Luxe Magazine - March/April 2021 New York by Luxe Interiors + Design Magazine

G R E AT E R N E W YO R K

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©Hunter Douglas 2020

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CONTENTS

MAR APR 2 02 1

EDITOR'S LETTER

Scene 54

D E S I G N D I S PAT C H The little black book of all things new and fabulous in the local community.

Radar 62

TA L K I N G S H O P Three interior decor proprietors illustrate the aesthetic of American style.

C O L L A B O R AT I O N Kelly Wearstler’s paint palette with Farrow & Ball makes waves as the company’s first-ever designer collection.

AMERICAN SPIRIT With a new business model and forthcoming releases, this Missouri-based textile and wallpaper brand is set for a banner year.

SHELF LIFE Doyenne Charlotte Moss divulges her floral tips and tricks.

H E R I TAG E A look at artisans who embrace the triedand-true practices of their craft.

Market 86

M AT E R I A L This season, classic stripes take a turn for the wild.

TREND Mother Nature oﬀers boundless inspiration for chic picks.

104

SPOTLIGHT Vibrant pieces up the ante on outdoor living.

Living

LUXESOURCE.COM

124

K I TC H E N + B AT H High-design alfresco kitchen spaces are the perfect recipe for the spring months.

136

THE REPORT Inspired garden rooms encourage comfort and creativity outside.

Responsible Elegance www.neolith.com | @neolithbythesize

GLOBAL GRANITE & MARBLE: MO, KY & KS; MARVA MARBLE: VA, MD, NC, DC, WV, PA, DE, SC; OLLIN STONE: Southern CA; POMOGRANIT STONES: TX (Houston);

MARBLE & GRANITE: CT, MA, ME, RI & VT; EVOLV SURFACES: SF (Northern CA), OR, WA, ID, NV, AK & HI; HG STONES: NY, NJ; LA NOVA TILE: TX (Houston)

STONE DESIGN: IL, IN, IA, WI, MN & MI; NEOLITH® ATLANTA: GA; THE STONE COLLECTION: TX (Dallas, Fort Worth), NM, NE, CO, AZ, UT & MT.

CONTENTS

FEATURES

152

166

170

180

Save the Drama

Beauty in the Breakdown

No Boundaries

View from the Top

Marrying modern verve with English manor home eccentricity, a Hamptons retreat takes on a singular flavor.

Nature’s abundance and decay play muse to a New Paltz ceramic artist’s contemplative sculptures and objets.

Eschewing walls for plays on light, texture and form, an Upper West Side apartment gives new meaning to open concept.

A new-build residence at the highest point in Armonk embraces its resplendent woodland setting and Hudson Valley vistas.

Written by Lisa Bingham Dewart Photography by Peter Margonelli

Written by Jenny Bradley Pfeffer Photography by Winona Barton-Ballentine

Written by Stephanie Hunt Photography by Gieves Anderson

Written by Maile Pingel Photography by Read McKendree/JBSA

ON THE COVER: The all-season sun room of this Armonk house designed by Workshop/APD opens fully to the exterior, maximizing light, views and air. White ash ceiling cladding nods to the surrounding forest while harmonizing with the sky-informed palette of soft whites and blues. Page 180

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shown: Fivespot by Sigal Sasson All designs © copyright Rug Art Photography: Adam Kane Macchia Interior Design: Melanie Morris

PAMELA LERNER JACCARINO VICE PRESIDENT, EDITOR IN CHIEF DESIGN DIRECTOR

Pam Shavalier

EXECUTIVE EDITOR

Brittany Chevalier Mcintyre

SENIOR MANAGING EDITOR

ASSOCIATE EDITOR

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Sarah Nance

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MARKET EDITOR

Sarah Shelton ART

ART DIRECTORS

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SENIOR WEB EDITOR

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SENIOR SOCIAL MEDIA MANAGER

PHOTO RETOUCHER

Ileana Llorens

Amanda Kahan

Heather Carney

MANAGING EDITOR

Lori Capullo

HOMES EDITORS Kate Abney Grace Beuley Hunt Lisa Bingham Dewart Mary Jo Bowling Paulette Pearson Jennifer Pfaff Smith Shannon Sharpe

EXECUTIVE MANAGING EDITOR

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Michael Warnock

ADAM I. SANDOW CHAIRMAN OF SANDOW

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NATIVE CONTENT EDITOR + TEAM LEAD

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NATIVE CONTENT EDITORS

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@luxemagazine Luxe Interiors + Design , (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 19, No. 2, March/April, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design , SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, PO Box 16329, North Hollywood, CA 91615. Email: subscriptions@luxemagazine.com or telephone toll-free 800.723.6052 (continental US only, all others 818.487.2005). ®

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RONDELLE CHANDELIER FROM THE LAURA KIRAR COLLECTION

LETTER EDITOR’S

Happy Place

As we approach one year of sheltering at home, I have to ask... how are you? There may be too many novel words and phrases added into our lexicon: “You’re on mute,” “Zoom fatigue,” “quarantini”— our emotions raw from it all. So, how to calm them? For me, it started with carving out a spot in my home that would evoke an indoor garden room of sorts. I chose a large wall in my office and collaged florals and other fantastical images that bring me pleasure. Surrounded by my art and design books, fresh flowers from the market and my art easel, I created a little slice of happiness for myself. My laptop, with so many Zoom’s logged on it, is not far off. A “make it work” moment for our times.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

LUXESOURCE.COM

photo: chelsae anne horton.

While we continue to remain in our homes for the foreseeable future, I hope that you, too, will find a place—be it a wall, a closet, an alcove or perhaps an entire room—that elicits joy. May this issue provide the inspiration you need to get started.

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SCENE W R I T T E N B Y S H AY N E B E N O W I T Z

THE POWER OF TWO ME AND GENERAL DESIGN

General Judd and Cristina Casanas-Judd, the powerhouse creative couple behind Me and General Design, first crossed paths at the Astor Place Theatre when Judd was performing as a Blue Man and Casanas-Judd, a set decorator, was touring backstage. “I saw her and was like, ‘Who is that?’ ” recalls Judd of their meet-cute. “The rest is history.” With a shared vision to shape lifestyles rather than simply set the scene, the husband-and-wife duo launched their full-service interior design and product development studio in Brooklyn nearly a decade ago. Their impressive portfolio spans luxury residential projects, innovative product design and multifamily developments, like the newly debuted Hoyt & Horn industrial-chic apartments in downtown Brooklyn. Their award-winning wallpaper collaboration with Wolf-Gordon—a collection of sleek glossy and matte patterns—is set to expand with new designs and colorways, and their custom SWICK Board (below)—a novel sound system with WiFi speakers housed inside upcycled surfboards—just rolled out its 2.0 version with improved sound and sustainability practices. Inspired by the couple’s seaside roots in their respective North Carolina and Chile, the SWICK Board, just like their design studio, is the result of a beautiful, one-of-a-kind union. meandgeneraldesign.com

BLUEPRINT A new luxury condominium is rising in Brooklyn Heights: The Symon. The architecture and interior design for the 13-story, 59-residence is by Damian and Britt Zunino—the husband-and-wife duo behind Studio DB—who set out to strike a balance between contemporary design and the neighborhood’s stately prewar architecture characterized by gorgeous brownstones. The Symon’s façade features distinctive arched windows, hand-laid, matte-glazed brick and a prominent canopied entryway. Inside, residences boast crown molding details, oversize windows and washed-oak floors with bathrooms in Carrara Crema and Bardiglio Dark marble. “The details are what make a prewar apartment special, and we were inspired to do this, but through a modern lens,” says Damian. Future residents will also enjoy a rooftop terrace, a lounge and a children’s playroom. thesymon.com

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blueprint photo: matthew williams photography. the power of two photos: courtesy me and general design.

THE SYMON

Tel: 203.489.3800 | @charleshiltonarchitects | hiltonarchitects.com

DISPATCH

MEET THE MAKER

SCENE

DESIGN

HANA GETACHEW OF BOLÉ ROAD TEXTILES

COLLABORATION HLYNUR ATLASON X DESIGN WITHIN REACH

Icelandic-born, New York-based designer Hlynur Atlason has teamed up with Design Within Reach on two new seating solutions: the sleek, low-profile Rísa Recliner (above) and the sculptural, oval-shaped Lína Sofa (below). Atlason shared with Luxe the inspiration behind his designs. dwr.com

For Hana Getachew, it was the return to her native Bole neighborhood in Addis Ababa, Ethiopia, that would inspire the New York-based interior designer to launch her own line of hand-woven textiles. Bolé Road Textiles is a collection of pillows, blankets, table linens, bathmats and more designed by Getachew in New York and hand-woven by artisans in Ethiopia. “I consider all of my partners in Ethiopia friends,” says Getachew. The result is a modern-meets-traditional aesthetic with both original designs and traditional Ethiopian motifs in fresh color palettes. Her collection ranges from subdued monochromes, grays, creams and solid pieces to bright pinks, oranges, deep greens and blues incorporated into a variety of striped, color-blocked and traditional patterns. “Textiles add spirit to a home,” says Getachew. “I find being surrounded with fabrics that are made by hand, that have a tactile quality, creates a sense of comfort to a home. It’s inviting.” For the spring, Getachew recommends her dusty rose colorway in throw pillows and blankets and even a pop of fuchsia to brighten up your space. boleroadtextiles.com

What was your approach for the Rísa? The recliner archetype is quite dated, bulky and lacking in refinement, so I started by stripping away some of the unnecessary visual clutter while rethinking the overall construction. The silhouette is inspired by the floating upholstery that makes up the legs and armrests. I find the chair most interesting in full recline and seen from the side view where it starts to look like a modern chaise lounge.

You have an eclectic portfolio, from furniture to toothbrushes. How do you choose your commissions? I’ve always believed that a designer should be able to design (almost) anything. Those I admire from the past had a similar broad scope. Learning about people, solving problems and creating moments of joy through design is super exciting.

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collaboration photos: courtesy design within reach. meet the maker photos: tory williams.

How do you imagine people will use the Lína sofa? It can be dressed up or down, depending on the chosen upholstery, and given the context and desired impression. It’s a more refined, sculpted piece where the back is as interesting as the front.

O N

V I E W

E X H I B I T I O N S

N E W

A L S O

Y O R K

A V A I L A B L E

O N L I N E

Untitled | oil on canvas | 30 x 50 in.

CHUANG CHE

THE CHINESE ABSTRACTIONIST

F I N D L AY GA L L E R I E S

32 E A S T 57 T H S T R E E T , 2 N D F L O O R , N E W Y O R K , N E W Y O R K 10022 · (212) 421 5390 165 W O RT H AV E N U E , PA L M B E A C H , F L O R I D A 33480 · (561) 655 2090 VIEW OUR GALLERY ONLINE | WWW. FINDLAYGALLERIES. COM Copyright © 2021, Findlay Galleries, All rights reserved.

DISPATCH

SHELF LIFE

SCENE

DESIGN

top: courtesy vendome press. far left and bottom: courtesy rizzoli usa.

THIS TRIO OF TOMES IS A COLLECTIVE CELEBRATION OF NEW YORK.

PIETRO CICOGNANI: ARCHITECTURE AND DESIGN Pietro Cicognani’s first monograph follows the Italianborn, New York-based designer’s career through nearly 20 distinctive homes he’s created across the Empire State and beyond. Step inside Cicognani’s own Manhattan bachelor pad with its masculine palette of reds and python skin, a glorious East Hampton estate on a bluff with five gardens inspired by the Mughal Empire, and the lovingly restored, whimsically appointed 19th-century barn in Bellport, Long Island, for his dear friend and fellow Roman, the actress Isabella Rossellini. “Laughter and curiosity,” writes Rossellini in the foreword, are Cicognani’s guiding principles. To his future clients, Rossellini promises, “Pietro will capture your dreams and translate them into architecture.” vendomepress.com

DUMBO: THE MAKING OF A NEIGHBORHOOD AND THE REBIRTH OF BROOKLYN Zeroing in on one of New York City’s most visually dramatic neighborhoods— from stunning views of Manhattan and the East River bisected by the iconic Brooklyn Bridge to romantic cobblestone streets and industrial warehouses converted into luxurious contemporary condominiums—DUMBO tells the illustrated history of a Brooklyn neighborhood’s birth, decline and its modern-day revival with the “no guts– no glory” battle cry of visionary developers and husbandand-wife duo David and Jane Walentas. With new photography and archival imagery of streetscapes, apartment interiors, historic architecture and park spaces, DUMBO is narrated by Pulitzer Prize-winning critic of architecture Paul Goldberger. rizzoliusa.com

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GRACIE MANSION: A CELEBRATION OF NEW YORK CITY’S MAYORAL RESIDENCE Described by author Ellen Stern as a mere “clapboard country house,” the historic Gracie Mansion dates back to 1799 when it was built as the estate of Archibald Gracie. Perched on the Upper East Side’s picturesque Carl Schurz Park overlooking the East River, the stately home has been the official residence of more than 10 New York City mayors. With a new foreword by Mayor Bill de Blasio and First Lady Chirlane McCray, Stern’s definitive 2005 tome has been updated with more than 200 photos, sketches, portraits and interviews with mayoral families. rizzoliusa.com

Walls

RADAR

TALKING

SHOP

COLLABORATION

AMERICAN

SPIRIT

SHELF

LIFE

HERITAGE

Designers, artisans and shops look to their American roots, proving that home is always the greatest source of inspiration.

RADAR

TALKING

SHOP

American Amalgamate THREE STATESIDE SHOP OWNERS ON CURATING DESIGN. AS TOLD TO MARY JO BOWLING

Sartorial Influence Scotti Sitz

GARDE, LOS ANGELES AND SUMMERLAND, CALIFORNIA

I try not to go on social media. I don’t look at Instagram unless I have to. It allows me to focus on buying what I love for the store, and that is what sets the tone at Garde. If you walked into my shop right now, I hope you’d say: ‘Oh my God, this space is so beautiful. I want to live here.’ ” Our look has been described as minimal, organic and neutral. I don’t like the word ‘eclectic,’ but you could say I’m a believer of a ‘not decorated’ look. You should choose

LUXESOURCE.COM

basics reflecting your personality, style and history; and that’s what our clients are looking for. They also want to learn something new and be inspired. My background is in fashion. I developed a minimalist aesthetic working for Calvin Klein and learned to appreciate textures and an architectural look at Giorgio Armani. After 20 years, I was eager to do something outside of the corporate world. I had always wanted a store, but I started working in interior design. While shopping for a client who wanted European decor, I discovered many things you couldn’t find here, and that’s how I decided to open a place of my own.

I want Garde to be approachable. Everything we sell has a story, and we enjoy telling that tale. A story is important, because there is so much out in the world, and many times you may purchase an item without really connecting with it or knowing what you’re buying. There’s also a whimsy and lightness about our pieces; they are often tongue in cheek, heartwarming or funny. It’s kind of like the fashion concept where you put together a Gap T-shirt and a Chanel skirt. We try to replicate that idea with furniture, presenting people with a livable, yet elegant style and a point of view that welcomes and educates.

photo: amy dickerson.

Scotti Sitz in her Los Angeles shop.

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Cris Briger (right) with her son, Charles Peed, in their West Palm Beach showroom.

Pretty Up

Cris Briger and Charles Peed CB: My family is well-traveled. We spent a lot of time in Europe, and we dragged our children to antique flea markets and every museum we could find. I never imagined that any of them would join me in a business like this. Now, my son Charles co-owns this shop, and another son, Pablo, recently joined in as well. CP: We started this store on the idea that we have a distinct taste and style, and that if we could bring one-of-a-kind things forward, someone would like it. Our look is ‘lived in’—a look where you would find comfort. But it’s also bold— we are not afraid of pattern and color. CB: We are bringing pretty back. We feel like it’s OK for people to have pretty rooms; a concept that seemed to lose favor for the last 20 years but is returning. The atmosphere here is easy and Latin as well as European influenced. It’s the idea of con gusto, which means ‘with pleasure.’ It’s not uptight; we set coffee cups on furniture, and we don’t put glass tops on the furniture. We have a lot of North American, European and Latin pieces, but the way we present them is with a more American attitude. We are known for taking something that’s ordinary and tired and bringing a fresh vibe to it. We also have a lot of classically inspired pieces we’ve commissioned—it’s a fascinating mix. CP: In Mexico, we found that a lot of artists were making things with papiermâché. We decided to put our own twist on it, commissioning botanicals, fruit and even a bust of Julius Caesar using the technique. We’ve also put our own spin on classic Mexican talavera pottery. We’ve commissioned plates and bowls with updated patterns that appeal to everyone, even our youngest customers.

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photo: sonya revell.

CASA GUSTO, WEST PALM BEACH

SMART DESIGN. EXEMPLARY CRAFTSMANSHIP. Newport Brass is the recognized brand for quality constructed bathroom and kitchen products. Carrying the distinction of flawless beauty and extended durability, our products are available in a full range of finishes and contemporary, transitional and traditional styles.

2001 CARNEGIE AVENUE SANTA ANA, CA 92705

949.417.5207 | WWW.NEWPORTBRASS.COM

SHOP RADAR

TALKING

Kate Rheinstein Brodsky in her Manhattan store, KRB.

Mix Master

Kate Rheinstein Brodsky It’s very American not to be afraid to mix things of different periods, styles and colors. The great decorators in this country never shied away from that, they just used whatever they wanted. In this sense, we are a very American shop. We show people how to put disparate items together—it’s one of the things that makes people pay attention to us. We create vignettes that give people a context for how to do it. For example, we might put a 19th-century English serpentine server with a contemporary sofa and then hang a modern painting by Mary Nelson Sinclair above it. The mix grounds the whole thing and gives it depth. It allows us to make antiques relevant again and to show that they have a place in today’s home. I learned about retail and style from my mother, Suzanne Rheinstein. She had a store in Los Angeles for 30 years and, as a young person, I went to her shop every day after school. After my homework was done, I’d help her out, everything from arranging displays to sending out mailings. I fell in love with retail there. When I started this store, it was a straight-up antique shop with a few home accessories. But a new space gave us more room and allowed us to try new things. We are now carrying 50 percent antiques and vintage furniture and the rest is new and handcrafted furniture, art and accessories. The handmade is compelling in home design, and I’m lucky to be able to create a platform for smaller artists and brands, as well as a colorful place full of interesting objects you want to get closer to and discover.

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photo: lesley unruh.

KRB, NEW YORK

Borea outdoor collection, design Piero Lissoni. www.bebitalia.com

COLLABORATION

Golden State

RADAR

KELLY WEARSTLER LENDS A WEST COAST PERSPECTIVE TO FARROW & BALL’S FIRST-EVER DESIGNER PALETTE.

Kelly Wearstler draws inspiration from the California landscape for her new paint collaboration with Farrow & Ball. Walls painted in Faded Terracotta (pictured) are reminiscent of a sunrise, while Citrona (above) grounds one of Wearstler’s colorful material palettes.

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Terracotta tiles baking in the afternoon sun. Billows of cool Pacific fog rolling inland. An asphalt highway steaming through the desert. These and other vivid tableaus shape designer Kelly Wearstler’s latest love letter to California: a collection of eight paints for Farrow & Ball’s premier designer collaboration. Dreamy and diffuse, the palette is equal parts upbeat and restful. “I’m optimistic for the year ahead,” shares the L.A.-based designer. “I wanted to introduce colors that were fresh and lively, yet still have a calming relation to nature.” Homebound like the rest of us, she looked to her proverbial backyard for inspiration. “Every hue has an emotional touch point to the California landscape,” Wearstler explains, citing Palm, a chalky green homage to her hometown’s iconic allées, and Citrona, a lemon groveinspired “contemporary take on chartreuse.” It was this same site-specific view to design that prompted the heritage U.K. paint brand to approach Wearstler for its first-ever designer palette. “Kelly shares in our process of taking inspiration from textures and colors around her,” says Charlotte Cosby, head of creative at Farrow & Ball. “This collaboration is so exciting because it brings California’s warmth and Kelly’s signature style into homes in a relatable way through our paint.” While the Golden State served as muse, experimentation is encouraged across the continent, pond and beyond. After all, there are no color rules, if you ask Wearstler. “I always say that living without color is like living without love,” she says. “Don’t be afraid to take risks.”

portrait: amy graves/getty images. paint vignettes: trevor tondro.

W R I T T E N BY G R AC E B E U L E Y H U N T

C U S TO M S H A D E S , B L I N D S & D R A P E R Y H A N D C R A F T E D I N T H E U S A S I N C E 1 9 4 6 . N AT I O N W I D E M E A S U R E & I N S TA L L S E R V I C E S . A L L P R O D U C T S S H I P I N 1 0 DAY S O R L E S S . SHOWROOMS NATIONWIDE

THESHADESTORE.COM

800.754.1455

PORTER TELEO’S ABSTRACT, GESTURAL DESIGNS EXUDE A WABI-SABI TOUCH. DONEC IN MAGNA ID LIGULA FAUCIBUS MATTIS SED NISL NUNC, W R I T T E N BY H E AT H E R C A R N E Y SIT AMET TEMPOR PORTTITOR POSUERE ET MAURIS. W R I T T E N BY N A M E H E R E

SPIRIT RADAR

AMERICAN

Maker’s Mark Headline Here

Wallcovering designs, such as Form (shown), Synergy (far, right) and Taking Flight (left), illustrate Porter Teleo’s fluid, expressive approach. “We create inspiration inside our studio every day,” says Bridgett Cochran (pictured below, left, with cofounder Kelly Porter).

Has there been an upside to the challenges of the past year? KP: Change can be met with frustration and hesitation or it can be met with excitement and innovation. We put ourselves through a process of learning and looked at every section of our business. What adjustments did you make? BC: We’re doubling-down on our textile line and releasing 15 patterns, including some of our best performing wallcovering designs, such as Kintsugi, Pétales and

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Form. We also pulled out of showrooms. We require a lot of one-on-one communication with designers. Removing the middle man has been rewarding and enlightening. Is there an advantage to being in Kansas City in that you’re more insulated from trends? KP: Insulation is exactly right. To create something new, you have to exclude the outer world. There is a theme of companies doing what’s trending, what sells. We never go down that path; we never play it safe. Every time we put a big piece of Japanese paper flooded with pigments on the table, the designers are so excited.

Why is supporting women integral to your brand? KP: With a majority of female employees, there is a respectful and supportive energy exchanged throughout the day. We’ve learned from covering each other on maternity leave. If life hadn’t thrown us curveballs, we wouldn’t have adapted and diversified in ways that have benefited us.

Love that! How does human touch shape your designs? BC: We mix color by hand. Our artists have the freedom to express an aesthetic. We explore, ‘How wild can this mark be? How opaque can this flower be?’ It matters, for the world and humanity, that our products are made in this way.

If Porter Teleo drapery is framing the windows at a dinner party, what should the guests notice? KP: Our patterns are never repeated. There will be highs and lows and pockets of pigment. It offers the sense of something larger, like experiencing fine art with positive and negative space.

photos: courtesy porter teleo.

Exploration and introspection are at the heart of Porter Teleo—artist Kelly Porter and interior designer Bridgett Cochran’s Kansas City, Missouribased textile and wallcoverings brand beloved for its painterly palettes and poetic motifs. With a new business model, fresh pattern releases and a second line with Schumacher on the way, this duo is poised for a big year.

caesarstoneus.com

Introducing Arabetto Life In Stone

A swirling galaxy of dynamic grey stripes and speckles that span across a crisp white surface - part of our new Whitelight Collection.

Experience the entire collection at our virtual booth at KBIS 2021 or visit us at caesarstoneus.com.

IN HER LATEST TOME, CHARLOTTE MOSS REMINDS US THAT FLOWERS NEED NOT BE FORMAL. W R I T T E N BY S H A N N O N S H A R P E

Quisque tristique massa ac cursus scelerisque. faucibus quam. Quisque laoreet vulputate diam. Sed vel porta lorem. Nam blandit eu ante id euismod. Cras eu sem vel purus luctus elementum.

Charlotte Moss wants you to relax and stop worrying— at least when it comes to curating florals in the home. As the celebrated tastemaker expresses in her new book, Charlotte Moss: Flowers, published by Rizzoli this April, when thinking about arrangements, it’s time to throw the rulebook out the window. “Flowers need not be formal,” says Moss. “It can be as easy as walking by the local grocer or going into your garden. Really it’s about the personal and what moves you.” Moss is, of course, known for her sophisticated interiors, but she says,

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“there’s an informality to a lot of it— relaxed and comfortable, yet elegant at the same time.” And that’s exactly her approach to blooms, a passion which began as far back as she can remember. “I was drawn to them because of my maternal grandmother,” she says. “The house always smelled divine, because flowers were just part of her life. So, of course, I followed suit.” One part unconventional manual (there are no rules) and one part motivational musings of past icons (think Bunny Mellon and Pauline de Rothschild), Moss’s compilation emphasizes that composition should reflect personality and highlight the innate beauty of the blossom—no matter the type. For example, a few

“When it comes to arrangements, people freeze up and are completely stymied,” says interior designer Charlotte Moss. “Really, it’s all about creating your own style. In life, it’s most important to surround ourselves with beautiful things.”

cabbage roses tucked into a small vase on a bookshelf look just as beautiful as a large centerpiece. “I go out and poke around the garden and just pick a few flowers that somebody might not even think of,” she says. “But it’s an arrangement to me.” Above all, florals are meant to bring joy, and what sparks happiness varies from person to person. “Experiment,” Moss advises. “The greatest things come about as a result of being confident and a little fearless and saying, ‘It’s my house and I’m doing what I please.’ ”

photo: brittany ambridge.

LIFE RADAR

SHELF

Garden Variety

EXTERIORS

EMPLOYING AGE-OLD TECHNIQUES, CREATIVES ANSWER THE CALL FOR MODERN HANDICRAFT.

RADAR

W R I T T E N A N D P R O D U C E D BY B R I T TA N Y C H E VA L I E R M C I N T Y R E

GEORGE SAWYER LAURA PRESTON San Marcos, Texas

Artistic inclination: During my first cross-country trip in an Airstream that lasted for four years, I was looking for a small-space creative outlet. I came across modern quilters who were rooted in tradition on social media and was hooked. Name game: In John Steinbeck’s Travels with Charley, “Vacilando” meant someone who is going somewhere, but doesn’t exactly know how. Similar to my journey, not all those who wander are lost. Enduring legacy: Quilting is very much alive and well in America. It’s exciting to think my quilts might still exist in 50 years as an heirloom. vacilandoquilting.co

Woodbury, Vermont

Origins: I was raised in my father’s chair-making shop, so working with wood and using hand tools was always a part of my life. Go-to materials: Maple, ash, pine, cherry and oak— the vast majority comes from within 25 miles of our shop. Made to last: What’s important to me is how properly using these manual methods can drastically improve the durability, flexibility, comfort and life of a chair. Life lesson: My father taught me where precision matters. There are a lot of tiny details in our chairs and it’s easy to get lost in trying to make everything perfect—but he trained me to trust my eye and recognize that the subtle differences and movement in our chairs make them feel alive. sawyermade.com

CHARLOTTE TERRELL Nashville, Tennessee

Southern charm: I was drawn to and influenced by the architecture, gardens and work of highly skilled artisans in my hometown of Columbus, Mississippi, where a wealth of preCivil War homes with murals and hand-painted finishes still exist. Process: Each bespoke mural wallcovering is custom made for a project and my client. All elements of the room are considered—the palette, windows, doors, furnishings and even the desired length of the “repeat” in the landscape scene. American craftsmanship: To me, it is an expression of our time and the individual artist who contributes to the enhancement, beauty and harmony of our surroundings in limitless variations. charlotteterrell.com

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photos: courtesy respective brands.

HERITAGE

Handle with Care

A D V E R T I S E M E N T

| D E N N I S M I LLE R |

NOTABLES E X P LO R E T H E L AT E ST F R O M O N E O F T H E I N D U S T R Y ’ S M O S T F A M E D C U R A T O R S.

ROBERT FERR ARONI The Gem table is an elegant formation. Its internal geometry, visible beneath the low-iron glass top, implies volume without mass. It is crafted in aluminum or bronze and several colors and finishes. robertferraroni.com

POWELL & BONNELL

FUSE LIGHTING With a patinated solid-bronze faceplate and an LED downlight illuminating the backplate, the Stockholm sconce meets Dark Sky guidelines and is available in left- and right-facing configurations. fuselighting.com

In the Mother Mary sconce, a smooth resin LED bulb floats within a contrasting sand-cast metal shade. powellandbonnell.com

MCEWEN TED BOERNER The Skim Skoop chair and ottoman has a comfy high-back cushion, integrated lumbar support and an overall sensuous shape that invites quiet, contemplative moments. And ... it spins.

Michael McEwen’s Argo wall fixture has a brass frame and kiln-formed cast glass in several gorgeous color tones, with integrated LED. Made to order in Berkeley, California. mcewenlighting.com

tedboerner.com

THESE SIGNATURE PIECES AND MORE ARE AVAILABLE AT DENNIS MILLER ASSOCIATES, 212.684.0070 OR DENNISMILLER.COM.

P R O M O T I O N

| NATIO NAL |

DISCOVERIES FRESH.DESIGN.FINDS.

DOMETIC Serve and entertain guests in style with the Dometic Mobar, the ultimate mobile bar for any and every outdoor entertaining space. dometic.com/mobar

NOIR TR ADING The Ray Console is made from mahogany lumber and coated in Noir’s smoky pale finish with black highlights. The lightly painted finish accentuates the hand-carved curves that flow down the face of the console. Priced at $1,830. noirfurniturela.com

ZEPHYR Introducing Zephyr Connect—a groundbreaking app that lets users control their Zephyr hood from anywhere using their mobile device. With real-time diagnostics, videos, voice-command connectivity and helpful alerts, Zephyr Connect empowers customers to connect to what matters. zephyronline.com

P R O M O T I O N

HECTOR FINCH The Double Lucia Pendant in Aegean Blue is a simple yet elegant ﬁxture that can be used in any living room space or throughout the kitchen, often placed over an island or low over a table or eating area. The overall drop, width and number of shades can be customized upon ordering. hectorﬁnch.com

UNIVERSAL FURNITURE Universal is excited to introduce Coastal Living Outdoor. Featuring over 100 pieces of casually sophisticated silhouettes paired with premium durability, Coastal Living Outdoor’s collection instantly transforms and enriches any patio, deck or other outdoor haven.

CHRISTOPHER PEACOCK

coastallivinghomecollection.com/outdoor

Christopher Peacock introduces his Hudson Collection. A clean aesthetic with special details, hardware and material selections, this more modern style is perfect for an urban apartment or a large contemporary, suburban home. Custom colors and hardware ﬁnishes available. peacockhome.com

J. TRIBBLE J. Tribble’s long history of building beautiful, custom sink bases now extends to repurposing antique treasures for modern homes. In addition to its signature designs, J. Tribble offers European antiques to be converted into truly unique sink bases. jtribble.com

AMBIENT PEBBLE COLLECTION BY HENRIK PEDERSEN LOS ANGELES · CHICAGO · MIAMI · DANIA BEACH · NEW YORK FLAGSHIP | 979 THIRD AVENUE | 212-380-1493 WWW.GLOSTER.COM

MARKET MATERIAL

TREND

SPOTLIGHT

Outdoor living gets a refresh with happy stripes, punchy furnishings and picks inspiriting nature.

MATERIAL MARKET

Juicy Fruit PERFORMANCE FABRICS TURN UP THE HEAT WITH LUSH HUES AND GRAPHIC LINES. P R O D U C E D BY K AT H R Y N G I V E N W I T H S A R A H S H E LT O N P H O T O G R A P H Y BY F R A N K F R A N C E S

GARDEN STATE Clockwise from top right: Big Stripe in Rainforest / no9thompson.com. Stitched Stripe in Green / fschumacher.com. Traveler in Spa / sharris.com. Rule in Spring / maharam.com.

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MATERIAL MARKET

TROPICAL PUNCH Clockwise from top right: Camden Stripe in Elderberry by Peter Fasano / johnrosselli.com. Caribbean Stripe in 483 / zimmer-rohde.com. Hiking Ticking in Coral / fabricut.com. Spiaggia Stripe in 03 / osborneandlittle.com.

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BRINGING ART TO LIFE | Zephyr by CALIFORNIA

ILLINOIS

NEW JERSE Y

NEW YORK

TE X AS

SHOWROOMS NATIONWIDE | NJ SL AB GALLERY | (844) 837-5627

artistictile.com/luxe

MATERIAL MARKET

FRESHLY SQUEEZED Clockwise from top right: Pavillion in Navy / pindler.com. Oak Tree Stripe in Indigo / thibautdesign.com. Young and Lovely in Soleil Nocturne / dedar.com. Cabana Stripe in Yellow / fschumacher.com.

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Custom furniture maker since 1969

MATERIAL MARKET

ORANGE CRUSH Clockwise from top right: Strange Loves in Carrot Stick / dedar.com. Morning Glory in Melon / linkoutdoor.com. Jake Stripe in Tutti Frutti / perennialsfabrics.com. Cakewalk in Coral / larsenfabrics.com.

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IntroducIng the HENRY OUTDOOR PENDANT 800.826.4766

vermont usa

luxe@vtforge.com

hubbardtonforge.com

LLOYD NECK, NY | $19,500,000 Laffey Real Estate Philip Laffey — +1 516 359 1489 WEB ID: SGFC8

Well Connected.™ Finding your home is a personal process of discovery, and the accomplished global network of Luxury Portfolio International® member companies are ready to assist in the journey. Explore over 50,000 of the world’s finest properties marketed on luxuryportfolio.com each year. Enter the property Web ID for more detail.

LUXURYPORTFOLIO.COM

LONDON +44 20 7872 5525 CHICAGO +1 312 424 0400 SINGAPORE +65 6408 0507

@luxuryportfolio

NORTH PALM BEACH, FL | $13,400,000 Illustrated Properties Real Estate, Inc. Jennifer Hyland — +1 561 632 4042

VERO BEACH, FL | $11,500,000 Dale Sorensen Real Estate Matilde Sorensen — +1 772 532 0010

HILTON HEAD ISLAND, SC | $9,900,000 Dunes Real Estate Mark Lynch — +1 843 842 0819

WEB ID: XAKX8

WEB ID: PTKP8

WEB ID: OICP8

PALM BEACH GARDENS, FL | $9,400,000 Illustrated Properties Real Estate, Inc. Jennifer Hyland — +1 561 632 4042

TUCSON, AZ | $4,900,000 Long Realty Company Leslie Heros — +1 520 302 3324

DENNIS, CAPE COD, MA | $2,500,000 Robert Paul Properties Cindy Harrington — +1 508 776 8181

WEB ID: MCBK8

WEB ID: FHKG8

WEB ID: SRDS8

CHICAGO, IL | $1,495,000 @properties Layne Zagorin — +1 773 425 0039

JONESTOWN, TX | $1,240,000 Realty Austin Jeffrey Nyland — +1 512 626 8552

PORTLAND, OR | $1,150,000 Hasson Company Realtors Courtney LeBoeuf — +1 503 962 0440

WEB ID: DHSK8

WEB ID: OURO8

WEB ID: EZJS8

©2021 Luxury Portfolio International.® Equal Housing Opportunity. Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information considered reliable; however, it has been supplied by third parties and should not be relied on as accurate or complete.

TREND MARKET

NATURAL BEAUTY Luxe gets up close and personal with marvels of the natural world. W R I T T E N A N D P R O D U C E D BY S A R A H S H E LT O N

Butterfly Effect

Clockwise from top, right: Entreé Multi-Color Wall Sconce / Price upon request / curreyandcompany.com.. Gemma Sunglasses / $520 / chloe.com. Giulietta Screen by Carlo Donati / $8,600 / essentialhome.eu. Henley Outdoor Accent Stool / $169 / frontgate.com.. Colette Outdoor Armchair by Rodolfo Dordoni / Price upon request / minotti.com. Cadence Fabric in Emerald by Stacy Garcia for Crypton / $53 per yard / calicocorners.com. Mirage Fabric in Ember / Price upon request / ericashamrocktextiles.com. Tourmaline Crystal Necklace / $48,00 / emilypwheeler.com.

PHOTO: GETTY IMAGES.

By the numbers: There are upward of 17,500 species of butterflies in the world, with around 750 of those in the United States. Dressed for success: Thousands of scales and tiny hairs make up the insect’s wing. Some camouflage with their surroundings, while others employ decorative eyespots to deceive lurking predators. Fun fact: Butterflies taste with their feet. Need for speed: Skipper butterflies can reach speeds up to 37 mph.

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3/29/21 5:00 PM

We Make

ELECTRIC

...Too.

bevolo.com • (504) 522-9485 • 521 Conti • 318 Royal • French Quarter • New Orleans

TREND MARKET

Coral Moment

Clockwise from top, right: Seashore Drop Necklace / $1,408 / grainnemorton.co.uk. Corail Outdoor Fabric by Caspari / Price upon request / pierrefrey.com. Gymmetria Plate 3 by Laboratorio Paravicini / $70 / collectoworld.com. Vimini Hand-Painted Vase by Margot Larkin / $380 / casabranca.com. Borea Chair by Piero Lissoni / $3,378 / bebitalia.com. Rattan Hurlingham Bookcase / $7,875 / soane.com. Jane Rattan Clutch Bag / $245 / kayudesign.com. Medusa Wall Light / $2,195 / julianchichester.com.

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PHOTO: GETTY IMAGES.

Natural habitat: Coral can be found in tropical and subtropical oceans in shallow waters of less than 150 feet deep. Bragging rights: The Great Barrier Reef is the world’s largest living structure, extending more than 1,400 miles. History lesson: The Romans believed coral possessed protective properties, and through the Victorian Era, it was common to see a small child wearing a coral necklace for protection. Superpower under the sea: Doctors are looking to coral reefs to develop treatments for cancer and Alzheimer’s disease.

MONTEREY COLLECTION Schedule a complimentary virtual design consultation or shop online. SummerClassicsHome.com/Luxe

TREND MARKET

Tree of Life

Clockwise from top, right: Woodgrain Velvet Pillow by Kevin O’Brien / $390 / abchome.com.. Edge Collection With Wood Texture / $968 / rockymountainhardware.com. Oil Bath For The Senses by Susanne Kaufmann / $76 / dermstore.com. Pakurigo Basket by Baba Tree / $200 / goodeeworld.com.. Root Outdoor Coffee Table / $1,799 / arhaus.com. Elevation Loveseat / Price upon request / lloydflanders.com. Uppark Fabric in Saffron & Rose / Price upon request / cowtan.com.. Paglia Low Bowl / Price upon request / alexanderlamont.com. Bamboo Wall Sconce / Price upon request / lanternmasters.com.

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PHOTO: GETTY IMAGES.

Metadata: Thirty percent of the Earth’s surface is covered in forest. Age is just a number: Research shows that trees evolved more than 300 million years ago. Fact-check: Dendrochronology is the study of data from the growth of tree rings. Gracious givers: Not only do trees provide us with oxygen, but they also clean our drinking water, remove pollution from the atmosphere, have a positive effect on mental health and aid in saving energy.

The Beckett Collection + Charlie Feizy

To ﬁnd your local sales rep, please call 800.779.0877

feizy.com @feizyrugs

“With Western Window Systems, we were able to put a lot of multi-slide doors in and still meet the energy objectives we were chasing.” - Dan Coletti, president, Sun West Custom Homes

westernwindowsystems.com

Moving glass walls and windows for all the ways you live.

SPOTLIGHT MARKET

Sunny Outlook COOL AND COLORFUL, THESE ALFRESCO FURNISHINGS ARE AN ODE TO BEACHY, RETRO DAYS OF YORE. P R O D U C E D BY K AT H R Y N G I V E N W I T H S A R A H S H E LT O N P H O T O G R A P H Y BY F R A N K F R A N C E S

GROUND COVER Ideal for outdoor living, the Stripe Ombre Flatwoven Rug in Blue Jean by Perennials is resistant to fading from ultraviolet rays and uses acrylic yarns for a soft and plush effect underfoot. perennialsrugs.com

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EATHEREN ESTATE FURNITURE

An American Story

Our AmericAn

made in maine StOry BegAn in 1912 with hAnS heiStAd.

LEARN HOW AT WEATHEREND.COM

•

800.456.6483

SPOTLIGHT MARKET

BRIGHT LINE The idea for the Ribbon Chair by Laun was sparked by founders Rachel Bullock and Molly Purnell’s formal exploration of a single line. The layered aluminum tubes stack together to shape a solid display allowing for custom widths in an infinite combination of forms. launlosangeles.com

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DOMETIC.COM/MOBAR

SPOTLIGHT MARKET

HOT SEAT Austrian designer Harald Guggenbichler went back to basics when developing the Surprising Stool for Fermob with clean lines and a steel powder-coated frame. This smart, stackable design comes in 24 colors, including icy mint, shown, and makes for a perfect patio perch. fermobusa.com

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E x p E r i E N C E

V i S U a l

C o m F o r t

roseDAle ClAssiC sMAll 3/4 wAll lAntern in FrenCh rust DESigNEr: rUDolph Colby

Shop Now: CirCalightiNg.Com At l A n tA Detroit (2021)

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SPOTLIGHT MARKET

MADE IN THE SHADE Santa Barbara Designs pays homage to one of the 20th century’s most celebrated photographers with the introduction of the Slim Aarons American Icons Collection. The Poolside Gossip Double Decker Umbrella in Lemonade specifically references a famous Palm Springs, California, snapshot. santabarbaradesigns.com

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HA M I SH MACKIE HAMI M AC KI E SCULPTUR SC UL P T URE E LIFE IN BRONZE

Catalogue available, get in touch if you would like to be sent one. Sculptures shipped worldwide directly from my UK studio. www.hamishmackie.com • hamish@hamishmackie.com • + 44 (0) 7971 028 098

SPOTLIGHT MARKET

SURFACE LEVEL The launch of Bernhardt Exteriors, the company’s first foray into the outdoor arena, includes the stylish, midcentury-inspired Encinitas Cocktail and End Tables. The flecked terrazzo pieces feature minimalistic silhouettes and a sturdy construction that stands up to the natural elements. bernhardt.com

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Escape to a place where Perennials’ latest stain, fade and mildew-resistant fabrics & rugs make luxury living worry free. perennialsfabrics.com

SPOTLIGHT MARKET

LAY LOW Bold and graphic, Marni Moon Walk is the fashion brand’s collection of whimsical furnishings, accessories and objects devoted to exploring the universe. Made by Colombian artisans, the colorful PVC-and-metal Chaise Lounge invites guests to sit back and dream on. marni.com

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The Scandia Down Difference

HEIRLOOM QUALITY DOWN COMFORTERS & PILLOWS

EUROPEAN BED & BATH LINENS

VISIT SCANDIA HOME AT THESE LOCATIONS:

JACKSON, WY 165 North Center 307.733.1038 CHICAGO, IL 900 N.Michigan Ave. 312.981.1776

BEVERLY HILLS, CA 332 N. Beverly Drive 310.860.1486

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NATIONAL LOOKBOOK | OUTDOOR LIVIN G

LLOYD FLANDERS lloydflanders.com |

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At Lloyd Flanders, the tagline “Woven for Life” is more than an idea. The 100-plus-year-old creator of premier outdoor furnishings has built a legacy on giving homeowners and design pros the open-air pieces they seek, which today includes mixing and matching unique fabrics and finishes. But it has also ensured that every product embodies the driving principles of quality and sustainability. “Everything we make is crafted to be heirloom quality, made to be handed down through generations,” says Jess Flanders, who runs the company alongside Dudley Flanders and Warren Juliano. “We also use natural materials, like cellulose fiber, and can repaint to update

“Today, everyone wants a custom look. Homeowners aren’t interested in what’s available at big-box stores.”

finishes, providing more years of use. Plus, all of our teak products are certified by the FSC and made from sustainable sources.” They are indeed woven for life—for the life of a design, the life of the user, and the life of the planet.

PRODUCT SPOTLIGHT: LLOYD LOOM One of Lloyd Flanders’ standout offerings, the proprietary Lloyd Loom wicker is a natural fiber wicker fabric with long-lasting, high-performance Durium polyester coating for outdoor durability and flexibility. The continuous weave avoids burrs and cracking, and increases visual appeal by eliminating visible material ends. All that, and Lloyd Loom products are available in 20 custom finishes.

CARE + KEEPING •W here it starts: “The proper upkeep of outdoor spaces begins with the selection of high-quality products,” Jess says. “Strength of craftsmanship makes all the difference. We build to withstand full exposure to sun, rain and even snow.”

Top: The Catalina sofa and chairs in the Hickory finish perfectly complement teak tables in this Costa Mesa, California, space by Molly Wood Garden Design. Left: In this Charlotte, North Carolina, look by Lisa Mende Design, the Hamptons collection sofa and lounge chairs complement Weekend Retreat swivel gliders in the Pewter finish and teak accessory tables. Right: One might argue that the Terracotta finish and Essence lounge chair were made for each other.

•H ow to clean: Lloyd Flanders recommends the following routine to its clients: Vacuum or use a soft brush on woven material and cushions to remove organic particles and loosen surface soil, then rinse with a mild detergent and clean water.

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NATIONAL LOOKBOOK | OUTDOOR LIVIN G

UNIVERSAL FURNITURE universalfurniture.com |

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It’s easy to understand why outdoor living spaces have become an essential part of the home. They not only extend usable square footage, but also invite one to create an open-air retreat. What isn’t so easy is the actual process of building these environments—and that’s mostly due to the intense demand on furnishings. This is where Universal Furniture comes in. “With more than 100 products to choose from in a variety of different materials and special-order cushion options from brands like Sunbrella, we provide the consumer with countless ways to make their space highly practical while meeting design goals,” says Neil MacKenzie, the company’s director

“Homeowners want flexible gathering spaces, especially now. Outdoor furniture for dining and conversation areas is taking priority.”

of marketing. Indeed, Universal’s array of choices helps homeowners and design pros alike to make the most of patios, decks and backyards.

MATERIALITY: AN A-TEAM ROSTER What goes into Universal’s immaculately crafted furnishings? Well … ll-weather recyclable wicker •A that is tested with full UV exposure for 7,500 hours owder-coated aluminum •P in Charcoal, Fog, Carbon and Chalk colorways, the scraps of which are recycled ast concrete reinforced •C with fiberglass • Grade-A FSC Certified Natural Teak • Seat cushions with antimicrobial foam to keep them from developing mold or mildew lipcovers and upholstered •S pieces wrapped in performance fabrics that are resistant to UV rays and fading, plus able to be cleaned with bleach wivels, swivel gliders •S and mechanisms that are salt-tested for 500 hours

Top: Coastal Living Outdoor’s Seneca dining table, Del Mar chair and Panama chair combine beautifully in this covered waterfront space. Left: The Chesapeake dining table and side chairs from Coastal Living Outdoor make this spot for family dinners or entertaining guests feel like a resort.

EDITION MODERN Pierre CHAREAU & Jean ROYERE re-edition collection and other FRENCH MODERN designers

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denise@d2interieurs.com | 646-326-7048 | d2interieurs.com

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Offering the ultimate alfresco retreat, Luxe takes it outside with elegant kitchen spaces and luxurious “rooms” designed for backyard escapism.

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Breath of Fresh Air SOPHISTICATED INDOOR-OUTDOOR KITCHENS DELIVER THE BEST OF BOTH WORLDS.

photo: matthew williams, courtesy the brooklyn home co.

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On New York’s Lake Canandaigua, Lyndsay Caleo Karol, cofounder and creative director of The Brooklyn Home Company, designed a practical pool house to accommodate her family’s easy summer lifestyle. Working alongside Bayer Landscape Architecture, a pool with a waterfall edge was also built to take advantage of the picturesque setting.

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THE BROOKLYN HOME COMPANY

It’s all in the family for Lyndsay Caleo Karol, who began the successful design and development firm The Brooklyn Home Company—alongside brother Bill Caleo and artist husband Fitzhugh Karol—more than 14 years ago when they were tasked with fixing a dilapidated property with a few hundred dollars and some Home Depot tools. Fast forward to today, and many homes later, Caleo Karol knew her approach to updating her family’s idyllic retreat on New York’s Lake Canandaigua to include a new pool house would be much the same as in the beginning: honor natural materials, incorporate artisan details and look to the light. thebrooklynhomecompany.com This project was personal, right? Yes! I was lucky enough to grow up going to the Finger Lakes—one of the most beautiful areas of the country, in my opinion—but over the years, as our family grew, so did our need for space. When we tore out an old tennis court to build a pool, I knew that an accompanying structure was needed to house towels, help with outside eating and act as a crash pad for kids.

Does the kitchen get a lot of action? In the warmer months, we gather for most meals here and eat outside at the massive table under the pergola. The kitchen is where a lot of prep work and cooking happens. It has a sink, refrigerator, freezer and a lot of storage zones for snacks. I wanted the design to feel relaxed, simple and timeless with the white, bright paneling that continues throughout the pool house and natural bluestone flooring you see outside as well. It’s also important for us to add a handmade element and artist Natalie Page’s ceramic lighting hangs beautifully under the eaves.

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photo: matthew williams, courtesy the brooklyn home co.

Tell us about the pool house. When we can all be together, there can be 20 of us and everyone seems to end up in the pool, so I knew this building would be getting a lot of use! From the beginning, we understood the footprint here was pretty tight to work with and, just like in the city, we always go up. As soon as the ceiling was raised, the entire area became so much more inviting and a place you really want to hang out. Optimizing natural light with large windows and doors was also paramount.

Shop the original design Explore classic and contemporary furniture, lighting and accessories for living, dining and working. Choose from ready-to-ship designs or customize your own with a wide selection of fabrics and finishes.

Bertoia Diamond Chair Harry Bertoia, 1952 1966 Adjustable Chaise Richard Schultz, 1966 Maya Lin Coffee Table Maya Lin, 1998

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PATIO PERFECT

photo: courtesy caesarstone.

As the world of alfresco entertaining expands, Caesarstone has taken note. For the first time, the maker of luxury quartz surfaces has released a new line designed specifically for the outdoors. The highly durable material can stand up to extreme weather and is combined with stain resistant and easy-to-clean properties, making the Solaris Collection ideal for backyard kitchen set ups and grilling areas. Think: patio dining tables, counters, bar tops and backsplash details. The surfaces are available in three colorways—Clearskies, Palm Shade and Midday, shown, which has a soft organic look with a concrete finish. caesarstoneus.com

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Water Mill Elegance at its Best

Linden Lane Waterfront | Southampton Village

BATH + KITCHEN LIVING

ON TAP

HEATING UP

Barbecue on the mind? Look no further than the 48-inch DCS Series 9 Grill—an advanced cooking experience over the flame. With freestanding or built-in styles, this appliance features an infrared rotisserie, charcoal smoker tray and ample storage. A secondary cooking surface allows for a wide repertoire of options—slow cooking, roasting, sauces—and keeps food warm after searing. Turn up the heat with the 25,000 BTU burners, which allow for precise heat control from 300 to 1,100 degrees Fahrenheit. dcsappliances.com

Cocktails by the pool just got a whole lot easier thanks to Dometic’s introduction of the MoBar, the ultimate mobile beverage center. Offered in three sizes, the 550 model at left has dual-zone refrigeration that can house 40 bottles of wine or 155 cans with a removable retention ice bucket on top for another 22 bottles. A storage drawer and cabinet as well as side shelving allow for plenty of room for mixers, snacks and glasses. Cheers to that! dometic.com

ELEGANCE ABOUND

photos: courtesy respective companies.

Sherle Wagner International extends the luxury of indoor bathing to an outdoor environment with its elevated assortment of products like the handsome Grey Shower System. Inspired by refined English Country style, the designs are cast in solid brass with a 24-karat gold finish suitable for a range of climates and conditions. sherlewagner.com

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LA DOLCE VITA LUXESOURCE.COM

“We live outside all summer and my backyard is the joy of my life,” enthuses Artistic Tile founder and CEO Nancy Epstein of her otherworldly outdoor oasis in Tenafly, New Jersey. With a charming pergola wrapped in grapevines and limestone columns cloaked in jasmine, sitting in the serene surroundings feels much like being in Italy, a favorite travel

destination for Epstein. When the time came to update the area, a striking yet durable blue quartzite from Brazil was cut for the floors while a custom glass floral mosaic called Walden decorates the surface behind the sink. The layers of blue hues create a lovely effect that ties into the large swimming pool, just steps away. The sweet life, indeed. artistictile.com

photos: courtesy artistic tile.

In Nancy Epstein’s romantic backyard haven in Tenafly, New Jersey—a mere 5 miles from New York City—Azul Bochira quartzite adorns the floor, while Azul Bahia granite tops the bar counters and Walden tile adds a splash on the wall.

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ANDREASCHUMACHERINTERIORS.COM

Live Brilliantly Fanimation’s Spitfire ceiling fan is a versatile take on a timeless design. Featuring an aeronautically inspired three bladed fan, the Spitfire is available in eight elegant finishes to complement any decor. Paired with Capitol Lighting’s commitment to unsurpassed service, unparalleled selection, and our best price guarantee, you can always trust us to put you in your best light. Schedule a convenient Design Consultation today. Visit www.1800lighting.com/stores and select a Showroom or Virtual appointment. SPITFIRE C E I L I N G FA N East Hanover | Eatontown | Paramus

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photo: holly lepere.

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Fancy Free OPEN-AIR DREAMSCAPES ARE THE ORDER OF THE DAY.

Over the past year, exterior living spaces have proved as essential as interior ones, offering gathering grounds, peaceful refuge and a semblance of escape. Celebrating this spirit, Luxe shares tales of garden delights across the country, beginning with landscape designer Margie Grace’s own Montecito, California Shangri-La. Here, under the canopy of an 80-year-old oak tree, Grace crafted a “room” for coffee and contemplation by placing an antique faux bois dining set under the majestic sweep of its branches. “At 5 o’clock in the afternoon, the light comes up from under those leaves and acts like a spotlight on the table,” she says. “I think to myself, ‘It’s like the wood fairies live here.’ ”

WR I T T E N AN D PR ODU CE D BY GR ACE BEULEY HUNT At her Montecito, California property, landscape designer Margie Grace looked to Japanese principles in arranging public living spaces close to the house and quieter moments—like this perch for morning coffee—on the garden’s outermost “concentric circles.” Adds Grace, “It becomes a different kind of party the further you roam.” gracedesignassociates.com

REPORT THE

this page: moveable feast photo: the ingalls, courtesy rizzoli. opposite: taking root photo: michael stavaridis.

LIVING

MOVEABLE FEAST CHRISTOPHER SPITZMILLER WAXES POETIC ON A PRIZED OUTDOOR STAPLE. Fifteen years ago, when I purchased my home, there was no garden to speak of. But after a decade of improvements, I find that so much of our time is spent outside. One of my workhorses is a cider pressing table that first came into my life—like many things with style and practicality—through my mother. It quickly took on a new life as a portable garden table. We’re serial hosts at Clove Brook Farm, and in fair weather, we entertain outside whenever possible. For special occasions, we’ll move the table to whichever garden room is in its prime. We’ve used it for a Fourth of July lunch in the front yard beneath the shade of a maple tree, in

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the Dovecote Garden programmed as a bar for a summer cocktail party and for an evening dinner in our Sunken Garden when the Casa Blanca lilies are blooming. For that occasion, we styled the table to conjure a garden fantasy right out of John Singer Sargent’s painting, Carnation, Lily, Lily, Rose. The roving cider press table appears in a number of different incarnations throughout my new book, A Year At Clove Brook Farm, which I hope will inspire people to get outside and seize the abundance offered by each season. There are no rules to outdoor living: I use my best dishes, glassware and silver. (No paper

plates or napkins here!) If you don’t have a vintage table, use what option you do have dressed in an interesting cloth. Most importantly, don’t be afraid to bring precious items outside. Using beautiful things in the garden makes an already enchanting setting all the more magical. christopherspitzmiller.com

TAKING ROOT “It’s like that saying about the shoemaker who can’t make his own shoes,” says Keith Williams of creating his West Palm Beach garden. For the landscape designer, such musings might surprise, but the more paint chips in your fan deck, the harder it is to pick a color. “I sketched so many versions that finally I said, ‘Let’s just order X amount of this and this,’ and when it arrived, I pieced it all together,” he demurs. What came of this approach is a series of small, graceful compositions set against an expanse of white pea gravel. In its organic simplicity, it nods to gardens of southern France, while stars like glossy fiddle-leaf fig and monstera— meticulously arranged to balance light, scale and texture—keep the feel firmly Floridian. While in its nascency, the garden hints at lushness to come. Plumes of rosemary and sage dance in the gravel, creating a sensory experience should you brush against them, espalier jasmine pops against the home’s stucco façade and newly planted palms reach skyward. Meanwhile, native pollinators—porterweed, Buddleia, Simpson’s stopper—lure butterflies, a favorite of the daughter Williams and his wife, Nicole, adopted last spring. As the couple awaited her birth, they began to notice butterflies everywhere, and when Colette came home, butterflies followed. “I’m a huge fan of green-on-green and normally, I don’t like color,” says Williams. “But I knew these flowers would be rewarding. Every day, she makes these crazy noises because there are butterflies all around us and she loves them.” nieverawilliams.com

THREE DESIGNERS CHAT ALFRESCO DECOR AND INSPIRATIONS.

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EN PLEIN AIR

BRIGETTE ROMANEK

CAROLINE GIDIERE

KEVIN SPEARMAN

Memorable oasis: Monet’s flower garden in Giverny. Durable textiles: Rose Tarlow for Perennials (above). Rugs for outdoor living: Ben Soleimani. Dream sculpture: Richard Serra. How to make a play structure elegant: With a custom design in natural colors that blend with nature—instead of bright swings, choose colors that are soft and seamlessly blend in. Best hardscape material: Concrete or a gorgeous stone (one that doesn’t get too hot in summer). Go-to flower: Jasmine, for its sweet, romantic scent—instant joy.

Chic bug repeller: Large terra-cotta pots of lavender. Dream lighting: Lum ‘Art (right). Newness to love: Aerin’s East Hampton Collection for Williams-Sonoma Home. The key to simple but beautiful outside decor: Parterre around loose, flowering plants. Tabletop ingredients: Bamboo flatware, rattan accessories and colorful printed cotton table linens, like those from Amanda Lindroth (left), which I coordinate with in-season flowers. Go-to garden book: David Hicks: My Kind of Garden. Integrate a swimming pool: With grass up to the pool’s edge. Finishing touches: Pots filled with boxwood or white impatiens, foot lanterns for candles in the evening and garden stools to rest your drink. Shade solution: Hornbeam pleached like umbrellas, as on the patio of the French hotel, La Bastide de Gordes. carolinegidiere.com

Trends du jour: Large fire pits for small gatherings and simply chic rectangular swimming pools. Patio favorite: I love rosemary in flower beds. It also looks great (and smells wonderful) in terra-cotta pots atop a dining table. Top plant for foliage: Bougainvillea for the unreal fuchsia color. Every outdoor room needs: A rug, a blooming plant and fun pillows.

Favorite plant for foliage: Olive trees. Best decking material: A recycled composite, which doesn’t mold. Brand you’re loving now: Belgian brand Tribù (left). How to enjoy a garden year-round: With heaters—and lighting in the trees as well as around stumps and pathways. Add warm drinks and a fire! romanekdesignstudio.com

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Go-to furniture brand: David Sutherland—so chic and understated. The Franck Series is clean-lined and still classic. Hero decking material: Peacock Pavers, a concrete product that we use indoors and run outside around the pool for seamless cohesiveness. Bonus: The maintenance is easy and forgiving. Landscape architect you’d love to collaborate with: French landscape designer Jean Mus, who we did an amazing property with in Tel Aviv, Israel. kevinspearman.com

THIS PAGE: ROMANEK PHOTOS, FROM TOP: YE RIN MOK; COURTESY PERENNIALS; DOUGLAS FRIEDMAN PHOTOGRAPHY; COURTESY TRIBU. GIDIERE PHOTOS, FROM TOP: MARIAH OLDACRE; COURTESY LUM’ART; COURTESY AMANDA LINDROTH; COURTESY AIRELLES GORDES, LA BASTIDE. SPEARMAN PHOTOS, FROM TOP: JONATHAN ZIZZO; COURTESY PEACOCK PAVERS; FRANCOIS HALARD; COURTESY DAVID SUTHERLAND. OPPOSITE: PARTY IN THE FRONT PHOTO: LESLEE MITCHELL.

LOS ANGELES

PARTY in the FRONT Enchanting and unexpected with an air of European chic, entry courtyards are having a moment. Here, designer Robin Rains, architect Douglas Enoch and landscape architect Anne Daigh discuss designing this Nashville jewel. Why a courtyard? DE: It’s an urban setting, so we wanted to make use of the lot. I grew up in the south, where there are many “surprise courtyards”—I love that idea of a surprise behind a gate. AD: Privacy was also very important; the clients wanted to sit outside in the mornings and have their coffee in seclusion. RR: Doug built this beautiful brick wall with an arched doorway and we commissioned a custom copper lantern to hang high above. It really beckons you in. Tell us about the design. AD: We planted two crepe myrtles, which create a pergola and make you feel like you’re in an outdoor room. Then we added structured landscape with dwarf

boxwood and billowing hydrangeas. The simplicity of the space—the way it wraps around you—is what makes it so charming. DE: Each of the four façades is symmetrical, so wherever you sit is a relaxing experience. RR: We carried the French limestone paving inside for seamless transition and chose Janus et Cie’s Amalfi iron canopy chairs, floating them in the courtyard as “sculpture furniture.”

What makes the room? DE: The pear espaliers, because they soften and echo the architectural symmetry. AD: Those pear trees create another level of rustic provenance. Plus, they actually produce beautiful green pears! RR: To me, the espaliers are another sculpture. Imagine going out into your courtyard to fetch breakfast? It feels like you’re in France. robinrains.com; enocharchitects.com; daighrick.com

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INDUSTRY INSIDER

RINFRET, LTD. “I had one client say they kept coming back to us because the rooms we designed were the only ones they never wanted to change.”

INTERIOR DESIGNERS

CINDY RINFRET, PRINCIPAL DESIGNER AND FOUNDER rinfretltd.com 203.622.0000 rinfretltd

sked to express what she feels is her greatest success, Cindy Rinfret reveals a thread that carries through her entire design career thus far: connection. “My repeat clients are what I’m most proud of,” she shares. “I have had relationships with several of them for many years, and in some cases, we’ve even begun decorating for their children.” One illustrious example of this is Tommy Hilfiger, for whom Cindy and her team at Rinfret, LTD. have worked on more than 19 projects. The designer also notes that, “Building relationships in the industry, such as with my antique dealers and vendors,

is one of my key inspirations. It is similar to a lifelong marriage.” She goes on to offer insight on how the connection between client and creator should work—at its best—too. “Clients can give their input, but should then allow the designer to do their magic,” she says. “Trust your decorator, because ultimately, we want your home to look better than you can imagine. We are there to make great decisions on your behalf.” Cindy and her team certainly seem to have succeeded in doing so time and again, with projects in Greenwich, New York City, Palm Beach and beyond (thanks to their clients’ second and third homes in locations the world over).

ASK THE EXPERT How do you include the client in the creative process? When I first meet with them, I ask about lifestyle. Are they casual or formal? Do they collect? What colors do they gravitate toward? After an initial wish list review, I can read most clients fairly well. However, many clients come to us inspired by past projects. What’s next for your firm? We are opening a satellite office in Palm Beach, which I am excited about. We are also working on a home furnishing branding line with a celebrity client! What type of project would you love to take on? I would love to do a Caribbean or Moroccan hotel and spa … something very exotic and playful.

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Top: In the Vail home of a repeat client, this dining room brings all the drama. Left: This home was such a favorite of Cindy’s that it graced the cover of her second book, Greenwich Style. Above: The entry of Rinfret’s studio is just as glamorous as any of the firm’s stunning designs. Opposite: Created for a longtime client, this kitchen has every feature desired and more. Top: Photography by Kimberly Gavin Left: Photography by Michael Partenio Above: Photography by Neil Landino Opposite: Photography by Keith Scott Morton

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Jane Gil Gardens

| G R E ATE R N E W YO R K |

OUTDOOR LIVING The role of home is always evolving. It changes as one’s needs change, accommodating new family members and emptier nests; unique hobbies and work-from-home setups alike. But one concept has become more relevant across the board, year after year: Outdoor living is a staple of the modern-day abode. No residence is complete without space to spread out, play in the open air, dine alfresco and clink drinks poolside. Regardless of climate, innovative solutions are making this vision of time spent in the midst of nature possible, and homeowners throughout the country are embracing it. On the following pages, the experts of all things outdoor weigh in on the trends and techniques dominating the conversation.

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OU T D O O R L IVIN G | GREATER NEW YORK “One should extend the same care and thought to the selection of outdoor furnishings as one does to those indoors.”

OF MATERIAL IMPORTANCE Nature’s elements can be harsh, and furniture is an investment. At Barlow Tyrie, this means research and a focus on durability are paramount. “No one wants to be constantly cleaning their outdoor furnishings,” Hessler says. “This is especially true with second or third homes. Therefore, you must choose pieces based on the durability needed in your location. An oceanfront home creates many more maintenance issues than a lakeside retreat. We work with design professionals to make choices that ideally suit the client’s residence.” One of the materials they’ve found most preferable is teak. “We have sourced sustainable, plantation-grown teakwood for decades,” Hessler shares. “Well-made teak furnishings require no maintenance besides an annual cleanup.”

BARLOW TYRIE 856.273.7878 | barlowtyrie.com |

barlowtyrie

Owing to modern technologies and innovations, the outdoors can now be made hospitable in any climate. Thus, alfresco living has become an essential part of home. But what role exactly do these spaces play? How do they differ from those indoors? According to Charles Hessler, “these areas are for casual entertaining, private family time and relaxation.” As the executive vice president of Barlow Tyrie, an outdoor furnishings manufacturer that celebrated its 100th anniversary last year, he would know. The company began in a converted horse stable, down a London alleyway, in 1920. Barlow Tyrie has since grown alongside the evolution of indoor-outdoor living, and today, it has an impressive portfolio of projects, design awards and rave reviews. “We believe in offering a superior product that is made to last,” Hessler says. “We are, and always have been, committed to quality materials and workmanship.”

Left: Apex might just be the largest extending table for alfresco dining. Made of plantation-sourced, top-grade teakwood, it seats 14. Above: A durable, powder-coated finish on tubular aluminum frames combines with teakwood accents to create Aura. The collection includes selections for dining, lounging and deep seating.

Barlow Tyrie – Crafting exceptional, award-winning outdoor furnishings since 1920. Premium collections in sustainable teak wood, brushed stainless steel and powder-coated aluminum. Tel: 800 451 7467 Email: USsales@teak.com Visit: teak.com

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OU T D O O R L IVIN G | GREATER NEW YORK

JANE GIL GARDENS info@janegilgardens.com | janegilgardens.com |

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Whether having a morning cup of coffee next to a stately tree or sipping a cocktail on a terrace surrounded by lush shrubs and vines, the act of experiencing life’s daily moments in proximity to nature is, Ellen Tips believes, “powerful to health

“A well-designed and lovingly maintained outdoor environment can imbue everyday life with equilibrium and vitality.”

and well-being.” The principal and lead designer of Jane Gil Gardens elaborates on just how she and her team accomplish this for their clients: “We design, install and maintain gardens that elevate the homeowner’s experience by enhancing views from inside and creating exterior terraces, patios, pathways and yards for enjoyment. Our goal is always to create plantings with multi-season interest and highlight the beauty of the flora and vegetation. Plantings are treated as living works of art, and we live for the details of a frilly petal blossoming, cascades of color and how a specimen tree’s leaves unfurl and change colors throughout the season.”

HORTICULTURAL HEROES Why is it so important to hire the professionals? Because they help plants, trees and shrubs to reach their full, lush potential each season and grow better year after year. “And, when working with an existing garden, our years of experience and eye for design enable us to determine what material to save, transplant and reuse for maximum impact,” Tips says. “We also have a strong network of vendors for plant material, containers, outdoor furniture, irrigation, lighting and more, making it possible to bring together most any concept.” Lastly, a garden is an investment and a living thing, so maintenance is crucial. Leave it to the Jane Gil team. “We even do composting!”

Top, left: A layered and colorful planting in containers makes for an inviting place to spend summer on this penthouse terrace. Top, right: A narrow terrace with a spectacular view showcases the plantings from windows inside the residence and creates an enjoyable space to step into. Above: The beauty of the fall glows in this mature perennial garden in the Bronx. Top, left & Above: Photography by Ellen Tips Top, right: Photography by Jane McClanahan

Save the Drama

Channeling the grande dame of an English manor, a Hamptons home leaves a lasting impression. W R I T T E N BY L I S A B I N G H A M D E WA R T P H O T O G R A P H Y BY P E T E R M A R G O N E L L I

Interior Design: Tatum Kendrick, Studio Hus Home Builder: Ronan O’Dwyer, Abstract Builders

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he most meaningful designer-client relationships often span miles and generations. Such was the case for Tatum Kendrick, who reunited with a beloved East Coast family for the sixth time on their new Hamptons residence. The couple first hired Kendrick over a decade ago, back when her now Los Angeles-based firm had just launched in Manhattan. “They let me push the envelope and be experimental from the very beginning,” says Kendrick. “After six houses together, we have a real trust and shorthand established. They let us do what we do.” This time around, the homeowners were up-sizing—as was their family head count. To accommodate a growing brood of grandchildren, they had purchased a textbook shingled abode just a quick jaunt from the charms of East Hampton village. “It was much more classical with lots of built-ins and millwork,” says Kendrick, “but I didn’t want it to feel ‘Hamptons.’ The story in my mind was that it had been passed down through generations; a crazy British grandma type of house that I could layer in.” For inspiration, Kendrick turned—where else?—to old English country homes, the kind with paint- and pattern-saturated rooms. “In those old manor houses, you turn a corner, and something is different. I didn’t want things to feel match-y,” says the designer, adding, “It needed to be darker, moodier and sexier.” She established that vibe with a few initial moves. Working with general contractor Ronan O’Dwyer (whom she had collaborated with on two previous projects for these clients), checkerboard flooring was laid in the entrance and in the back of the house, and any remaining cherry floorboards were swapped out for oak. Beyond that, “I knew I wanted to paint the trim black and have a leopard runner on the stairs,” she says. Bold black paint and cheetah motifs appear again in the den, where Kendrick swathed the wainscoting in an inky shade and upholstered both the ottoman and floral sectional’s back pillows in animal print. She dubs that piece “a wackadoodle grandma sofa” and says of the leopard, “For me,

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it’s like a stripe—the perfect neutral. I love how it looks with graphic patterns and how timeless it is.” The mood in the dining room lightens a touch with shades of celadon paint, which she paired with an immersive leaf motif wallcovering. Against the more country-feeling backdrop, Kendrick worked in nods to the wife’s love of midcentury furnishings, such as the Danish chairs, a Guillerme et Chambron sideboard and a Gio Ponti-style light fixture, along with the monolithic Angelo Mangiarotti marble table that plays to the traditional architectural detailing. The living room stands out as an ethereal exception. “There was no way to make it feel moody,” Kendrick says of the airy, double-height space with its floor-to-ceiling windows. “So, we decided to turn it into a light box.” Leaning into the light, the designer chose a pale neutral tone for the walls and a crisper white for the traditional millwork. She swapped out the existing fireplace mantel for a modern iteration in a richly veined Arabescato marble. And for furnishings, she opted for a few key pieces with strong, organic forms— like the Noguchi Cloud sofa—arranged in an “asymmetrical, askew” layout. “The idea,” Kendrick explains, “was to feel like you were walking into a sculpture garden.” Peppered in though are antiques, or items that read antique, reinforcing the home’s collected-over-time ethos. For instance, she had the daybed (where Madame Récamier would have felt entirely at ease), custom-made and placed a bust of Julius Caesar, rendered in the same marble as the fireplace surround, on a column. “We blindfolded him to have a little fun,” she adds. Blindfolded Caesar notwithstanding, “I don’t try to shock or make a statement—I think of a story,” says Kendrick. “And that boils down to the purpose of design. The spaces you live within shape your energy, thought processes and feelings. With this house, we ran with that as we went from room to room.” From the dark, cozy den, to the dining room where high-style Italian design meets the English countryside, to the expansive prism of a living room, each space packs a distinct emotional punch. “It was,” says Kendrick, “so fun to create all these different pockets of personality.”

English country houses and their beguiling mix of old and new inspired designer Tatum Kendrick’s take on her longtime clients’ Hamptons home. In the sunlit living room, she juxtaposed a Noguchi sofa from Design Within Reach and Norman Bel Geddes lounge chairs atop a Stark carpet with a custom neoclassical-style chaise. The pattern of the Arabescato marble fireplace surround echoes the bust of Julius Caesar from 1stdibs.

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Above: General contractor Ronan O’Dwyer converted the garage into a guest dwelling with its own kitchen. As thoughtfully outfitted as the main residence, the space boasts Tabarka Studio tiles on the backsplash, Grigio Toscano marble countertops from ABC Stone, a Brizo faucet and a swing-arm sconce from 1stdibs. Opposite: “I have always loved this Scalamandré wallpaper,” Kendrick says of the dining room’s romantic covering. The furnishings span decades, from the 1960s Guillerme et Chambron sideboard, Finn Juhl chairs and Gio Ponti-style light fixture, to the marble Angelo Mangiarotti dining table from Studio Twenty Seven.

Left: Kendrick says she’s a fan of a good pantry, and the one she designed for her clients is no exception with its checkerboard flooring and celadon-hued millwork. The brass Van Cronenburg cabinet hardware “checks my inner fancy-lady box,” she notes. Opposite: Even a mudroom allowed Kendrick the chance to explore her passion for wallpaper. Above the classic wainscoting, she opted for an Hermès covering. A collection of artwork and vintage accessories bring a collected feel.

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“Leopard adds a layer of punk and sex appeal,” Kendrick says of the House of Hackney pattern she chose for the den’s sofa pillows and George Smith ottoman. “A home needs to get a little roughed up—nothing too precious or appointed.” The Jasper floral makes for a kicky contrast.

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Right: Against the den’s backdrop of traditional millwork painted in an off-black Farrow & Ball hue stands a custom chair and a vintage Jean Rispal floor lamp. “It’s an explosion of layers of wackiness,” Kendrick says of the space. Opposite: A 19th-century Biedermeier table anchors the upstairs landing. Underfoot is a Stark carpet that continues the leopard motif. Beyond is the entry to the main suite and a fireplace Kendrick retained but refaced with 4-by-4 tiles, her riff on traditional Swedish kakelugn stoves.

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Above: The Scalamandré wallpaper in a powder room “echoes a more classical European look,” says Kendrick. She paired it with a similarly classic marble-topped vanity from Urban Archaeology. Pierre Guariche sconces flank the oblong mirror from Monc XIII in Sag Harbor. Opposite: In the main bedroom, a cement-on-canvas piece by Hamptons-based artist Darius Yektai, above the custom bed upholstered in fabric from Harbinger in West Hollywood, speaks to Kendrick’s interest in sourcing artwork locally. Topping the vintage William Hinn nightstand is a Greta von Nessen lamp.

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Beauty in the Breakdown A ceramic artist parses the intersection of suffering and the sublime. W R I T T E N BY J E N N Y B R A D L E Y P F E F F E R P H O T O G R A P H Y BY W I N O N A B A R T O N - B A L L E N T I N E

rganic and intricate, raw and revealing, Anat Shiftan’s ceramic sculptures feel simultaneously calming and thought-provoking. Defined by quiescent details and a conversation between discomfort and beauty, each piece is designed to be carefully considered—both decorative and inviting closer scrutiny. The Jerusalem-born artist’s compulsion to create began during childhood, where at an early age she turned to craft to reshape her world. That same inclination later carried Shiftan to America, and ultimately to the State University of New York at New Paltz, where she heads the ceramics department in addition to her studio (represented by Hostler Burrows). Perhaps unsurprisingly for an academic, Shiftan’s work is informed by her knowledge of art, philosophy and history. The symbolism behind Renaissance Dutch still lifes, for instance, provides a well of inspiration. “A typical Golden Age still life would often show an arrangement of idealized botanical floral samples,” she explains. “These scenes portray a rich cultural environment, but also corruption, which is shown with hints of temporality (dying flowers) and social decadence (a fly or snail).” One look at the artist’s evocative Flora series, a collection of tabletop sculptures featuring blooms with entangled orifices, suggests an entirely original reference. Using various methods of formation, from slip casting to the potter’s wheel, and most-often combining smaller creations to build a larger composition, Shiftan crafts each piece by hand. More recent forays include wall art composed of delicate ruffled petals and floral centerpieces in a prism of fresh colors. “I often ask how far I can stretch the manipulation of my clay without leading to failure,” says the artist, who enjoys the challenging nature of her chosen medium. “I ask how big or translucent I can make my work, or how complex,” she says. “If I develop a blue clay body, I try to see how blue it can get.” That consistent urge to push further—to find the most intense portrayals of color—is deep-seated. As a child in Israel, Shiftan recalls a formative moment of experiencing color, which informs her artistry to this day. “As a 10-year-old, I remember taking a yellow daisy and putting it so close to my eye that the floral structure vanished and just the yellowness was observed,” she says, adding, “I try to create that same sensation with my work.”

A corner of Anat Shiftan’s light-filled New Paltz studio (opposite) serves as an impromptu gallery space for finished sculptures and wall art. The ceramic artist at work (left), joined by test tiles in colors inspired by a dry daffodil bouquet (below), a commissioned Ruffle Tile artwork in turquoise (bottom, right) and fragments from her Still Life in White and Still Life in White and Blue series (bottom, left).

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LUXESOURCE.COM W R I T T E N BY S T E P H A N I E H U N T | P H O T O G R A P H Y BY G I E V E S A N D E R S O N

On the Upper West Side, an artful aerie reinvents open-concept living.

NO BOUNDARIES

Architecture and Interior Design: Joseph McGuier, JAM Architecture Home Builder: William Cooper, Belida Associates Inc.

miko Terasaki isn’t afraid to try new things. Though a California native, she’s long admired New York City’s vibrant performing arts scene. “I went to school in New York. It’s always been my goal to have a place here,” she says. So after retiring early from a career that began in art, shifted to medicine then biotech, and most recently, pivoted to fashion design, she bit the bullet—or rather, the Big Apple—and purchased a Manhattan pied-à-terre. The condo’s location appealed with its views of the Hudson River and Central Park, and a convenient bridgeway connecting directly to Lincoln Center, but the floor plan needed updating. Emiko knew she wanted to make a few key changes, including expanding the kitchen and removing a wall or two. She called upon general contractor Bill Cooper, who had renovated numerous units in the building, who then suggested she connect with architect Joseph McGuier. “When we first spoke, Emiko had in mind a smaller project. But after we met and I observed her personal style and listened to how she was speaking about the apartment, I knew I could show her something much more interesting,” says McGuier, whose multidisciplinary firm also handled the interior design. “I could tell from the beginning that she was receptive to unconventional ideas.” His bold suggestion: sacrificing one bedroom to make a larger living area, and removing all walls, save one for privacy in the main bedroom and bath. “She took a leap with us,” he says. After taking out “everything that wasn’t bolted down,” McGuier began imagining how to redefine separation of space by layering in architectural volumes of varied heights, shapes and materials. Cooper oversaw all construction, or deconstruction, as the case may be. “The building’s all-glass façade combined with the elimination of walls allows for an unbelievable amount of natural light,” says Cooper, to which McGuier adds, “the incredible view hits you when you walk in the door.” A graceful curve to the foyer wall leads the eye into the living space, where two standing crystal sculptures punctuate the sight line. This streamlined flow reflects Emiko’s love of simplicity and minimalism—influences from her Japanese

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heritage. “Because she lives alone and has grown children, we could make the space be all for her. We didn’t need to satisfy some of the practical concerns that families have,” says McGuier. “This is very pure to the way she lives.” Still, there were puzzles to solve, like how to delineate work space from living space, and how to incorporate columns, pipes and utilities that couldn’t be moved. At every turn, McGuier turned obstacles into art: columns were embellished with a plaster finish for added interest, and on an elevated terrazzo plinth in the living area, Emiko’s desk is tucked behind handpainted Japanese-style screens along walnut veneer millwork—the backside of which doubles as her closet. When dangling telephone wires bisected the main bedroom space, McGuier hid them within a swivel mirror atop a custom whiteoak fluted dresser that, as a freestanding piece, takes on sculptural qualities. Meanwhile, in the kitchen, an unmovable gas pipe was wrapped in blackened steel to echo a medley of metal accents, including hand-rubbed bronze upper cabinets and a custom metal dining table designed to enfold another large column. “If you can’t hide it, might as well celebrate it,” says the architect, who worked with team members Kristine Burgess, Austin Woodruff and Asha Llewellyn on the project. “Joe pushed me to incorporate art as part of the design process. We chose works like the plaster sculpture over the bed as if we were choosing pieces of furniture,” says Emiko. A former knitwear designer, she also gave particular care to textiles. “I’ve sewn all my life; fabrics are second nature to me,” she says. Drawn to sumptuous fibers and intriguing details—like the yellow leather cuffs on the dining chairs—she confesses, however, that she never envisioned purchasing swivel chairs of fuzzy shearling leather. The condo was a true collaboration, one that evolved organically throughout the two-year process. “We really had a blank canvas. I loved working with Joe and helping design as we went along,” says Emiko, who ended up being so pleased with the outcome that her intended pied-à-terre has become her primary residence. Adds McGuier: “Our success was in large part due to how openminded and adventurous Emiko is. She gave us lots of freedom, but her hand is evident in so much of this.”

Wide-rift white-oak flooring from The Hudson Company creates a uniform base for bold materials and sensuous shapes in this Upper West Side apartment overhauled by architect Joseph McGuier, like the curved entry wall echoing the sculptural Dmitriy & Co ottoman covered in Loro Piana cashmere. Giopato & Coombes’ jewel-like sconce doubles as functional art.

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Above: Unable to move a support column, McGuier dressed it up with a smooth plaster finish and designed a blackened steel table around it. Both a work and dining surface, the custom piece serves as a sculpture stand for Mother and Child by Jocelyn Braxton Armstrong. Opposite: Texture and form enliven the neutral living room, with its hand-woven Cogolin rug grounding a mohair sectional by Piero Lissoni and a Knoll swivel chair in an Edelman curly shearling. The floor lamp and Portoro marble coffee table are vintage 1950s and 60s, respectively.

Above: Homeowner Emiko Terasaki appreciates sartorial details, like the yellow leather cuffs on her Moroso dining chairs. Overhead lighting by Giopato & Coombes adds playful artistry without impeding sight lines to the walnut kitchen fabricated by JCP Cabinetry. There, hand-rubbed bronze uppers by Freehand Metalworks and Cristallo marble countertops sourced at BAS Stone NYC up the glam factor. Opposite: Vertical raked grooves lend soft texture to custom walnut paneling in the hallway, where a Dimoremilano ceiling light and an Art Deco relief by Sidney Waugh on a pedestal offer sculptural focal points. Beyond the solid bronze door is Emiko’s dressing area and bedroom.

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Above: A floating vanity by JCP Cabinetry gives heft, while the pristine Bianco Dolomiti marble slabs in the shower were the first material McGuier selected for the project. Matte black Vola fittings tie to Jason Miller’s Fiddlehead sconce. An antique Bendheim mirror hangs on indigo tadelakt plaster walls. Left: Walls of the same Domingue Architectural Finishes plaster as the living room add depth to Emiko’s bedroom. The Jouffre bed, flanked by Saarinen tables as nightstands and Allied Maker sconces, is upholstered in an icy Gastón y Daniela wool. The sculpture is custom through Moss & Lam and the chandelier is Lindsey Adelman.

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View from the Top

On a hill overlooking the Hudson Valley, a home is designed to change with the seasons. W R I T T E N BY M A I L E P I N G E L P H O T O G R A P H Y BY R E A D M C K E N D R E E / J B S A

Architecture: Andrew Kotchen, Workshop/APD Interior Design: Nickie Anderson, Workshop/APD Home Builder: Anderson Alves, ABC Construction Landscape Architecture: Frank Giuliano, Frank Giuliano & Assocs.

ome pen memories, others build homes. When one longtime Armonk couple saw their children off to college, they saw a chance to rewrite their future. Wanting to stay in the area, they sought a location that would let them live more in sync with nature, and the site they found—the highest point in Westchester County—was beyond their expectations. It offered extraordinary views of the countryside, yet far in the distance, the twinkling lights of New York City. Surrounded by sugar maples and ancient oaks, the property was rich with wildlife, including a resident eagle. It was perfect. When residential designer Andrew Kotchen presented them with plans for a dwelling that not only melded with the natural environment, but captured breezes and the movement of the sun, the couple knew they had found home. “The way we situated the house is pretty spectacular, but it took a lot of site-sculpting gymnastics,” says Kotchen. “We had to chip away about 500 tons of granite,” adds general contractor Anderson Alves, who repurposed said stone for a retaining wall. (He also repurposed tree trunks as a protective ring around the worksite, lest there be any runaway boulders.) The result is a structure that follows the topography, while paying quiet homage to historical styles. “Our homes take their cues from the region, but this is a more progressive vernacular,” Kotchen says. “There are recognizable elements, like the horizontal shiplap we chose that’s a spin on popular clapboard exteriors.” He also gave the windows narrow mullions that hint at panes and create a cosseted feel without disrupting the views. These little tricks “tone modernism down,” he explains. “The house has an interesting threedimensionality; every space is its own experience,” Kotchen continues. “We utilized all the tools in our box to create hybrid spaces that perform throughout the year.” The great room affords the living, dining and kitchen areas ever-changing woodland views, while the sun room is glazed in winter and screened in summer. The couple’s suite, set at the far end of the house, has its own

sheltered terrace. Upstairs, the kids’ bedrooms double as guest rooms for friends lucky enough to visit, and downstairs are a gym and a second great room with a media lounge, games table and bar, all opening directly to the pool. At any given time, the interiors glow with natural light and “unbelievable shadows—all day, all four seasons,” says Kotchen. “This house is beautiful but approachable,” adds designer Nickie Anderson, who followed Kotchen’s cues but brought a few surprises of her own. “There’s a nice mix of materials—glass, light woods, soft fabrics—but there are unexpected moments, too. We could have gone traditional in the foyer, but we selected a three-legged table for a playful element.” Similarly sculptural pieces grace every room, from blown-glass light fixtures to curved ottomans and custom upholstered headboards. “The shapes are soft to balance the lines of the architecture,” she explains. Tying it all together, a palette of blues, sands and whites brings softness and drives home the natural setting: “In winter, it relates to the snow, in summer, to the sky,” she says. Artworks, including landscape photography by Gray Malin, James Ogilvy and Nick LaVecchia, add a soothing, ethereal layer. To harmonize house and hilltop, Kotchen worked with landscape architect Frank Giuliano on a plan that allowed for flowering shrubs (hydrangeas, roses, lavender) and a modicum of lawn near the home, along with native grasses and over two acres of wildflower meadows giving way to forest. “You can plan for the long term with clients likes this,” says Giuliano. “It takes two to three years for a meadow to grow in, but it will mature and get better and better.” As a final surprise, he also designed a half-mile loop through the parklike setting, giving the owners a place for daily walks and the immediacy with nature they so desired. “If clients are designing a home for themselves, they want it to tell their story, and these clients were building for the future—for a time when their kids return with their own families,” adds Kotchen. “It was a chance to freshen up and focus on a more modern indoor-outdoor lifestyle.” One they can now comfortably enjoy year-round and hopefully, for generations to come.

The entryway is an “open, sunny space at the center of the home,” says residential designer Andrew Kotchen, who collaborated with designer Nickie Anderson on this Armonk residence. The three-legged table establishes a theme of playful form, which threads throughout the interiors. The lighting fixture is Vantot via 1stdibs and the rug is Merida.

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Kotchen designed the sun room to be used year-round with doors that open fully to the adjoining patio. A Rene Cazares swivel chair is joined by Perennialsupholstered ottomans from Disc Interiors and a sofa from Vanguard Furniture. On the wall is a photograph of Nantucket by James Ogilvy alongside a trio of Lostine pendants.

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Above: The great room’s dining area features a Tod Von Mertens table, Ben Whistler chairs upholstered in Holly Hunt fabric and a chandelier from Ochre. Beyond, the open kitchen melds a Miele cooktop with integrated appliances from Sub-Zero. White ash wood paneled ceilings warm the scheme. Opposite: From the patio, the home’s immersive windows and doors (all from LaCantina) are on full display. The RH dining set and Vondom planters sit atop custom-cut white granite paving from Bedford Stone, which spans the exterior living spaces.

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Above: The homeowners’ bedroom is anchored by an RH platform bed set against a Phillip Jeffries wallcovering. Above the custom nightstand is a pendant from Articolo. A chandelier from Circa Lighting and drapes of sheer Élitis fabric finish off the space. Opposite: A pergola-covered terrace off the main bedroom offers “a quiet space to enjoy the natural surroundings,” says Kotchen. The teak lounge chairs and ottomans are RH with cushions of Perennials linen. The sconce is from Bega.

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Above: Minimalist Mermet USA shades trim the windows in a forest-facing guest bedroom. Grounded by a wool rug from Serena & Lily, the space features benches from Made Goods, an accent chair from Anthropologie, a Four Hands concrete cocktail table and a bed dressed in Hudson Park linens. Opposite: In the homeowners’ bathroom, a Victoria + Albert soaking tub is sited to enjoy the privacy and views. Marble flooring from Artistic Tile and Apparatus Studio’s Cloud 19 chandelier create an envelope of crisp serenity, while a Made Goods stool adds a rustic touch.

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DESIGN HAPPENS HERE

Welcome to luxesource.com, where engaging design stories, stunning photography, and a robust resource directory combine to inform and inspire. Take a look around, and make yourself at home.

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P R O M O T I O N

PORTFOLIO I D E A S + I N S P I R AT I O N

CL ASSIC LUXURY DESIGN FOR MODERN LIVING

POP SURREALIST PERFECTION

ELISSA GRAYER INTERIOR DESIGN

CANFIN GALLERY

Celebrating 20 years of great design, Elissa Grayer has an innate understanding of modern luxury rooted in the traditions of classic design. Her turnkey approach is always delivered with the client’s goals and financial interests at the forefront. Whether for a new build or renovation, her team of nine provides truly innovative design solutions.

Internationally recognized for his ingenious portraits of iconic figures and images drawn from popular culture, pop surrealist Craig Alan is showcased in major cities throughout the U.S., Europe and Canada. His work is collected by many private and prominent collectors. And now, Canfin Gallery is thrilled to represent this great artist and his remarkable creations. Heartful, measuring 48" x 48", is shown here and can be seen on exhibit at Canfin Gallery.

elissagrayerdesign.com | 914.921.6500

canfingallery.com | 914.332.4554

ELEGANT ILLUMINATION

BENI OUR AIN MOROCCAN

LIVEX LIGHTING

NASIRI

The Belvidere linear chandelier (45438-91) from Livex Lighting redefines elegance, blending modern and natural sculptural elements with abstract shapes. This unforgettable conversation piece boasts a brushed-nickel finish, combined with handcrafted, textured glacier glass. Its scale amplifies today’s contemporary approach to any interior needing a dramatic air.

Nasiri is a boutique rug manufacturer specializing in the creation of handmade rugs and a source for unique finds from all over the world. The piece pictured is an original Beni Ourain Moroccan rug, crafted from handspun wool from the Atlas Mountains. It features a plush pile in varying gray tones amid a copper background. Custom colors and sizes are available. Reference No. 8403.

livexlighting.com | 800.761.8056

nasiricarpets.com | 212.532.6777

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