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Design Better
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CONTENTS
NOV DEC 2 02 3
48
EDITOR’S LETTER
Scene 56
D E S I G N D I S PAT C H The little black book of all things new and fabulous in the local community.
Radar 68
NOTEWORTHY Meet three designers who are crafting products that address sustainability, materiality and technology.
72
I N S P I R AT I O N Billy Cotton unpacks his approach for creating grounded, evocative spaces.
76
A R C H I T E C T U R A L LY S P E A K I N G Leading architects examine the evolution of AI for the industry.
78
I N N O VAT I O N With a waste-not approach, plant and fruit leathers are becoming the latest in-demand textiles.
Market 92
M AT E R I A L Marvel at the handiwork of patchwork quilts and reflect on the craft’s well-deserved renaissance.
102
TREND Luxe rounds up three major art exhibits headlining this season.
108
SPOTLIGHT Get to know six vintage and antique shop owners charting their own course.
Living 126
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K I TC H E N + B AT H Conceived as design-forward sanctuaries, these restful bathroom spaces take center stage.
Designers, epicureans, and guests. The French door that satisfies them all.
Introducing our new fully integrated 48-inch French Door Refrigerator/Freezer; designed to fit any kitchen’s style and every entertainer’s needs. Thanks to its impressive capacity, and features like the exclusive 5-mode Convertible Drawer and Dual Ice Maker with Craft Ice™, your favorite foods and growing guest lists will be well taken care of. That’s how we stay #TrueToFood
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Learn more about how we stay True to Food by visiting our showroom near you: Rosner’s West Palm Beach | 561-967-8600 Rosners.com
Copyright 2023© Signature Kitchen Suite, 111 Sylvan Ave., Englewood Cliffs, NJ 07632. All rights reserved. “Signature Kitchen Suite” and the Signature Kitchen Suite logo are trademarks of Signature Kitchen Suite.
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CONTENTS
FEATURES
146
158
162
174
Unexpected Journey
City Beautiful
Dark Horse
Midcentury to Modern
Releasing her creative spirit, a designer mixes whimsical elements in this British Colonial-style dwelling.
Everyday moments are reimagined through an artist’s sculptural assemblages of found objects and street photography.
Devoid of classic riding themes, an equestrian abode instead embraces its tropical setting with a splash of uplifting hues.
A nearly 75-year-old house undergoes a contemporary facelift featuring an open layout, vibrant colors and plenty of natural light.
Written by Jennifer Boles Photography by Amy Vischio
Written by Monique McIntosh Photography by Mary Beth Koeth
Written by Grace Beuley Hunt Photography by Nickolas Sargent
Written by Mary Thurman Yuhas Photography by Libertad Rodriguez
ON THE COVER: Designer Melissa Lindsay countered the rectangular shape of a Vero Beach living room with curved pieces such as a vintage Olivier Mourgue ottoman, Pierre Paulin’s Groovy chair, Edward Wormley’s Oasis sofa and a custom coffee table. Crate & Barrel’s Boveda lamp and a Fibreworks rug complete the look. Page 146
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I N
P A R T N E R S H I P
SEE MORE. DISCOVER MORE. Join these industry tastemakers at ATLANTA MARKET this winter to dive deeper into the trends for 2024 and beyond. Plus, you’ll discover more home sourcing options than ever before with the addition of 50 casual/outdoor furniture showrooms, more top-notch lines and new resources across the Market.
THE PREMIER GIFT, DÉCOR & LIFESTYLE MARKET
Traverse Side Table – Ebony Cerused by Global Views
Organic Round Mirror Antique Brass by Jamie Young Co.
DARK + LOVELY
Adeline Rectangle Wall Sconce by Jamie Young Co.
“I am starting to see a trend in darker, deeply-hued spaces. I would call them ‘dark and lovely,’ and this is one of my personal favorite happenings in design right now—I’ve even implemented it into my own home. Clients are requesting a more moody and sophisticated feel, and I can achieve this look by using those dark color tones, along with sensual textures and accessories.”
AMHAD FREEMAN, Principal Designer Amhad Freeman Interiors Nashville, Tennessee | 615.429.1726 amhadfreeman.com | amhadfreemaninteriors
Boundless Chair by Caracole
Atlanta Market is open to the trade only, January 16 to 22, 2024. Register online at AtlantaMarket.com
I N
P A R T N E R S H I P
Spiritus Pendant by Currey & Company
Very Verdure 3 by Wendover Art Group
Lumberton Jar With Lid – Blue/Green by Chelsea House
Rosie Tray by Chelsea House Reed Rattan Floor Lamp by Currey & Company
Like Paradise by Rochelle Porter (currently on display at Curated Home Brands)
Riviera Deck Chair by Mainly Baskets Home
Laguna Small Bench, Striped by Uttermost
RATTAN REVIVAL
MAXIMALIST PATTERN PLAY
“Steeped in history, rattan is now returning to interiors—and not only in coastal or outdoor settings. I love the typical honey color, but I also enjoy seeing it used in painted hues paired with unexpected shapes. One of my favorite approaches is to mix rattan objects into more polished spaces, as it adds just the right bit of style tension to keep a room from feeling too formal.”
“Eye-catching walls are definitely making a statement. Whether abstract, tropical or geometric, the use of vibrant color and pattern in wall art and wallpaper is bigger than ever—and I’m thrilled to see it! Minimalism has its place, but bold, expressive prints and audacious color combinations evoke a whimsy that, in my opinion, is unmatched.”
ROCHELLE PORTER,
LAURA W. JENKINS, Principal Designer
Creative Director
Laura W. Jenkins Interiors Atlanta, Georgia | 404.452.2408 laurawjenkins.com | laurawjenkinsinteriors
Rochelle Porter Design Atlanta, Georgia | 404.915.0005 rochelleporter.com | roporterdesign
Showrooms: Tuesday, January 16 – Monday, January 22, 2024 Temporaries: Wednesday, January 17 – Sunday, January 21, 2024
Register Today at AtlantaMarket.com @AmericasMartATL | #AtlMkt
LINK
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Welcome to the world of GRAFF, an aesthetic oasis in harmony with your lifestyle and home. Timeless and modern in color and design, sophisticated in material and finishes, and consistent in quality and function. GRAFF’s kitchen collections present high-performance designs that bring ease and joy to life.
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SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.
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Luxe Interiors + Design®, (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 21679584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 6, November/December, prints bimonthly and is published by SANDOW, 3651 FAU Boulevard, Suite 200, Boca Raton, FL 33431. Luxe Interiors + Design® (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design®, SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe. Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe. Subscriptions: 1 year: $34.95 USA, $84.95 in all other countries. Luxe is a licensed trademark of SANDOW © 2023. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without the written permission of the Publisher. ADDRESS SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Luxe, P.O. Box 808, Lincolnshire, IL 60069-0808. Email: luxe@omeda.com or call toll-free 800.723.6052 (continental U.S. only, all others 847.559.7358).
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LETTER EDITOR’S
Real Intelligence Our workplace Slack channel, “Learn AI,” is frequently pinging with updates on the latest tools and links to YouTubers who share weekly recaps and practical uses. I wish that I could say I was interested. But, at the moment, I am fascinated by another regenerative force: that of trees. A few months ago, I moved from a heavily-developed area to one of the most biologically diverse regions in the country. My neighborhood was planned in the 1920s by landscape architect John Nolen in collaboration with Frederick Law Olmsted, and it is filled with massive century-old trees. An 80-foot white oak graces my front yard, and this mighty tree supports more life-forms than any other North American tree genus, providing food and protection for birds, bears, squirrels and countless insects and spiders. It will produce three million acorns in its lifetime and drop about 700,000 leaves each year, creating a habitat that regenerates and makes its own vibrant community right outside my door. Plus, oak trees also sequester carbon.
Pamela Jaccarino VP, Editor in Chief @pamelajaccarino
As part of the SANDOW DESIGN GROUP (SDG) carbon impact initiative, we are now printing using soy-based inks, which are biobased and derived from renewable sources. This continues SDG’s ongoing efforts to address the environmental impact of its operations and media platforms.
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PORTRAIT: HEATHER BAIGELMAN.
Nature is way cooler and more captivating than machine-learning. I may just have to start a new workplace Slack channel, “Discover Dendrology!”
Architect: Wright Design Builder: Morgan-Keefe Builders Interior Designer: Wright Design Interiors Studio Photographer: Rebecca Lehde
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JENNIFER LYNN INTERIOR DESIGN 1420 S CYPRESS DRIVE #5 JUPITER, FL 33469 561.408.8030 | @ jenniferlynnid
SCENE W R I T T E N B Y A N G E L A C A R AWAY- C A R LT O N | P R O D U C E D B Y K R Y S TA L R A C A N I E L L O
SHELF LIFE
DESIGN, STYLE & INFLUENCE W R I T T E N BY K H A D E J A H K H A N
Alexa Hampton’s latest book, the third in her oeuvre, explores the design evolution of her longtime New York City residences—in a building she’s called home for 27 years— through vivid snapshots and heartfelt tributes. Luxe chatted with the prolific designer to learn more. alexahampton.com; penguinrandomhouse.com What inspired this book? I wanted to write about my lifelong influences. Some are seminal moments, like the Bill Blass and Givenchy sales. Others are museums or architects that have inspired me. That’s the core of the book—“love letters” to various people, places and experiences that have shaped me. How do you balance grandeur with what you describe as “normalcy” in your home? I’ve given myself permission to have things like crazy helmets and formal elements, but they aren’t necessarily reflective of my personality—it’s about what delights me.
SAVE THE DATE
Any advice for the next generation of designers? First, look at people you admire in other fields. What can you draw from their story? Second, take yourself seriously. Designing is a craft that requires intelligence, but it should not be divorced from our creative angels. Find the balance that suits you; authenticity is key to success.
Recognizing Miami as a hotspot for international art and design, independent design fair Alcova will host its first overseas exhibition in conjunction with Miami Art Week from December 6-10. The show is best known for its strong presence at Milan Design Week and for its immersive and thought-provoking events held at unique and often off-the-radar locations— changing each year for fresh inspiration. Keeping in line with that ethos, the inaugural Alcova Miami will highlight the city’s rich cultural and architectural heritage taking place at two historical landmarks: the Selina Gold Dust on Biscayne Boulevard and the former Emancipator Boatyards, which are situated on opposite sides of the Little River. During the five-day event, renowned and emerging artists from around the world will showcase their work in exhibitions, installations and performances. alcova.xyz
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shelf life photos: book cover, courtesy clarkson potter; interior, steve freihon. save the date photo: courtesy alcova.
ALCOVA MIAMI
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755 NW 17th Avenue, Suite 107, Delray Beach, FL 33445 | 954-200-7758 | marcjuliengroup.com
DISPATCH
FIRST LOOK CASA BRANCA
ONES TO WATCH TWO SOUTH FLORIDA DESIGNERS SHARE THEIR DISTINCTIVE STYLES AND WHAT MOVES THEM. W R I T T E N B Y K R Y S TA L R A C A N I E L L O
Megan Grehl As principal and founder of her eponymous Miamibased studio and a LUXE Next In Design 99 honoree, Grehl taps into her Asian culture to create an unmistakable, internationally inspired aesthetic. Here, she shares more. Tell us about your approach. Cultural influences are central to the makeup of our team and the design heritage we are cultivating. Having a strong architectural backdrop is also integral to our process. We like experimenting and contradicting the way people often think of materiality—I love the shock factor. What keeps you motivated? Knowing there are different aesthetics and markets to discover. There are so many ways to design, and it’s exciting to see new interpretations year after year—it never gets boring. megangrehl.com Rayana Schmitz For the founder and principal designer of Firefinish Interiors in Coconut Creek, it’s all about designing spaces where functionality meets beauty. Get the inside scoop from the LUXE Next In Design 99 pro. Describe your aesthetic. A harmonious blend of timeless elegance and modern sophistication. We create spaces that exude tranquility and warmth with contemporary elements. What drives you? The ability to positively impact our clients’ lives and capture their individual styles while still expressing our firm’s creativity. firefinishinteriors.com See our Next In Design 99
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STATE OF THE ART PALM BEACH ARTIST COLLECTIVE
The Palm Beach Artist Collective (PBAC), with its prime location on South Dixie Highway in West Palm Beach, recently expanded its gallery to showcase a greater variety of local artwork. “The new space gives art lovers, interior designers and collectors the opportunity to see original works from our 14 Florida artists,” says PBAC director Katie Barbatsuly. “Clients can spend time with the paintings, taking in the colors and textural details of each piece.” Discover a range of mediums and styles from abstract to representational, and new works are hung on the first of every month. Patrons can also meet with artists for special commissions and custom projects. “It’s a fabulous location and wonderful space for all the events and exhibitions we have planned for the rest of the year,” Barbatsuly says. palmbeach.artistcollectives.org
ones to watch photos: megan grehl (top), zack dezon; firefinish interiors (bottom), dan cutrona. first look photo: courtesy casa branca. state of the art photo: susan currie.
SCENE
DESIGN
Elevate any occasion this season with beloved Palm Beach brand Casa Branca’s newest collection. Created by designer Alessandra Branca, her seasonal tablescape inspiration ranges from the tropical to the traditional and encourages owners to reimagine their holiday decor. Consider wavy handwoven baskets splashed in red and green; a cozy throw in a tartan pattern; green-hued, handblown champagne flutes for an elegant toast; a playful palm tree candleholder that stars as a centerpiece; indulgent dessert plates boasting floral motifs (right); and stag-embroidered linen cocktail napkins and hand towels inspired from a book of 18th-century prints. “For me, decorating for the holidays is much like my design philosophy: It’s all about the mix,” Branca says. “These pieces set the scene to ultimately fill spaces with love and laughter.” casabranca.com
FINE
RE
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Featured: MGS Milan
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LUA BY ADRIANA HOYOS
Tell us about the concept behind the new collection. Lua was inspired by the moon’s phases, shapes, textures, colors and ancient history as well as how our ancestors idolized its divinity. The moon has a strong connection to nature and is a protagonist in various cycles,
BLUEPRINT
THE WELL BAY HARBOR ISLANDS Catering to those who place well-being at the forefront of living, The Well Bay Harbor Islands will be the first fully integrated luxury wellness residential project in the country. Slated to open in March 2025, Miami development firm Terra is collaborating with global luxury wellness club The Well on 54 residences designed to make healthful living easy. “We’re excited about the generous, sunlit layouts; floor-to-ceiling windows; and many natural wood elements—increasing a connection to nature,” says Kane Sarhan, co-founder and chief creative officer of The Well. Nestled in the enclave of Bay Harbor Islands, the property’s centerpiece will be The Well Club. Here, residents will have access to daily fitness classes and practitioners as well as innovative amenities such as South Florida’s first caldarium, which supports respiratory, circulatory and immune health. thewellbayharbor.com
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such as day and night, the tide and the growth of plants. What makes these pieces unique? They are designed to seem as if they are floating, appearing in curved shapes influenced by the full, half and crescent moon phases. Each piece is carefully crafted, offering a sense of quiet elegance while remaining playful and dynamic. After many years in the industry, how are you now approaching design? For me, design is a result of constant research, a deep understanding of my clientele and using my experience as a tool. I love to travel and observe trends— especially fashion—but what I love the most is creating authentic stories that become pieces of furniture or places to enjoy.
launch photo: courtesy adriana hoyos. blueprint rendering: courtesy the well bay harbor islands.
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Marking a celebratory milestone of 30 years in business, Adriana Hoyos continues to evolve. The Miami-based interior and furniture designer unveiled a new flagship showroom in Coral Gables as well as her latest furniture collection, Lua, which she collaborated on with her daughter and features 21 celestially informed pieces. Below, Hoyos talks inspiration, crafting unique furniture and how she continues reinventing. adrianahoyos.com
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image: dripping springs house by matsys.
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Get to know today’s designers and makers pushing the aesthetic envelope, brands championing sustainable textiles, and architects’ take on AI.
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Next (Re)Generation LUXE MEETS THREE CREATORS WHOSE FORWARD-THINKING PRACTICES START WITH REGENERATIVE DESIGN AND BETTERING THE WORLD AROUND US.
Acropora by Sangmin Oh for TextielMuseum is part of his “Knitted Light” series, which uses elastic, glow-inthe-dark yarn and recycled monofilament fishing line.
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photo: courtesy sangmin oh.
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Photographed at The Boston Athenaeum
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SANGMIN OH
For Daniel Michalik, whose Brooklyn studio crafts striking seating and objets from cork (like the Arm Chair, below), working with the medium is more than an aesthetic choice—it is part of an effort to “rethink our relationship to natural systems.” The lifecycle and harvesting methods for cork make it a uniquely environmentally responsible material because cork trees can be harvested naturally every nine years without damage. And using this flexible, raw material is part of a circular manufacturing loop, as it’s recyclable and its main global use, the production of bottle stoppers, leaves large amounts of leftovers. Michalik, a professor at Parsons School of Design, makes frequent trips to Portugal, where cork forests abound, to study and preserve the centuries-old harvesting techniques handed down through generations. danielmichalik.com
When Korean-born designer Sangmin Oh decided to create three-dimensional textile lighting, he found himself experimenting at the fabric laboratory of the TextielMuseum in Tilburg, Netherlands, which became a playground of sorts for the maker. There, using a knitting machine, he was able to mix materials until he found his recipe for magic: a combination of elastic, glow-in-the-dark yarn and recycled monofilament fishing line. “Because of its transparent quality, it lets you play with light,” Oh says of his amorphous, abstract “Knitted Light” pieces which evoke natural forms, specifically, threatened coral. At night, Oh’s designs emit a soft glow showing different hues and dimensions, and, in the daylight, they are textile sculptures inspiring wonder and reflection. osangmin.com
TREY JONES One look at Trey Jones’ sculptural furnishings and your eye is drawn to the unusual patterning, rich coloration and whimsical proportions. What may not be immediately apparent is that the pieces are also a feat of ingenuity in reusing resources. At the workspace Jones shares in Washington, D.C., piles of plywood would accumulate as cabinet makers crafted their wares. Soon, the artist was inspired to give the scraps new life and landed on a technique inspired by Japanese Nerikomi ceramics, in which Jones painstakingly assembles small offcut sections into elaborate motifs created by exposing the wood cut ends. For the Plinths Cabinet, at left, the compounded technique reveals the inherent nature of the pattern within. treyjonesstudio.com; cultureobject.com
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PHOTOS CLOCKWISE FROM TOP LEFT: COURTESY DANIEL MICHALIK, COURTESY SANGMIN OH, JODY KIVORT.
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SENSUAL, GROUNDED INTERIORS ARE BACK. BILLY COTTON STRIKES THIS SENTIMENT WITH BOUNDARY-DEFYING SPACES THAT SPARK EMOTION AND FORGO STANDARD FORMULAS. W R I T T E N B Y M A R I O LÓ P E Z- C O R D E R O
In a modern New York City home designed by Billy Cotton with architect Stamberg Aferiat + Associates, art by Cindy Sherman hangs above a Vladimir Kagan sofa.
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photo: © stephen kent johnson/otto.
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has yielded hauntingly memorable spaces, including a Manhattan refuge in which blue-chip contemporary art takes center stage, and light and air are ingredients as important to the finished scheme as the chevron patterned floors and curvy sofas. The project exemplifies Cotton’s belief that there should be a continuous push and pull between objects and furnishings as though they are in constant communication. Cotton’s rooms are always poetic, never banal, and pared down to sensuous and unexpected details and couplings that evoke emotion. How does he compose beautiful interiors that actually make you
feel something? “You have to edit,” he says. “I want people to bring things into their lives that have meaning. The objects and materials you employ in a space should be intentional. Intentionality dictates respect. Do you need this? Is this the best version? I would rather not buy a decorative object just to fill a room. I want houses to evolve over time and give people a canvas to paint their own spaces.” His talent lies in the way he distills a client’s passions to their best possible version and then gives them plenty of room to soar and sing. “Above all,” says Cotton, “design should be filled with joy.” billycotton.com
portrait: noe dewitt. interior photos: © stephen kent johnson/otto.
He is a polymath decorator whose soulful, wideranging body of work can incorporate bouillon fringe and chintz balloon shades as easily— and winningly— as it does sculptural staircases and chalky white walls left ethereally unadorned. And while Billy Cotton’s deft, resonant interiors can run the gamut stylistically, they are all rooted in a rigorous, inquisitive point of view the New York-based practitioner picked up at Pratt Institute. “I trained as an industrial designer, which was all about how somebody uses something and how they interact with an object, whether it’s a plate or silverware. I think of all my projects that way,” he says. “What does somebody need, what is the problem and why did they come to me?” The function-forward answer leads Cotton to a client-specific game plan that leaves him room to play—with materials, with furnishings, with romance. “I’m a dreamer. I love to fantasize about what beauty or luxury can be. When we get together with clients, we are having fun.” In Cotton’s world, “fun” is a humble euphemism for an intuitive process that
The living area is anchored by a custom sofa in Fortuny velvet, while artwork by Sadie Benning and Jacqueline Humphries flanks the fireplace (above). A sculptural Steelcase bench is paired with a graphic painting by Stanley Whitney.
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TODAY’S TOP TALENTS WEIGH IN ON THE PROS AND CONS OF AI FOR RESIDENTIAL ARCHITECTURE.
In an industry that values the trained eye and a studied approach, it’s perhaps no surprise that many architects are wary of artificial intelligence programs that whip up new renderings at the push of a button. “It’s fascinating software, but it is frightening,” says Fort Worth-based architect Jeff Garnett, who does not use AI in his work but has tested the software after hours. “Design is a human creation, and we have to hold onto that as long as we can.” If you plug the phrase “Georgian Revival estate stucco” into an AI program like Midjourney, you will get multiple versions of a visualization rendering returned in mere seconds—sans blueprints and the actual details needed to build a house, of course. While these images may look authentic, they don’t replace a trained—human— professional. “You’re going to have to be careful with these programs and stay well-informed, not trusting things too much,” architect Tom Kligerman of New York City firm
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Kligerman Architecture & Design heeds when it comes to taking what’s in front of you for fact or fiction. Still, AI has its perks—especially as back-of-the-napkin initial sketches can be replaced by a tool that creates a nearly-instant rendering to elucidate an architect’s imaginings. Andrew Kudless, principal of design studio Matsys and a Professor at the University of Houston’s Hines College of Architecture + Design, believes AI can be helpful in several ways. “In the early design phases, it can explore more ideas in less time without modeling and rendering each iteration. Also, as AI models become more sophisticated and attuned to architectural problems they can help automate essential yet labor-intensive tasks, freeing up designers’ time.” In short: there are ways to put the intelligence in artificial intelligence. “There is this perception that AI models are either godlike superbeings or evil robots coming for everyone’s job,” Kudless says.
background: dripping springs house by matsys.
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Juicy Fruit NOVEL PLANT AND FRUIT LEATHERS OFFER STYLISH QUALITIES ENTIRELY THEIR OWN.
A new crop of leathers is popping up and meeting the (environmentally conscious) moment, offering elegant alternatives to traditional materials. By using sustainably farmed plants, fruits and byproducts with lower ecological footprints, these imaginative textiles can capture the lithe look and grains of animal leathers while also producing unique aesthetic effects, introducing tantalizing possibilities for interior design. That’s what attracted Brooklyn-based furniture designer Bowen Liu to Fruitleather Rotterdam. The Dutch brand makes plant leather from spoiled mangos, resulting in textiles that feature naturally stained pebbled textures and embossed crocodilelike patterns. But Liu intuitively gravitated to Fruitleather’s original mottled finish, which reveals pieces of the mango’s natural pulpy texture and golden hue. “I like showing the details of a material without sacrificing its integrity,” explains the designer. “The pulp and fiber add character that feels authentic.” This speaks to plant leather’s underlying appeal— one-of-a-kind materiality, and a sense of place and history. Another brand making waves is Desserto, who is producing a leather-like textile from the nopal cactus on its farms in Zacatecas, Mexico. The heritage, drought-hardy perennial is grown without irrigation or pesticides. In the Philippines, Ananas Anam is using leftover pineapple leaf fibers to make their signature Piñatex leather. They recently collaborated with famed British designer Tom Dixon, covering his wingback chairs in metallic Piñatex to create an effect reminiscent of leather crossed with texturized silver. Such partnerships play a central role in carving sustainable paths forward. For Liu, the key to unlocking plant leather’s potential is creative curiosity. “I’m interested in materials and applying them to the proper applications,” she says. “It’s necessary to touch them and learn about their properties.”
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photo: unsplash.
W R I T T E N BY M O N I Q U E M C I N T O S H
2023
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A beautiful outdoor space for our guests that will last a lifetime.
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Erin Fetherston Designer, Fashion & Interiors | LA - NYC
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TimberTech® Advanced PVC Landmark Collection™ in French White Oak® + Classic Composite Series® Railing in Matte White
TimberTech decks capture all the natural beauty of real wood—without the costly maintenance. Made from up to 85% recycled content, they’re engineered to resist moisture and won’t splinter, rot, crack, or peel—plus, TimberTech is a better choice for fire zones.* All this, backed by TimberTech's industry-leading warranty, means that you can enjoy your deck for decades to come.**
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*Advanced PVC Collections have Class A Flame Spread Rating and/or are WUI compliant. Find more details on TimberTech.com/Fire. **TimberTech products are backed by Limited Product and Fade & Stain Warranties that range from 25 years to Lifetime, depending on the collection. Recycled content also varies by collection.
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Imagine a race competition with friends and family on iconic international racing circuits, while your guests enjoy watching in real-time on the big screen TV in your custom designed theater with a hospitality cocktail bar.
SimLifestyle.com 561.812.2938 | racing@simlifestyle.com
Sim Lifestyle Celebrates the Launch of our “Racing Simulator Theater.” The exclusive thrill of motorsport racing in the privacy of your own home. If you love racing and entertaining, book your private test drive experience today in our West Palm Beach Showroom!
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DISCOVERIES FRESH.DESIGN.FINDS.
FABRICUT Fabricut’s new Luxe Home collection explores sumptuous textures and captivating patterns that combine wonderfully. Pair these fabrics with trimmings, wallcoverings and more from Fabricut for exceptional, distinctive spaces. fabricut.com
BROWN SAFE Brown Safe is the premier builder of high-security luxury safes. Each safe is thoughtfully designed with high-end finishes and features to enhance the enjoyment of the valuables it protects. brownsafe.com
SAMUEL HEATH Forme is a highly-dynamic collection of bathroom fixtures that typifies contemporary minimalism. The Oriel Pyramid design features a series of precisely-milled engravings, encouraging light and shadows to interact differently with each metallic finish. Showcased here in Antique Gold. samuel-heath.com
SOLITUDE Luxuriously crafted and beautifully designed to add dramatic character to any space, spears of Optic HazeTM Crystal composed of natural quartz gemstone glimmer beautifully when illuminated. Welcome to a new era of luxury. Modern masterpieces of style and artistry.
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DISCOVERIES FRESH.DESIGN.FINDS.
J. TRIBBLE Explore convertible antiques from J. Tribble. Repurposing antique treasures for modern homes, the purveyor has more than 200 European antiques ready for conversion available on the website. jtribble.com
POLTRONA FR AU The Beautilities collections feature pet, gaming and fitness accessories that marry elegance with functionality, creating new visions for domestic spaces that enhance mental, physical and social well-being in everyday life. poltronafrau.com
BEVOLO GAS & ELECTRIC LIGHTS The round roof design of the Cotton Exchange lends itself to a number of different styles of architecture. Available in a variety of sizes, gas or electric. bevolo.com
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Explore the revival of American quilting, must-see art exhibits, and dealers with a keen eye on the design world both past and present.
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Patchwork Poetry MODERN QUILT MAKERS REVEL IN THE RENAISSANCE OF THEIR AGE-OLD CRAFT. W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N P H O T O G R A P H Y BY W I L L I A M AND SUSAN BRINSON
FAMILIAL TIES Brooklyn-based designer Sarah Nsikak is grateful for the growing interest and appreciation in quilting, which is introducing her beloved practice to a greater audience. “For the first time in a while, people want to understand how things are made,” says Nsikak, for whom quilting is personal. When she was a young child, her grandmother immigrated to the states from Nigeria and looked to quilting as a form of communication. “She taught me how to sew, and I think that established a new language and storytelling of sorts.” Her piece It May As Well Be Spring (above) is made of leftover scraps from her fashion brand, La Réunion, and presents an amalgamation of symbols, like a fish and chair, which are meaningful to the creator yet still relatable to viewers. sarahnw.com
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RHYTHMIC ROUSE It was during his MFA studies at Cranbrook Academy of Art that Julian Jamaal Jones pivoted from fashion photography to fiber arts and quilting—a craft his grandmother practiced in her youth. It’s that kind of comforting familiarity that Jones surmises could be behind the artform’s rise. “I’m on a mission to rewrite the rules of quilting and create my own unique verbiage within the medium,” says the Indianapolis-based artist. Jones’ practice implements abstract forms and vibrant colors, bypassing preconceptions and opening a dialogue around his Black experience. Take the three pieces here: Inspired by gospel music’s rhythms, lyrics and harmonies, the movement of each design mimics song beats and the feelings they evoke. The materials are as dynamic as the patterns themselves, with cottons, denims and plush velvets existing alongside one another. julianjamaaljones.format.com
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Bauhaus Vanity 36” Pacific Blue & Walnut Bauhaus Lavatory Sink 36” made from WETMAR BiO™
Designer Bathroom Fixtures • Made in Montreal • T: 1.888.536.9001 • wetstyle.com • info@wetstyle.com
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COMMUNAL COMFORTS It was in 2003 when then-art student Martha Clippinger viewed a quilt exhibit at the Whitney Museum in New York that she realized this homespun craft could hold court among fine artwork. Fast-forward to today, and the Durham, North Carolina, quilter’s own works are now displayed in museums and galleries. Cuadricula Quilt, shown hanging, and Iona’s Covid Quilt, on the table, exemplify Clippinger’s keen observation of color. “I’ve always been interested in quilts as a way to discuss ideas about pattern, symmetry and, in particular, tonal relationships,” she says. “I share Josef Albers’ interest in studying the effects of color through direct observation. Making quilts with found materials is about looking at what’s in front of you and testing combinations to create dynamic arrangements of color.” marthaclippinger.com
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Elevating design one step at a time
Hard Rock Hotel, Times Square, New York
A New Era of Walker Zanger Experience a revitalized, refreshed Walker Zanger, reflected in new heights of breathtakingly beautiful surfaces, and sustained by the superior product, showroom service, and client support that has defined the storied brand since 1952. Visit walkerzanger.com
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BASIC INSTINCTS For Los Angeles creative Adam Pogue, a handmade quilt represents the ultimate gesture. “They serve a purpose; they keep us warm. And for as long as we use them, they remind us of the maker.” It’s in this spirit that he creates his textile works, like the one featured in the historic 19th-century Dr. Oliver Bronson House in Hudson, New York. The quilt, which depicts a landscape-inspired motif framed by bands of color, was originally made for Commune Design’s shop. It was crafted using a clothing designer’s cast-off hemp linen and dyed to the perfect hues. Pogue begins each work with a general idea and palette but admits he “never has it all figured out” before starting. Instead, he improvises as he goes, laying out the individual elements on the floor, rearranging and re-dyeing as desired. iamadampogue.com; communedesign.com; historichudson.org
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“Like the metamorphosis of a butterfly” Discover Timeless sofa by Lorenza Bozzoli on natuzzi.com
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Peel and stick Benjamin Moore paint samples delivered overnight. • 100% color accuracy • Made with two coats of real Benjamin Moore paint • Large 9” x 14.75” sample • Samples delivered overnight • Order today, get samples tomorrow samplize.com/benjaminmoore
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Be inspired by blockbuster museum exhibitions around the country that celebrate the legacy of three renowned artists. WRITTEN AND PRODUCED BY S A R A H S H E LT O N
Renaissance Man The 15th-century Italian artist Sandro Botticelli may be known for his exquisite masterpieces like La Primavera and Birth of Venus, but the focus of his latest exhibit at the Fine Arts Museums of San Francisco centers around his exquisite drawings. Nearly 60 works from around the world, including Study of the head of a woman in profile (above), shine a light on the artist’s technical practice of draftsmanship. famsf.org
Clockwise from top right: Sophie Tassel Tieback in Rose Water and Currant / Price upon request / samuelandsons.com. Zellige Rug by Ken Fulk / From $6,000 / therugcompany.com therugcompany.com. Melograno Eau De Cologne / $100 / us.smnovella.com. Amerigo Travertine Side Table / $3,924 / interludehome.com. Raphael Sofa by GamFratesi / Price upon request / minotti.com. Platinum Wallcovering in Light Camouflage / Price upon request / arte-international.com. Conterie Floor Lamp by Luca Nichetto / $11,000 / ginori1735.com. Rome Denario Ring in White / $185 / grandtourcollection.com. Moo Bobble Catchall / $113 / montanalabelle.com.
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SANDRO BOTTICELLI. “STUDY OF THE HEAD OF A WOMAN IN PROFILE (“LA BELLA SIMONETTA”) (RECTO); STUDY OF THE FIGURE OF MINERVA (VERSO),” CA. 1485. METALPOINT, WHITE GOUACHE ON LIGHT-BROWN PREPARED PAPER (RECTO), BLACK CHALK, PEN AND BROWN INK, BROWN WASH, WHITE GOUACHE (VERSO). 13 7/16 X 9 1/16 IN. (34.2 X 23 CM.) THE ASHMOLEAN MUSEUM, UNIVERSITY OF OXFORD. BEQUEATHER BY FRANCIS DOUCE, 1834.© ASHMOLEAN MUSEUM.
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S H E never PA I D M U C H AT T E N T I O N T O T R E N D . BUT IT SEEMED TO FOLLOW HER anyway.
THE MODERN GODDESS FEATURING THE LITZE¨ KITCHEN COLLECTION
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Clockwise from top right: Otto Pillow in Orange Blush / $195 / jonathanadler.com. Type 75 Mini Desk Lamp Edition 3 by Paul Smith / $370 / anglepoise.com. Check Bath Mat in Sky Blue / $35 / hay.com. Skool Armchair by Kolbrún Leósdóttir / Price upon request / roche-bobois.com. Dita 4-Door Sideboard in White Lacquer by Pagnon & Pelhaître / Price upon request / ligne-roset.com. 2x2 Straight Set Sheeted Tile in Tomato Red / $45 per square foot / fireclaytile.com. Transparent Bluetooth Turntable by Per Bristad / $1,300 / store.moma.org. Calatrava 6007G Watch / Price upon request / patek.com.
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PHOTO: ED RUSCHA. STANDARD STATION, TEN-CENT WESTERN BEING TORN IN HALF, 1964, OIL ON CANVAS, PRIVATE COLLECTION, © 2023 EDWARD RUSCHA. PHOTO EVIE MARIE BISHOP, COURTESY MODERN ART MUSEUM OF FORT WORTH.
Modern art devotees won’t want to miss Ed Ruscha’s most comprehensive retrospective to date at New York’s Museum of Modern Art. Enthusiasts will find iconic postwar compositions on display like Standard Station, Ten-Cent Western Being Torn in Half (above), along with over 250 additional pieces, from lesser-known paintings and drawings to photography and installations, spanning 1958 to present day. moma.org
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Expressive Exercise
Clockwise from top right: Calypso So XL Outdoor Light in Antigua / Guadaloupe / Martinique / Price upon request / contardi-usa.com. Rhapsody Wallpaper in Terracotta / $59 per roll / backdrophome.com. Glass Pourer by Andrew Iannazzi in Green / $192 / abask.com. Solana Chaise / Price upon request / cuffstudio.com. Foshay Bookcase in Sage / from $799 / roomandboard.com. Le Tapis Nomade in Cream and Yellow / Price upon request / cc-tapis.com. Cameron Sunglasses in Poppy 18K Rose Mirrored / $255 / krewe.com.
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PHOTO: MARK ROTHKO, UNTITLED, C. 1948, WATERCOLOR ON WATERCOLOR PAPER, NATIONAL GALLERY OF ART, WASHINGTON, GIFT OF THE MARK ROTHKO FOUNDATION, INC. COPYRIGHT © 2023 KATE ROTHKO PRIZEL & CHRISTOPHER ROTHKO / ARTISTS RIGHTS SOCIETY (ARS), NEW YORK.
Pay a visit to the National Gallery of Art in Washington, D.C., through March and you’ll walk away with a deeper understanding and appreciation for prominent 20th-century abstract expressionist artist Mark Rothko. Hailed for his recognizably bold paintings on canvas, the exhibit centers around some 100 paintings on paper (which he considered finished works), ranging from figurative and surreal subjects to the likes of this watercolor, Untitled (above), from 1948. nga.gov
Sourcing the highest quality marble, quartzite, quartz, granite, and soapstone for a meticulously curated collection to ensure your search for surfaces ends with Architectural Surfaces. Visit a showroom today.
Natural Stone | MetroQuartz | PentalQuartz Featuring Breccia Viola Marble
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Curator’s Eye
WHEN IT COMES TO THE LATEST IN DESIGN, THESE STYLISH FURNITURE DEALERS KNOW IT’S ALL ABOUT MIXING VINTAGE AND ANTIQUE FINDS WITH COOL, CONTEMPORARY PIECES. W R I T T E N A N D P R O D U C E D BY K AT H R Y N G I V E N A N D S A R A H S H E LT O N
Design is in Tricia Benitez Beanum’s DNA. A second-generation antiques dealer, she also wears the hat of stylist, designer and owner of Pop Up Home in Los Angeles. In her recently opened flagship space, Beanum has created an environment for anyone with an appetite for vintage flare. “I want to show how it can be elevated and not so kitschy,” she says. Beanum makes that case here, surrounded by a mix of old and new, including a Maitland-Smith coffee table, ‘70s De Sede sectional sofa and Ann Weber artwork. “Right now, people are looking for special pieces that translate into all genres of design and stand out among a sea of neutrals.” popuphome.com
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PHOTO: THE INGALLS.
MANIFEST DESTINY
SPOTLIGHT
Meet Alana Tang, owner of In The Comfort Of which opened in Seattle in 2022. With a penchant for modernist, mid-century and space-age finds sourced everywhere from estate sales and antique malls to private owners throughout the Pacific Northwest, Tang still can’t turn away contemporary pieces if they meet her standards. “I consider design, form and function in everything I buy,” Tang says. “I was offered a lounge chair and ottoman set by Naoto Fukasawa for B&B Italia, and while I mainly focus on vintage, it checked all the boxes so I had to have it.” As for the current landscape today, Tang is excited by the adventurous spirit many are taking in finding their style, and by watching clients put things together in ways she never would have thought to. inthecomfortof.com
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this page photo: amber fotus. opposite page photo: lesley unruh.
MARKET
DISCOVERY MODE
HAPPY HANGOUT Step inside The Flat in downtown Westport, Connecticut, and you’ll feel as though you’re walking into the home of a chic friend. That was precisely the goal when Becky Goss opened the doors in 2016. She imagined a place to interact with customers and share stories of the treasures within. “I still believe in local, one-of-a-kind shops where you know the owner,” Goss says. “Stop in, see what’s new, have a conversation and get off your screen!” In the highly curated familial space, not one specific period or style dominates. Because after all, a good room is all about thoughtful layering. “I’m not afraid to take vintage or antique items and reimagine them for the modern home.” Case in point: the one-off mid-19th century Biedermeier Recamier reupholstered in a bold Robert Kime fabric (pictured). theflatwestport.com
SPOTLIGHT
Tucked away on windswept Block Island, the contents of Tori Jones Studio reflects the classic New England aesthetic found outside the studio’s walls. “I gravitate toward American antiques,” says Jones, a self-proclaimed magpie who splits time between the Rhode Island enclave and New York. “We’re passionate about antique patchwork quilts, painted furniture, wicker and rope.” A former editor, Jones still taps into her prowess for discovery and storytelling in the elements she curates, stocking ready-made Hobnail Czech glassware and Sabre flatware, as well as showcasing contemporary artists from the Hudson Valley to the UK. For Jones and her customers, there’s nothing like the thrill of originality. “I think the people who shop with us are looking for items with some soul. It’s an Amazon world, but there is an authenticity, timelessness and durability to antiques that can’t be replicated.” torijonesstudio.com
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THIS PAGE PHOTO: READ MCKENDREE. OPPOSITE PAGE PHOTO: KRIS TAMBURELLO.
MARKET
ISLAND TIME
MIAMI VICE Jonathan Sanchez-Obias’ Miami storefront, Primaried Studio is a sleek and minimalist paradise. The rotating portfolio of furnishings, however, are the real scenestealers, hailing largely from the 1960s through ’90s. Pieces like the ’80s black Quebec 69 Spider Chair by Les Amisca (left) and the purple Ribbon Chair by Pierre Paulin for Artifort (right) hold court on the gallery floor with furnishings by contemporary designers like Kouros Maghsoudi and Atelier Caracas for Studio Boheme. Knowledge of the past and a keen eye on the current state of design makes Sanchez-Obias a trusted source for clientele primarily consisting of first-time homeowners and renters looking to invest in their growing furniture collections. “I am always meeting people who are looking to mix vintage pieces with new designs in their homes,” says Sanchez-Obias. primariedstudio.com
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Pam Evans’ brick-and-mortar store Maison in Birmingham, Alabama, is a nod to French style, from which she is infinitely inspired. “Paris is always a good idea!” swoons Evans. “I love the culture and their chic sense of style, from food and fashion to interiors.” Shabby chic French finds aside, Evans’ offerings span provenance and genre (her M.O. is pairing modern art, like these abstract works on paper by Addison Ryan, with midcentury furniture), but collectively lean towards the neutral, patinaed and oversized. “I tend to buy large pieces, like these wooden Belgian spheres, a midcentury chandelier five feet in diameter, or a pair of nine-foot columns.” Such unique finds are most often scooped up by designers and architects who look to Evans’ wares for adding character to their spaces; the sort of acquisition the antiques veteran still gets a thrill out of after two decades in the business. maisonshoppe.com
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photo: hector sanchez.
FRENCH CONNECTION
P R O PROMOTIO M O T I O N PROMOTION
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CUSTOM MADE METAL WORKS
ADBDESIGNINC.COM 786.488.1017
The Downsview cabinetry collection is custom crafted in North America and available exclusively through select kitchen design showrooms
since 1967
To experience the Collections visit one of our flagship showrooms DOWNSVIEW of JUNO 12800 U.S. Highway 1 - Suite 100, Juno Beach, FL (561) 799-7700 www.downsviewofjuno.com DOWNSVIEW of DANIA 1855 Griffin Road - Suite C212, Dania Beach, FL (954) 927-1100 www.downsviewofdania.com DOWNSVIEW of BOSTON One Design Center Place - Suite 241, Boston, MA (857) 317-3320 www.downsviewofboston.com
DOWNSVIEW KITCHENS 2635 Rena Road, Mississauga, Ontario
Canada L4T 1G6 Telephone (905) 677-9354
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visit our website www.downsviewkitchens.com
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D ESIG N IM PAC T | PALM BEACH + BROWARD
THE WHY + THE WOW “While we pay homage to the creative influence of great architects, artists and artisans it’s our clients’ stories and aspirations that infuse our creations with depth and meaning,” says Louis Beltran, BELT’s sculptor, architect and designer. “Shaped by their values, tastes and experiences, it is each client’s unique ideal for their environment and lifestyle that is the ‘why’ behind the vision that guides us. We engage in extensive dialogue, listen attentively and observe keenly before embarking on a collaborative journey that leads to something truly extraordinary.”
BELT
954.505.7400 | belt.com.co |
IMPACTFUL INSPIRATION
belt_bespokemetal
Visionary works of art that are tailor designed and created by a family with legendary talents and an abiding commitment to sustainability make a powerful impact. As the co-founder and “Maestro” at BELT, Louis Beltran’s metal masterpieces have inspired the architectural and design landscape since the 1980s. “Along with my co-founder, Luz Angela Garcia, and the second generation of dreamers, Valentina and Federico Beltran, we blend our drive for preserving ancestral arts with our ability to create sustainable designs,” Louis says. Through a creative journey of collaboration, personalization and detail of craft, BELT takes each project from concept to reality. “Rooted in the principles of circular design, we tap into the infinite recyclability of metal while focusing on long-lasting durability. This approach empowers us to craft masterpieces in any size or style that evolve into timeless heirlooms.”
“At BELT, our mission springs from a masterful balance of reverence for nature, appreciation of history and passion for the art of metal,” Valentina Beltran shares. “Our commitment to preserving heritage, safeguarding finite resources and caring for the planet helps to forge a more sustainable future as we craft pieces that captivate visually and inspire reflection on our relationship with the environment. We underscore the importance of preserving our cultural and metal craft legacy through creations that stand the test of time. We challenge the disposable mindset by promoting an appreciation for pieces that can be reconditioned, repaired or restored.”
Top Guided by Louis Beltran, whose creative vision took it from concept to reality, BELT designed and crafted this stunning breezeway. Far left Shaping beauty with precision, bronze’s remarkable malleability shines in the hands of skilled artisans. Left Sculpted to perfection, bronze’s inherent elegance and artistry is showcased here.
561.995.8989 cudmorebuilders.com
PHOTOGRAPHY Top by Grossman Photography; Bottom left, Center & Right by Brantley Photography
LIVING KITCHEN
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BATH
Settle into bathroom spaces that encourage relaxation, along with the newest products that create spa-like experiences right at home.
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photos: michael clifford.
LIVING KITCHEN
+
BATH
Chill Pill THESE TRANQUIL, HIGH-DESIGN BATHS GIVE A WHOLE NEW MEANING TO RESTORATIVE RESPITE. W R I T T E N BY A LY S S A B I R D P R O D U C E D BY S A R A H S H E LT O N
LIVING
KITCHEN+
BATH
Jenni Lauri of Lauri Design Studio transformed a dated primary bath into a Zen-like sanctuary with the help of Wide Corp construction. A Calacatta Viola marble double vanity, fluted-marble backsplash from Il Granito and Apparatus sconces lend movement and texture to the neutral space, which is decorated with a plaster bench, Moroccan runner from Mehraban and vintage figurative artwork (this page and previous).
When the owners of this Los Angeles condo purchased the unit—which is located inside a building from the 1980s—it was showing its age. The couple called on Jenni Lauri of Lauri Design Studio to update the entire residence, including the primary bath. The designer gutted the room and reworked the layout, removing an unwanted tub and opting instead for a large shower with a bold antique brass-and-glass enclosure. A double vanity featuring Calacatta Viola marble is paired with
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a fluted-marble backsplash. The remaining wall surfaces are plaster—including the shower, which has a waterproof finish, and the doors of the walnut-lined linen closet. “It feels seamless, and the plaster lends a soft, organic touch,” says Lauri, who rounded out the neutral palette—a continuation of what’s found in the main living spaces—with a Moroccan wool rug, a plaster bench and vintage figurative artwork. “We tried to combine the couple’s love of a relaxed California look with the concept of
wabi-sabi,” says the designer. “These are busy people who travel often, so the primary suite is meant to be a cozy, Zen-like sanctuary.” In fact, according to Lauri, this idea of a more subdued, pared-back type of luxury is what many clients are gravitating toward these days. “The pandemic seems to have changed what people desire,” she continues. “Clients still want luxury, but in a more understated, organic manner, with neutral tones and materials.” lauridesignstudio.com
photo: michael clifford.
PLASTER PARADISE
The owners of this Miami apartment gave Sabrina Maclean of Hino Studio carte blanche when it came LOREM IPSUM DOLOR SIT AMET, to their powder room. The designer took full CONSECTETUR ADIPISCING advantage, ELIT working with both architect Antonio Sullo of Lisar and Navicon Construction to VIVAMUS ALIQUAM LIBERO VEL incorporate a barrel-vaulted ceiling—a move that NIBH ALIQUET, VITAE GRAVIDA. references arches throughout the unit. “It almost feels like a chapel,” explains Maclean, who W R I T T E N BY N A M E H E R E carried the home’s earthy palette into the space, P R O D U C E D BY N A M E H E R E selecting a Rule of Three marbleized wallpaper that complements the cement walls, Agape sink and brass Brizo fittings. “The architecture is the main protagonist here.” hinostudio.com
photo: max burkhalter.
BATH + KITCHEN LIVING
Hed QUIET Here REFLECTION
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Live Brilliantly In a world full of options, Eurofase provides curated craftsmanship, offering customers high-quality design and functionality. The brand’s Seraph collection spreads light and warmth through its wings, adding a level of brilliance to every room. Since 1924, Capitol Lighting has helped homeowners, interior designers and custom home builders set the tone for every space. With unsurpassed service, unparalleled selection and our best price guarantee, you can always trust us to put you in your best light. Visit any of our convenient showrooms or shop online at 1800lighting.com today.
Boca Raton | Fort Lauderdale Palm Beach Gardens | Stuart
MIXED METALS Kallista has teamed up with beloved hardware brand P.E. Guerin to create the One collection of hand-hammered brass bath fixtures made entirely at their historic New York foundry. The line—which includes widespread faucets, shower trims and a freestanding bath filler—is available in two dual-tone finishes: brushed French gold with nickel silver handles, and polished nickel with unlacquered brass handles. kallista.com
Two-century-old British brand Samuel Heath is catering to clients with a more contemporary sensibility with its newest collection, Forme. The line sports simple curves and is comprised of basin and bath taps, shower fittings and accessories in three profiles: Speed, with both lever and T-bar handles; Classic, with Art Deco−inspired levers and cross handles; and Oriel, with round knobs in a range of textures. The collection boasts nine metal finishes, including a matte-black chrome (shown here on the Speed Forme with T-bar handles). samuel-heath.com
TOWERING BEAUTY Inspired by the conical, tapered form of a lighthouse, the Nibi collection from House of Rohl brand Riobel channels the structure’s industrial nature with its range of faucets, tub fillers and shower fittings. houseofrohl.com
ROCK OUT Weighing in at 1,100 pounds, Waterworks’ new Alatri tub is carved from a block of either Prunella (shown), Carrara, Arabescato, Calacatta, Statuary or Bardiglio marbles and sports hand-finished details such as a stepped base and gently eased lip. waterworks.com
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PHOTOS: COURTESY RESPECTIVE BRANDS.
LIVING
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BATH
MODERN MARVEL
ARCHITECTURE & INTERIORS THAT INSPIRE BE DESIGN ASSOCIATES, INC | FL. CERT. NO. AA26001227 | 150 E. BOCA RATON ROAD BOCA RATON, FL | 561.362.6408 | INFO@BE- DESIGN.NET | BE-DESIGN.NET
BATH +
After living in Southeast Asia for work and falling in love with the region’s wet rooms, the owner of this Mount Hood, Oregon, residence wanted to incorporate the idea into his primary bath. The client tapped StruckSured Interiors’ Samantha Struck, who coincidentally had also lived in Southeast Asia for some time. “We gelled over our experiences there,” Struck says. “The concept of a wet room is that the shower, toilet, tub and sink are all in one waterproof space. We went for a very Japandi aesthetic that feels minimal yet warm and organic.” Struck selected materials and tones that reflect the owner’s love of the outdoors, such as sage-green waterproof plaster, natural-wood accents and copper plumbing. “The plaster has a soap sealant that makes the walls feel like silk,” Struck notes. The result: a beautifully rich product with no maintenance. strucksured.com
SUBHED HERE Designer Samantha Struck of StruckSured Interiors transformed this Oregon primary bath into a wet room inspired by those found in Southeast Asia. The walls are waterproof plaster and the copper fixtures are by Watermark. A teak shelf is mounted above the Barclay tub.
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photo: emily kennedy.
KITCHEN LIVING
GREEN GODDESS
561.994.4393 ELEGANTHARDWARE.COM 6600 WEST ROGERS CIRCLE BOCA RATON
Reimagine Modern Living Explore our carefully curated furniture collection, tailored to fit your lifestyle. Our design experts will guide you in selecting pieces and creating a unique, harmonious space. Visit our Boca Raton showroom today to unlock limitless design possibilities!
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Scan the QR code to visit our virtual showroom.
6300 N. Federal Hwy. Boca Raton, FL Open Mon–Sat 10–6, Sun 12–6 Evening hours by appointment Telephone 561-867-0800
sklarfurnishings.com
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C O N S T R U C T I O N
Live ByThe Sea
1126 Vista Del Mar Drive, Delray Beach, Florida 5 bedrooms, 6.5 baths + loft | Offered At: $8.95 Million Steps To The Beach And Atlantic Avenue
seasidebuildersfl a.com 185 Northeast 4th Avenue, #104, Delray Beach | 561.272.9958
48 X 110 SLABS | AVAILABLE IN VARIOUS SIZES AND FINISHES BLACK AGATE SLAB ON THE WALL | CRYSTAL WHITE SLAB ON THE FLOOR
241 North Congress Avenue | Delray Beach, Florida | 561.272.4900 | info@justtilenmarble.com | justtilenmarble.com
LANDSCAPE: KEITH WILLIAMS INTERIOR DESIGNER: JAKE ARNOLD PHOTO CREDIT:MICHAEL STAVARIDIS
S M I T H AND M O O R E A R C H I T E C T S HAROLD SMITH • JONATHAN MOORE • PETER PAPADOPOULOS • DANIEL KAHAN PALM BEACH - NEW YORK
WWW.SMITHMOOREARCHITECTS.COM
FLORIDA AAC NO. 001285
CABANAS MANUFACTURED AND IMAGE BY SHADE FL A. CABANA DRAPERIES MANUFACTURED BY EXCELL IN DESIGN GROUP
R E S I D E N T I A L A N D H O S P I TA L I T Y THE PREMIUM PROVIDER OF INNOVATIVE WINDOW TREATMENTS, BEDDING AND UPHOLSTERY. Excell In Design Group is known for exceeding its clients’ expectations from start to finish by providing expert consultations, quality manufacturing, and professional installation. Founder Leslie Excell has secured Excell In DesignGroup a reputation as the trade’s premier workroom resource.
1821 BANKS RD., MARGATE, FL 33063 | 954.590.8459 | EXCELL@EXCELLINDESIGN.COM EXCELLINDESIGN.COM
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Colors, patterns and styles whimsically harmonize in an indoor-outdoor oasis.
UNEXPECTED JOURNEY
Architecture: Clemens Bruns Schaub, & The Associates Studio, LLC Interior Design: Melissa Lindsay, Pimlico Interiors by Melissa Lindsay Home Builder: Kenny Nolen, Huryn Construction Landscape Architecture: Neil Sickterman, & The Associates Studio, LLC
Reclaimed bricks form steps to the front door of the home, by architect Clemens Bruns Schaub. Plantings such as white bird of paradise palms and golden beach creeper underscore “the tropical yet refined theme,” landscape architect Neil Sickterman notes.
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wning a vacation home in Florida was never this Connecticut couple’s wish—at least, as far as the wife was concerned. “My husband, on the other hand, was always sold on having a second residence here,” she notes. But one trip to visit a family friend quickly changed her mind. “As soon as we drove into the neighborhood, I thought, ‘Oh my, this is lovely,’ ” she recalls. Embarking on a house hunt soon thereafter, the pair found a listing that intrigued them: a 20-year-old British Colonial-style residence with an Asian influence, an interior courtyard, a guest suite and a cabana adjacent to the pool. “Once we virtually toured it, we knew this was the home we wanted,” she remembers. “Forty-eight hours later, we owned it.” Because the Windsor property had great bones and a generous layout, the owners felt the need for only a minor renovation that included revamping the bathrooms and kitchen, adding a second cabana and tending to the landscaping. So they assembled a formidable team with their longtime designer, Melissa Lindsay; the original architect, Clemens Bruns Schaub; landscape architect Neil Sickterman; and builder Kenny Nolen, whose firm constructed the house. Having worked closely with the couple on their primary residence, Lindsay knew their preferences well. “The wife loves pattern, color and interesting mixes of both,” the designer says. “She didn’t want your classic beach house with blue and white—or a preppy or coastal vibe.” Lindsay began by tackling the most challenging space: the living room, a long, rectangular area that has sight lines to the dining room and into the kitchen. The starting point turned out to be an oversize brass floor lamp with a botanical shape that the designer and the wife instinctively discovered together during a sourcing excursion. “We both ran to it,” the client recalls with a laugh. “It was bought before we even had a furniture arrangement in mind.” Centering the lengthy room, the lamp serves as a focal point while simultaneously separating and connecting two seating areas. One end, which contains the television, features linear upholstered furnishings, while the other responds with sculptural forms, including a rounded coffee table, a crescentshaped sofa and armless rattan chairs. “The curved pieces work well with the shape of the lamp, invite
you in and counteract the box-like space,” Lindsay explains. “I love mixing unexpected styles. It creates design tension in a room and gives it soul.” Variations of cream, teal and salmon establish the living room’s color palette and flow into the adjoining dining room, which the designer wrapped in a hand-painted floral wallpaper. “The pattern gives it a whimsical feel,” she says, “and I could pull from its colors.” A warm pink, for instance, backs the dining chairs, and teal brightens the room’s new pantry, formerly a closet. While mindful of creating harmony in the main house, Lindsay viewed the property’s freestanding outbuildings as opportunities for presenting a different aesthetic. “Because you’re entering a whole new space,” she says, “it allowed me to be creative in a way in which I could shift the energy.” She shrouded the guest suite in an exuberant palm pattern, offering a flair that is more edgy than tropical. In the two cabanas, she then crafted distinct atmospheres— the original lined with a bold teal grass cloth for a “masculine, Havana vibe,” Lindsay describes, and the new one a sunny retreat with touches of yellow. “They’re just steps from the pool,” she adds, “and it feels like you’re in the lush greenery surrounding them.” These structures augment the property’s outdoor-focused sensibility, says Schaub, whose original plans for the home carefully considered orientation to the shade, sunlight and breeze. “The inside supports the outside, rather than the other way around,” he explains, citing the open galleries and main living pavilion that overlooks the pool. “All of that remained with the new owners. They embraced the spirit of the house nicely.” This is evident upon opening the front door, which reveals not an interior as expected but rather a verdant courtyard. “I call it ‘the Alice in Wonderland experience,’ ” Schaub muses. “You think you’re going inside a home, but you’re in a garden.” Taking cues from the architecture, particularly the Asian-influenced rooflines, Sickterman introduced plantings such as traveler’s palms, bougainvillea, yellow Tabebuia and short hedges. “I imagined the courtyard being a Singapore-style garden, with a timeless, historic appearance to it,” he says. Although spending time in the Sunshine State was never part of the wife’s plan, a change of heart came easily thanks to a sense of familiar surroundings. “We’re amazed at how immediately comfortable this house felt,” she says. “It feels like home.”
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“I LOVE MIXING UNEXPECTED STYLES. IT CREATES DESIGN TENSION IN A ROOM AND GIVES IT SOUL.” – M E L I S S A L I N D S AY
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Designer Melissa Lindsay centered the living room with a floor lamp from Cosulich Interiors & Antiques. One end of the space features chairs by Tito Agnoli and Pierre Paulin, an Edward Wormley sofa and an Olivier Mourgue ottoman; the other has more linear pieces, like Dennis Miller’s Parkview daybed.
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Right: Benjamin Moore’s Nimbus colors the cabinetry in the kitchen, where McGuire’s Crin counter stools line the island. Macata Stone & Tile Design fabricated the backsplash and countertops with Calacatta quartz. Opposite: A de Gournay wallcovering enlivens the dining room. Baker’s Cuff chairs, wearing Holly Hunt’s Great Outdoors fabric and Osborne & Little vinyl, encircle a custom table beneath a Muranoglass chandelier from L’Antiquaire.
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Right: The powder room makes a statement with Coordonné’s Pollensa Spring wallpaper. A Mirror Home mirror centers The Urban Electric Co. sconces. The vanity, by Macata Stone & Tile Design, is crafted of Côte d’Azur stone. Opposite: A Carlisle & Co. wallcovering from Holly Hunt wraps a cabana sitting room. Kravet’s Merrimack sofa in Mark Alexander linen complements a pillow made of Eva Sonaike fabric and a Durand bench. Castel’s Elizabeth textile covers the McGuire chair.
Black Edition draperies outfit a cabana bedroom grounded by a Fibreworks rug. A stool from The Tailored Home and a McGuire chair face a Worlds Away lamp. The custom bench rests by the Jeffrey Alan Marks bed from Palecek. Harlequin wallpaper backs art from VB Home.
“ T HE INSIDE OF THE HOME SUPPORTS THE OUTSIDE, RATHER THAN THE OTHER WAY AROUND.” –CLEMENS BRUNS SCHAUB
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CITY BEAUTIFUL Mixed-media artist Michael Loveland reveals the prosaic wonders of daily street life.
W R I T T E N BY M O N I Q U E M C I N T O S H | P H O T O G R A P H Y B Y M A R Y B E T H KO E T H
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very city has two faces: the glittering metropolis of postcards and cinematic aerials, and the messier, pedestrian side—the weathered sidewalks, graffitied walls and mom-and-pop shops only locals know and love. Artist Michael Loveland revels in this more quotidian beauty, animating the mundane through his sculptural assemblages of found objects and street photography. “I’m more interested in cracks in the parking lot than the thing you’re supposed to look at,” he explains. “I like finding the beauty in something we bypass every day.” Tactile memories flood the Miami native’s assemblages, which splice together artifacts such as old adverts, faded bodega signs, scrap metals patinated by rain and quintessential Floridian oddities like concrete pineapple figurines. “I love the history that comes with what I find,” Loveland says. “The scratches, the dings—it’s telling a story, and I’m just translating it.” More recent work incorporates the artist’s street photography, rendered onto glass sheets by a local commercial printer. Layered with unique finds, these images of ordinary moments—coconut trees, broken street signs, stacked rubber tires—transform everyday sights into something more lyrical. Working on tables or the floor of his warehouse studio, Loveland plays with different configurations until “something turns on like a light switch,” he describes. Painted elements help integrate components, from hand screen-printed images to free-form gestural brushstrokes that recall buffing—the paintcovered graffiti that defines Miami’s streets. He then installs everything around sculptural metal armatures he welds by hand. Outside the studio, through public art projects like Omni Park—a once-derelict plot turned into a temporary parkland—the artist also enjoys giving back to the street culture that so inspired him. Surrounding residents flocked to its skateboard ramps, performance stage and art installations, including Loveland’s chickee huts fashioned from chain-link fencing and made in consultation with traditional Miccosukee chickee-hut builders. Previously barring people from the property, the repurposed fencing helped ground Miamians in the place they call home. Loveland lives for these “quiet moments, when we see the things we overlook constantly,” he notes. “That’s what life’s about: stepping back and focusing on the simplicities.”
Combining found items and his photography, Miami artist Michael Loveland (previous page) creates assemblages (bottom, right) as a way to give new light and meaning to mundane, commonly overlooked materials. His studio is a cabinet of curiosities stacked high with years of treasured finds, such as figurines (below), fabric (left), scrap metal, street signs and discarded billboards.
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Dark Horse The splashy, saturated interiors of a rider’s home rewrite the rule book on equestrian chic.
W R I T T E N BY G R AC E B E U L E Y H U N T | P H O T O G R A P H Y B Y N I C KO L A S S A R G E N T
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Architecture: Paulo Vicente, Vicente-Burin Architects, LLC Interior Design: Sasha Bikoff, Sasha Bikoff Interior Design Home Builder: René Alonso, Alonso & Associates Landscape Architecture: Stephanie Portus, PLA Design Studio, PLLC
A Hom Nguyen artwork and Chapel Petrassi’s Hella bench compose a quiet moment in a hallway coated in Farrow & Ball’s Wimborne White. The light overhead is Cuff Studio’s The Squat Gem.
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ave for birdsong and the whir of golf carts, the streets in this estate section of South Florida’s elegant equestrian community are quiet. Its residences—all home to worldclass riders—project a calm quietude as well. But the clean lines and crisp white exterior of this particular house stand in stark contrast to the riot of fruity hues and eclectic whimsy within. “We wanted a fun, young, happy contemporary design,” interior designer Sasha Bikoff shares. She took on the challenge of composing interiors that steer clear of anything classically Florida— and, more specifically, anything traditional of Wellington. “When you walk into houses in this town, the decor is often horse-themed,” she adds, noting Hermès orange, saddle brown leather and equine motifs. “We decided we weren’t going to treat this like an equestrian home. Instead, we were going to enhance the tropical setting and create something uplifting and fresh.” The client—a design-savvy professional with three daughters, one a serious rider—had already called upon architect Paulo Vicente, general contractor René Alonso and landscape architect Stephanie Portus to overhaul the property writ large. Because the residence would serve as home base for the winter equestrian season, it would need to cater to restful family time as well as a robust social calendar. Reimagining the home began by scrubbing the interior architecture clean, finessing transitions and removing visual clutter to establish “smooth, simple, open spaces that flow nicely to the outdoors,” Vicente explains. The architect also added a fresh fenestration of black-framed windows and doors, introducing a contemporary edge to the dwelling while enhancing the convivial, alfresco mood the client so desired. “She used the phrase ‘garden party’ quite a bit,” adds Portus, who obliged with an invigorating landscape design defined by regal Canary Island date palms, sculptural groupings of Eugenia topiaries and sleek marble paving. The landscape architect also helped formulate “a procession of party spaces,” she describes of the multifaceted loggia, several courtyards and tranquil pool area.
When it came to the interiors, the owner had two specific wishes: to incorporate a set of pink lounge chairs she fell in love with after discovering them in a magazine and antiqued marble checkered floor tiles. Rather than feeling stymied by these requests, Bikoff embraced her client’s collaborative spirit, deeming the pieces perfectly in keeping with the haute-yet-playful Floridian vibe she envisioned. Both now welcome guests in the gallery—a swank, delightfully overscale foyer designed not simply as a receiving room but also as an indoor-outdoor cocktail lounge that connects to the pergola and pool. Grounded in soft gray hues via a palm-print wallpaper and crowned by a green Murano chandelier, the space acts as “a palette cleanser,” the interior designer explains. From this central hub flow Technicolor public spaces and many bedrooms, each boasting its own signature color and en suite bathroom—like lavender walls in one room, pistachio for the primary bedroom and a flamingo-pink tub for the owner. It is hardly a surprise that the palette spans the full spectrum of the rainbow. After all, it’s what drew the homeowner to Bikoff’s work in the first place. “I’ve never been a beige-onbeige girl,” the client shares. “I looked into 100 designers, interviewed five and chose Sasha because I wanted color.” Still, Bikoff made sure to temper the tropical-pastel mélange with sandy neutrals and tangerine notes that bear a striking resemblance to, well, Hermès orange. “We did include some sneaky horse details,” she admits. Indeed, surprises like the orange-lacquered pantry off the kitchen are riffs on the local aesthetic, as are the dining room chairs with their pony-print upholstery. Meanwhile, dark wood furnishings throughout the home offer a sly homage to Wellington’s magnificent horse barns. “The tones we chose feel like barnwood,” she says. “That was definitely a little equestrian moment, too.” Ultimately, it’s the subtlety of this home’s many juxtapositions that make it such a visual success— and the perfect lifestyle fit for Bikoff’s client. “At the end of the day, this house was designed for serious athletes who are tired and sore from long hours spent riding in the heat,” the interior designer explains. “They can kick off their boots and really live here. It’s comfortable, casual, artistic and elevated, all at the same time.”
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Beneath a Fornace Mian chandelier, Orior chairs encircle a Pinch coffee table in the gallery. Voutsa’s Tahitia wallcovering complements the Paris Ceramics flooring. A Paolo Buffa settee, Giobagnara bench and Trueing floor lamp complete the look.
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Right: Benjamin Moore’s Marmalade enlivens the pantry. Brazilian hardwood stools by Ricardo Graham Ferreira from 1stdibs line up just outside, where custom kitchen cabinetry joins a Miele range. Opposite: In the dining room, Frida Kahlo and Andy Warhol by Maxim Wakultschik overlook De La Espada’s Elliot table and chairs from The Future Perfect. Trueing’s Elma Triple chandelier suspends above.
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Above: Arteriors’ Filamento chandeliers hang from a hallway ceiling painted Benjamin Moore’s New Retro. Surrounded by S. Harris wallpaper from Fabricut, vintage brass crane figurines stand on a Missoni runner from Stark. Opposite: Chris Hood artwork decorates a seating area in the primary bedroom, where twin vintage sofas hold The Tailored Home ball pillows. Wonmin Park’s Haze coffee table from Carpenters Workshop Gallery adds interest.
Left: Draperies made of a Christopher Hyland textile frame the view to a private patio replete with Gandia Blasco seating from Walters. Ben Barber Studio’s Sanora side table from The Future Perfect offers a colorful pop. Opposite: Janus et Cie chairs, sofas and coffee tables gather with Made Goods’ Bexley accent tables on gravel in the loggia, where star jasmine climbs the trellis. The urchin-inspired pendants are a 1stdibs find.
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Midcentury to MODERN In a glorious transformation, a nearly 75-year-old home is taken to colorful new heights.
W R I T T E N BY M A R Y T H U R M A N Y U H A S | P H O T O G R A P H Y B Y L I B E R TA D R O D R I G U E Z
Interior Design: Susana Stolear, Stol Design Group Home Builder: Michael Newman, Newman Construction Landscape Architecture: Jorge Varela, All Landscape Data Inc.
Innovations’ Hudson wallcovering from Jeffrey Michaels wraps a door revealing the foyer, grounded in Prosein USA’s Bianco Onice and Eukalypt Cacao tiles. Against walls painted Sherwin-Williams’ Antique White are artworks by Fidel Micó and Baruj Salinas.
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et just a stone’s throw from the Intracoastal Waterway, it is no small wonder that the owners of this 1949 property were so attached to their residence of 20 years. The couple had raised three sons in the house and developed cherished friendships along the way. Still, despite undergoing two renovations and additions, the abode bore little resemblance to the colorful midcentury modern dwelling they desired—especially with suitable space for their active social lives, in which hosting dinner parties is a regular event. Tiptoeing into what started as a kitchen renovation grew into a full overhaul as the couple went back-and-forth with their interior designer, Susana Stolear. First the wife inquired if the dining area could be made larger, then Stolear suggested moving the primary suite from the front of the house to the rear. “As I massaged the layout, they continued to add more changes,” she recalls. “We spent a lot of time proposing alternative layouts without gutting the house until they realized: There was no other way than taking everything out and starting fresh.” With general contractor Michael Newman’s expertise, the two-story Bal Harbour home was torn down to the studs. “This is more challenging than constructing a new residence from the ground up, because you have to work around existing structures and mechanics,” he points out. “Producing a cohesive modern build while having those limitations makes projects like this very complex.” Much of the work took place on the main floor, including eliminating walls to create a more open plan laden with natural light. “The home had a bunch of little rooms,” Newman explains, “and we had to marry each one together.” The changes are unmistakable from the outset. To create a grand first impression, the entry was relocated off center and given an overhang area. The result: a contemporary façade with columns and a sloping roof, elements that nod to the 1960s. Inside, a new towering 12-foot-tall foyer “gives the impression of a big house,” Stolear observes. The former foyer was replaced by an interior garden space with a porcelain wood tile runner, smoothing the transition from the outside.
Continuing that indoor-outdoor connection throughout the lower level, panoramic windows bathe the living and dining areas, kitchen and entrance library in natural light. Sliding doors, meanwhile, enhance sight lines from one end of the home to the other. “When you open the front door, the whole house opens up, with the pool as a backdrop and the garden encircling it,” Stolear says. “At night, it all lights up and sparkles.” The new layout also generates desired space for entertaining, particularly in the connected living and dining areas. To ensure ample storage wasn’t lost, the interior designer came up with the idea of installing a custom light oak buffet in place of the dining area’s bay window. “It’s long enough to display lots of food and have good circulation around the main table,” she adds. White walls and gray porcelain flooring establish a clean backdrop for the interiors, portraying the neutral tones Stolear favors. However, the clients’ preference for a myriad of color pushed the interior designer creatively. She began by introducing the wife’s favorite pairing: blue and white, seen in places such as the family room rug, the powder room’s wall tile and the living area’s statement velvet sofa. “Blue ties the house together and contrasts beautifully against the onyx tile floor and the light oak wood,” Stolear notes. Things take a more colorful spin throughout the couple’s contemporary art collection and at the bar, where the interior designer swathed the accent wall in a rainbow mural. And although most of the furnishings convey ’60s-style shapes in natural materials, Stolear stepped out of her comfort zone by cloaking the living area loveseat in a striped fabric of yellow, orange and pink. A patterned wallcovering carries the blue-andwhite scheme into the tranquil primary bedroom, which was expanded to incorporate a seating area, a larger closet and an adjoining bathroom. Formerly facing the street, the suite’s new location offers views of the verdant grounds by landscape designer Jorge Varela. There, too, the interior’s primary color combination appears on the terrace’s Cuban porcelain tile inlay, a nod to the wife’s heritage. Renovating the house was far more difficult than rebuilding, Stolear emphasizes. “But we all wanted this journey to happen in a beautiful way that takes advantage of the home’s bones and brings it to the next level of comfort,” she says. And it certainly does.
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A Roche Bobois loveseat, clad in Missoni Home fabric, and the brand’s Profile sofa join Cattelan Italia’s Arena coffee table in the living area. Just behind are the dining space—overseen by Oggetti Designs pendants—and library nook, home to Arketipo chairs.
Above: In front of a Gustavo Acosta artwork, the dining area’s Artefacto chairs gather with Miniforms’ Mastea table from Addison House. The column is swathed in a Zimmer + Rohde wallcovering from Jeffrey Michaels. Opposite: A Zhuang Hong-yi piece makes a statement in the dining area, where Davila Woodwork fabricated the light oak buffet with a Caesarstone top. The Artisan chair pulls up to Miniforms’ Juice table.
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“Blue ties the house together and contrasts beautifully against the onyx tile f loor and the light oak wood.” –SUSANA STOLEAR
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Cattelan Italia’s Rio coffee tables and Arketipo’s Starman sectional rest atop a floor covering from Amir Rug Gallery in the family room. An Anatoly Baratynsky artwork pops on a wall colored Sherwin-Williams’ Alabaster.
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Above: The powder room’s Ceramica Sant’Agostino porcelain tiles—lining a wall and the floor—and Vigo sink and faucet are all from Kubika. The light oak vanity by Davila Woodwork perches beneath a custom mirror. Kartell’s É pendants are from Lumens. Left: In the primary bedroom, a bench from Addison House presides at the foot of Ditre Italia’s Kim bed. Phillip Jeffries’ Savanna Weave decorates the headboard wall; a Ramón Vázquez painting hangs nearby. Blu Dot’s Trace 3 pendant from Lightology completes the scene.
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