Luxe Magazine - March/April 2023 National

CIRCA LIGHTING IS NOW

THE DESTINATION FOR DESIGNER LIGHTING

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DESIGNER: IAN K. FOWLER

©2022 Hunter Douglas All trademarks used herein are the property of Hunter Douglas

LIVE BEAUTIFULLY

What does it mean to live well? To be perfectly at ease, in comfort and style?

Innovative product designs pair with gorgeous fabrics and control systems so advanced, shades can be scheduled to automatically adjust to their optimal position throughout the day. Creating a new world of beauty, convenience and energy efficiency — morning, noon, and night.

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Sense. Modular sofas, armchair and ottomans, designed by Studio Roche Bobois. Cestello. Cocktail tables, designed by Gabriele Fedele. Mariposa. Floor lamps, designed by Marcel Wanders. Botanica. Rugs, designed by Emmanuel Thibault.

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AN EXPERIENCE Like No Other

Your private showcase awaits at a Thermador Experience and Design Center. Explore luxury bespoke kitchens and discover how true craftsmanship, design, and innovation can bring your unique vision to life.

MAR APR

34 EVOLUTION

Leading landscape designers weigh in on the growing appeal of showcasing art in natural surroundings.

38 HUE

Gardener Ellen Ogden Ecker pens an ode to the sights of spring and the color of new beginnings.

40 INSPIRATION

Florida-based sculptor Jorge Blanco is on a mission to spark happiness through eye-catching art.

42 INNOVATION

With a line of outdoor planters and a new Miami outpost, Adam Sirak is making waves in landscape design.

Market

54 MATERIAL

Textile artists stitch one-of-a-kind creations for Luxe featuring this season’s performance fabrics.

62 TREND

Find inspiration in the jaw-dropping terrain of three U.S. National Parks.

68 SPOTLIGHT

From benches to loungers to dining chairs, herald alfresco living with colorful outdoor seating.

Living

86 KITCHEN + BATH

Hotelier Liz Lambert unveils her collection with Perennials and her charming ranch in Marfa, Texas.

100 THE REPORT

A look at how today’s pool houses are being designed as backyard vacation destinations.

100% MADE IN EUROPE

FEATURES

Garden Party

A residence off the coast of Washington is transformed as a celebration of peace, harmony and serene natural surroundings.

by

Vim & Vigor

Through bold color, unexpected art and funky shapes, a designer revamps a Chicago bachelor pad at every turn.

Wood Fired

Artist Casey Zablocki taps into his baking background to produce large-scale ceramics with an earthy, organic quality.

Modern History

This Connecticut farmhouse is proof positive that contemporary decor and Colonial charm can mingle stylishly.

Written

Maile Pingel

Photography by Aaron Leitz

Written by Monique McIntosh

Photography by Ryan McDonald

Written by Lauren Gallow

Photography by Rebecca Stumpf

Written by Jennifer Boles

Photography by Rikki Snyder

Styling by Frances Bailey

DESIGN DIRECTOR

Pam Shavalier

ART DIRECTOR

Candace Cohen

PAMELA LERNER JACCARINO VICE PRESIDENT, EDITOR IN CHIEF

EXECUTIVE EDITOR

Brittany Chevalier McIntyre

SENIOR MANAGING EDITOR

Colleen McTiernan

MANAGING EDITORIAL DIRECTOR

Kelly Velocci Jolliffe

MANAGING EDITORS

Krystal Racaniello, Clémence Sfadj

HOMES EDITORS

SOUTHEAST

Kate Abney

COLORADO, LOS ANGELES, SOUTHERN CALIFORNIA

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Grace Beuley Hunt

STYLE DIRECTOR

Kathryn Given

ASSOCIATE EDITOR

Khadejah Khan

AUSTIN + SAN ANTONIO, DALLAS + FORT WORTH, HOUSTON

Paulette Pearson

ARIZONA, CHICAGO

Shannon Sharpe

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

Jennifer Pfaff Smith

DIRECTOR, SPECIAL EDITORIAL PROJECTS

Katy Olson Wenzel

ART

ART DIRECTOR

Maria Pluta

SENIOR GRAPHIC DESIGNER

Jamie Beauparlant

GRAPHIC DESIGNER

Ellen Antworth

ASSOCIATE GRAPHIC DESIGNER

Kyle Anderson

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MARKET

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DIGITAL

SENIOR DIRECTOR, CONTENT DISTRIBUTION

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ADAM I. SANDOW CHAIRMAN

ERICA HOLBORN

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Margaux Caniato

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DIRECTOR, INFORMATION TECHNOLOGY

Joshua Grunstra

SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.

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KATE KELLY SMITH EXECUTIVE VICE PRESIDENT + MANAGING DIRECTOR

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PARTNER + PROGRAM SUCCESS DIRECTOR, PARTNER SUCCESS Jennifer Kimmerling

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Luxe Interiors + Design (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 2, March/April, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“ Luxe ”) provides information on luxury homes and lifestyles. Luxe Interiors + Design SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without

KRYSTA RODRIGUEZ

Actress, Stage & Screen

Founder, Curated by Krysta Rodriguez

DRESS IN: TAMBOURINE TRAPS

NEW YORK CHICAGO DALLAS NASHVILLE BOSTON SAN FRANCISCO GREENWICH PALM BEACH SHORT HILLS CANNES JAKARTA

Drawn to Spring

Welcome to our March/April issue! It’s the season of renewal, green shoots and bucolic surroundings. In this issue, our editors bring fresh perspectives on landscape design and sculpture gardens, the latest in outdoor seating and incredible pool houses. We also head to a west Texas ranch that’s both laid-back and chic for a primer on alfresco entertaining. And, of course, our line-up of fabulous homes. May it all bring you endless inspiration.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

There's a word for the way an expanse of doors blends the indoors and outdoors into one space. It's called biophilic design. But whatever you choose to call it, the effect is the same – your favorite spaces become better, sunnier, and filled with fresh air as they're transformed into a paradise of nature. Another defining element of doors made with rich wood interiors, aluminum clad exteriors, and no compromises.

Invite More Outside, Inside.

ARCHITECT: Matthew Lechowick BUIILDER: Kinetic Partners

PHOTO: Kat Alves Photography

RADAR

From boundary-pushing landscape design to alfresco art, the world of outdoor living is as dynamic as ever.

Grounds for Celebration

THE LATEST SCULPTURE GARDENS FEATURE MUSEUM-QUALITY WORKS THAT ENGAGE WITH THE ENVIRONMENT, INVITING WONDER AND INTROSPECTION.

WRITTEN BY MICHELLE BRUNNER

JAMES DOYLE DESIGN ASSOCIATES

It would seem that Mother Nature shouldn’t need much embellishment, but in his new book, Intersection of Nature and Art, landscape architect James Doyle makes a convincing case for using world-class sculpture to enhance outdoor environments. “Once you set the right piece in a meadow, it ends up making sense; the scale is correct, and it adds whimsy and artistry to the natural surroundings,” he says. For art connoisseur clients, outdoor sculpture gardens provide an opportunity to expand their collection and experience pieces while communing with nature. “Some homeowners may want these works front and center, while others will prefer them to be more of a surprise that’s discovered as the landscape gradually unfolds,” says Justin Quinn, partner at JDDA. At a historic estate outside Philadelphia, an Antony Gormley sculpture punctuates the expansive grounds. Whether situated to inspire public awe or private contemplation, an artfully placed sculpture has the power to beguile onlookers. jdda.com

ARTERRA LANDSCAPE ARCHITECTS

While northern California vistas take pride of place in landscape architect Gretchen Whittier’s designs, even the most breathtaking scenery can need a little coaxing. “Sometimes you have to reshape the view, and we often use sculpture to accentuate the end of a vista or create a focal point,” she says. For a Napa Valley project, finding the right location for a monumental tree sculpture by Ai Weiwei required much deliberation. Whittier ultimately landed on the entry courtyard, where it serves as a crowning centerpiece. Placing art en plein air also helps to create a dialogue between interior and exterior spaces, visually extending the living area. “When you see a piece of sculpture through a window, and it feels like part of the decor, a beautiful connection is made.” arterrasf.com

MIRADOR GROUP

For architect Jerry Hooker, using sculpture in landscape design isn’t just about creating an aesthetically pleasing composition—it’s an opportunity to craft a personal narrative. A partner with Mirador Group, Hooker has used art to enhance the grounds of many projects, including the private roof terrace of a new condominium in Houston. Hooker created three separate garden “rooms” housing a sculpture that holds special meaning to the homeowner. Providing clients with such thoughtful landscapes encourages the kind of introspection one might experience in museums, a similarity not lost on Hooker. “Every single person will have a different interpretation,” Hook er says. “That’s the purpose of art.” miradorgroup.com

top photo: cesar rubio. bottom photo: divya pande.

Green Thumb

AVID GARDENER ELLEN ECKER OGDEN REFLECTS ON THE SIGNIFICANCE OF GREEN HUES AS A WELCOMING OF THE SEASON AHEAD.

It’s a gardener’s spring ritual: waiting and watching for hints of green. Who knew that a color could hold so much promise and ll me with such a sense of hope. Like listening to music wafting through the air, shades of emerald and sage begin to layer through my garden the surrounding Vermont hills. I notice how fresh, minty green buds give to blooming leaves, and celadon spears of asparagus poke through the soil. Emerging plants move to a tempo all their own like a well synchronized orchestra.

Weeks ago, I went through the sacred processes symbolizing spring: cupping a handful of soil and inhaling as I put it to my nose. Healthy and organic, the mixture smelled sweet like chocolate cake and felt rich and crumbly in my palm. Preparing soil was only my rst act before pushing and sowing seeds for peas and lettuce in long, straight rows. Within a week, tiny sprouts have given way to tendrils, then so much more.

garden in a lush valley between the Green Mountains and Taconic Range, where pine, pistachio and jade tones blanket the verdant landscape like a giant tapestry of color coming together to create a rich work of art. As I follow a well-worn path from the woods, freshly punctuated with lime-colored buds peeking through the ground, back to my own garden, I pause. A medley of green hues will soon emerge to mean one thing—spring is here.

Lush illustrations showcasing Ellen Ecker Ogden’s garden depict a variety of green tones found in the flora she plants. These include pea vines, ferns, tender lettuces, dandelions, ramps and herbs.

Whether soaring 20 feet above a bustling city street or punctuating a serene park, Jorge Blanco’s vibrant, aluminum sculptures are instantly recognizable. The playful silhouettes—depicting everything from human forms in motion to fruit and abstract shapes—are his vehicle for spreading joy. “Art is communication and feeling,” says the Sarasota-based artist, whose practiced sculpture for nearly 50 years. “I always have the same intention in my work: communicate happiness, energy and enthusiasm.”

Blanco’s penchant for art began in his native Venezuela. As a child, he discovered Auguste Herbin’s colorful and geometric paintings, which had a profound impact on

Bold Strokes

ARTIST JORGE BLANCO’S SCULPTURES

CAPTURE THE DELIGHT HE FINDS IN LIFE’S SIMPLE PLEASURES.

WRITTEN BY KELLY VELOCCI JOLLIFFE

his work. While Blanco’s early sculptures portrayed darker subjects, his artistic language shifted to express a more positive point of view upon meeting his wife, Elena, in 1984. “The world has two sides,” Blanco explains. “One is sad, scary and painful, whereas the other is about beauty, smiling and comfort. I choose to focus on the latter because it is encouraging.”

Bold primary hues or bright white coloring are hallmarks of his work, which include 30 permanent public sculptures, in addition to private commissions, throughout the U.S. and abroad. His pieces directly reflect the inspiration he finds in day-to-day life, whether that be sports or the color of a piece of fruit.

Before embarking on a new sculpture, Blanco closely surveys the site where the work will live, observing shadows cast by the sun, wind conditions, vegetation and surrounding architecture. Each design originates as a humble paper sketch, evolving into a model and then a technical drawing before reaching its final machinecut, powder-coated form. “It’s important to me that people smile when they see my work,” Blanco muses. “It is a gift that encourages me to continue working.”

jorgeblancosculpture.com

Nueve a large-scale, aluminum powder-coated commission, is a tribute to life and nature that lives on the grounds of a large Caribbean estate.

photo: elena hernandez-ron.

Home Grown

BETWEEN A THRIVING LANDSCAPE AND EXTERIORS BUSINESS, A DEBUT LINE OF PLANTERS AND A NEW MIAMI OUTPOST, THERE’S NO TIME FOR MOSS TO GROW UNDER ADAM SIRAK’S FEET.

WRITTEN BY MAILE PINGEL

Inspired by the rich history of Istanbul, Orion II and Saturn III are part of Adam Sirak’s new collection of cast concrete planters with The Future Perfect.

“My practice is about telling stories,” Adam Sirak explains. Whether creating the garden at Art House of San Clemente, an artist-in-residency program outside Los Angeles, or a rooftop green oasis in West Hollywood, Sirak takes an uber-creative approach to exterior design. This approach has brought him residential projects throughout L.A., where he lives, and new hospitality work including a forthcoming hotel near Joshua Tree National Park.

His love of gardens was inherited from his parents, both of whom are landscape designers in South Florida. “I grew up in a masterpiece garden, and we were always taking trips to botanical gardens or the Everglades. It was plants, plants, plants,” he says, laughing. Now, Sirak is working with them to establish an office in Miami from which he can operate.

“Gardens are transportive, they’re living expressions of time and place. I find that endlessly inspiring.”

For his latest venture, a line of planters, the designer was inspired by an interest in classical antiquities and ancient civilizations. “I’ve used every planter under the sun and thought, where’s the one that’s really cool?” Sirak let ideas develop organically, sketching hundreds of prototypes by hand. Soon a collection developed; the drawings digitized, the molds made, and casting done at his California facility.

The made-to-order planters caught the eye of David Alhadeff, founder of The Future Perfect, who now carries the line, which takes cues from the Byzantine, Roman and Ottoman empires of Istanbul’s history. At once ancient and modern, the designs can tell any story one might imagine. sirak.com

“I think of front yards as portals: They should welcome you into the garden and set the tone,” Sirak explains of this West Hollywood project. Although short on space, the fountain acts as a centerpiece while the sound of bubbling water adds a serene note.

Three Generations of Design

LILLIAN AUGUST DESIGN DEITY CONFESSIONS of a

Some say that three is a magic number. For Lillian August, it certainly is. For more than three decades she has been a leading figure in the world of high-end interior and lifestyle design. With her son and co-founder, Dan Weiss, and now the addition of her granddaughter and marketing director, Eliza Weiss, by her side, August’s world-renowned brand boasts three generations of talent, skill and expertise that continues to bring traditional elegance and innovative ideas to her celebrated lines of fine indoor and outdoor home furnishings, textiles, wallcoverings, lighting, wall décor and rugs. In the following interview, August shares insights into her history, design aesthetic and unique eye for quality, detail and color, as well as the 15-year partnership she shares with Sherrill Furniture– all of which has made both Lillian August the woman and Lillian August the brand truly legendary.

Share a bit of your brand’s history and evolution. I began designing textiles in the 1970s with a line of English country house-inspired quilts and crafts. This allowed me to expand into licensed collections of fabrics, wallcoverings, and later, furniture with outstanding makers like Sherrill Furniture. With my granddaughter joining, we are reaching younger lifestyle customers with fresh designs and creative expressions like our recent outdoor fabric license with Tempo Fabrics and exciting new wallcovering designs with Wallquest.

Describe your aesthetic. Whether it is historic or fresh from the Paris runways, color, patterns and textures have always inspired me.

What are the hallmarks of your brand’s personality? Lillian August is a go-to brand for interior designers wanting to achieve unique lifestyle looks with exceptional quality and classic design.

We work in a wide variety of styles because our customers live in different parts of the country and have different wants, needs, tastes and visions. And the fact that we offer so many fabrics, finishes, colorways and customization options allows our pieces to adapt to any fresh design ideal our clients can dream up.

What is exciting you creatively right now? Our latest designs are leaning into three unique lifestyles. First is Hollywood Regency, which blends maximalist glamour with bold, bright colors and patterns. Next is New Traditional, which will expand into indoor and outdoor textile collections that combine a traditional coastal concept with a fun, youthful twist. Finally, our Vintage Roundtop mixes natural materials and relaxed finishes for a masculine, mountain house feel that represents Dan’s aesthetic point of view.

What constitutes good design? Timelessness, great taste and an original mix of colors, materials and creature comforts.

“I am so proud to be celebrating 30 years and 3 generations of hard work and success with our family, friends, colleagues and fans of great design.”

LILLIAN AUGUST

DISCOVERIES

LEFROY BROOKS

The XO range of bathroom fittings, covering showers, taps and accessories, takes inspiration from designs of the 2000s. This modern, minimalist collection offers clean, straight, angular lines. Available in polished chrome and brushed nickel. lefroybrooks.com

GROTHOUSE

Grothouse crafts the ultimate in luxury wood surfaces, making gorgeous bespoke pieces for every room in the home. Designs are fully customized, like this walnut butcher-block table with brass accents. grothouse.com

J. TRIBBLE

A premier builder of custom-designed sink bases, J. Tribble’s handcrafted cabinets are a valuable asset for designers with a discerning eye, and for homeowners looking for something truly distinctive. jtribble.com

TEAK WAREHOUSE

Modern and eclectic in design, this hand-poured concrete tabletop with warm teakwood legs would make a bold statement in a clean, contemporary home or turn-of-the-century villa. teakwarehouse.com

DISCOVERIES

ARCADIA CUSTOM

THERMADOR

Your private showcase awaits at Thermador Experience & Design Centers. Explore bespoke kitchens and discover how true craftsmanship, design and innovation can bring visions to life. thermador.com/showrooms

the collection to enhance Experience

real wood can without on and unlimited

Explore the reimagined VistaWood window and door collection to enhance unique architectural style. Experience the warmth and character only real wood can provide, without compromising on today’s designs—narrow sight lines, large glass and unlimited configurations and customizations.

arcadiacustom.com

NOIR TRADING, INC.

The Mars chair is a unique statement in hand-carved walnut that features an arching back and armrests with a graded arch design on each plane of the frame. Arch reliefs are highlighted in white for a graphic emphasis. Priced at $2,607. noirfurniturela.com

STARK

A contemporary take on a traditional Moroccan design, the Lesa rug features soft neutrals and bold graphics. Stark Performance Acrylic fibers provide the perfect union of luxury and high-end performance. starkcarpet.com

Featured - Stone Fiction porcelain tile collection, responsibly made in Crossville, Tennessee

Walls

MARKET

Discover performance fabric masterpieces, America’s diverse natural terrain and must-have outdoor seating.

Common Thread

WITH SPRING RENEWAL AS THEIR PROMPT, FOUR ARTISTS CRAFT ORIGINAL WORKS OF ART USING THE LATEST PERFORMANCE FABRICS.

HOPEFUL JOURNEY

“It’s like a bouquet of flowers,” says Atlanta-based Jamele Wright Sr. of his colorful creation drifting, 01 The piece was made with Pierre Frey’s newest performance lines—Outdoor Prints, Guethary and Enchantee—as well as objets trouvés like copper wire, broaches and driftwood from nearby Lake Lanier. “I’m always bringing found materials into fine art,” says the multidisciplinary artist. Wright’s hanging

pouches are reminiscent of gris-gris bags carried by African Americans during the 20th century’s Great Migration from southern states to northern and western cities (Wright’s own grandparents were among the millions who uprooted, moving from Alabama to Ohio). The pouches held good luck charms and tokens for those in search of a better quality of life. septembergrayart.com; pierrefrey.com

WRITTEN AND PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON | PHOTOGRAPHY BY FRANK FRANCES

Designed by Nina Magon

BLOSSOMING BEAUTY

Textile artist Maggie Dillon specializes in portraiture, and while her color palette is usually more subdued, the saturated hues and bold prints of Sunbrella’s new Perspectives collection led her to compose the stunning portrait, You Belong Among the Wildflowers

“I seek a feeling of calm in my work, and the title felt like a deep breath of fresh air,” says the

Sarasota resident. The collection’s orangey red fabrics inspired the striking scene featuring a woman surrounded by poppies (a fitting choice as the flower blossoms in springtime).

“I toyed with the idea of a woman smelling the flower,” says Dillon, “but came up with a more playful version with her hiding behind the bloom.” maggiedillondesigns.com; sunbrella.com

LIGHT TOUCH

Dana De Ano starts each piece with an examination of the materials. “I hear what they have to say,” says the Chicago-based visual artist. “We have a conversation and then I play.” In this case, De Ano listened to the colors and textures of Donghia’s Lake Hill Performance/Outdoor collection. She was particularly drawn to the neutral colors and textural feel of its rich boucle and chenille designs.

For Front Lawn, the artist was inspired by Chicagoan’s determination to regrow their surrounding landscapes after the long winter months. An alumna of the Art Institute of Chicago, she categorizes the piece—and her work as a whole— as drawings that use untraditional materials, whether that be paint, fabrics or found objects. danadeano.com; kravet.com

BLUE PERIOD

“I love working with textiles because there is such a wide range of possibility and freedom to experiment,” says Liz Collins, a Brooklyn artist and designer who conceived Blue Window No stranger to performance fabrics, Collins recently launched a capsule collection with Pollack which she used here alongside standouts from the brand’s latest line, Art School. Collins relied on her years of

textile experience to create this graphic arrangement featuring layers of rectangular cuttings in an echo chamber-like framework that successfully aligns with her selfdescribed “vibrant, electric, textured and contrasting” style. When it came to color, Dynamic Expansion on the outer frame (a personal favorite) guided her selection of blue patterns that followed. lizcollins.com; pollackassociates.com

PARKS & REC

From sea to shining sea, get to know the latest landscapes to join the National Park Service.

Sandy Spectacle

New Mexico’s ethereal White Sands marks state’s second addition to the National Park name hails from the rolling gypsum dunes 275 square miles, earning it bragging rights world’s largest gypsum dune field. Not your beach sand, gypsum is a hydrous, soft mineral that’s used in a wide range of applications, including architecture and art. The otherworldly terrain is a popular backdrop for commercials, music videos and films. nps.gov/whsa

the to list. Its name hails from the gypsum dunes covering 275 square it as the world’s gypsum dune field. Not your typical beach sand, gypsum is a soft sulfate mineral that’s used in a wide range of architecture and art. The terrain is a for commercials,

WRITTEN AND PRODUCED BY SARAH SHELTON

Clockwise from top right: Junit To ee and Junit Fruta Lamp by Julia Jessen for Schneid / $473 each / stillfried.com Pecosa Wallpaper in Air / $375 per roll / eskayel.com Rhythmic Bold Mask Sunglasses in Rainbow / $260 / zimmermann.com X Chair in Lavender by Sun at Six / $660 / foromshop.com Ru e Co ee Table / Price upon request

Desk by Ronan & Erwan Bouroullec for Glas Italia / $6,550 / artemest.com Addled Tall Glass in Strawberry / $191 / shoprira.com

DeCamp

Lune

Sofa from McKinnon & Harris in Cestino. Pillows in Saraband and Kaia Stripe.

Mountains Majesty

The origin of California’s Pinnacles National Park traces back some 23 million years after volcanos erupted and formed the unparalleled landscape that exists today. From caves and foot trails to woodlands and canyons, the park’s extraordinary reddish rock formations are particularly noteworthy. Located east of the Salinas Valley in Central California, near the infamous San Andreas Fault, and just 40 miles from the Pacific Ocean, the climate is as diverse as the land, with cool, wet winters and hot, dry summers. nps.gov/pinn

Clockwise from top right: Lapis Lazuli Square Clock / $645 / seamanschepps.com Sedona Travertine / Price upon request

Marmo Footed Glass Bowl by Vetrerie di Empoli / $1,800 / lustare.com

Bambole Two-Seater Sofa in Ochre Boulée by Mario Bellini / Price upon request / bebitalia.com Ombrelle Pedestal Table by Cristián Mohaded / $2,265 / roche-bobois.com

Rug / Price upon request / samad.com Fireleaf Golden Coral Necklace / $28,800 / mishfinejewelry.com

Bridge the Gap

Don’t be fooled by its name: Though West Virginia’s New River Gorge was recently added to the National Park Service, the New River is one of the oldest rivers in North America. Nestled in the Appalachian Mountains, the park covers 70,000 acres of forestland which provides visitors plentiful opportunities for hiking, whitewater rafting and rock climbing. This postcardworthy destination is also home to the New River Gorge Bridge—the third highest in the country. nps.gov/neri

Clockwise The shinola.com Claret Dolomite / Price upon request / demurodas.com Petrova Fire Screen / $1,495 / arteriorshome.com Chair Price Tura Seeded Glass Low Voltage Sconce / Price upon request / hubbardtonforge.com Ombré Fog

Clockwise from top right: The Runwell Shoulder Bag / $650 / . Gem Cabinet in Claret Dolomite / Price upon request / . Cleo Chair by Marcel Wanders Studio / Price upon request / fendicasa.com . Tura Seeded Glass Low Sconce / Price upon / Ombré Table Runner in Fog / $80 / stfrank.com

Sourcing the highest quality marble, quartzite, quartz, granite, and soapstone for a meticulously curated collection to ensure your search for surfaces ends with Architectural Surfaces. Visit a showroom today.

Outdoor Invitational

TAKE A SEAT ON ONE OF THESE FABULOUS ALFRESCO FINDS AND SAVOR A MOMENT IN THE SUN.

WRITTEN AND PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON PHOTOGRAPHY BY FRANK FRANCES

EN MASSE

Los Angeles-based Bend Goods takes cues from modern architecture and midcentury design to craft their wide range of wire furniture. The sleek powdercoated Rachel Chair, shown in Peacock Blue, White and Yellow, features grated construction that allows air to easily filter and water to drain from the seat, making it an ultra-practical outdoor option. On the floor, Chilewich’s Boucle Woven Floor Mat in Tangerine and Bamboo Woven Floor Mat in Spring Green are fitting en plein air accompaniments. bendgoods.com; chilewich.com

FLEXIBLE FORM

Silicone rubber is Philadelphia-based designer Nick Missel’s material of choice. For his Cube series—exclusive to Frampton Co. in New York City—Missel devised perfectly imperfect textured perches that begin as a mold made from discarded cardboard and layered with silicon until the ideal shape and size are achieved. The gel-like surface of each one-of-a-kind piece comfortably cradles the sitter, allowing them to ever so slightly sink into its surface. shop.framptonco.com

LANGUID LOUNGER

Meet the Sloth Chair, the latest debut from Maximilian Eicke’s studio Max ID NY. Portable, foldable, stackable and handwoven of a synthetic fiber, the dramatic curves of the chaise mimic the shape of waves and sand dunes. Available in six colors, this uniquely cool take on the classic sun chair remains lightweight for toting to the beach yet stylish enough to be a permanent poolside fixture. maxidnystore.com

JARDIN DELIGHT

French flair is synonymous with Fermob, the chic outdoor furniture and accessory company whose work can be found scattered across Paris’ parks and green spaces. Fermob tapped Frédéric Sofia to rethink legendary designs in their Luxembourg collection (shown), which are inspired by the iconic garden of the same name and its original furniture from 1923. The low-back, aluminum Compact Bench (in foreground) is Sofia’s latest interpretation. The 57" Bench in Ice Mint, 2/3-Seater Bench in Frosted Lemon and 2-Seater Garden Bench in Opaline Green—their newest hue—round out the colorful offerings. fermob.com; chilewich.com

STACK ‘EM UP

Quincy Ellis is the color guru behind Facture’s molded resin furniture and objects. Working out of a large Brooklyn warehouse, he brings designs to life that push the boundaries of color to realize striking combinations and gradation shifts that appear simple to the eye but require complex construction. Featuring smooth, matte finishes with gradual hue variations, the Meld Stool, Scale Pyramid and Meld Side Table (from top), can function as compact outdoor perches or bold tabletop surfaces. Custom shapes and colors are available. tulestefactory.com; chilewich.com

FORTINA for

Fortina is an exceptional architectural system that deceives the senses by mimicking the appearance of wood slats and louvers using lightweight aluminum with hyper-realistic nonPVC surfaces.

This system was the ideal choice for this luxury residential home as it not only provides the same organic feel and warmth of real wood, but also offers several advantages such as lower cost, reduced environmental impact, ease of installation, fire rated, and consistent color and finish. The Fortina Louvers offers the perfect solution for emulating the look of wood without any of the limitations.

ICON REIMAGINED

On the cusp of their 20th

anniversary, Danish design brand HAY was approached by American legacy manufacturer Herman Miller to reimagine a selection of Eames mid-century furnishings and accessories, including the classic Wire Chairs, shown here in Powder Yellow, Black Blue, Mint Green and Iron Red. With HAY’s fresh take on color and Eames’ world-famous designs, the collaboration bridges the past and present to excite modern-day collectors and vintage enthusiasts alike. hermanmiller.com

Redding, CT | $8,500,000

Welcome to 229 Umpawaug Road, the quintessential estate of exceptional quality on the premier scenic road in Redding, Connecticut.

William Raveis Real Estate, Mortgage & Insurance

Stacy Young — 917 816 6733

Search FXFL on luxuryportfolio.com

Minusio, TI | CHF7,950,000

Mediterranean holiday villa — Sophisticated ambience, spacious rooms, heated outdoor pool and lots of sunlight.

WETAG Consulting

Iradj ALEXANDER-DAVID — +41 91 601 04 40

Search DQKH on luxuryportfolio.com

La Jolla, CA | $3,495,000

Incredible opportunity to indulge in oceanfront living at La Jolla’s premier high-rise building offering an unparalleled lifestyle of luxury.

Willis Allen Real Estate

Drew & Tim Nelson — 858 215 3739

Search XRVK on luxuryportfolio.com

Islip, NY | $1,299,000

Historic 6,000 sq. ft. home located in the South Shore Hamlet of Islip. Coach Real Estate Associates, Inc.

Susan Simmons — 631 338 1936

Search LKQL on luxuryportfolio.com

©2023 Luxury Portfolio International.® Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information has been supplied by third parties and should not be relied on as accurate or complete. Equal Opportunity Employer and pledged to the letter and spirit of Equal Housing Opportunities.

LLOYD FLANDERS

lloydflanders.com

Today’s elevated outdoor lifestyles demand furnishings that offer elegant design, and enduring quality and ease. Since 1906, Lloyd Flanders has been crafting superior furniture that takes outdoor living to new heights. “The outdoor environment can be harsh, so designing products that withstand the elements while providing beauty and comfort drives our design team daily,” says CEO and creative director, Jess Flanders. “To achieve this, we use

all-aluminum frames, the highest-quality vinyl and our unique loom material.” Patented in 1916, Lloyd Loom is the firm’s proprietary process for creating wicker furnishings. “And our special loom material comes in 20 different finishes to meet the aesthetic wants and needs of our clients,” says Warren Juliano, president of Lloyd Flanders. “We’re proud to be the only manufacturer of woven outdoor furniture made entirely in the United States.”

EXTERIOR INSIGHTS

Bryan Echols, senior vice president of sales and marketing, shares the ins and outs of outdoor excellence.

Name some unique places that have included your designs. We’ve seen our furnishings on cruise ships, high-rise condominium balconies, in outdoor seating areas at restaurants and breweries, at landmark locations like New York’s Waldorf Astoria and The Breakers in Palm Beach, in films like The Green Mile, TV series like Revenge, as well as music videos like Kenny Chesney’s Old Blue Chair

How do you include clients in the creative process? We offer Lloyd Loom Lounge Galleries with a dedicated Lloyd specialist to our retail partners to showcase our multitude of design, material and color options. Digitally, clients and salespeople can build their own look online and collaborate with us virtually to achieve a final custom design.

How are you responding to the increased demand for sustainability? We pay careful attention to the availability and sustainability of the materials we use, the energy resources required during the manufacturing process and the impact our products have on the environment.

What’s new and next? While neutrals will always be important aesthetically, we’re seeing significant growth in our brightly-colored finishes and fabrics. Our Sea Glass, Denim Blue and Woodland Green are all extremely popular right now.

Top From the Southport Modular Seating Collection, this sofa, lounge chair and square end table boast an ebony frame finish with Peacock color panel inserts. Bottom An All Seasons settee, settee swing and end table in ivory are the perfect complement to these high-back porch rockers and ottoman in a charcoal finish.

Photography Top by Alan Cresto; Bottom by Dustin Halleck

“We design and create outdoor furnishings that deliver exceptional durability, style and comfort right here in the U.S.”

LIVING

Elevated entertaining in west Texas and a round-up of next-level pool houses have Luxe yearning for sunny days ahead.

Home on the Ranch

THE MARFA, TEXAS, RETREAT OF HOSPITALITY MAVEN LIZ LAMBERT SPEAKS THE LANGUAGE OF PLACE.

WRITTEN AND PRODUCED BY KATHRYN GIVEN

PHOTOGRAPHY BY BUFF STRICKLAND

STYLING BY LAUREN SANDERS

“I strongly believe that a home should feel of a place,” Liz Lambert explains of her Marfa, Texas, abode, which is a true reflection of the surrounding area’s distinct culture. For the Austin-based hotelier, who made her mark designing some of the country’s top hospitality destinations, far west Texas inspires everything from materiality and building techniques, to the items she uses for decorating and entertaining.

Lambert’s residence is situated on her family’s sprawling cattle ranch located between

the Chinati and Davis Mountains. When she returned home to Texas after a stint in New York City, Lambert set out to find a home near where she grew up. Fortunately, she didn’t have to search far after realizing an existing bunk house structure on the property could be transformed with a few tweaks. Soon, a screened-in porch and section of the kitchen were built using traditional adobe masonry and outfitted with regionally sourced furniture. “A lot of friends helped me put this house

together,” Lambert explains. “Most of what you see in here is local and really speaks to where we are.”

Whether guests prefer lounging by the water tank or escaping the Texas heat with a dip in the alfresco bathtub, the ranch celebrates life outdoors and the natural beauty found in this corner of the country. When it comes to the interiors, there is an honest purity to the space that allows for an easy, laid-back lifestyle in which friends

At Liz Lambert’s home in Marfa, the screened-in porch acts as a gathering spot for relaxing and entertaining. On the table are terra-cotta plates collected in Mexico and textiles from Lambert’s collection, Perennials by Far West, including pillows in Serape Stripe and placemats in Baja Stripe.

TERRA COLLABORATES WITH AN EXTRAORDINARY TEAM OF DESIGNERS, MANUFACTURERS AND ARTISANS ACROSS THE GLOBE TO CREATE EXCEPTIONAL OUTDOOR FURNISHINGS. OUR PREMIUM QUALITY AND CONTEMPORARY EUROPEAN DESIGNS ARE IN-STOCK AND READY TO TURN YOUR OUTDOOR SPACE INTO A PERSONAL SANCTUARY.

With a view that stretches for miles across far west Texas, the porch features a Playa Stripe runner along with a dog bed upholstered in Baja Stripe and pillows in Campo Stripe.

come and go with ease. Most meals are served family style by Lambert’s brother, acclaimed chef Lou Lambert, who uses the Wolf Range for pinto beans as much as he does the campfire for grilling dinner.

For the table, Lambert gathers pared down native flora and fauna along with objects collected from the land. Place settings feature beautiful terra-cotta plates and bowls made in neighboring Mexico. “I think simplicity is beautiful,” Lambert notes.“I gravitate towards places where things fall away; the simpler a place is, the more you feel at home.”

One motif the aesthete does collect in abundance, though, is stripes. The classic print was the starting point for her new textile collection, Perennials by Far West, made in collaboration with the performance fabric and rug company. “I’ve had a history with stripes,” Lambert explains. “From using them in projects to collecting hand-woven Peruvian

textiles and Nepalese saddle blankets. So we began by examining each of these patterns.” And what evolved was a colorful, bohemian-inspired line comprising five fabric and three rug designs that work just as well indoors as they do outside.

Lambert, a partner at MML Hospitality, and her team at Lambert McGuire Design, put their heads together with Ann Sutherland at Perennials—bonding over Texas and tequila— to dream up patterns fitting in any number of applications while still evoking the place for which they were inspired: far west Texas. “T he idea was to start with stripes and put together a collection where each pattern could live on its own while also complementing one another,” she says. The line is already right at home on the ranch: Lambert’s used it for upholstering vibrant throw pillows, dog beds and even a camper van. At home indeed. perennialsfabrics.com; farwestcollective.com

The open-air bathtub behind the bunkhouse becomes essential during dusty, dry summers on the ranch. Hanging is a striped robe used at El Cosmico, Lambert’s hotel at the southern edge of the city.

2023 KITCHEN & BATH DESIGN COMPETITION

BEST OVERALL BATH

FIRST PLACE | PRIMARY BATH

Mary Maney, CKBD

Crystal Kitchen + Bath

crystalkitchen.com | crystalkitchenbath

Photography Rob Grosse of Spacecrafting

The Serene Luxury primary bath by designer Mary Maney, CKBD, of Crystal Kitchen + Bath in Crystal, Minnesota, won Best Overall Bath due to an elegant design that overcame myriad structural challenges. Marble is incorporated throughout the bath to add a feeling of luxury, while a rug pattern with a mosaic inlay centered in front of the freestanding tub creates interest. The resulting space, with its minimalistic style and fluid lines, combines a mix of tradition and modernism for a truly compelling bath.

Mary Maney CKBD

There are many different rooms and moments that make up a home. But it is an undeniable truth that the kitchen and bath are at the center of it all. They bring the function every household must have, but they’ve also become the hub of the home in another way: they often serve as a design foundation, setting the tone for everything else. Each year, the National Kitchen and Bath Association celebrates the very best of these all-important spaces in its Kitchen & Bath Design Competition. Keep reading to explore the iconic concepts that are taking their place in NKBA history in 2023. nkba.org/designcompetition

BEST OVERALL KITCHEN FIRST PLACE | SMALL KITCHEN

Sarah Robertson, AKBD Studio Dearborn studiodearborn.com | studiodearborn

The Creek Lane Kitchen by Sarah Robertson, AKBD, founder and principal of Studio Dearborn in Mamaroneck, New York, was designed for privacy, serenity and a connection to nature. It was also a kitchen that had to effectively accommodate the homeowners’ five cats, hence the “must-have” floor drain for the pets’ watering station. The beautiful mix of materials and integrated details combined with the practical storage and functionality of this kitchen made it a clear winner.

Photography Adam Kane Macchia Photography

Sarah Robertson AKBD

FIRST PLACE

Crystal Kitchen + Bath Crystal, Minnesota crystalkitchen.com | crystalkitchenbath

Photography Rob Grosse of Spacecrafting

PRIMARY BATH

FIRST PLACE

D’Amore Interiors Denver, Colorado damoreinteriors.com | damoreinteriors

Photography Tim Gormley of TG Image

SECOND PLACE

Kendall Ansell Interiors Coquitlam, British Columbia kendallansell.com | ka_interiors

Photography Janis Nicolay Photography

Kendall Ansell Principal Co-designer: Katelyn Woods, Senior Interior Designer

SECONDARY BATH

THIRD PLACE

EOLO A&I Design Miami, Florida eolodesigns.com | eolodesign

Photography Eugenio Willman of Emotion Works

Sandra Diaz-Velasco Principal Architect

SECOND PLACE

Henrietta Heisler Interiors Inc. Lancaster, Pennsylvania henriettaheislerinteriors.com

henriettaheislerinteriors

Photography Justin Tearney Photography

THIRD PLACE DeMane Design Gig Harbor, Washington demanedesign.com

Photography Tammy Dwight Architectural Photography

Mary Maney CKBD, Designer

Gina D’Amore Bauerle Owner

Nichol Hollinger CKBD, Senior Interior Designer

Nancy Finneson CKBD, Interior Designer

FIRST PLACE

Lori Carroll & Associates

Tucson, Arizona loricarroll.com | lori_carroll

Photography Jon Mancuso

Lori Carroll

Interior Designer

Co-designer: Kat Saucedo, Designer

POWDER ROOM

FIRST PLACE

Welton Design Group Surrey, British Columbia

welton_design_group

Photography Tracey Ayton Photography

SECOND

PLACE

Jaque Bethke Design

Scottsdale, Arizona jaque.design | jaquebethke

Photography Edward Zak Photography

Jaque Bethke Interior Designer and Architect

SPECIALTY KITCHEN

THIRD

PLACE

Jaque Bethke Design

Scottsdale, Arizona

jaque.design | jaquebethke

Photography Phil Johnson of Provisuals Media

Jaque Bethke Interior Designer and Architect

SECOND

PLACE

Doug Walter Architects Denver, Colorado | dougwalterarchitects.com dougwalterarchitects

Photography Justin Tearney Photography

THIRD

PLACE

Studio Stratton

San Diego, California studiostratton.com | Studio Stratton Inc.

Photography Martin Mann Photography

Lance Stratton

Residential Designer

Co-designers: Kate LeCount and Tom King

Rebecca Foster Director of Design

Douglas Walter CMKBD, Architect

FIRST PLACE

Bluebell Kitchens Wayne, Pennsylvania | bluebellkitchens.com bluebell_kitchens

Photography Christian Garibaldi

LARGE KITCHEN

FIRST PLACE

Studio Dearborn Westchester, New York studiodearborn.com | studiodearborn

Photography Adam Kane Macchia, Macchia Photography

SECOND PLACE

Marla Nazzicone Designs Toronto, Ontario mndesign.ca | marlanazzicone

Photography Mike Chajecki

THIRD PLACE

Bluebell Kitchens Wayne, Pennsylvania | bluebellkitchens.com bluebell_kitchens

Rebecca McAlpin

SMALL KITCHEN

SECOND PLACE

Estee Design Interiors

Toronto, Ontario esteedesign.com | esteedesigns

Photography Mike Chajecki and Victoria Malanowski, Mike Chajecki Photography

THIRD PLACE

Nar Design Group Sacramento, California nardesigngroup.com | nardesign

Photography Fred Donham, PhotographerLink

Photography

Lori Kurnitsky Designer

Marla Nazzicone Integrative Designer Lori Kurnitsky Designer

Sarah Robertson AKBD, Founder and Principal

Svetlana Tryaskina Co-Founder

Nar Bustamante President and Principal Designer

NKBA’s 2024 Kitchen & Bath Design Competition opens for submissions on April 1, 2023. All entries are welcome, including non-member submissions. Cash prizes of $100,000 will be given out to award winners, with Best Overall Kitchen and Best Overall Bath each taking home $20,000. For more information and to enter, please go to nkba.org/designcompetition.

Chosen by a panel of NKBA-Certified Master Kitchen & Bath Designers, these distinguished projects and their creators represent the best and brightest in the industry.”

- BILL DARCY, CEO

Sweet Escape

TODAY’S HAUTE POOL HOUSES ARE BEING DESIGNED AS DESTINATIONS UNTO THEMSELVES.

WRITTEN AND PRODUCED BY GRACE BEULEY HUNT

The louvred façade of this South Carolina retreat creates a shaded dining terrace. Designer Elly Poston Cooper lined the pool deck with crisp white chaises to echo the symmetry of the architecture by McAlpine.

DAILY SANCTUARY

Elly Poston Cooper’s clients would have loved a vacation house, but there simply wasn’t time for one. The solution? Transform their South Carolina property into a getaway. “They wanted to create the magic of taking a holiday in their own backyard,” elaborates Poston Cooper, who joined forces with McAlpine on the design of an enchanting pool house boasting a chef’s kitchen, bunk room and lofted lounge. “We wanted it to feel like a destination,” she adds, pointing to kicky flourishes like the rattan drums, shuffleboard table and Peter Dunham Fig Leaf fabric on the lounge chairs and pillows. “It plays off the grounds and feels great for summer, but fresh and funky the rest of the year,” the designer notes. Meanwhile, beanbag chairs in Heather Chadduck’s Little Bamboo print can easily move to the pool deck or lawn, where the thoughtful addition of a white stone wall caters to movie screenings. While the outbuilding has hosted fundraisers, birthday parties, and even a wedding, the everyday delights are what assure Poston Cooper of a mission accomplished. “On Sunday nights, they’ll order pizza to the pool house and have family dinner,” she says. “It’s where they go to unplug.” ellyposton.com

RUSTIC RAUCOUS

“It truly is a catchall,” shares Julie Massucco Kleiner of the souped-up pool house she designed for a sports-loving family of entertainers. Kleiner’s clients sought to create a party HQ on their new San Juan Island, Washington, property, and an existing storage barn at the edge of the forest was just the answer. In collaboration with Studio AM Architecture & Interiors and Wygal Builders, Kleiner revamped the structure from head-to-toe, refinishing the exterior with a dramatic charcoal stain. Inside, the team implemented a world-class entertaining program tailored to large gatherings that includes a full kitchen and bar (replete with beer keg and wine systems), “the world’s largest sectional,” per Kleiner, and rolling pool and ping-pong tables wi th hard-top covers that can easily be pushed together to create a makeshift 60-person dinner table. Carrying the space’s blue-and-white scheme through to the exterior living areas, Kleiner selected an Ann Sacks tile with “a retro, Slim Aarons feel,” to rim the pool, complemented by striped chaises and scalloped umbrellas. From its flexible, fun-first amenities to the preppy palette that nods to the family’s east coast roots, the finished result is “very atypical,” Kleiner admits. Just as intended. massuccowarner.com

GANGS ALL HERE

It’s not often that clients buy a house specifically because its acreage is perfect for erecting the pool house of their dreams. But that’s exactly why a young family purchased their Scarsdale, New York, abode, tasking Alisberg Parker Architects and Lucy Harris Studio with rendering an entertainer’s paradise on its outskirts. “It was our job to design something that belongs with the landscape and aligns with the architecture of the main house,” says principal Ed Parker, who echoed the existing structure’s palette and stonework while spinning things in a decidedly modern, laid-back direction. “It really feels like a retreat—almost like having a weekend home in the backyard,” reflects director of architecture, Shaun Gotterbarn.

“They wanted a place to relax, k ick back with friends and feel like they’re getting away from it all,” adds designer Lucy Harris who, aided by team members Kelley Roach, Jaclyn Doherty and Stephanie Saltzman, channeled the hospitable, hard-living chic of a boutique hotel for the interiors. Custom furnishings in sinuous shapes, natural material details and a fresh palette of blues and neutrals energized with red accents lend an off-duty vibe that’s “still elegant, but less buttoned up,” Harris notes.

While boasting plentiful amenities (including guest quarters and a semisubterranean basketball court), the beating heart is the pool-level lounge with its showstopping wet bar backed in book-matched marble. “It’s a little bit show business and a little bit sculpture,” muses director of interior architectural design, Will Jameson. “We got to play with some fun ideas, like the wooden slats on the front that shimmer as you move like a Bridget Riley painting.” The swank space merges seamlessly to the outdoor living areas, aided by bifold glass doors and garage-style windows. “You can have 30 people over at the drop of a hat with all the different seating areas,” notes Parker—and the clients often do. The husband hosts a basketball league, the wife runs a tennis group, and the kids’ entourage lives in the pool come summer. Concludes Harris, “It really is a playhouse for everyone.” alisbergparker.com; lucyharrisstudio.com

Garden Party

With a lighter and more serene outlook, a redesigned Whidbey Island, Washington, abode celebrates nature.

WRITTEN BY MAILE PINGEL PHOTOGRAPHY BY AARON LEITZ

Interior Design: Christian Grevstad, Christian Grevstad Inc. Home Builder: Donald Heggenes, Heggenes Construction Inc.

Within the living room, designer Christian Grevstad made distinct spaces that can be combined for entertaining. In one area, he installed a table of his own design and Liaigre chairs. The Rug Art International floor covering is from Terris Draheim Outdoor.

F

or Seattle-based interior designer Christian Grevstad, a self-described “neutralist,” warmth and interest can come just as easily from contrasting textures as from varying colors. This philosophy is illustrated in the Craftsman-style Whidbey Island dwelling he recently redesigned for longtime clients. “There’s a harmony in this house; it’s relaxing,” he says. The abode, like its setting—a forested site overlooking Puget Sound—is “peaceful and serene, a departure from the more modern design of their previous homes,” Grevstad adds. Here, it was all about creating a gentler retreat where the owners could host family gatherings and spend time in their art studio, a short walk from the main residence.

“It’s a beautiful property, but it had become dated,” the designer continues. “I told them, ‘This is a good find. We can make it right.’ ” With the help of his design team and local general contractor Donald Heggenes, Grevstad replaced cork floors with natural stone pavers and refinished textured mauve walls with hand-applied plasterwork in warm shades of white. The interior designer also added new ceiling beams, moldings and fireplaces. The original windows were repainted, and the wood floors were bleached to help bring in more light. “It’s bright yet comfortable and calm,” he says. Because the house welcomes many guests, Grevstad designed the living room as a multifunctional space. “I like to create rooms that accommodate various purposes—relaxation, conversation or entertainment,” he notes, explaining that family and friends can be engaged in different activities but still be together in the same space. When creating the fireplace wall’s mantel and bookcases, Grevstad’s team chose natural woods “to reference the logs on the nearby beach,” he says, and hung a painting by Washington-based artist Leo Adams opposite the picture window to amplify the home’s connection to place. But it’s the dining room’s views that especially capture attention. “It looks over Admiralty Inlet and into the trees, where

bald eagles often perch on snags. There’s always something to watch,” the interior designer says. To keep the focus on the wildlife during the day, the room is mostly unadorned, but key pieces (a diaphanous pendant light, sculptural floor lamp and photograph by Robert Mapplethorpe) “create some drama at night,” he describes.

According to Grevstad, the kitchen is the heart of the abode, with its French stone floors, new casework and counter-height fireplace plastered to look like stone. “I always love a fireplace in the kitchen, and here it both raises the ceiling height and anchors the space,” he adds. The room also houses some of his favorite custom elements, including a steel rack that hangs above the island and white-leather barstools, one of which is designed for two.

“By lightening the color of most of the walls, we’ve opened up the house, and the rooms appear visually bigger,” the designer continues. The one exception is the library. “The wood was still in good shape, so we left it all and just plastered the ceiling. It’s the reverse of the rest of the house, and I like that contrast,” Grevstad says. “The clients can go in and settle in front of the fireplace, watch television or work at the desk. There’s a little game table, too. It’s multipurpose, like the living room, but more intimate.” As is the primary bedroom, where the designer shifted to a richer, neutral palette that seems to magnify the greenery outside the windows.

While he sees the entire home as a celebration of everything he enjoys about design, Grevstad says that the garden room—a glazed and skylit structure—is one of his favorite spaces. “A magnificent landscape surrounds this home, and I wanted to celebrate it from the interior,” he explains. The team designed this room with a cocktail bar to make it a perfect place for parties and added several indoor trees (ficuses as well as fishtail and Kentia palms). “It almost feels like you are outside,” the designer notes.

“This house has a harmonious respect for nature,” Grevstad adds. “I hope it shows how beauty, peace and comfort can be achieved with texture and lighter colors—a palette that not only enhances what you see inside, but outside.”

Liaigre loveseats from Holland & Sherry take advantage of the living room’s views while RH armchairs and a Paolo Croatto Metalworks coffee table allow for cozy conversations. Studio C completed the home’s plasterwork.

Right: A breakfast nook occupies one corner of the kitchen. The banquette and Formations chair wear a Perennials textile and Liaigre linen, respectively. The Formations table is illuminated by a Jonathan Browning pendant.

Opposite: The kitchen’s walnut cabinetry, fabricated by Jonathan Pauls, Inc., features marble countertops from Meta Marble & Granite. The range is by Wolf; its blackened-steel backsplash was crafted by Decorative Metal Arts.

Above: A chair from the designer’s collection, covered in a Holland & Sherry fabric, sits near the library fireplace. The Mattaliano floor lamp is from Terris Draheim Outdoor, and the painting is by Paul Horiuchi.

Opposite: Grevstad preserved the library’s oak paneling and beams but replastered the ceiling to establish what he calls a “comforting space.” He added a Liaigre table and a chair of his own design to compose a place for the family to play games.

Above: The primary bathroom is home to a Croft House mirror, sconces by Saladino and a Gubi chair from Inform Interiors. Tile flooring from Architectural Surfaces complements the walls painted Benjamin Moore’s Dove Wing.

Opposite: Artworks in the primary bedroom include a photograph by Aaron Leitz above the bed and a ceramic vessel by the homeowner. The RH bench rests atop a carpet from Terris Draheim Outdoor. A Holly Hunt lamp rounds out the space.

Vim & Vigor

Filled with color and wit, a Chicago bachelor pad oozes playful personality.

WRITTEN BY MONIQUE MCINTOSH

PHOTOGRAPHY BY RYAN MCDONALD

Interior Design: Lauren Svenstrup, Studio Sven

hen faced with the unconventional, designer Lauren Svenstrup always feels right at home. She built a career composing personal (and personable) spaces that honor the idiosyncrasies of every client. So Svenstrup knew she had a true partner in crime the moment she stepped inside this Chicago bachelor’s high-rise penthouse. The new space was bare—except for dozens of balloons gently bouncing around. Abhorring the plain white box of his apartment, the client had them delivered to fill the abode with buoyant color. “I realized then that bringing quirk and whimsy into his space was important,” the designer recalls.

“My day job is very numbers focused,” the client explains. “So when I’m outside of work, I enjoy expressing my artistic side.” Inspired by this playful spirit, the designer focused on infusing the owner’s joie de vivre into every corner of the home.

Color proved key, beginning with coating the foyer in a lacquered black. Borrowing from Frank Lloyd Wright’s love of architectural contraction and expansion, Svenstrup wanted to conjure a cocoon-like entrance that would swell into the living room’s abundant light and space, making the transition much more impactful.

In the main living area itself, “we wanted a wall color that would be a continuation of the sky,” the designer says, so her team visited the space multiple times in different weather to find just the right shade of pale blue. Chicago decorative artist Erin Murphy then covered the industrial support beam with a faux silver-leaf finish that diffuses the sunlight and composed a ceiling mural of floating abstract forms in white and gray. In turn, the designer favored jewel hues and fabrics “with lots of luster” for the furnishings, from the salmonvelvet sofa to the green-vellum coffee table.

Pink found its way into the main bedroom as well. With its blush walls and snowy shag rug, the space contradicts modern expectations of a bachelor pad—think minimalist, monochromatic and sleek. Yet paired with black-metal accents and chocolate-velvet upholstery, the overall effect feels sophisticated without sacrificing lighthearted frivolity. As for the color choice,

“there was a lot of ‘why not?’ in this project,” Svenstrup notes. “He is very into fashion and is not afraid of color and texture.”

This haute couture sensibility also generated some outside-the-box choices in silhouettes.

“I naturally gravitate toward a sculptural approach, but the client’s preferences leaned even more so toward that,” the designer says. “He wasn’t focused on oversize comfort pieces, so we wanted his furniture to feel like art.” As such, they range from sharp Cubist shapes to sinuous, expressive lines. See the bedroom’s asymmetrical butterflied headboard and the entry’s geometric rug. The dining area in particular revels in eccentricities, from the triangular chairs to the mismatched pendant chandelier to the bulbous banquette perfectly curved around the corner. Appropriately, the surreal Miss Aniela photograph White Witch Awakening enjoys pride of place here as well, a window into an interior filled with a live zebra running amok amid taxidermic animals. The client instantly fell in love with it, and the image became a frequent reference point “because it captures what I was trying to create here, where there’s always something that’s a little unexpected,” he explains.

The photo also became the centerpiece for the art collection he curated with Svenstrup, favoring diverse mixed-media works and odd objets d’art like two giant tessellated marble globes. Each piece was carefully placed to enhance its unique qualities. The Michael Rex wire sculpture, for example, dangles by the window to cast dramatic shadows across the living room. And the bubblegum hues of a Grecian-inspired nude tapestry by artist Mia Weiner perfectly melt into the bedroom’s pink walls. Svenstrup also commissioned maker Brittany Sazonoff to create the Yves Klein-inspired blue blocks, a wall installation that integrates into the existing kitchen’s modular lines.

Layered in eye-catching details, the home feels a far cry from its white-walled origins—though the client still occasionally fills the apartment with balloons, along with many party guests. The home finally suits the lively festivities unraveling inside its walls. “It’s fun to finally share this view and space with others,” he says. And for Svenstrup, there’s no greater pleasure “than seeing our client in their element, how something we designed so perfectly embodies who they are.”

Bold shapes and hues underscore this avant-garde Chicago bachelor pad. Lacquered in Benjamin Moore’s Blacktop, the foyer features an oblong Noir mirror and a CAI Designs stool accented with a jaunty suede fringe.

Above: In the art-laden living and dining spaces, Svenstrup favored sculptural furnishings. Here, a Siriano Interiors dining chair and France & Son swivel chair covered in Dedar’s Tiger Mountain motif set off a cast-bronze sculpture by Dominique Mercy and fiber art by Lauren Williams.

Opposite: The surreal White Witch Awakening photograph by Miss Aniela anchors the dining area. A mismatched Ladies & Gentlemen Studio chandelier and custom banquette by CityLiving Design, which curves around a Nuevo dining table, add to the playful vibe.

Above: Svenstrup elevated the already-sleek kitchen with glossy black barstools. Local artisan Brittany Sazonoff’s custom block installation coated in Rosco’s Supersaturated Ultramarine Blue infuses a sense of whimsy.

Opposite: Immediately upon entering the foyer, visitors are gifted with a peek into unexpected design moments grounded by a Jaipur Living rug. An Arteriors chandelier and framed mixed-media artworks by Dana De Ano punctuate the space.

Above: Embracing the abundance of light, the main bedroom glows with its Victorian Lace by Benjamin Moore walls further illuminated by the disk-shaped sconces from CAI Designs. Svenstrup paired the asymmetrical headboard by Comfort Upholstery with twin Noir side tables.

Opposite: The woven tapestry Returning your gaze by artist Mia Weiner hangs over two vintage tessellated marble globes in the main bedroom. A lush white Wiersma shag rug lies underfoot with “a 1970s vibe that I love,” the client says.

WOOD FIRED

In Montana, artist Casey Zablocki is testing the limits of scale with ever-larger ceramics.

WRITTEN BY LAUREN GALLOW PHOTOGRAPHY BY REBECCA STUMPF

For much of his career, Casey Zablocki spent his days moving from one flame to another. The Missoula artist worked in kitchens, often baking bread in wood-fired ovens to support his ceramics practice, which centers on wood-fired stoneware. “There is an overlap between clay and bread, for sure,” says Zablocki, reflecting on his nearly two-decades-long career. “The tactile element of manipulating the clay and dough is similar; I’ve always been intrigued by earthy, organic, crusty surfaces.”

As his practice continues to rise to new heights, Zablocki finds himself in the studio more often than the kitchen these days. His large-scale abstract sculptures, many of which function as seating or tables, are painstakingly fired in massive anagama kilns. T he cave-like, wood-fired kilns have been used by artisans for centuries, and while the firing process is labor-intensive—each session can last up to 12 days, with flames stoked around the clock to maintain temperatures up to 2,300 degrees Fahrenheit—Zablocki revels in it. “There’s a risk in wood firing,” he notes. “You put everything you have into that kiln, and you never know what will come out—maybe that’s why I do it.”

Zablocki’s distinct approach is distilled from years of study and apprenticeships around the world, including Finland and South Korea. “I’ve been testing recipes for clays from all around the U.S.,” Zablocki says. It’s his unique mixtures that, along with ash that lands on pieces during the firing process, yield the mottled textures and moody colors of his signature style—he doesn’t use glazes. “The last ingredient is the atmosphere of the firing, created by how much and what type of wood I use,” the artist says. His current go-to blend of 90 percent fir and 10 percent cottonwood is what he has found best for wood firing in Montana.

Right now, Zablocki is working on developing new methods and the tools needed to expand the scale of both individual pieces and his artistic practice. “I always want to progress,” he explains. “Small sculpture is fine, but it’s different when there’s something larger than you in the room.” With visions of building an even more sizable studio and kiln so he can continue to make work on a monumental scale, Zablocki is ready to put all his chips on the table. “The next steps for my practice are big,” he says. “You have to put that energy out into the world and hope it comes back to you.”

Artist Casey Zablocki’s textured, organically colored ceramic vessels and sculptures fill his Missoula studio (opposite and left). Before they are created in clay, he begins by plotting out his pieces on paper (below). Zablocki takes a hands-on approach when creating his large-scale artworks (bottom).

Modern History

In Westport, Connecticut, an 18th-century farmhouse is gracefully adapted for contemporary tastes.

WRITTEN BY JENNIFER BOLES

PHOTOGRAPHY BY RIKKI SNYDER

STYLING BY FRANCES BAILEY

Interior Design: Kathleen Walsh, Kathleen Walsh Interiors Home Builder: Sean Desmond, John Desmond Builders, Inc. Landscape Architecture: Brook Clark, Seventy Acres Landscape Architecture and Design

R

evamping an almost-250year-old New England house for a modern aesthetic might seem potentially problematic, but in the hands of designer Kathleen Walsh, it turned out to be a match made in heaven. Having grown up in Massachusetts, Walsh was well-versed in the language of old houses, and thus enthusiastic, when repeat clients—a Manhattan couple with two teenage children—asked her to compose a new chapter in the Westport farmhouse they purchased as a weekend residence before deciding to relocate full time.

While the original structure dates to the late 1700s, the property had undergone a historically sensitive renovation in the early 2000s resulting in a large addition, as well as the refurbishment of a connecting barn. The infrastructure was brought completely up to date and its prize period details, including wide-plank pine floors, carved-wood fireplace surrounds and rustic ceiling beams, were beautifully preserved. Walsh tapped general contractor Sean Desmond for key cosmetic upgrades (a facelift for the barn’s wet bar and bathroom; a redesign for the breakfast nook) and the stage was set for decoration.

Averse to discarding the beautiful contemporary furnishings Walsh had sourced for their Upper East Side apartment, the owners had another idea: Could she find a way to use them anew? Rather than feeling stymied, the designer instead saw the brief as an opportunity to do something unexpected. “My desire was never to make this a typical, ‘ye olde’ New England home,” she explains. “I wanted to approach this with a clear vision and having modern furniture to work with opened the door for us to do so.”

And so, the collection made its way to Connecticut, with Walsh reconceiving, reupholstering and filling in holes with newly purchased bells and whistles. Working with a backdrop of predominantly white walls and warm wood details—a combination the wife appreciates for making “the oldness of the house pop”—the designer looked to rich hues and lively patterns for a fresh perspective. “I hadn’t worked with pine in so long, and it was really invigorating,” Walsh recalls. “It brings a natural warmth to everything,

which allowed us to use color differently.” Take the guest room, where tangerine curtains and lilac upholstery spice up the quiet country ethos. In the dining room, chair backs beg a second glance with splashes of mauve-and-navy floral fabric. And the living room’s cosseting palette of mustard, aubergine and charcoal feels decidedly au courant yet appropriate for the context.

There and throughout, the designer relied on tricks of the trade to imbue a 21st-century sensibility. “When you walk into a room with low ceilings like this, it can either feel super charming or really off,” Walsh muses. To prevent the space from achieving the latter, she employed strong vertical design elements, such as columnal drapes at the windows and linear contemporary wall sconces. “We had to create some kind of vertical rhythm to counter the horizontal lines of the beams and how low all of the furniture is,” she explains. Together these details embiggen the room while unifying the architecture with its ground-hugging Vladimir Kagan sofa, Wendell Castle coffee table and barrel-backed lounge chairs.

Although the house might cater to every aspect of modern life, Walsh has interpreted it in ways that allow the family to enjoy its history. The barn, a structure dating back to the days when the property was an onion farm, has been reimagined as a lively hangout for the couple’s teenage children and their friends. And the breezeway, composed of materials salvaged from centuries-old former outbuildings, now serves as an indoor-outdoor lounge in the summer and garden room in the winter, when potted plants are brought indoors. Its French doors lead to mature gardens thoughtfully designed by landscape architect Brook Clark, who has since opened her own eponymous firm, and which similarly mingle past with present, situating new amenities such as a hot tub and fire pit within the timeless, pastoral setting.

While the compatibility between an antique house and a contemporary lifestyle was never really doubted by the homeowners or Walsh, the union ultimately proved so successful that the designer admits to being struck by it. “Eighteenth century met 21st century, and they liked each other and got along really well,” she says. “I think it surprised all of us completely.”

Greeting guests in the entry hall, an antique sideboard is joined by modern accents including alabaster-and-bronze sconces by Allied Maker, ceramic mirrors from Studio Van den Akker and a contemporary painting by artist George Xiong.

The living room marries centuriesold architecture with modern furniture, including a Vladimir Kagan sofa, Holly Hunt armchairs and barrel-back chairs by A Rudin. The coffee table is Wendell Castle, the watercolor is Nicole Schmölzer and the sconces are from Lightmaker Studio.

Left: Walsh repurposed the living room’s existing built-ins as a Scotch cabinet. The family enjoys playing chess at the Mattaliano game table. A Peter Dunham fabric covers the chairs, which are also Mattaliano.

Opposite: The dining room is a mix of styles, starting with an antique Jacobean dining table with a Libeco tablecloth and a bronze chandelier from Cartwright NY. The dining chairs by Jasper Furniture wear Ferrick Mason’s Kinkead patterned linen on their backs.

Above: Matching Dmitriy & Co sofas covered in a Schumacher velvet and a pair of A Rudin chairs provide comfortable seating in the family room. A Lawson-Fenning coffee table sits atop a custom rug from Patterson Flynn.

Opposite: Located within the kitchen, the breakfast area includes a set of Jean Prouvé chairs, Justin Van Breda London table and bespoke chandelier from O’Lampia. The woven window shades are from Horizons.

Colorful accents give the guest bedroom a sunny disposition, particularly Natasha Baradaran’s Giamba drapery fabric. A dresser sporting a natural wood finish from Room & Board ties to the nightstands from Shoppe Amber Interiors and Ralph Pucci bench.

Above: In the teen lounge, a blue bar fabricated by Fairfield County Millwork adds a splash of color against reclaimed-wood walls. Rejuvenation’s Carson Cord Pendant light hangs above the sink. The cabinet hardware is RH and the stool is a custom piece.

Opposite: Walsh employed a blue-and-white palette for the outdoor living spaces, as seen on the Dedon sectional covered in Perennials’ Ishi fabric in Blueberry. A Janus et Cie cocktail table and Surya garden stools finish out the charming pergola sitting area.

“The key to the design was openness. We wanted to bring the outdoors in, especially on the main level, and allow for outdoor areas on different levels of the home.”

Adam Steiner, Cornerstone Architects

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