Luxe Magazine - May/June 2023 Los Angeles

CIRCA LIGHTING IS NOW

THE DESTINATION FOR DESIGNER LIGHTING

SHOP NOW: VISUALCOMFORT.COM

CRISTOL SMALL DOUBLE SCONCE

HAND-RUBBED ANTIQUE BRASS WITH WHITE GLASS

Iroise, Dining table, designed by Studio Roche Bobois. *$7,990 instead of $10,490 until 05/21/23 for a table as shown, 86.6” L. x 29.5” H. x 39.3” D. (2 integrated extension leaves of 15.7”). Price includes one semi-elliptical dining table with a colored bubble glass top on a lacquered aluminum crossbar. Base in anthracite lacquered steel. Fixed version also available. Identities chairs, designed by Raphaël Navot. Flow floor lamp, designed by Sophie Larger. Made in Europe.

In-store interior design & 3D modeling services. (1) Quick Ship program available.(2)

French Art de Vivre

Photos

©2022 Hunter Douglas All trademarks used herein are the property of Hunter Douglas

LIVE BEAUTIFULLY

What does it mean to live well? To be perfectly at ease, in comfort and style?

Innovative product designs pair with gorgeous fabrics and control systems so advanced, shades can be scheduled to automatically adjust to their optimal position throughout the day. Creating a new world of beauty, convenience and energy efficiency — morning, noon, and night.

Pirouette® Window Shadings with PowerView® Automation

HORIZONTE SEATING SYSTEM | MARCIO KOGAN / STUDIO MK27 DESIGN DAIKI SWIVEL ARMCHAIRS | MARCIO KOGAN / STUDIO MK27 DESIGN

100% MADE IN EUROPE

Designed

PICTURED: HANDCRAFTED NESTING TABLES FROM NOELLE’S SIGNATURE LINE. FEATURING A POLISHED TERRAZZO SLAB AND A REEDED WOOD BASE.

G’day Mate!

Introducing The Signature Line from Noelle Isbell. Australian-inspired statement pieces, handcrafted using real wood.

Applying elements of nature, this show-stopping artisan furniture is custom designed to play well with your treasured collectibles.

“Laid back Australian summers were the inspiration for my new line,” says Isbell. “The clean, relaxed designs and the breezy, open spaces. The playfulness of fringe-top umbrellas, the chic boutiques and the carefree days spent working less, playing more. I collaborated with my father, a master wood worker, to bring this collection to light.”

Created with intention and handcrafted for durable functionality, The Signature Line reflects luxury that’s modern and approachable.

Looking for a personal touch? Not a problem, says Isbell.

“Each piece is available in a variety of sizes, with different texture profiles to choose from. Tailor-made materials can be applied to any door face or leg detail. And everything is locally handcrafted to eliminate delays. Your order will ship within weeks.”

AN EXPERIENCE Like No Other

Your private showcase awaits at a Thermador Experience and Design Center. Explore luxury bespoke kitchens and discover how true craftsmanship, design, and innovation can bring your unique vision to life.

IRONIES

Modern Forms offers effortless, uncomplicated lighting and fan designs created from the finest upscale materials and innovative technology. Our designer collections refresh and redefine luxe spaces.

MAY JUNE

Scene

52 DESIGN DISPATCH

The little black book of all things new and fabulous in the local community.

Radar

66 FIRST PERSON

Stephanie Stokes’ new book is an ode to collected tabletop treasures from near and far.

68 INSPIRATION

Luxe traverses the globe to nd modern makers putting their spin on traditional craft.

76 LEGACY

At a bustling French mill, the centuries-old method of weaving horsehair still produces some of the nest textiles.

Market

90 MATERIAL

Four companies tapping talents around the world—from Ireland and Colombia to India and Massachusetts—to fashion exceptional rugs.

100 TREND

Meet three oral designers creating beautiful arrangements in unconventional ways.

108 SPOTLIGHT

The newly reimagined Hispanic Society Museum & Library opens its doors to talented Latin American furniture and lighting makers.

Living

130 KITCHEN + BATH

Elevated European in uences are the impetus for these charming kitchens, baths and debut tiles.

Designers, epicureans, and guests. The French door that satisfies them all.

Introducing

Learn more about how we stay True to Food by visiting our showroom near you:

WDC Kitchen & Bath Center

Agoura Hills | 805-497-0733

Moorpark | 805-222-1380

Oxnard | 805-278-0388

Santa Barbara | 805-898-9883

SignatureKitchenSuite.com

La Quinta | 760-238-5160

Lomita | 310-802-6380

Torrance | 310-802-6380

WDCappliances.com

FEATURES

164

Inside Stories

A striking abode on the Westside of Los Angeles is the ideal tabula rasa for an eclectic design scheme.

Making Waves

Moving from a more traditional residence, a Corona del Mar couple overhauls their style.

176

Life of the Party

In Oceanside, Ali Beletic’s abstract paintings distill the energy of a celebration on the canvas.

180

Small Wonder

The minimalistic renovation of a designer’s 1920s home in L.A.’s Hancock Park makes a big impact.

ON

THE COVER: In the sunken den of a Los Angeles home, interior designer Jen Samson chose a large-scale wallcovering in a banana-leaf print from Walnut Wallpaper as a dramatic focal point. The Tacchini sofa from DKMR Projects, Casa Quieta marble tables and a Tord Björklund chaise create a lounge-like ambiance atop a vintage Moroccan carpet from Lolan Rugs. Page 152

Written by Liz Arnold

Photography by Mellon Studio Styling by Kara Perlis

Written by Alyssa Bird

Photography by Ryan Garvin

Written by Tanya Ward Goodman

Photography by Jenny Siegwart

Written by Kelly Vencill Sanchez

Photography by Manolo Langis

DESIGN DIRECTOR

Pam Shavalier

ART DIRECTOR

Candace Cohen

PAMELA LERNER JACCARINO

VICE PRESIDENT, EDITOR IN CHIEF

EXECUTIVE EDITOR

Brittany Chevalier McIntyre

SENIOR MANAGING EDITOR

Colleen McTiernan

MANAGING EDITORIAL DIRECTOR

Kelly Velocci Jolliffe

MANAGING EDITORS

Krystal Racaniello, Clémence Sfadj

HOMES EDITORS

SOUTHEAST

Kate Abney

COLORADO, LOS ANGELES, SOUTHERN CALIFORNIA

Kelly Phillips Badal

PACIFIC NORTHWEST, SAN FRANCISCO

Mary Jo Bowling

ART

ART DIRECTOR

Maria Pluta

SENIOR GRAPHIC DESIGNER

Jamie Beauparlant

GRAPHIC DESIGNER

Ellen Antworth

ASSOCIATE GRAPHIC DESIGNER

Kyle Anderson

SENIOR RETOUCHER

Christian Ablan

GREATER NEW YORK

Grace Beuley Hunt

STYLE DIRECTOR

Kathryn Given

ASSOCIATE EDITOR

Khadejah Khan

AUSTIN + SAN ANTONIO, DALLAS + FORT WORTH, HOUSTON

Paulette Pearson

ARIZONA, CHICAGO

Shannon Sharpe

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

Jennifer Pfaff Smith

MARKET

SENIOR MARKET EDITOR

Sarah Shelton

DIGITAL

SENIOR DIRECTOR, CONTENT DISTRIBUTION

Amanda Kahan

SENIOR MANAGER, DIGITAL CONTENT

Ileana Llorens

WEB EDITOR

Michelle Yee

ADAM I. SANDOW CHAIRMAN

ERICA HOLBORN

CHIEF EXECUTIVE OFFICER

CHIEF OPERATING OFFICER

Michael Shavalier

CHIEF DESIGN OFFICER

Cindy Allen

CHIEF SALES OFFICER

Kate Kelly Smith

EXECUTIVE VICE PRESIDENT + DESIGN FUTURIST

AJ Paron

EXECUTIVE VICE PRESIDENT, STRATEGY

Bobby Bonett

VICE PRESIDENT, HUMAN RESOURCES

Lisa Silver Faber

SENIOR VICE PRESIDENT, PARTNER + PROGRAM SUCCESS

Tanya Suber

VICE PRESIDENT, BUSINESS DEVELOPMENT

Laura Steele

VICE PRESIDENT, STRATEGIC PARTNERSHIPS

Katie Brockman

DIRECTOR, VIDEO

Steven Wilsey

SANDOW DESIGN GROUP OPERATIONS

SENIOR DIRECTOR, STRATEGIC OPERATIONS

Keith Clements

CONTROLLER

Emily Kaitz

DIRECTOR, INFORMATION TECHNOLOGY

Joshua Grunstra

SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.

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www.PaulFerrante.com

NEW YORK CHICAGO DALLAS NASHVILLE BOSTON SAN FRANCISCO GREENWICH PALM BEACH SHORT HILLS CANNES JAKARTA

KATE KELLY SMITH EXECUTIVE VICE PRESIDENT + MANAGING DIRECTOR

SENIOR VICE PRESIDENT, OPERATIONS

Tanya Suber

GENERAL MANAGER

Scott MacClements

NATIONAL SALES DIRECTORS REGIONAL SALES DIRECTORS

NATIONAL PUBLISHER Michelle Blair

HOME FURNISHINGS DIRECTOR

Blaire Rzempoluch

WEST COAST DIRECTORS

Lisa Lovely, Carolyn Homestead

MIDWEST + SOUTH CENTRAL DIRECTOR

Tanya Scribner

SALES OPERATIONS DIRECTOR John Baum

EXECUTIVE ASSISTANT Bianca Buffamonte

SALES ASSISTANT Janice Hyatt

INTEGRATED MARKETING

SENIOR DIRECTOR, MARKETING + DIGITAL STRATEGY Samantha Westmoreland

DIGITAL STRATEGY MANAGER Kasey Campbell

INTEGRATED MARKETING MANAGERS Verity Lister, Frank G. Prescia

INTEGRATED GRAPHIC DESIGNER Antoinette Childs

EVENTS MANAGER Gabriella Laimer

EVENTS COORDINATOR Rachele Daszkal

PAR TNER + PROGRAM SUCCESS

DIRECTOR, SPECIAL PROJECTS Jennifer Kimmerling

PARTNER SUCCESS MANAGER + TEAM LEAD Brittany Watson

SENIOR PARTNER SUCCESS MANAGERS Lauren Krause, Susan Mallek, Molly Polo

LUXE PREFERRED, PROGRAM SUCCESS MANAGER + ANALYTICS SPECIALIST Victoria Albrecht

LUXE PREFERRED, PROGRAM SUCCESS MANAGER Stephanie Fritz

NATIVE CONTENT EDITOR + TEAM LEAD Greta Wolf

NATIVE CONTENT EDITORS Heather Schreckengast, Matthew Stewart

CIRCULATION + DISTRIBUTION

SENIOR MANAGER, MANUFACTURING + DISTRIBUTION Stacey Rigney

ARIZONA PUBLISHER Adrienne B. Honig

SALES ASSOCIATE Catherine McGlynn

AUSTIN + SAN ANTONIO PUBLISHER Jim Wilson

SALES ASSOCIATE Addie Szews

CHICAGO REGIONAL PUBLISHER Kathleen Mitchell

DIRECTORS Tracy Colitte, Carolyn Funk, Taylor Greene

COLORADO REGIONAL PUBLISHER Kathleen Mitchell

DIRECTORS Travis Gainsley, Katie Martin

DALLAS + FORT WORTH PUBLISHER Rolanda Polley

SALES ASSOCIATE Addie Szews

GREATER NEW YORK PUBLISHER Trish Kirsch

ASSOCIATE PUBLISHER, NEW YORK Donna Herman

DIRECTOR, NEW YORK Maritza Smith

HOUSTON PUBLISHER Amy McAnally

SALES ASSOCIATE Addie Szews

LOS ANGELES PUBLISHER Tiffany O’Hare

ASSOCIATE PUBLISHER Virginia Williams

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

REGIONAL PUBLISHER Stacey Callahan

DIRECTORS Jennifer Chanay, Susan Goldstein, Karina Gonzalez

PACIFIC NORTHWEST PUBLISHER Debby Steiner

DIRECTOR Cathy Cruse

SAN FRANCISCO PUBLISHER Lisa Lovely

DIRECTOR Sara McGovern

SOUTHEAST PUBLISHER Sibyl de St. Aubin

SOUTHERN CALIFORNIA PUBLISHER Alisa Tate

ASSOCIATE PUBLISHER Kali Smith

Luxe Interiors + Design (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 3, May/June, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“ Luxe ”) provides information on luxury homes and lifestyles. Luxe Interiors + Design SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without

Culture of Design

Analyze the most enduring and interesting spaces, and you’ll discover that they are often composed of a layering of cultural influences and ideas...design that preserves heritage while also pushing it to be experimental and fresh. In this issue, we report on, and praise, the people, objects and spaces that revere craft and cultural artisanship as something to be respected and lived with; rooms that offer a conversation about what came before and where things are headed. May they have everlasting appeal.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

Juliana Lima Vasconcellos’ Giraffe chairs sit beneath a terra-cotta archway at the newly renovated Hispanic Society Museum & Library.

LIVE LIFE OUTSIDE

CREATE A WELL-DESIGNED SPACE AND CHANGE YOUR RELATIONSHIP WITH OUTDOOR LIVING.

TERRA COLLABORATES WITH AN EXTRAORDINARY TEAM OF DESIGNERS, MANUFACTURERS AND ARTISANS ACROSS THE GLOBE TO CREATE EXCEPTIONAL OUTDOOR FURNISHINGS. OUR PREMIUM QUALITY AND CONTEMPORARY EUROPEAN DESIGNS ARE IN-STOCK AND READY TO TURN YOUR OUTDOOR SPACE INTO A PERSONAL SANCTUARY

SCENE

WRITTEN BY MAILE PINGEL | PRODUCED BY CLÉMENCE SFADJ

INSIDE LOOK THE EXPERT

Not only has designer Jake Arnold just launched a collection with Crate & Barrel, but he has also expanded the online furnishings arm of the Expert—a collaborative effort with fellow designers—by opening a by-appointment location in Culver City (left). We get the scoop. theexpert.com

How would you describe the Expert? We’re a one-stop shop for the best in home design. Whether you’re connecting one-on-one with your favorite designer, reading advicedriven content or shopping an exciting curation of products, we’re a trusted destination with diverse points of view and high-quality products at a variety of price points.

DON’T MISS

TAPPAN COLLECTIVE’S NEW BRICK-AND-MORTAR

Online gallery Tappan Collective has opened shop in West Hollywood. Founder Chelsea Neman Nassib tapped Abramson Architects and designer Brandi Howe to develop the 2,500-square-foot location for hosting rotating exhibitions of emerging artists. “I wanted people to experience a sense of comfort and discovery as they move through the space,” Nassib says. “We landed on the idea of a deconstructed living room, so visitors might feel what it’s like to have these pieces in their homes.” Also included is a retail space for furniture company House of Leon, founded by Nassib’s brothers, Jordan and Steven Neman. “There’s synergy between the brands,” Nassib adds. “And what better neighbors than your siblings?” tappancollective.com

What will we find at the new showroom? An ever-evolving rotation of brand partners’ products as well as vintage collections sourced in Europe. We also offer the Expert Collection, the in-house line of essential pieces that I’ve curated.

Tell us about the “mash-ups” between the Expert’s designers. As designers, we’re accustomed to creating bespoke pieces for projects, but consumers can’t directly shop different brands in the same way. Our exclusives—like Jenna Lyons playfully putting Schumacher’s Dazzle Ship velvet on a Stillmade chair—give shoppers access to unique, heritage pieces.

Why does collaboration matter? It keeps things fresh, provides a level of transparency and allows our aesthetics to reach larger audiences.

look: showroom photo, courtesy michael clifford; portrait, courtesy jazmin estopin. don’t miss photo: kevin gonzalez.

KITCHENS BEGIN WITH VIKING

Dreamers, innovators, leaders—Viking continues to deliver professional-grade appliances and stunning design to the heart of your home.

KITCHEN I BAT H I HARDWARE I OUTDOOR

COLLABORATION

THOMAS HAYES X SAMANTHA GALLACHER

IN STORE

WHAT’S IN STORE

TWO NEW DESIGN DESTINATIONS

Cassina’s new West Hollywood location (the largest of all its showrooms) was designed by the company’s art director, Patricia Urquiola, and o ers the full complement of the brand’s designs. Special focus is also given to innovative arrivals, like the Modular Imagination collection by Virgil Abloh and limited-edition pieces including the Soriana armchair (above), newly available in denim. And moving to gardens, Rolling Greens is also opening this summer in a former car wash in Santa Monica.

“Our stores have their own unique personalities, just like the diverse communities of Los Angeles,” Rolling Greens creative director Raychel Walton says. “Santa Monica and Venice are beautiful, artistic neighborhoods. We’re thrilled to serve the beach communities for the first time.” cassina.com; rghomeandgarden.com

Los Angeles-based furniture designer Thomas Hayes has debuted a decidedly di erent type of chair, created with his longtime friend, textile designer Samantha Gallacher of Art + Loom. Dubbed the SG Chair, its barrel design features woven cotton, an oak frame and a leather seat. “We brainstormed on a dining chair that would look really sexy from the back and also be comfortable,” explains Hayes, who envisions it as a desk chair as well as a standalone sculptural work. “This piece is a statement,” Gallacher adds. “It highlights beautiful fabrics and Thomas’ woodworking craft, and warms up a space with its texture and materials.” The SG Chair is available via Thomas Hayes Studio. thomashayesstudio.com; artandloom.com

LONDON CALLING

TEMPERLEY LONDON X ROMO

Romo’s new line of textiles is the shared vision of its design director, Emily Mould, and couturier Alice Temperley. For inspiration, the two researched Temperley’s archive for elements to translate into home fabrics. Drawing from two decades of embroideries and hand-painted prints (Temperley’s clients include Catherine, the Princess of Wales, as well as Hollywood royalty Beyoncé and Penélope Cruz), the result is a collection of fabrics—cottons, velvets, satins and weaves—wallcoverings and trims displaying a fantastical mix of imagery. From leopard prints to Art Deco-like palm fronds to Chinoiserie peonies, these textiles will satisfy the most sartorial of Southern Californians and can be experienced firsthand at Romo’s Pacific Design Center showroom, which opened last fall. romo.com; temperleylondon.com

MEET THE MAKER

AMY WEISBERG OF LIKE.LEIGH

Working for large fashion and home brands, textile designer Amy Weisberg longed to return to her hand-crafting roots. But it wasn’t until her mother passed away that she recognized how fleeting time is and the importance of following one’s passion. With that realization came textile studio Like.leigh. “My mother and I were so much alike. Her name was Sandra Leigh, and I’m just like Leigh,” she says. Weisberg, who lives in San Clemente, begins designing patterns by hand (drawn, painted or stamped) and relishes the imperfect quality of screen printing. Her approach is holistic, too. “From certified Belgian linen to ecofriendly dyes, every decision matters, and we print made-to-order to minimize waste.” For her latest collection, New Moon, which is replete with cyclical patterns of lines and crescents, Weisberg again looked to family— this time, her child. “Motherhood has been a beautiful and complex transition, so this collection is very much a response to that. It’s a nod to ever-present transitions.” likeleigh.com

ONES TO WATCH LAUN

Based in Los Angeles, Laun is quickly becoming known as one of Southern California’s most innovative design studios. The company, founded in 2018 by architect Rachel Bullock and furniture designer and woodworker Molly Purnell, is comprised of two integrated branches: what they call “Spaces,” which encompasses their architecture and interior projects, and “Objects,” their ever-growing furnishings line. With its focus on collaboration (t he firm solely works with local manufacturers and shares a DTLA studio with furnishings showroom Denvir Enterprises), Laun is designing inventive

places as well as pieces that marry playful energy with practical sensibility. Most recently, the studio added the Curved Ribbon sofa and the Curved Ribbon bench (left) to their collection, furnishings originally commissioned for a 2022 exhibition of contemporary California design curated by Sight Unseen at Phillips Los Angeles. The sinuous designs are made of powder-coated aluminum tubes and can be customized in size and color, reflecting Laun’s approach to creating extraordinarily artful indooroutdoor furnishings.

launlosangeles.com

A LOUNGER THAT SWAYS YOU TO SLEEP

Rest and relaxation are often overlooked when designing at-home wellness rooms. Yet solid sleep health and relaxation are the ultimate in self care. The SWAY Sleep Lounger’s patented pendulum technology gently cradles you—perfect for relaxing after the sauna, taking a rejuvenating power nap or just before bedtime.

Custom saunas, steam rooms and relaxation loungers from KLAFS USA.

RADAR

Go global with tabletop treasures from far-flung locales, artisans to watch from around the world and the last textile mill of its kind.

Visual Feast

IN HER SUMPTUOUS NEW BOOK, DECORATOR AND PHOTOJOURNALIST STEPHANIE STOKES MAKES THE CASE FOR SOUVENIRS.

I am a self-confessed tabletop junkie and consummate hostess. On my travels through 86 countries, I have assembled a collection of things that have caught my eye so long as they’re useful for entertaining. These “toys for my table” are for special occasions, special friends or simply because it’s Saturday, and why not have a party.

In the words of Carl Jung, “The creation of something new is not accomplished by the intellect, but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.” And I love each of my treasures. My parties usually start with a verbal table tour instead of grace. I describe how the dishes are from Bali, the wine coasters are from Istanbul’s Grand Bazaar, the tagine salt cellars are from Marrakesh, and so on.

Many of my favorite pieces come from Japan: contemporary sake cups, sonorous Bizen bowls and Oribe kitchenware, all of which are versatile. In France, I fell for Aptware pottery, simple cotton tablecloths from Provence’s outdoor markets and gray porcelain partridges from Nîmes. While exploring Budapest’s antiques district, I couldn’t resist traditional bright-red flowered plates and cross-stitched tablecloths. When I use them at home in New York City, they evoke the folk art quality of Hungarian craft in the same way the pink Fortuny tablecloth I bought in Venice recalls light reflecting off the city’s brick walls, turning its canals the soft-edged pink of Paolo Veronese’s murals.

My book, The World at Your Table, is a call to action. When something inspires you, whether across the globe or at a local consignment store, buy it. Then, set the table with your finds to transport guests into a magical atmosphere. rizzoliusa.com

photo: mark roskams, courtesy rizzoli.

A tablescape mélange by Stephanie Stokes features a tablecloth by Zsuzsanna Nyul with bamboo flatware and a folk art ceramic plate purchased in Hungary.

Imagination Unbound

LUXE CHATS WITH CREATIVES FROM AROUND THE GLOBE WHO ARE BREATHING NEW LIFE INTO TRADITIONAL CRAFT.

PRODUCED BY KATHRYN GIVEN

Klove Studio

Prateek Jain and Gautam Seth, co-founders of New Delhi’s Klove Studio, are upending the way modern lighting is produced in India with their larger than life pieces. While the dynamic duo are experimenting with size, scale and materials, their designs continue to pay homage to the artistic customs and practices that surround them at home.

What was the vision for your latest collection? Our Totems Over Time series celebrates an older way of living and, specifically, how civilizations have left their mark on society with references to ancient symbols and motifs. We wanted to achieve a harmonious balance between geometry and symmetry with bright totems devoted to abundance, vision, beauty and protection. Talk to us about the materials. These nearly 10-foot-tall pieces incorporate metal and handblown glass, a centuries-old technique that supports local artisans in India. We believe in slow design, conscious craftsmanship and dreaming up fantastical ideas that take shape by working with dedicated makers. Where do you find inspiration? From different cultures around the world, but especially in New Delhi where there is such a rich craft legacy. Good design makes life better on every level. klovestudio.com

Hamza Kadiri

Casablanca-based master woodworker Hamza Kadiri hails from a long line of makers who share a deep reverence for their materials, and he is no exception. Each piece of wood sourced for his new sculptural furniture collection was chosen for its singularity, essence and inherent beauty. Kadiri’s expertise of rare, precious varietals of wood honors natural grains and unique patterns for a one-of-a-kind result.

When did you begin working with wood? I’ll never forget the moment I entered my uncle’s workshop at the age of seven. He was one of the most respected woodworkers in the Medina of Fez. I still remember the smell, the dry air and watching each artisans’ slow movements. It was love at fir st sight. Tell us about your latest collection. As an artist, I listen to the wood—sometimes for months at a stretch. The unique forms of a plank and veins in the wood give o a particular emotion. These inspire me with original ideas, although some may be a little crazy. My six new pieces—side tables, credenzas, a bench and an armoire— are a testament to this, including the Royal Ebony credenza (shown). What’s next? Adding exciting new lighting designs to my collection with Les Ateliers Courbet. ateliercourbet.com

LagunaB

The iconic Venetian glassware company founded by the late Marie Brandolini is heralding in a second chapter under the leadership of her son, Marcantonio Brandolini d’Adda. As ceo and creative director, his vision includes investing in projects that support a range of initiatives, like the design community at large, the environment and the city of Venice.

community at large, the environment and the city of Venice.

How are you di at from Paris to was a way of her

Today, we are releasing more limited-edition pieces but still honoring her vision. is also top of mind for us with a new production that allows for more energy e cient in addition to a longstanding with Green Future to o set our emissions.

with the Pilchuck Glass School in to establish Autonoma, an international artist program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. recently introduced Vital, which aims to enhance the natural capital of the Venetian Without this our company and

How are you thinking di erently at LagunaB? When my mother moved from Paris to Venice, glassmaking was a way of expressing her creativity. Today, we are releasing more limited-edition pieces but still honoring her vision. Sustainability is also top of mind for us with a new high-energy production facility that allows for more energy e cient manufacturing, in addition to a longstanding partnership w ith Green Future Project to o set our CO2 emissions. What about the next generation? We have teamed up with the Pilchuck Glass School in Washington to establish Autonoma, an international glass artist exchange program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. Anything else? Alongside We Are Venice, we recently introduced Vital, which aims to enhance the natural capital of the Venetian Lagoon. Without this important waterway, our company and city would not exist. lagunab.com

MARCANTONIO BRANDOLINI D’ADDA PORTRAIT: ALESSANDRO TREVISAN, CONSOLE PHOTO: JOSEPH KRAMM / JARR STUDIOS FOR LES ATELIERS COURBET, ALL OTHER PHOTOS: COURTESY RESPECTIVE COMPANIES.

Inset: a few of the profiles in Vent Walnut, Earl Walnut and Rokko Cedar.

Featured: Louvers in Earl Walnut M Exterior Finish

Toast

Established in a Wales farmhouse more than 25 years ago, the clothing company Toast has grown its o ering to include exquisite homewares produced by artisans, weavers and mills around the world. Despite its evolution, the brand’s values remain steadfast: champion a slower pace and more thoughtful way of life. CEO Suzie de Rohan Willner elaborates on the brand’s mission.

What makers do you work with? We search around the world for artisans who demonstrate specialist skills and techniques. Our hope is to provide a platform for their work to be celebrated and their story to be told in an authentic way. We want to help preserve traditional techniques that otherwise may be in danger of dying out, like this glazed terra-cotta waterpot handmade in Bristol (shown) that is based on a 16th century design. Why does craft have an enduring appeal? There is a growing audience who wants a more emotional connection to the objects in their home and to the person behind their creation. An increased awareness of our environment and a rejection of “mass” has meant we are choosing to buy less and selecting long lasting and meaningful objects. The recently launched Toast Renewed provides an iteration of this idea. It’s a unique collection of creatively repaired, one-of-a-kind pieces that have been given a new lease on life, increasing their longevity and progressing our circular approach to reducing waste. Where do you find inspiration? In stillness. It’s abou t being with people and things that bring joy and make you slow down. us.toa.st

Ecru

Founded by three childhood friends raised in Kuwait, lifestyle brand Ecru draws upon the ethos and cultures of Arab and Indian hospitality for inspiration. With a dazzling shopfront in Jaipur, Ecru collaborates with craftspeople in India, Syria, Lebanon and Sri Lanka who specialize in textiles, woodworking, glass, ceramics and metalwork. Creative Director Nur Kaouji discusses the company’s roots.

How did Ecru start? Growing up (with co-founders

Noor Al-Sabah and Hussah Al Tamimi) in Kuwait, we were surrounded by expats, particularly Arab and South Asian families. We were raised with an emphasis on the importance of hospitality and tradition, including sharing meals with loved ones. Our desire to carry on these rituals led us to launch Ecru, a br and that comprises beautiful handmade objects that elevate these interactions. Talk to us about your homewares. What excites us is the incredible legacy of craft around the world. We get to work with artists who keep traditions like block printing and metalwork alive. At Ecru, we are always looking to expand our artisan directory and I’m constantly on the hunt for inspiring people. How can design make a positive impact on our lives? Life has a way of throwing things at you, sometimes turning things upside down. One of our greatest salvages is nature and through nature, design. ecruonline.in

Sanayi313

Brothers Enis and Amir Karavil helm the interdisciplinary design brand Sanayi313 in Istanbul, where they have their hands in a number of exciting initiatives: a retail store, design studio, canteen, bi-annual magazine, atelier for unique projects and a newly launched furniture line that promotes their mantra, “move forward to the future with respect to the past.”

Why is it important to champion craft today? I prefer working with local craftsmen because what they create is always unique, and in the era of non-stop production this is a di erentiator. That human touch is essential because it gives a soul and special language to the work. Talk to us about your new furniture pieces. The Oblong Collection consists of so lid

maple burl and burned oak wood designs defi ned by massive, bulky forms and rounded corners, which echoes our “maximalist expressions in minimalist details” approach. Comprising stools, consoles, low co ee tables, side tables, and a dining table, the collection is made by hand in Istanbul, adhering to the city’s artisanal traditions where woodworking dates back thousands of years. It must be inspiring to be surrounded by so much history. Turkey’s location is at the crossroads of East and West, the vast lands once dominated by the Ottomans and home to many di erent civilizations with a rich legacy of craft since ancient times. These age-old traditions and techniques are still being practiced and lauded in many areas, but I believe new ideas come from studying the past. The solutions are there, you just need to reinvent them to create something inspiring. sanayi313.com

Jomo Tariku

Jomo Tariku, African culture has

for and the contemporary of American craft.

For Virginia-based, Ethiopian American industrial designer Jomo Tariku, African culture has always played a role in what he creates. As an advocate for change, Tariku co-founded BADG (Black Artists and Designers Guild) and continues to help move the needle forward for global design and the contemporary interpretation of American craft. The trailblazing talent’s work has even landed in major institutions including the Metropolitan Museum of Art.

Where did you learn to love design? Our home in Ethiopia was fi lled with beautiful objects. My dad was an avid collector of interesting pieces from Africa and around the world. During summer break, I would sketch these objects not knowing it would eventually lead to a career in design. How do African traditions play into your work? I did my undergraduate thesis on creating a modern line of African furniture and I have never wavered from that even though it has not been easy. Design is supposed to be a global language but until recently you would be hard pressed to fi nd a contemporary African design by a Black designer. I am always referencing my heritage. Even the inspiration for my Nyala chair (shown) are the horns of shy, an elusive mountain antelope from the Bale Mountains in Ethiopia. jomofurniture.com

The Last Craft

AT THE LE CRIN WORKSHOP IN THE FRENCH COUNTRYSIDE, MÉTAPHORES IS KEEPING THE SACRED ART OF HANDWEAVING HORSEHAIR ALIVE.

WRITTEN BY MARY JO BOWLING

It seems as if a heartbeat courses through the Le Crin workshop in Challes, a village in Northwestern France. The rhythmic whooshing sound filling the space comes from the movement of looms that have been weaving horsehair into lustrous fabrics since 1814. Although this is the last outfit of its kind, the pulse isn’t slowing.

Inside, artisans sit at the looms creating textiles. Wearing earplugs to muffle the sound, their focus is total as their hands thread hairs one by one into a shuttle with seeming superhuman rapidity, turning out roughly eight feet of fabric per loom each day. After the raw material arrives from Mongolia, it undergoes a series of meticulous steps including brushing, dying and pressing. The job calls for fast-moving minds as well as dexterous fingers, since

counting and tracking the number and color of strands is essential to creating such complex patterns.

The result is a product with glossy texture and depth— qualities Le Crin executives say attracts designers worldwide. “Horsehair is as soft as silk, but extremely resistant, showing little wear after decades of use,” explains workshop manager Nicolas Pioger.

Métaphores, the fabric company producing Le Crin under Hermès’ textile division, sees new horizons for this traditional craft. “We are working with designers to create modern furniture and accessories—anything is possible,” Pioger notes. “What doesn’t change is the expertise and unique savoir faire that goes into producing the material.” metaphores.com

Make space for me time.

Page-turners are even better when read in inspired corners filled with natural light. At Marvin, we help make space for moments like these with thoughtfully designed windows and doors. Each is custom crafted with an eye toward beauty and performance for all of life’s chapters.

Explore the many ways we can help make space for what matters most to you.

marvin.com

NOTABLES

BARRATT RILEY & CO AT DAO

Now in residence at DAO, Barratt Riley & Co is an artisanal candle atelier known for its compendium of handcrafted botanical formulations. Explore their evolving collections at 8767 Beverly Boulevard. daohome.com

EDITION MODERN

Handcrafted in Los Angeles, Edition Modern pays homage to pure materials and meticulous execution with a new collection of lighting fixtures made of genuine alabaster and brass. editionmodern.com

AGOURA SASH & DOOR

Refined by hand and featuring Buster + Punch’s signature cross, linear and cast looks, this collection of solid metal kitchen handles elevates any cabinetry and feels amazing to the touch. Available in a variety of finishes including brass, steel, gunmetal, smoked bronze, welder’s black and black, come and experience them at Agoura Sash & Door, Inc.

agourasash.com

WILLOW CREEK DESIGNS

Meticulously handcrafted from the finest Grade-A Indonesian teak and outfitted with cozy, fade-resistant Sunbrella cushions, the Venice seating set is a perfect place to gather with friends and loved ones.

willowcreekteak.com

BRING YOUR VISION TO US

CHANGE IS THE TREND

Join the industry pros on Las Vegas Market’s Ahead of the Curve panel as they share a peek into their trending revelations: color is back, new shapes are favored and dedicated rooms must function like never before.

WFH WORLD

Homes are now primary work spaces, not secondary. Therefore, we need to adjust for the increased use. They also require individual work spaces for all members of the household, so no longer is it one formal home study. As its use is more frequent, the office is also getting oriented to main views.

Erik Peterson | PHX Architecture Scottsdale, Arizona | phxarch.com

Hubbardton Forge Ume Collection Pendant Lights

Global Views Oslo Etagere

Charleston Forge Kennedy Desk

THE NEW NUDE

We are finally getting away from nude living spaces that are limited to a sea of shades of gray. Now, we’re introducing pops of color in blush, peach, mint, gold, black and white that are much more interesting and less monochromatic. While this trend was popular living through the pandemic, clients are embracing color again, which I believe serves as a gentle reminder that life is precious so we should live it out loud.

BRILLIANT HUES

We always love a good neutral environment, but are embracing more color this year in rich and subtle tones. Wallpaper, fabrics, cabinetry and paint are going deeper than we have been using in the past. Committing to color is exciting and pairs well with mixing and matching patterns and textures.

VEGAS MARKET AT WORLD MARKET CENTER IS OPEN TO THE TRADE ONLY, JULY 30 – AUGUST 3, 2023. REGISTER ONLINE AT LVMKT.COM/LUXE.

Diann Valentine | Exhilarate Experiential | Studio City, California | exhilaratexp.com

LAS

Global Views Bubbles for Brains in Brass ins

Sagebrook Home Modern Sofa in Blush

Platin Pavilion Custom Wall and Mural Painting Vanguard Beckett Desk

Sean Lavin for Visual Comfort Collier 48 Pendant ollier

Alder & Tweed Audrey Occasional Chair Occasional Chair

Sarah Latham | Latham Interiors Ketchum, Idaho | lathaminteriors.com

Walls

MARKET

Luxe explores innovative rug makers, unique floral designs and the next wave of Latin American creatives.

Completely Floored

FOUR AU COURANT BRANDS CHAMPION AN ARTISANAL APPROACH TO MODERN-DAY RUG MAKING.

PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON

WRITTEN BY GRACE BEULEY HUNT AND SARAH SHELTON

LIVING HISTORY RHYME STUDIO

“The driving force was to tell a story of authentic Irish craftsmanship with an international, contemporary twist,” shares Claire McGovern of her studio. For the New Yorker by way of Dublin, the spark that led to her foray into the rug industry was hiding in plain sight: wool—a material indelibly linked with her home country—was a dying trade, accounting for just two percent of fibers sold or traded in the synthetics-dominated market. “Wool is extraordinary. It’s nature’s miracle fiber,” McGovern says. “Here is a material t hat you can bring into your home and it will literally purify the air and last you a lifetime.” With heritage and sustainability as founding principles, Rhyme Studio was born. Today, the atelier collaborates with historic Irish mills

to process native wool before it’s tufted by hand at their farmhouse workshop near Avoca in Wicklow. Ireland’s rich cultural tapestry imbues the brand in motif as well as material, with most designs offering modern riffs on tradition. Om, a collection defined by linear patterns, was inspired by a 1,600-year-old tree alphabet found on standing stones in the countryside. Works from the Báinín line feature pure Galway wool bedecked with motifs that evoke the stitching of an Aran sweater. And in M odernity, a series of minimalist geometrics in primary colors pays tribute to artist Kazimir Malevich and prolific Irish designer Eileen Gray. “I’ve always bemoaned the idea that a rug must be beige,” McGovern says. “Art should not be limited to any one media.” rhymestudio.com

HEIRLOOM QUALITY VERDI

Tomás Vera grew up idolizing his father Carlos Vera Dieppa, who wore his hair long, rode a motorcycle, enjoyed recreational aerobatics and didn’t start a traditional nineto-five until the age of 42 when inspiration struck to create a Japanese tatami-style mat from fibers found in his native Colombia. In time, the designs progressed to include latex backing, a leather border and later, pigments, patterns and ribbon-thin strands of metal. “It was the first rug of its kind and a revolutionary concept at the time,” shares Vera, who moved home to launch Verdi, a new business built upon his father’s vision after his passing. Verdi now employs an in-house team of 75 in addition to 30 families who harvest their marquee material, fique: a soft yet resilient vegetable fiber from

the Andean region. “We have a huge natural fiber catalogue because of the Amazon,” Vera says. “We’re always discovering new materials and exploring how to weave them for a contemporary ambiance.” Recent experiments at the Bogotá headquarters have seen Colombian fibers like plantain, cumare and worm silk woven with copper, stainless steel and silver-plated metals to mesmeric effect. “We consider our rugs to be art in their uniqueness and in the way they reflect light,” he adds. That the fastexpanding studio’s moniker pays homage to Vera Dieppa’s nickname underscores the next generation’s commitment to celebrating cultural and familial le gacies alike. “Verdi is not a brand, it is a story,” Vera says. “And this is just the beginning.” intl.verdi.com.co

photo: courtesy verdi.

CULTURE OF CRAFT STARK

No rug brand has its tentacles so deeply spread, linking master craftspeople all over the world with top designers and consumers alike. From artisans in Nepal trained in Tibetan knots to weavers in India working on looms, rug seekers have access to products made by mills specializing in authentic techniques unique to their region. “We have a handful of key vendors who each have their own flavor and aesthetic,” says Stephanie Muller, Stark’s vice president of product development and strategy. “They’re artists in their own right.” Not married to one look, Stark rather does it all: from their material inventory (silk, sisal, wool, and a new proprietary performance fiber, among others) to techniques both hand-crafted and mac hine-woven, to endless styles, like striking geometrics, painterly pastels, stripes, animal prints and traditional motifs.

“It’s always exciting to see their new technical developments and creativity,” Muller says. While the third-generation family-run operation recently marked 85 years in business, their commitment to artisanship remains at its core. Take the rug shown here: a recent collaboration with German company Rug Star is inspired by desert and urban landscapes and crafted in India using hand-knotted techniques. Think of them like a great connector—a connector of craftsman to consumer, a connector of inspiration to trends, and a connector of the past to the present. starkcarpet.com

AMERICANA ETHOS MERIDA RUGS

In the mid-19 th century, Fall River, Massachusetts, was the Silicon Valley of America’s textile manufacturing industry. Fastforward through decades of shifting global economies, and few active mills remain today. But one self-described counterculture company decided to put down roots in the storied area as some of the last big mills were shuttering. “We’re not going to survive in the United States unless we’re doing something extraordinary,” admits Merida Rugs CEO Catherine Connolly. That something extraordinary, for starters, is that each of the company’s rugs is made of all-natural materials sans chemicals. Another revolutionary idea? Empower local craftsmen by creating a workplace where weavers find joy and pride in their craft. Merida R ugs HQ is part production lab and part innovation hub, where skills are honed and techniques tested. The goal is to create an environment where weavers push the bounds of their creativity in hopes it carries through to the finished product. Leading the charge is artistic director Sylvie Johnson who approaches design with the curiosity of an art student (she has been known to study out-of-print books on pigments to find fresh hues). The brand releases one new collection a year, each marking a new chapter in the Merida Rugs’ story. Their latest collection, Arte Povera, is inspired by the Postwar 1960s Italian arts movement, the story of which is as rich as the rugs themselves. “They have presence,” says Connolly. “The rugs contribute to the conversation in a sophisticated way.” meridastudio.com

photo: rug, angel tucker; spools, richard powers courtesy merida rugs.

Boulder, CO | $15,000,000

WK Real Estate

Well

Connected™ |

Boca Raton, FL | $36,500,000

Hampton’s farmhouse-inspired architectural jewel with 261+ ft direct Intracoastal.

Premier Estate Properties, Inc.

D’Angelo/Liguori — +1 866 281 2158

Search QENA on luxuryportfolio.com

Austin, TX | Price upon request

This luxurious estate merges modern art with contemporary architecture on +1.2 acre lot.

Moreland Properties

Eric Moreland — +1 512 480 0844

Search PASK on luxuryportfolio.com

Redding, CT | $8,500,000

Sun-filled 6-bedroom home with pool, tennis, and luxury apartment. Close to town amenities and train.

William Raveis Real Estate, Mortgage & Insurance

Stacy Young — +1 917 816 6733

Search FXFL on luxuryportfolio.com

Lake Toxaway, NC | $3,750,000

Luxury mountain home with panoramic views, European design, and modern amenities.

Silver Creek Real Estate Group

Bambi Kaine — +1 828 200 4040

Search CIKX on luxuryportfolio.com

©2023 Luxury Portfolio International.® Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information has been supplied by third parties and should not be relied on as accurate or complete. Equal Opportunity Employer and pledged to the letter and spirit of Equal Housing Opportunities.

FANCY FLEURS

Unrestricted the bounds of a vase, three oral

Unrestricted by the bounds of a vase, three oral designers conceive artful compositions.

WRITTEN AND PRODUCED SARAH SHELTON

Sweet Spot

Name: Anastasia Kolesnichenko @vaasialis.

Home base: Cyprus. Origin story: I always wanted to work with flowers and objects. I practiced everyday and posted to Instagram. Overtime, I got my first orders. Style notes: Dreamy, fun and playful. Known for: Creating something new and turning flowers into my own unique species. Ethos: Flowers are emotions. They are alive, agile and have the ability to be reborn. Pick a favorite: Poppies. In the works: A commission for a jewelry brand.

A commission for a brand.

Clockwise from top right: Akoya Pendant in Vermilion / From $781 / rbw.com Belmondo Fabric in Corallo / Price upon request / dedar.com Bardi’s Bowl Chair in Orange / Price upon request / arper.com

Nama Sneaker in Green-Orange / $795 / chloe.com California Table by Elyse Graham / Price upon request / cultureobject.com Memphis Raku Mosaic Tile / Price upon request / newravenna.com

Small Hooks Coat Rack by Nathalie du Pasquier / $375 / store.moma.org

Natural Progression

ID: Aiste Kuchta @aikufloral. Coordinates: Global nomad. Approach: Floral arranging inspired by the seasons. Something to reconsider: Dying flowers are beautiful; imperfect blooms are unique. Tip to try: Let flowers move in their natural direction. Memorable experience: Foraging for icicles and arranging them alongside flowers. Manifesting: The film industry is something I’d be happy to be a part of! In the works: Events and floral subscriptions. Remember to…Enjoy the process.

Clockwise from top right: Arc Handle in Travertine by Bjorn x Lo & Co Interiors / $218 a pair / sandiegohardware.com Small Teak Opal Bookcase

Panel

Shelter Cove / Price upon

Dinner Plate in Green by Pottery & Pottery / $240 set of four / abask.com

PHOTO: DENIS KUCHTA.

The Oceana Collection by Bannenberg & Rowell Design Oceana Dining Arm and Side Chairs. Cushions in Perennials

Romantic Revival

Moniker: Natasja Sadi @cakeatelieramsterdam.

Sadi @cakeatelieramsterdam. and

HQ: Amsterdam. Specialty: Arranging and photographing real flowers with sugar flowers in the Dutch still life tradition. Modus operandi: Romantic, lavish and classic with a twist—more is more. Currently inspired by: The Vermeer Exhibition in Amsterdam. I’m obsessed with his use of light. Rule to break: Let go of color charts. When it is created by nature, it’s always complementary. Proud moment: Writing my new book A Sweet Floral Life

Clockwise from top right: Paloma 2-Light Sconce / $148 / maximlighting.com Roses Pompadour Wallpaper in Blue / $140 a roll / antoinettepoisson.com Blue Fluted Full Lace Cream Jug / $340 / royalcopenhagen.com Issima Velvet Fringe Cushion in Ladakh Ceder / $90 / theitihaascompany.com Priya Table / Price upon request / butlerspecialty.net Floral Jacquard Armchair in Pink Moire / $7,500 / gucci.com Scalloped Ceramic Fluted Door Lever in Le Jardin Blue / Price upon request / sherlewagner.com 14 kt Gold Black Velvet Pearl Chocker / $780 / mateonewyork.com PHOTO:

DISCOVERIES

CHRISTOPHER PEACOCK

VISUAL COMFORT & CO.

The Cristol small double sconce by Aerin is shown here in hand-rubbed antique brass with white glass. Priced at $579. visualcomfort.com

COSENTINO USA

Cosentino’s newest collaboration with designer and architect Daniel Germani decodes three timeless Italian stones: Vicenza, Travertine and Ceppo di Gré. The collection recasts them into versatile Dekton surfaces for today—indoors or out. cosentino.com

Christopher Peacock introduces The Hudson Collection. A clean aesthetic with special details, hardware and material selections, this more modern style is perfect for an urban apartment or a large contemporary, suburban home. Custom colors and hardware finishes available. peacockhome.com

STARK

The Koa ivory rug features lush texture matched with performance. Made of 100percent STARK performance acrylic, this beautiful rug can withstand any lifestyle. Braided soumak weaving combines with high-pile shag for coziness and character alike. starkcarpet.com

PAUL FERRANTE ERRANTE

Paul Ferrante introduces a polished uces a twist on an old classic. With copper c. With copper banding, the timeless Eternity meless chandelier is elevated to a new height. to a new Item 2099-C, it can be customized. be customized. Price available upon request. e upon request. paulferrante.com ulferrante.com

WEATHEREND ESTATE FURNITURE

As durable as it is beautiful, the Westport swivel chair by Weatherend is constructed for the outdoors and finished with Weatherend’s Yacht finish. Generouslyproportioned and topped with plush cushions for extra comfort, it is available in any color or natural woods.

weatherend.com

LEGNO BASTONE WIDE PLANK FLOORING

St. Moritz-G1 is a handcrafted, select-grade finish from the European Elegance collection. This is more than just a product; it is a passion that becomes “custom-designed furniture for your floor.”

legnobastone.com

BOKARA RUG

This rug showcases a contemporary pattern of blue, ivory and black tones. Hand-knotted from the highest quality wool and silk, it provides an elegant foundation for any space. bokara.com

Sacred Storytelling

AT THE RENOVATED HISPANIC SOCIETY MUSEUM & LIBRARY, LATIN AMERICAN MAKERS SHOWCASE WORKS HONORING THEIR HERITAGES AND INSPIRATIONS.

PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON

HALLOWED HALLS

Founded in 1904, the Hispanic Society Museum & Library has emerged from a yearslong renovation at the hands of Selldorf Architects. The storied institution houses an extensive collection of art and artifacts from Spanish- and Portuguese-speaking countries. The museum aims to amplify and uplift Hispanic heritage and creativity, including Latin American artists forging their own multicultural identities.

Nestled under an ornate terra-cotta archway in the Main Court, Juliana Lima Vasconcellos’ eucalyptus wood Giraffe chairs flaunt their angular silhouettes. The Brazilian architect and designer cites her home country’s rich cultural mix— specifically African and Portuguese colonial influences—as sources of inspiration. hispanicsociety.org, theinvisiblecollection.com

WRITTEN BY KHADEJAH KHAN PHOTOGRAPHED BY THE INGALLS

GEOLOGICAL GEMS

José Miguel Schnaider considers himself part designer and part explorer of the mineral world. As the founder of Mexico City’s Sten Studio, he leans into local lapidary traditions when conceiving his designs. “I am proud to be Mexican and Latino, but I do not necessarily need to follow a specific aesthetic,” Schnaider remarks. Rather, he offers

fresh interpretations of cultural heritage. His VSII.I and VSV.III stools—placed on a stairway adorned with 3rd-century Roman mosaics from Spain—are composed of dark lava stone and red travertine and blue calcite, respectively, acting as a visual metaphor for volcanos and a tribute to Mexico’s volcanic belt region. stenstudio.com

STITCHED TOGETHER

Rhode Island School of Design alumna Alexis Tingey spent her childhood summers in Mexico where she learned embroidery from her grandmother. Tingey’s Don’t Remind Me hammock—showcased in front of Spanish artist Joaquín Sorolla’s Vision of Spain (1912-1919) in the Sorolla Gallery—speaks to the physicality of memory. The hand-welded

patinated steel base supports a hand-pleated linen fabric collage depicting “personal items intended to be forgotten.” Tingey, whose first studio collection launches this year, is eager to see more women of Latin American origin represented in design to usher in rich storytelling, new ideas and unheard voices. alexistingeydesign.com

ORGANIC STATE

Since founding Studio Galeón in 2017, Lula Galeano has watched the design landscape evolve to include more awareness around non-Eurocentric craft. A multidisciplinary designer who splits time between New York, London and her home country of Argentina, Galeano frequently collaborates with skilled artisans to enhance the beauty of natural materials used in her work. For Lampara 1 and Lampara 2, shown

here, Galeano joined forces with millworker Christopher Gatton to achieve the lamps’ perfectly unrefined shape. The bases are remnants of stone boulders sourced from Mexico which retain their jagged forms, save for polished edges. Each one-of-a-kind piece is outfitted with sleek brass hardware and a smooth blown glass opal bulb. studiogaleon.com

We understand the importance of a statement. Our extensive collection of marble, quartzite, granite, soapstone, and quartz are sourced through our trusted partners across the globe. Every material’s path to your project ensures more than a statement piece – it’s an entire story in itself.

BOTANICAL BEAUTY

Artist Lufti Janania’s childhood growing up on a rural bioreserve between the mountains and rainforests in Honduras continues to inform his eye today. Working out of a Brooklyn studio, he creates fantastical objects, sculptures and installations from botanicals and flora. His latest collection, a series of mirrors fitted on custom wood frames draped in woven

palm fiber, like the Tela, seen here, features hand-sewn, delicately pleated curled rosettes. Janania counts Latin America’s indigenous heritage and colonial history—specifically in Honduras where Mayan ruins and Baroque architecture meet—as additional sources of inspiration, taking in the visual romance and ornate decoration to inform his work. rosalila.co

CURVY CHARACTER

“I adapt and take from wherever I go,” explains artist Giovanni Valdeavellano of where he pulls inspiration. For the New York–based talent, and founder of Studio Poa, that includes fashion street style, his childhood in Guatemala and the ways in which information is readily shared and consumed. The Santiago Chair 1 and Santiago Chair 2, shown here,

are made of solid ash, stained and then finished in hard wax oil. The design explores how a seat can make one feel transformed into a different character—like how a king feels on a throne or a defendant feels in a courtroom. This particular pair are shaped like guitars, intended to make the sitter feel like a rockstar. lovehouseny.com

KRYSTA RODRIGUEZ

Actress, Stage & Screen

Founder, Curated by Krysta Rodriguez

DRESS IN: TAMBOURINE TRAPS

Enjoy Old World charm from your own private, walled villa. Whether you’re entertaining 2 or 200, host in style from the expansive 2-lot property with more than an acre of majestic landscape. Designed by Architect Juan Carlos Ochoa and built by Paul Golden in 2007, this home is made to last. Only the finest materials were selected with impeccable craftsmanship and exquisite finishes throughout, including double-groin vaulted ceilings and archways, Venetian plaster, wood-beamed ceilings, custom Cantera stone pillars, arches, fountains, 10 handcarved Cantera stone fireplaces, and extra deep walls. Additional interesting and creative touches include hand-carved interior mesquite doors, custom-designed Italian mosaic tiles, and custom iron work. Retractable walls-of-glass open to the expansive front patio to take in the stunning panoramic views. 75’ pool with lap lane, 2 spas, pool pavilion with fully equipped outdoor chef’s kitchen, 10-hole putting green.

50023 CANYON VIEW DRIVE, IRONWOOD COUNTRY CLUB , PALM DESERT

6 Bedroom + 8 Bath | 6290 SF + 2 adjoining lots (50,529)

$6,995,000

BARBARA S T. CLAIR

PHX ARCHITECTURE

No matter how illustrious their schooling or groundbreaking their mentors, many an architect will point to even earlier influences when asked to identify their inspirations. Such is the case for Erik Peterson, president at PHX Architecture. Growing up in Chicago, said to be the “birthplace of great architecture,” he certainly had no shortage of work to explore. But it was Frank Lloyd Wright’s legacy that really drove him to this field. Today, these creative sources still guide Peterson’s perspective, alongside his team’s belief in “living architecture.” He elaborates: “Our design concepts evolve, conform and, most importantly, respond to each project’s

unique characteristics. We define “living architecture” as a space that harmoniously combines site, form, functionality and the human scale, creating the connective link between the surrounding environment and the client’s goals and vision.” The philosophy has clearly proven successful, with PHX Architecture having made its mark in Scottsdale, Arizona, and in the past several years—with the creation of a second office—Los Angeles. From luxury residences to golf clubhouses to hospitality design, including redefining iconic hospitality such as The Maybourne Beverly Hills, Casa del Mar and Shutters on the Beach, Peterson and team are seemingly doing it all and doing it well.

ON A PERSONAL NOTE

What do you feel has been your greatest success and why?

Creating a brand that is nationally recognized, as well as educating and training architects that have worked for our firm.

Share one thing your clients would be shocked to know about you. I was a model railroader with a huge HO scale train set.

List three design rules you work by and three of your design pet peeves. The rules are to have fun, integrate natural life and use regional materials and methods. The pet peeves are trends, calling something Frank Lloyd Wright-influenced when it isn’t and the “Tuscan” style.

Which faraway destination most inspires you?

Norway, for its design innovation and acceptance of great design in everyday life.

If you weren’t in this profession, you’d be a Set designer for opera and Broadway shows around the world.

Share some quick favorites.

Season: Fall

Food: Italian

Fashion accessory: My Audemars

Piguet Royal Oak Jubilee

Band: Coldplay

Top This modern, custom residence in Arizona is a masterpiece of clean lines and contemporary form. Opposite Erik Peterson poses outside PHX’s Los Angeles office.

Photography Above by Dino Tonn; Opposite by Beth Coller

“We fully embrace the beautiful landscapes our projects offer, bringing the natural environment into luxury spaces.”

THE HEART OF YOUR KITCHEN

The Galley Dresser is the pinnacle of kitchen furniture: a work of art that works. The ebonized walnut interior isn’t just stylish, it’s highly functional, pairing perfectly with the Galley Workstation with a spot to keep everything you need in arm’s reach.

LIVING

From Texas to the East Coast, revel in welcoming kitchens and baths that channel a sought-after joie de vivre spirit.

Worldly Appeal

BEHOLD KITCHENS AND BATHS WHERE OLD-WORLD ELEGANCE IS ON FULL DISPLAY.

WRITTEN BY ALYSSA BIRD | PRODUCED BY SARAH SHELTON

For a Georgian-style home in Maryland, Winsome Interior Design outfitted the kitchen with cabinetry from their line with Unique Kitchens & Baths and a custom cherrywood island. The pendant light is by Il Fanale.

CHARM CITY

WINSOME INTERIOR DESIGN

The homeowners of this Churchville, Maryland, residence couldn’t resist its Georgian-style architecture, but the dated 1980s kitchen was in need of a refresh. They called on Arianna Pannoni and Kasey Bedford of Baltimore-based firm Winsome Interior Design to reimagine the space. The result is strikingly elegant and in harmony with the structure’s traditional bones.

What were the project mandates?

Our clients wanted the kitchen to feel lived in, cozy and historic. They are casual people, but they also like a bit of formality.

Tell us about the major design elements. We kept the existing brick range niche but limewashed it and added more grout to give an ol der appearance. The cabinets are a simple, elevated shaker style that has been around for hundreds of years. We designed the island to look like a piece of furniture since kitchen islands weren’t a thing back in the day, and we also incorporated hand-distressed ceiling beams. The open shelving acts as a display area for the client’s collection of vintage china.

What other details lend to the charming feel? Hanging wood and copper pots adds warmth, while a new milk-glass fixture exudes a vintage ambiance. We also used finishes that will only get more beautiful with time: the unlacquered brass will develop a patina and the marble will gain character as it stains.

Arabescato Corchia marble countertops make a dramatic statement. The faucet is from Newport Brass and the sconces are from Visual Comfort & Co. photo: stacy zarin goldberg.

In keeping with the revamped kitchen, Pannoni and Bedford also turned their attention to the home’s mudroom and powder room, replacing dated elements to highlight the abode’s historic feel. “We wanted to have some fun in these spaces and bring out the drama,” Bedford says. They enveloped the mudroom—

including the walls, trim and ceiling—in a deep oxblood shade from Farrow & Ball and carried it through to the adjacent powder room trim. Meanwhile, a whimsical wallpaper from Osborne & Little featuring birds and lush foliage enhance the striking red tone. “The vintage-inspired console sink harkens back to

Georgian style, the classic floret penny tile is also a nod to old-world design, and the antiqued brass touches tie to the kitchen finishes,” Pannoni notes. “Our client allowed us the creativity to think outside the box,” Bedford adds. “Every space is dramatic in its own way.” winsomeinteriordesign.com

photo: stacy zarin goldberg.

A Rejuvenation sconce illuminates the powder room, which is swathed in Osborne & Little’s Netherfield wallpaper and accented with Farrow & Ball’s Preference Red. The Vintage Tub & Bath sink console is fitted with a House of Rohl faucet.

TILE TALK

A CROP OF NEW COLLECTIONS MELDS AGE-OLD STYLE WITH MODERN-DAY FUNCTION.

FLUTES OF FANCY

Part Art Deco and part 1970s Milanese glam, the Lapidary collection from clé incorporates three di erent styles: rough-cut mosaics, smooth-cut ovals and sculpted curves (shown). Perfect for wall treatments, these concave and convex designs come in two sizes and a variety of stones, including travertine, Carrara, Calacatta and Verde marbles. cletile.com

IN BLOOM

House of Hackney teamed up with British tile manufacturer Craven Dunnill Jackfield to introduce a line of handmade ceramic tiles that evoke Victorian-era drama. The collection features 19 th -century reproductions of two Jacobeaninspired fl orals—in both monochromatic relief and vivid screen-printed versions—as well as an a rray of solid-colored square and brick tiles in addition to flat and raised dados. houseo ackney.com

GOING WITH THE GRAIN

The Helene porcelain tile collection from Ann Sacks—o ered in three oak-inspired shades and both three-inch-wide planks and 24-inch-square parquetry forms—can be used everywhere from floors and fireplace surrounds to walls and backsplashes (and even outdoors in certain climates). Better yet, this revival style synonymous with European allure is made of 40 percent recycled material. annsacks.com

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MAESTRI STUDIO | GALLERY

When Dallas clients tapped local firm Maestri Studio | Gallery to rework the kitchen in their Tudor-style home, the design team kept the structure’s existing architecture top of mind. “The residence was built during the 1970s to look older than it is,” notes architect Eddie Maestri. “It’s inspired by old English estates, and there were already some nice details including arches, moldings and leaded-glass windows.” In addition to relocating the space from the back of the house to the front, Maestri’s team also added a dining nook that separates the main kitchen from a pantry and storage area. “The nook serves as a statement at that end of the room,” continues Maestri, whose team designed a custom banquette with a dramatic arch that mimics the nearby doorways. “We wanted to play up the original architecture and make the space feel cohesive. It’s like it has always been there.” maestristudio.com

For the breakfast nook, interior designer Katie Paulsen of Maestri Studio | Gallery selected a custom oak banquette stained in walnut and topped with an upholstered cushion of performance velvet and vinyl by Wolf-Gordon. The light fixture overhead is Visual Comfort & Co.

Discover the possibilities.

The Sub-Zero, Wolf, and Cove Showroom is a creative and collaborative space. Chef demonstrations and interactive products will inspire you, while knowledgeable consultants will guide you through your entire kitchen project. Delicious moments, spent cooking with the ones you love, start here.

SCHEDULE A SHOWROOM APPOINTMENT

subzero-wolf.com/southerncalifornia

TRENDS IN BUILDING, DESIGN + RENOVATION

It takes a special expertise and vision to understand the wants, needs and desires of today’s homeowners and their families, and then make them reality. Whether it’s a “from-the-ground-up” custom build, a blank-slate renovation or the simple redesign of a space or environment in an existing home, the keys to success are the talented architects, interior designers, builders, artisans, craftspeople and innovators who bring beauty, form and function to the work they do and projects they inspire. Luxe Interiors + Design is pleased to unveil Trends in Building, Design + Renovation, a unique special section that introduces the most gifted minds and creative spirits in design, construction and renewal to those looking to reinvigorate their homes, elevate their daily lives and enhance their lifestyles.

Foreverlawn at Calibu Vineyard

AGOURA SASH & DOOR

805.449.2840 | agourasash.com | agourasash

What are the most universally-appealing home design trends today? Well, more space and indoor-outdoor layouts are most definitely on the short list. Enter, Agoura Sash & Door. The premier supplier and installer of windows, doors, hardware, skylights, molding and millwork has become an unequivocal resource for the homeowner and design pro looking to open and expand, innovate and refinish. “We help our clients bring the most ambitious concepts to fruition by providing a vast selection of window and door designs, as well as the expertise to advise on how to transform a space while coordinating other elements with them,” says Dan Smith, the company’s president. Alongside vice president Don Smith, he and his team strive to help Southern California homeowners brighten their interior living areas. To that end, they share that upbeat paint colors are also on the rise.

PRO TO THE PROCESS

Why is it so important to bring the experts in on your renovation?

• Variety is the spice.

Those versed in any field will have access to materials, products, machinery and tools that open up new possibilities. This is how the big dreams—especially those with unique features—become reality.

• Quality is king.

While many a homeowner is quite savvy, experts like those at Agoura can, as Don puts it, “ensure superior craftsmanship and avoid costly mistakes.” A sloppily-installed door frame or crooked molding is more noticeable than one would think.

Above Accenting a muted interior color palette with a contrasting feature like this AG Millworks carbon-black bifold patio door brings visual variety. Top An impressive 33-foot floating corner, this AG Millworks bifold unit is the epitome of exceptional indoor-outdoor living. Bottom A kitchen pass-through bifold window and door system by AG Millworks opens up an entire wall for seamless gatherings on the patio.

Photography Above by Danny Chung; Top by Summer Anderson; Bottom by Brandon Brodie

“Most homeowners are looking to create the most dramatic change they can within budget.”

IN BUILDING, DESIGN + RENOVATION | LOS ANGELES

COOPER PACIFIC KITCHENS

310.659.6147 | cooperpacific.com | cooperpacifickitchens

A third-generation, award-winning company that has been bringing luxury kitchen design and installations to Southern California and beyond for more than 35 years, Cooper Pacific Kitchens is a premier resource for clients seeking the highest quality of construction and leading-edge design. Owner Steven Cooper leads a team of creative and dedicated designers who craft stunning kitchens with the utmost attention to detail. Offering the most exciting collection of materials on the market, the firm begins with engaging the client’s senses through materials and design elements sourced to capture the home’s character and the client’s taste and way of life. “The two significant principles of good design are function and beauty,” says Steven, who believes every design choice should either have a necessary purpose or add to the overall aesthetic. “If it doesn’t fit into those two categories, then leave it out. The best design is when every item in your kitchen is both functional and beautiful.”

HOLISTIC OUTLOOK

“When the pandemic shut everything down, our client requests took a marked shift,” Steven says. “Although kitchens are our forte, we create many different custom spaces for our clients, and we’ve found they are more and more interested in taking a holistic approach to creating permanent wellness and work spaces as a natural part of a home’s design. Many clients are dedicating room for home gyms that are not only functional, but chic. They incorporate materials, colors and finishes used in the rest of the home.” Steven goes on to point out that the same has been true for home offices. “A dedicated work space helps drive creativity and promote maximum productivity. In many cases, we also design this to function as a library and an elegant place to meet with their own clients.”

Top Gaggenau appliances are concealed behind custom, rustic oak cabinetry. Right Rift-fumed oak makes for an impressive floor-to-ceiling wardrobe in this guest space. Far right Dual floating vanities and a freestanding tub with ceiling filler rest in front of shagreen wall-to-wall linen storage cabinets.

Photography Top by Chase Daniel; Right & Far right by Meghan Beierle-O’Brien

“We create kitchens that are precisely designed for the space and the people who will use them.”

FOREVERLAWN AT CALIBU VINEYARD

866.992.7876 | foreverlawn.com | foreverlawninc

The right combination of beauty, quality and innovation is the key to creating an outstanding product. Enter ForeverLawn. Since launching in 2004, the company has been at the forefront of the industry. “As the premium choice for synthetic surfacing, ForeverLawn products are engineered to solve unique consumer wants and needs, while maintaining superior standards and natural aesthetics,” says co-founder, Brian Karmie. Today, the company serves nearly one hundred markets through their dealer network, and boasts an impressive project portfolio, including Calibu Vineyard—a spectacular retreat nestled in the Santa Monica Mountains. “Calibu Vineyard showcases the visual appeal of our luxury products, while highlighting their practicality in enhancing everyday life,” says ForeverLawn Landscape brand leader, Jim Karmie. “This project allowed us to leave an already stunning space ‘better than we found it.’”

SPLENDOR IN THE GRASS

ForeverLawn’s top-rated, high-performance synthetic grass solutions include

• ForeverLawn Landscape Select offers a resource-saving alternative to natural grass with remarkable realism and visual appeal.

• K9Grass by ForeverLawn is the only synthetic turf with 100-percent edge-to-edge drainage, providing a clean, durable, dog-friendly environment.

• GolfGreens by ForeverLawn provides a versatile solution that improves the golf enthusiast’s landscape and short game.

CALIBU CONFIDENTIAL

“The original backyard was a blank canvas,” says Calibu Vineyard designer, Jennifer Farrell. “I chose ForeverLawn because their synthetic lawn and turf products are the best on the market, their design expertise is superior and their installations are exquisite. ForeverLawn allowed me to design a backyard that embodies the same liveable luxury that exists in the home.”

Top A three-hole GolfGreens putting green and a K9Grass pet run add playful focal points to this fabulous and fun-filled property. Bottom Surrounding the pool and patio with ForeverLawn Landscape Select LX provides a plush, inviting, maintenance-free greenspace for alfresco entertaining.

Photography Courtesy of Surfaces Showhome/ SoCal 3D Spaces

“We’re not here to replace— we’re here to revive and leave each place better than we found it.”

SMITH DEVELOPMENT & CONSTRUCTION COMPANY I PHOTOGRAPHY MILES MINNO

Inside Stories

For a pair of collectors, every inch of an architecturally stunning Mar Vista home is an opportunity to prompt curiosity and conversation.

WRITTEN BY LIZ ARNOLD | PHOTOGRAPHY BY MELLON STUDIO STYLING BY KARA PERLIS

Interior Design: Jen Samson, Jen Samson Design Landscape Architecture: Jorge Martinez, World Class Landscape

hen deciding on any piece, these clients always wanted to know: ‘Who designed it? Where is it from? What’s the story behind it?’ ” interior designer Jen Samson recalls. Sharing such background information— the details that sometimes only professionals get excited about, she jokes—is ultimately what made the process successful. “The goal was to create a home filled with items that spark intrigue and interest, things that are meaningful and intentional,” she says. “The owners love pieces that tell stories.”

Though young and recently married, the designer notes, each of them had already amassed a large collection of books, artworks and objets. Their Mar Vista abode—a boxy, modern fourbedroom designed, built and landscaped by Marmol Radziner in 2017—is their first home together. Samson worked closely with the pair to merge their styles, curating a sophisticated mix of contemporary, midcentury and custom furnishings with outstanding pieces and striking patterns throughout. “They each have a strong point of view in terms of design and wanted a selection that would speak to both of them,” Samson explains.

The house, which features an open, freeflowing layout, has polished-concrete floors, oak cabinetry and built-ins, as well as a distinctive sunken den that opens onto a covered patio and inviting pool and spa. It’s seamlessly suited to its environment, with exterior surroundings enhanced and updated by landscape architect Jorge Martinez. The den and living room offer views of the pool and a lovely oak tree in the rear, while kitchen windows frame a row of bamboo and glimpses of sky. “A Marmol Radziner home is the perfect canvas for a designer,” Samson muses. As no architectural interventions were necessary, her clients “just wanted to add some soul,” the designer recalls. The couple envisioned a lounge-like vibe for the sunken den, which they imagined as a hangout for conversation and a spot to play instruments and listen to the wife’s extensive record collection. Weaving a global influence into the design scheme was important

too, as the husband hails from London and they’re both well-traveled. But most of all, they particularly desired what the wife calls “wow moments” throughout the home.

A vintage woven Moroccan rug in the den kicked off the project and helped inform the abode’s palette. “They fell in love in Morocco and own a boutique hotel there,” Samson comments. While the carpet reads magenta, its colorful weave includes threads of yellow, blue and green—all earthy tones that repeat in these interiors. Notes of mustard are especially impactful, from the den’s low-slung Italian sofa to accessories and textiles in the living room. Materials like bouclé, velvet and even a chair covered in shaggy Guatemalan wool layer in additional depth.

While the homeowners had initially expressed reservations about the rug’s color, it was Samson’s suggestion to pair it with large-scale banana-leaf wallpaper on the den’s 14-foot wall that pulled the vision together. It worked: “The house is open and airy, so we wanted this room to not only have a big ‘wow moment,’ but to also create a visceral feeling,” the designer says. With its moody dark hues, the lush mural extends to the edge of the floor-to-ceiling sliding glass doors that open onto a greenery-ringed patio, seamlessly guiding the eye to the outdoors. “That wall engulfs the space and really draws you in,” Samson enthuses.

The upper floor features another big sensation with a bold, undulating print of green, blue and gray feathers covering the walls of the landing. Just beyond, the primary bedroom makes its own design statement, this time without a pattern. Instead, a limewash treatment in a serene sea blue spans the walls and ceiling, extending across the cornices and baseboards and enveloping the space with texture and depth. Samson also brought in a warm walnut wood for a wall-to-wall headboard and floating nightstands. Ceramics and sketches by the wife provide additional points of interest.

Such details fold in personal history and, true to the residents’ original intentions, fill the space with stories. “This project definitely wasn’t only about finding pieces that looked beautiful,” Samson reflects. “It was about the two of them creating a home that would feel like an extension of their lives together.” The next chapter is theirs to tell.

Designer Jen Samson mixed a vintage Moroccan runner from Katie Leede & Company with a striking brass bench by Pietro Franceschini in the entry of this Mar Vista home. Workstead sconces highlight Leigh Wells’ Visage 06 sourced from Tappan Collective.

An open dining area celebrates simplicity with a 1980s Torstein Nilsen dining table from Chairish paired with iron-and-leather Barnaby Lane dining chairs and vintage Russell Woodard metal-mesh armchairs from 1stdibs. Reduxr’s O’Branch V chandelier hangs above.

“The goal was to create a home filled with items that spark intrigue and interest, things that are meaningful and intentional.”

–JEN SAMSON

Above: The sunlit living room is filled with striking pieces, from Lawson-Fenning’s Inverness chair to a softly curved Stahl + Band Spule coffee table to pillows in fabrics by Zak+Fox and Dedar. Beni Rugs’ Bauhaus flat weave lies underfoot.

Opposite: A nook fitted with a built-in desk doubles as a work space. The velvet-and-walnut chair and desk lamp are from CB2. Brian Merriam’s Ancient Medicine 17 from Tappan Collective and framed artwork by one of the owners complete the vignette.

Above: An upstairs landing is papered in the free-flowing feathers of Christian LaCroix’s Prête-Moi Ta Plume wallpaper. The photograph is Sois Belle 2.3 by Annelie Vandendael via Tappan Collective.

Opposite: The homeowners’ tranquil, marine-inspired bedroom features a limewash in Wellfleet by Portola Paints & Glazes. A custom bed with a walnut headboard crafted by The Wood Shop and a Semigood Design bench rest atop Amardillo’s Malawi rug.

Steps away from the home’s interior living spaces, rocking chairs from Anthropologie form a hangout spot by the pool. Behind them, pendants from Pottery Barn hang over a Terrain dining table surrounded by Sebastian Herkner chairs from 1stdibs.

MAKING WAVES

In Corona del Mar, a couple’s seaside residence pushes their once-traditional style into uncharted waters.

WRITTEN BY ALYSSA BIRD

PHOTOGRAPHY BY RYAN GARVIN

Architecture: Geoff Sumich, Geoff Sumich Design

Interior Design: Rachel Azzolina and Wendy Blackband, Blackband Design

Home Builder: Tom Nicholson, Nicholson Companies

Landscape Architecture: Craig de Pfyffer, Environmental Designs

Along with an architectural style that nods to the East Coast, a material palette of board-and-batten siding, steel and brick adds interest and texture to the home’s exterior. Benjamin Moore’s Decorator’s White and Sherwin Williams’ Iron Ore create elegant contrast.

uccessful design projects are built on teamwork, trust and taking chances. For these homeowners with two adult daughters, swapping out their more traditional Cape Cod home for a ground-up Corona del Mar residence was an opportunity to jump out of their comfort zone, the wife says. The expansive lot they purchased overlooking Newport Harbor was ready to welcome a 7,500-square-foot home drawn up by residential designer Geoff Sumich, and the couple tapped interior designers Rachel Azzolina and Wendy Blackband, who had helped rework spaces in their previous abode, to tailor the layout and look to their taste.

The architecture references East Coast beach style with a touch of farmhouse charm. “I wanted to give the front façade plenty of character and dimension,” Sumich explains, pointing out the textural movement between board-and-batten siding, steel elements and brick. He also made the most of the home’s hillside perch, designing a glassy two-story rear section that takes full advantage of ocean, beach and harbor views.

For Azzolina and Blackband, the objective was to build upon and elevate Sumich’s vision— “a great foundation,” Azzolina notes—for their discerning clients. “They’re sophisticated and very tuned in to design, so they brought a lot to the table themselves,” Blackband shares. The couple, in fact, arrived with a notebook of ideas and a wish list, getting involved “right down to the raw electrical,” the husband quips. Explains the wife, “We really wanted to do something more contemporary, but nothing stark or cold.” This receptiveness to shaking things up proved key to a great partnership between clients and designers. “We didn’t want another ‘modern farmhouse,’ though they liked that style. We wanted to move it forward and give it a twist,” Blackband comments. Adds Azzolina, “We mixed in contemporary finishes and textures, textiles and patterns, but nothing too crazy or too bold that they might tire of eventually.”

To achieve this goal, the designers filled the home with pieces scaled specifically to fit

larger spaces like the main floor’s great room. Meanwhile, antiques and accessories lend “a dynamic touch to the home’s polished, clean edges,” Azzolina says. “We set the foundation with neutrals and highlighted natural materials, then added color and pattern through fabrics, artwork from our clients’ collection, and accessories that can easily be switched out and updated over time.” And as the home is oriented outward, the interior palette pulls from coastal blues and sandy hues.

Attention to the finishes was instrumental to curating a bespoke look, the designers note. For instance, variations in the great room’s ceilings help delineate its different sections, with exposed beams stretching across the living area, tongue-and-groove rift-sawn white oak paneling defining the dining space, and a dropped ceiling crowning the kitchen. There’s also an office—perhaps the moodiest room in the house—with a wood ceiling and paneling. The latter is painted a deep blue-gray shade to offset the white interiors, while the couple’s bedroom suite features hints of warmer shades and natural stone. “Each area has its own personality,” Azzolina states. “And each one, even the outdoors, is designed to feel intimate.” To that end, sliding glass-and-steel doors on both floors allow easy access outside, whether it’s to the lower-level’s pool terrace or the great room’s interior courtyard.

To the homeowners, the surprise lies in how the interiors evolved and how they now utilize their spaces. The courtyard, thoughtfully designed by landscape architect Craig de Pfyffer, has become a regular hangout. And the lower-level entertaining space—which includes a bar, game room and glass-walled wine cellar—exudes magnetic appeal. “It’s amazing how much time we spend down there as opposed to the top floor, which has the best view,” the husband muses. And, the couple notes, because their home continues to change, their relationship with Azzolina and Blackband is ongoing. “This was a fun process,” the wife says. “When you feel as a client that your opinion is appreciated and welcomed, and they help guide you when you start to stray—that’s the sign of a good design team.”

“EACH AREA HAS ITS OWN PERSONALITY . AND EACH ONE, EVEN THE OUTDOORS, IS DESIGNED TO FEEL INTIMATE .”

–RACHEL AZZOLINA

In the great room’s living area, designers Rachel Azzolina and Wendy Blackband paired two tables from Hart Concrete Design with a sofa upholstered in Kravet fabric. The chandeliers over the central stairway are from Avenue Lighting.

A table and sofas from RH sit alongside bespoke ottomans sporting a Pindler textile in the courtyard. Landscape architect Craig de Pfyffer contrasted limestone with Mexican beach pebbles, highlighting a sculptural olive tree.

Above: A Phylrich outdoor shower backed by European Porcelain & Ceramics tile from Mission Tile West lies just off the lower level’s pool terrace. “The yard is very tonal, so the patterned shower makes this nook a focal point,” Azzolina notes.

Opposite: The homeowners’ bedroom blends classic and contemporary elements, with RH club chairs and a Made Goods accent table facing harbor views on the deck. The bench beside the bed dons an Osborne & Little fabric.

Left: A serene, spa-like bathroom features a soaking tub from Victoria + Albert joined by an Arteriors accent table and a pendant from The Urban Electric Co. The herringbone floor tiles are Thassos marble from Walker Zanger.

Opposite: In the guest bedroom, a four-poster from CFC is flanked by Made Goods nightstands and a bench in a Zak+Fox textile. Bedside table lamps and a ceiling fixture, all from Visual Comfort & Co., add eclectic notes to the mix.

LIFE OF THE PARTY

For Ali Beletic, abstract painting is a medium for communion, communication and, most importantly, celebration.

WRITTEN BY TANYA WARD GOODMAN

PHOTOGRAPHY BY JENNY SIEGWART

With shades of hot pink, soft lavender and acid yellow splashed over shapes tinged with soot, Ali Beletic’s paintings are as vibrant and layered as a peeling wall of concert posters. A swath of matte indigo appears to have been lifted away, teasing a glimmer of depth and the sense of motion. Tension is found in a brash, spraypainted scrawl over a light-infused surface.

Abstract painting, however, is just a sliver of Oceanside-based Beletic’s range. She’s also a singer-songwriter and performer, art director for film and the creator of sprawling environmental works and sculptures. On a flat canvas, she conjures a similar energy with the goal of recreating the exhilaration of communal experiences. “I see these paintings as analogous to my larger-scale installation work,” she explains. Perhaps surprisingly, she doesn’t view the 2D format as limiting. “Give a creative person boundaries and suddenly they’ll say, ‘Oh, there’s a lot of space here. I can do a lot.’ ”

Building upon her background in film and inspired by everything from ancient art to Picasso’s Cubist sense of perspective, Beletic’s paintings explore varied points of view and narration. “We’ve inherited this moment in time when we are exposed to so much all at once,” she muses. “I’m juxtaposing many stories simultaneously.”

The artist often trowels clay directly onto her canvases. Her use of ground pigments, botanical dyes and crushed minerals creates stratified colors that evoke the heft of water-carved rock and the matte saturation of wet plaster. Applying oil and acrylic paint using cloth, sponges and brushes—tools Beletic often makes herself from plant materials—gives rise to forms that conjure land masses and cityscapes.

She might utilize a burnt stick to create dark, gestural marks. She might scribble in vibrant neon hues or bright whites. These inscriptions are impressionistic and, like scattered balloons or confetti, nod at performance art. “I feel like all of my work not only has this grounding in earth and humanity, but also in a sense of party, celebration and vibrancy,” Beletic says.

Between recent shows in Los Angeles, New York and Mexico and a new music project in the works, she isn’t slowing down. “I have a very intrinsic sentiment of what I want to put in the world,” she states. “And there are multiple threads to it.”

Ali Beletic (left) doesn’t hesitate to apply bright ground pigments (opposite) to her abstract artworks (below), which pulse with the same energy the artist is known for in her expansive, multifaceted career. The double doors of her home studio in Oceanside (bottom) maximize light and air flow.

Small Wonder

For his own home in L.A.’s Hancock Park, a minimalist-minded designer turns a modest 1920s dwelling into a clean-lined oasis that lives large.

PHOTOGRAPHY BY MANOLO LANGIS

WRITTEN BY KELLY VENCILL SANCHEZ |

Interior Design: Jason Kalman, Magni Kalman Design Home Builder: Dino Rossi, D. Ross Construction

Knoll’s Bertoia side chairs join a table by Maurizio Peregalli on the rear deck of interior designer Jason Kalman’s historic Hancock Park home, which he shares with his wife and their two miniature schnauzers. The ceramic planters are from Rolling Greens.

hether by training or simply inclination, interior designers are preternaturally equipped to envision what something might become. Such was the story for Jason Kalman. When he and his wife, Maureen, found a 1922 home on a beautiful street in Hancock Park, the designer saw its potential straightaway. “The listing called it ‘Spanish style,’ but it was essentially a rectangular box with terra-cotta tiles on top,” he remembers. “That made it easier for me to take away the filigree and distill it down to something really clean and crisp.”

The self-described minimalist got right to work reimagining the property (“We bought it and I was drawing the very next day,” Kalman recalls)— but he was determined not to overbuild. “Rather than maxing out the house and making it as big as possible, I wanted to retain the essence of this neighborhood developed in an era of older homes,” the designer notes. “It was a matter of thinking about what the original architect had in mind and bringing that into the 21st century with a fresh aesthetic.” Increasing the property’s functionality while keeping its single-story structure and basic footprint meant enclosing the front porch, raising the ceilings to the roofline to gain an extra foot and adding a backyard casita to serve as a guesthouse.

Kalman was also driven to do as much as possible on his own, from sketching out the renovation to devising the landscape. While well-versed in complicated, large-scale projects for his clients, designing for himself proved an invaluable and immersive experience. “At Magni Kalman Design, we’re usually working with architects and consultants—here it was fun to dive into each aspect of the process myself,” he says. “I ended up taking on nearly everything save for swinging the hammer.”

The man who did swing the hammer, general contractor Dino Rossi, proved an apt collaborator. He and Kalman routinely came up with new ideas on-site, like fabricating metal frames for the windows to align with floating walls or concealing AC vents in cabinetry to avoid dropping the ceilings to accommodate the necessary ductwork. “Jason has that eye for

design and is so detail oriented and passionate,” Rossi comments.

The deck between the house and casita is a prime example of the designer’s meticulous attention. Initially, he had envisioned it as a singlelevel, uninterrupted experience that would play up the property’s indoor-outdoor feel. But as time passed, he decided that introducing a break with a step down into an outdoor seating area would make a greater visual impact and provide a sense of privacy between the two structures. “That’s the great thing about designing your own home,” he muses. “It’s a constant evolution.”

To bring as much natural light into the abode as possible, Kalman, who cites architects Luis Barragán and Carlo Scarpa as influences, added skylights and groupings of narrow, vertical windows along the front and sides, offering glimpses of the outside while ensuring privacy. “Instead of one big wall of glass, the slit windows create a more striking façade and great light play within the rooms,” he notes.

Throughout, the designer kept the palette achromatic, pairing white walls with rift-sawn oak cabinetry whose gray wash picks up the hue of the wood floors and paneling. “Smaller spaces feel larger when you utilize the same materials over and over in different ways,” Kalman says. The house’s scale also inspired him to match standout pieces like Paul Evans’ Stalagmite coffee table with compact, custom furnishings such as a perforated-metal sideboard he created with his father, a precision machinist, or a bespoke, elongated steel-and-glass dining table. Wherever possible, Kalman maximized every inch of the home, integrating hidden storage behind what appears to be continuous paneling or beneath a floating bed. The result is a serene flow from room to room that makes his collection of Brutalist and Brutalist-inspired pieces (See: artist Aldo Chaparro’s gold wall sculpture and a stainless-steel mirror by Zieta Studio) even more eye-catching.

“Designing for ourselves, there are so many directions we can see things go,” Kalman says, reflecting on the challenges that come with becoming your own client. But he used his own home as a blank canvas to explore new ideas and experiment with materials. “Not sacrificing design in a smaller space can be difficult,” he concludes. “But now, having lived here, it’s a really comfortable home.”

Devised as an intimate salon, Brutalist aesthetics define the living room. To wit, a sculptural Aldo Chaparro wall piece joins a bespoke sofa, Paul Evans’ Stalagmite coffee table and chairs by Svend Åge Eriksen covered in Magni Home Collection leather.

“Instead of one big wall of glass, the slit windows create a more striking façade and great light play within the rooms.”

–JASON KALMAN

Left: The vestibule to the primary suite displays Abdul Mazid’s The Gift (new methods of wealth distribution) above a World War I artillery shell. At left is the designer’s own artwork, a piece titled Blue Maquette

Opposite: Kalman appointed the work space with a live-edge walnut desk from Design Around Objects and Magni Home Collection chair. Atop rests a 1925 lamp by Felix Aublet for Ecart International. Mies van der Rohe’s Barcelona Couch for Knoll sits nearby.

Right: Caesarstone countertops complement the galley kitchen’s stained, rift-sawn oak cabinetry, Pietra Gray marble backsplash and white oak flooring. One of the couple’s miniature schnauzers, Toby, sits near the door to the deck.

Opposite: Open to the living room and kitchen, the dining area features vintage Vico Magistretti Villabianca chairs for Cassina around a custom steel-and-glass table. The bespoke pendant is by Allied Maker.

“Smaller spaces feel larger when you utilize the same materials over and over in different ways.”

–JASON KALMAN

Oskar Zięta’s stainless-steel-mirror wall sculpture, Tafla 03, sounds a glamorous, organic note in the primary bedroom, where a custom Magni Home Collection bed and bench pair with a wool-and-silk rug from International Flooring. The ceramic sculpture is by Laura Knell.

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PORTFOLIO

BARBARA ST. CLAIR

BENNION DEVILLE HOMES

50023 Canyon View Drive is a stunning 6,290-square-foot villa in Palm Desert’s exclusive Ironwood Country Club. The 6-bedroom, 8-bath home features the finest materials, craftsmanship and finishes inside, while the 2-lot property boasts a 75-foot pool with pavilion, 2 spas, a chef’s kitchen, putting green and majestic landscaping. Priced at $6,995,000.

barbarasc@bdhomes.com | 760.699.3026

SIMPLICITY MEETS SOPHISTICATION

ARIA DESIGN

Aria Design has amassed an impressive portfolio of high-profile published residential projects. The firm’s body of work is characterized by timeless yet innovative designs exuding tranquility and sophistication. Enduring elegance and restrained simplicity are the guiding principles that inspire Aria Design’s remarkable modern design.

ariades.com | 949.376.5996

BRINGING VISIONS TO LIFE

FERGUSON BATH, KITCHEN & LIGHTING GALLERY

Whether one is renovating a single room or building the perfect dream home, Ferguson Bath, Kitchen & Lighting Gallery offers the best selection for every environment. At Ferguson’s state-of-the art showrooms, the finest brands are showcased in stunning displays and dedicated consultants work one-on-one to help clients select the perfect products for their homes.

build.com/ferguson

TIME FOR NEW FLOORING?

PACIFIC HARDWOOD FLOORING

There is no successful interior design without beautiful hardwood floors. Pacific Hardwood Flooring has been mastering the art of floors since 1990. Every style, every shape, every color imaginable. The Pacific team makes dreams come true.

pacifichardwoodflooring.com | 310.459.9865

DRIPPING DOTS COLLECTION

LILAC GALLERY

From Lilac Gallery, “Where Extraordinary Meets The Eye,” comes Dripping Dots - Coco in Ibiza 2022 by Cindy Shaoul. Executed with oil paint and mixed media on canvas, this piece dazzles with elegance, effortlessly inspiring any space. Framed in a black floater wood, it measures 25" x 21".

| 212.255.2925

PORTFOLIO

URBAN ELEGANCE ABOUNDS

SAN FRANCISCO’S 181 FREMONT RESIDENCES

The Residences at 181 Fremont are the most luxurious expression of living San Francisco has ever seen. Inside and out, each detail was meticulously designed and considered by renowned artisans with only the finest, hand-selected materials from around the globe. Priced from the mid-two-millions.

info@181fremont.com | 628.200.0530

LUXURIOUS PEACE OF MIND

CASORO JEWELRY SAFES

Experience the ultimate peace of mind with Casoro’s jewelry and watch safes. Combining top-notch burglary and fire protection with customizable organization, luxurious fabrics and exotic woods, Casoro’s ready-to-ship and custom-designed safes are built to make dreams a reality.

casorojewelrysafes.com | 714.550.4123

NEW VAN NUYS SHOWROOM

NOW OPEN

SNYDER DIAMOND

Snyder Diamond’s new, state-of-the-art Van Nuys showroom joins their Santa Monica and Pasadena locations in o ering unparalleled product expertise and over 300 exquisite brands to complement every style and budget. As L.A.’s premier, familyowned kitchen and bath destination, they’ve been supporting SoCal’s design community since 1949.

snyderdiamond.com | 818.286.9900

ELEGANT ENTRANCES CUSTOM-MADE IN ITALY

OIKOS VENEZIA

True “entrance architecture,” Oikos Venezia’s custom products are designed and manufactured near Venice, Italy. They are the brand preferred by international planners and interior designers seeking integrated solutions with a high-aesthetic impact.

oikos.it/en | +39.0421.7671

NORTH LAKE TAHOE’S FINEST ESTATES

MARTIS CAMP REALTY

With a private ski lodge and tennis pavilion nearby, this North Lake Tahoe estate is primed for Martis Camp’s finest four-season activities. The 7,340-square-foot home features 5 bedrooms and 5-plus bathrooms, large windows that flood the interior with natural light and pocket doors between the living and dining rooms for expansive entertaining. Priced at $13,995,000. martiscamp.com

McEwen Lighting

FURNITURE

Anees Furniture

Elan Atelier

Erinn V.

Lithos Design

Matthew Studios

Quintus

LIGHTING

Boyd Lighting

Elan Atelier

Hersh Design

Matthew Studios

McEwen Lighting

Studio Bel Vetro

TEXTILES

Chase Erwin

Filippo Uecher

John Boyd Textiles

Kohro

Korla Home Maple Jude & Co.

Mariaflora

Paper Mills

Peter Fasano

Rubelli

Taffard

Townsend Leather

The Sign

Westbury Textiles

WALLCOVERING

Filippo Uecher

Kohro

Lithos Design

Maya Romanoff

Paper Mills

Peter Fasano

Rubelli

The Sign

FLOOR

Divya Living

ACCESSORIES/ART

Cecil Humphreys Bronzework

Elan Atelier

Fresh Paint Art

Lusso Misto Cashmere

Spirale Collection

HARDWARE

Matthew Studios

COVERING

Maya Romanoff

Boyd Lighting

Townsend Leather

Hersh Design

Filippo Uecher

Quintus

Diyva Living