO ARE CARVING INROADS FOR CREATIVES AND COLLECTORS. WRITTEN AND PRODUCED BY GRACE BEULEY HUNT photo: black women , 2021 , delphine desane, acrylic on canvas. courtesy artist and luce, turin. L U X E S O U R C E C O M LIVING T H E R E P O R T

Fully designed and curated custom home by Foursquare Builders awaits you. Modern Architecture. Luxurious Interiors. Panoramic Downtown Views. Darin Walker 512.560.7633 darin.walker@kupersir.com A rare opportunity to own a spectacular modern e state overlooking do wntown Austin. Designed for entertaining with ultra-luxury amenities and materials on every level. 1603 CANYON VIEW 5 BEDS | 6.5 BATHS | 8,353 SQFT. | ACRES: 0.82 PRICE UPON REQUEST WWW.CANYONVIEWMODERN.COM

Ar tists to watch: Rebecca Ness, Delphine Desane, Cindy Ji Hye Kim, Chibuike Uzoma and Vamba Bility. Don’t miss: The Independent Fair in New York this September, which will focus on overlooked 20 th century artists. Paul Claude Gardère, the first Haitian artist in residency at the Studio Museum in Harlem, will be on view—I’m excited about that. Next frontier: Starting a monthly dinner series where artists, clients and board members can discuss changes that need to be made at the institutional level.

L U X E S O U R C E C O M LIVING T H E R E P O R T

Making headlines: The art world is bonkers right now with long waiting lists for new works, sold-out shows and record-breaking auction prices. See: Louise Bourgeois’ Spider sold for $40 million at Art Basel and Andy Warhol’s Marilyn sold last May for $195 million, breaking auction records for an American artist. Looking forward: Amanda Baldwin’s vibrant landscapes are on my radar. I’m excited about her upcoming show at Hesse Flatow in New York City. Hot spot: Berlin has amazing contemporary galleries like Soy Capitán and Wentrup. Sunday school: In 2019, I began presenting Sunday art history lessons on Instagram Live and developed a sizable following during the pandemic. Topics have ranged from art movements like Dada, to the intellectual explosion that took place at Black Mountain College Museum + Arts Center, to deeper dives into artists like Ruth Asawa. Treasure trove: I find new talent through critical reviews and art fairs like NADA Miami that focus on younger galleries and emerging artists. Highlight reel: Amoako Boafo: Soul of Black Folks at Contemporary Arts Museum Houston (on view through early October) is a gorgeous show. The way he approaches portraiture with both spirit and brush, as well as his signature finger painting, is inspiring. Collector’s mantra: Buy what you love. The intrigue and attraction should feel instinctual.

Illa Gaunt brings a masters in art history and a post-graduate diploma in modern and contemporary art from Christie’s Education in London to her Houston-based boutique advisory. Keen to share her passions, she transformed her Instagram account (@_ig_art) into a platform for accessible arts education. illagauntart.com

Nightstand companion: Tell Them I Said No by Martin Herbert—a collection of essays by artists, including David Hammons (a hero of mine), who were creating for the purpose of transaction but ultimately retreated from the art world. Unforgettable institution: Fondation Beyeler in Switzerland, which was started by a Swiss dealer couple with an incredible modern art collection. The building was designed by Renzo Piano—it’s very special.

MODERN HISTORY

SOCIAL STUDIES

gardy st. fleur portrait: charlie rubin. artwork: pressed celadon peaks , 2021 , amanda baldwin, oil and acrylic on canvas. courtesy artist and hesse flatow, new york. illa gaunt portrait: leah wilson. humberto moro portrait: rodrigo alvarez, courtesy l’officiel mexico. installation: double merge, 1968, sam gilliam; installation view: dia beacon, beacon, new york. 2019. copyright sam gilliam/artists rights society (ars) new york. photo: bill jacobson studio, new york. Courtesy Dia Art Foundation. chelsea portrait: courtesy tappan collective.

A Brooklynite by way of Haiti, Gardy St. Fleur built his practice showing beginner collectors the ropes—and joys—of the art world. As business grew, he drilled down on introducing emerging, as well as historically overlooked, talents to budding collectors, adding mentorship and management of working artists along the way. saintfleur.com

Anchored in New York with satellite locations in the American West and overseas, the Dia Art Foundation is a force in the nonprofit space. For Humberto Moro—newly-appointed deputy director of program—evolving exhibitions, publications and public engagement is intrinsically linked to telling an even more inclusive history of art. diaart.org

When Chelsea Neman Nassib founded Tappan Collective 10 years ago, online-native galleries were a novelty. Fast forward to 2020 and the platform, thanks to its investment in producing artist studio visits and profiles for their website, found itself precociously equipped to connect stories with collectors in a digital world. tappancollective.com

ARTS EVOLUTION

Inspiration fix: One of the realms where truly original ideas are born is science fiction, and that is most of what I recreationally read these days. Ted Chiang and Liu Cixin are authors that I come back to. Arts destination: The vibrancy and creative freedom of Mexico City are rare—there’s always something unexpected. Hot topic: One of the most important subjects being discussed in the world at large, is the essential right to project different realities and possible futures. I’ve seen so many resonances with this idea. One example is the Venice Biennale, titled The Milk of Dreams curated by Cecilia Alemani, which, from specific art history perimeters, questions the agency of imagination. Pièce de résistance: Few things compare to The Lightning Field (1977) by Walter De Maria—a land art work in New Mexico in the Dia’s collection. De Maria used to say that every great artwork should have at least 10 meanings, and the myriad of ideas that can be interconnected to this piece is almost unfathomable. The way in which one experiences it, and what one can obtain from that experience, speaks directly a bout what we do at Dia.

RAINBOW CONNECTION

New currency: With the rise of NFT’s, the art world has even more accessible paths for all. We sell NFT COAs, which allow us to include a contract in the sale encompassing royalties, so that every time the artwork trades, the artist makes 10 percent. This can be life-changing because artists don’t make a percentage of secondary sales, which is where prices often make headlines. Gallery crush: Del Vaz Projects by Jay Ezra Nayssan. Jay operates a galleryfarmstead from his home in Santa Monica. There’s also an apothecary that sells everything from Persian tea to CBD lavender salve. It’s wonderful to see curators bringing a more artful approach to retail and vice-versa. One to watch: Lisa Dengler. We just signed her and are so excited about her paintings and stone sculptures. On deck: Opening our first physical gallery. I want it to be a place that anyone can walk into and find something—almost like a vinyl store.

installation: carolyn salas via mrs. gallery; photographer alon koppel. stef portrait: josh goleman. photos: donovan portrait: william twitty. artwork: dna #9 (right), mixed media on paper, ilídio candja candja, mixed media on paper. courtesy bill lowe gallery. nancy portrait: evelyn henriquez. artwork: lollipop 2019 , clotilde jiménez, mixed media collage on paper. courtesy artist and mariane ibrahim.

Life-changing institution: The Noguchi Museum in Queens. It taught me how to sit quietly and take a long look. Coming up: This spring, we’re hosting an event curated by Art Handler. I can’t reveal too much, only that it’s a multi-event experience not to be missed! We’re also slated to have a show by New York City’s Bortolami Gallery featuring Robert Bordo. Design crush: Artist duo Kristen Wentrcek and Andrew Zebulon. I’ve never seen such high level of craft meet fearlessness and yet somehow remain functional. My wife and I own several of their pieces and admire them daily. Fantasy acquisitions: Anything ever made by Carrie Mae Weems! If I could extend the spree, I’d buy a Carlton bookcase by Ettore S ottsass, a Cecily Brown painting, a Sam Moyer sculpture and a large wall piece by this little-known artist named Sol LeWitt. Dreaming big: I’d love to expand this concept, potentially in partnership with institutions. It’s also my hope that my team continue to spearhead consistent public programming that’s accessible to people of every age, color and educational background.

Frustrated by the quality of studio space in New York City, artist Stef Halmos saw an opportunity to develop her dream resource. She set her sights on three historic mills in the Hudson Valley, converting them into Foreland: a vibrant arts campus spanning galleries, studios, collective workspace, public programming and event spaces—all built to create agency for working artists. forelandcatskill.com; stefhalmos.com

LIVING T H E R E P O R T L U X E S O U R C E C O M

GREATER GOOD

Donovan Johnson joined Bill Lowe Gallery 10 years ago, where he gracefully ascended the ranks. Upon the passing of his beloved mentor, for which the gallery is named, last December, Johnson was appointed executive director, tasked with ushering the Atlanta institution into its next chapter. lowegallery.com

On deck: The first show scheduled for next year is called Alchemy and features Black artists from around the United States, including Thornton Dial, Wifredo Lam and Emma Amos. It’s a group show around this idea that in marginalized communities, there’s an innate call to take whatever you have and turn it into something that transcends its first state of being. Virtual reality: During the pandemic, galleries introduced 3-D viewing rooms. This technology had been around too long for us to be suffering from the 2-D aspects of photography! Now anyone can experience sculpture in 3D; you can even see surveys of the Whitney Biennial on YouTube. It’s a beautiful thing about the world we live in. Arresting artist: Ilídio Candja Candja, who was born in Mozambique around the time they won their independence from Portugal. He paints these beautiful abstractions around the influences of colonization. Lasting impression: The exhibition What is Left Unspoken, Love at Atlanta’s High Museum achieved true resonance. Fair game: Atlanta is 49 percent black. Generally speaking, art in the South is so much more diverse than what is currently being seen. Our programming moving forward will be reflective of this.

RISING TIDE

Los Angeles-based advisor Nancy Gamboa specializes in developing private collections of cultural significance. Enhancing this pillar, she founded Botanica Fine Art, a digital initiative that promotes visibility for Latinx artists. nancyagamboa.com; botanica-fine-art.com

Industry buzz: There’s been a lot of talk about works by young artists reaching upwards of six figures privately and at auction. Three factors contributed to this phenomenon: newly-created crypto wealth, which added diverse buyers to the market, trillions in American dollars printed and a lack of primary access to work for new collectors. Fall happenings: September 2 marks the first installment of the Frieze Art Fair in Seoul. I’m excited to see what happens when the art world meets the sophistication of South Korea’s artists, institutions and collectors. Closer to home, the September opening of Hauser & Wirth in West Hollywood will be a treat for Angelenos. Buoyed by: The increased presence of Latinx, AAPI and BIPOC run galleries, including Commonwealth and Council (LA), Regular Normal (NYC), LaPau (LA), Calderón (NYC), Mariane Ibrahim (Chicago), Sow & Tailor (LA), Make Room (LA) and Estrella (NYC). Collecting 101: With so much art in the world, working around themes of identity, geography, medium, or a combination of three, can help focus decision-making while creating depth.

TURNER

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TRENDING panel discussions INSPIRING vignettes NETWORK at VIP eventsEARN CEU credits Monday, September 14th @ 11am The Power of Personality & Personal Touch in Spaces Take design risks within the home that reflect individualism. Join us for an expert panel led by Luxe Interiors Homes Editor, Paulette Pearson.sponsored by

A D V E R T I S E M E N T 607 ACADEMY DRIVE LIST PRICE: $4,095,000 | SQUARE FEET: 3,910 BEDROOMS: 6 | BATHROOMS: 4 FULL, 1 HALF Award-winning New York architects Balzer & Tuck make a statement with their first project in Austin. This Travis Heights contemporary is defined by indoor-outdoor interactions. Features include a 6-foot pivot entry door, large windows providing abundant light, distinctive wood paneling, a striking stairway, linear gas and wood fireplaces surrounded by steel accent walls, Wolf and Sub-Zero appliances, custom cabinets and recessed shades. Outdoor living includes a courtyard, screened-in porch, kitchen, balcony, pool/spa and a rooftop deck with city views. Walk to the Butler Hike-andBike Trail, South Congress and Music Lane.

REALTOR® Wilson

Goldrick Realtors 512.658.5428 drubrown@wilsongoldrick.com

3816

Listed by Dru Brown. TORO CANYON ROAD LIST PRICE: $5,950,000 | SQUARE FEET: 7,075 BEDROOMS: 5 | BATHROOMS: 4 FULL, 1 HALF

One-of-a-kind Westlake Estate in a small gated enclave. Situated on 2.4 acres of total privacy in a tree covered setting with a pool, putting green and great outdoor sitting areas. The house is 7,075 square feet with five bedrooms and six living areas, all beautifully appointed with tall ceilings and windows, hardwood and stone flooring and beamed ceilings. Spacious 4-car garage and plenty of parking for guests. Easy access to schools, shopping and downtown Austin. Listed by Cindy Goldrick. BROWN, &

CINDY GOLDRICK, BROKER Wilson & Goldrick Realtors 512.423.7264 cindy@wilsongoldrick.com DRU

@veldtgallery LéAna Clifton is a South African-born long-exposure photography of freight trains in West Texas, layered with various media. Her current 40x40 inch, limited series features mixed-media artist based in Marfa, Texas. LÉANA LIMITEDCLIFTONWORKS marfa austin+

S P E C I A L A D V E R T I S I N G S E C T I O N In every issue, the Austin + San Antonio edition of Luxe Interiors + Design showcases the CREATIVITY, STRENGTH AND DIVERSITY of the Austin and San Antonio design community. We celebrate the ecosystem of designers and architects, artisans and manufacturers, retailers and showrooms all over the region who honor Austin and San Antonio’s history while driving innovation. Take in the beauty of design in this special section with AUSTIN: THE HEART OF TEXAS DESIGN. Partners: Alexander Marchant | Arete Kitchens | Artisan Hardwood Floors | Austintatious Blinds and Shutters Curated Home Furnishings & Fine Jewelry | Daley Home | Dick Clark + Associates Architecture + Interiors Epic Smart Homes | Etch Design Group | Jauregui Architecture Interiors Construction | Jay Corder, Architect John-William Interiors | LAVISH kitchen + bath | Liz MacPhail Interiors | Portella Steel Doors & Windows Presidio Steel Doors & Windows | Scheer & Co. Interior Design | Shoberg Homes | Webber + Studio | Wilson & Goldrick Realtors

ALEXANDER MARCHANT

MEET THE MASCOT Alexander says that she and the team love their dogs. “Our English Bulldog mascot Lupe is ever-present in our Brentwood It’sshowroom.” important to know when and how best to appreciate and preserve historic elements of a space when making modern upgrades to a home. Alexander Marchant owner Susan Alexander says: “We have been fortunate to work on some truly historic Texas buildings and homes. I’m always drawn to projects where we get to explore antique hardware restoration or replication. As participating members of both AIA and Preservation Austin, we keep ourselves involved with the folks building and restoring true Texas projects.” They have one showroom location in San Antonio and two in Austin. Alexander says, “Having two showrooms just miles apart gives us the flexibility to display more great product from two very different perspectives.” Noting the differences in the cities, Alexander adds, “It’s great to have showrooms in both cities so we can really get to know—and cater to—the distinct design communities.”

As supporters of the annual AIA Homes Tour and the Preservation Austin Homes Tour, Alexander encourages locals to attend. “These events invite guests to explore beautiful and culturally relevant projects.

Top The range of colors and textures adds lots of visual interest to this luxurious kitchen. Left Brass and marble are a popular pairing for faucets and sinks, and homeowners can go bold by choosing a reflective brass basin. Right The design of this stunning contemporary home in Olmos Park united architect Michael G. Imber and Pars Design Studio director Parnak Charkchi.

“I am so proud that, due to our dedicated team, we have grown from modest beginnings 20 years ago into a preeminent Texas brand.”

512.462.1444 | alexandermarchant.com

Photography Top by Douglas Friedman; Left by Madison Enloe; Right by Ryann Ford

| alexander_marchant

LOCAL FLAVOR

S P E C I A L A D V E R T I S I N G S E C T I O N

Don’t miss out!” She’s also inspired by art. “My passion for art and beautiful things made by artists and artisans has led me to where I am today,” says Alexander. “A walk around The Contemporary Austin—Laguna Gloria inspires me. I also recently attended a KUT event that gave me access to the Surreal Garden at the Zilker Botanical Garden. What an amazing undertaking that was!

There are so many hidden gems of inspired art and nature in Austin. It makes me grateful to live in this community.”

LLCCOMPANY,IPWATERWORKSOFTRADEMARKREGISTEREDAISWATERWORKS©2022 AVAILABLE AT ALEXANDER MARCHANT 1617 W. KOENIG LN | AUSTIN, TX | 512.462.1444 4335 MCCULLOUGH AVE | OLMOS PARK, TX | 210.320.2093 ALEXANDERMARCHANT.COM Introducing Riverun

Wilkinson says the Arete team is always impressed by local designers working on premium projects.

• For interior mood boards and installations, they seek out: @annsacks_atx Successful home design today understands and plans for the many ways that homeowners move around their living spaces. Arete Kitchens was founded in 1999 out of a passion for modern residential design. Their scope now includes custom German-made LEICHT kitchens, bespoke closets and outdoor kitchens. “Design today takes into account the many different aspects of our lives, plus how we interact with our spaces and each other,” says general manager Tom Wilkinson. “Families are spending more time together and entertaining friends at home. Houses are designed with an emphasis on open and engaging spaces that blur the line between indoors and out. The outdoors are pulled in by incorporating features like natural light and earthy tones and materials. The indoors seamlessly flow out into outdoor living and kitchen spaces that act as an extension of the home and are designed in harmony with the home’s interior.”

ARETE KITCHENS

Top Natural beauty enhances the oak veneer and platinum matte lacquer cabinetry in this open kitchen. Left Soft white cabinetry paired with natural oak veneer creates this polished interior. An adjoining utility area in matching materials extends the space. Right A bifold door in textured oak opens to reveal functional storage that’s easy to reach.

Photography Jake Holt

S P E C I A L A D V E R T I S I N G S E C T I O N

512.383.9906 | aretekitchens.com | aretekitchens

HOLISTIC

• For outdoor inspiration: @designecology_designaquatics @mjsldesign

INSPIRATION

Wilkinson emphasizes that consistent design details across the entire house create a holistic, united feel from room to room and are popular with today’s homeowners. “There is an emphasis that all rooms be evenly matched with regard to their aesthetic and material choices,” he says. “Closets, studies and even utility rooms are of growing importance. There is a prioritization on simplicity and comfort in design.” “We always go to the AIA Austin Homes Tour. It’s a great showcase and an opportunity to meet the people behind the projects.”

VIEWS

INSTAGRAM

• Their go-to Instagram account for high-caliber architectural endeavors is: @lakeflato

JAKE HOLT PHOTOGRAPHY

URBAN EVOLUTION

• Scheer & Co: @scheerandco

Photography Top by Amber Brock; Far left by Jane Ko; Left by Casey Dunn

• Etch Design Group: @etchdesigngroup

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LOCAL CREATORS Artisan shared their go-to Instagram accounts for local designers:

Today, that includes a focus on sustainability. Brock adds, “Austin homes are being beautifully built with a focus on sustainable materials and changing the way we live. Austinites live where design, function and sustainability intersect.”

“Austin has grown in spurts,” says Brock. “There are neighborhoods full of colonial-style homes, others with tiny bungalows, expensive modern builds, and a few Sears homes thrown in for fun! Eclectic doesn’t even begin to describe the incredible juxtaposition of Austin and the people that live here.” As a result, Artisan projects range from “traditional to modern and everything in between.”

When you’ve been in business for decades, it’s the wide variety of projects that keeps things interesting. Artisan Hardwood Floors was founded by furniture builder Roy K. Flint in the 1960s. In the first year, custom furniture turned into custom-designed parquet patterns and then custom hardwoods for floors, walls and ceilings. Today, it’s the array of projects they tackle that motivates them. Head of marketing Amber Brock says: “Each space we work in offers a chance to try something new. We’ve worked with some of the best architects and designers in the country, and are inspired by so many of our projects. Nicole Blair’s angular architecture with lots of natural light gives us opportunities to do something modern and new! And the historic remodel of Green Pastures (now Mattie’s) with Clayton Korte and Joel Mozersky was a fantastic opportunity to bring an Austin landmark back to life!”

ARTISAN HARDWOOD FLOORS 512.928.1655 | artisanfloors.com | artisanfloors

• Restructure Studio: @restructurestudio

“Austin and San Antonio are in exciting places with design —both preserving historic buildings and filling in gaps with trendy, urban architecture.”

Top A white oak parquet floor custom-designed by Kelly Wearstler adds interest to this vibrant bar in the Austin Proper Hotel. Far left This room design in a new East Austin home has custom-designed Texas post oak flooring. Left This innovative remodel by architect Nicole Blair is filled with salvaged heart pine.

• Michael Hsu Office: @hsuoffice

PROGRAM TO PERFECTION Asked to share one of her favorite product options, Norma points to motorized shades. “They can provide a great open look and feel by being programmed to raise prior to the usual times you are in your living areas and, conversely, lower in places like the bedrooms at nighttime. Having shades follow the patterns of those who inhabit the space can help everyone truly enjoy a home or a space as the architect intended.”

SINGULAR SISTERS

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“Both Austin and San Antonio are very unique in terms of the rest of the state,” Tracey says. “The food, architecture, people and vibe of these two cities are unlike any other in Texas. Austin is all about ‘keeping it weird’ and maintaining its individual feel, while San Antonio is about staying true to and honoring its deep roots in Mexican American culture. The sister cities complement each other well.”

“Through window treatments, we strive to accentuate— not take away from—Texas’ beautiful views.”

Above Using the PowerView® app allows the user to schedule shades to raise and lower based on times of the day. Also pictured is the PowerView® Pebble®, which gives one a quick and easy way to operate shades. Top This design features custom motorized drapery and Hunter Douglas Pirouette® shades with PowerView® automation. Far left Custom motorized drapery by Austintatious is perfect in this grand space. Left Here, custom motorized drapery coordinates with custom bedding.

AUSTINTATIOUS BLINDS AND SHUTTERS 512.608.0302 | austintatiousblinds.com | austintatious_blinds

Photography Above by ; Top, Far left & Left by JPM Real Estate Photography

While Texas offers a wide breadth of gorgeous places, there is just something special about Hill Country. With its scenic drives and abundant wildlife, it exudes a charming opportunity to find wonder and delight. This is why Tracey Hopkins and Norma Cataño, both natives of the state but from the west and the panhandle, respectively, set their sights on Austin a little more than 25 years ago. Today, the duo operates Austintatious Blinds and Shutters together out of Bee Cave, and they couldn’t have made a better choice for locale. “The amount of growth and change here and in San Antonio is unprecedented,” Tracey shares. “It’s an exciting time to be involved in the interior design world, specifically in our region.” Norma adds, “There are so many incredible projects that really push the envelope in terms of design. It also keeps our team motivated and excited just to see what we can be a part of.”

12918 Shops Parkway, Suite 700 | Bee Caves, TX 78738 | 512.608.0302 | austintatiousblinds.com LOCAL SERVICE. EXPERT DESIGN. Silhouette® with PowerView® Automation The PowerView® App and additional equipment required for programmed operation.

“This is an exciting time for Austin. We’re witnessing shifts in design sentiment, advancing tech and a substantial influx of newcomers.”

service-oriented

CURATING THE MIX

One of the reasons Austin has proven such a perfect spot for Curated is the local sentiment toward old meets new. Gaynor elaborates: “I believe in the Sister Parish quote, ‘Innovation is often the ability to reach into the past and bring back what is good.’ Austinites agree with me. For example, I’ve seen quite a few turn-of-the-century cottages adapted to meet the needs of our modern-day digital lifestyles.” Gaynor says, “I love interiors that blend elements of yesterday and today into something unique.”

CURATED HOME FURNISHINGS & FINE JEWELRY 512.301.9800 | curatedtx.com | curated_tx S P E C I A L A D V E R T I S I N G S E C T I O N

Center With a gold Piaget watch, ruby drop earrings, an emerald ring, a diamond tennis bracelet and other pieces, this jewelry collection is exquisite. Far right Arranged in a blue-and-white bowl, these colorful silk florals highlight the warmth of the traditional wood furniture.

“I find that people who move here from other parts of the country seem eager to shed their belongings and start fresh,” Gaynor says. “They often say, ‘This is my Austin house; I want it to look like an Austin house.’ There is definitely a pride of place among everyone who lives here, native or new.”

Top This styled vignette features a burlwood bar cabinet, a linen-andrattan accent chair, a silk-covered throw pillow and other luxurious home decor accessories. Right An antique serpentine-front chest with burled inlay accompanies a vintage occasional chair with a customantiqued frame and new upholstery.

From viewing San Antonio as a “heart home” throughout her childhood in an always moving military family, to rediscovering Austin with her husband years later and deciding to plant roots there, Lisa B. Gaynor’s Texas story makes her current location seem fated. As does her ownership of Curated Home Furnishings & Fine Jewelry, given the longtime family joke that Gaynor might slip away at any time if a consignment shop was nearby. Her visit to so many shops like her own paid off, because today Gaynor has established Curated to be a new kind of consignment with a approach. “We offer a black-tie concierge-style preview and pickup to our clients who are selling, and they can monitor the progress of their sales via an innovative online portal,” she explains. “Meanwhile, we are developing a wish list function for our shoppers.”

THE AUSTIN HOUSE

Photography James H. Ruiz

BRING OUTDOORS IN Shelby Van Daley credits the great outdoors and the local area as an ongoing inspiration for the company’s designs. She says: “We love the incredible scenery and lakes that make up this unique city! Any opportunity to highlight the outdoors, we will gladly take advantage of. That might mean removing shutters to bring in more natural light or bringing the outdoors inside with the color palette. We love incorporating natural elements.” “We work with clients to create a beautiful space within their budget and timeline— resulting in a joyful, meaningful home.”

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AUSTIN INSPIRATION When looking for new ideas, Shelby Van Daley seeks out many different activities in the area. “I find inspiration in a multitude of ways.” Van Daley adds: “Driving through some of Austin’s historic neighborhoods, taking in a delicious meal at a local restaurant, hiking the Greenbelt, or boating on Lake Austin or Lake Travis are all inspiring to me. Austin has so much culture and personality!”

clients

DALEY HOME 512.537.9175 | daley-home.com | daleyhome

Top The sofas and leather fringe stools keep things simple so eyes stay on the amazing views of Austin’s Hill Country. Bottom Grasscloth on the dining room walls gives the space a separate feeling in this open floorplan home. Photography French Blue Photography Austin is booming, with a population increase that outpaced every other U.S. city from 2020 to 2021 according to the Census Bureau. The impact on the design community means expanding styles—and a slew of new projects. Daley Home principal designer Shelby Van Daley notes: “Austin has been all over the news as one of the fastest-growing, most desirable cities in the nation. So many people moving here has been good for the design industry!” Shelby Van Daley and her co-founder and husband Kasey Van Daley were both born and raised in the area. “As native Austinites we have seen so much growth all around. It has been very special to be a part of that in our own little way, working out of our studio in Cedar Park.” Daley Home has been in the area for five years, and as one of the few full-service design firms they love working with at every stage in order to “create a comprehensive feel.”

CLASSIC DESIGNS. LIVABLE SPACES. 512.537.9175 | DALEYHOME | DALEY-HOME.COM

LOCAL INSPIRATION

DICK CLARK + ASSOCIATES ARCHITECTURE + INTERIORS 512.472.4980 | dcarch.com | dc_architecture S P E C I A L A D V E R T I S I N G S E C T I O N

• Drophouse Design: @drophousedesign

• Warbach Lighting: @warbachlightinganddesign

These Central Texas natives know the region inside and out, and share local accounts they love:

Photography Dror Baldinger

• Delta Millworks: @deltamillworks

• Clay Tile Imports: @clayimports

TEXAS TODAY

• Eater Austin: @eateraustin “We pride ourselves in creating landmark projects and spaces that capture the unique quality of Austin and Central Texas.”

Top Situated at the top of a street in the Balcones neighborhood, this dramatic home takes on a moody demeanor at dusk. Left In the dining room, clerestory windows frame the space and allow natural light to filter into new areas. Right A curated blend of modern elements, comfortable furniture and dramatic pieces make for an interesting mix of materials in this kitchen and entryway.

Dick Clark + Associates has been designing long-lasting spaces in Central Texas for decades, and their scope has evolved as the area has grown. Power says: “The current atmosphere is one we’ve never seen previously. Austin design is so multi-faceted when compared to the past, and it has grown so fast that it has expanded in a lot of directions at once. Our firm has received more inquiries than ever, and we are involved in some of the best, most creative projects we’ve ever had!” Having deep roots in a community provides the proper perspective required to understand when there is a shift taking place. Dick Clark + Associates was founded over 40 years ago in Central Texas, and as the area has grown, their scope has expanded. Kim Power, a manager at the firm, shares: “It is because of the diversity in projects available in Austin that we are fortunate to work on a wide range of projects. The dynamic growth in creative fields fuels our personal and professional growth and energy.” As a full-service architecture and interior design company, Dick Clark + Associates works on initiatives that range from high-end homes to boutique commercial and hospitality projects. Power adds, “As Austin and Texas continue to grow, we are inspired by the architectural and design community that is pursuing the best work we’ve ever seen in our region.”

@dc_architecture

“What Austin does best is variety—lots of it.”

STANDOUT STRUCTURES

Top Entertaining outdoors has rarely been so technologically sophisticated. Far left This custom theater in an elegant Austin home features a cozy and aesthetic setup. Left Hidden within a riser at the foot of the bed, this primary suite’s television can be unseen or front and center, as desired. Photography Jeff Freeman Photography

Think about the cities most revered for their architecture and design. What qualities do they share? The answer many would give is that they are trend setters. But in truth, the most ahead-of-thecurve places are the ones where the foremost minds are also willing to break the trends. And that, according to Scott Ruzich, is all Austin. As the president and CEO of Epic Smart Homes, a company rethinking the way technology is integrated into the home, he would know. “Austin has always done things differently, and we embrace the challenges and outside-the-box creative thinking that some projects need from us,” he says. Indeed, equipped with specialized knowledge in products and systems that expand livability—even making the outdoors seamlessly functional— Epic Smart Homes achieves just about anything the client and design team can dream up.

“The Driskell hotel is one of our favorite downtown places to visit and meet up with folks for quick meetings, drinks at the infamous bar and live music,” Ruzich says. “It was built in 1886 and is still one of the finest vintage hotels in Austin.” As for buildings he admires outside of the city’s center, one comes to mind. “One of our favorite modern architects is Miró Rivera Architects. We love the firm’s creation of Residence 1466, also called Willow Beach, in Lake Austin. It is so unique.”

TO THE TUNE Asked to share his favorite local events, Ruzich points to Austin City Limits and SXSW. “Residents and visitors alike look forward to these every year. Austin is a music capital of the world, and these festivals in Zilker Park honor a history and legacy of that place as meaningful to music lovers. We enjoy bringing the sounds of Austin’s music scene into our clients’ homes as well, with luxury sound systems and media room designs.”

S P E C I A L A D V E R T I S I N G S E C T I O N

EPIC SMART HOMES 877.627.2215 | epicsmarthomes.com | epic_smarthomes

Epic Smart Homes is committed to providing reliable experiences to clients with an integrity-driven, value-oriented, industry-leading professional staff, ready to partner with you. Epic Smart Homes has achieved the highest-level certification of “Estate” from Home Technology Association (HTAcertified.org). This award distinguishes us in the industry. We excel at quality installations and support a variety of projects from simple to world-class. Builder Specific Programs & Pricing Control4, Savant, ELAN, Crestron, JoshAI Low Voltage Network/Wi-FiWiring DedicatedAudio/VideoTheater/Media Rooms Sports Simulators Motorized Window Coverings Lighting Control Intelligent Lighting Fixtures Intrusion Detection & Monitoring Water Freeze/Leak Detection-Auto Shutoff Access Control Video Surveillance Battery Backup Power/Surge Protection Proactive Remote System Monitoring Post Installation Service Client Care Support Plans WE INCLUDINGPOSSIBILITIESENDLESSOFFER RESIDENTIAL | COMMERCIAL | HTA CERTIFIED PROUDLY SERVING TEXAS | HAWAII 877.627.2215 | EPICSMARTHOMES.COMTX B07356001 | HI C-37775-0 | CA 1042924 | CA ACO7911 | NV 0076675A

• We stand for doing the right thing—financial gain comes second to our client’s happiness. “In Austin, contemporary skyscrapers like The Independent ascend not far from the historic State Capitol. Old and new unite.”

• We are a people-focused firm with appreciation for our employees, clients and vendors.

A scenic tale of architectural contrasts, with the duality of respect for tradition meets a quest for innovation, and a melting pot of diverse people, from “Keep Austin Weirders” to techies, transplants and everyone in between—this is how Jessica Nelson and Stephanie Lindsey describe the magic of living in Austin. It paints a picture of a city overwhelming with variety, and one can see that in the designers’ work, too. “Staying true to the uniqueness of Austin, we receive requests for many different styles,” Jessica shares. “Of course, there will always be a need for modern and contemporary, but we have assisted clients with Spanish revival and traditional as well.” Indeed, she and Stephanie, along with their design team at Etch Design Group, have built a portfolio of bespoke, ever-individual projects. Up next? Stephanie says, “We’re looking forward to moving into the new office we designed.”

• We value work-life balance, and building strong and lasting relationships.

THE IDEALISTS

What else, after all, could a visionary creative like an interior designer be? Jessica shares Etch’s principles for crafting an ideal approach to every project.

ON THE RISE Asked to describe the state of design in Austin, Stephanie says: “It’s on fire. We are excited to continue welcoming companies that are relocating to the state capitol. It has been a fun time to be a designer here, because so many people are hiring design professionals for the first time. We have a great opportunity to guide them through their first home remodel or new construction project.” Top This light-filled kitchen was designed with endless storage options and gorgeous details. Bottom Art takes center stage at the entry to an inviting and moody office. Photography Avery Nicole Photography

ETCH DESIGN GROUP 512.568.3224 | etchinteriordesign.com | etchdesigngroup S P E C I A L A D V E R T I S I N G S E C T I O N

512.568.3224 | ET CHINTERIORDESIGN.COM This bar fully reflects the homeowner’s lifestyle and aesthetic.

JAUREGUI ARCHITECTURE INTERIORS CONSTRUCTION 512.328.7706 | jaureguiarchitect.com |

“We are fortunate to live and work in the Austin-San Antonio area. It provides rich, diverse, creative and historic cultures.”

What is it about Austin or San Antonio that distinguishes them from other cities in Texas? “This area has been known for a more laid back and casual lifestyle, as compared to other big cities in Texas,” says Luis Jauregui. “I believe that this shows through in the design of the homes people live in, and it sets us apart from other parts of the country.”

S P E C I A L A D V E R T I S I N G S E C T I O N

Many artists and designers take inspiration from the environment that surrounds them. In the case of Jauregui Architecture Interiors Construction, they started in the Austin-San Antonio quarter in the 1980s and have operated there primarily ever since, and they look locally for many of their materials. Luis Jauregui, company president, says: “Texas Hill country is a stone town, and we have some of the best quarries in the country. This shows up in the architecture in all the Texas towns surrounding us, and in the courthouses in nearly every city. I use this readily available material in most of my designs.” Jauregui is also inspired by his peers working in the region.

“I never miss the AIA Austin Homes Tour in October, and the GAHBA Parade of Homes in the summer. Both events are full of wonderful designs and provide me with fresh inspiration.” jaureguiarchitect LOCAL CHARACTER

Top This home uses eye-catching details of curving roofs and stucco to soften the modernity of the front exterior, which also has an elegant water feature. Right Modern and traditional design meet to create a calm, inviting study in a neutral palette with clean lines and hints of color for visual interest.Center Wood trimmed windows take over the corner of this water-facing room to take advantage of the sprawling lake view. Far right The stone fountain adds visual interest—plus sound and texture—to the curved driveway of this modern lake house.

Photography Paul Finkel of Piston Design

KEEPING COOL Texans are known for an appreciation for the great outdoors, but need to balance that with ways to manage intense heat. Luis Jauregui designs with that in mind, and makes sure clients can keep cool. Jauregui says: “All of our homes are designed to take advantage of shade and views. An indoor-outdoor transition with the use of glass and doors provides access to a terrace to shelter our clients and protects them from extreme Texas heat. It is essential in all of our home designs.”

Top A floating staircase cascades from the porch of the Crestway residence. The design seeks to rethink and amplify modernist, midcentury design principles. Right The continuous clerestory windows bring a wash of even daylight to this open-plan environment, with a brick wall delineating the kitchen and entry spaces. Center Renovating a house designed by architect Frank Welch, Jay Corder approached the project with the respect due the father of Texas regional modernism. Far right A curved skylight brings ample, measured daylight to the bathroom in this West Lynn residence, and the curves are referenced again in the custom walnut vanities.

includes

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Photography Top & Right by Dror Baldinger; Center by Chase Daniel; Far right by Whit Preston “I thrive on synthesizing a modernist approach to design with client needs to create unique solutions tailored to each client.”

Architect Jay Corder says: “Design in Austin right now is at an all-time high in terms of the quality of design and the overall talent level of architects in the region. The bar is very high in Austin, and as clients become more sophisticated, the design community has evolved to meet that need. It’s amazing!” Corder is consistently inspired by his local colleagues, and says: “I see new projects on an almost daily basis that are just so lovely for any number of reasons. I’m moved by that, and very humbled to be a part of what’s going on here right now.” As a seventh generation Texan, has deep roots in the community and the local culture in his blood. His design approach “the climate, topography, native materials—all of these things are simply a part of my experience since birth.” MOVING TO MODERNISM Jay Corder confirms that “in Austin, modernist work is on the rise.” He adds: “As a growing metropolitan area, this movement speaks to the flavor and cross-section of transplanted citizens from California and New York. In this way, Austin likely sets a new standard for the quality of construction and overall design for the rest of Texas.”

Modernism is also architect Jay Corder’s focus. “Our work is decidedly modernist in approach. By extension, we naturally seek to find the optimal relationship between our buildings and the land. Whether that’s through passive design strategies that seek to balance and bring in daylight, through the study of edge conditions between inside and out, or through the direct connections of interior and exterior space in the form of framed views and outdoor living spaces, our work resonates this appreciation.”

Corder

JAY CORDER, ARCHITECT 512.243.8507 | jaycorder.com | jaycorderarchitect

Austin has been undergoing significant change during the recent period of population growth.

In the past decade, Austin has seen many a new resident settle in, whether from afar or as a transition from another part of Texas. With new corporations doing the same, it has only continued to grow in culture and opportunity year after year. “Austin has become a sophisticated town with knowledgeable, educated consumers seeking the finest in home furnishings and interior design for their homes,” says John-William Interiors founder and president John Snell, who works alongside designers David Fuller, Hadley Hanson, Diana Johnston and Terry Davey. And indeed, while they complete projects throughout the country, their local Austin endeavors prove especially inventive and enticing. Asked what brings such great clients to the city, John says: “Austin is such a hub for creativity. We are exposed to some of the best art, food, music and events around—it’s special.”

Asked to reveal where they find inspiration, the JohnWilliam design team points to two main sources.

Photography JP Morales S P E C I A L A D V E R T I S I N G S E C T I O N

EVOLVING STYLE

“Austin design has grown rapidly in not only taste level but also variety of taste,” John says. “With the growing population comes an emerging blend of cultures and influences. Currently, we are noticing a big focus on organic, transitional design with eclectic European influences. Comfort and livability are still very imperative.”

A WORLD OF INFLUENCE

Top Transitional luxury is achieved in this space, with muted colors meeting pops of fun blues and greens. Far left A sophisticated Italian-inspired dining area, this space boasts room for entertaining. Left Luxurious textures and finishes with layers of textiles make this space interesting without overwhelming the senses.

• We are absolutely influenced by nature in our designs and in the pieces we carry. From ocean blues to one-of-a-kind wood end-grain case goods, our clients love bringing the outdoors in.

• Travel is probably our other biggest source for inspiration. Enjoying everything from Italian summers to wineries in Fredericksburg, we use our time outside of the showroom to reinvigorate our creative juices.

“With both national and international interest in our city, the energy is awesome. Austin is making for a great place to do the business of design.”

JOHN-WILLIAM INTERIORS 512.451.5511 | jwinteriors.com | johnwilliaminteriors

Photography Casey Dunn S P E C I A L A D V E R T I S I N G S E C T I O N

The saying “Everything is bigger in Texas” likely originated from the fact that the state is the largest in the continental U.S. when it comes to square miles. This state is huge—and so is the array of design styles in the area. Jill Siegel, the LAVISH kitchen + bath chief inspiration officer, says Austin and San Antonio vary in styles and trends. “In Austin we’re not grounded in tradition, so it’s a great place to be creative and playful. In San Antonio, there’s a lot of interest in modern cabinetry and that aesthetic is also fun for us to design and create.” LAVISH has bases in both communities, with a design studio at the Domain Northside in Austin, a new studio in progress in San Antonio, and a production facility located between the cities “so our team can easily service both.” Siegel adds, “Austin and San Antonio are both unique and different from anywhere else in the world.”

CAMOUFLAGE

Above Wood grain warms the space and pairs with the countertops to create clean and functional storage in a beautiful, streamlined look. Top Mixed materials are layered to accentuate dimension and create a striking visual in this open kitchen.

LAVISH is seeing cabinetry “streamlined with clean lines and warm textures in multiple finishes” in today’s kitchen designs. Siegel says, “Paneled appliances are popular, as are appliance garages that conceal items when not in use.”

INSPIRED BY NATURE Jill Siegel says that at LAVISH “nature is our number one inspiration.” She notes that wood is one of their favorite materials for cabinetry, and they are passionate about using natural wood. “Organic materials possess special qualities, and we often incorporate natural elements into our designs.” Nature is also where the team goes for fresh ideas. Siegel adds: “We’re avid hikers and love the terrain of central Texas. You can spot us at Commons Ford, and in warm weather you’ll find us in the water! Be it a river, lake, or swimming hole, the key to staying cool in hot Texas weather is to get wet!”

KITCHEN

LAVISH KITCHEN + BATH 512.601.6611 | lavishforhome.com | lavishforhome

“Innovative design is integral to the Austin aesthetic— exploring the possibilities is what creates the unique energy of our city within our shared and social spaces.”

Design Studio at Domain Northside lavishforhome.com 512.643.0308 Custom Cabinetry -Install-Manufacture-Design

Ten years ago—after a second renovation of her own South Austin bungalow—Liz MacPhail started her eponymous interior design company. “When our large-scale addition doubled the size of our bungalow, friends and neighbors started asking me to do to their house what I’d done to mine,” says MacPhail. In 2019, she purchased and renovated a 100-year-old historic bungalow to house her interior design studio and a small, trade-only, boutique showroom. MacPhail is passionate about the area. “If I could buy up all the old bungalows in Austin and save them, I would!” She finding ways to salvage the charm and durability of old homes while adding enough updates to make the home last. MacPhail says, “I love listening carefully to what a house really needs—or doesn’t need—and unlocking how best to elevate the old while bringing in the right amount of new to make the home last.” lizmacphailinteriors

enjoys

LIZ MACPHAIL INTERIORS 512.551.2985 | lizmacphailinteriors.com |

MAKE WAY FOR HEIRLOOMS MacPhail always makes space in her designs for family heirlooms and beloved pieces. She says: “We are known for our use of client antiques. If our client loves their grandmother’s buffet, then we love it, too, and will help them make it shine in their home. We just might suggest they move it from where they currently have it, or set it in an unexpected place. We put dressers in dining rooms, pair paintings in a powder room, or put a formal buffet in an office. It’s our way of putting a fresh spin on an old favorite.”

MacPhail says the Austin and San Antonio design communities are vibrant. “We’re picking up steam and making a mark! I used to have to go to Houston, Dallas or New York to source. Now, there’s been so much growth and new business, it has helped establish us in the national design scene.”

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CITIES ON THE MOVE

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Top An antique rug and vintage chairs— refinished in an unexpected whitewash— are offset by a contemporary breakfast table in this renovated kitchen. Photography Nathan Schroder Photography

“A strong sense of individuality and a focus on custom, artisan craftsmanship sets Austin design apart from other Texas cities.”

• Instagram visits: @aiaaustin @dillonkylearchitects @reagan_andre_architecture @gensleraustin @chasarchitects As stunning, sprawling landscapes go, few places can compete with the beauty of Texas. Whether it be a downtown skyline view, or a silhouette of the hills rolling through the countryside, Texans have a reason to open their homes to the views beyond. That is just what Portella Steel Doors & Windows aims to do. Based in Austin, which they appreciate for its central location and eclectic architecture, CEO Misrraim Cardenas and his team find that clients often favor clean, custom, door and window designs that welcome the outdoors in. “But,” Cardenas says, “we don’t favorites, because our products inspire each project in their own way, which allows for individual creativity.” And indeed, since Portella’s made-to-order approach is fully custom, the possibilities are nearly endless. “Our project managers have extensive knowledge and will help guide you through the process of the investment in your home.” | Chenn

“In Central Texas, the flow— of life and design— is just different.”

WHAT AUSTIN WANTS Asked to discuss the design and architectural trends dominating Austin and the surrounding areas, Cardenas points to a delightful idea. Despite being in an international destination experiencing significant industry and job growth, Austinites, it seems, still value locality and regional style. “We mostly work with modern custom contemporary, Hill Country and Spanish Colonial custom homes, here in Texas,” Cardenas says. “These are considered the trendier aesthetics, but they also have history in Texas.”

• Local events: AIA Austin Design Excellence Conference, Austin Build Expo, ISCAA Event Sponsorship

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choose

portella.com | portelladoors Photography Steve

While Portella has a large presence in the state, the team is also fulfilling design dreams nationwide and internationally, bringing more ingenuity, diversity and ideas to clients everywhere.

ITINERARY FOR INSPO Salmeron shares his in-person and online must-sees.

PORTELLA STEEL DOORS & WINDOWS 512.265.2034

Photography S P E C I A L A D V E R T I S I N G S E C T I O N

Portella Steel Doors & Windows | 4111 Todd Lane, Suite 1000 | Austin, TX 78744 | portella.com Precision built luxury steel windows and doors that are timeless, beautiful and minimalistic.

• How does Texas’ unique history and heritage influence your work? Texas’ rich history is evident in a great number of our projects and we are constantly aspiring to stay true to our roots by offering a wide range of products that fit our clients’ many design aesthetics.

Top Presidio custom steel windows in a rich black finish bring a stunning design element to this Barton Hills residential project. Bottom Walls of Presidio custom steel windows serve as a fabulous frame that turns this view of the water, sky and trees into a priceless work of art. Photography Matt Sawyers of Color THE AUSTIN EFFECT

“At Presidio, highly personalized service from design through installation is our promise.”

• How would you define Austin design right now? The first two words that come to mind are warm and contemporary. Austinites want home to be a comforting oasis away from the hustle and bustle of everyday life while reflecting the innovative spirit of the city through cutting-edge design and construction.

• What about the passion for the great outdoors? Because Texans love the great outdoors, we have increased our offerings to include custom-made steel fences, gates, railings and planters, and we always welcome custom requests that push our creative boundaries.

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PRESIDIO STEEL DOORS & WINDOWS 512.524.6060 | presidiodoors.com | presidiodoors

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Austin is a thriving modern metropolis made up of unique, friendly neighborhoods. To those lucky enough to live there and for those who wish they did, that distinct duality is at the heart of Austin’s appeal. For more than 30 years, Bryan Wiest and his family have been an integral part of the community. “We were drawn here for a variety of reasons including great schools, exceptional culture and diversity and unmatched opportunities,” he says. As the owner of Presidio, Wiest channels that Austin optimism and pride into his elegantly designed, custom-built steel doors, and gates, which are crafted locally. “The team at Presidio is ready to take your inspirational images and ideas and make them a reality,” Wiest adds. “Our new state-of-the-art showroom is located in Southwest Austin, so that we can be a part of Austin’s next great residential area.”

Presidio Steel Doors & Windows Offering Thermally Broken Steel Doors & Windows 8651 Old Bee Caves Road | Austin, Texas 512-524-6060 | presidiodoors.com

Tucked away in Brentwood, in a gorgeous, sun-drenched complex designed by Baldridge Architects, one of Austin’s greatest champions can be found at work: Killy Scheer. The owner of Scheer & Co. Interior Design moved to the Central Texas hot spot after living in New York City and San Francisco, where she launched her design career. In Austin, she found her favorite of the iconic places. “I love the rich culture, energy and talent here,” she says. “I quickly became enamored with the city and immediately got involved with Preservation Austin, in part to ensure I was one of the transplants working to protect its individuality.” She launched her firm in 2013, with the goal of guiding homeowners through a journey of discovery in order to tell their stories through a visual narrative. While trends come and go, Killy is known for bringing bold, highly bespoke, timeless designs to life.

ALFRESCO IN AUSTIN

SCHEER & CO. INTERIOR DESIGN 512.270.9322 | scheer.co | scheerandco

What makes Austin so special? Killy enthuses, “Considering that Austin is located smack dab in the middle of the state, the volume of high-quality, design-centric amenities and establishments is impressive. The restaurant, cocktail and boutique hotel scene rivals those of much larger cities. Despite the influx of people from all over, Austin’s culture remains authentically ‘Austin.’ It may not be as eccentric as it used to be, but it still has a very unique, somewhat intangible vibe Plus, for being a landlocked city, we have access to so much water, which is essential in the Texas heat!”

Photography Top & Left by Julie Soefer; Far left by Ryann Ford

S P E C I A L A D V E R T I S I N G S E C T I O N

Top A light-filled dining room features light and airy furnishings and fixtures, so as to make the view the focus. Far left For this stately 1919 Hemphill Park home, the front porch is the heart of the home second perhaps only to the kitchen. Left This primary bedroom bridges the gap between new and old, architecture and furnishings.

THE IT FACTOR

“We consider the outdoors in every project, bringing it inside in terms of materiality and actual foliage, framing the views, taking color and texture inspiration from exterior surroundings and creating an easy flow between indoors and out,” Killy says.

“Austin’s funky, artistic vibe is present in all creative forms, from art to food to music.”

SCHEER.CO AUSTIN, TEXAS | 512.270.9322 | scheerandco ÒA home should feel elegant and tailored, while beingandcomfortablefamiliar.Ó KILLY SCHEER

• The AIA Austin Homes Tour showcases design excellence. The beloved autumn Austin event is a self-guided tour of both new and newly renovated homes designed by local architects.

Austin is home to plenty of transplants and a collection of longtime locals, too. In Matt and Paige Shoberg, the two categories made for a perfect pairing. After moving to the city to start his career in home building, Matt met Paige. Today, they own and run Shoberg Homes together while also running a household of four boys. They do it all from Westlake, Paige’s hometown turned their family and business home base. Upon being asked what they love about the area, Matt chimes in, “I have always believed that Austin is ahead of the curve when it comes to architecture and design, and neighborhoods like Westlake, Tarrytown, Pemberton and Rollingwood showcase the eclectic diversity of styles that contribute to that idea.” As for what new builds and major renos are looking like, Paige says, “There is an overarching desire to create sustainable homes that don’t lack luxury or quality.”

PENCILED IN Matt shares his favorite local events.

• Waterloo Greenway’s Creek Show invites architects, landscape architects, artists and designers to submit ideas for light-based site-specific installations along Waller Creek each year.

SHOBERG HOMES 512.358.4892 | shoberghomes.com | shoberg_homes

S P E C I A L A D V E R T I S I N G S E C T I O N

Above Clean lines draw the eye to architectural details and the natural world beyond. Architecture by Ryan Street Architects and interiors by Rachel Mast Design. Top Dreamed up by A Parallel Architecture, this stunning home seems to blend into the landscape. Far left This bright and open home was designed by Furman + Keil Architects and Wendy Williamson Design. Left A wraparound skylight adds something special to this kitchen, which rests within a home designed by A Parallel Architecture.

NATURE AS MUSE In Austin, enjoying the great outdoors has become a key part of the design planning process. “Architects will often partner with esteemed landscape architects to frame vignettes. We are also seeing architects and designers encourage the use of materials like wood, stone, marble and steel to add natural elements to the interior of a home.”

“Recent growth has given Austin a competitive edge when it comes to paving the way for setting trends in design.”

Photography Above & Left by Casey Dunn; Top by Chase Daniel; Far left by Dror Baldinger

• The AIA Austin Homes Tour is the oldest and most respected of its kind in the country. People travel from other continents to attend!

In discussing the value of regionalism as a concept, David touches on the aspect of function. “We like to reach into regional examples that can tie new ways of solving architectural problems together with tried-and-true methods of construction,” he says. “One of my favorite examples is a dogtrot house. This is a home with two parts that connect via an open porch in the middle. It has air funneled through by virtue of being wedged between buildings, which offers the perfect antidote for our hot, humid climate.”

• I revitalize by biking out on Loop 360 and down to Buda, or swimming at one of our favorite pools, like Deep Eddy. “There is so much vibrant creativity in Austin, from design to music to food.”

When David needs to recharge and find fresh drive, he turns to a historic design event and some outdoor endeavors.

Top One of the premier properties in Horseshoe Bay, this structural steel-and-glass marvel allows for unobstructed views around the point. Right The dining table sits below a Studio K custom, linear glass fixture, which illuminates without interrupting views to the outdoor spaces and lake beyond.

Principal David Webber offers up his take on each place’s design conversation. “San Antonio has a legacy of historic architecture, a by-product of it being affluent for so long,” he says. “In recent years, it has gained new attention, putting the entire state on the design map. Meanwhile, Austin is a mecca for creativity, taking on the role of ‘experimenter-in-chief.’” As for which specific styles the clients of Webber + Studio are requesting, David points to modern in San Antonio and farmhouse in Austin. “Still, for us, the work is always bespoke, because the site and homeowner’s lifestyle play a critical role.” OF LOCALITY

WEBBER + STUDIO 512.236.1032 | webberstudio.com | webberstudio BORN

VISION FUEL

Photography Eric Carvajal

S P E C I A L A D V E R T I S I N G S E C T I O N

With a focus on regionalism and an interest in minimalism derived from modernism, Webber + Studio brings a unique perspective to architecture in Austin and San Antonio. That’s no small thing, given the reputation the duo of cities has garnered for being national leaders in the trade.

Consistent process. Unique outcomes. tel +1 512.236.1032 webberstudio.com

• Lady Bird Lake for an inspiring and refreshing walk.

The Austin neighborhood has been Cindy Goldrick’s home for decades, and she is so passionate about the area that it inspired her to begin her career as a real estate professional. Today, she’s an owner and broker at her firm, Wilson & Goldrick Realtors, which also operates out of Westlake but services all of Austin and beyond. “As realtors, we guide people through the home search, as well as introduce newcomers to the area,” Cindy says. “I love to find houses that back up to greenbelts and parks, or neighborhoods with parks and lake access if possible. But even if someone wants a more urban location, they’ll have easy access to trails around the lakes and a short commute to experience the beautiful Hill Country surrounding Austin.” wilsongoldrick_realtors

AROUND TOWN Cindy offers up her must-do and must-see list.

“Austin is beautiful, but the people are also friendly and welcoming and the design scene is thriving.”

FOR THE LOVE OF AUSTIN “Austin is unique to all of Texas for many reasons,” Cindy says. “Being home to the State Capitol and the University of Texas brings a lot of culture, sports and diversity to the area. The beauty of Hill Country and our many lakes entice. We are now a hub for lots of tech companies, which has contributed to this region being the fastest-growing place in the state. Last but not least, the music scene is magnificent. You can hear great music at numerous venues any night of the week.”

• East Austin to partake in some of the best new restaurants.

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Photography Twist Tours

Large wooded lots, proximity to downtown, a renowned school district, beautiful trail systems to explore and delicious restaurants—what’s not to love about Westlake?

• Southern Walnut Creek Trail to enjoy the best bike ride.

Above McCabe Development brought this Zilker home to life with AIA-driven design and devotion to quality. It was listed by Dru Brown. Top A custom build by Matt Garcia, this home beautifully captures every angle of the tranquil views. It was listed by Cindy Goldrick. Far left Tucked away in Zilker, this is a timeless, thoughtful build. It was listed by Amy Rung. Left With high-end custom finishes and timeless design, this Westlake estate is stunning. It was listed by Suellen Young.

• AIA Austin Homes Tour to explore homes by leading architects.

• East & West Austin Studio Tours for a look at the work of local artists and their studios.

WILSON & GOLDRICK REALTORS 512.423.7264 | wilsongoldrick.com |

923 Westbank Drive, Suite 100, Austin, Texas 78746 • 512.328.0022 • wilsongoldrick.com Our Performance Will Move You

ROOMS WITH A VIEW Expansive vistas permeate a bespoke, art-filled residence perched high above the Dallas Arts District. WRITTEN BY MAILE PINGEL | PHOTOGRAPHY BY DOUGLAS FRIEDMAN L U X E S O U R C E C O M

Interior Design: Emily Summers and Chris Angelle, Emily Summers Design Associates

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onsidering interior designer Emily Summers’ intimate knowledge of the HALL Arts Residences in Dallas, it’s no surprise that multiple owners have sought her help in furnishing their units. Summers and her team brought the luxury residential high-rise to life with design director Eddie Abeyta, under architect of record HKS, as well as her longtime collaborator, Jessica Stewart Lendvay, who oversaw the interior architecture. “It was a seven-year project,” the designer recalls. But one residence in particular stands out for Summers. Not only are the homeowners her friends, but their location offers unimpeded views of nearby landmark buildings by bluechip architects I.M. Pei and Norman Foster. Working with her firm’s creative director, Chris Angelle, who served as lead designer, Summers decided to embrace rather than compete with the sweeping vistas. At the same time, the duo aimed to create spaces conducive to the easy lifestyle their clients envisioned for welcoming friends and family. Key to the team’s approach was making the home—which is long and narrow to take advantage of views—flow naturally. With that in mind, Summers and Angelle broke the entry into segments that create what Summers describes as “elements of surprise.” One of these is an art gallery with large-scale, subtly hued works by Brooklyn-based artists Brian Rattiner and Krista Louise Smith. An arching Lindsey Adelman Studio chandelier mounted to the wall and ceiling also bisects the space. The entry foretells more surprises to come, offering a glimpse into the kitchen, where a special installation by graffititurned-fiber artist HotTea occupies an entire wall. “The clients wanted to take this unit to the next level, and they let us generate ideas in a fun and explorative way,” Angelle says. To further define the interiors, the designers created a cocooning lounge with leatherwrapped millwork and a lava stone bar. “The armchairs encourage great conversation,” adds the wife. “And we purposefully installed the Alex Prager piece on the low side, so people in the photograph are at eye level and gaze back at us.” To separate the lounge from the dining and living rooms, builders John Priest and Rodney Smith crafted a series of full-height, pivoting shou sugi ban screens to give the couple flexibility while entertaining. “There’s a great contrast of materiality throughout this home that informed the overall palette and aesthetic,” addsThatSummers.contrast is evident in the dining room, where Summers and Angelle paired an elliptical stone-and-iron table with chairs originally designed for a Michelin-star restaurant in Hong Kong. “They’re soft and comfortable, everything you’d want in a dining chair,” notes Angelle. Underfoot is a Summers signature: a rug cut into pieces and then stitched back together in an unexpected shape. “It needed to be a flat weave, so you can pull the chairs in and out, while still creating interest,” she explains. Also sharing the space is a large architectural photograph by Michael Gaillard.

Further customizing the abode’s floor plan, the primary bedroom suite sits near the main living area for easy access to the terrace and glittering nighttime views. “Everything just fell into perfect place here,” says Angelle, pointing to the leather headboard wall and an owl sculpture by Los Angeles artist David Wiseman. Meanwhile, at the opposite end of the residence, two guest bedrooms accommodate the couple’s children. “They come and go, so the owners wanted gracious, comfortable rooms for them,” says the designer. Form certainly meets function in this home that soars above the city. “It was wonderful to begin with a clean slate—and Chris did a great job of balancing contrast, subtlety and color,” reflects Summers. “Every piece has a purpose. It is all about living in a well-edited space.”

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While most of the home follows the owners’ request for a black-and-white palette, the design team employed punches of color to enliven the adjacent glass-walled living room. Here, views of the nearby opera house’s red dome and the park inspired Angelle to bring in complementary hues. “Every project we design is about context, so we pulled in blue, green and yellow from the view,” the designer explains. “It wasn’t about selecting colors; it was about what felt natural.”

A custom Lindsey Adelman Studio Cherry Bomb chandelier arches over the entry, illuminating paintings by Brian Rattiner and Krista Louise Smith. The latter, above Studio Paolo Ferrari’s Plank bench, is from Carvalho Park. The rug was custom designed by Emily Summers Design Associates and manufactured by Rosemary Hallgarten.

“THERE’S A GREAT CONTRASTMATERIALITYOF THISTHROUGHOUTHOMETHAT INFORMED THE OVERALL PALETTE AND AESTHETIC.” –EMILY SUMMERS L U X E S O U R C E C O M

Byrdwaters Design oversaw the lighting design. A Lagos table by Baxter pairs with Poltrona Frau’s Viola armchairs in a Liaigre fabric.

Emily Summers Design Associates conceived the dining room rug while a chandelier by Michael Anastassiades hangs above.

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Above: The bar seating area comprises a Michael Wilson cocktail table, Zeitraum armchairs and a Jan Kath rug. Edelman leather wraps the millwork surrounding Signal sconces by Workstead.

Opposite: Emmemobili’s UFO table and Rose Uniacke’s Stitched armchairs form the breakfast space. A custom installation by artist HotTea adorns the wall.

Above: In the guest bedroom, a Mae bed from Radnor is joined by &Tradition’s Copenhagen pendant. A print by Theis Wendt complements a Karl Zahn mobile.

Opposite: The primary bathroom overlooks a monumental sculpture by John Henry. Dornbracht faucets grace the tub and vanity, which features cabinet hardware by Chris Lehrecke for E.R. Butler & Co. The rug is Orley Shabahang. Ida Badal artwork is from Gallery 12.26.

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Architecture: Ryan Gordon, Gordon Partners Design Interior Design: Ashton Taylor Oberhauser, Ashton Taylor Interiors Home Builder: DJ Palmore, David James Custom Builder

Worlds Collide Italian classicism and seaside serenity unite in a Houston home’s eye-catching interiors. WRITTEN BY CHRISTINE DEORIO | PHOTOGRAPHY BY LISA PETROLE | STYLING BY MICHELLE AVIÑA L U X E S O U R C E C O M

The stone’s moody tone inspired marble features throughout, including the entry’s black-and-white flooring, the powder room’s pedestal sink and the primary bedroom’s fireplace surround.

What do sultry Cabo San Lucas resorts and classical Italian villas have in common? Both have a special place in the hearts of the ownershusband-and-wifeofthisnew Houston abode. These desirable destinations also informed the design of the residence itself, which marries the two sources of inspiration with nary a seam in sight.

Throughout most of the interiors, saturated colors float in a plane between white ceilings and dark wood floors—from the dining room’s wine-colored leather chairs and emerald-green sideboard to the living room’s red travertine coffee table and orange velvet-upholstered chair. But in the study, the color is all-encompassing— much to the homeowners’ delight. “We’re not afraid of deep colors or strong elements,” the wife says. “As much as I love a serene feel, put a leopard print in front of me, and I’m good to go.” So, she didn’t bat an eye when Oberhauser had these walls plastered in a deep sienna hue and added tall velvet drapes to match, or when Palmore proposed a dramatic ribbed alcove behind the desk. “That was one of those details we winged,” he adds. “I’m a firm believer that there are some things you can’t design unless you’re standing in the space.”

What’s more, the kitchen island was wrapped in the same species of burl wood Oberhauser specified for aircraft bulkheads in her former career designing luxury jet interiors. “I was scared about that at first,” the wife notes of the latter, “but we get so many compliments about how original it is. And the running theme with Ashton and DJ was, ‘We don’t want to do the expected.’ ” The result is as different—and yet perfectly suited to this couple—as Los Cabos and Tuscany.

During the planning process, residential designer Ryan Gordon imagined how his clients might experience a day at their favorite Mexican seaside retreat: waking to the sight and sound of water outside their bedroom window; hitting the gym before skipping down a spiral staircase to the pool; and dressing for dinner in a spa-like bathroom with earthy plaster walls. Simultaneously, he conceived a design with arched windows and limestone walls, acknowledging the couple’s love of Palladian architecture “without being so literal as to put big columns on the front of the house,” he explains. And in homage to Tuscan country dwellings, he incorporated hefty rafter tails beneath hipped slate roofs as well as wooden beams on high ceilings. But there’s a bigger twist. “From the front, the house is tight and classic, and as you move toward the back, it becomes more transparent,” Gordon says of the steel-and-glass window walls connecting the open-plan living room, dining room and kitchen to the poolside terrace. This contemporary contrast hints at interiors brought to life by designer Ashton Taylor Oberhauser and builder DJ Palmore, who blended elegant, coved ceilings and paneled and plastered walls with clean-lined Italian modernism. “The homeowners’ personalities are at opposite ends of the spectrum: she’s outgoing, and he’s more reserved and regimented,” Palmore says. “This home’s aesthetic reflects both of them by being bold but also structured.”

Encouraged by the clients’ derring-do, Oberhauser and Palmore proposed a few more bold choices, including a Romanesque dome in black plaster over the powder room sink and the primary bathroom’s freestanding tub encased in a cube of quartzite.

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For her part, Oberhauser found inspiration for the dramatic spaces in a rare vintage black marble dining table by Italian architect and designer Angelo Mangiarotti. “The contemporary lines and beautiful stone, which is worn in the most perfect way, helped set the tone for what we wanted in the entire house,” she recalls. “My style leans more contemporary, but I believe in finding a way to roughen up those sharp lines for more of an aged patina, because you still need some soul.”

Its timeworn finish—reflective of ancient Italian architecture—also helped inform the plastered walls, French oak floors and full-bodied velvets, moirés and bouclés on the furnishings. “There’s a lot of depth to the fabric colors we selected that you can’t get from typical cotton velvet,” Oberhauser explains. “The living room chair, for example, had to be a striae linen cotton to provide the richness we needed.”

Below Andrea Rosenberg’s mixed-media artwork from Moody Gallery, Untitled 92, rests a sculptural Museum Glass bench by Christopher Kreiling Studio. Gabriel Scott’s Harlow sconce completes this entry vignette.

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Above: An Ochre chandelier from David Sutherland lights the B&B Italia dining room table from BeDesign and Enrico Pellizzoni chairs. An emerald-lacquered sideboard from Carrocel holds vintage Fornasetti lamps wearing custom shades from Maison Maison.

Opposite: Living room neutrals include plastered walls by Segreto Finishes matched to Benjamin Moore’s Seapearl, a custom Tibetan knot Perennials rug and Giorgetti’s Skyline sofa from Casa. Mimi London’s Origami lounge chair from David Sutherland, in a Marvic Textiles striae velvet from Wells Abbott, pops below Ironware’s Celine pendant.

Above: The kitchen island’s burl veneer is from Custom Plywood, Inc. Cabinetry painted Sherwin-Williams’ Tricorn Black frames a Calacatta Macchia Vecchia marble backsplash from Aria Stone Gallery. In the foreground, a vintage table by Angelo Mangiarotti is from M.Naeve. An Apparatus chandelier suspends above.

Opposite: Custom bar cabinets donning Sherwin-Williams’ Rookwood Shutter Green complement walls clad in Verias Antique marble from Aria Stone Gallery. A custom shade in Lauren Hwang New York fabric from Allan Knight softens the space. Apparatus Talisman sconces flank an antique Italian accordion mirror found on 1stdibs.

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Right: Black plasterwork by Segreto Finishes in the powder room backs a solid marble pedestal sink by Stone Forest paired with a Graff faucet, both from Acero Bella. The 20th-century mirror is a 1stdibs find.

Opposite: A fluted wall niche in the study overlooks a Zanotta Carlo Mollino-designed Cavour CM writing desk and Arper chair from Debner. The Nautilus Study lamp is Christopher Kreiling Studio.

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Opposite: Matouk linens from Longoria Collection, a wool shag rug from RH and a circa-1840 folk art window shade, stretched on a frame, set the tone for the main bedroom. A CB2 bench and chandelier from Circa Lighting add touches of glamour.

Above: Walls in Tadelakt plaster bring a beach retreat feel to the main bathroom. A tub fitted with House of Rohl hardware from Acero Bella is encased in Ijen Blue leathered quartzite from Omni Surfaces. Limestone flooring from Alamo Stone runs underfoot.

Into the Glow Sensorial wonder imbues the otherworldly ceramic sculptures brought to life by a Houston artist. WRITTEN BY MONIQUE MCINTOSH | PHOTOGRAPHY BY JENN DUNCAN

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n life, certain moments—the golden warmth of a sunrise, a chilly plunge into blue waters, or the sticky sweetness of childhood ice cream afternoons—linger deeper in our minds. It’s these euphoric events that Houston artist Angel Oloshove embodies in her expressive ceramic sculptures. Alongside monoprints and functional pottery, she experiments with emotive forms, textures and colors. “I love those moments that feel like a full-body sensation, when you become completely attuned to what’s happening,” she observes. “I want to marry that spiritual and ephemeral experience in solid form.” To create her synesthetic shapes and hues, Oloshove often prods her own memories, recalling everything from her childhood on a Michigan farm to young adulthood working as a toy designer in Japan. The latter’s majestic rain-eroded forest Buddha statues, for example, influence her abstract yet anthropomorphic approach to form. And then there’s Houston’s vivid sky, “with colors unlike anything I’ve ever seen,” she muses. “When they reflect off the skyscrapers, you feel like you’re in a planetarium playing Fantasia .” Oloshove’s bucolic barn studio feels similarly fairy tale-like, with greenery creeping under the walls and chickens clucking outside. The organic space feeds her process, which begins with sketching until an abstract yet visceral silhouette emerges. “I never want these forms to be too didactic,” she explains. “I want them to feel like a memory you forgot you had.” Based on the final drawing, she constructs cotton-and-wood molds, draping them with slabs of clay. She then refines the shape, drawing from her background in toy design, “where the smallest change can make something come to life,” the artist says. Once the shape is formed, she removes the mold, leaving behind a hollow cavity imparting “visual buoyancy, with beautiful convex curves not beholden to gravity,” she notes. After firing, the Texas clay becomes a paper-white canvas for spray-painting with vivid color-stable underglazes, which Oloshove carefully contours so each shade appears to pulse through the piece.

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On display at Uprise Art in New York and Form & Concept in Santa Fe, her sculptures’ powdery matte finishes feel achingly familiar, somewhere between weathered stone and warm skin. “I want you to have a ghostly feeling in your fingers when viewing it, of how it would feel in your hands,” she describes. In a way, her work becomes truly complete in this moment, when colors and contours awaken the observers’ own bodily reveries. Because for Oloshove, “I’m always trying to find a connection with others that’s more complex than words.”

Houston artist, ceramicist and sculptor Angel Oloshove (opposite) creates ceramic sculptures, monoprints (left and bottom) and even functional pottery. Drawing from a background in Japanese toy design, she refines the shape of her sculptures (previous page, right) before firing and then spray-painting them (below) to appear incandescent.

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Interior Design: Shazalynn Cavin Winfrey, SCW Interiors, LLC Returning to Your Roots A designer’s renovated Austin abode honors her own history while nodding to its former owner. WRITTEN BY KATE ABNEY PHOTOGRAPHY BY STEPHEN KARLISCH STYLING BY FRANCES BAILEY

omething seems fated about the home designer Shazalynn Cavin Winfrey has made her own in Austin. She wasn’t even in Texas when the residence came on the market, but she immediately knew it was special. “I texted my husband, who was nearby, and said, ‘the minute you wake up, get in the car and go over there,’ ” recounts the designer, recalling how she fell in love with the property sight unseen. Seated on one of the highest points in the city, the home had previously belonged to Saint Mary’s Catholic Church, whose bishop lived there for more than 40 years. It had served as a parsonage, providing living quarters for the bishop as well as plentiful spaces for hosting parishioners and visiting clergy. However, the abode’s traditional hallmarks—white stucco, stacked stone, red-clay floors, terra-cotta roof tiles—resonated with the designer, who spent much of her life in the western part of the state and was anxious to find her way back. “There was something old-school Texas about this architecture,” she muses. When Cavin Winfrey finally set foot on the property, she found a tangle of overgrowth. Taming the vast landscape included preserving its heritage trees, inserting a sleek swimming pool and updating the bishop’s four beloved terraces— with one perfectly positioned to soak up the area’s golden sunsets. Interior design decisions were similarly predicated on natural light, with the floor plan preserving outdoor access from virtually every room and hallway. From there, a family room was captured for a daughter’s bedroom, the dining room was swapped with the living area, and an upstairs apartment kitchen was converted to a closet. Meanwhile, the kitchen was reconfigured for both beauty and functionality. Here, the influence of Cavin Winfrey’s former culinary arts career is evident in the custom private-label cabinetry as well as the layout. “Most professional kitchens have a galley style, and that’s my preference,” the designer shares. “I think zones are important, and keeping the working area and serving area separate.” One end of the space features an entertaining station complete with a refrigerator in Kelly green—a hue repeated on a lacquered china cabinet that anchors the opposing breakfast nook. The color choice is a nod to the bishop’s annual Saint Patrick’s Day celebrations but is also a direct response to the natural surroundings. “I believe a house will tell you what it should be,” explains Cavin Winfrey. Verdant hues also appear prominently in a Jackand-Jill bathroom, which the designer clad in handmade ceramic tiles. Teamed with patterned selections adorning the stair risers and running up the kitchen backsplash, the tile assortments have the added benefit of appearing original to the house. “It was a tribute to my Southwestern roots,” she describes, “that 50 years ago, materials would have been made and sourced locally with indigenousComplementingqualities.”the spaces are favorite pieces that have followed Cavin Winfrey and her family from place to place. “I can’t think of a single item in this house that doesn’t fit better here than it did anywhere else,” she expresses. In the dining room, a raw-crystal chandelier from a previous residence illuminates a backdrop of scenic wallpaper bedecked with fanciful creatures. And an inherited collection of Staffordshire figurines feels right at home atop twin étagères tucked into the window niches. Adds the designer: “These pieces are about our history and the ancestors who have helped deliver us to this place.” It was much the same case for the couple’s eclectic collection of art. “Truthfully, I only purchased one new piece for this home,” Cavin Winfrey reveals. Framed textiles—originally from the Lakai Uzbeks in Afghanistan—hang in the primary bedroom, conversing with a mix of Southwest-style and other vibrant rugs throughout the interiors. In a daughter’s bedroom, art pops against sketchy grid-like walls underscoring the designer’s deftness for combining scales and patterns. While in the entryway, a small landscape of her native New Mexico suspends above seven tortoise shells, and a cherished angel figurine poses within a niche retained during the renovation.

The residence is a sacred vignette of sorts— one that honors Cavin Winfrey’s story as much as that of the bishop before her. “There has been a spiritual journey in arriving to this home,” the designer notes. “I know this place has a history, a divinity, and those are my touchstones.”

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Custom blackened-copper pendants by Bradley Lighting coordinate with both Kelly Wearstler for Visual Comfort and Mr. Brown London sconces in the entry hall. A painting by Santa Fe artist Erin Cone presides over a settee in Schumacher’s Luna linen.

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Draperies in Jim Thompson Fabrics’ Palampore linen speak to art by Karen Smidth over the family room fireplace. An Oly chandelier lights Lee Industries stools in Virginia White Collection linen. Aerin lamps flank pillows in an Hermès textile.

“These pieces are about our history and the ancestors who have helped deliver us to this place.” –SHAZALYNN CAVIN WINFREY L U X E S O U R C E C O M

Kit Kemp’s Mythical Land wallpaper and a ceiling painted Farrow & Ball’s Pitch Black give the dining room a fantastical quality. An inherited Staffordshire collection lines Highland House étagères customized in coral lacquer. The raw-crystal chandelier suspends above a table by Iatesta Studio.

Vibrant tablecloths from Furbish Studio accent the teak dining table and Ridgeline armchairs from Terrain.

Above: Tabarka Studio tiles from Architerra climb up the kitchen backsplash, coordinating with malachite-and-brass cabinet knobs by Modern Matter. Regina Andrew’s French Maid chandeliers illuminate counter stools by Gabby. The Ilve range pairs with a Newport Brass faucet.

Opposite: A breezy patio accommodates dining amongst lush plantings finessed by Stronger Than Dirt Gardens.

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Oly’s Marco bed complements Alan Campbell’s Silvio linen on the settee. Fanny Shorter’s fabric peeks from behind Matouk bedding.

Right: The powder room’s vintage cabinet sits below a Chelsea House mirror and custom Moroccan-style sconce by Tazi Designs. Kit Kemp’s Wychwood wallpaper from Kravet extends into the vestibule.

Opposite: Textiles originally from the Lakai Uzbeks in Afghanistan line the primary bedroom walls.

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Above: Farrow & Ball’s Pitch Black adds gravitas to arched doorways in a study adjacent to the primary bedroom. A caned chair holds cushions in Stevie Howell fabric from Supply Showroom.

Opposite: A frameless glass shower in the primary bathroom ensures unobstructed views of patterned tiles from Clay Imports installed by Barrett Flooring + Design. Laura Kirar’s Filamento chandelier for Arteriors references Aerin’s Beaumont sconces above the RH vanities.

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