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Discover Gaggenau’s Range of Solutions.
More than a cooktop The range, reconsidered Introducing the range alternative, a uniquely integrated approach from Gaggenau. Tailor your own range alternative with the cooking appliances matched to your culinary preferences and style. Select from a variety of cooktops such as gas, induction, wok, electric grill, or even a Teppan Yaki. Then choose from a variety of ovens, combi-microwaves, warming and vacuuming drawers, configured to create 30, 36, 48, 60-inch and larger combinations. Further your kitchen’s distinctiveness by integrating downdraft ventilation, introduced in Europe in 1976 by Gaggenau to free culinary arrangements from the limitations imposed by a traditional overhead hood, and transforming the kitchen into a social space. Imagine complete capability, paired with total compatibility. The difference is Gaggenau.
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Polygonia. Sculptural sideboard, designed by Giacomo Garziano.
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Photos by Flavien Carlod and Baptiste Le Quiniou, for advertising purposes only. BAO BAO ISSEY MIYAKE bag. Ecker Architekten. (1)Conditions apply, contact store for details.
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Custom Stone Mantle in Arabescato Corchia by John Beckmann Custom Stone Mantle in Arabescato Corchia by John Beckmann S p l a t ! Ta b l e b y A n n i e M a n d e l k e r n ASTRADIA by Sergio Mercado for Borrowed Earth Ro c k O u t B e n c h a n d S o f t Ro c k C h a i r s b y C a r a Wo o d h o u s e Available exclusively through ABC Stone.
BRING YOUR VISION TO US The experts at Ferguson Bath, Kitchen & Lighting Gallery are here to help create a home that’s as extraordinary as you are. Any project, any style, any dream—bring your inspiration to fruition at Ferguson Bath, Kitchen & Lighting Gallery. Visit build.com/ferguson to schedule your personalized showroom experience today.
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Photo by Dror Baldinger
“We were designing for floor-to-ceiling glass and needed a sleek design with minimal frames. Western Window Systems fit that scope. They have a very regular, modern design for sliding doors and fixed window systems, so it worked perfectly for the house that way.” Scott Specht, Specht Architects
Design Better
2023 Luxe Red Awards Readers’ Choice Winner for Austin + San Antonio Exterior Architecture
CONTENTS
NOV DEC 2 02 3
48
EDITOR’S LETTER
Scene 56
D E S I G N D I S PAT C H The little black book of all things new and fabulous in the local community.
Radar 66
NOTEWORTHY Meet three designers who are crafting products that address sustainability, materiality and technology.
70
I N S P I R AT I O N Billy Cotton unpacks his approach for creating grounded, evocative spaces.
74
A R C H I T E C T U R A L LY S P E A K I N G Leading architects examine the evolution of AI for the industry.
76
I N N O VAT I O N With a waste-not approach, plant and fruit leathers are becoming the latest in-demand textiles.
Market 90
M AT E R I A L Marvel at the handiwork of patchwork quilts and reflect on the craft’s well-deserved renaissance.
100
TREND Luxe rounds up three major art exhibits headlining this season.
106
SPOTLIGHT Get to know six vintage and antique shop owners charting their own course.
Living 122
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K I TC H E N + B AT H Conceived as design-forward sanctuaries, these restful bathroom spaces take center stage.
Designers, epicureans, and guests. The French door that satisfies them all.
Introducing our new fully integrated 48-inch French Door Refrigerator/Freezer; designed to fit any kitchen’s style and every entertainer’s needs. Thanks to its impressive capacity, and features like the exclusive 5-mode Convertible Drawer and Dual Ice Maker with Craft Ice™, your favorite foods and growing guest lists will be well taken care of. That’s how we stay #TrueToFood
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Learn more about how we stay True to Food by visiting our showroom near you: Royal Green Appliance Center White Plains | 888-534-4572 New York City | 888-534-4572
Mr. Jay Appliances / Elgot Kitchens Williston Park | 888-675-2988
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Copyright 2023© Signature Kitchen Suite, 111 Sylvan Ave., Englewood Cliffs, NJ 07632. All rights reserved. “Signature Kitchen Suite” and the Signature Kitchen Suite logo are trademarks of Signature Kitchen Suite.
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EXPERIENCE THE NEW STARKCARPET.COM
CONTENTS
FEATURES
150
162
172
176
Into the Woods
Beyond the Beige
Art + Craft
All in the Mix
Designed to honor its leafy environs, an East Hampton residence feels worlds away.
Saturating the neutral framework of a Tribeca condo allows the space—and cityscape—to shine.
Fiber artist Bisa Butler’s quilted portraits vibrantly celebrate narratives of Black life.
A dynamic art collection guides the invigorating redesign of a New Jersey home.
Written by Alyssa Bird Photography by Joshua McHugh
Written by Kamala Nair Photography by Brittany Ambridge/OTTO Styling by Martin Bourne
Written by Christine DeOrio Photography by Nina Choi
Written by Maile Pingel Photography by Stacy Zarin Goldberg Styling by Kristi Hunter
ON THE COVER: Cochineal Design left the fenestration of this East Hampton residence bare to put the surrounding greenery on display. Overlooking a living room composed of a white Dmitriy & Co sofa, gray Flemming Lassen sofa and Nickey Kehoe coffee table is an RF. Alvarez painting. Page 150
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I N
P A R T N E R S H I P
SEE MORE. DISCOVER MORE. Join these industry tastemakers at ATLANTA MARKET this winter to dive deeper into the trends for 2024 and beyond. Plus, you’ll discover more home sourcing options than ever before with the addition of 50 casual/outdoor furniture showrooms, more top-notch lines and new resources across the Market.
THE PREMIER GIFT, DÉCOR & LIFESTYLE MARKET
Traverse Side Table – Ebony Cerused by Global Views
Organic Round Mirror Antique Brass by Jamie Young Co.
DARK + LOVELY
Adeline Rectangle Wall Sconce by Jamie Young Co.
“I am starting to see a trend in darker, deeply-hued spaces. I would call them ‘dark and lovely,’ and this is one of my personal favorite happenings in design right now—I’ve even implemented it into my own home. Clients are requesting a more moody and sophisticated feel, and I can achieve this look by using those dark color tones, along with sensual textures and accessories.”
AMHAD FREEMAN, Principal Designer Amhad Freeman Interiors Nashville, Tennessee | 615.429.1726 amhadfreeman.com | amhadfreemaninteriors
Boundless Chair by Caracole
Atlanta Market is open to the trade only, January 16 to 22, 2024. Register online at AtlantaMarket.com
I N
P A R T N E R S H I P
Spiritus Pendant by Currey & Company
Very Verdure 3 by Wendover Art Group
Lumberton Jar With Lid – Blue/Green by Chelsea House
Rosie Tray by Chelsea House Reed Rattan Floor Lamp by Currey & Company
Like Paradise by Rochelle Porter (currently on display at Curated Home Brands)
Riviera Deck Chair by Mainly Baskets Home
Laguna Small Bench, Striped by Uttermost
RATTAN REVIVAL
MAXIMALIST PATTERN PLAY
“Steeped in history, rattan is now returning to interiors—and not only in coastal or outdoor settings. I love the typical honey color, but I also enjoy seeing it used in painted hues paired with unexpected shapes. One of my favorite approaches is to mix rattan objects into more polished spaces, as it adds just the right bit of style tension to keep a room from feeling too formal.”
“Eye-catching walls are definitely making a statement. Whether abstract, tropical or geometric, the use of vibrant color and pattern in wall art and wallpaper is bigger than ever—and I’m thrilled to see it! Minimalism has its place, but bold, expressive prints and audacious color combinations evoke a whimsy that, in my opinion, is unmatched.”
ROCHELLE PORTER,
LAURA W. JENKINS, Principal Designer
Creative Director
Laura W. Jenkins Interiors Atlanta, Georgia | 404.452.2408 laurawjenkins.com | laurawjenkinsinteriors
Rochelle Porter Design Atlanta, Georgia | 404.915.0005 rochelleporter.com | roporterdesign
Showrooms: Tuesday, January 16 – Monday, January 22, 2024 Temporaries: Wednesday, January 17 – Sunday, January 21, 2024
Register Today at AtlantaMarket.com @AmericasMartATL | #AtlMkt
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Ivy Branch Chandelier
Bespoke Lighting Solutions. Branch out. Grow beyond the traditional with Ivy Branch. Each branch is crafted from hand-shaped metal and blown glass with a wooden tip finish. Customize your fixture to fit your unique space and style.
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Luxe Interiors + Design®, (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 21679584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 6, November/December, prints bimonthly and is published by SANDOW, 3651 FAU Boulevard, Suite 200, Boca Raton, FL 33431. Luxe Interiors + Design® (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design®, SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Subscriptions: 1 year: $34.95 USA, $84.95 in all other countries. Luxe is a licensed trademark of SANDOW © 2023. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, P.O. Box 808, Lincolnshire, IL 60069-0808. Email: luxe@omeda.com or call toll-free 800.723.6052 (continental U.S. only, all others 847.559.7358).
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LETTER EDITOR’S
Real Intelligence Our workplace Slack channel, “Learn AI,” is frequently pinging with updates on the latest tools and links to YouTubers who share weekly recaps and practical uses. I wish that I could say I was interested. But, at the moment, I am fascinated by another regenerative force: that of trees. A few months ago, I moved from a heavily-developed area to one of the most biologically diverse regions in the country. My neighborhood was planned in the 1920s by landscape architect John Nolen in collaboration with Frederick Law Olmsted, and it is filled with massive century-old trees. An 80-foot white oak graces my front yard, and this mighty tree supports more life-forms than any other North American tree genus, providing food and protection for birds, bears, squirrels and countless insects and spiders. It will produce three million acorns in its lifetime and drop about 700,000 leaves each year, creating a habitat that regenerates and makes its own vibrant community right outside my door. Plus, oak trees also sequester carbon.
Pamela Jaccarino VP, Editor in Chief @pamelajaccarino
As part of the SANDOW DESIGN GROUP (SDG) carbon impact initiative, we are now printing using soy-based inks, which are biobased and derived from renewable sources. This continues SDG’s ongoing efforts to address the environmental impact of its operations and media platforms.
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PORTRAIT: HEATHER BAIGELMAN.
Nature is way cooler and more captivating than machine-learning. I may just have to start a new workplace Slack channel, “Discover Dendrology!”
Architect: Wright Design Builder: Morgan-Keefe Builders Interior Designer: Wright Design Interiors Studio Photographer: Rebecca Lehde
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SCENE W R I T T E N B Y L A U R A H I N E | P R O D U C E D B Y C L É M E N C E S FA D J
SHELF LIFE
DESIGN, STYLE & INFLUENCE W R I T T E N BY K H A D E J A H K H A N
Alexa Hampton’s latest book, the third in her oeuvre, explores the design evolution of her longtime New York City residences—in a building she’s called home for 27 years— through vivid snapshots and heartfelt tributes. Luxe chatted with the prolific designer to learn more. alexahampton.com; penguinrandomhouse.com What inspired this book? I wanted to write about my lifelong influences. Some are seminal moments, like the Bill Blass and Givenchy sales. Others are museums or architects that have inspired me. That’s the core of the book—“love letters” to various people, places and experiences that have shaped me. How do you balance grandeur with what you describe as “normalcy” in your home? I’ve given myself permission to have things like crazy helmets and formal elements, but they aren’t necessarily reflective of my personality—it’s about what delights me.
LAUNCH
Any advice for the next generation of designers? First, look at people you admire in other fields. What can you draw from their story? Second, take yourself seriously. Designing is a craft that requires intelligence, but it should not be divorced from our creative angels. Find the balance that suits you; authenticity is key to success.
Designer Anna Karlin took three years to create her newest collection, which includes nine series of lights, wiry counter seating, a ceramic bar cabinet and a crewel-inspired headboard. The pieces feel rooted in the natural world with shapes that evoke the curves of seed pods, moonlit spheres and vining branches. The collection’s aesthetic draws on the traditions of the Arts and Crafts movement and Art Nouveau, but Karlin, who is always sketching and developing, takes the look in a modern direction rooted in contemporary times. After getting her start working on fashion shows, event design, exhibitions and window displays, the designer pivoted when she realized she wanted to make something permanent—rooms and objects that weren’t torn down or thrown out at the end of the day. “I like to imagine a world and all the pieces in it,” she says. “I develop deep conversations between works and the spaces that surround them.” annakarlin.com
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shelf life photos: book cover, courtesy clarkson potter; interior, steve freihon. launch photo: adrian gaut.
ANNA KARLIN FURNITURE + FINE OBJECTS
DISPATCH
STATE OF THE ARTS PROJECT FOR EMPTY SPACE
SCENE
DESIGN
In 2012, art curators Jasmine Wahi and Rebecca Pauline Jampol took part in an exhibition inside an empty retail space in Newark. Soon after, that initial collaboration evolved into Project for Empty Space, a Newark-based nonprofit supporting women, LGBTQIA+ and marginalized artists by offering studio spaces and grants, while also housing large exhibitions. Here, the founders share a little more about what’s next for this thriving organization. projectforemptyspace.org What drives Project for Empty Space? Jasmine Wahi: Our mission comes from living through some of the issues we are trying to confront, and thinking of ways to respond to these through art. We’re interested in the future of what art and society could be, and in how we can create a space for ourselves. And why Newark? Rebecca Pauline Jampol: Newark has such an interesting and inspiring creative history, as seen through the generations of local artists and the public art that has been created here. The city is also developing quickly and we feel strongly about helping to create a sustainable arts model for it, like with our subsidized space program that provides 40 artist studios. What’s next? JW: We’re opening a space in Chinatown at the end of this year. It will be an exhibition and residency space with virtual and in-person programming. We’re also working on a 2024 show that will go across the country in a box truck retrofitted as a gallery.
FEED TO FOLLOW WHO: Multidisciplinary artist Doan Ly came to the U.S. from Vietnam when she was 8 years old. After graduating from college, she worked in New York as the managing director of a nonprofit and soon found that the only way to pull herself away from the stress that came with her position was to get a weekend job at a flower shop. Ly’s side venture proved serendipitous as it reignited her love of botanicals and gave her a creative outlet: Seven years later, she launched A.P. Bio, her studio of botanical photography. WHY: To capture her artistic botanicals, Ly taught herself photography, and those images became their own art form, which can be experienced via an Instagram account blossoming with her poetic—and always visually striking— photography. To wit, Chronicle Chroma recently published Still Life, a collection of her creations. WHAT: Her feed is filled with images she has photographed and styled, including florals against vibrant backgrounds, portraits of people with flowers, and short videos that are as inventive as they are colorful. IN HER WORDS: “I have reached a point in my flowers and photography where I want to go deeper and tell a more personal narrative. I’m not sure what form that will take, but I want to see what would happen if I meshed my Vietnamese background with the world I’ve created here, and how those emotions would affect my work.”
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state of the arts photo: daphne arthur, courtesy the project for empty space. feed to follow photos: doan ly.
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RETAIL THERAPY SARAJO AND ANTIK
TWO INTERIOR DESIGNERS SHARE THEIR INDIVIDUAL APPROACH TO SUSTAINABILITY. W R I T T E N BY C L É M E N C E S FA D J
Maureen Ursino Based in Colts Neck, New Jersey, LUXE Next In Design 99 talent Maureen Ursino draws inspiration from “the sounds, scents and colors found in natural environments.” Here, she tells us about the role sustainability plays throughout her work. “We always look to specify energy-efficient appliances, reuse furniture via antique or vintage pieces and work with natural materials. One of our recent projects repurposed a large piece of granite from an old New York City sidewalk for use as a fireplace hearth—it was absolutely stunning!” ursinointeriors.com Michael Tomei. Michael Vincent Design principal and LUXE Next In Design 99 honoree Michael Tomei aims to redefine ageless aesthetics with a modern grandeur twist. He shares his thoughts on the importance of age-old pieces. “Antiques hold a special place in sustainable design and reflect the craftsmanship and design sensibilities of different eras. Sourcing them is not only environmentally friendly, but also results in unique and meaningful spaces.” michaelvincentdesign.com See our Next In Design 99
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retail therapy photos: antik photo, jeff holt; sarajo photo, cristina wright. mindful design photos: maureen ursino portrait, kirsten francis; michael tomei portrait, gieves anderson.
MINDFUL DESIGN
Atlantic Avenue in Brooklyn Heights has long hosted chic home decor shops like Collyer’s Mansion and Salter House, but the street just got a much-needed boost as a can’t-miss shopping destination with two new additions: Antik and Sarajo. Antik (above) is the retail store opened by Brooklyn-based interior designer Jenna Chused. “I know how to do retail and have a bad habit of buying things,” she says with a laugh. “My dream was to have an office with a store in front so that everything I found, I could sell.” The store nicely displays the elements needed to finish a home: pillows, rugs, accessories and smaller furniture pieces. Many are vintage; others Chused found on her travels or designed herself. “I’ve always been good at the mix,” she reflects. “Putting together items that complement each other, but in a way that you wouldn’t think of.” Sarajo (below), which showcases antique and vintage textiles, moved from SoHo to Brooklyn Heights when the gallery’s manager, Jess Petino, took over from retiring owner Yosi Barzilai. And while she’s only 26—younger than the business—she has a clear direction for the gallery. She wanted a more visible retail space to display the varied textiles that include wall hangings, runners and blankets. “This location was a wreck,” Petino shares, “but fortunately, I come from a crafty family so, with my parents’ help, we redid the entire space.” Which visitors can now discover as they take in the avenue’s varied offerings. antikbrooklyn.com; sarajo.com
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image: dripping springs house by matsys.
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Get to know today’s designers and makers pushing the aesthetic envelope, brands championing sustainable textiles, and architects’ take on AI.
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Next (Re)Generation LUXE MEETS THREE CREATORS WHOSE FORWARD-THINKING PRACTICES START WITH REGENERATIVE DESIGN AND BETTERING THE WORLD AROUND US.
Acropora by Sangmin Oh for TextielMuseum is part of his “Knitted Light” series, which uses elastic, glow-inthe-dark yarn and recycled monofilament fishing line.
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photo: courtesy sangmin oh.
W R I T T E N BY C L É M E N C E S FA D J
Photographed at The Boston Athenaeum
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SANGMIN OH
For Daniel Michalik, whose Brooklyn studio crafts striking seating and objets from cork (like the Arm Chair, below), working with the medium is more than an aesthetic choice—it is part of an effort to “rethink our relationship to natural systems.” The lifecycle and harvesting methods for cork make it a uniquely environmentally responsible material because cork trees can be harvested naturally every nine years without damage. And using this flexible, raw material is part of a circular manufacturing loop, as it’s recyclable and its main global use, the production of bottle stoppers, leaves large amounts of leftovers. Michalik, a professor at Parsons School of Design, makes frequent trips to Portugal, where cork forests abound, to study and preserve the centuries-old harvesting techniques handed down through generations. danielmichalik.com
When Korean-born designer Sangmin Oh decided to create three-dimensional textile lighting, he found himself experimenting at the fabric laboratory of the TextielMuseum in Tilburg, Netherlands, which became a playground of sorts for the maker. There, using a knitting machine, he was able to mix materials until he found his recipe for magic: a combination of elastic, glow-in-the-dark yarn and recycled monofilament fishing line. “Because of its transparent quality, it lets you play with light,” Oh says of his amorphous, abstract “Knitted Light” pieces which evoke natural forms, specifically, threatened coral. At night, Oh’s designs emit a soft glow showing different hues and dimensions, and, in the daylight, they are textile sculptures inspiring wonder and reflection. osangmin.com
TREY JONES One look at Trey Jones’ sculptural furnishings and your eye is drawn to the unusual patterning, rich coloration and whimsical proportions. What may not be immediately apparent is that the pieces are also a feat of ingenuity in reusing resources. At the workspace Jones shares in Washington, D.C., piles of plywood would accumulate as cabinet makers crafted their wares. Soon, the artist was inspired to give the scraps new life and landed on a technique inspired by Japanese Nerikomi ceramics, in which Jones painstakingly assembles small offcut sections into elaborate motifs created by exposing the wood cut ends. For the Plinths Cabinet, at left, the compounded technique reveals the inherent nature of the pattern within. treyjonesstudio.com; cultureobject.com
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PHOTOS CLOCKWISE FROM TOP LEFT: COURTESY DANIEL MICHALIK, COURTESY SANGMIN OH, JODY KIVORT.
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SENSUAL, GROUNDED INTERIORS ARE BACK. BILLY COTTON STRIKES THIS SENTIMENT WITH BOUNDARY-DEFYING SPACES THAT SPARK EMOTION AND FORGO STANDARD FORMULAS. W R I T T E N B Y M A R I O LÓ P E Z- C O R D E R O
In a modern New York City home designed by Billy Cotton with architect Stamberg Aferiat + Associates, art by Cindy Sherman hangs above a Vladimir Kagan sofa.
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photo: © stephen kent johnson/otto.
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has yielded hauntingly memorable spaces, including a Manhattan refuge in which blue-chip contemporary art takes center stage, and light and air are ingredients as important to the finished scheme as the chevron patterned floors and curvy sofas. The project exemplifies Cotton’s belief that there should be a continuous push and pull between objects and furnishings as though they are in constant communication. Cotton’s rooms are always poetic, never banal, and pared down to sensuous and unexpected details and couplings that evoke emotion. How does he compose beautiful interiors that actually make you
feel something? “You have to edit,” he says. “I want people to bring things into their lives that have meaning. The objects and materials you employ in a space should be intentional. Intentionality dictates respect. Do you need this? Is this the best version? I would rather not buy a decorative object just to fill a room. I want houses to evolve over time and give people a canvas to paint their own spaces.” His talent lies in the way he distills a client’s passions to their best possible version and then gives them plenty of room to soar and sing. “Above all,” says Cotton, “design should be filled with joy.” billycotton.com
portrait: noe dewitt. interior photos: © stephen kent johnson/otto.
He is a polymath decorator whose soulful, wideranging body of work can incorporate bouillon fringe and chintz balloon shades as easily— and winningly— as it does sculptural staircases and chalky white walls left ethereally unadorned. And while Billy Cotton’s deft, resonant interiors can run the gamut stylistically, they are all rooted in a rigorous, inquisitive point of view the New York-based practitioner picked up at Pratt Institute. “I trained as an industrial designer, which was all about how somebody uses something and how they interact with an object, whether it’s a plate or silverware. I think of all my projects that way,” he says. “What does somebody need, what is the problem and why did they come to me?” The function-forward answer leads Cotton to a client-specific game plan that leaves him room to play—with materials, with furnishings, with romance. “I’m a dreamer. I love to fantasize about what beauty or luxury can be. When we get together with clients, we are having fun.” In Cotton’s world, “fun” is a humble euphemism for an intuitive process that
The living area is anchored by a custom sofa in Fortuny velvet, while artwork by Sadie Benning and Jacqueline Humphries flanks the fireplace (above). A sculptural Steelcase bench is paired with a graphic painting by Stanley Whitney.
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A Fine Line
TODAY’S TOP TALENTS WEIGH IN ON THE PROS AND CONS OF AI FOR RESIDENTIAL ARCHITECTURE.
In an industry that values the trained eye and a studied approach, it’s perhaps no surprise that many architects are wary of artificial intelligence programs that whip up new renderings at the push of a button. “It’s fascinating software, but it is frightening,” says Fort Worth-based architect Jeff Garnett, who does not use AI in his work but has tested the software after hours. “Design is a human creation, and we have to hold onto that as long as we can.” If you plug the phrase “Georgian Revival estate stucco” into an AI program like Midjourney, you will get multiple versions of a visualization rendering returned in mere seconds—sans blueprints and the actual details needed to build a house, of course. While these images may look authentic, they don’t replace a trained—human— professional. “You’re going to have to be careful with these programs and stay well-informed, not trusting things too much,” architect Tom Kligerman of New York City firm
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Kligerman Architecture & Design heeds when it comes to taking what’s in front of you for fact or fiction. Still, AI has its perks—especially as back-of-the-napkin initial sketches can be replaced by a tool that creates a nearly-instant rendering to elucidate an architect’s imaginings. Andrew Kudless, principal of design studio Matsys and a Professor at the University of Houston’s Hines College of Architecture + Design, believes AI can be helpful in several ways. “In the early design phases, it can explore more ideas in less time without modeling and rendering each iteration. Also, as AI models become more sophisticated and attuned to architectural problems they can help automate essential yet labor-intensive tasks, freeing up designers’ time.” In short: there are ways to put the intelligence in artificial intelligence. “There is this perception that AI models are either godlike superbeings or evil robots coming for everyone’s job,” Kudless says.
background: dripping springs house by matsys.
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Juicy Fruit NOVEL PLANT AND FRUIT LEATHERS OFFER STYLISH QUALITIES ENTIRELY THEIR OWN.
A new crop of leathers is popping up and meeting the (environmentally conscious) moment, offering elegant alternatives to traditional materials. By using sustainably farmed plants, fruits and byproducts with lower ecological footprints, these imaginative textiles can capture the lithe look and grains of animal leathers while also producing unique aesthetic effects, introducing tantalizing possibilities for interior design. That’s what attracted Brooklyn-based furniture designer Bowen Liu to Fruitleather Rotterdam. The Dutch brand makes plant leather from spoiled mangos, resulting in textiles that feature naturally stained pebbled textures and embossed crocodilelike patterns. But Liu intuitively gravitated to Fruitleather’s original mottled finish, which reveals pieces of the mango’s natural pulpy texture and golden hue. “I like showing the details of a material without sacrificing its integrity,” explains the designer. “The pulp and fiber add character that feels authentic.” This speaks to plant leather’s underlying appeal— one-of-a-kind materiality, and a sense of place and history. Another brand making waves is Desserto, who is producing a leather-like textile from the nopal cactus on its farms in Zacatecas, Mexico. The heritage, drought-hardy perennial is grown without irrigation or pesticides. In the Philippines, Ananas Anam is using leftover pineapple leaf fibers to make their signature Piñatex leather. They recently collaborated with famed British designer Tom Dixon, covering his wingback chairs in metallic Piñatex to create an effect reminiscent of leather crossed with texturized silver. Such partnerships play a central role in carving sustainable paths forward. For Liu, the key to unlocking plant leather’s potential is creative curiosity. “I’m interested in materials and applying them to the proper applications,” she says. “It’s necessary to touch them and learn about their properties.”
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photo: unsplash.
W R I T T E N BY M O N I Q U E M C I N T O S H
2023
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NOTABLES S O P H I ST I C AT E D.C U R AT E D. S T Y L I S H .
SOSSEGO Sossego’s Angela Armchairs by Aristeu Pires provide the perfect mix of flexibility, support and style for enjoying holiday meals and catching up with loved ones. Delivery in two weeks. sossegodesign.com
DOWNRIGHT Downright’s Eiderdown is the finest, warmest, rarest down in the world. Hand-collected from abandoned nests in eider duck sanctuaries, eiderdown is extremely lightweight and exceptionally luxurious.
JSN PAINTING LLC A renowned craftsman who specializes in luxury painting and wallpaper services, John Fasano’s decades of experience and meticulous attention to detail make his work highly sought-after by the most discerning homeowners and interior designers. See walls transformed at @jsnpainting.
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KLAFS USA Introducing the limited-edition KLAFS S11 Sauna, designed by Studio F. A. Porsche. Inspired by the iconic Porsche design philosophy, the S11’s clean lines, refined edges and understated elegance set it apart from traditional sauna designs. klafsusa.com
DORIS LESLIE BLAU Circa 1920, this antique Persian Kirman rug—BB8180—embodies refined workmanship and artistry. Rendered in a palette of red, blue, beige, salmon and green, it carries an elaborate botanical design. Measuring 10' x 13', the rug is priced at $40,000. dorisleslieblau.com
A D V E R T I S E M E N T
Showcasing the Latest in Tile Design Trends at our newly redesigned showroom For over half a century, Nemo Tile and Stone has been a cornerstone in Hicksville, offering a unique blend of style, sophistication, and innovation. We are excited to unveil our newly redesigned showroom, a vibrant space that both honors our rich heritage and embraces the future. Our Hicksville showroom has been transformed into a haven for design enthusiasts, showcasing the latest in tile design trends. From the timeless allure of marble to the rustic charm of terracotta, from the sleek minimalism of porcelain to the intricate patterns of mosaic, the showroom is a veritable treasure trove of design inspiration. Imagine a space where you can explore a plethora of options, touch and feel the textures, see the play of light on surfaces, and
truly understand how each tile can transform your space. That's what our newly redesigned showroom offers. It’s not just a showroom; it's an immersive experience, a journey of discovery, a testament to the art of tile design. We invite you to come and experience this for yourself. Step into our Hicksville showroom and be inspired. Whether you're a homeowner looking to add a touch of elegance to your home, an architect seeking the perfect tile for your next project, or a designer looking for the latest trends, we have something for everyone. Don't just imagine the possibilities; experience them. Visit Nemo Tile and Stone's newly redesigned Hicksville showroom today. Be a part of our journey, as we continue to serve the area with unparalleled design, quality, and service.
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DISCOVERIES FRESH.DESIGN.FINDS.
FABRICUT Fabricut’s new Luxe Home collection explores sumptuous textures and captivating patterns that combine wonderfully. Pair these fabrics with trimmings, wallcoverings and more from Fabricut for exceptional, distinctive spaces. fabricut.com
BROWN SAFE Brown Safe is the premier builder of high-security luxury safes. Each safe is thoughtfully designed with high-end finishes and features to enhance the enjoyment of the valuables it protects. brownsafe.com
SAMUEL HEATH Forme is a highly-dynamic collection of bathroom fixtures that typifies contemporary minimalism. The Oriel Pyramid design features a series of precisely-milled engravings, encouraging light and shadows to interact differently with each metallic finish. Showcased here in Antique Gold. samuel-heath.com
SOLITUDE Luxuriously crafted and beautifully designed to add dramatic character to any space, spears of Optic HazeTM Crystal composed of natural quartz gemstone glimmer beautifully when illuminated. Welcome to a new era of luxury. Modern masterpieces of style and artistry.
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DISCOVERIES FRESH.DESIGN.FINDS.
J. TRIBBLE Explore convertible antiques from J. Tribble. Repurposing antique treasures for modern homes, the purveyor has more than 200 European antiques ready for conversion available on the website. jtribble.com
POLTRONA FR AU The Beautilities collections feature pet, gaming and fitness accessories that marry elegance with functionality, creating new visions for domestic spaces that enhance mental, physical and social well-being in everyday life. poltronafrau.com
BEVOLO GAS & ELECTRIC LIGHTS The round roof design of the Cotton Exchange lends itself to a number of different styles of architecture. Available in a variety of sizes, gas or electric. bevolo.com
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Explore the revival of American quilting, must-see art exhibits, and dealers with a keen eye on the design world both past and present.
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Patchwork Poetry MODERN QUILT MAKERS REVEL IN THE RENAISSANCE OF THEIR AGE-OLD CRAFT. W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY W I L L I A M AND SUSAN BRINSON
FAMILIAL TIES Brooklyn-based designer Sarah Nsikak is grateful for the growing interest and appreciation in quilting, which is introducing her beloved practice to a greater audience. “For the first time in a while, people want to understand how things are made,” says Nsikak, for whom quilting is personal. When she was a young child, her grandmother immigrated to the states from Nigeria and looked to quilting as a form of communication. “She taught me how to sew, and I think that established a new language and storytelling of sorts.” Her piece It May As Well Be Spring (above) is made of leftover scraps from her fashion brand, La Réunion, and presents an amalgamation of symbols, like a fish and chair, which are meaningful to the creator yet still relatable to viewers. sarahnw.com
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RHYTHMIC ROUSE It was during his MFA studies at Cranbrook Academy of Art that Julian Jamaal Jones pivoted from fashion photography to fiber arts and quilting—a craft his grandmother practiced in her youth. It’s that kind of comforting familiarity that Jones surmises could be behind the artform’s rise. “I’m on a mission to rewrite the rules of quilting and create my own unique verbiage within the medium,” says the Indianapolis-based artist. Jones’ practice implements abstract forms and vibrant colors, bypassing preconceptions and opening a dialogue around his Black experience. Take the three pieces here: Inspired by gospel music’s rhythms, lyrics and harmonies, the movement of each design mimics song beats and the feelings they evoke. The materials are as dynamic as the patterns themselves, with cottons, denims and plush velvets existing alongside one another. julianjamaaljones.format.com
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Bauhaus Vanity 36” Pacific Blue & Walnut Bauhaus Lavatory Sink 36” made from WETMAR BiO™
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COMMUNAL COMFORTS It was in 2003 when then-art student Martha Clippinger viewed a quilt exhibit at the Whitney Museum in New York that she realized this homespun craft could hold court among fine artwork. Fast-forward to today, and the Durham, North Carolina, quilter’s own works are now displayed in museums and galleries. Cuadricula Quilt, shown hanging, and Iona’s Covid Quilt, on the table, exemplify Clippinger’s keen observation of color. “I’ve always been interested in quilts as a way to discuss ideas about pattern, symmetry and, in particular, tonal relationships,” she says. “I share Josef Albers’ interest in studying the effects of color through direct observation. Making quilts with found materials is about looking at what’s in front of you and testing combinations to create dynamic arrangements of color.” marthaclippinger.com
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Elevating design one step at a time
Hard Rock Hotel, Times Square, New York
A New Era of Walker Zanger Experience a revitalized, refreshed Walker Zanger, reflected in new heights of breathtakingly beautiful surfaces, and sustained by the superior product, showroom service, and client support that has defined the storied brand since 1952. Visit walkerzanger.com
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BASIC INSTINCTS For Los Angeles creative Adam Pogue, a handmade quilt represents the ultimate gesture. “They serve a purpose; they keep us warm. And for as long as we use them, they remind us of the maker.” It’s in this spirit that he creates his textile works, like the one featured in the historic 19th-century Dr. Oliver Bronson House in Hudson, New York. The quilt, which depicts a landscape-inspired motif framed by bands of color, was originally made for Commune Design’s shop. It was crafted using a clothing designer’s cast-off hemp linen and dyed to the perfect hues. Pogue begins each work with a general idea and palette but admits he “never has it all figured out” before starting. Instead, he improvises as he goes, laying out the individual elements on the floor, rearranging and re-dyeing as desired. iamadampogue.com; communedesign.com; historichudson.org
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“Like the metamorphosis of a butterfly” Discover Timeless sofa by Lorenza Bozzoli on natuzzi.com
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Peel and stick Benjamin Moore paint samples delivered overnight. • 100% color accuracy • Made with two coats of real Benjamin Moore paint • Large 9” x 14.75” sample • Samples delivered overnight • Order today, get samples tomorrow samplize.com/benjaminmoore
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Be inspired by blockbuster museum exhibitions around the country that celebrate the legacy of three renowned artists. WRITTEN AND PRODUCED BY S A R A H S H E LT O N
Renaissance Man The 15th-century Italian artist Sandro Botticelli may be known for his exquisite masterpieces like La Primavera and Birth of Venus, but the focus of his latest exhibit at the Fine Arts Museums of San Francisco centers around his exquisite drawings. Nearly 60 works from around the world, including Study of the head of a woman in profile (above), shine a light on the artist’s technical practice of draftsmanship. famsf.org
Clockwise from top right: Sophie Tassel Tieback in Rose Water and Currant / Price upon request / samuelandsons.com. Zellige Rug by Ken Fulk / From $6,000 / therugcompany.com therugcompany.com. Melograno Eau De Cologne / $100 / us.smnovella.com. Amerigo Travertine Side Table / $3,924 / interludehome.com. Raphael Sofa by GamFratesi / Price upon request / minotti.com. Platinum Wallcovering in Light Camouflage / Price upon request / arte-international.com. Conterie Floor Lamp by Luca Nichetto / $11,000 / ginori1735.com. Rome Denario Ring in White / $185 / grandtourcollection.com. Moo Bobble Catchall / $113 / montanalabelle.com.
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SANDRO BOTTICELLI. “STUDY OF THE HEAD OF A WOMAN IN PROFILE (“LA BELLA SIMONETTA”) (RECTO); STUDY OF THE FIGURE OF MINERVA (VERSO),” CA. 1485. METALPOINT, WHITE GOUACHE ON LIGHT-BROWN PREPARED PAPER (RECTO), BLACK CHALK, PEN AND BROWN INK, BROWN WASH, WHITE GOUACHE (VERSO). 13 7/16 X 9 1/16 IN. (34.2 X 23 CM.) THE ASHMOLEAN MUSEUM, UNIVERSITY OF OXFORD. BEQUEATHER BY FRANCIS DOUCE, 1834.© ASHMOLEAN MUSEUM.
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THE MODERN GODDESS FEATURING THE LITZE¨ KITCHEN COLLECTION
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Clockwise from top right: Otto Pillow in Orange Blush / $195 / jonathanadler.com. Type 75 Mini Desk Lamp Edition 3 by Paul Smith / $370 / anglepoise.com. Check Bath Mat in Sky Blue / $35 / hay.com. Skool Armchair by Kolbrún Leósdóttir / Price upon request / roche-bobois.com. Dita 4-Door Sideboard in White Lacquer by Pagnon & Pelhaître / Price upon request / ligne-roset.com. 2x2 Straight Set Sheeted Tile in Tomato Red / $45 per square foot / fireclaytile.com. Transparent Bluetooth Turntable by Per Bristad / $1,300 / store.moma.org. Calatrava 6007G Watch / Price upon request / patek.com.
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PHOTO: ED RUSCHA. STANDARD STATION, TEN-CENT WESTERN BEING TORN IN HALF, 1964, OIL ON CANVAS, PRIVATE COLLECTION, © 2023 EDWARD RUSCHA. PHOTO EVIE MARIE BISHOP, COURTESY MODERN ART MUSEUM OF FORT WORTH.
Modern art devotees won’t want to miss Ed Ruscha’s most comprehensive retrospective to date at New York’s Museum of Modern Art. Enthusiasts will find iconic postwar compositions on display like Standard Station, Ten-Cent Western Being Torn in Half (above), along with over 250 additional pieces, from lesser-known paintings and drawings to photography and installations, spanning 1958 to present day. moma.org
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Clockwise from top right: Calypso So XL Outdoor Light in Antigua / Guadaloupe / Martinique / Price upon request / contardi-usa.com. Rhapsody Wallpaper in Terracotta / $59 per roll / backdrophome.com. Glass Pourer by Andrew Iannazzi in Green / $192 / abask.com. Solana Chaise / Price upon request / cuffstudio.com. Foshay Bookcase in Sage / from $799 / roomandboard.com. Le Tapis Nomade in Cream and Yellow / Price upon request / cc-tapis.com. Cameron Sunglasses in Poppy 18K Rose Mirrored / $255 / krewe.com.
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PHOTO: MARK ROTHKO, UNTITLED, C. 1948, WATERCOLOR ON WATERCOLOR PAPER, NATIONAL GALLERY OF ART, WASHINGTON, GIFT OF THE MARK ROTHKO FOUNDATION, INC. COPYRIGHT © 2023 KATE ROTHKO PRIZEL & CHRISTOPHER ROTHKO / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK.
Pay a visit to the National Gallery of Art in Washington, D.C., through March and you’ll walk away with a deeper understanding and appreciation for prominent 20th-century abstract expressionist artist Mark Rothko. Hailed for his recognizably bold paintings on canvas, the exhibit centers around some 100 paintings on paper (which he considered finished works), ranging from figurative and surreal subjects to the likes of this watercolor, Untitled (above), from 1948. nga.gov
Sourcing the highest quality marble, quartzite, quartz, granite, and soapstone for a meticulously curated collection to ensure your search for surfaces ends with Architectural Surfaces. Visit a showroom today.
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WHEN IT COMES TO THE LATEST IN DESIGN, THESE STYLISH FURNITURE DEALERS KNOW IT’S ALL ABOUT MIXING VINTAGE AND ANTIQUE FINDS WITH COOL, CONTEMPORARY PIECES. W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N
Design is in Tricia Benitez Beanum’s DNA. A second-generation antiques dealer, she also wears the hat of stylist, designer and owner of Pop Up Home in Los Angeles. In her recently opened flagship space, Beanum has created an environment for anyone with an appetite for vintage flare. “I want to show how it can be elevated and not so kitschy,” she says. Beanum makes that case here, surrounded by a mix of old and new, including a Maitland-Smith coffee table, ‘70s De Sede sectional sofa and Ann Weber artwork. “Right now, people are looking for special pieces that translate into all genres of design and stand out among a sea of neutrals.” popuphome.com
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PHOTO: THE INGALLS.
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Meet Alana Tang, owner of In The Comfort Of which opened in Seattle in 2022. With a penchant for modernist, mid-century and space-age finds sourced everywhere from estate sales and antique malls to private owners throughout the Pacific Northwest, Tang still can’t turn away contemporary pieces if they meet her standards. “I consider design, form and function in everything I buy,” Tang says. “I was offered a lounge chair and ottoman set by Naoto Fukasawa for B&B Italia, and while I mainly focus on vintage, it checked all the boxes so I had to have it.” As for the current landscape today, Tang is excited by the adventurous spirit many are taking in finding their style, and by watching clients put things together in ways she never would have thought to. inthecomfortof.com
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this page photo: amber fotus. opposite page photo: lesley unruh.
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HAPPY HANGOUT Step inside The Flat in downtown Westport, Connecticut, and you’ll feel as though you’re walking into the home of a chic friend. That was precisely the goal when Becky Goss opened the doors in 2016. She imagined a place to interact with customers and share stories of the treasures within. “I still believe in local, one-of-a-kind shops where you know the owner,” Goss says. “Stop in, see what’s new, have a conversation and get off your screen!” In the highly curated familial space, not one specific period or style dominates. Because after all, a good room is all about thoughtful layering. “I’m not afraid to take vintage or antique items and reimagine them for the modern home.” Case in point: the one-off mid-19th century Biedermeier Recamier reupholstered in a bold Robert Kime fabric (pictured). theflatwestport.com
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Tucked away on windswept Block Island, the contents of Tori Jones Studio reflects the classic New England aesthetic found outside the studio’s walls. “I gravitate toward American antiques,” says Jones, a self-proclaimed magpie who splits time between the Rhode Island enclave and New York. “We’re passionate about antique patchwork quilts, painted furniture, wicker and rope.” A former editor, Jones still taps into her prowess for discovery and storytelling in the elements she curates, stocking ready-made Hobnail Czech glassware and Sabre flatware, as well as showcasing contemporary artists from the Hudson Valley to the UK. For Jones and her customers, there’s nothing like the thrill of originality. “I think the people who shop with us are looking for items with some soul. It’s an Amazon world, but there is an authenticity, timelessness and durability to antiques that can’t be replicated.” torijonesstudio.com
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THIS PAGE PHOTO: READ MCKENDREE. OPPOSITE PAGE PHOTO: KRIS TAMBURELLO.
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MIAMI VICE Jonathan Sanchez-Obias’ Miami storefront, Primaried Studio is a sleek and minimalist paradise. The rotating portfolio of furnishings, however, are the real scenestealers, hailing largely from the 1960s through ’90s. Pieces like the ’80s black Quebec 69 Spider Chair by Les Amisca (left) and the purple Ribbon Chair by Pierre Paulin for Artifort (right) hold court on the gallery floor with furnishings by contemporary designers like Kouros Maghsoudi and Atelier Caracas for Studio Boheme. Knowledge of the past and a keen eye on the current state of design makes Sanchez-Obias a trusted source for clientele primarily consisting of first-time homeowners and renters looking to invest in their growing furniture collections. “I am always meeting people who are looking to mix vintage pieces with new designs in their homes,” says Sanchez-Obias. primariedstudio.com
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Pam Evans’ brick-and-mortar store Maison in Birmingham, Alabama, is a nod to French style, from which she is infinitely inspired. “Paris is always a good idea!” swoons Evans. “I love the culture and their chic sense of style, from food and fashion to interiors.” Shabby chic French finds aside, Evans’ offerings span provenance and genre (her M.O. is pairing modern art, like these abstract works on paper by Addison Ryan, with midcentury furniture), but collectively lean towards the neutral, patinaed and oversized. “I tend to buy large pieces, like these wooden Belgian spheres, a midcentury chandelier five feet in diameter, or a pair of nine-foot columns.” Such unique finds are most often scooped up by designers and architects who look to Evans’ wares for adding character to their spaces; the sort of acquisition the antiques veteran still gets a thrill out of after two decades in the business. maisonshoppe.com
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photo: hector sanchez.
FRENCH CONNECTION
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D ESI G N IM PAC T | GREATER NEW YORK “Whether you’re a homeowner or a design professional, we invite you to come and experience the ‘Cancos Difference!’”
SET IN STONE • Share the ‘why’ behind Cancos’ impactful work. With a deep-rooted sense of community that stretches back seven decades, we pride ourselves on our family heritage and the personalized approach we bring to every project. • How does this highlypersonalized approach benefit your clients? Our sales consultants and design professionals carefully consider each homeowner’s lifestyle when guiding them through our vast selections and recommend materials, formats, color and more that best suit the way they live.
CANCOS TILE & STONE 212.627.1545 | cancostileandstone.com |
cancostile
Products and materials that deliver exceptional beauty, durability and function make a powerful and lasting design impact. For 70 years, Cancos Tile & Stone has been a trusted family-owned-andoperated business that brings the very best tile and stone options to style-savvy homeowners and leading design and building specialists. “From timeless classics to cutting-edge creations, our unparalleled assortment of products include a stunning range of styles and designs sourced from
• What’s trending right now? The recent advancements in porcelain slabs are truly revolutionary. With their expansive format, porcelain slabs are perfect for shower walls, countertops, dining tables and more. Plus they come in striking designs and finishes and are incredibly low-maintenance. • What’s next? There is a growing demand for products with industrial and metallic influences, so in the coming years expect to see groundbreaking designs that blend vibrant colors and eyecatching details.
respected manufacturers who stay ahead of design trends,” says Billy McAuliffe, vice president of Cancos. Another important aspect of Cancos’ enduring success is their commitment to great service. “At each of our twelve locations, our knowledgeable sales representatives and design professionals are dedicated to helping customers find the perfect materials that exceed their expectations and bring their visions to life.”
Top A slender design where long, narrow lines are enhanced within a balanced color palette, Homey transforms a simple room into a warm and elegant place to live.
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889 W. Beech Street | Long Beach, NY 11561 | 516.432.1666 | crs-ra.com
Coast. Designed by Jeffrey Bernett walterswicker.com/coast | info@walterswicker.com
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Settle into bathroom spaces that encourage relaxation, along with the newest products that create spa-like experiences right at home.
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photos: michael clifford.
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Chill Pill THESE TRANQUIL, HIGH-DESIGN BATHS GIVE A WHOLE NEW MEANING TO RESTORATIVE RESPITE. W R I T T E N BY A LY S S A B I R D P R O D U C E D BY S A R A H S H E LT O N
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Jenni Lauri of Lauri Design Studio transformed a dated primary bath into a Zen-like sanctuary with the help of Wide Corp construction. A Calacatta Viola marble double vanity, fluted-marble backsplash from Il Granito and Apparatus sconces lend movement and texture to the neutral space, which is decorated with a plaster bench, Moroccan runner from Mehraban and vintage figurative artwork (this page and previous).
When the owners of this Los Angeles condo purchased the unit—which is located inside a building from the 1980s—it was showing its age. The couple called on Jenni Lauri of Lauri Design Studio to update the entire residence, including the primary bath. The designer gutted the room and reworked the layout, removing an unwanted tub and opting instead for a large shower with a bold antique brass-and-glass enclosure. A double vanity featuring Calacatta Viola marble is paired with
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a fluted-marble backsplash. The remaining wall surfaces are plaster—including the shower, which has a waterproof finish, and the doors of the walnut-lined linen closet. “It feels seamless, and the plaster lends a soft, organic touch,” says Lauri, who rounded out the neutral palette—a continuation of what’s found in the main living spaces—with a Moroccan wool rug, a plaster bench and vintage figurative artwork. “We tried to combine the couple’s love of a relaxed California look with the concept of
wabi-sabi,” says the designer. “These are busy people who travel often, so the primary suite is meant to be a cozy, Zen-like sanctuary.” In fact, according to Lauri, this idea of a more subdued, pared-back type of luxury is what many clients are gravitating toward these days. “The pandemic seems to have changed what people desire,” she continues. “Clients still want luxury, but in a more understated, organic manner, with neutral tones and materials.” lauridesignstudio.com
photo: michael clifford.
PLASTER PARADISE
photo By NEil laNDiNo
Brooks & Falotico 199 ElM st. NEW caNaaN, ct
W W W. B r o o k s a N D Fa l o t i c o . c o M
203.966.8440
The owners of this Miami apartment gave Sabrina Maclean of Hino Studio carte blanche when it came LOREM IPSUM DOLOR SIT AMET, to their powder room. The designer took full CONSECTETUR ADIPISCING advantage, ELIT working with both architect Antonio Sullo of Lisar and Navicon Construction to VIVAMUS ALIQUAM LIBERO VEL incorporate a barrel-vaulted ceiling—a move that NIBH ALIQUET, VITAE GRAVIDA. references arches throughout the unit. “It almost feels like a chapel,” explains Maclean, who W R I T T E N BY N A M E H E R E carried the home’s earthy palette into the space, P R O D U C E D BY N A M E H E R E selecting a Rule of Three marbleized wallpaper that complements the cement walls, Agape sink and brass Brizo fittings. “The architecture is the main protagonist here.” hinostudio.com
photo: max burkhalter.
BATH + KITCHEN LIVING
Hed QUIET Here REFLECTION
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INTRODUCING
EXCEPTIONAL FURNISHINGS, BORN FROM DECADES OF DESIGN EXPERIENCE 39 West 38th Street, 12th Fl, New York, NY 10018 212 273 9715 | sales@workshop-collection.com www.workshop-collection.com
MIXED METALS Kallista has teamed up with beloved hardware brand P.E. Guerin to create the One collection of hand-hammered brass bath fixtures made entirely at their historic New York foundry. The line—which includes widespread faucets, shower trims and a freestanding bath filler—is available in two dual-tone finishes: brushed French gold with nickel silver handles, and polished nickel with unlacquered brass handles. kallista.com
Two-century-old British brand Samuel Heath is catering to clients with a more contemporary sensibility with its newest collection, Forme. The line sports simple curves and is comprised of basin and bath taps, shower fittings and accessories in three profiles: Speed, with both lever and T-bar handles; Classic, with Art Deco−inspired levers and cross handles; and Oriel, with round knobs in a range of textures. The collection boasts nine metal finishes, including a matte-black chrome (shown here on the Speed Forme with T-bar handles). samuel-heath.com
TOWERING BEAUTY Inspired by the conical, tapered form of a lighthouse, the Nibi collection from House of Rohl brand Riobel channels the structure’s industrial nature with its range of faucets, tub fillers and shower fittings. houseofrohl.com
ROCK OUT Weighing in at 1,100 pounds, Waterworks’ new Alatri tub is carved from a block of either Prunella (shown), Carrara, Arabescato, Calacatta, Statuary or Bardiglio marbles and sports hand-finished details such as a stepped base and gently eased lip. waterworks.com
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After living in Southeast Asia for work and falling in love with the region’s wet rooms, the owner of this Mount Hood, Oregon, residence wanted to incorporate the idea into his primary bath. The client tapped StruckSured Interiors’ Samantha Struck, who coincidentally had also lived in Southeast Asia for some time. “We gelled over our experiences there,” Struck says. “The concept of a wet room is that the shower, toilet, tub and sink are all in one waterproof space. We went for a very Japandi aesthetic that feels minimal yet warm and organic.” Struck selected materials and tones that reflect the owner’s love of the outdoors, such as sage-green waterproof plaster, natural-wood accents and copper plumbing. “The plaster has a soap sealant that makes the walls feel like silk,” Struck notes. The result: a beautifully rich product with no maintenance. strucksured.com
SUBHED HERE Designer Samantha Struck of StruckSured Interiors transformed this Oregon primary bath into a wet room inspired by those found in Southeast Asia. The walls are waterproof plaster and the copper fixtures are by Watermark. A teak shelf is mounted above the Barclay tub.
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photo: emily kennedy.
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Live Brilliantly In a world full of options, Eurofase provides curated craftsmanship, offering customers high-quality design and functionality. The brand’s Seraph collection spreads light and warmth through its wings, adding a level of brilliance to every room. Since 1924, Capitol Lighting has helped homeowners, interior designers and custom home builders set the tone for every space. With unsurpassed service, unparalleled selection and our best price guarantee, you can always trust us to put you in your best light. Visit any of our convenient showrooms or shop online at 1800lighting.com today.
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JASON MIZRAHI CONTEMPORARY / DESIGN / ART
BOLD STATEMENTS. FLUID DESIGNS 818.618.0410 | jasonmizrahi.com
Drawing inspiration from over 5000 years of history, culture, and art, we are proud to present The MET | Eichholtz collection. Designed in close collaboration with The Metropolitan Museum of Art in New York.
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Bring your appetite for discovery.
We’ll bring you the showroom experience you’ve been waiting for. When you walk through our doors, bring an idea. A dream. A vision. Our showroom is designed to inspire you with on-site chefs, product experts, and exclusive events - all so you can fully experience everything your kitchen can be.
Scan to book an appointment. Manhattan • 150 East 58th St, 5th Floor, New York, NY 10155 • 800-691-6122 Roslyn Heights • 170 Mineola Ave, Roslyn Heights, NY 11577 • 888-859-9376 Pine Brook • 25 Riverside Dr, Pine Brook, NJ 07058 • 888-671-9376
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INFLUENTIAL WOMEN OF DESIGN The design industry is an artful umbrella that covers many talents. Some professionals perfect interior aesthetics down to the last pillow. Others create vernacular architecture that transports one to another place or know the ins and outs of construction to an exceptional degree. In many cases, these world-class experts are also women, and they’re running businesses in tandem with following their passions. This epitomizes the way women balance creativity and analytics, expansive thinking and a detail-oriented eye, to inspire and exceed the expectations of those around them. On the following pages, explore the lives, work and inner worlds of a few undeniably influential women of design.
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IN FLU EN T I A L WO M E N O F D ESIG N | GREATER NEW YORK “We are beauty makers and problem solvers, co-creating their vision from the ground up.”
TIMELESS VALUES Asked to talk about the ethos behind her design work, Krupa points to changing sentiments within her clientele and their lifestyles. “There is a deeper connection to the home now than seen in the recent past,” she says. “Families have returned to the two lost luxuries of time and togetherness. Designing a home that is beautiful, but also approachable and functional now and in the future, is the mission we stand behind with every project.”
AN UNEXPECTED JOURNEY For Krupa, becoming an interior designer came naturally, but with a surprising path. “I previously worked as a buyer for Bergdorf Goodman and Henri Bendel, then became a director of merchandising for Calvin Klein,” she shares. “During that time, I had the good fortune to have lived in 12 homes across four countries. Somewhere along the way, the act of creating so many homes inspired me to do it professionally.”
BETH KRUPA INTERIORS 203.890.9292 | bethkrupainteriors.com |
bkrupainteriors
Interior design is often thought of as purely aesthetic curation. In reality, the profession involves financial prowess, outside-the-box solutions, client service and, ultimately, an innate understanding of something hard to define: how a space needs to feel to help its inhabitants thrive. This dynamic, multifaceted role is what continues to delight Beth Krupa. Owner of her namesake, awardwinning firm based out of Greenwich, the designer prides herself on getting to know her clients in such a way that enables a new definition of personalized design. “We discuss functionality, purpose, direction, vision—I want to know everything they’re thinking, so we can deliver a home uniquely suited to them,” Krupa shares. But once the plans are outlined, where does she start? “My preferred way of beginning a project is with the art. It acts as a jumping-off point with reference to colors and textures.”
Above A built-in wine refrigerator by Miele in the main hallway opposite the kitchen provides easy access to the perfect pairings for every meal. Top A modern interpretation of a bell jar, pendant lights illuminate the main pass-through of this home. A muted runner and slight temperature change in wall paint balance colors. Photography Jim Fuhrmann; Headshot by Matt Carr
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IN FLU EN T I A L WO M E N O F D ESIG N | GREATER NEW YORK “We help our clients thrive in the best city in the world—it is quite the honor.”
MODEL MATERNAL Asked to speak about the mentors who have shaped her life and work, Fox points to her mother. “She raised me with an attitude of ‘You can do anything you set your mind to,’ and she was an extremely hard worker who taught me that same work ethic. My mother didn’t take slack from anyone and would do anything for those she loved. She led her life with such grace and never caved under pressure.”
DELVING DEEP How would an expert who eats, sleeps and breathes organization advise someone seeking greater perspective on the topic? Fox offers her two cents. “I recommend a book by the name of Remodelista: The Organized Home. It encourages its readers to let go of this idea or dream of perfection and instead become intentional with purchases, from clothing to furniture, and stick to a storage system that invites a comfortable, stress-free life.”
CALIFORNIA CLOSETS 914.592.1001 | californiaclosets.com |
caliclosetsnyc
When one stumbles upon the perfect career path via that pivotal aha moment, it feels serendipitous. Just ask Meagan Fox, who now acts as sales design manager for the New York arm of California Closets. “I was working in real estate, and I had a client who was struggling to see how she could make a small alcove studio work in a home she was viewing,” she says. “While walking her through how she could fit her furniture and clothes, I realized I spent more time in design and organize mode than ‘selling’ her the apartment. I decided to make a career jump.” Today, she considers it one of the best choices she could have made, as her passion for helping people design and organize has only grown. “Everyone leads such busy, stressful lives these days,” she says. “I want to create solutions that enable our customers to get dressed or make dinner quickly and efficiently, without frustration or clutter.”
Above This dressing room has it all, from floor-to-ceiling white cabinet doors to open overhead storage for luggage to specialized jewelry drawer organizers. Top The combination of natural wood and a matte white finish makes for a sleek and clean look in this walk-in closet, where everything has a place. Photography & Headshot Stefan Radtke
©2023 California Closet Company, Inc. Franchises independently owned and operated. CT HIC #0657205. Photo: Stefan Radtke
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26 Varick St | 1629 York Ave 25 Northern Blvd, Greenvale 16 Saw Mill River Rd, Hawthorne 83 S Main St, New City 565 Westport Ave, Norwalk 900 Park Centre Blvd, Miami Gardens
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IN FLU EN T I A L WO M E N O F D ESIG N | GREATER NEW YORK “A physical, spiritual and emotional shelter, your home should be a true haven that personifies peace, safety, joy and love.”
THE FINER POINTS “From blueprints to bar soaps, we thoughtfully choreograph all stages of design and construction, providing fully-furnished havens that reflect and enhance how you feel,” Hogue says of her firm’s unique mission. “Saving time, money and stress, hogueID brings the luxury of turnkey to the everyday buyer. No additional moving companies. No lead times for custom furnishings and window treatments. And no waiting to enjoy your new space. We refine and care for your creation so that your creation can refine and care for you, sooner.”
OH, SO SOCIAL! Michelle Hogue shares the who, what and why of three creatives who energize and inspire her artistic soul. • @noasantos: Meditative interiors with intriguing lines and texture that seamlessly incorporate structures into their habitats and allow nature to take center stage.
HOGUEID hogueid.com |
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What does it take to be an influential woman of design? Having enduring passion, a comprehensive approach and visionary talent is a good starting place. As the founder and principal at hogueID, Michelle Hogue not only possesses these attributes,
• @khouryvogt: Clean, uncluttered architecture that uses elements like water and light to balance the masculine and feminine and deliver designs that are unique, warm and delicate. • @publicedition: By intentionally playing with lines, proportion and scale, they create a neutral and natural visual experience that is rich and gratifying.
but infuses them into her award-winning, turnkey environments. “This started early for me,” she says. “When I was 9 years old, I drew a scaled plan of my room complete with cutouts of my furniture. Finalizing the design on paper prior to moving things around was a game changer.” After leading a successful career in marketing, Hogue made the decision to reembrace her abiding love for design by launching hogueID. Fast-forward to today, “As a licensed general contractor, educated interior designer and ardent business owner, my boss vibes and innate creativity are perfectly balanced, allowing me to deliver the best of both to my team and clients.”
Top In this chic, monochromatic solarium, the curved chaise and coffee table mimic the details of the original leaded transoms, while the black table and window mullions ground the space and frame the bucolic view. Photography Emily Sidoti Photography; Headshot by Jen Goldberg Photography
PHOTOGRAPHY BY EMILY SIDOTI PHOTOGRAPHY
@HOGUEID | HOGUEID.COM
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IN FLU EN T I A L WO M E N O F D ESIG N | GREATER NEW YORK “Laurent luxury lighting is curated exclusively for the trade.”
ILLUMINATING INSIGHTS • What inspired the Laurent Collection? We are highly sensitive to our clients’ wants and needs, so when we noticed a gap in the market, we began brainstorming and found inspiration in our motto “See the Light, Let’s Unite” to create this signature line that is launching from our Darien showroom.
LAURENT COLLECTION 203.516.8494 | laurentcollection.com |
laurentlighting
Having an adventurous spirit, curatorial eye and artistic soul defines the influential woman of design. As a woman who possesses these exact qualities, Nancy D. Georgs is well known for discovering superlative lighting from the world’s best makers. And in an exciting new development, she has just unveiled a groundbreaking venture. “We are proud to introduce Laurent Collection, a female-founded business that creates lighting inspired by the simplicity of the 70s aesthetic and our value for human connections,” Georgs says. Made with a unique glass-blown technique, the colors, layering and vibrancy of Georgs’ pendants have stand-out style, while her holistic design approach takes the collection to the next level. “Our focus on sustainability and eco-friendly practices is central to our identity, making us a brand that appeals to those seeking purposeful and innovative choices with a strong design narrative.”
• What motivates you? The act of creating is my biggest motivator. Curating and designing products that stand out in the industry ignites my passion and drives my soul. • Share your major goals moving forward. Our overarching future goal is to elevate the Laurent Collection to a prominent global position where it will serve as a hub that gathers and showcases exceptional international luxury lighting brands. • What’s your vision for the future of women in design? I envision a fostering and inclusive design industry that amplifies women’s voices, celebrates their diverse perspectives and provides ample opportunities for growth.
Top Designed by Nancy D. Georgs, The Antler features handmade crystal in gold, black and clear. Far left Hand-blown in New York by Nancy D. Georgs, The Capsule Collection is shown here in a soft shade called Sky. Center Shown in Ice, The Roc Collection is hand-blown in New York by Nancy D. Georgs. Left The Capsule Collection in Fog brings a different depth and dimension to this handsome hand-blown form. Photography Sebastian Photography
LAURENT LUXURY LIGHTING INTRODUCES...
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IN FLU EN T I A L WO M E N O F D ESIG N | GREATER NEW YORK “As we continue to grow our firm with amazing women, we’d like to see more female teams prospering in the industry.”
MENTORING GREATNESS “My mentors are the supportive leaders at my firm and strong women in my life,” Georgia Kursten shares. “The leadership team at Lichten Architects has not only been by my side to help foster my growth as a designer but has also challenged me to be my best self by instilling confidence and trust in my work. In my personal life, my mom has always encouraged creative thinking through the many DIY projects we have completed together. She has also provided endless love, support and the idea that I am capable of achieving anything I work hard for.”
TEAM SPIRIT
LICHTEN ARCHITECTS 212.229.0200 | lichtenarchitects.com |
lichtenarchitects
A team of strong individuals who bring their unique experiences, distinct voices and personal passions is key to creating designs that are truly influential. Case in point, Margaretta “Marita” Alfonso, associate partner, and Georgia Kursten, associate, at Lichten Architects, who share their expertise, vision and female perspective with both their team and Lichten’s discerning
When asked to share her ultimate female icon, Marita Alfonso explains, “I think the term ‘ultimate female icon’ is too strong and too limiting a concept because there are numerous individuals who contribute to each person’s success. In my case, I feel that ‘a solid team’ is a much more appropriate idea. For example, I continually learn from my younger colleagues’ personal perspectives and creative ideas. I feel it is important for them to have their voices heard and to allow them to grow in their own manner in this rewarding field.”
clientele, and the results are stunning. “Our company focuses on residential work—such as gut renovations on apartments and townhouses—in New York City as well as single-family home design in the surrounding region with a client-first approach,” Alfonso says. “Because we take the time to listen to our clients and understand the way they live, we are able to build powerful, trusting relationships. That firm foundation is what allows us to then create custom designs that are tailored to their wants, needs and lifestyles.”
Top In partnership with Alphacraft Construction and Tara Kantor Interiors, Lichten Architects used custom sliding doors to create a beautiful and functional transition between the living and dining spaces. Photography Adam Kane Macchia; Headshot by Caroline O’Kane Photography
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IN FLU EN T I A L WO M E N O F D ESIG N | GREATER NEW YORK
PURSUING PASSION “My initial desire was to pursue a career in art, but life had other plans and I pivoted from the creative to the analytical path as a CPA, then onto Wall Street and advertising,” McDonald shares. “As someone with a creative soul who’s always enjoyed renovating my own homes, I had an ‘a-ha’ moment mid-career and realized that this is what I most wanted to do. So, I jumped back into the city and, against all odds, established my firm. Today, I am happily doing what I love best—designing and building homes and environments for my clients with my amazing team.”
A FORWARD-LOOKING INFLUENCER
PAULA MCDONALD DESIGN BUILD & INTERIORS 212.633.0594 | pmddllc.com |
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Discovering one’s true passion and then sharing it is the key to
When asked what her major goals are moving forward, Paula McDonald shared, “To become consistent in business revenues so that I can nearly double the size of my firm to 10 employees. Doing this will allow us to take on more large projects, yet stay small enough to remain scrappy, strategic and completely hands-on.”
personal and professional success that has a profound influence on other people’s lives. Enter Paula McDonald. As the owner of Paula McDonald Design Build & Interiors, she brings her artistic talents and enduring business skills to the award-winning firm she founded in 2009. “My philosophy of integrating the separate disciplines of design, architecture and construction is at the heart of my firm’s holistic “one-stop-shop” approach to Manhattan residential renovations,” McDonald says. Based in the Flatiron District, McDonald and her expert team work in close collaboration with their clients to transform the look, feel and function of their apartments, while removing logistical headaches. “My mission is to design and create beautiful, innovative living spaces that save time and money and elevate my clients’ lives for years to come.”
“We are a full-service design-build firm with wide-ranging expertise that guides projects from conception to completion.”
Above With Waterworks fixtures, Indigo ceramic tiles, custom PMDB&I radiator cover, J. Tribble handcrafted vanity and handmade de Gournay wallpaper, this powder room exudes English charm and whimsy. Top This open contemporary home boasts water views, an elevator, a new staircase, rift and quarter-sawn white oak floors, Imperial Danby honed countertops and a Cancos water-jet mosaic marble backsplash. Left PMDB&I transformed this pre-war gem into a contemporary classic with an open kitchen/dining/living space, custom built-ins, a stunning fireplace surround, Odegard and Stark carpeting, a Baker sectional and a Circa chandelier and sconces. Photography Greg Morris
Paula McDonald Design Build & Interiors
NYC Home Renovations & Interiors From Concept to Completion. Elegant Simplicity. Timeless. Contemporary Sensibilities. Fused with Your Vision. Integrated, Seamless Process. Innovation in Design. Finished Interiors. Passionate Pursuit of Excellence in Every Aspect.
27 W 20th Street, Suite 706, New York, NY 10011 I 212.633.0594 I info@pmddllc.com I pmddllc.com
What makes an icon? Purposeful design. Quality craftsmanship. Timeless beauty.
Pitu Chaise Lounge Chair & Ottoman by Aristeu Pires www.sossegodesign.com
Interior Design: Sarah Sargeant and Risa Emen, Cochineal Design
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Into the Woods The thoughtful edit of an East Hampton hideaway makes the most of its fairy-tale setting. W R I T T E N BY A LY S S A B I R D | P H O T O G R A P H Y BY J O S H U A M C H U G H
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hen Manhattanites Carol Han Pyle and Nick Pyle started looking for a weekend getaway, they were pulled in two different directions. “We love the Catskills, but have always been drawn to the East End,” Carol shares. But as soon as the couple laid their eyes on this secluded East Hampton residence replete with towering white oaks, mossy knolls and bluestone steps leading to a sunken emerald pool, the choice was clear. “It’s an interesting site and a bit of a marriage between the two places,” notes designer Sarah Sargeant, who, along with partner Risa Emen— both LUXE Next In Design 99 honorees—was tasked with bringing a fresh point of view to the interiors. Having previously designed Carol’s New York City offices, their firm was well versed in the couple’s taste and excited to bring a similarly posh sensibility to their vacation home—this time, with a woodsy Hamptons twist. That brief kicked off with tailoring the architectural canvas. Built in the early 1990s and lovingly cared for by its original owners, the existing house was in great shape but begging for an aesthetic update. Opening up choice rooms (see: the tight, L-shaped kitchen) and removing dated architectural features (such as a second-floor catwalk) introduced a modern, streamlined feel that allows for the home’s immersive fenestration to be enjoyed from every alcove. Bathrooms were gutted and outfitted with textured wallpapers and colorful tiles, and the newly rendered kitchen was reoriented to embrace both the outdoors and the new open floor plan. Materiality played a crucial role in rewriting the language of this residence. “We always start with the material palette,” Sargeant affirms. “Here, the base is oak, which sets a warm tone. Next, we incorporated gray marble, which is cooler and has nice movement because of the veining. Then we added lots of brass and black accents for contrast.” While understated, such selections have a tangible impact. Take the home’s new envelope of wide oak floorboards, which replaced the existing slim planks.
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“Initially, I didn’t think they would make much of a difference, but ultimately they do,” Nick says. “The original wood was much more uniform, whereas you can see the subtle texture of the grain in these.” Textured wood finishes also work to pull in the curtain of forest that surrounds the home—and play to its affectionately dubbed nickname. “There are trees growing up through the back deck, so the homeowners began to call it the Treehouse,” Sargeant says. “Those birches were a big part of our inspiration—we wanted to honor them.” The team did so by composing a neutral, peaceful and clutter-free environment accentuated with pops of soft color. “We chose muted tones throughout to make sure that the greenery would shine through as art itself,” Emen notes. Yet, despite the light and airy ethos, the home is a far cry from any expected East End dwelling. A meticulous edit of contemporary art and photography, as well as fine vintage and custom furnishings with Scandinavian flair, make for a memorable design statement that simultaneously defers to the natural setting. “Carol is very fashionable and chic, so we couldn’t just give her the classic white-linen Hamptons house,” Sargeant says. In turn, the designers got creative with plush, tactile fabrics like mohair and wool. (A downstairs bedroom wrapped in dark windowpane-print wool is a notable favorite.) While sumptuous, the natural fibers are durable and easy to clean. In other words, they maintain the clients’ paramount wish for “practicality, livability and a ‘feet on the sofa’ vibe,” Emen comments. “We wanted an elevated and elegant house, but it also needed to be kidfriendly, comfortable and able to withstand two sandy, crazy dogs!” Carol concurs. The fully realized design provides an ideal backdrop for the “beautiful light streaming in through the trees” adds Carol. “Throughout the day, there’s this soothing effect on the walls that almost looks like water rippling down.” It’s a phenomenon best enjoyed courtesy of windows left deliberately bare by the designers, capitalizing on the perks of one such private setting. All in all, it’s a blissful escape for a family of city dwellers, and, even more than that, as Emen puts it, “It’s total escapism from the Hamptons.”
On the second story of this East Hampton home, Cochineal Design converted an oversize landing into a sitting room. A textile artwork by Hanne Vedel for Amstrådsförening, Denmark anchors the space, which includes a Fritz Hansen settee, vintage Swedish cabinetmaker chair and Paul McCobb tables.
A white Dmitriy & Co and gray Flemming Lassen sofa gather around a Nickey Kehoe coffee table in the living room. The accent tables are from Gallery L7. An RF. Alvarez painting and a Dagmar chair and ottoman upholstered in a Pierre Frey mohair add warmth.
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Left: A set of whimsical vintage chairs from Amy Meier offered a jump-off point for the dining room, inspiring the selection of a folk-art wool carpet from S&H Rugs. A table in the style of Gio Ponti brings the tableau together. Opposite: The kitchen’s custom white oak cabinetry was fabricated by RJ Millworkers. The counters are polished Alaska Gray marble sourced through New York Stone. Above the island, a pair of Paavo Tynell pendants make a soft statement.
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Right: An Arte International jute wallcovering wraps the powder room, where a bronze wall-mount tap by Newport Brass flows into a bespoke lilac marble sink. The blown-glass sconces are HansAgne Jakobsson and the mirror is a vintage Italian piece. Opposite: The designers opted for a dark and cozy wallcovering in the downstairs guest room: a windowpane wool suiting fabric by Phillip Jeffries. The vintage Axel Einar Hjorth desk and chair were purchased at Hostler Burrows and Christine Retlev, respectively.
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Above: Mustard-colored flooring by Zio and Sons for clé grounds the primary bath. The chair rail and vanity counter feature the same Alaska Gray marble as in the kitchen. A Pierre Jeanneret vanity chair sits beside a DXV soaking tub. Opposite: Hiroshi Sugimoto seascapes hang above a Jenni Kayne bed in the primary bedroom. A T.H. Robsjohn-Gibbings end table serves as a nightstand topped with a Roman Thomas lamp. A Lostine throw makes for a chic accent rug.
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A neutral Tribeca condo becomes a fanciful retreat brimming with color, pattern and plenty of soul.
BEYOND THE BEIGE
Architecture: Michael Patino, Michael Patino Architecture, PLLC Interior Design: Seyie Putsure, Seyie Design Home Builder: Gregory Madzio, HIICompany Corp. Landscape Architecture: Daniel Hunter, Trillium Landscape Design
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nterior designers often begin with a blank canvas. But every now and then, as in the case of Seyie Putsure, the canvas is more tan than blank. The bones of the newly acquired Tribeca condo she was hired to update for longtime clients JoeJohn and Jennifer Duran were beautiful. But its framework—namely the beige-and-brown palette—required a makeover. “The goal was to honor both the traditional spirit of the building and the industrial edge of its downtown location, while also personalizing the space and incorporating my clients’ blue-chip art collection,” Putsure explains. Having previously collaborated with JoeJohn and Jennifer on their primary home in California, the designer understood their aesthetic—glamorous, colorful and artistic, with hints of whimsy. At the same time, the couple has three daughters, one of whom still lives at home, so the space needed to play well with kids. “We’re all about cooking and using our kitchen hard, having great meals at the table and being able to sit on the couch and put our feet up,” Jennifer notes. “Seyie knows that if something’s not functional, even if it looks amazing, it’s not going to make the cut.” To address the Durans’ practical concerns, as well as their desire for a crisper palette, Putsure, in collaboration with architect Michael Patino and general contractor Gregory Madzio, set about reimagining the space. Renovations included converting the family room, which had originally flowed into the main living area, into an airy third bedroom and transforming the living room’s builtin bookcase into a stylish bar. “My clients love to entertain, so we decided to give them a bar with a boutique hotel vibe,” Putsure says. “To maintain a cohesive feel with the original dark-wood floors and doors, which we preserved, we did a walnut-and-bronze bar with a very high-gloss finish so it would feel elegant and different.” The process of de-beigeing also involved removing wallpapers, refinishing kitchen and bathroom cabinets and refreshing millwork and other surfaces with bright white paint or bespoke wall treatments.
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Once the interior architecture had been addressed, it was time to inject the home with flair. “I wanted to create an element of romance and fantasy so my clients would feel like they’re transported,” explains Putsure, whose unique background—she grew up in India and cut her creative teeth in the New York fashion industry before pivoting to interior design—instilled in her an early passion for color and pattern. This passion finds bold expression throughout the home. Shades of lilac, pink, magenta and seafoam bring soft beauty to the bedrooms, while Missoni-covered pillows and graphic upholstered dining benches enliven the living and dining areas. The Durans’ impressive art collection, which includes works by David Hockney and Sterling Ruby, adds a final layer of sophistication and vibrancy. But perhaps the liveliest feature of the home is the sweeping New York skyline itself, visible through panoramic windows and from an expansive terrace. “We worked with landscape designer Daniel Hunter to tie the indoors to the outdoors to make everything feel connected,” Putsure says, noting how the look, feel and colors seen in outdoor living spaces were designed to mimic those used indoors. To achieve an artful mix that nods to the industrial origins of the neighborhood, the designer played with materials, silhouettes and finishes to garnish her scheme. Take the foyer, where a textured wallpaper lives alongside a trio of sculptural pendants by Lindsey Adelman. “The chunky chain of the light fixtures has more of an industrial vibe, but the brass softens it and provides an element of elegance,” Putsure explains. Touches like a vintage Italian coatrack near the front door and an antique lamp resembling a leaf in the living room lend further soulful patina to the residence. “I love the history of Tribeca,” says Jennifer, whose family is overjoyed with their new surrounds. “I love being somewhere where you can feel the ghosts of the lives previously led there, and really wanted that energy to roll into our place. Seyie is so open to helping you combine the vision and functionality you want, while adding her touch and taste and pulling it all together.”
To create a captivating first impression, designer Seyie Putsure wrapped the entry of this Tribeca condo in a Nobilis wallpaper. Showstopping details include ceiling pendants by Lindsey Adelman Studio, a Jiun Ho table and David Hockney artwork.
Left: Putsure collaborated with architect Michael Patino and general contractor Gregory Madzio to transform an existing bookcase into a high-gloss bar inspired by boutique hotel design. The blownglass side table is ClassiCon and the chair is Cliff Young. Opposite: The dining area, which opens onto the terrace, features a marble-top table by Casamilano Home joined by benches covered in a Svenskt Tenn fabric. The chandelier is John Pomp Studios and the art is by Sterling Ruby.
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Above: Enjoying lush city views, the guest bedroom features Matouk linens, a table lamp by Aerin for Visual Comfort & Co. and a vintage chair upholstered in a Carlucci textile. A Lee Industries sofa wears a multicolor striped velvet from Designers Guild. Opposite: Putsure defined a dining area on the terrace, adding a teak table and woven chairs, both by Janus et Cie. Trillium Landscape Design relied on planters to create a verdant urban oasis.
Left: The primary bathroom’s stone cladding is one of the last remaining vestiges of the home’s formerly beige palette. A cosmetic refresh included white paint for the cabinets and new Waterworks hardware. Opposite: A Gracie wallpaper creates a focal point in the primary bedroom, where a vintage Muranoglass lamp adorns a Made Goods nightstand. The desk is from Haptor Barrett and the vintage chair wears a Jab Anstoetz fabric. The rug is from Soofer Gallery.
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ART + CRAFT
Bisa Butler’s vibrant quilted works stitch moving portraits of Black life. W R I T T E N BY C H R I S T I N E D E O R I O | P H O T O G R A P H Y B Y N I N A C H O I
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or some artists, a brush loaded with paint is the ultimate conduit for creativity. But for Bisa Butler, who studied painting as a Howard University undergraduate, that medium missed the mark. “My work was uninspired,” she recalls. “It was photorealistic and didn’t have many unique or imaginative elements.” Butler’s voice emerged when she traded her brushes for the tools of a quilter. In a fiber arts class at Montclair State University, where Butler earned a master’s degree in arts education, she created her first quilted portrait—a textile take on a wedding day photo of her grandmother, Violet. “It was an emotional, psychological rendering more than just a facsimile of her face. I felt it, my professors felt it, my classmates felt it,” the artist recalls. “I knew I’d tapped into something visceral for me.” Since then, Butler’s arresting, life-size portraits have been displayed internationally, from Smithsonian institutions to Art Basel in Switzerland. Her Jersey City studio is currently the site of preparations for projects ranging from vivid new works for a children’s book to a 2025 solo exhibition in Washington, D.C. Critical to this success is Butler’s ability to capture what she calls the “emotional residue” that emanates from the original photographs that inspire her work. To find it, she searches the portfolios of living photographers like Janette Beckman and Jamel Shabazz, and mines the National Archives, unearthing powerful images by 20th-century photojournalists including Gordon Parks, Russell Lee and Dorothea Lange, who helped create a pictorial record of American life between 1935 and 1944. Just as she once layered blocks of color on canvas, Butler begins with a base fabric. She then stitches on African textiles that nod to her heritage, lamé and knits that reference the hippie and disco eras, and transparent fabrics—like the laces and chiffons favored by her fashion-forward mother and grandmother, who made their own dresses— “to give a painterly effect,” she says. Crucially, the artist considers her subjects’ spirits before selecting the Day-Glo hues that depict their features. “I want to convey something more than skin tone,” she says of this swerve from realism. “If viewers feel like they can see into the heart of a subject, perhaps they can start thinking about how they interact with people they consider ‘other.’ I hope they see the mirror of humanity there.”
Artist Bisa Butler (left) selects textile swatches in her New Jersey studio, where framed prints, including The Mighty Gents and Daughter of the Dust (below), and new works such as We People Who Are Darker Than Blue (bottom right) mingle with vibrant fabric piles. Her quilt painting Colored Entrance (opposite) is based on a 1956 photo taken by Gordon Parks in Alabama, which Butler sketched out in a notebook (bottom left).
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A young family’s dynamic art collection guides the redesign of their historic New Jersey home.
All in the Mix
Architecture: Kimberly Tone, TLA Design Interior Design: Teresa Manns, Teresa Manns Design Home Builder: Brent Ingersoll, Orchard Hills Design and Construction
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or a young family relocating from Manhattan’s Park Avenue to Summit, New Jersey, the move was more about leaving the chaos of the city than its vibrancy, which they love. So, in renovating their 1920s Tudor home, they sought to recreate a similar edge and urban zest. The new residence also needed to accommodate their ever-growing collection of contemporary art—but not in the familiar, whitewalled way. “They didn’t want to live in a gallery,” designer Teresa Manns shares. “This was about creating confident, courageous spaces that would enhance their daily lives.” In collaboration with architect Kimberly Tone and general contractor Brent Ingersoll, Manns embarked on a renovation to make the home read “a little less ‘suburban Tudor,’ ” and more in alignment with the family’s tastes. Inside, they replaced the central stair’s “too frilly” wrought-iron railing with a heftier Chippendale-inspired design and jettisoned a pair of matching iron gates that separated the formal front rooms from the family spaces at the back of the home. “The house was begging for a bit more muscle,” Manns continues, noting that she also added robustness by coating the home’s once-white doors in “a rich Turkish coffee color that reads like wood to the eye.” And, to create a place where the family could gather easily, the team enlarged the original kitchen and added a sunny breakfast room. “There’s a reading nook there, too—that was a big request from day one,” the designer notes. As for decorating, Manns devised a design scheme that “honored the history of the home while punctuating the eclectic art collection with patterns and colors that extract the movement and sensation of the pieces,” she explains. (The couple have been working with art adviser Andrea Hazen to develop a collection that includes works by Donald Judd and Helen Frankenthaler, among others.) “We didn’t place any art in advance throughout this project, but we did pull inspiration from it,” continues Manns. She began by sourcing fabrics and paint colors, and details fell into place from there. “We didn’t always know a space would work until we held up an artwork,” the designer
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shares. That gutsy approach was partly inspired by her love for travel and visiting historic homes. “You can learn a lot by seeing what people in Europe are doing, like an old castle with a young family living in it. The interiors aren’t dark and drab, they’ve got lots of color and the whole place has come to life in an exciting way,” she says. “A room’s components need to accentuate each other,” Manns continues. There were natural decisions, like the antique, Tudor-style bench in the entryway that speaks directly to the architecture, but there were many surprises along the way, too. The living room was given a cozy corner banquette and table, an element more common in less formal spaces, to create an additional place for conversation or small meetings. (The owners organize many fundraising events.) Manns also transformed the former telephone room into a bar area outfitted with an unexpected Japanese-inspired floral wallpaper and vintage seashell mirror. Many colors are repeated throughout the residence—especially blue and orange—but the designer used them in different saturations and tones to add interest. She also leaned into exuberant finishes and delicate details for some extra magic. Take the wife’s request for “a shiny blue library,” which Manns happily met with highgloss wood paneling (“I immediately said yes to that,” she recalls). Or the pantry, a jewel box-like space that links the kitchen to the dining room, where the designer added inset mirrored panels to the traditional cabinetry for a modern note. “I like to mix old with new,” Manns muses. “Without that tension, a room doesn’t sing. Plus, layers invite you to study the details, and then everything starts to tell a story.” At the end of the day, the story of this home is that it harbors “a busy, outdoorsy crew, which really played into the design philosophy,” says the designer, who is currently working on a vacation residence for the family out West. “It was important that everyone be able to live comfortably in every room. Even the dog is allowed—encouraged—to get up on everything.” But it’s the vivacious energy of the mix that truly causes Manns to effervesce. “The only time these clients told me no was when I was being too safe,” she recalls. “This house was a blast to do.”
A selection of four pale paint shades subtly highlights the entry’s blend of original and new millwork, which includes a Chippendale-inspired balustrade. A Sheila Hicks sculpture greets guests atop a console, previewing the art collection within.
Above: Designer Teresa Manns opted to restore the home’s original front door, hardware and oak floors. The vestibule wallpaper, based on a 17th-century painted cloth, is Zoffany’s Verdure. A painting by Bill Jensen hangs above an antique English Tudor-style bench. Opposite: Manns chose Benjamin Moore’s Van Deusen Blue for the family room’s trim, a color pulled from the Robert Allen drapery fabric. The sofa is covered in Donghia’s ultra cozy Versa mohair.
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Left: In a passageway that was once a telephone room, the designer paired a 1960s Aldo Tura bar cart with a vintage French plaster shell mirror. The wallpaper is Schumacher’s White Blossom. Opposite: A burl wood table from Jayson Home anchors the breakfast room. The walls feature a raffia wallcovering from Phillip Jeffries and trim painted Pratt & Lambert’s Brick Dust. The pendant is from Visual Comfort & Co.
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Right: The pantry features Benjamin Moore’s Tarrytown Green and hardware from Urban Archaeology. The Merida wallcovering is from Cowtan & Tout and the lighting fixture is The Urban Electric Co. Opposite: Slipcovered counter stools from Serena & Lily join the kitchen island, over which hang pendants from The Urban Electric Co. The café curtain fabric is from Robert Allen. Cabinetry is painted Benjamin Moore’s Amherst Gray.
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Above: Benjamin Moore’s Black Ink wraps the powder room’s vanity and wainscot. Encyclopedic snake prints, a nod to the wife’s home state of Florida, enliven the space. The wallpaper is Pheasant by Twigs Fabrics and Wallpapers and the Hollywood Regency-style chandelier is by Nardini Studios. Opposite: A vintage desk found at the Paris flea market creates a workspace in the library, which is wrapped in a high-gloss coat of Benjamin Moore’s Van Deusen Blue. The sofa is Hickory Chair and the drapery fabric is from Lucid Collections.
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th Annual Interior Design & Art Show
Show Dates - November 10th to12th Opening Party - November 9th A Night at the Hadley - November 10th 12 Vignette Designers Ross Alexander, Amanda Essex, Smith Gardner, Jennifer Gresinger, Lindsey Coral Harper, Kayla Lowry/Carissa Pintello, MKDA, Robin O'Neil, Jasmin Reese, Amanda Reynal, Stamford Modern, Scot Meacham Wood
Platinum Sponsors: Waterworks,
Art Installation by TONK Gallery
On The Harbor Real Estate, Mary McDonald Inc Corporate Sponsors: Benzinger Winery, The Fifth State Distillery, Ring’s End, Russell Agency, Vaughan Designs, Yankee Custom Builders Design Sponsors: Dunes & Duchess, Eleish Van Breems, OKA, Visual Comfort
Featured works by Sam Sidney, Katie Re Scheidt, Jennifer Badalamenti, Kathleen Palmeri /
POP-up Restaurant - The Hadley Designed by Christian P. Arkay-Leliever
roomswithaview.org For tickets and more information
A fundraiser benefitting 19 local charities
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1. Bay Point Modern | Sag Harbor $5.995M | 0.28± Acre | 3,300± sf 4 BR | 4 BA | Deep Water Dock Heated Gunite Pool SagHarborWaterfront.com Jane Babcook 631.537.4346 | jbabcook@bhsusa.com John P. Vitello 516.315.6867 | jvitello@bhsusa.com 2. New Construction | Southampton South $3.295M | 0.35± Acre | 2,700± sf 5 BR | 4.5 BA | Masterfully Crafted Heated Gunite Pool 18LillianLane.com John P. Vitello 516.315.6867 | jvitello@bhsusa.com 3. Southampton Village Perfection $3.495M | 0.37± Acre | 4,050± sf 4 BR | 4.5 BA | Perfectly Renovated Pool | Pool House | Garage 133HalseySt.com Cristina Matos 631.766.3378 | cmatos@bhsusa.com 4. New Luxury, Bay Access | Water Mill $8.795M | 0.56± Acre | 5,400± sf 6 BR | 6.5 BA | Heated Gunite Pool Private Lane with Bay Access 26GeorgianLane.com John P. Vitello 516.315.6867 | jvitello@bhsusa.com
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IT’S THE FUTURE.
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5. Ocean Views | Amagansett Dunes $4.45M | 0.23± Acre | 2,300± sf 4 BR | 3 BA | 2nd Fl. Deck and Roof Deck with Ocean Views Private Community Beach Access 102MarineBlvd.com Christopher J. Burnside 516.521.6007 | cburnside@bhsusa.com Aubri Peele 631.252.5434 | apeele@bhsusa.com
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