Luxe Magazine - July/August 2022 New York by Luxe Interiors + Design Magazine

G R E AT E R N E W YO R K AWARDS 2022

THERE ARE PIECES THAT FURNISH A HOME AND THOSE THAT DEFINE IT ®

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M A K E R O O M FO R A L L O F YO U

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Holmby Hills, CA | $165,000,000 Hilton & Hyland Drew Fenton — 310 858 5474 Search JHKS on luxuryportfolio.com

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Beverly Hills, CA | $59,000,000

Bel-Air, CA | $47,500,000

Benton Harbor, MI | $5,900,000

Hilton & Hyland Drew Fenton — 310 858 5474

@properties Anne Gain — 269 277 6077

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Abaco, Bahamas | $3,500,000

Ladue, St. Louis, MO | $2,995,000

Asheville, NC | $2,750,000

Illustrated Properties Real Estate, Inc. Barbra Davis — 618 920 1075

Janet McAfee Inc. W. Norwood/B. Patton — 314 629 3931

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Beverly-Hanks, Realtors Julie Smith and Todd Kaderabek — 828 215 3393 Search UUMS on luxuryportfolio.com

Chicago, IL | $2,575,000

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Baird & Warner Nick Kluding — 773 255 6072

Turpin Real Estate, Inc. Ashley Christus — 908 234 9100

Long Realty Company Patsy Sable — 520 918 5449

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©2022 Luxury Portfolio International.® Equal Housing Opportunity. Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information considered reliable; however, it has been supplied by third parties and should not be relied on as accurate or complete.

J AY J E F F E R S F O R A R T E R I O R S

THE FINE BALANCE BETWEEN ART & INTERIORS | ARTERIORSHOME.COM

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CONTENTS

JUL AUG 2 02 2

EDITOR'S LETTER

Scene 76

D E S I G N D I S PAT C H The little black book of all things new and fabulous in the local community.

Radar 86

DEBUT A new artistically influenced wallpaper and textile line looks to Louisiana’s culture.

ROUNDUP Three acclaimed artisans weigh in on the importance of higher education.

H E R I TAG E Ukraine’s Gunia Project celebrates traditional crafts for modern times.

AS TOLD TO Todd Nickey discusses the thrill of the hunt and the importance of discovery.

LAUNCH For his latest quilt-inspired collection, Kyle Bunting tapped his mother as muse.

Market 108

M AT E R I A L Out-of-this-world wallpapers and fabrics.

116

TREND Three alluring hotels to check into this season.

122

SPOTLIGHT A celebration of handcrafted furniture and lighting.

Living

LUXESOURCE.COM

142

K I TC H E N + B AT H Bold, graphic stone slabs are rewriting the rules of high-design bathrooms.

152

THE REPORT Nostalgic comforts and pastoral charm are making waves in design.

True to food

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Copyright 2022© Signature Kitchen Suite, 111 Sylvan Ave., Englewood Cliffs, NJ 07632. All rights reserved. “Signature Kitchen Suite” and the Signature Kitchen Suite logo are trademarks of Signature Kitchen Suite.

CONTENTS

FEATURES

188

200

212

216

Finding the Light

Living Legacy

Dream Weaver

One for the Ages

Playful flow and forms temper the grandeur of a family’s Upper East Side brownstone.

A beach house in Spring Lake gets a new lease on life following a devastating fire.

From his apartment in Greenpoint, a textile artist turns scraps to sculpture.

Blending tradition with modern grit, a Long Island home evolves to host future generations.

Written by Kelly Vencill Sanchez Photography by Thomas Loof

Written by Mary Jo Bowling Photography by Kirsten Francis

Written by Susannah Gruder Photography by Nina Choi

Written by Mikki Brammer Photography by Sean Litchfield

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SPECIAL SECTION

Presenting the 2022 Luxe RED Awards honoring excellence, innovation and the best residential architecture, interior design and landscape architecture projects and products.

LUXESOURCE.COM

ON THE COVER: For the sunlit double-height living room of this Upper

East Side town house, designer Sara Story composed a casual seating area beneath a set of 1971 screen prints by John Wesley. Atop the ombre silk

rug from Patterson Flynn is a custom sofa, 1930s bentwood armchair by Jindřich Halabala and midcentury Paul Kingma coffee table. Page 188

NOMAD SHOWROOM 102 MADISON AVE, NEW YORK, NY 10016 NYC@LIAIGRE.US MIAMI SHOWROOM 137 NE 40TH STREET, MIAMI, FL 33137 MIA@LIAIGRE.US STUDIOLIAIGRE.COM

Stunning Tile Style, Made in America

Crossville makes and stocks exceptional tile surfaces worthy of your unique design vision right here in the USA. Don’t delay your dream project! Visit CrossvilleInc.com and create a digital account to order free samples of our gorgeous floor and wall tiles and porcelain countertops.

Featured - Owen Stone porcelain tile collection, responsibly made in Crossville, Tennessee

What Inspires You, Inspires Us.

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Cascadia Fawn by Kelly Wearstler THERUGCOMPANY.COM

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LANDSCAPES BY FRANK J. CIARDULLO

Landscapes by Frank J. Ciardullo is a renowned landscape architecture, design and construction firm that specializes in high-end residential and commercial properties. For more than 35 years, Frank Ciardullo and his multi award-winning team have been providing white glove service to their discerning clientele in Long Island and the Hamptons. Locust Valley, NY | 516.759.2727 | landscapesbyfrankciardullo.com

Project Management Master Landscape Plans Installation of Fine Plantings All Phases of Construction

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WITH JBD JGA DESIGN & ARCHITECTURE P H O T O G R A P H Y B Y N AT R E A

C H A R L E S

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PAMELA LERNER JACCARINO VICE PRESIDENT, EDITOR IN CHIEF DESIGN DIRECTOR

Pam Shavalier

ART DIRECTOR

Candace Cohen

EXECUTIVE EDITOR

Brittany Chevalier McIntyre SENIOR MANAGING EDITOR

MANAGING EDITORIAL DIRECTOR

Kelly Velocci Jolliffe

MANAGING EDITORS

Colleen McTiernan

Krystal Racaniello, Clémence Sfadj

STYLE DIRECTOR

Kathryn Given

EDITORIAL ASSISTANT

Khadejah Khan

HOMES EDITORS

SOUTHEAST

Kate Abney COLORADO, LOS ANGELES, SOUTHERN CALIFORNIA

Kelly Phillips Badal

PACIFIC NORTHWEST, SAN FRANCISCO

Mary Jo Bowling

GREATER NEW YORK

Grace Beuley Hunt AUSTIN + SAN ANTONIO, DALLAS + FORT WORTH, HOUSTON

Paulette Pearson

ARIZONA, CHICAGO

Shannon Sharpe

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

Jennifer Pfaff Smith ART

ART DIRECTOR

Maria Pluta

JUNIOR ART DIRECTOR

Kimberly Solari Brown

SENIOR GRAPHIC DESIGNER

Jamie Beauparlant GRAPHIC DESIGNER

Ellen Antworth

MARKET

MARKET EDITOR

Sarah Shelton DIGITAL

SENIOR WEB EDITOR

Ileana Llorens

DIRECTOR, CONTENT DISTRIBUTION

Amanda Kahan

ASSOCIATE GRAPHIC DESIGNER

Kyle Anderson

SENIOR RETOUCHER

Christian Ablan

ADAM I. SANDOW CHAIRMAN

ERICA HOLBORN CHIEF EXECUTIVE OFFICER CHIEF OPERATING OFFICER

Michael Shavalier

CHIEF DESIGN OFFICER

Cindy Allen

CHIEF SALES OFFICER

Kate Kelly Smith

EXECUTIVE VICE PRESIDENT + DESIGN FUTURIST

AJ Paron

EXECUTIVE VICE PRESIDENT, DIGITAL + STRATEGIC GROWTH

Bobby Bonett

VICE PRESIDENT, HUMAN RESOURCES

Lisa Silver Faber

SENIOR VICE PRESIDENT, PARTNER + PROGRAM SUCCESS

Tanya Suber

VICE PRESIDENT, BUSINESS DEVELOPMENT

Laura Steele

VICE PRESIDENT, STRATEGIC PARTNERSHIPS

Katie Brockman

DIRECTOR, VIDEO

Steven Wilsey

SANDOW DESIGN GROUP OPERATIONS SENIOR DIRECTOR, STRATEGIC OPERATIONS

Keith Clements CONTROLLER

Emily Kaitz

DIRECTOR, INFORMATION TECHNOLOGY

Joshua Grunstra

SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials. This magazine is recyclable. Please recycle when you’re done with it. We’re all in this together.

KATE KELLY SMITH EXECUTIVE VICE PRESIDENT + MANAGING DIRECTOR GENERAL MANAGER

SENIOR VICE PRESIDENT, OPERATIONS

Scott MacClements

Tanya Suber

VICE PRESIDENT, PROGRAMMING + EXPERIENCES

James Nolan

NATIONAL SALES DIRECTORS ASSOCIATE PUBLISHER

Michelle Blair HOME FURNISHINGS DIRECTOR

Blaire Rzempoluch NORTHEAST DIRECTOR

Amy McMillan Tambini WEST COAST DIRECTORS

Lisa Lovely, Carolyn Homestead MIDWEST + SOUTH CENTRAL DIRECTOR

Tanya Scribner John Baum Janice Hyatt Rachele Daszkal

SALES OPERATIONS MANAGER SALES ASSISTANT SALES + MARKETING COORDINATOR

INTEGRATED MARKETING Samantha Westmoreland WESTERN INTEGRATED MARKETING DIRECTOR Vanessa Kogevinas INTEGRATED MARKETING MANAGERS Verity Lister, Frank G. Prescia INTEGRATED GRAPHIC DESIGNER Antoinette Childs DIRECTOR, DIGITAL STRATEGY

PARTNER + PROGRAM SUCCESS Jennifer Kimmerling PARTNER SUCCESS MANAGER + TEAM LEAD Brittany Watson SENIOR PARTNER SUCCESS MANAGER Molly Polo PARTNER SUCCESS MANAGERS Lauren Krause, Susan Mallek DIRECTOR, PARTNER SUCCESS

REGIONAL SALES DIRECTORS Adrienne B. Honig Jim Wilson CHICAGO REGIONAL PUBLISHER Kathleen Mitchell DIRECTORS Tracy Colitte, Carolyn Funk, Taylor Greene COLORADO REGIONAL PUBLISHER Kathleen Mitchell PUBLISHER Terri Glassman DIRECTORS Travis Gainsley, Katie Martin DALLAS + FORT WORTH PUBLISHER Rolanda Polley GREATER NEW YORK PUBLISHER Trish Kirsch ASSOCIATE PUBLISHER, NEW YORK Donna Herman ASSOCIATE PUBLISHER, CONNECTICUT Amy McMillan Tambini DIRECTOR, NEW YORK Maritza Smith DIRECTOR, HAMPTONS Michelle A. Giannone HOUSTON PUBLISHER Amy McAnally LOS ANGELES ASSOCIATE PUBLISHER Athena MacFarland DIRECTOR Virginia Williams ARIZONA PUBLISHER

AUSTIN + SAN ANTONIO PUBLISHER

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

Stacey Callahan Jennifer Chanay, Susan Goldstein, Karina Gonzalez PACIFIC NORTHWEST PUBLISHER Debby Steiner DIRECTOR Cathy Cruse SAN FRANCISCO PUBLISHER Lisa Lovely DIRECTOR Sara McGovern SOUTHEAST PUBLISHER Sibyl de St. Aubin DIRECTOR Suzanne Brandt SOUTHERN CALIFORNIA PUBLISHER Alisa Tate ASSOCIATE PUBLISHER Kali Smith REGIONAL PUBLISHER DIRECTORS

PROGRAM SUCCESS MANAGER + ANALYTICS SPECIALIST,

Victoria Albrecht Greta Wolf Heather Schreckengast, Matthew Stewart DIRECTOR OF PRODUCTION Kevin Fagan LUXE PREFERRED

NATIVE CONTENT EDITOR + TEAM LEAD NATIVE CONTENT EDITORS

CIRCULATION + DISTRIBUTION Stacey Rigney

SENIOR MANAGER, MANUFACTURING + DISTRIBUTION

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Luxe Interiors + Design , (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 20, No. 4, July/August, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design , SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, P.O. Box 808, Lincolnshire, IL 60069-0808. Email: luxe@omeda.com or call toll-free 800.723.6052 (continental U.S. only, all others 847.559.7358). ®

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LETTER EDITOR’S

One of the great pleasures of editing this publication is being habitually exposed to design from across the country—an endless array of styles, influences, penchants and the like. In any given week, I review some three dozen homes from more than 15 cities. It’s an abundance to see, and to weigh in on. The weekly parade of living rooms and gardens, kitchens and closets, laundry rooms and bedrooms gives me a wonderful perch from which to view American design. If you asked what I’ve observed lately, I would say it’s exuberance. I’ve spotted elation expressed subtlety with tone-on-tone interiors, and conversely, seen it pronounced with heaps of whimsy and sparkle in vibrant wallpapers, glossy walls and astonishing lighting. What these homes, and the people living in them, are conveying is their taste and joyfulness. Aren’t we all fortunate to delight in the mix?

Clockwise from right: A ceramic plate made by a Ukrainian artisan for Gunia Project. Louisiana artist Francis X. Pavy’s new line of textiles inspired by his artwork. Natan Moss’ Maurice Floor Lamp photographed in Joshua Tree National Park. Designer Sara Gilbane channeled country house charm for a clients’ Manhattan residence.

LUXESOURCE.COM

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

PAMELA JACCARINO PORTRAIT: CHELSAE ANNE HORTON. PLATE: COURTESY GUNIA PROJECT. TEXTILES: DENNY CULBERT. FLOOR LAMP: THE INGALLS. BEDROOM: THOMAS LOOF.

Lots of Zing

FA B R I C S, T R I M M I N G S A N D WA L LCOV E R I N G S

8 0 0.76 3 .0 5 24

S T R O H E I M .CO M

1006 Agger Grey

caesarstoneus.com

A pebble is a symbol of constant creation, shaped by the forces of water and wind. Our sustainable surfaces now feature ﬁve pebble-inspired colors that nurture comfort and calm, bringing the blessings of sunlight and rain to the heart of your home.

the serrano ccollection rugs that inspire Dallas • High Point • Las Vegas feizy.com

A spot of serenity, when life’s had too much “doing” THE TARMA SOFA

London | Houston | Dallas | Westport, 2022 oka.com

Give Your Home a Tale to Tell

A XOR UNO Reaching perfection with simplicity.

2 2 W 2 1 St | 5th & 6th Fl o o rs | afn ew yo rk .c o m

R. Garcia, Capri, Acrylic on Canvas, 30" x 40" x 2.5"

“Curating Art That Reflects Your Passions”

cparkergallery.com

info@cparkergallery.com

409 Greenwich Ave, Greenwich, CT 06830

203-661-0205

SCENE W R I T T E N B Y S H AY N E B E N O W I T Z

LAUNCH MATTHEW FISHER

New York designer Matthew Fisher drew from a fascination with Greek mythology to create Ariadne, his second decor collection and first to integrate cotton into carved stonework. As the myth goes, Cretan princess Ariadne fell in love with Theseus and, using her infamous glimmering thread, helped him escape the labyrinth after he’d slain its Minotaur. Befittingly, Fisher’s 16-object line comprises one-of-akind amorphous vessels, bowls and lanterns embellished with natural rope and made of stone sourced from quarries around the world. “It took a great deal of experimentation to understand how I could coil and knot cord to create malleable pieces that would contribute to the forms in the collection,” says Fisher. “I’m particularly moved by two vessels’ cotton-rope handles that go beyond their formal function to conjure the silhouette of the Minotaur’s horns.” mfisher.com

TALKING SHOP For Audrey Gelman’s next act after founding women's workspace company The Wing, she’s turned her attention to a decidedly smaller-scale project: The Six Bells, her new country homewares store in Cobble Hill. Obsessed with British mysteries, she even created a backstory in the fictional village of Barrow’s Green to situate The Six Bells, complete with a town map and character biographies that can be explored on the boutique’s website. In the quite real brick-and-mortar shop, interior design firm Roarke Design Studio brought Gelman’s vision to life with buttery yellow walls painted Farrow and Ball’s Cane, gingham curtains, framed quilts and painted wooden chests. “Think of it as entering a cozy mystery and being able to shop from your favorite character’s home,” explains Gelman. Among the store’s thoughtfully sourced items, head of merchandising Marie Joh shares that her favorites include original Gee’s Bend quilts handcrafted by a women's collective in Alabama, Straw London baskets and Noemie Sérieux hemp soy candles. thesixbells.com

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launch: portrait, jaka vinšek; product photo, michael druce. talking shop photo: nick glimenakis.

THE SIX BELLS

DISPATCH

ON VIEW

MEET THE MAKER JENNA KRYPELL

Fresh off a recent collaboration with rug company Art + Loom and a Paris show at Galerie Zberro, Jenna Krypell’s mindbending, multimedia wall sculptures are inspired by the shapes, colors, nature and music she encounters every day. The Brooklyn-based artist sat with Luxe to talk textiles, collaboration and optical illusion. jennakrypell.com Tell us about your creative process with Art + Loom. I knew nothing about making high-quality rugs. Their founder, Samantha Gallacher, guided me through the process. I came up with the design, she with the technique— and voila! Now we have beautiful works of art. What drew you to graphic patterns and optical illusion? I want people to see more than what’s in front of them and I love to hear what my art reminds them of or what a form evokes. Optical illusion pushes our senses and forces us to see different perspectives. Your work mixes paint, resin, sometimes even mirror, among other materials. Why multimedia sculpture? I was never interested in square or rectangle canvases— it felt too easy. My goal was to make something unique.

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LUXESOURCE.COM

When Virgil Abloh passed away last November, a void was immediately felt in fashion, music, architecture and design. As menswear artistic director at Louis Vuitton, he was the first Black person to hold this role for the luxury brand, while also running Off-White, his label that propelled streetwear into the mainstream. From July 1 through January 29, the Brooklyn Museum will honor the late designer with Virgil Abloh: “Figures of Speech,” an exhibition featuring never-before-seen pieces from Abloh’s archive and tracing two decades of his visionary, interdisciplinary work, from garments to runway videos and objects from his collaborations with artist Takashi Murakami and architect Rem Koolhaas, to name a few. “We’ve had a single goal,” says museum director Anne Pasternak. “To celebrate his explosive talent and the ways he kicked open doors for young BIPOC artists.” brooklynmuseum.org

SHELF LIFE

YOU CAN GO ANYWHERE - ALBERS FOUNDATION The title for You Can Go Anywhere, the new book marking The Josef and Anni Albers Foundation’s 50th anniversary, came from a saying that Anni repeated often. “She meant that one could always go in unexpected directions, in life as in weaving,” says Nicholas Fox Weber, the foundation’s director. Indeed, while her husband Josef may have more name recognition for his contributions to 20th-century modernism and abstract art, Anni was a textile artist in her own right. Based in Bethany, Connecticut, the foundation looks after the Albers’ estate and supports exhibitions, research, educational programs and artist residencies. The tome is a true collector’s item, filled with photos, artwork, archival materials and essays from past foundation contributors— such as architects Manuel Herz and Toshiko Mori and designers Paul Smith and Christopher Farr. albersfoundation.org

ON VIEW PHOTO: © JUERGEN TELLER, ALL RIGHTS RESERVED. MEET THE MAKER: RUG PHOTO, ANDY GALLACHER; PORTRAIT, DAN ROBINSON PHOTO. SHELF LIFE: BOOK COVER, COURTESY THE JOSEF AND ANNI ALBERS FOUNDATION; ARTWORK: ANNI ALBERS, DEVELOPMENT IN ROSE I, 1952, © 2022 THE JOSEF AND ANNI ALBERS FOUNDATION/ARTISTS RIGHTS SOCIETY (ARS), NEW YORK, PHOTO BY TIM NIGHSWANDER/IMAGING4ART.

SCENE

DESIGN

VIRGIL ABLOH: “FIGURES OF SPEECH” THE BROOKLYN MUSEUM

residential architecture of distinction

Exquisite details

perfect proportions.

t r a d i t i o n a l a r c h i t e c t u r e f or t h e m o d e r n w o r l d .

N E W C AN AAN 2 0 3 . 9 6 6 . 0 0 4 8

wa di aa ss o c i a t e s. c o m

PA L M B E A AC CH 561.282.9449

DISPATCH DESIGN SCENE

DATEBOOK

INDUSTRY CITY WITH ISHKA DESIGNS

8 a.m. As we open our studio, we set up our current task list. But before we start the day, we go through our ritual of lighting a candle and tending to the plants. 9 a.m. For coffee or tea—with oat milk—we run to the cafe at coworking space Camp David (shown at right, middle). We plot business strategy in their midcenturyinspired work lounge. 11 a.m. We head to Ivory Build to discuss custom furniture fabrication. This millwork

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collective’s range of possibilities allows us to execute whatever we conceive. Noon We take a quick jaunt two buildings over to RBW’s workroom to explore their latest lighting designs and material finishes. It’s exciting to see their production process firsthand. 12:30 p.m. On the way back, we meet a client at vintage curator CityFoundry to have them try a 1960s chair, then we browse through their inventory refresh. 2 p.m. The team meets at Porcelanosa to go over tile and plumbing selections for our projects. Our next stop is the WantedDesign store (shown at right, bottom) to replenish our candle supply. 4 p.m. We head to serene D-haene Studio (shown at right, top) to look at her latest ceramics. With its clean work area and minimalist display of objects, this space is a breath of fresh air. 6 p.m. Before we head home, we stop at Ashya in the second-level retail area to pick up the perfect travel accessory for an upcoming work trip.

anishka clarke and niya bascom photo: max burkhalter. d-haene studio photo: jane d’haene. camp david photo: courtesy camp david. wanteddesign store photo: courtesy industry city.

Led by Anishka Clarke and Niya Bascom (above), interior design studio Ishka Designs chose Industry City—a 35-acre campus that’s home to a community of more than 130 architects, designers and design retailers—for its headquarters. With collaboration at the heart of their practice, Ishka Designs’ heritageinformed and sustainability-driven approach blends minimalism with natural lines and artfulness in projects that span from New York to Jamaica, Paris and beyond. Here, Clarke and Bascom walk us through a typical day at the Brooklyn design hub. ishkadesigns.com

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Luxe shines a light on the enduring legacy of artists and craftspeople near and far.

AN EYE-CATCHING LINE OF WALLCOVERINGS AND TEXTILES CHAMPIONS THE SPIRIT AND TRADITIONS OF LOUISIANA. W R I T T E N B Y K E L LY V E LO C C I J O L L I F F E

For over six decades, artist Francis X. Pavy has been keenly observing his South Louisiana surroundings. The region’s unique landscape and rich Cajun culture have been driving forces behind the narrative—and iconography—of his vibrant paintings. “I’m intrigued by the complexity of life here,” says Pavy, who’s been working out of his suburban Lafayette studio for 40 years. “It has depth and meaning; there is a story to be told.” Now, Pavy is drawing on imagery from his vast body of artwork for a debut line of textiles and wallcoverings. Take

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Marshgrass, a block print featuring small vertical lines rising from a horizontal base. He first noticed the symbol, which is used to designate marshland on a map, in a geologist’s office as a child. “I didn’t consciously say, ‘I need to remember this,’ but it became a part of an inner visual vocabulary that I filed away in my brain.” Then there is Briars, a creeping branch-like design inspired by thorny plants of the same name. As a teenager, Pavy watched as the sun illuminated a cluster growing in an empty field. “Sometimes, imagery makes a burning impression in my memory,” he says. “Or it comes back to me in a flash.” The artist, who teamed up with his wife to bring the line to fruition, is also using this opportunity to develop new

For his debut line of wallcoverings and textiles (top right), artist Francis X. Pavy pulled from iconography found in his paintings, which feature interpretations of South Louisiana’s culture.

motifs, one of which portrays coastal Louisiana’s delicate ecosystem. In Stormy Waters, Pavy depicts “flora and fauna overcome by storm water.” They adorn the fabric alongside iconography of a man with his dog and a small telephone pole symbolizing “the edge of civilization.” This narrative is inspired by the state’s historic flood, in 2016, and devastation the artist witnessed firsthand. “I’m interpreting what I see in Louisiana,” he explains. “We have our own identity in food, speech and music. So why shouldn’t we have our own unique identity in art?” shop.pavy.com

photos: denny culbert.

DEBUT RADAR

Culture Study

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LEADING MAKERS IN THE DESIGN WORLD DISCUSS THE IMPORTANCE OF ART AND CRAFT SCHOOLS, AND WHY NOW MAY BE THE TIME TO ENROLL. W R I T T E N BY M A I L E P I N G E L

Over the past several years, many people have spent time getting in touch with their creative side. As a result, an exploration, and revival, of craft—think pottery, woodworking and painting—has led to a renewed interest in arts educational programs. Several highly acclaimed schools across the country oﬀer dynamic workshops and degrees, allowing students to spend years honing in on a specialized area of study or simply attend classes to become better

acquainted with a new interest. Who better to weigh in on the merits of a formal education than three celebrated alums: glass artist Dale Chihuly on Haystack Mountain School of Crafts; industrial designer Jay Sae Jung Oh on Cranbrook Academy of Art; and glass artist and painter Corey Pemberton on Penland School of Craft. Their success stories not only bolster the legacies of these unique institutions but serve as inspiration for the next generation of makers.

PHOTO: AMANDA RINGSTAD.

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Higher Pursuits

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For Oh, Cranbrook’s broad-thinking approach lured her from Seoul to the Bloomfield Hills, Michigan, campus. “Their industrial design program lets you focus on your interests,” she explains. “The historical buildings, the environment—students from other majors like architecture, engineering, even anthropology—was fascinating to me.” This influx of varying viewpoints intensified her creativity, and she quickly garnered the attention of design pioneer Gaetano Pesce, who oﬀered her an internship and job opportunity after graduation. While now focused on her successful eponymous firm, Oh finds guest-lecturing at her alma mater a symbiotic relationship. “I like the engagement,” she says. “I get to see what students are interested in, and who they think the rock stars of design are today.” While studying graphic design at Virginia Commonwealth University, Los Angelesbased Pemberton developed an interest in glassmaking that led him to a summer

(Previous page) Jay Sae Jung Oh’s Savage Chair, Raw Edition features discarded objects wrapped in leather cord for a transformative effect. (From left) Corey Pemberton’s That Morning Light; a lidded blown glass jar by the artist. An evocative sketch by Dale Chihuly illustrating one of his blown glass creations.

program at Penland in North Carolina. “My hand skills improved so much that the instructor oﬀered me a job,” he recalls. Pemberton went on to assistantships and residencies, returning to Penland for a coveted two-year fellowship where he augmented glassmaking with painting and other artforms. Today, Pemberton continues to remain busy, dividing his time between glassmaking and painting practices; an upcoming teaching stint at Haystack this summer; and serving as Director of Crafting the Future, a program creating more equitable opportunities for BIPOC students interested in the arts. “Craft schools are immersive and less formal than the collegiate route,” he says. “I’m a huge advocate [of them] and know how much you can learn.”

IMAGES: COURTESY OF RESPECTIVE ARTISTS.

Regarded as one of the founding fathers of contemporary American craft, Chihuly studied glass making at the University of Wisconsin-Madison. Upon graduating, he enrolled at the Rhode Island School of Design where he received an MFA and taught for many years. Throughout his tenure, Chihuly spent summers teaching at Haystack in Deer Isle, Maine, during which time he realized “artists teaching artists is vital to helping students find their own path.” Founded in 1950, the school was considered experimental because it had no permanent faculty, nor did it oﬀer degrees. Remaining true to its roots, Haystack’s workshops and residencies are still taught by visiting faculty and remain sought-after programs today. Chihuly credits Haystack with influencing him to cofound Pilchuck Glass School in Seattle, and, while no longer teaching, he continues to encourage “students to surround themselves with other artists. Watch how they live, not just how they work.”

UKRAINE’S GUNIA PROJECT SHINES A LIGHT ON THE COUNTRY’S LONG-STANDING CRAFT TRADITION. W R I T T E N BY M I C H E L L E B R U N N E R

In folk art, every brush stroke and every stitch tells a story, and when those crafts are lost to time, so too is a piece of history. It’s a reality that Natasha Kamenska and Maria Gavryliuk, founders of the Gunia Project, know all too well. “Handmade items have always been at the heart of Ukrainian life, yet few people pass on the beauty of this national culture to their children,” says Gavryliuk. In 2017, while volunteering at the Ivan Honchar Museum’s National Centre of Folk Culture in Kyiv, both women began to wonder why younger generations had forgotten folk crafts integral to their heritage. It sparked an idea: Form a collective of artists dedicated to producing Ukrainian crafts for a new audience using the traditional, timeworn skills of their ancestors.

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Ceramic plates available through Ukraine’s Gunia Project depict religious and folk motifs from the country’s rich artistic history.

The duo embarked on a quest to find artisans, traveling throughout Ukrainian villages to seek out craftspeople by word of mouth. At a market in the town of Yavoriv, they encountered a gunya, a handmade sheep’s wool coat that serves as a talisman-like garment used during major life events. Finding inspiration in the object, they christened the company Gunia Project in 2019. Handmade items sold through the collective include fiber arts, glass and jewelry, in addition to a large inventory of painted ceramics featuring playful takes on folk-art motifs and religious themes. Many of the pieces sport images of saints and angels that loom large in Ukrainian faith and lore (their ceramic production

began with a single artist who happened to be trained as an icon painter). While the artistic sensibility of these pieces feels modern and fresh, the subject matter is timeless and deeply ingrained in the national identity. For Gavryliuk and Kamenska, preserving Ukrainian culture for future generations has acquired even more significance as of late. “With the war at our doors, we know that our culture needs to be preserved and cherished,” says Gavryliuk. “Art is so closely intertwined with history that destroying folk crafts destroys our cultural heritage, and the country as a whole,” adds Kamenska. guniaproject.com, thenopo.com

PHOTOS: COURTESY GUNIA PROJECT.

HERITAGE RADAR

Artistic Expression

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Find & Seek TODD NICKEY, THE DESIGNER AND PROPRIETOR BEHIND LOS ANGELES’ NICKEY KEHOE, DISHES ON THE THRILL—AND IMPORTANCE—OF THE HUNT.

Todd Nickey and Amy Kehoe seek out beautiful pieces for design projects as well as their Los Angeles shop from flea markets, antique fairs and the like. Shown here is one such find: a vintage carved-wood entry door.

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My partner Amy Kehoe and I have built our lives around being out in the world— at craft fairs, art shows, antique fairs and even flea markets—unearthing sources of inspiration. Although I enjoy searching for things online, it’s important for us to touch and feel objects. There’s only so much you can see about patina, texture and scale on a screen! We met a young woman, just out of art school, at a craft show a few years ago, and she was making beautiful sculptures and serveware from wood. I don’t want to sound too ‘woo-woo,’ but when she invited us to pick up her work, I could feel the energy she put into making it. The way she sands her pieces gives them a unique surface, something that’s impossible to manufacture. It’s exhilarating to meet people who are passionate about creating and making. Hunting and shopping in person is also where kismet happens. At times, I almost feel like a water witch with a divining rod because something just draws me to a piece—I find what I love by clearing my mind and exploring. I recently discovered a forged-iron company that makes the most extraordinary pieces and when I first saw them, I got jelly belly for a few minutes because it was such a thrill. This is an era where appreciation for art and craft is growing, and we are embracing it on all levels, from crude to posh and fancy. The importance of handmade goods can’t be overstated—it’s fundamental; it’s everything. nickeykehoe.com

PHOTO: COURTESY NICKEY KEHOE.

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Common Threads KYLE BUNTING RETURNS TO HIS ROOTS WITH AN AMERICANA-INSPIRED COLLECTION. For hide rug designer Kyle Bunting, family has always been at the core of his work. Take, for example, the Austinbased creatives lauded range of rugs, wall coverings and home accessories, which incorporate methods passed down from his father Jim, who owned a hide art and furniture company. Bunting’s inventive take on these techniques ultimately led to his eponymous empire of beautiful yet functional décor objects for the home. Now, more than two decades since getting his start, Bunting’s work is once again being shaped by those near and dear. This time around, Bunting looked to his mother, Peggy, and her longstanding passion for quilting as inspiration for his latest collection, Stateside. Playing off the striking patterns and graphic geometry of these traditional American textiles, the colorful new rug designs fuse the handiwork of both parents—all with Bunting’s signature spin. Each floor covering is created from pieced-together scraps, culled from repurposed hide cuttings and excess material collected during production. What’s more, the collaboration also presents an opportunity to spotlight an unsung artform. Women like Peggy, and her family, have looked to quilting as a means of expression, love and practicality for centuries. “One of my most prized quilts was my grandmother’s,” she explains. “This handmade heirloom was crafted 65 years ago, and it’s evident that each stitch was painstakingly, and thoughtfully, made.” It is the Buntings’ hope that these modern interpretations may also become treasured keepsakes and serve as timeless reminders of the historical fabric that connects families from one generation to the next. kylebunting.com

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photos: courtesy kyle bunting.

W R I T T E N BY M I K K I B R A M M E R

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NOTABLES S O P H I ST I C AT E D.C U R AT E D. S T Y L I S H .

OTTR A

KLAFS USA Transform your home into a personal wellness sanctuary with KLAFS, the global leader in premium saunas. Every KLAFS sauna is handmade-to-order with features and finishes that blend seamlessly with any home’s unique style and décor.

Ottra’s award-winning Cursive Collection now features upholstered seating, including this stylish loveseat whose sculptural solid-wood seat and back are softened by down-wrapped cushions. Made in Brooklyn, NY, custom options available. Price upon request. ot-tra.com

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LILAC GALLERY From Lilac Gallery, where extraordinary meets the eye, comes Dripping Dots Bordeaux by Cindy Shaoul. Executed with oil paint and gold and silver leaf, this dazzlingly elegant work brings effortless inspiration to any space. Measures 48" x 36". Priced at $5,200. lilacgallerynyc.com

ARTE Detour by Arte features a playful, maze-like motif in a double-direction sisal weave in three complementary tones that, together, create an eye-catching 3D effect. Detour is part of Arte’s new Marqueterie collection of hand-cut, hand-laid sisal wallcoverings. arte-international.com

EXPERIENCE THE TRUE ESSENCE OF CUSTOM CRAFTSMANSHIP Fletcher Development is an industry award winning custom home building company. For a decade, Fletcher Development has been committed to providing clients with unwavering quality and craftsmanship in every aspect of home construction, creating low maintenance, high efficiency homes that are aesthetically pleasing, healthy, and safe for your family. Creating your dream ambiance with the specific features and finishes you desire is at the heart of every Fletcher design. FLETCHER CUSTOM HOMES 320 Post Road | Darien, CT 06820 (203) 286 - 6166 | fletcherdevelopmentllc.com

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P R O M O T I O N

| NATIO NAL |

DISCOVERIES FRESH.DESIGN.FINDS.

TUUCI The he Ocean Master Max Classic Cantilever has redefined shade technology. echnology. The automatic parasol seamlessly eamlessly integrates heating, lighting ghting and automation to help you ou extend the day outdoors. tuuci.com uuci.com

KR AVET INC. Bridging the worlds of art, architecture and fashion, Donghia introduces an exclusive lifestyle collection inspired by the renowned brand’s archive, pivotal art movements and Angelo Donghia’s appreciation for couture fashion. kravet.com/donghia

MR. BROWN LONDON Mr. Brown’s Andrew dining table mixes smooth Carrara marble with textured White Gesso. The bases bring a straight-lined tabletop to life with its opposites attract feature. mrbrownhome.com

SCAVOLINI

J. TRIBBLE J. Tribble’s long history of designing and producing custom sink bases now extends to repurposing antique treasures for modern homes. jtribble.com

This walk-in Fluida model by Scavolini is characterized by the structure in an Iron Grey finish combined with the Coal Oak veneered wall panel, transparent Smoked glass doors with an Anthracite Grey-finished frame and built-in handles. scavoliniusa.com

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DISCOVERIES FRESH.DESIGN.FINDS.

WESTERN WINDOW SYSTEMS Designed to smoothly stack and fold against side walls, the Series 9550 bifold door creates a huge opening from corner to corner, connecting the indoors with the outside and expanding living space. westernwindowsystems.com

ROCHE BOBOIS The Temps Calme outdoor design by Roche Bobois measures 33.98"H x 160.54"W x 74.6"D and is a fully modular and gently rounded piece. It is closely attuned to the trends while giving comfort center stage. roche-bobois.com

BROWN SAFE Brown Safe manufactures highsecurity bespoke safes. The brand specializes in creating one-of-a-kind solutions to fit any need and decor. Each safe is thoughtfully designed with high-end finishes and features to enhance the enjoyment of the valuables it protects. brownsafe.com

TED BOERNER This Commune dining table is a modern merging of contemporary and traditional styles. The open leg base harmonizes with the breathing shapes of the tabletop. The split legs that cross and connect with one another on the floor are reflected in the in-laid propeller veneer pattern on the table’s surface. Available in different shapes, sizes and in stationary or expansion configurations.

The Kalamazoo Hybrid Fire Grill is fueled by any combination of gas, wood or charcoal. Harness over 1,000 degrees of perfectly even heat for unlimited cooking versatility. Available in nine models with freestanding or built-in styles for your outdoor kitchen.

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An astronomical spin on wallpapers and fabrics, distinctive new hotels and hand-crafted furnishings set against a desert landscape.

MATERIAL MARKET

Cosmic Connection LIKE AN ASTRONOMER STUDYING THE SKY, THESE WALLPAPERS AND FABRICS EMBODY THE MAGIC OF FARAWAY GALAXIES. P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY L E S L E Y U N R U H S T Y L I N G BY C A R O L I N E C O L S T O N

CLOUD NINE Sand Garden Fabric in White by Larsen / cowtan.com.

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MATERIAL MARKET

LUNAR LANDSCAPE Clockwise from top: Moon Silk Fabric in Silver by Zoffany / zoffany.com. Half Moon Bay Wallpaper in Graphite by Nina Freudenberger / studiofournyc.com. Links Wallpaper in Neutral by Harlequin / zoffany.com. Persian Nights Agate Wallpaper by Christian Lacroix / designersguild.com. Starlight Wallpaper in Navy/Silver / yorkwallcoverings.com. Solar Wallpaper in Beryl by Eskayel / studiofournyc.com.

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MATERIAL MARKET

SOLAR STUDIES Clockwise from top: Atmosphere Wallpaper in Dew / calicowallpaper.com. Moon Wallpaper in Koniro Blue / callidusguild.com. Mosaico Wallcovering in Blue Stone / arte-international.com. Rock Candy in Aura Fluorite by Amanda Wachob / flavorpaper.com. Paden Wallcovering in Patina / fabricut.com. Cielo Fabric in Evening Blue by Radish Moon / johnrosselli.com. Vibrant Fabric in Bluemoon by Linherr Hollingsworth / kravet.com. Moonlit Mica Wallcovering in MLM001 and MLM002 / astek.com.

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CELESTIAL COLLECTION Clockwise from top: Il Vespro Wallpaper in No. 01 / zakandfox.com. Takra Wallcovering in Cloud-01 / fabricut.com. Kumo Wallcovering in White / fschumacher.com. Vinyl Star Dust Silk Wallcovering in Blue Moon / phillipjeffries.com. Sutton Wallpaper in Metallic Gold / thibautdesign.com. Leeann Wallcovering in Sorta Taupe / paretewalls.com. Aurum Fabric in Midnight by The Vale London / fabricut.com. Fireworks Wallpaper in Gold Dust and Constellations Fabric in Ocean Air / jimthompsonfabrics.com. Vinyl Luxe Cork Wallcovering in Evora Slate / phillipjeffries.com. Phlume Wallpaper in Schabin / callidusguild.com.

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TAKE IT EASY Plan your summer escape and unwind in style at these stunning new hotels. W R I T T E N A N D P R O D U C E D BY S A R A H S H E LT O N

Southern Slowdown

Counterclockwise from top left: Lucia Rise and Fall Pendant in Naturale / Price upon request / hectorfinch.com.. Box Tray in Sea Grass and Sun Tray in Matcha / $255 and $225 / anastasiohome.com. Toma Lounge Chair in Ivory Boucle / $3,695 / trnk-nyc.com. Mactan Cocktail Table / Price upon request / bernhardt.com. Selvaggio Stone Mosaic in Rosa / $79.95 per square foot / annsacks.com. Agate Bowl in Terracotta by &Klevering / $43 / smallable.com. Woolytone Pillow in Natural / $228 / burkelman.com.

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PHOTO: MATTHEW WILLIAMS, COURTESY THE PINCH.

Nestled on King Street in downtown Charleston, The Pinch is a boutique hotel occupying two original Victorian-style buildings dating from the mid-1800s. Philadelphia-based firm Method Co., working alongside Morris Adjmi Architects, imbued the interiors with thoughtful, modern touches while embracing its designation as a National Register of Historic Places. thepinch.com

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Colored Blocks, Cork Forest, Pergola, Viva, Square Dance.

TREND MARKET

Sanoma Sanctuary

Clockwise from top right: Arden Fabric in Blue by Zoffany / Price upon request / sandersondesigngroup.com. Trento Mirror by Jay Jeffers / $3,745 / arteriorshome.com. Manor Table Lamp / Price upon request / curreyandcompany.com. Boxed In Decorative Box by Cheryl Luckett / Price upon request / wildwoodhome.com. Marlon Daybed in Vance Stone / $2,795 / jaysonhome.com. Deauville Armoire / Price upon request / alfonsomarina.com. Nile Venetian Glass Intaglio Emperor Ring by Elizabeth Locke / $3,850 / thedefinitive.com. Roman Ceiling Medallion in Red Oak / From $245 / rejuvenation.com rejuvenation.com.

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PHOTO: MATTHEW MILLMAN, COURTESY THE MADRONA.

For a one-of-a-kind stay in California’s wine country, look no further than The Madrona, an Aesthetic Movement-era private estate turned charming Healdsburg inn. Designed and co-owned by Jay Jeffers, the property’s late 19th century DNA is on full display— from original bay windows to soaring ceilings. Designloving guests will especially enjoy the impressive art collection, which features works commissioned exclusively for the hotel. themadronahotel.com. themadronahotel.com

SHAD E WORTHY ACTS OF LEISURE DISCOVER OCEAN MASTER MA X CLASSIC

T U U C I .C O M

TREND MARKET

Upstate Escape

Clockwise from top right: Mackinac Paddle / $285 / sanborncanoe.com. Stag Round Flat Dish by Jean Bertholle for Gien / $455 / westontable.com. Canvas & Suede Duffle Bag / $349 / fhwadsworth.com. Color Field Wool Throw Blanket / $199 / brooklinen.com. Reclaimed English Beam Console Table / $6,760 / rh.com. Arenal Rocking Chair in San Geronimo Manila / $1,195 / masayacompany.com. Rawlins Rug in Red/Navy / Price upon request / feizy.com. Ivy & Oak Pitcher / $265 / michaelaram.com. Talabartero Saddle Lamps in Almendra / $2,375 / lavivahome.com.

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PHOTO: TIM WILLIAMS, COURTESY THE CHATWAL LODGE.

Looking for a quiet respite from city life? The Chatwal Lodge sits on 100 idyllic pastoral acres in Upstate New York and offers views of Toronto Reservoir lake. The Adirondack-style interiors boast cozy reclaimedwood walls, hearty stonework and of-the-style furnishings that whisk guests into a cabin-chic state of mind. After spending the day exploring the great outdoors, visitors can dine on locally-sourced cuisine at the property’s restaurant. thechatwallodge.com.

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SPOTLIGHT MARKET

LIFE FORM To achieve the Maurice Floor Lamp’s melting, scale-like texture, Santa Fe furniture designer Natan Moss rolls, shapes and fires each ceramic tendril before meticulously adhering them to the lamp’s base. Compared to Moss’ smaller vessels, these larger forms can take up to three days to compose. Tactile and life-like, Moss named the head-turning series after Maurice Sendak’s book, Where The Wild Things Are, after seeing a resemblance between its otherworldly characters and his work. lawson-fenning.com

Maker’s Marvels JOSHUA TREE NATIONAL PARK’S SUBLIME DESERT LANDSCAPE SERVES AS A DRAMATIC BACKDROP FOR HANDCRAFTED, AMERICAN-MADE MASTERPIECES. P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY T H E I N G A L L S

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ORIGIN STORY Ceramicist Jonathan Cross is drawn to the natural world, namely forms found in American southwest geology and archaeology. These sources of inspiration are evident in Cross’ Side Tables, which come to life in his Joshua Tree studio using the rammed earth technique. Cross begins by layering and compressing different clays, eventually excavating the desired form from a solid clay block. The figure is left to dry for a month before being loaded into a wood-fired kiln where it is transformed into stone. thefutureperfect.com

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E X P E R I E N C E

V I S U A L

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GOING GREEN With its ripple-like texture and deep, energizing hue it’s hard to imagine that Ryan Belli’s Arches Dining Chair is conceived from solid wood. The furniture designer strived to drastically transform the raw material from its natural state in order to achieve an entirely new form. While the color is inspired by Belli’s verdant Pasadena, California, homebase— where he imagined it perched alongside lush flora—this chair is anything but incognito surrounded by desert landscape. bellibellibelli.com

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Fine Solid Bronze Architectural Hardware 866-788-3631 • www.sunvalleybronze.com Made in the USA

SPOTLIGHT MARKET

COLLABORATIVE EFFORTS After years of working together on various projects, A-list designer Kelly Wearstler tapped Los Angeles-based ceramicist Morgan Peck for a nine-part ceramic collection of tableware and accent pieces. Each handmade item, including the Wall Mirror (shown), is imbued with fingerprints and impressions of its maker, giving each design unique characteristics. Peck counts everything from Midcentury car fins to Legos and stone formations as sources of inspiration for the line, which is exclusively available through Wearstler’s online gallery. kellywearstler.com

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KRYSTA RODRIGUEZ Actress, Stage & Screen Founder, Curated by Krysta Rodriguez DRESS IN: TA M B O U R I N E T R A P S

CHICAGO

DA LL A S

NEW JERSEY

NASHVILLE

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PERCH PERFECT Behold Bari Ziperstein’s series of outdoor-friendly clay side tables. Resembling gears in motion, Tall Hex (left) and Double Tier Hex (center) take cues from industrial, Brutalist design elements, while Tall Castle (right) pays homage to Chicago’s iconic Marina City towers. Each of Ziperstein’s pieces are handmade in Los Angeles using slab building techniques, which involves forming and joining individual clay slabs together to realize a finished shape. The form is then glazed in one of the studio’s unique color combinations, like Sunset Pink or Analine Green (shown). bzippyandcompany.com

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SPOTLIGHT MARKET

GUIDING LIGHT LGS Studio’s Lithic Lamp is part lighting source, part sculpture. Totem-esque in size and arrangement, layers of stain and glaze are applied to each hand-carved ceramic sphere to achieve its volcanic rock appearance. Founders Thomas Renaud and Noel Hennessy begin by mapping out the design, sketching the shape before determining how it will be assembled in their Los Angeles studio. The duo have christened their designs “new relics” in an ongoing quest to create work that is not tied to a particular time or place. lgsstudio.com

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S P E C I A L

A D V E R T I S I N G

S E C T I O N

| NATIO NAL LOO K BOO K |

THE SMART + HEALTHY HOME Throughout the country, homeowners and their design pros alike are striving to balance more than a few goals at once. They want an environment that serves as sanctuary at the end of a long day … even though they may spend their workday in the same spaces. They seek to entertain in style but also need durable hubs for the activity of children and pets. They crave new ways to embrace the slow living that signifies true wellness, while finding themselves in need of practical, convenient solutions. So, how is the balance struck? Find out on the following pages, where the industry’s brightest talk all things smart, healthy—and beautiful—at home.

Lutron

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A D V E R T I S I N G

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NATIONAL LOOKBOOK | THE SMART + HEALTHY HOME

LUTRON

luxury.lutron.com |

lutronbydesign

Light can be transformative. It creates ambience, opens up

First, start early. And second, make intelligence a part of the

new functional possibilities and showcases the home features

architecture. A smart home feels like an integrated ecosystem

one most adores, like the art aficionado’s collection. Such is

when it’s designed, from the beginning, alongside the other

the perspective that drives the invention of every new light

foundational elements of the home, such as doors, windows,

fixture, shade and control element that Lutron designs. As for

and electrical and climate systems. Tightly integrate home

how to best bring this transformational light into the home,

technology so that each component is a foundational piece

Lutron points to two recommendations that go hand in hand.

of the structure, operating subtly in the background.

“For Lutron, light is energy; light is mood; light is a narrator of time.”

SYMPHONY OF LIGHT When Lutron’s innovative designs are involved, the home is more than just illuminated; it’s reinvented. •T unable lamps and luminaires restore the romance of candlelight and synchronize with the sun to dissolve the boundary between natural and built environments. •W hisper-quiet, automatic shades act as a natural extension to the light control system, balancing access to sunlight with sanctuary from it. •E very system is custom-designed and integrated by an expert to reflect the habits, preferences and personality of the end user, ensuring that whole-home control is more than intuitive—it’s second nature.

WORK WITH NATURE Among Lutron’s top tips is to design with the light, not against it. “Think of moonlight, sunrise, light-filtered green through trees, late-night embers in a dying fire— each moment is a canvas, and light is what soaks that canvas with color and feeling,” the team says. “Blend indoor and outdoor lighting with intention to match your mood and cultivate well-being.”

Top Dynamic lighting, automated shades and a sophisticated control system operate in concert to synchronize the color and intensity of interior lighting with the sun, dissolving the boundary between the natural and built environments. Photography Courtesy of Lutron

LIGHT CREATES SANCTUARY

Shades and Lighting Part of a home ecosystem. Designed by Lutron.

lutron.com/luxe

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A D V E R T I S I N G

S E C T I O N

NATIONAL LOOKBOOK | THE T HE SMART S R + HEALTHY HOME O

ZEPHYR

zephyronline.com |

discoverzephyr

The kitchen has always been the heart of the home, but as

the boundaries to deliver the highest ventilation performance

of late, it truly acts as the everyday center for all things life

in the kitchen. Zephyr range hoods keep the air in the kitchen

and work, healthy living and connection. As such, quality—

free of unwanted toxins and bacteria. Without proper

of air, water, durability, cooking performance and more—has

ventilation, grease and grime can and will settle into cabinetry,

become a focal point for homeowners and design pros alike.

walls, window treatments and upholstery. Zephyr continues

And this continues to be a top priority for manufacturers

to deliver products that stand up to cleaning the air with

like Zephyr. Known for its design-forward range hoods and

industry-first technology, energy efficiency and design

innovative technology, the 25-year-old company has pushed

solutions for every kitchen.

“The kitchen is no longer just a space for cooking. It is an entertaining hub—the most used room in the home.”

REVOLUTIONARY DESIGN • Perimeter Aspiration System increases air velocity through narrow openings around the perimeter of the hood, which improves the capture of cooking contaminates. • PowerWave™ blower technology is the most powerful dual-internal blower system on the market. • Airflow Control Technology™ (ACT™) allows installers to limit the maximum blower CFM to meet local code requirements. • Enhanced LED lighting brings dimmable, energyefficient illumination that lasts up to 25,000 hours. • Designer partnerships have resulted in timeless and beautiful hoods that elevate the kitchen aesthetic. • Smart app technology features voice activation and the ability to control the range hood from mobile device.

Top Featuring the Zephyr Tornado III Insert, Hommeboys Interiors played with materials in this kitchen while incorporating light and fresh air into the space. Far left This J. Reiko Design + Co. kitchen features a Lux Island in-ceiling hood that blends seamlessly into the design. Left The Mesa Wall in satin gold takes kitchen glamour to new heights.

25 Years of Smart Design and Clean Air. Visit our San Francisco Design & Experience Center to learn more. zephyronline.com

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LIVING KITCHEN

BATH

THE

REPORT

Sumptuous statement baths and idyllic high-country interiors provide ample design inspiration for the summer.

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photos: costa christ.

LIVING KITCHEN

BATH

So Vein

DESIGNERS ARE RELISHING IN THE BEAUTY OF STATEMENT STONE SLABS, PLAYING UP THEIR ALLURING MOVEMENT TO REALIZE DRAMATIC JEWEL-BOX SPACES. W R I T T E N B Y A LY S S A B I R D

BATH + KITCHEN LIVING

WINNING STREAK

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When interior designer Summer Thornton’s Dallas client asked for a marble primary bath, she took the request to heart, sheathing the space in not one, but three different types: Arabescato Corchia in large-format slabs; Grey Lilac on the sink vanities; and Calacatta Viola for the makeup vanity, casings and windowsills. “It was quite the puzzle to install, but the nuance adds depth and interest,” says the Chicago-based designer. “The accent marbles are powerful, without being jarring. We were drawn to both the lilac shade as well as the Calacatta Viola’s plum tones.” All three stones also make an appearance on the floor, where they are carefully laid out in a “Mondrian-esque

pattern” in conjunction with strategically placed textured metallic tiles. The latter, along with a polished-nickel soaking tub and an antique wall mirror, bring additional light into the space. “There’s only one window, so these reflective surfaces bounce light around the room, making it feel twice as large,” notes Thornton. The metallic fittings and accents were also chosen to help add warmth, which is important in all-stone baths that can sometimes come across as cold. To further encourage an inviting atmosphere, Thornton selected cerused-oak wooden cabinetry and a tactile wicker vanity chair to complete the stunning scheme. summerthorntondesign.com

photos: costa christ.

For the primary bath of a landmarked Tudor residence in Dallas, designer Summer Thornton employed three different types of marble to achieve its dynamic appearance. Hammered German Silver tiles from Paris Ceramics offset marble flooring. The space is outfitted with a polished-nickel tub from Catchpole & Rye, fittings from Waterworks, Murano-glass vanity scones from Jean-Marc Fray and a Vaughan ceiling fixture.

BATH + KITCHEN LIVING

MOODY MOMENT STUDIO LIFE/STYLE

Shannon Wollack and Brittany Zwickl, the duo behind West Hollywood firm Studio Life/Style, approached this Los Angeles powder room with a sophisticated-yet-daring eye. “We knew early on that we wanted to use a stone with lots of movement and color for the custom vanity,” says Zwickl. The designers landed on Calacatta Viola marble, which features burgundy veining that pairs perfectly with a deep green plaster finish on the walls. Below, Zwickl dives into more detail. studio-lifestyle.com What was the inspiration behind the design? A powder room presents the perfect place to have a little fun! We were trying to create something moody with a touch of drama, and a dark color paired with striking stone always works well in small spaces.

Tell us about the wall treatment? A contrasting wall color can help bring out the stone’s natural tones. Here, we chose Portola Paints & Glazes’ Roman Clay in the Lone Park shade, which adds extra depth to the room and plays with the reflection of light. Lindsey Adelman scones and a Gio Ponti−style mirror complete the look.

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photo: sam frost.

Is the rest of the home this bold? This is one of the darkest rooms in the house, so it’s a bit of a departure. We like when the powder room serves as a little surprise for guests as they experience the home.

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STRIKING STONEWORK DESERVES A SMART GROUP OF SUPPORTING CHARACTERS, AND THESE NEW BATH PRODUCTS FIT THE BILL.

TURNING HEADS

Every jewel box needs some shimmer, and Kohler’s recently debuted Statement shower collection offers just the right amount of bling. The line contains four hand showers, two body sprays, four rain heads and an oval showerhead (shown in Vibrant Brushed Moderne Brass). The oval head—which is available in both 10-inch and 12-inch lengths—is designed to deliver a robust stream of water that simulates a soaking summer storm. Additional finishes include Polished Chrome, Vibrant Brushed Nickel and Matte Black. kohler.com

SUPER SOAKER

Drummonds tapped industrial designer Marc Newson to envision a collection of bath products that marries the company’s classic aesthetic with his penchant for sinuous shapes and sleek lines. Items range from shower controls to taps and mixers, but the star of the show is the Coln bathtub, which features elegant contours made from composite marble with customizable metal feet. drummonds-uk.com

CLEAN & CLEAR

Subtle details such as an arched ribbon spout and transparent lever handles give Brizo’s new Allaria Widespread Lavatory a cool, modern twist. Shown in Brilliance Luxe Gold/Clear, the streamlined faucet is available in seven additional finishes, along with the option of a square spout with knob or twist-lever handles. To complement this faucet, the collection includes tub fillers, shower components and coordinating hardware that is sure to deliver a sense of polish and effortless style to any bath. brizo.com

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PHOTOS: COURTESY OF RESPECTIVE COMPANIES.

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BATH + KITCHEN LIVING

GOING GREEN LUXESOURCE.COM

Statement slabs are one of the most effective ways to transform a space. Therefore, when the owners of this Boise, Idaho, residence called upon designer Jordan Yankovich of KovichCo Interiors to revamp their primary bath, she doubled down on green-hued Scala marble. “This stone has so much personality, with large green pools that the clients loved,” says Yankovich. “Real stone always feels new and fresh because you’re constantly discovering different patterns in the veining.”

Maximizing natural light was important to the scheme, so the designer added a see-through gas fireplace which allows daylight to flow between the bath and bedroom. Copper, nickel, steel, bluestone and oak complement the marble and round out the room’s palette. “The client is a mining engineer, so these finishes are a nod to his profession,” notes Yankovich. “The materials are fancy, but they are used in a way that feels timeless and approachable.” kovichco.com

photo: gabe border.

Scala marble from Ann Sacks makes a strong statement in this Boise, Idaho, primary bath designed by Jordan Yankovich of KovichCo Interiors. In the corner, a seethrough gas fireplace from European Home provides views into the bedroom and out to the river beyond. The custom soaking tub is from Premier Copper Products and the fittings are by Watermark Designs.

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REPORT THE LIVING

Old World, New Tricks TODAY’S CHARMING INTERIORS PROVE THE DRAW OF PASTORAL STYLE IS ALIVE AND WELL IN AMERICAN DESIGN. W R I T T E N A N D P R O D U C E D BY G R AC E B E U L E Y H U N T

photos: fritz von der schulenburg.

In this Southampton residence by Elizabeth Lawrence of Bunny Williams Interior Design, a secluded sitting room cloaked in a pale lilac toile serves as flexible sleeping quarters thanks to a twin bed-sized sofa. In a nostalgic flourish, an antique secretary offers guests a place to sit and tend to written correspondence.

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REPORT LIVING

THE

Limestone pavers flow through the entry (left), bathroom (below) and living-dining space (opposite), creating a timeless thread that welcomes sandy feet and muck boots alike.

EASY ELEGANCE

For designer Elizabeth Lawrence, a ground-up guest residence in Southampton provided a unique opportunity to bridge the old with the new. Building upon Georgian-influenced architecture by Michael Dwyer (largely inspired by Frances Elkins’ interiors), and led by her client’s appreciation for antiques, Lawrence began layering palette and pattern to imbue a sense of calm, collected sophistication to

the dwelling, which serves as a year-round getaway. The result reads “a bit like an English country home, but with a Southampton twist,” notes Lawrence. She kept the ethos of-a-place with choice details like subtly coastal paint colors custom-crafted by Donald Kaufman throughout, and a bespoke entry mural by Artgroove depicting the seaside town. “The mix of casual living in a formal setting is what makes this project so interesting,” muses the designer, pointing to the breezy spirit of the open-concept living-dining room—a pleasing contrast to the grand

architectural detailing. A similar dichotomy can be found in the surprising throughlines that lace together collections of wooden antiques, sumptuous, high-pile carpets and historically reverent textiles. Modern artworks and contemporary lighting are hallmarks of the design, and Lawrence’s artful placements— like an enormous Noguchi lantern above the dining table—typify the “Southampton twist” she endeavored to achieve at the outset. “At night, when that’s the only thing lit,” she notes, “it almost looks like the moon is hanging there.” bunnywilliams.com

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photos: fritz von der schulenburg.

REPORT THE LIVING

WORLDS AWAY

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When a couple’s search for a larger primary residence came up short, they abandoned the idea and turned to landscape architect John Howard to reconceive their existing Buckhead, Georgia, backyard instead. Crowning the greenspace, a potting shed designed by architect William B. Litchfield (an homage to Bunny Mellon’s folly at Oak Spring Farm), underscores the bucolic manner of the newly appointed oasis. Trellising strung with Madison jasmine and climbing roses “serves

as a transitional, unifying moment between the terraced lawn and surrounding woodlands,” notes Howard. In collaboration with Litchfield and interior designer Liza Bryan, he specified bluestone pavers, barnwood paneling and a soapstone sink for flower arranging. Happily, the clients purport to using the shed as a bar and serving area when entertaining, too, treating friends and family to all the charms of a pastoral soiree—from the convenience of Atlanta proper. howarddesignstudio.com

howard design studio photo: emily followill; sara gilbane interiors photo: thomas loof.

URBAN RESPITE

“We wanted to create a country house in the city,” shares Sara Gilbane of her clients’ Manhattan residence. Taking cues from a prolific collection of antiques and artworks, the designer set about capturing the spirit of the family’s ancestral Pennsylvania farmhouse in their newly purchased downtown apartment, which she transformed from austere white box to characterful flat alongside architect Gerard Beekman. Take the guest room, where, enveloped by a painterly Lewis & Wood wallpaper, Gilbane employed streamlined canopies to “cozy up” antique metal beds dressed in early American quilts. Or the entry hall, where the selection of tumbled stone flooring in a timeless black-and-white check lays the foundation for oil painting gallery walls and millwork painted a chalky hue that feels snatched from a country residence benefitting from centuries of patina. “We live in a world where so much is accessible and, in turn, so much is the same,” muses Gilbane. “That is in part why this ‘old with a twist’ aesthetic is resonating today— it’s just refreshing.” saragilbaneinteriors.com

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Powell Po well & Bonnell | Solitare Cocktail Table

Quintus | Maya Dining Armchair

Ted Boerner | Monocle Vertical Mirror

McEwen | Prism Linear Suspension

2022

Introducing the 2022 Luxe Awards honoring excellence excellence,, innovation and the best residential architecture, interior design and landscape architecture projects and products. products

LUXESOURCE.COM

Meet the Judges Luxe Interiors + Design invited design professionals from across the country to compete in the 2022 Luxe RED Awards, recognizing residential excellence in design. After receiving more than 1,200 entries, a panel of industry experts selected regional winners across 11 project categories and national winners across 27 product categories. Regional project winners then competed for national recognition, and the public’s favorite projects and products vied for our Readers’ Choice awards. Meet the judges below and turn the page to view this year’s winners.

David Scott

Joy Moyler

Young Huh

David Scott established his namesake firm, David Scott Interiors, with a belief that interiors should reflect the style and personality of their owner—not simply the designer. The natural connection a client has with their home drives each design, resulting in a portfolio of highly personal environments. With almost 30 years of experience, Scott has created diverse and artful designs in an array of styles for numerous clients. Visually stimulating yet supremely functional, Scott’s interiors gracefully meld the timeless elegance of the past with today’s modern aesthetic.

For interior designer Joy Moyler, fashion is a driving force behind her diverse body of work. Textiles, color and pattern seep into her projects, which are punctuated by bespoke details often found in haute couture. She developed a penchant for architecture after visiting Spain as a teenager. Enthralled by the light, color and textures of Madrid and Barcelona, she decided to pursue a Bachelor of Science in architecture. Moyler’s experience spans the globe and encompasses residential, retail, hospitality and commercial projects infused with local culture. Moyler’s portfolio also includes A-list celebrity residences, including Harry Winston’s Beverly Hills home.

A Detroit native, Young Huh received a law degree from Fordham University. While pursuing further education and an internship in interior design, Huh discovered her true calling and founded her New York City-based design firm in 2007. Resetting the design narrative for each project, Huh’s work is about finding harmony and dynamism through the application of classic and modern design principles. Thoughtful architectural details provide the groundwork for warm and welcoming interiors, each animated by sophisticated surface treatments, a singular play of pattern and color, as well as a touch of wanderlust.

Lauren Rottet

Nicole Fuller

Pamela Jaccarino

Lauren Rottet is a highly accomplished architect, interior designer, furniture designer and art curator with an extraordinary record of awards, publications, lectures, juries and honors. She is the founding principal of Rottet Studio, an international interior architecture and design firm, and was the first woman in history to be elevated to Fellow status by both the American Institute of Architects and the International Interior Design Association. She also holds the titles of Interior Design Hall of Fame member, Interiors Designer of the Year, Boutique Design Designer of the Year and Hospitality Design Platinum Circle inductee.

Internationally acclaimed interior designer Nicole Fuller, founder of the eponymous Nicole Fuller Interiors, is renowned for her artfully appointed, one-of-a-kind residential and commercial spaces. Fuller’s work is synonymous with sophisticated, nuanced luxury, where attention to detail, savoir faire and a cultivated eye culminate in spaces that are as unique as her clients. Moreover, she is conversant in a wide range of aesthetics and styles and has an intuitive knack for discerning her clients’ visual needs. Recent and current projects include the Art District Hotel in Downtown Los Angeles and the Baccarat Residences in New York.

A native New Yorker, Pamela Jaccarino is the founding editor in chief of Luxe Interiors + Design, the largest residential architecture and design brand in the country, a position she has held since 2005. Jaccarino has been instrumental in the growth of the brand and continues to champion its fresh vision and evolution. She also frequently lectures on design-related topics. Prior to joining SANDOW in 2002, she was an executive editor with the LVMH Group.

DESIGNER AND FOUNDER, DAVID SCOTT INTERIORS

FOUNDER AND PRINCIPAL, ROTTET STUDIO

DESIGNER AND FOUNDER, JOY MOYLER INTERIORS

DESIGNER AND FOUNDER, NICOLE FULLER INTERIORS

DESIGNER AND FOUNDER, YOUNG HUH INTERIOR DESIGN

VICE PRESIDENT AND EDITOR-IN-CHIEF, LUXE INTERIORS + DESIGN

Bathroom

Best Use of Color

Exterior Architecture

NATI ON A L W IN N E R

N ATI O N A L W I N N E R

N AT I O N A L W I N N E R

R EGI ON A L W IN N E RS

RE GI O N A L W I N N E R S

REGIONAL WINNERS

ARIZONA

Allen Saunders Design Salcito Design Group

Bradshaw Designs

AUSTIN + SAN ANTONIO

Lucas/Eilers Design Associates Iconic Design + Build Etch Design Group

AUSTIN + SAN ANTONIO

Walker Warner Architects Drewett Works

Joseph Design Build AUSTIN + SAN ANTONIO

Andrea Goldman Design

Rae Duncan Interior Design

Menendez Architects

Layers + Lines

Tori Rubinson Interiors

Allen Saunders Design

JMA Interior Design

Choeff Levy Fischman Architecture + Design

Rajni Alex Design

D2 Interieurs

Bates Masi + Architects

Kara Childress, Inc.

Lucas/Eilers Design Associates

Newberry Architecture

Laney LA

Legaspi Courts Design

Winick Architects

Heidi Caillier Design

Michelle Dirkse Interior Design

Farmer Payne Architects

Amy A. Alper, Architect

Redmond Aldrich Design

Walker Warner Architects

Tippett Sease Baker Architecture

Melanie Turner Interiors

Herlong Architects

CHICAGO

COLORADO

DALLAS + FORT WORTH FLORIDA

G R E AT E R N E W YO R K HOUSTON

LOS ANGELES-SOUTHERN CALIFORNIA PA C I F I C N O R T H W E S T

SAN FRANCISCO SOUTHEAST

LUXESOURCE.COM

CHICAGO

COLORADO

DALLAS + FORT WORTH FLORIDA

G R E AT E R N E W YO R K HOUSTON

LOS ANGELES-SOUTHERN CALIFORNIA PA C I F I C N O R T H W E S T

SAN FRANCISCO SOUTHEAST

Massey Associates Architects CHICAGO

Z-Group Architects

COLORADO

FLORIDA

G R E AT E R N E W Y O R K HOUSTON

LOS ANGELES-SOUTHERN CALIFORNIA PA C I F I C N O R T H W E S T

SAN FRANCISCO SOUTHEAST

photos: allen saunders design: kris tamburello. lucas/eilers design associates: stephen karlisch. walker warner architects: matthew millman.

RESIDENTIAL EXCELLENCE IN DESIGN AWARDS PROJECT WINNERS

VISIT LUXEREDAWARDS.COM TO SEE MORE FROM THIS YEAR’S WINNERS

Interior Architecture

Interior Design

Jewel Box Spaces

NATI ON A L W IN N E R

N ATI O N A L W I N N E R

N AT I O N A L W I N N E R

R EGI ON A L W IN N E RS

RE GI O N A L W I N N E R S

REGIONAL WINNERS

ARIZONA

Overland Partners

Pars Design Studio

Haven Design and Construction

Michael Abraham Architecture

James Thomas Interiors

Amy Carman Design

Forum Phi

Andrea Schumacher Interiors

Rodwin Architecture

& The Associates Studio

Urbanology Designs

Pulp Design Studios

Stelle Lomont Rouhani Architects

B+G Design

P&H Interiors

Nadia Palacios Residential Design

Ghislaine Viñas

Eric J. Smith Architect

Rockefeller Kempel Architects

Creative Tonic Design HOUSTON

Creative Tonic Design

Legaspi Courts Design

Haefele Design, Inc.

Studio AM Architecture | Interiors

LeeAnn Baker Interiors Ltd.

Butler Armsden Architects

Cass Calder Smith

Lotus Bleu

Jeffrey Dungan Architects

Sean Anderson Design

VPI Design

photos: stelle lomont rouhani architects: matthew carbone. sean anderson design: haris kenjar. lotus bleu: vivian johnson.

Stelle Lomont Rouhani Architects Candelaria Design Associates

AUSTIN + SAN ANTONIO CHICAGO

COLORADO FLORIDA

G R E AT E R N E W YO R K

HOUSTON

LOS ANGELES-SOUTHERN CALIFORNIA

Guggenheim Architecture + Design Studio PA C I F I C N O R T H W E S T

SAN FRANCISCO SOUTHEAST

Sean Anderson Design Salcito Design Group

AUSTIN + SAN ANTONIO CHICAGO

COLORADO

DALLAS + FORT WORTH FLORIDA

G R E AT E R N E W YO R K

LOS ANGELES-SOUTHERN CALIFORNIA PA C I F I C N O R T H W E S T

SAN FRANCISCO SOUTHEAST

Lotus Bleu

Sandy Black Interiors

AUSTIN + SAN ANTONIO CHICAGO

COLORADO

DALLAS + FORT WORTH FLORIDA

G R E AT E R N E W Y O R K HOUSTON

LOS ANGELES-SOUTHERN CALIFORNIA PA C I F I C N O R T H W E S T

SAN FRANCISCO SOUTHEAST

RESIDENTIAL EXCELLENCE IN DESIGN AWARDS PROJECT WINNERS

Kitchen

Landscape Architecture

Outdoor Spaces

NATI ON A L W IN N E R

N ATI O N A L W I N N E R

N AT I O N A L W I N N E R

R EGI ON A L W IN N E RS

RE GI O N A L W I N N E R S

REGIONAL WINNERS

ARIZONA

AUSTIN + SAN ANTONIO

ARIZONA

Arete Kitchens

Mariani Landscape

Jauregui Architect

United Chicago Builders

Design Workshop, Inc.

Craig Bergmann Landscape Design

Inspire Kitchen Design Studio

FineLines Design Studio

Design Workshop, Inc.

Alexis Pearl Design

KWD Landscape Architecture

AquaTerra Outdoors

Eolo A&I Design

Janice Parker Landscape Architects

Orlando Comas, ASLA, PLA

Foley & Cox

Mirador Group

Glengate Company

Hoffman & Ospina Landscape Architecture

Tokerud + Co Interior Design

Mara Interior Design

AUSTIN + SAN ANTONIO CHICAGO

COLORADO

DALLAS + FORT WORTH FLORIDA

G R E AT E R N E W YO R K

Benjamin Johnston Design, LLC HOUSTON

Cooper Pacific Kitchens

LOS ANGELES–SOUTHERN CALIFORNIA

Sienna & Sage Interior Design, LLC PA C I F I C N O R T H W E S T

Regan Baker Design SAN FRANCISCO

Sean Anderson Design SOUTHEAST

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Janice Parker Landscape Architects LUSH GreenScape Design

CHICAGO

COLORADO

DALLAS + FORT WORTH FLORIDA

G R E AT E R N E W YO R K HOUSTON

LOS ANGELES-SOUTHERN CALIFORNIA

Land Morphology PA C I F I C N O R T H W E S T

Arterra Landscape Architects SAN FRANCISCO

Carson McElheney Landscape Architecture & Design SOUTHEAST

Craig Bergmann Landscape Design Ownby Design

AUSTIN + SAN ANTONIO CHICAGO

COLORADO

DALLAS + FORT WORTH FLORIDA

G R E AT E R N E W Y O R K HOUSTON

Woods + Dangaran

LOS ANGELES-SOUTHERN CALIFORNIA

Don Tankersley & Co. PA C I F I C N O R T H W E S T

Interior Solutions Designs SAN FRANCISCO

Harrison Design SOUTHEAST

photos: sienna & sage interior design, llc: andrew giammarco. janice parker landscape architects: marlene pixley. craig bergmann landscape design: scott shigley.

Sienna & Sage Interior Design, LLC

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Restoration or Renovation

Wow-Factor Room

Readers’ Choice Heidi Caillier Design B AT H R O O M

Talbot Cooley Interiors BEST USE OF COLOR

Iannuzzi Studio PLLC EXTERIOR ARCHITECTURE

Jeffrey Dungan Architects INTERIOR ARCHITECTURE

Alana Homesley Interior Design INTERIOR DESIGN

Pulp Design Studios J E W E L B O X S PA C E S

R. Higgins Interiors KITCHEN

Hoerr Schaudt Landscape Architects LANDSCAPE ARCHITECTURE

Scot Eckley Inc O U T D O O R S PA C E S

Pineapple House Interior Design NATI ON A L W IN N E R

N ATI O N A L W I N N E R

R EGI ON A L W IN N E RS

RE GI O N A L W I N N E R S

ARIZONA

HMH Architecture + Interiors Iconic Design + Build

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Furman + Keil Architects

Kovac Design Studio

R E S T O R AT I O N O R R E N O V AT I O N

LeeAnn Baker Interiors Ltd. WOW- FAC TO R R O O M

Drewett Works

Best of the Rest

McWalters Collaborative

B AT H R O O M

Graci Interiors

Susan Currie Design

AUSTIN + SAN ANTONIO

KitchenLab Interiors

Jasmin Reese Interiors

HMH Architecture + Interiors

D’Amore Interiors

Beyond Interior Design

Pulp Design Studios

YRA Design Inc.

Nar Design Studio

Charles Hilton Architects

JerMar Designs

Lucas/Eilers Design Associates

Nina Magon Studio

Appleton Partners LLP

Kovac Design Studio

Campion Hruby Landscape Architects

NB Design Group

Stuart Silk Architects

Taylormade Interiors

Feldman Architecture

Jennifer Robin Interiors

Martha O’Hara Interiors

Reiner | White Design Studio

Catherine M. Austin Interior Design

Casabella Interiors

CHICAGO

COLORADO

DALLAS + FORT WORTH FLORIDA

G R E AT E R N E W YO R K HOUSTON

LOS ANGELES-SOUTHERN CALIFORNIA PA C I F I C N O R T H W E S T

SAN FRANCISCO SOUTHEAST

CHICAGO

COLORADO

DALLAS + FORT WORTH FLORIDA

G R E AT E R N E W YO R K HOUSTON

LOS ANGELES-SOUTHERN CALIFORNIA PA C I F I C N O R T H W E S T

SAN FRANCISCO SOUTHEAST

BEST USE OF COLOR

Hutker Architects

EXTERIOR ARCHITECTURE

Lloyd Architects

INTERIOR ARCHITECTURE

Nicole Hogarty Designs INTERIOR DESIGN

Martha O’Hara Interiors J E W E L B O X S PA C E S

Ivy Residential Concepts KITCHEN

LANDSCAPE ARCHITECTURE O U T D O O R S PA C E S

R E S T O R AT I O N O R R E N O V AT I O N WOW- FAC TO R R O O M

RESIDENTIAL EXCELLENCE IN DESIGN AWARDS PRODUCT WINNERS

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Bath Accent: Faucet

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Furniture: Casegood

Furniture: Chair

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K R A V E T, I N C .

CW STOCKWELL

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photos: claybrook interiors ltd.: claybrook interiors. brizo faucet company: brizo faucet company. cw stockwell: cw stockwell + voutsa. sherrill furniture: sherrill furniture. kravet, inc.: courtesy kravet. arteriors: arteriors.

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Furniture: Collaboration

Furniture: Dining Table

Hardware Collection

Home Appliance: Range

Home Appliance: Refrigeration

Kitchen Accent: Faucet

photos: mcguire furniture: mcguire furniture. bernhardt furniture: bernhardt furniture. rocky mountain hardware: rocky mountain hardware. monogram luxury appliances: monogram luxury appliances. beko home appliances: beko us. kallista: samuel reed.

MCGUIRE FURNITURE

MONOGRAM LUXURY APPLIANCES

BERNHARDT FURNITURE

B E KO H O M E A P P L I A N C E S

R O C KY M O U N TA I N H A R DWA R E

K A L L I S TA

RESIDENTIAL EXCELLENCE IN DESIGN AWARDS PRODUCT WINNERS

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Lighting: Sconce

Outdoor Design: Bar

Outdoor Design: Cabana

Outdoor Surface

Patio Doors

TUUCI

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CAESARSTONE

DOMETIC HOME

ANDERSEN WINDOWS & DOORS

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KO H L E R L I G H T I N G

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Performance Fabric Rug Collection

Storage Systems & Closets

Sustainable Surface

Wallpaper Collaboration

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SUNBRELLA

COSENTINO

T H E R U G C O M PA N Y

Wall Mural Design ARTE

CALIFORNIA CLOSETS

BRUNSCHWIG & FILS

RESIDENTIAL EXCELLENCE IN DESIGN AWARDS PRODUCT WINNERS

Window Structure

Wood Flooring

Claybrook Interiors Ltd.

Poggenpohl

California Closets

Edward Fields Carpet Makers

Studio M Lighting

CW Stockwell

Four Hands

Dometic Home

Ricci Studio

Monogram Luxury Appliances

Caesarstone

Marvin

LUTRON ELECTRONICS

Readers’ Choice B AT H AC C E N T S / AC C E S S O R I E S FLOORING/FLOOR COVERINGS FURNITURE DESIGN HOME APPLIANCES

MARVIN

KITCHEN ACCENTS/ACCESSORIES LIGHTING

OUTDOOR DESIGN STONE/TILE/HIGH PERFORMANCE MATERIALS

LEGNO BASTONE

STORAGE SYSTEMS & CLOSETS TEXTILES

WALLCOVERINGS WINDOW TREATMENTS/DOORS AND WINDOWS

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photos: lutron electronics: lutron. marvin: courtesy marvin. legno bastone: diana todorova photography.

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ONES TO WATCH Those who are bringing original ideas, fresh perspectives and unique skills and abilities to their work and to their communities truly deserve the title Ones to Watch. From groundbreaking design concepts to state-of-the-art engineering and technology to pioneering skills and services and beyond, these talented trailblazers are breathing new life into their professions and the creative endeavors they share with their colleagues, their professional peers and their clientele. On the following pages, you will meet an amazing group of gifted individuals who embody these ideals as they continue to move the needle and redefine the future.

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O N ES TO WATCH | GREATER NEW YORK

ELIZABETH DOW, OWNER

“Bespoke designs, handmade materials and unique pieces create modern classics.”

ELIZABETH DOW 631.329.1414 | elizabethdow.com |

elizabethdowhome

The Hamptons have a long tradition of inspiring great artists and artisans. Enter Elizabeth Dow. For 30 years, Dow has been creating unique works of art as well as handmade fabrics and wallcoverings from her East Hampton studio. She has also assembled an award-winning team who help source unique furnishings and accessories for her showroom and assist in the design of her custom interiors. “While our flagship showroom and studio is located at 14 Gingerbread Lane, our projects extend well past East Hampton to New York City, Florida and beyond,” Dow says. “In addition, Elizabeth Dow Wallcovering and Textile collections are represented by 12 national and international showrooms.” With so much artistry under one roof, one wonders what ties it all together? Dow’s response: “Our focus on the handmade and handcrafted as well as our belief in reclaiming and reimagining exceptional pieces from the past.”

CREATIVE CONFESSIONS •S hare a professional highlight. 127 Jermain in Sag Harbor was special to me because I was able to save a historic property, while working closely with the town’s zoning and architectural boards to connect the project to the community. •W hat previous experience inspires you still? I spent years restoring ceilings and wall paintings in historic homes. This gave me a respect for preservation as well as the patience to spend 10 hours repairing a wall. •W hat’s next? To continue working hand-in-hand with artists, designers and tech experts to provide our clients with exciting new ways to achieve their goals.

Top A cozy bed in a clean, classic interior by Elizabeth Dow is the perfect showcase for her Performance Linen Star White fabric. Far left Light, bright and chic, this Elizabeth Dow custom design features generous benches covered in her Terrain Valley fabric. Left Inspired by light reflecting on the water, Elizabeth Dow’s Simi drapery fabric is a beautiful metallic sheer that brings organic glamour. Photography Jenny Gorman

INTERIORS SHOWROOM WALLCOVERINGS TEXTILES 14 GINGERBREAD LANE EAST HAMPTON NY 631 329 1414

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O N ES TO WATCH | GREATER NEW YORK

KATHY KUO, CEO AND FOUNDER

“Our designer home furnishings bridge the gap between inspiration and execution.”

THE DESIGNER DEFINED •H ow does your work stand out? Because I moved often growing up, I was inspired early-on by a variety of styles that continue to influence my designs and products today. •W hat advice can you offer an aspiring designer? Life can change suddenly, so be prepared to pivot, adapt and learn quickly.

KATHY KUO HOME 631.377.3213 | kathykuohome.com |

kathykuohome

Comprehensive design services, access to thousands of unique home furnishings and a dedicated network of professional partners allow Kathy Kuo and her team of expert designers to create functional, elegant interiors that are as heart-opening as they are enduring. As the founder and CEO of Kathy Kuo Home, Kuo believes “Great interior design should tell the story of the people

•D efine success. The longlasting relationships we’ve established within the design community, with our vendors and, of course, with each of our clients. •D escribe the legacy you’d like to leave. To have made a positive impact in people’s lives through my talented team and the timeless quailty of our designs and services.

who live there. Our interiors are gracious and comfortable, but more importantly they reflect our clients’ tastes and personalities, encouraging and allowing everyone to truly “Love Where You Live.”” With a background in product design, manufacturing and television, Kuo brings exceptional experience and charisma to her work. “I am deeply passionate about interiors and have built an amazing team,” she shares. “This allows us to create beautifully designed homes and environments that our clients love for years to come.”

Top Bedroom vignette in Kathy Kuo Home Southampton. Photography Tim Williams

INTERIOR DESIGN SERVICES & DEDICATED TRADE CONCIERGE

30 JOBS LANE, SOUTHAMPTON, NY

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631-377-3213

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O N ES TO WATCH | GREATER NEW YORK

CHRISTOPHER LAGUARDIA FOUNDER AND MANAGING PRINCIPAL

“What motivates me is the possibility of designing something great—something unequivocal.”

LAGUARDIA DESIGN GROUP 631.726.1403 | laguardiadesigngroup.com |

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When one hears the phrase “ones to watch,” the up-and-coming creative comes to mind. But when seasoned experts pivot to pursue new endeavors, the results are just as anticipated. Enter, Christopher LaGuardia, the founder and managing principal behind LaGuardia Design Group. Although the Hamptons-based landscape architecture firm will celebrate its 30th anniversary this year, a second office in the city and decision to shift focus promises an enticingly fresh chapter. “Today, I’m striving to grow the firm alongside my two partners, Ian Hanbach and Daniel Thorp,” Christopher says. “Our goal is to expand to other building types, with my keen interest being in public and institutional work. It’s very rewarding to see everyday people engaged in the work

LUMINARY REFLECTIONS Christopher shares his … • Inspirations: Dan Kiley, Luis Barragán, Lawrence Halprin, M. Paul Friedberg and Norman Jaffe (for both of whom I worked early on), to name just a few. • Intentions: I want my legacy to be twofold: that I promoted my profession in a meaningful way and produced fine work over a long period of time.

you design.” They also have an office in Palm Beach, to help in serving their Caribbean clients.

ALWAYS OUTDOORS

Top The goal of the East Lake residence was to link two adjoining lots separated both physically and aesthetically by deteriorating swale. Right A custom rim-flow pool sits within a garden of crepe myrtle and fountain grass in this landscape deemed “Country Garden.” Photography Anthony Crisafulli

One might think a landscape architect would spend free time escaping indoors. Not so for Christopher. “The mornings are busy, with a long walk, golf, or tennis followed by lunch and some reading,” he says of weekend days. “Then comes an evening cocktail cruise either on Lake George or in Sag Harbor. We like to meet up with family and friends, telling stories and laughing the night away.”

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O N ES TO WATCH | GREATER NEW YORK

ROSARIO MANNINO, AIA, PRINCIPAL ARCHITECT

“Our projects are connected by a strong sense of context, proportion and scale.”

RS MANNINO ARCHITECTS + BUILDERS 201.677.3373 | rsmannino.com |

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When architectural expertise meets design-build skills, great homes are the result. As the principal at RS Mannino Architects + Builders, Rosario Mannino, AIA, specializes in distinctive new home building and whole-house remodeling with a focus on luxury residences and custom kitchens and baths. A traditionalist at heart, Mannino prefers classical architecture, studying the likes of Andrea Palladio and Edwin Lutyens. “Most of our projects begin with a strong historical reference,” Mannino says. “We believe in taking inspiration from the past and researching what makes something enduringly beautiful.” Thankfully, this architect’s practice is inspired by its proximity to New York City, a place brimming with history and culture, where a stroll around the block can turn into a frenzy of ideas. “It’s amazing just how many times I can walk the same New York street and see things differently.”

Top Inspired by the French countryside, this manor’s façade is a custom blend of stone, dark bronze and slate. Right A colonialinspired home boasts a grand, columned entrance, highlighted by arched wooden doors. Photography Right by Blackstock Photography

A TOUCH OF MODERNITY Combining a lifelong respect for classic architecture with a strong focus on the future, Mannino has been bringing innovation and sustainability to his enduring designs since 2015. “People often ask if we are adapting to sustainable design,” Mannino says. “We have been practicing sustainable design since before it was labeled as such. Good architecture starts with an understanding of the local climate and an area’s resources. I don’t think there is any other way to conceive a successful project.” Blending old and new is a skill, and Mannino’s commitment to both is truly something to celebrate.

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O N ES TO WATCH | GREATER NEW YORK

JOSEPH SIDOF, CEO

“We bring singular artistry, craftsmanship and imagination to each collaboration.”

SHAKÚFF BESPOKE LIGHTING SOLUTIONS 212.675.0383 | shakuff.com |

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Talent, passion and a well of bright ideas are the building blocks of great design. Joseph Sidof, CEO of Shakúff Bespoke Lighting Solutions, embodies these attributes, which he brings to his team and to the extraordinary pieces they create every day. “I come from the costume jewelry industry, which is where my love of design began,” he says. “Since launching Shakúff in 2007, I have had the pleasure of working side-by-side with my expert teams and our amazing clients while sourcing the very best materials from artisans around the world.” All of this has resulted in elegantly innovative custom lighting designs that continue to wow Shakúff’s clientele and the industry. When asked what the future holds, Sidof says, “We are developing a collection with technology that will work with smart devices. Pushing the limits of design while staying true to our artistry is what we strive for.”

Top A large custom fixture with 238 mixed colors, Raindrop pendants utilize both a canopy and monopoint grippers for enchanting, seamless display. Right Eight clear, linear Tamar Wand pendants are staggered on grippers to accommodate a crossbeam ceiling, making a statement that is as artistic as it is luminous. Photography Top by Lifestyle Productions; Right by Stephen Allan

SHINING A LIGHT •H ow does your work stand out? Having the ability to create bespoke lighting solutions that fit our clients’ spaces and budgets, and exceed their needs and visions is what makes Shakúff truly stand out. •W hat motivates you? Working with my clients, artists and engineers to create something beautiful that doesn’t yet exist. •D efine success. Having satisfied clients who come back to create fixtures with us again and again. • I s there anything else you’d like to add? I appreciate all of the hard workers in our industry and promise them that I will continue to build a successful company that inspires.

Crystal Shell Pendant

Bespoke Lighting Solutions. With its distinctive shape, the Crystal Shell Collection conjures youthful evenings on the coast spent under the stars. Subtle memories of the beauty and serenity of the ocean alight in your home with a custom arrangement of pendants or sconces. Crystal Shell allows you to bring the natural world inside. Photography by Lisa Romerein

Showroom Industry City, Building 4 52 35th Street 2nd Floor Brooklyn, NY 11232 T 212.675.0383

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MELISSA FENIGSTEIN, OWNER AND PRESIDENT

“You can always find me dancing, can often find me cooking and will never see me resting.”

THE FINAL TOUCH 516.597.5005 | thefinaltouchtradeonly.com |

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Look into the background of anyone who truly excels in their field, and you may find that they understand their work so well because they once stood on another side of it. Enter, Melissa Fenigstein. Before founding The Final Touch, a trade-only showroom beloved for the sense of community it creates, she owned an interior design firm. She also came from a family of furniture manufacturers and case goods designers. “I understand the services a trade showroom needs to provide to help designers do what they do best,” she says. “My goal is to provide a diverse and extensive group of vendors in an environment that is inspiring and conducive to productivity.” And indeed, she’s done it. Halfway between New York City and the Hamptons, The Final Touch has become known as a design hub for many of the world’s most illustrious industry pros, who flock to its doors for comradery, a robust furniture selection, unique treasures, original art and bespoke products.

Top Wall art and accessories adorn and elevate this section of The Final Touch showroom. Right Allyson Monson’s eye-catching art photography brings visual interest and a pop of glamour to this space. Center A sophisticated Swaim sofa paired with a chic coffee table by Belle Meade and unique decorative accessories makes a true design statement. Far right A stunning wall mirror by John Richard and a bold coffee table by Lily Koo add panache to this showroom setting.

LASTING INFLUENCE “Many years ago, there was a sales representative from whom I purchased my first line,” Fenigstein shares. “He spent a great deal of time educating me and made me realize the importance of understanding the industry as a whole. He helped me connect design with the business that is the furniture industry and taught me so much more. It was all paramount to bringing The Final Touch to life.”

Furniture Botanicals

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Long Island’s PREMIERE Trade Only Showroom www.theﬁnaltouchtradeonly.com

233-3 Robbins Lane, Syosset, NY 516.597.5005

Finding the Light

On the Upper East Side, an enigmatic 1880s town house is reborn for a young family. W R I T T E N BY K E L LY V E N C I L L S A N C H E Z P H OTO G R A P H Y BY T H O M A S LO O F S T Y L I N G BY M I E K E T E N H AV E

Interior design: Sara Story, Sara Story Design

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he concept was clear from the start: Transform a four-story brownstone on the Upper East Side into a comfortable and sophisticated family home. As designer Sara Story mulled over her clients’ hopes and dreams for the place, she took note of the soaring, north-facing windows, the period details on the turn-of-the-century façade, and its singular elements, including an unusual double-height great room—and decided to create a bridge between old and new. “I was captivated by how much beautiful sunlight came into the town house, and I wanted to capture it,” Story says. Formulating a plan to inject contemporary flavor as you move through the residence and maximize natural light wherever possible, she set about designing a vertical living program that would reflect the family of five’s desire for togetherness, flexibility and style. Public spaces are laid out on the ground level, where the great room with views to a large rear garden zips a kitchen, dining area and living room into one expansive prism. Keeping the family’s wish for versatile gathering areas top of mind, the designer deployed ample seating appropriate for everyday use and special occasions alike. “The leather dining banquette makes for cozy breakfasts, but it’s big and nice enough to host an awesome dinner party,” she notes. “And everyone can hang out together at the kitchen island while cooking and doing homework, since there are six bar stools.” With each ascending level, spaces grow more private in nature. The second floor holds a family room and the wife’s office. Story gave the kids their own retreat on the third floor, courtesy of a cheery lounge-meets-playroom serving as a meeting point for their three bedrooms. And the top story holds a peaceful primary bedroom suite as well as an office for the husband. Keeping things light and bright called for fresh finish choices, such as pale oak floors and creamy plaster walls, which balance out historical notes elsewhere, like the bedrooms’ classical crown molding and original carved

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marble mantels. There was no question in Story’s mind about salvaging another existing feature: the enormous mahogany panels in the great room, a holdover from a prior renovation. To modernize the moment, she replaced the existing fireplace surround with a clean-lined, angled marble frame whose veining picks up the warm tones of the wood. “We took a long time making that selection because we didn’t want it to be too busy against the mahogany or the marble backsplash in the kitchen,” Story explains. “The scale of the new mantel is so grand, and the stone so refined, but it doesn’t feel fancy,” she adds. “It just feels thoughtful.” The designer brought a similarly measured approach to furnishing the rooms, which feature her signature mix of artworks, vintage pieces and sculptural custom seating. Case in point: an invitingly poufy sofa in the kids’ lounge and a set of geometric slipper chairs before the living room fireplace. Warm, textural, organic-leaning fabrics complement the clean lines of the interior architecture, punctuated by unexpected material elements, like the woven leather headboard in the couple’s bedroom and a liquid-metal-topped dining table. And shades of blue, the wife’s favorite color, find their way throughout the residence’s predominantly neutral palette, from the peacock paint on the kitchen cabinetry to the softly striped primary bedroom wallpaper. In the family room, a watery artwork by Janaina Tschäpe “sums up the palette of this house,” says Story. Closing in on the finish line, the designer got a call from her client who was worried her daughter might not like her new bedroom, which Story had arrayed in “a happy, peaceful and feminine” mélange of lilac and lavender, replete with a romantic canopy over the bed. She listened to the homeowner’s concerns, but didn’t skip a beat in relaying, “Hon, we’re installing it tomorrow. Let’s just see how it goes.” They needn’t have worried. The daughter’s now-beloved purple bedroom perfectly synthesizes the spirit of this family’s home—both modern and classic, vibrant and serene. And most importantly, designed to age with grace.

A painting by German artist Janaina Tschäpe commands attention in a corner of this Manhattan town house’s second-floor family room. Designer Sara Story recovered the vintage chair in a Zimmer + Rohde textile.

“The kids have their own separate hangout space apart from the parents,” notes Story of the third-floor lounge linking the children’s bedrooms. The space features a sculptural sofa designed by Story and artwork by Anne Collier. The rug is Elizabeth Eakins and the concentric sconce is from Marset.

The concept was clear from the start: Transform a fourstory brownstone on the Upper East Side into a comfortable and sophisticated family home.

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Above: Cabinets painted Farrow & Ball’s De Nimes are offset by a marble backsplash and Pietra Cardosa-topped counter in the kitchen. Pendants by Günter Leuchtmann feature Murano-glass globes. The counter stools are from Token. Opposite: “Because the dining area is so close to the kitchen, I didn’t use stone—but I still wanted something with patina,” Story says of the liquid-metal-topped table from Charles Burnand. The chandelier is a Glustin Luminaires find, the chairs are Gustav Bahus and the custom banquette sports a Holland & Sherry leather.

Left: The primary bedroom is a serene wash of blues, with a woven-leather headboard by Charles Schambourg and an Elizabeth Dow wallcovering. “I like bedrooms to be peaceful,” notes the designer. “Here, it’s all about subtle textures.” Opposite: A marble fireplace is surrounded by low-slung lounge chairs in a Fortuny textile and an ottoman upholstered in a Holly Hunt fabric. The banana-fiber ceiling light is Pinch and the carpet is Holland & Sherry.

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Right: For the primary bathroom, Story designed a lacquered dressing table with a custom mirror and a chair covered in a Dedar fabric. “It’s a little more glamorous, a little more refined, a little more special,” she says. The sconces are from Remains Lighting. Opposite: Complemented by a pale lavender paint from Pratt & Lambert, the daughter’s bedroom features a canopy fashioned with Studio Four NYC textiles. The pendant is Visual Comfort and the rug is from Joseph Carini Carpets.

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LIVING LEGACY

After disaster, a family home on the New Jersey coast builds back with gusto. W R I T T E N BY M A R Y J O B O W L I N G P H O T O G R A P H Y BY K I R S T E N F R A N C I S

Architecture: Richard B. Graham Jr., Richard Graham Architects Interior Design: Joan Enger and Amanda Trochim, J. Patryce Design & Company Home Builder: Gary Blank, Beach Craft Construction LLC

itting on the back porch of this Spring Lake, New Jersey, home, you’ll hear the quiet roar of the Atlantic and the cries of seabirds slowly pinwheeling above the waves. Everything about the crisp, white dwelling and its surroundings speaks of tranquility—yet just a few short years ago, it was anything but calm and quiet. After serving as a beloved family getaway for 33 years, the original house was destroyed by an electrical fire. When the flames were extinguished, friends urged the matriarch, who had built the first home with her late husband and raised three children there, to move on. She refused: “People told me, ‘Take the insurance money, sell the property and buy a new house,’ ” she remembers. “I said ‘No, I have to rebuild this for the family, it’s their legacy.’ ” For her, constructing a new abode meant rewriting, not strictly recreating, history. “The house I stayed in while we were rebuilding after the fire was much more open,” she says. “It gave me new ideas.” Since the family makeup had changed as well—the children are now adults with offspring of their own—it was a good time to rethink how the dwelling would be used. She hired Richard B. Graham Jr., the original structure’s architect, to create a residence that would look much the same from the exterior but, once past the front door, appear and feel very different. “Looking at it from the outside, it’s hard to tell it’s not the same building,” notes Graham. “But inside, designer Joan Enger, general contractor Gary Blank and I refined things.” This fine-tuning process included simplifying the layout and moving stairwells to open the floor plan and allow light to pierce the interiors. The team also created three en suite bedrooms for the children and their spouses, and designed irresistible, grandchildworthy spaces, including a basement outfitted with a bunkroom and a top-floor family room equipped with a mini fridge for soft drinks and a cabinet for snacks. As the architect warmly notes, “Who wouldn’t want to go to Grandma’s house now?”

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However, the way spaces are apportioned is only part of the new narrative. “The home pays homage to its history, but in an updated way,” explains Enger, who spearheaded the interiors alongside senior designer Amanda Trochim. “The owner wanted things to feel light and airy, referencing the house in Something’s Gotta Give. We avoided anything too trendy and used classic materials like marble, limestone and shiplap paneling.” Of note is what the designer didn’t select—anything that, in her words, “screamed beach house.” By using pale colors—pastels paired with warm earth tones—and loads of natural materials and textures—caning, grass cloth and sisal—Enger achieved a mood that’s less “beach cottage” and more “coastal vibe.” To keep the abode feeling like a cozy family home and not an entirely new dwelling, the designer judiciously placed antique pieces throughout. A round, midcentury coffee table recovered in lacquered linen is at the center of the new sitting room, while vintage chairs wear fresh upholstery in the guest rooms and the dining room and hallway feature artworks purchased at auction. “New pieces tend to have larger proportions and the scale can be a bit off” notes Enger. “We like to buy elements with age and mix them in. That’s what keeps things balanced.” But the most treasured items are a pair of mirrors that have been reflecting family faces for many years. “The one in the entry was part of my bedroom suite when my husband and I were first married,” shares the owner. “The other one was in the old house’s foyer and survived the fire. Now it hangs in my bedroom.” Just as nature regenerates after a wildfire, goodness arose from charred ruins. Today, as it has for many decades, the house serves as a touchstone for three generations of the family, with the homeowner happily hosting company all summer. “The best thing about this place is that my kids love being here. We like to sit on the back deck and talk while listening to the ocean,” she says. “It’s so peaceful that everyone who visits— including me—doesn’t want to leave.”

On the second floor of this Spring Lake home, a banquette features cushions of Lee Jofa fabric underneath window shades by Hartmann & Forbes. Visual Comfort sconces flank a Palecek pendant fringed with abaca rope.

Left: In the dining room, a pair of beaded ombre Solano pendants by Palecek hang above a monolithic custom table made from white oak. The bulbous vessels are from Tucker Robbins. Opposite: Phillip Jeffries’ Fuji Weave wallcovering provides a textured backdrop for a mirror and console, both by designer Joan Enger, as well as a vintage lamp. Chairs from Wisteria have seats covered in Holly Hunt faux leather.

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BY U S I N G PA S T E L TO N E S A N D N AT U R A L M AT E R I A L S , E N G E R AC H I E V E D A M O O D T H AT ’ S L E S S “ B E AC H C OT TAG E ” AND MORE “ C OA S TA L V I B E .”

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One of the owner’s favorite spaces is the sitting room, where a recovered midcentury coffee table is surrounded by chairs upholstered in a Kerry Joyce textile. Two are vintage, while the other two are replicas commissioned by Enger. The large dome light is Palecek.

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Above: The kitchen cabinets have Rejuvenation handles and are painted Sherwin-Williams’ Crushed Ice, a subtle shade picked up by the Fireclay Tile backsplash. A California Faucets tap curves over the sink and Visual Comfort sconces are on either side of the window. Opposite: The breakfast nook off the kitchen features a custom cerused-oak table and chairs from Homenature. The banquette cushions are made with a Holland & Sherry fabric and the window shades with a textile by Hartmann & Forbes. A Visual Comfort tiered chandelier illuminates the space.

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Above: Artwork by Jean Wolff and a Schoolhouse Electric towel bar hang above a marble-sided tub in the primary bathroom. The Lucite stool is a vintage piece and the shades are made with a Holland & Sherry textile. Left: In the primary bedroom, a fabric by Rogers & Goffigon covers a tailored bed while window shades are crafted from one by Radish Moon. The bench is upholstered in a Rebecca Atwood ikat. The lamp is by Arteriors.

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DREAM WEAVER Forgotten fabrics spring to life again in the mesmeric works of a Brooklyn-based textile artist. W R I T T E N B Y S U S A N N A H G R U D E R | P H O T O G R A P H Y BY N I N A C H O I

here’s a pleasant dizzying effect that happens when you observe the designs of weaver and textile designer William Storms, whether you’re looking at a fabric swatch or an installation. In one of his signature passementerie artworks, for example, he seamlessly weaves together materials such as recycled yarn, jute rope and neon acrylic tubing, giving each piece a sense of tranquility when hanging on a wall. But as you step forward, a lively materiality awakens simply from peering a bit closer. Storms has gracefully entwined an array of interconnected projects that make his day-to-day life as rich as his art. Outside of a full-time senior designer role at performance fabric brand Crypton, he’s dedicated to his practice of employing the traditional French trimming style of passementerie to create large-scale, three-dimensional wall hangings that challenge notions of what weaving can be. The artist is also collaborating on several high-profile homeware projects, including a rug line with Crosby Street Studios. Storms’ creative space is filled to the brim with swatches and raw materials. Intricately patterned fabrics, eucalyptus fibers and spool after spool of yarn sit side-by-side in the Greenpoint apartment where he lives and works, bridging a love of craftsmanship and computation into artful, serpentine designs. Three of his beloved wooden handlooms can also be found there, fitting the tableau like antique pieces of furniture. As a child, the artist was drawn to mathematics in school and crafts at summer camp. “I was always interested in friendship bracelets,” Storms says. “The ’90s trap of lanyards and hemp and all of that.” He happened upon his first textile studio while studying at the Fashion Institute of Technology. “I saw a loom and totally geeked out,” he recalls. After taking a night class, he found himself enamored with the technique and switched his major from fine arts to textile design. “Weaving is so structurally informed,” he explains. “It’s all math.” But when Storms sits at the loom these days, his main agenda is to enjoy himself. “Balancing the analytical side with the intuitive side is what I do well,” the artist says. “And I always have fun with the process.”

William Storms works with yarns in his Greenpoint, Brooklyn, home and studio (opposite), where prized looms, swatches, finished pieces and works in progress (this page) coexist in harmony.

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One for the Ages Cosmopolitan and bucolic charms coalesce in a Long Island estate designed for golden days. W R I T T E N BY M I K K I B R A M M E R | P H O T O G R A P H Y B Y S E A N L I T C H F I E L D

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Architecture: Andrew Fethes, Andrew Fethes Architects, PA Interior Design: Becky Shea, Becky Shea Design (BS/D) Home Builder: Rob Amoroso, Joe Nicotra and Anthony Santa Maria, True North Development

In this Long Island home’s wine room, which is used for tastings and dessert courses during parties, an heirloom 1920s mahogany table is surrounded by poufs of Rogers & Goffigon velvet. Artwork by Bernard Buffet hangs on the wall. The entry console is John Pomp Studios.

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ometimes the smallest twists of fate have the biggest impacts. Take Becky Shea’s first major renovation as a young designer, which came to be after a future client overheard her in animated conversation on the subject of kitchens. Impressed with her know-how, he invited Shea to pitch a scheme for his brother’s recently purchased West Village maisonette. Little did she know that job would lead to designing multiple homes for the family and, eventually, to reconceiving their sprawling residence in Old Brookville, Long Island. This wasn’t just any old getaway either. The clients purchased the 1928 Greek Revival dwelling shortly after marrying and raised their kids there before deciding to split their time between Long Island and Manhattan. It was their dream that the property serve as an escape from the city for their children, grandchildren and beyond. As Shea puts it, this was to be “family HQ for the rest of their lives.” For inspiration, the homeowners looked no further than their favorite place to vacation: Twin Farms, a rustic yet luxurious inn tucked away in central Vermont. “They have very hectic lives, but they’ve always felt a deep connection to that spot in the middle of nature. It’s where they go to find peace,” says Shea. The owners even invited the designer and her husband and chief operating officer, Jake, to spend a week at the resort to fully immerse themselves in its ethos. Shea returned to Old Brookville inspired. Alongside architect Andrew Fethes and general contractors Rob Amoroso, Joe Nicotra and Anthony Santa Maria, she set about capturing a similar sense of bucolic tranquility, but with a dose of urban swagger and all the comforts of a modern family compound. For these entertaininginclined clients, the brief centered around an enviable hospitality program. An artful eat-in kitchen, pantry, double dining hall and—the crown jewel of numerous gathering spaces—a formal living room replete with a grand piano are all cornerstones of the extensive renovation.

Throughout, Shea’s custom architectural detailing and millwork underscore the home’s emphasis on one-of-a-kind design. One heroic mention is the intricate inlaid flooring flowing from the kitchen through the dining hall. Inspired by a patterned floor she spied at a Paris flea market, the designer hand-drew the motif, specified the various woods to be used and commissioned an Amish craftsperson in Pennsylvania to produce it. “Ninety percent of what’s in this home is built by makers from the United States,” she says. “Finding those artisans—in California, Pennsylvania, New York, North Carolina—and bringing these different worlds together in a holistic way within the space drove the aesthetic.” To balance the pastoral undercurrent, Shea brought in plenty of leather and steel accents (“my signatures,” she quips) along with touches of concrete, all homages to the family’s urban roots. “I wanted to weave in brutalist New York industrial materials with more rustic details,” the designer explains. She then employed a classic palette of muted neutrals contrasted by deep navy, olive green and black. And, to lace the rooms together, Shea subtly repeated materials. For instance, she incorporated cognac leather touches in the kitchen, family room and bedrooms, and used the same bed linens in different dyes, as well as similar wools for rugs and blankets. While the renovation was a near-complete overhaul of the existing framework, the designer made sure that nods to the family’s history were plenty. She managed to salvage nearly all of the original hardwood floors and rehabilitated several sinks and vanities that used to be in the kids’ bathrooms when they were growing up. In the room nicknamed “the speakeasy” is a floating island cabinet—formerly the cashier counter in a great uncle’s liquor store during the Prohibition—which now showcases a collection of bar paraphernalia. “When you’re creating a home like this, storytelling is very important,” says Shea. “If it’s intended to be multigenerational, you want the next generation to feel proud of what they have— and to know who it’s connected to.”

For the living room, designer Becky Shea chose Matthew Fairbank’s Giotto sconces to flank the Jamb London fireplace surround. RH’s Kensington sofa joins a James Duncan coffee table, McGuire lounge chairs and Hans-Peter Krafft sheep sculpture.

“ Finding artisans in California, Pennsylvania, New York and North Carolina, and bringing those worlds together drove the aesthetic.” aesthetic.” – BECKY SHEA

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Above: The “speakeasy” features restored millwork from the homeowner’s uncle’s Prohibition-era liquor store. Shiplap-paneled ceilings in Benjamin Moore’s Midnight Blue and floors designed by BS/D and manufactured by Czar Floors with white oak and American walnut lend a cozy feel. Opposite: Catering to large dinners, the dining room features two Jiun Ho tables with self-storing leaves. The equine-grade leather on the McGuire dining chairs is designed to patinate. The sliding oak barn doors have a custom Rubio Monocoat stain.

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Above: The primary bathroom is designed to feel like a hotel with dark wood cabinetry and Thassos marble tiles from Complete Tile Collection. CPS Glass & Mirror steel shower doors inject an industrial element. A stool from Collection Particulière provides playful contrast. Left: The daughter’s sleeping quarters feel layered and light thanks to a Maya Romanoff fine wool wallcovering, drapes of de Le Cuona fabric and woven-paper shades from Hartmann & Forbes. At the foot of the bed is a Katy Skelton bench.

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Above: In the patio lounge—positioned close to the shallow end of the newly appointed pool so people in both areas can converse—aluminum-frame sofas embrace a concrete-and-teak coffee table, all from RH. Opposite: Shea made sure the pool house’s kitchen opened to the outdoors on all four sides via bifold windows. The concrete Caesarstone counters, Native Trails sink and Bakes & Kropp walnut cabinetry echo the material palette of the home’s interiors.

Illustrations by Patra Jongjitirat Pictured: Rosie Li Showroom

There’s a lot of design to explore in New York City. Follow NYCxDESIGN’s Self-Guided Journeys on nycxdesign.org to explore hidden gems in every borough, hear from local designers on inspiration they draw from creative communities around them, and immerse yourself in New York’s vibrant design scene. At NYCxDESIGN, our non-profit unites the diverse design creators and industries of New York City. With our city’s creative community at the heart of our mission, we share the stories that make New York City a true driver of innovation, culture, and design. Join NYCxDESIGN’s Self-Guided Journeys for a designfilled experience that is undeniably defining the future of design locally and internationally. THANK YOU TO OUR ONGOING SUPPORTERS

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The Alexander Team

| G R E ATE R N E W YO R K |

POWER PLAYERS: REAL ESTATE For perhaps the first time in modern history, the realtor’s “location, location, location” mantra is being challenged. The focus is shifting to, well, the home itself. In markets across the country, buyers and sellers alike are prioritizing more space and better in-house or in-building amenities. Walkability is still desired, but a balance between centrality and room to spread out at home is finding greater favor. In the eyes of the nation’s most successful real estate experts, this presents an opportunity to connect clients to their dreams like never before. Keep reading to glean the insights of these movers and shakers, and to take an exclusive look at their prestigious listings.

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P OWER PL AYER S: R E A L ES TAT E | GREATER NEW YORK “In today’s market, you need seasoned, ethical agents who are able to negotiate on behalf of their client’s interest.”

NOTABLE LISTING Set on more than 36 acres of rolling meadowlands and pastures, laced with a picturesque network of 17th-century stone walls and white-fenced paddocks, ponds and a lively stream, this one-of-a-kind equestrian estate at 23 Carrington Drive is an enchanting oasis of tranquility. Offered at $8,950,000.

MARKET UPDATE

GREENWICH BROKERAGE OF SOTHEBY’S INTERNATIONAL REALTY 203.618.3111 | sothebysrealty.com |

sir.greenwich

The reasons to call Greenwich home are endless: close proximity to New York City via train or car; charming downtowns with world-class shopping and dining; golf courses, parks and beaches; and outstanding public and private schools. Selling her clients on the area is the easiest part of the job for Pamela S. Pagnani who, as the senior vice president at the Sotheby’s International Realty’s Greenwich office, manages more than 120 active agents. “We sell luxury at all price points, and we

Greenwich real estate had a record-setting year in 2021, and Pagnani’s office represented the two largest trades: • 1 00 Field Point Circle with Joseph Barbieri and Leslie McElwreath as the listing agents traded for $50 million. 0 John Street with Janet Milligan as •3 the listing agent traded for $45 million. “We continue to see this as a seller’s market, with more demand than supply of offerings in Greenwich,” Pagnani says. “This has contributed to numerous multiple-bid situations as well as homes selling over the list price in a shorter time period than pre-pandemic sales.”

are the market leader in our area,” Pagnani says. With everything from Long Island Sound waterfront homes to backcountry equestrian estates on 10-plus acres, Pagnani says Greenwich has become a real estate hot spot. “City residents learned during the pandemic that Greenwich affords more space and room for their families in a New England town with a close proximity to Manhattan.”

Top 591 Riversville is home to Denbigh Farm, Susie Hilfiger’s quintessential English country estate. Bottom Oldfield Farm is an equestrian estate of dreams at 160 John Street. Photography Steve Rossi

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P OWER PL AYER S: R E A L ES TAT E | GREATER NEW YORK “Grounded in our founder’s decades of experience, we specialize in luxury real estate and clientfocused relationships.”

CORCORAN CENTRIC AGENTS “Corcoran Centric is expanding our brand throughout Fairfield County,” Jackson says. “Our agents are seasoned professionals who work collaboratively rather than competitively, and clients benefit from their collective expertise. With more than $200 million worth of sales in 2021, our firm is committed to being trusted advisors who help guide our clients to informed, data-driven real estate decisions.”

SPOTLIGHT ON GREENWICH

JEFF JACKSON AT CORCORAN | CENTRIC REALTY 203.625.9500 | corcorancentric.com |

thecorcorangroup

When a team of experienced, market-wise professionals connects with a great, global brand, dynamic things happen. Such is the case with Corcoran | Centric Realty. Founded as Centric Property Group more than two decades ago, owner and broker Jeffrey Jackson and his skilled team joined with powerhouse agency Corcoran earlier this year. “Working with the strongest brand in the industry has given us an unbelievable platform to operate from,” Jackson says. Based in Greenwich, Corcoran | Centric Realty

“Greenwich is the crown jewel of Connecticut’s Gold Coast,” Jackson says. “The wide variety of architecture styles and mix of neighborhoods that exists within its boundaries is pure perfection. Downtown condos and townhouses are walking distance to shopping and world-class dining. Belle Haven, Riverside and Old Greenwich are elite enclaves built around charming harbor villages. And if you seek privacy and space, there’s the back country with acres of baronial, country estates. With multiple hedge funds, asset managers and financial services firms, Greenwich also has a strong business district that rivals Lower Manhattan.”

brings unmatched real estate knowledge and fiduciary skills to their discerning clientele. “With new listings lasting an average of 27 days, the fast-paced and highly competative nature of the market can be extremely challenging,” Jackson shares. “But we welcome a challenge and use our extensive tools and vast network of connections to find buyers the perfect properties and help sellers achieve their goals.”

Top 26 Stony Wylde Lane, Greenwich, boasts myriad outdoor living spaces, gardens, a pool house and a luxurious pool with a spa. Bottom 33 Highland Farm Road, Greenwich, offers lush landscaping, a guest house and a stunning pool that complements the property’s rustic glamour. Photography Kyle Norton

We know Greenwich like a pool knows cool. Peerless expertise and pure New England hospitality, Corcoran Centric has your Connecticut home.

Jeff Jackson & Caroline Shen 25 Naw thorne Road | Old Greenwich, CT WEB # 65071654 | corcoran.com

©2022 Corcoran Group LLC. All rights reserved. Corcoran® and the Corcoran Logo are registered service marks owned by Corcoran Group LLC. Corcoran Group LLC fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Each franchise is independently owned and operated.

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P OWER PL AYER S: R E A L ES TAT E | GREATER NEW YORK “My specialty is knowing every inch of the market from Southampton to Montauk, but focusing on East Hampton and Amagansett.”

NOTABLE LISTING The last vestige of untouched farmland nestled in the heart of Bridgehampton horse and farm country, this property is surrounded by 600 acres of reserve land and offers open vistas. The 18.86 acres have been harvested by local farmers for more than 100 years. A blank canvas with endless potential, it comprises multiple single and separate lots, as an approved subdivision that is fully cleared to accommodate a house, pool and tennis court on each lot. Offered at $21,900,000.

MARTHA GUNDERSEN OF DOUGLAS ELLIMAN 631.405.8436 | marthagundersen.elliman.com |

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When Martha Gundersen moved into a classic home on Georgica Road in East Hampton more than 25 years ago, she was instantly “hooked on the amazing area and the gorgeous homes,” she says. “It was like living your fantasy in the summer; I felt like

AGENT WITH AN EDGE Going beyond a transactional relationship with her clients, Gundersen values having a strong network of vendors—painters, masons, electricians—in the community that she can suggest. “That gives your buyer or seller help when they need something—and they always do,” she says. “Knowing who to hire or not hire is critical to avoiding wasted time and stress.”

I was looking from the outside into the lives of the rich and famous.” Her infatuation fueled her career in real estate, and now, she is a licensed broker with Douglas Elliman, which has the largest network in the Hamptons. “Amagansett is special because it is so close to the ocean and bay beaches, has great restaurants, an amazing public school— which is more like a free private school—a golf course, a yacht club, trails, natural beauty and cool, low-key people.” Over the years, Gundersen has been indoctrinated into the local lifestyle, spending her Saturdays grabbing coffee, riding a bike to the beach, taking a boat out on the water or swirling a glass of chardonnay on the Duryea’s dock.

Top 871 Sagaponack Main Street is on the market for $12,000,000. The 2-acre compound is steeped in history and boasts a farmhouse plus four additional outbuildings. Bottom Retail tycoon Mickey Drexler purchased this Amagansett home. Martha Gundersen and Paul Brennan represented both sides of the transaction. Photography Courtesy of Douglas Elliman

Making the Right Moves

in the Hamptons

“I’ve been in love with the Hamptons for the many years I’ve lived here, and enjoy sharing my knowledge and insights with my clients.”

Pinnacle Award, 2022 Top 4% of Agents Company-wide*

Martha Gundersen Lic. Assoc. R.E. Broker M 631.405.8436 O 631.537.5900 martha.gundersen@elliman.com

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NOTABLE LISTING

MICHAELA KESZLER

127 Head of Pond Road, Water Mill. This flawless, high-end construction combines a classic exterior design with sophisticated modern finishes within. Designed by Duncan White of BLD Architecture and executed by ADG Development LLC, the home is a luxurious mix of modern clean lines and classic Hamptons style. Situated on 1.6 acres, this 9,000-plus-square-foot property features seven bedrooms and eight bathrooms. Offered at $9,750,000.

DOUGLAS ELLIMAN REAL ESTATE 631.525.3810 | michaelakeszler.elliman.com |

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From its stunning beaches to its picturesque villages, rolling farmland, award-winning vineyards, world-class restaurants and exclusive clubs, The Hamptons offer an outstanding quality of life. But achieving that quintessential Hamptons lifestyle begins with finding the right home. That is where Michaela Keszler comes in. One of Douglas Elliman’s premium brokers, Keszler uses her nearly 20 years of expertise to locate the perfect property for her each of her valued clients—most of whom are repeats and referrals. “The quality of life in Hampton is just unbeatable,” she says. “However it comes with challenges. The fact is, we are still in a sellers’ market with very low inventory, which means that placing my clients into their dream homes requires an extra bit effort. Fortunately, I have the experience, the savvy and the network of contacts to exceed my clients’ expectations.”

“My unique ability is to connect the right people with the right property in every price range.”

EAST END ESSENTIALS •D escribe an ideal Saturday. Brunch with my family followed by a few restful hours on the beach would be ideal, but I am usually working. •N ame a favorite Hamptons place to grab a snack or a treat. I’ve always made a point to shop local and one of my all-time favorites is Hampton Chutney. YUM! •S hare a local “not to be missed” event. The Southampton Fresh Air Home’s extravagant Grucci fireworks and picnic on the Fourth of July.

Top Located in Southampton Village, this fully restored 1860 Federal-style mansion was brought beautifully up-todate while retaining many of it’s historic details. Listed at $24,990,000. Left 1210 Meadow Lane in Southampton was sold by Michaela Keszler last year for $28,800,000. Photography Courtesy of Douglas Elliman

My Advice Is Your Advantage #1 Agent in the Hamptons by GCI for 2021, 2020 and 2019* More than $1 billion in total transactions**

Michaela Keszler Lic. Assoc. R. E. Broker M 631.525.3810 O 631.204.2743 mkeszler@elliman.com

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*BY GROSS COMMISION INCOME AT DOUGLAS ELLIMAN REAL ESTATE. **ACCORDING TO DOUGLAS ELLIMAN FIGURES. 2488 MAIN ST, P.O. BOX 1251, BRIDGEHAMPTON, NY 11932. 631.537.5900 © 2022 DOUGLAS ELLIMAN REAL ESTATE. EQUAL HOUSING OPPORTUNITY.

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P OWER PL AYER S: R E A L ES TAT E | GREATER NEW YORK “I have the ability to visualize properties beyond their current state and spot unique opportunities.”

NOTABLE LISTING On the sprawling 1.6 pristine acres of 636 North Sea Mecox is a stunning 7,500-square-foot custom-built home. The property is surrounded by an additional 50-plus acres of protected agricultural reserve and located close to Southampton Village. The postmodern residence on 3 levels includes 7 bedrooms, 7 full and 2 half bathrooms and a finished lower level. Offered at $9,000,000.

EAST END BIDDING WARS

THE ALEXANDER TEAM 781.799.5686 | saragoldfarb.com |

sara.sandler.goldfarb

On any given Saturday, Sara Sandler Goldfarb can be found showing properties into the early afternoon before meeting friends for dinner at Le Bilboquet Sag Harbor. Living the local lifestyle has positioned Sandler Goldfarb as the Hamptons leader on The Alexander Team, a record-breaking brokerage at Douglas Elliman. “The Hamptons is a year-round community of New Yorkers, and in the summer it’s an

Currently, Sandler Goldfarb is seeing properties trade 20 to 40 percent above asking. “We’re at the inflection point of a 20-year inventory low and a 40-year inflation high,” she says. For buyers, understanding the historical data when purchasing in today’s market is key. “2019 was the softest year this market had seen in decades, and 2020 is compared directly to that,” she says. “When you look earlier than 2019, you’ll see the margins aren’t as steep and this market continues to remain strong as an overall asset.”

ultraconcentrated group of individuals who are like-minded and have a passion for what the East End has to offer,” she says. Sandler Goldfarb has been a part of The Alexander Team since 2020 and has four years of experience in the industry. “It was my love and appreciation of the East End that attracted me to this world,” she says. “From going to the beach at 5 p.m. and watching the sunset, to picking up fresh veggies from the farm stand, there’s something for everyone to experience.”

Top This breathtaking Southampton property boasts incomparable views. Photography Lena Yaremenko

HAMPTONS TOP PRODUCER SARA SANDLER GOLDFARB Lic. R. E. Salesperson

ALEXANDER TEAM at Douglas Elliman Real Estate Hamptons Business Leader

781.799.5686 sara.goldfarb@elliman.com

#1 Nationwide Large Team at Douglas Elliman Real Estate 2021* #1 Nationwide Team at Douglas Elliman Real Estate 2019 and 2020* #3 Hamptons Large Team at Douglas Elliman Real Estate 2021*

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20 MAIN ST, EAST HAMPTON, NY 11937 631.329.9400 © 2022 DOUGLAS ELLIMAN REAL ESTATE. ALL MATERIAL PRESENTED HEREIN IS INTENDED FOR INFORMATION PURPOSES ONLY. WHILE, THIS INFORMATION IS BELIEVED TO BE CORRECT, IT IS REPRESENTED SUBJECT TO ERRORS, OMISSIONS, CHANGES OR WITHDRAWAL WITHOUT NOTICE. ALL PROPERTY INFORMATION, INCLUDING, BUT NOT LIMITED TO SQUARE FOOTAGE, ROOM COUNT, NUMBER OF BEDROOMS AND THE SCHOOL DISTRICT IN PROPERTY LISTINGS SHOULD BE VERIFIED BY YOUR OWN ATTORNEY, ARCHITECT OR ZONING EXPERT. EQUAL HOUSING OPPORTUNITY. *GROSS COMMISSION INCOME. **#1 NATIONWIDE TEAM 2020 (TIE). GROSS COMMISSION INCOME.

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AERONAUTIC AMAZEMENT “Giving buyers a bird’s-eye view of Greenwich from a plane is a value that the Claroni & Perry Team provides,” the partners share. “Our clients get a very good grasp of the back country, mid-country, downtown and Greenwich’s stunning coastline. Most importantly, the proximity to NYC becomes very apparent from the air.”

THE CLARONI & PERRY TEAM 475.289.8746 | claroniandperryteam.com |

ilovegreenwich

Buying or selling a home has always been a big milestone that brings its fair share of challenges to navigate. But in recent years, it has evolved into a process that demands unmatched strategy and expertise. That’s where Danielle Claroni and Christian Perry come in. With more than 40 years of combined real estate experience, a specialty in the luxury market and knowledge of building and development, the Greenwich-based Sotheby’s International Realty agents bring the value of insight to their clients. Whether they are looking to buy and remodel, purchase land to build a new home or settle into a turnkey beauty, those exploring the market can turn to Claroni and Perry for the best advice. They offer some now: “Although we are in a seller’s market, sellers must be intentional about pricing properly and having a strong marketing component. Miss one of those two, and you could miss the opportunity to sell at the best price.”

“A strong team is key to buying or selling successfully, and its members should be local— the Greenwich market is nuanced.”

STRIKE GOLD IN GREENWICH Asked what they find so special about Greenwich, Claroni and Perry point to the ability for one to have a little bit of everything. “Its proximity to New York City, low taxes, a diverse community and educational opportunities are main attractions,” they say. “Buyers have the option of living in town, experiencing the serenity of the waterfront or having horses in the backyard. Privacy is a main attribute of living in Greenwich, and our exclusive public beaches are pristine and manicured. The boating culture here attracts people from around the world.” As should the food. Claroni and Perry deem Miku Sushi and Polpo “must-try stops.”

Top Located in mid-country, Taconic Road is the perfect blend of old-world artistry and state-of-the-art amenities that exemplifies the elevated Greenwich lifestyle. Left The glorious Greenwich coastline is a vision fit for the silver screen.

TO WATERFRONT ESTATES

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P OWER PL AYER S: R E A L ES TAT E | GREATER NEW YORK

NOTABLE LISTING This stunning and sophisticated triplex penthouse at 20 Greene St. in SoHo features incredible outdoor space with 360-degree views that include the city’s major landmarks— from Hudson Yards to One World Trade Center to the Empire State Building. Located within the prestigious Cast Iron District, this 3-bedroom, 3.5-bathroom home includes a 4,300-plus-square-foot interior and dramatic 2,200-plus-square-foot exterior.

THE STEVEN COHEN TEAM AT DOUGLAS ELLIMAN 917.834.4287 | elliman.com |

stevencohenny

Few real estate markets are more demanding and intense than New York City. That makes it all the more impressive to review the accolades of someone like Steven Cohen. The Douglas Elliman broker has more than $2 billion in sales to his name, is consistently ranked as a top broker nationally by The Wall Street Journal and has received a number of awards, including Broker of the Year and Deal of the Year. Well-versed in both luxury resales and the most exciting new developments, he frequently sets sales records. So, what is his expert take on the city that never sleep’s mood? “Even in a shifting market, for a terrific property that is priced right we’re still experiencing a quick sale and the occasional bidding war,” he says. “Pricing always matters in every market, but even more so today.”

Offered at $16,950,000.

NYC MARKET DIGEST Anyone and everyone interested in real estate tries to read the temperature of New York City. Steven Cohen offers key insights. •Q uarter one of 2022 saw the highest number of sales for the first quarter of a year in 30 years of tracking. •W ith supply on the uptrend, the second quarter of 2022 saw a shift in the market, suggesting that Manhattan may be moving towards a more stabilized market. •M int-condition, move-in ready units above $4 million are doing particularly well.

“What makes NYC so special … the arts, the artist and the creative, ambitious, winning energy.” Top An open-concept floor plan invites the entertainer to make the most of every space. Left The media room at 20 Greene Street is sophisticated and impressive. Photography VHT Studios

You’re thinking outdoor space, home office & condition. While we’re handling terms, contingencies, and timing. Let us guide you through the nuances of a NYC real estate transaction. Over 22+ years of real estate expertise. The Steven Cohen Team consistently ranks as top agents in New York and in the country.*

Steven Cohen Steven Cohen Team Lic. Assoc. R.E. Broker O: 212.303.5296 | M: 917.834.4287 steven.cohen@elliman.com follow us @stevencohenny

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UNLIMITED EARTH CARE Frederico Azevedo’s creativity and botanical knowledge make him stand out in his field. “It’s a modern concept in that everything flows and is interconnected,” he shares. “The challenge is to keep the spaces open, while still providing interest.” This contemporary design ideal speaks to the new global environment.

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COUNTRY CARPET The combination of hardwood flooring and custom rugs effortlessly transforms any living space. With this in mind, Country Carpet’s showroom offers a wide selection of rugs and carpets—with many ways to customize—and beautiful hardwood flooring in every style, stain and finish. The options are endless.

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TRUST. EXPERIENCE. KNOWLEDGE. ASID CT Interior Designers have a formal education in interior design, and are trained to best represent you, your style, and enrich your remodeling, renovation, or design investment.

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Known for a relaxed sensibility and easy elegance, Elissa Grayer Interior Design creates classic homes for modern living. From sophisticated NYC penthouses to Hamptons estates, the firm designs with “family” as its primary focus.

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SilverLining sets its standards high, emphasizing attention to detail, efficiency and flawless execution. Over the past 30-plus years, SilverLining has completed more than 3,000 exceptional projects working alongside some of the world’s most discerning clients, craftspeople, designers and architects.

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Membership in ASID, the design industry’s most prestigious society, offers more than professional credibility. It connects you to a network of peers, thought leaders, and luminaries.

Be a part of the movement. Engage in educational and leadership opportunities spanning every design specialty and discipline. ASID membership offers the support you need to reach your full potential as a designer.

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Live Brilliantly Luxurious, imaginative and chic. Welcome to Eichholtz. We are proud to offer the extensive collection of opulent lighting, furniture and home accessories to our design enthusiasts. Since 1924, Capitol Lighting has helped homeowners, interior designers and custom builders set the tone for every space. With unsurpassed service, unparalleled selection and our best price guarantee, you can always trust us to put you in your best light. Visit any of our convenient showrooms or shop online at 1800lighting.com today.

A - A N TO S & L B - S E LVA C- A M A ZO N E L East Hanover | Eatontown | Paramus

JUL‘21

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We are thrilled to be working with James Merrell Architects, Eve Robinson Associates, and Hollander Design Landscape Architects on the project photographed above

GENERAL CONTRACTING GENERAL CONTRACTING + + CONSTRUCTION MANAGEMENT MANAGEMENT CONSTRUCTION

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THE HAMPTONS

Incomparable front unit in exclusive Lily’s Path. 219 Milbank East offers every amenity of a private home, while offering the immeasurable convenience of condominium living. Five bedrooms, a separate gym, and two family rooms offer incredible flexibility; whether housing family and visitors, or accommodating the demands of working from home. With its own private driveway direct to Elm Street, additional parking, a spacious, heated two car garage with custom built-ins, and a four-story elevator, you won’t have to compromise storage or convenience.

Julie Grace Burke Licensed Real Estate Salesperson jgb@compass.com M: 203.253.0648 200 Greenwich Avenue, Fl. 3 Greenwich, CT 06830 compass.com Compass Connecticut, LLC is a licensed real estate broker and abides by Equal Housing Opportunity laws. All material presented herein is intended for informational purposes only. Information is compiled from sources deemed reliable but is subject to errors, omissions, changes in price, condition, sale, or withdrawal without notice. This is not intended to solicit property already listed. Photos may be virtually staged or digitally enhanced and may not reflect actual property conditions.

Elegant in-town home GREENWICH, CT

219 Milbank East 5 Beds • 5 Baths • 1 Half Bath • $4,500,000

D I A N E PA PA R O A S S O C I AT E S INTERIOR DESIGN + SPACE PLANNING + PRODUCT DESIGN

The Diane Paparo Artful Wall Unit: Cantilevered shelves, hidden lighting and white lacquer finish showcase the shelves, giving air and lightness to the large unit’s mass. Behind closed doors, speakers, outlets and electronics are all strategically situated for ease of use, peak performance and enjoyment without ever being visible.

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A D V E R T I S E M E N T

“For the house to become personal, the architecture has to get out of the way”

- James Merrell, Principal

This may not be the typical or expected design philosophy for an architecture firm, but James Merrell Architects is anything but typical. Led by the company’s namesake, James Merrell, this talented team is transforming the industry with their unique approach to residential design and construction. While others may disagree, Merrell believes that involving the client in the design process is integral to the success of a project. “Houses aren’t commodities – they’re personal. The client’s contribution to the conversation about the design is so important, and leads to the elements that make the house meaningful not only to the homeowner, but to the world.” Merrell’s unique philosophy may be attributed to his background in history and the arts, but has undoubtedly guided him throughout his 30+ year awardwinning career. Today, James Merrell Architects boasts an impressive portfolio of incredible residences imagined from the firm’s home-base in Sag Harbor, NY. A true testament to his success, Merrell adds, “Clients never sell our houses.” James Merrell Architects has accomplished the perfect balance between hearing their clients and creating noteworthy architecture. “We design things that you don’t even know you want, but by being a part of the process, you discover the realm of what is possible.” jamesmerrellarchitects.com | 631.725.9842 | Sag Harbor, NY

A D V E R T I S E M E N T

SARASOTA HOUSE COLLABORATION WITH ELLEN HANSON DESIGNS (INTERIORS) LAGUARDIA DESIGN GROUP (LANDSCAPE)

CONTENTS

THE HAMPTONS 2 02 2

EDITOR'S LETTER

Departments

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DESIGN NEWS Your guide to the Hamptons design scene this season.

MOOD BOARD Pride of place inspires the work of three local contemporary artists.

INSIDER Luxe surveys an architectural treasure of the East End: its midcentury beach homes.

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CONTENTS

FEATURES

Room to Grow

Pattern Play

Funky Fresh

Happy Hour

A design team returns to Southampton to build a dream retreat for longstanding clients’ extended family across the road.

Inspired by nature and womanhood, an artist crafts works of otherworldly beauty in Springs.

Art steals the show at a Southampton beach house designed for carefree days in the company of friends.

Cotswold charm meets midcentury masculinity in an entertaining-inclined couple’s Bridgehampton farmhouse.

Written by Christine DeOrio Photography by Tim Lenz

Written by Maile Pingel Photography by Bryan Derballa

Written by Shannon Sharpe Photography by Kirsten Francis

Written by Kamala Nair Photography by Tim Lenz

ON THE COVER: Entry floors in a timeless black-and-white check and black exterior shutters preview designer Augusta Hoffman’s impactful use of paint as a

tool for architectural definition in this reconceived Bridgehampton farmhouse. A pair of brass, lantern-style sconces from Visual Comfort flank the doorway. Alliums in terra-cotta pots offer a cheerful welcome. Page 86

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LE T TE R E D ITO R ’ S

Restorative Nature One of my favorite reads in our Hamptons issue is an article on modernist architecture and its conservation out East, a timely and important topic. We spoke with three stewards of historic homes, two designers and an architect, who each hold an affection for the vernacular, what came before and why it matters today. Ingenuity and a sense of creative expression is at the core of these early homes, which were built by pioneering modernist architects. Their quirkiness and abstract expressionism, writ large on the landscape, make them curious and compelling: the oddly shaped windows on an Andrew Geller home or the angular, slanted walls of a Norman Jaffe residence. These works of art—in built form— are worthy of study and preservation. If you are interested in learning more, I recommend starting with Alastair Gordon’s 2001 tome, Weekend Utopia: Modern Living in the Hamptons. This captivating read explores the region’s modernist architecture and interiors as a manner of shaping the meaning of place.

Architect Forrest Frazier spearheaded a thoughtful renovation of Andrew Geller’s 1968 Antler House (top). A painting by Springsbased multimedia artist Sydney Albertini (middle). Alastair Gordon’s book Weekend Utopia: Modern Living in the Hamptons (above).

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SANFORD BIGGERS, QUILT 14 (FLYING LOTUS), 2012. EMBROIDERY, FABRIC TREATED ACRYLIC, SPRAY PAINT, COTTON. COURTESY OF THE ARTIST AND MARIANNE BOESKY GALLERY, NEW YORK AND ASPEN. © SANFORD BIGGERS. PHOTO: OBJECT STUDIES.

TAKE NOTE ARTICLE | ARTICLE | ARTICLE

What’s a Hamptons summer without its design debuts? Here, your need to know for the season.

P R O D U C E D BY G R AC E B E U L E Y H U N T W I T H S A R A H S H E LT O N

NEWS

photos: lesley unruh.

DESIGN

Analisse Taft-Gersten and Kristin Fine in the freshly renovated 1818 Collective during the spring of 2022, when visions for the space were still taking shape.

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Rooms of Their Own DON’T TRY DEFINING THE 1818 COLLECTIVE—IT’S A UNICORN BY DESIGN. W R I T T E N BY G R AC E B E U L E Y H U N T

In a bustling corner of Sag Harbor village, designer Kristin Fine and ALT for Living founder Analisse Taft-Gersten have opened a shop that questions its designation as such. Housed in a 19th-century Greek Revival Colonial, the 1818 Collective gets its name from the era of the building, Fine and Taft-Gersten’s birthdays and the number’s association with abundance. Abundant is an apt qualifier for the sunlit space, which the pair have lovingly restored, reinspirited and filled with design discoveries from a growing list of vendors represented exclusively for the Hamptons market. Take the walls and millwork, which are swathed in Ressource Paints and outfitted with Blanche Jelly and Studio Henry Wilson hardware. Or the tactile, ceramic lighting fixtures by artist Olivia Cognet that softly illuminate a mix of vintage and contemporary furnishings. The common thread is simply “an element of surprise,” notes Fine. “The friction is what makes things cool,” adds Taft-Gersten. “We’re like a Bon Iver song— there’s a lot of instruments coming in!” While the ladies see the showroom as their “tether to the ground,” in Fine’s words, the collective is intended as a creative incubator: a place for exhibitions, book signings, parties, artist visits and more. They’ve even managed to tuck two charming sleeping lofts in the second-story eaves. Crucially, they hope to provide a home out East for the local design community, as well as “design-curious” passersby, per Taft-Gersten. In its nascent summer, the 1818 Collective is poised to evolve with the times. “There’s rigidity in traditional brick-and-mortar. If we sell out the floor, we want to be able to close the drapes and hang a sign on the door that says ‘Gone shopping in Paris,’ ” shares Fine. Adds Taft-Gersten, “Making this ‘The House of No Rules’ is how we want to live now.” the1818collective.com

NEWS DESIGN

PETER MARINO

W R I T T E N BY A D R I A N M A D L E N E R

When viewing one of Peter Marino’s recent projects—say, the Dior flagship in Paris—one might not realize the architect is a maximalist. Accumulated over more than 40 years, his vast art collection includes everything from Roman antiquities to Basquiats. Housed in Southampton’s former Rogers Memorial Library, the new Peter Marino Art Foundation brings this eclectic selection under one roof to be enjoyed by all. Luxe caught up with Marino to chat restoration, roses and what’s in store on Jobs Lane. petermarinoartfoundation.org You’ve lived in Southampton for over 25 years. How does the foundation fit within the town’s cultural evolution? Hauser & Wirth, Phillips, and Christie’s all moved in recently. They’re perfectly positioned for the sophisticated summer crowd. I established

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the foundation to showcase my collection and mount rotating exhibitions of the contemporary talent I collect. It’s a house museum that reflects my tastes. Take us through the renovation. The building is significant for the time it represents. I think we need to be more respectful of architectural heritage. Nobody would treat a painting from 1895 badly, yet it’s okay to misuse architecture for some reason. I wanted to find an adaptive reuse for this building, so I put my money where my mouth was and preserved the exterior. The interior, however, is a personal architectural statement complete with Venetian stucco and leather-clad walls. Given your love of gardens, how did you address the grounds? We planted five rose varieties—hundreds of them—along the building’s brick façade to create a real wow moment for passersby. All are dark red roses, the official flower of Southampton. What do you have programmed this summer? After a quiet season in 2021, we have a lot planned. Following Vik Muniz and Anselm Kiefer in May, we’re opening a Sanford Biggers show on July 16. He is creating new works based on my Renaissance and Baroque-era bronzes. It’s fun to see the

endless connections that exist between works from different periods. Back by popular demand, Bob Colacello will also be hosting a series of informal artist talks. How are you hoping to involve the community and what do you want audiences to experience? We are creating connections and sharing resources with institutions in the area, such as Dia Bridgehampton and Guild Hall in East Hampton. We’ve also worked with a town trustee to bring in local students to engage with the exhibitions. Overall, I aim to demonstrate that art can express individuality and doesn’t need to represent a specific typology or period to be good.

PETER MARINO PORTRAIT: MANOLO YLLERA. INTERIORS PHOTOS: JASON SCHMIDT. ARTWORK: SANFORD BIGGERS, CHORUS FOR PAUL MOONEY, 2017, ANTIQUE QUILT, FABRIC, SPRAY PAINT, ACRYLIC, FABRIC TREATED PAINT, COURTESY THE ARTIST AND MARIANNE BOESKY GALLERY, NEW YORK AND ASPEN, © SANFORD BIGGERS, PHOTO BY OBJECT STUDIES.

5 MINUTES WITH

NEWS

LAUNCH

DESIGN

PETER DUNHAM X WEEZIE TOWELS W R I T T E N BY K H A D E J A H K H A N

INTO THE WOODS

W R I T T E N B Y S A R A H S H E LT O N

Into The Woods—the brainchild of Catherine Woods, a Hamptons resident by way of Ireland—is fast expanding. What started in 2018 as a collection of bright woven bags adorned with names of East End villages has since blossomed into a full-fledged lifestyle brand spanning hats, jewelry, tabletop accessories and more. Here, Woods shares the scoop for summer ’22. into-thewoods.com Give us your elevator pitch. Into The Woods makes and sells one-of-a-kind woven and handmade pieces that bring joy and happiness. Our bags are made from palms by artisans in Colombia and Bali. What are you excited to introduce this season? We have fun, colorful shell-shaped bags that are perfect for summer, as well as large picnic baskets for boaters and beachgoers. We are expanding into furniture with designs sold exclusively at Mecox Gardens. Later this year I’m headed to India and hope to add handprinted fabric caftans and cover-ups to our offerings. You’re the pop-up queen! Where can shoppers find you? We have events all over the Hamptons, from the Crow’s Nest to Wölffer’s Wine Stand and Duryea’s Lobster Deck. Some of our pieces are carried at Destination Haus in Montauk, too. Follow @cw_intothewoods to see where we’ll be next!

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MEET THE MAKER BOB GOLDEN

W R I T T E N BY C L É M E N C E S FA D J

Observe Bob Golden’s ceramics and you will find throwing lines reminiscent of waves and feel a connection to the windswept vistas of Springs, where he lives and works. Rather than aim for sleek perfection, the artist is happy when his pieces speak to their owners, who might grow attached to the bold textured surface of a plate or to a characterful dent in a mug. Take his latest collection for Michael Del Piero—a suite of clean-lined porcelain tableware which displays surprising thinness while showing traces of the artist’s process. That thinness is the result, Golden says, of clay “reaching the point before collapse.” Each piece is a love letter to the Hamptons’ landscape and community—and an opportunity to bring unique organicism to the dining table. bobgoldenceramics.com

LAUNCH PHOTO: COURTESY WEEZIE. MEET THE MAKER PHOTOS: GLENN ALLSOP COURTESY MICHAEL DEL PEIRO. BEHIND THE BRAND PHOTOS: MADISON FIENDER.

BEHIND THE BRAND

Beach gear gets a stylish upgrade this summer, thanks to the towel gurus at Weezie and designer Peter Dunham, who have collaborated on a limitededition collection that brings together Weezie’s extra-plush terry cloth and Dunham’s signature prints. The result is a capsule of three designs with eye-catching motifs, such as Fig Leaf, a botanical print inspired by Salvador Dalí, and Kashmir Paisley, a charming pattern in contrasting shades of blue (both shown at right). Better still, the towels can be personalized in an array of fonts and colors—a perfect summer hostess gift, if you ask us. weezietowels.com

TWO NEW DESIGN DESTINATIONS CELEBRATE THE SIMPLE PLEASURES OF HOME. W R I T T E N B Y S A R A H S H E LT O N

Salt House Mercantile: For timeless wares inspired by a coastal lifestyle, look no further than Salt House Mercantile in Sag Harbor Village (below). With a location on Bainbridge Island, Washington, founder Carrie Schei decided to grow the brand when she put down roots on the East End in 2018. On what’s in store, she hints to “elements reminiscent of the understated beauty of living by the sea”—think Heather Taylor Home linens, Farmhouse Pottery pieces, framed photography by Dean Isidro, Sabre flatware and blue-and-white splatterware. For gift-giving or building one’s own collection, there’s reason to come again and again. salthousemercantile.com

Il Buco Vita: “What we built was a trading post—for ideas, friends, objects, conviviality,” says Donna Lennard, founder of beloved Manhattan Italian eatery il Buco. That belief has led to an expansion onto Amagansett’s Main Street with il Buco al Mare. And while local seafood lures diners, a shopper’s paradise awaits next door at il Buco Vita (above). There, you’ll find a range of antiques and Italian goods such as colorful glassware and glazed dishes, beeswax candles and linen napkins, many of which are designed in-house. And, of course, artisan pantry staples like olive oil, canned sauces and tinned fish. “It’s all about how you want to live. What makes you feel good?” asks Lennard. Surely, this special selection will bring the il Buco magic home. ilbuco.com

QUICK QUESTION HAMPTONS INSIDERS DISH ON DECOMPRESSING, CREATIVITY AND THE IDEAL SUMMER WEEKEND. W R I T T E N BY K E L LY V E LO C C I J O L L I F F E

AMY LAU

ROBERT STILIN

CHRISTINE GACHOT

To relax, I’m: In the water or at a museum. Hamptons favorites: Walking Sag Harbor’s historic streets, shopping at Ulla Johnson in Amagansett and picking up seashells on the beach. Lost without: Clé de Peau Beauté concealer. Advice for my 20-year-old self: Trust your instincts, laugh at your mistakes and remind yourself everything happens for a reason. For inspiration, I: Research artists, attend fairs and travel. Most listened-to song: “Fields of Gold” by Sting. If I weren’t a designer, I’d be: An art dealer. Recipe I’m trying to master: How to work my convection oven! amylaudesign.com

Late-night indulgence: Mint chip ice cream. Every weekend includes: A trip to Loaves & Fishes Food Store. Podcast I can’t stop listening to: Talk Art. I’ve finally learned: To say “no.” Best purchase on a trip: A black-pearls-on-leather necklace from St. Barts. Summer means: 5 p.m. Aperol spritzes by the pool. Organization I’m proud to be part of: The LGBT Center. Mode of transportation out East: Blade. People are surprised: That I smile. An object I’ll never part with: Anything from the late antiques dealer Amy Perlin. I would tell my younger self: Relax. Host gift: A Perfumer H candle. robertstilin.com

Last thing I ordered: A black Khaite dress. Nature fix: Taking our dog Slim for a walk at Sylvester Manor. Last book I couldn’t put down: A rare John Currin book with essays by Dave Eggers. The Hamptons is the one place to find: Vine Street Café’s Machete cocktail. Currently coveting: A pair of magnolia trees. Summer highlights: Gardening, friends, family. Trying to master: Golf. Always listening to: Classical radio station WQXR. If I could have dinner with any creative living or dead: My husband and business partner John, at il Buco’s bar. gachotstudios.com

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talking shop: il buco photo, noe dewitt courtesy il buco vita amagansett; salt house mercantile photo, wil weiss. quick question: amy lau portrait, mark seliger; robetr stilin portrait, richard phibbs; christine gachot portrait, david urbanke.

NEWS DESIGN

TALKING SHOP

NEWS DESIGN

DAY TRIP DESIGNER HADLEY WIGGINS MAPS THE ULTIMATE NORTH FORK DAY TRIP. W R I T T E N B Y C L É M E N C E S FA D J

Hadley Wiggins has lived on the North Fork for over a decade, finding it the perfect playground to indulge her love of history and seaside style. Luxe tapped Wiggins to share her recipe for a design lover’s day across Peconic Bay. hadleywiggins.com 10 a.m. Head over to Shelter Island and start with breakfast at Marie Eiffel. Get the croissant, it’s worth it! 10:30 a.m. Sit on the dock and watch the goings-on of Dering Harbor with its beautiful vintage boats and docking drama, which is always fun to witness.

12:30 p.m. Head to the Orient Country Store, a no-frills general store with incredible breakfast and lunch. Say hi to Miriam and tell her Hadley said you can make any substitutions you want (you cannot). After lunch, take a walk around the corner to the Oysterponds Historical Society. 2:30 p.m. Go west to the Northshore Audubon Society walking trail, making a loop from the beach rather than turning back on the same path. 3:30 p.m. Explore Southold village’s design shops! Visit White Flower Farmhouse for all your shabby-chic needs, Pearl on Main for rattan decor and Fez & Ivy for vintage rugs. 5:30 p.m. Stop at Southold General for coffee or gelato (my whole day would be coffee stops if I’m honest). 6 p.m. Make Eight 8 Farm your last visit for sustainably produced groceries. Staples I never do without: butter, eggs, pancetta and the kale sausage!

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hadley wiggins portrait: tim lenz. photos clockwise from top: courtesy eight hands farm, courtesy southold general, christopher fenimore, courtesy fez & ivy, courtesy pearl on main.

11 a.m. Once you reach Greenport Village, stop into Lido for a sundress, the Weathered Barn for tabletop gifts and then coffee at Aldo’s.

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perry burns, dahlia I, oil on canvas, 2020. represented by sara nightingale gallery and arc fine art.

MOOD BOARD

Gather inspiration from an ensemble of contemporary artists who call the East End home—and muse.

Art Stars

MOOD

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MEET THREE STANDOUT ARTISTS CONTINUING THE EAST END’S TRADITION OF CRAFT AND CREATIVITY. W R I T T E N A N D P R O D U C E D BY S A R A H S H E LT O N

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Elissa Grayer Interior Design

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BOARD MOOD

RONDEL PAIR SCONCE Price upon request / tracygloverstudio.com

DIP DYE NAPKIN IN SORBET $180 for set of four / kimseybert.com FADING FLOWERS WALLPAPER Price upon request / brettdesigninc.com

RHYTHM ROUND PLACEMAT IN WILDFLOWER $20 / chilewich.com

Dahlia I,, oil on canvas

FLORAL FEVER

LUCCA HAT IN AQUAMARINE/ICE $288 / artesano.net

F OR S AG HARBOR PAIN T E R PE RRY B U RN S, WHO LE AN S T OW ARD A B S T RACT E XPRE SSION ISM, T HE POWE R OF ART IS N OT IN T HE RE PRODU CT ION OF N AT U RE BUT IN T HE DY N AMISM OF VISU AL FORC ES. SA RA NIGH TINGA L E.CO M

CANDY ETCHED GLASSES $475 for set of six / thisisthelast.com

LARGE SIERRA BAY CUSHION IN GUAVA LILAC $108 / dar-leone.com

ALAIS SOFA Price upon request / nafurniture.com

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ELIODORO FABRIC IN AVORIO Price upon request / rubelli.com

PHOTO: ASHOK SINHA

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DUO PLUG-IN SCONCE BY KELLY BEHUN $1,190 / hvlgroup.com

TERAMO HANDBAG IN BLACK/WHITE $350 / silviatcherassi.com DEW STONE BOWLS From $20 / eq3.com

Order in Squares, oil on Sintra board

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EQUINOX WALLPAPER IN BEIGE Price upon request / thibautdesign.com

PRESS WARDROBE $3,995 / industrywest.com

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TROPIQUE OUTDOOR CHAIR BY MATHIEU MATÉGOT Price upon request / suiteny.com

Nearly Oceanfront Modern in Amagansett $5,995,000 | 0.33± Acre | 1,900± sf Perfect, Turnkey Condition Ability to Add a Pool + 2nd-Floor Expansion Substantial Rental History 163AtlanticAve.com Timothy R. O’Connor | 631.771.5321 toconnor@bhsusa.com Jeffrey C. Carter | 631.771.5323 jcarter@bhsusa.com

All information is from sources deemed reliable but is subject to errors, omissions, changes in price, prior sale or withdrawal without notice. Equal Housing Opportunity Broker. Brown Harris Stevens of the Hamptons, LLC. 31 Main Street Southampton, NY 11968 • 631.287.4900

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LUXE SURVEYS THE STATE OF THE HAMPTONS’ PROUD LINEAGE OF MODERNIST ARCHITECTURE. W R I T T E N BY A D R I A N M A D L E N E R

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photo: michael mundy.

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The exterior of Jayne Michaels’ Springs residence (previous page) is true to its original 1972 design, which is credited to Joseph D’Urso. Architectural designer Sarah Rose Reilly preserved the wood paneling of a 1974 beach house in Amagansett (above), opting for a honey finish in the living room and matte black for the façade.

the kitchen but otherwise preserved the structure, including its original vertical exterior and interior wood paneling. Jayne Michaels, co-principal of design studio 2Michaels, saw similar appeal in the thoughtful simplicity of her 1972 Joseph D’Urso-designed home in nearby Springs—one of the first minimalist projects of its kind. Smitten with the symmetrical box shape, “arresting” light well over the center of the structure and black-painted façade (“before that was cool to do,” she says), Michaels put in an offer 10 minutes into viewing the property. The designer replaced the kitchen and bathrooms but was mindful not to “kill the Bauhaus vibe” in doing so. “Midcentury modern style was intended to provide architecturally interesting housing to the ‘common man,’ and that’s a goal we still believe in,” she says.

photos: read mckendree/jbsa.

There was a time when summering on the East End meant just the essentials. Throughout much of the mid-to-late 20th century, New Yorkers sought informal beach houses that put them in closer contact with nature, and architects responded in kind with modernist dwellings emphasizing quality of experience over quantity of space. “There was real freedom of expression in built form at the time,” notes Sarah Rose Reilly, principal of local firm Studio Rozu. “The money and sophistication were there for designers to experiment, and the beauty of the land was there to inspire. Norman Jaffe deconstructed the house in exquisite conversation with the ground and sky, Charles Gwathmey turned the home into the ultimate playground for living, and Andrew Geller transformed paper airplanes into castles by the sea.” The architectural designer found a perfect specimen for her own experiments in a 1974 beach shack tucked into the dunes in Amagansett. Championing its clean shape and precocious open concept, she expanded

INSIDER

Tasked by design-savvy clients with renovating Andrew Geller’s iconic Antler House in East Hampton, architect Forrest Frazier similarly ushered the 1968 house into all-season, 21st-century living with a gentle hand. Crucially, bringing the dwelling up to current energy codes while maintaining its purest form necessitated heavy investment in an unobtrusive HVAC system that allowed for its owl-eye windows and cedar paneling to remain distinct. Barring the addition of modern appliances and marble countertops in the kitchen, the original structure stands much as it did at its genesis. “Playful beach homes” such as the Antler House, Frazier posits, embody “the real spirit of the Hamptons.” Frazier, Michaels and Reilly comprise a small number of design professionals who have had the opportunity to rehab these dwindling treasures. Without protections (as the National Historic Preservation Act didn’t exist until 1966 and typically reviews homes at least 50 years old), the

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Hamptons’ modernist housing stock is free to be razed for the new—and has been for decades. So, why is it worth saving peculiar, often modest structures when there’s monetary incentive not to? The recent denial by the Southampton Architectural Review Board of a permit to demolish a Norman Jaffe residence on Meadow Lane suggests a reckoning around their

importance in the American design cannon. Historical significance aside, “there seems to be a growing appreciation for how cool these homes are,” Reilly concludes. “They’re unselfconscious in their quirkiness, naive in the risks they took architecturally, and elemental in their connection to nature. Those things can be hard to find these days—especially in the Hamptons.”

photos: ashok sinha.

The living room and revamped exterior of Andrew Geller’s 1968 Antler House in East Hampton, which architect Forrest Frazier, principal of Two Street Studio, worked to restore.

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FEATURES

Take a joy ride to three refreshing beach homes and a local artist’s exuberant studio.

Room to Grow

A design team helps longtime clients create a Southampton getaway as vibrant and fun as their family vacations on the shore. WRITTEN BY CHRISTINE DEORIO PHOTOGRAPHY BY TIM LENZ

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Architecture: Joseph Cerami, Joseph Cerami & Associates Interior Design: Michael Cox, Zunilda Madera and Stephanie Daniels, Foley&Cox Home Builder: Brian Kuck, BK Kuck Construction Landscape Architecture: Joseph W. Tyree, Joseph W. Tyree Landscape Design Inc.

In the main stairwell of this Southampton retreat, the warmth of tongue-and-groove cedar ceilings is juxtaposed with a sleek metal railing. The designers put a fresh spin on nautical decor, pairing Lindsey Adelman’s blown-glass Knotty Bubbles pendant with an oil painting by Joseph Richards through Carrie Haddad Gallery.

or years, a classic shingle-style vacation house on a windswept bay in Southampton had been the ideal escape for a family of five. But as the homeowners’ children grew up and brought their spouses and babies in on the fun, the living spaces and sleeping arrangements started feeling tighter, and the floors got sandier. Then, serendipity: A sun-dappled double lot just across the street came up for sale. Soon after, architect Joseph Cerami and designer Michael Cox—who together had conceived the aforementioned waterfront retreat—were tasked with imagining the transformation of this vacant property into a getaway befitting the family’s youngest generations. “The new house functions almost as an addition to the primary residence,” Cerami says of the resulting structure. Its three-level floor plan includes a gym and massage room, as well as a billiards room and outdoor sport court, plus plenty of space for indoor and outdoor relaxation. “We tried to imagine every element of a self-contained oasis,” Cox explains. Because the new dwelling would be part of a family compound, the design team also endeavored to create connections between the two houses—“as well as a sense of evolution,” Cox notes. “Certain fundamental elements are repeated in subtle ways, while others represent a natural progression.” The strong yet simple structure that landscape designer Joseph W. Tyree created with hedges, hornbeams and stone walls, for example, gave the new house an immediate sense of belonging. The cedar shake roof that Cerami designed nods to the waterfront home’s shingled façade, but punctuating the roofline with dormers topped with standingseam metal made it “more modern looking,” the architect says of this effect created in collaboration with general contractor Brian Kuck. Inside, Cox and colleagues Zunilda Madera and Stephanie Daniels incorporated the same wideplank white oak floors and coffered ceilings used

in the primary home, but traded traditional trim for simpler, beefier profiles, “so everything was in a bolder scale,” explains Cox. This paved the way for visually impactful moments, such as the dining room’s gigantic, Ingo Maurer–designed pendant, the interior of which is painted an intense ultramarine hue. “When we were installing it, we got a picture of five team members standing underneath the dome—it’s that large,” Cox recalls. In the main stairwell, the designers suspended a 14-foot-long light comprising ropebound, hand-blown glass globes—a sculptural take on Japanese buoys. And for the living room, they chose a large, woven-rattan pendant. “It’s ‘go bold or go home,’ ” Cox says of their approach. “We think of lighting as sculpture hanging from the ceiling.” Fixtures this daring beg the question, “What do you put underneath?” Cox admits. For the dining room, he designed a Corian-topped table whose impact comes from its massive scale, while, in the living room, it’s the diptych painting’s “color shock” that makes a statement, he notes. The art collection the designers gathered for the house covers a wide swath of creative expression, from watercolors to block prints, paintings and photographs. And, throughout the house, eyecatching furnishings double as artwork, from a voluptuous Gaetano Pesce–designed chair to the foyer’s custom cabinet inspired by Piet Mondrian’s primary-colored paintings. “That was a very specific client request,” Cox says of the latter. “When the homeowner suggested, ‘How about something that feels like Mondrian?’ I was so happy to see him getting excited about referencing art as inspiration.” Eighteen years ago, when Cox embarked upon the first of numerous homes he would design for this family, their taste “leaned more traditional,” he recalls. “But through the years, we pushed the envelope and started to introduce them to more contemporary furniture shapes and artists.” This house is the payoff. “Here, they gave us the ability to bring in surprises in terms of color and scale,” Cox says—and in return, they’re treated to design as fun as the freewheeling vacation vibe it fosters.

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Above: A guest room features a cardboard chair from Foley&Cox Home which is “reminiscent of Frank Gehry’s work,” designer Michael Cox says. Here and throughout, he adds, “We incorporated elements with age, so the house wouldn’t feel like a showroom.” Opposite: Paintings by Ethan Boisvert and a wool carpet from Aronson’s Floor Covering add color to the living room. Atelier Vime’s Aramis pendant adds “a fresh elemental reference in lieu of the expected wicker chair,” Cox notes.

Above: In a modern take on classic Hamptons kitchen style, white cabinetry contrasts with a Cambria quartz-topped island painted Benjamin Moore’s Hale Navy. The perimeter countertops are Chiara quartzite. Thomas Hayes Studio’s Basic Stools are upholstered in a Dedar stripe and the pendants are by Allied Maker. Opposite: Retaining walls create a private sunbathing spot enlivened by yellow Blu Ponti ceramic wall tiles from The Gilded Owl. A sculpture by Dan Droz from Pittsburgh’s Zynka Gallery presides over a Breeze XL sectional and zinc coffee table from David Sutherland.

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Above: French doors framed by a window wall connect the primary bedroom to a private deck. The drapes were crafted from Kravet Couture’s Spot On in Blanc. The armchair is from Foley&Cox Home. Opposite: Kate Holstein’s Dawn Patrol photo over the fireplace and nine black-and-white images by Michael Dweck set a beachy tone in the primary bedroom. Cabana-stripe sheeting and Euro shams of Christopher Farr’s Breakwater fabric in Pale Blue cover Lawson-Fenning’s Montebello bed.

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PATTERN PLAY Surreal landscapes and motherly love inspire an artist’s irrepressible visions. W R I T T E N B Y M A I L E P I N G E L | P H O T O G R A P H Y B Y B R YA N D E R B A L L A

ucked between the Pollock-Krasner House and Napeague State Park is the East Hampton home and studio—make that two studios—of multimedia artist Sydney Albertini. Relocating to Springs from New York City some 20 years ago, the Paris-born artist immediately felt a connection. “I didn’t need to be in the city anymore, and I’d always wanted to live by the ocean,” she recalls. The move not only gave her space to create a “dry studio” in the main house for fiber work and a “wet studio” for her paintings just a few yards away, but also the chance to develop a rich artistic practice while raising three boys. “I didn’t have the luxury of taking myself away from family to work, so I had to bring work into our family space,” the artist says. Her

home and work life are as symbiotic as her textile and painting practices, which she considers parallel processes. “The relationship between them is like the leaf and the tree,” Albertini explains. “One can’t live without the other.” A self-taught textile artist, she uses quilting, embroidery and weaving techniques to create works that range from wall-mounted canvases to freestanding sculptures. These pieces are emotional, examining connections between individuals and society. Her paintings (done on paper with oils and charcoal), and especially the “Woman Movement” and “Mother and Child” series, also explore femininity. In the former, she depicts female figures with “a chaos between movement, fabrics and the body,” which she organizes “with patterns like geometrics, stripes or cherries.” The latter gathers “reflections on my relationship

with my children—how you meld together but you’re separate,” the artist says. Sometimes the mother and child’s patterns are the same, other times they differ. But it’s her “Botanical” series, sparked by a recent trip to Costa Rica, that has opened Albertini—who has two shows this fall, one at Trois-Cinq Friedland, Sisley’s Paris-based cultural program, and one with her gallerist, Tristan Hoare, in London—to new visions. “I was overwhelmed by what I saw in the jungle. I came back and started painting botanicals,” she recalls. “It’s been such a rush, I haven’t stopped!” Bike rides through the Hamptons have proved similarly influential, from observing branches and flowers to blades of grass blowing in the wind. When composing her abstract “mind landscapes,” as the artist calls them, Albertini intentionally eschews ground and sky. “I want the botanicals to encircle you,” she says. “I don’t want reality.”

Artist Sydney Albertini at work in her “wet studio” in Springs, where she focuses on the painting side of her mixed-media practice.

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Contemporary art and playful furnishings create a singularly stylish family home by the sea.

FUNKY FRESH

Interior Design: Monica Fried, Monica Fried Design

very designer dreams of clients who simply get it. For Monica Fried, those clients were Joanne Diamond and Michael Bass. Keen collectors with an ever-expanding roster of contemporary artworks (by the likes of figurative painter Jonathan Wateridge, multimedia artist Mindy Shapero and sculptor and painter Yoshitomo Nara), the couple desired an art-forward yet approachable beach home—an irresistible brief for the designer. For years, Joanne and Michael had sought a place out East to comfortably accommodate their blended family of five children plus grandchildren. Eventually, they found their answer in a newconstruction residence in Southampton. Behind the classic shingled facade, the dwelling offered plenty of bedrooms, a pleasing open floor plan, ample windows providing an abundance of sunlight, and a clean, modern canvas to showcase art. Upon viewing it for the first time, Fried intuited that the house had potential to transform into a haven at once personal and made for hosting, elevated but still casual. In essence, a home that captures the many facets of who this family is and how they live. Naturally, art was at the core of that transformation. The couple—who works closely with Los Angeles-based consultant Cardiff Loy— saw the project as an opportunity to acquire new pieces that would celebrate the interiors. Fried refers to the den as a primary example. To make it a space where the family would want to curl up together and watch movies, the designer employed a warm orange palette for a cozy atmosphere. “We went for a yummy pumpkin mohair sectional, bringing in an almost retro, 1970s color,” she notes. Pointing to the vibrant metallic artwork that hangs on the wall, Fried adds, “I think the couch inspired Joanne’s selection of the Mindy Shapero piece above it.”

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In the living room, another artwork—a verdant painting by Jonathan Wateridge—was similarly deployed to make conversation with the greenery beyond the windows. Furnishings were curated to converse with the surroundings, too. Take the living room’s Christophe Delcourt sofa, whose sinuous shape draws visitors into the room and toward its wall of windows in a welcoming embrace. Fried found this piece, as well as the free-form wooden cocktail table that nestles in its curvature, on a sourcing trip to Paris. Thankfully, her gutsy clients were game, even from afar. “Some people would never purchase an item they haven’t seen in person, but Joanne and Michael were excited to,” notes the designer of that table—a find from the Paul Bert Serpette antiques market. “Monica and I had the same vision,” adds Joanne. “So when she said that the coffee table and sofa were standout pieces that we needed, I trusted her.” Yet beneath the pedigree of the home’s hero acquisitions, the designer never lost sight of the fact that this is, at heart, a house by the sea for a lively, social family. As such, comfort and utility thread through each decision. “Everything is wipeable and usable,” Joanne affirms. “Monica chose fabrics and furnishings that are beautiful but work for constant use.” Which means that no one lives in fear of upholstery getting ruined by wet bathing suits or of cocktails being spilled on rugs—both key considerations for this family of entertainers. As Fried points out, the dining room, with its table that seats 14, is especially ideal for languid summer evenings in the company of friends. “Can’t you see dinner parties in there lasting well into the night?” Fried muses. “The chairs are so comfortable and relaxing. It’s a space you want to sit in for hours.” That room, like every other, evokes a spirit of easy yet sophisticated living. “That’s exactly what we wanted,” concludes Joanne. “An everyday house with style.”

With its classic shingled exterior, this Southampton vacation home was the perfect fit for homeowners looking for a sophisticated yet family-friendly beach house. RH planters frame the entry.

Furnishings in neutral tones, such as the Merida rug, Cuff Studio pendant and leather chair from Studio Twenty Seven, allow artwork throughout the home to sing. Above the Vonnegut/Kraft bench in the living room hangs a painting by Alex Eagleton.

THE COUPLE D E S I R E D A N A R TF O R WA R D Y E T A P P R OAC H A B L E B E AC H H O M E —A N IRRESISTIBLE BRIEF FOR DESIGNER M O N I C A F R I E D.

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Above: The oversize Mindy Shapero artwork in the den plays to the warm orange of a custom sectional. A sheepskin ottoman by Luxe pour Maison and wool Armadillo rug create additional layers of coziness. The wood accent table is from Clic. Opposite: For a family of entertainers, the dining area needed plentiful and comfortable seating. David Gaynor Design chairs with linen seats and sheepskin backs surround a Vonnegut/Kraft table, while Allied Maker pendants hang overhead and artwork by Thomas Wachholz holds court.

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Right: A downstairs guest room features a fiber pendant from Dmlights hanging above an upholstered Room & Board bed. The mustard Armadillo rug and CB2 shearling accent chair add warmth and texture. Opposite: The designer enhanced the guest room’s color palette by installing an ivory-yellow-andblack Lauren Williams textile piece above a McGee & Co. woven-leather bench.

Above: “There are lots of nooks and crannies for people to relax in,” says Fried, pointing to a reading alcove on the upstairs landing. A Yoshitomo Nara print hangs above a deep custom-cushion-topped banquette. The stools were sourced from Spartan Shop. Opposite: “Beach-house chic” is how the designer describes the decor of this guest bedroom. The patterned rug and textured quilt are both from The Citizenry. The rattan pendant is from Pottery Barn and the cane bed is from Industry West.

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Happy Hour Midcentury style meets the English countryside in a Bridgehampton farmhouse built for merriment. W R I T T E N B Y K A M A L A N A I R | P H O T O G R A P H Y BY T I M L E N Z

Interior Design: Augusta Hoffman, Augusta Hoffman Studio Home Builder: Stephen Sisca and Vitaly Katsnelson, Renovation Partners and Carlos Mendoza, Eastern Chateau Landscape Architecture: Michael Donnellan, Summerhill Landscapes

fter years of long-distance dating, the owners of this Bridgehampton residence were eager to live in the same place. The young woman relocated from London to New York, and, together, they began hunting for a home of their own. A 1990s farmhouse set in a grassy lot with majestic mature trees quickly captured their imagination. Every inch of the property needed work, but who better to imbue some much-needed TLC than a pair of transcontinental sweethearts? Enter Augusta Hoffman, a New York-based designer and longtime friend of the couple, whom they confidently tasked with reconceiving the abode as a happy, all-season retreat. For these owners, happiness meant “the juxtaposition of an elegant, traditional home that felt youthful and edgy at the same time,” notes Hoffman. It also meant a space designed for entertaining as, on the weekends, they regularly host upwards of 40 guests for lunches and cocktail parties. Joined by general contractors Stephen Sisca and Vitaly Katsnelson of Renovation Partners in collaboration with locally based Carlos Mendoza of Eastern Chateau, the designer set about delivering their wish list with a series of clever, impactful updates. In addition to fresh millwork throughout, a new lighting program was installed to elevate the interior canvas. “We brought in a lot of thoughtful elements from traditional Georgian homes, which add to the refinement of the space,” Hoffman says. “One of the best decisions was to replace all the outlet covers and light switches with unlacquered brass so the rooms would feel much more architectural and considered.” She also gave the downstairs guest suites a hospitable feel by removing closets in favor of breathing room, and converted the former den into an expansive dining room replete with a built-in bar and French doors opening onto the garden. Paint, meanwhile, was Hoffman’s secret weapon. Opting for bright palettes in rooms that lacked optimal sunlight, the designer leaned into maximalist jewel tones for the home’s heavily

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windowed spaces. To wit, the dining room was given a velvety emerald coat, and the office and den a rich indigo. And instead of gutting the rustic kitchen, Hoffman simply replaced the countertops and painted everything black. “By bringing in a bit of New York edge with dark millwork and new marble counters, we enhanced the space without actually doing much,” she explains. Even the floors were treated to dramatic paint transformations. The entry hall and dining room, for instance, now feature timeless diamond checks, and the sanctuary-like upstairs bedrooms’ wooden boards were painted a beachy white hue. Formalizing the joining of their design sensibilities, the couple became engaged midway through the project, and many of Hoffman’s updates play to this tension. While the man’s taste had always skewed Scandinavian midcentury, his fiancée preferred a more classic British look inspired by her family’s home in the English countryside. And so, Hoffman embraced both influences when it came to fabrics and furnishings, deftly balancing notes of modern masculinity with Cotswold flair. Take the dining room, where a set of teak midcentury dining chairs surrounding a steelbased table effortlessly mingle with an English George II-style server dating to the 1750s. Or the living room, where a medley of European and Scandinavian pieces gather around a fireplace composed of manganese Delft tiles. Twentiethcentury furnishings with sleek lines similarly break up the unabashedly British spirit of the bedrooms, courtesy of elaborately canopied beds and layers of dainty floral and block prints. Completing the transformation of this residence was a sweeping exterior overhaul. “We reoriented the entrance, moved the pool, highlighted the front door and shutters with black paint and beautiful brass hardware, and removed decaying trellises,” the designer recalls. And, imperatively, to create a grand lawn for parties, landscape designer Michael Donnellan opened up the parcel, pushing out the existing perimeter of hedges and accentuating it with classic hydrangeas. Those young plants have since blossomed and Hoffman’s clients are now newlyweds. As for their very first home together, it’s the toast of the town.

In the back entrance hall, designer Augusta Hoffman used organic textures to create a welcoming vibe. Under a rattan globe pendant, a brass lamp and wabi-sabi-style reclaimed teak bench join a framed Gracie hand-painted chinoiserie silk panel.

“They wanted the juxtaposition of an elegant, traditional home that felt youthful and edgy at the same time.” – A U G U S TA H O F F M A N

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“We peeled back the layers and focused on special pieces,” notes Hoffman. This approach is seen in the living room, where a TMBO settee in a Dedar fabric, midcentury Scandinavian lounge chairs and a Calacatta Viola marble table from Design & That surround a fireplace outfitted with Delft tiles.

Above: The kitchen includes a vintage French island-table, a Méandre side chair by Design Frères and a metallic Mathieu Matégot pendant by Gubi. Hoffman updated the existing cabinetry with a coat of Benjamin Moore’s Onyx and maple hardware from Park Studio. Opposite: Midcentury teak chairs surround a custom steel-and-walnut table from Luke Todd Studio in the dining room, which is painted Benjamin Moore’s Forest Floor. The English sideboard dates to the 1750s and the brass chandelier is a 1960s Italian design.

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Above: With its walls and ceiling painted Benjamin Moore’s Vanderberg Blue, the den features an RH sofa alongside an ottoman from Jayson Home, a wooden stool from The Somerset House and a Turkish Oushak rug. The wooden window coverings are from The Shade Store. Opposite: In the office, the floor is painted Benjamin Moore’s White Dove to create contrast with blue walls. The burl wood desk is from CB2 while the midcentury teak chairs and handcrafted bronze pendant are Etsy finds.

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Right: A faux-sheepskinupholstered love seat and Nala stools by Ballard Designs customcovered to match the room’s headboard create a cozy reading nook in a guest bedroom. The sconce is vintage via 1stdibs. Opposite: Les Indiennes’ Japanese Trees covers the walls, ceiling and bed canopy. The Suzanne Kasler for Ballard Designs headboard wears a Jasper fabric slipcover. The wicker lamp atop the lacquered Lane Furniture dresser is from Jayson Home.

The property’s mature trees and a grand lawn expanded by landscape designer Michael Donnellan take center stage in the pool area, which features a stone surround executed by Greg Darvin of Pristine Pools. The scalloped umbrellas are from World Market.

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