Luxe Magazine - May/June 2023 Southeast

SOUTHEAST

DESIGN BY: David Cook and Blu Interiors

PHOTOGRAPHY BY: Ryan Gamma

CIRCA LIGHTING IS NOW

THE DESTINATION FOR DESIGNER LIGHTING

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CRISTOL SMALL DOUBLE SCONCE

HAND-RUBBED ANTIQUE BRASS WITH WHITE GLASS

Iroise, Dining table, designed by Studio Roche Bobois. *$7,990 instead of $10,490 until 05/21/23 for a table as shown, 86.6” L. x 29.5” H. x 39.3” D. (2 integrated extension leaves of 15.7”). Price includes one semi-elliptical dining table with a colored bubble glass top on a lacquered aluminum crossbar. Base in anthracite lacquered steel. Fixed version also available. Identities chairs, designed by Raphaël Navot. Flow floor lamp, designed by Sophie Larger. Made in Europe.

In-store interior design & 3D modeling services. (1) Quick Ship program available.(2)

French Art de Vivre

Photos

©2022 Hunter Douglas All trademarks used herein are the property of Hunter Douglas

LIVE BEAUTIFULLY

What does it mean to live well? To be perfectly at ease, in comfort and style?

Innovative product designs pair with gorgeous fabrics and control systems so advanced, shades can be scheduled to automatically adjust to their optimal position throughout the day. Creating a new world of beauty, convenience and energy efficiency — morning, noon, and night.

Pirouette® Window Shadings with PowerView® Automation

HORIZONTE SEATING SYSTEM | MARCIO KOGAN / STUDIO MK27 DESIGN DAIKI SWIVEL ARMCHAIRS | MARCIO KOGAN / STUDIO MK27 DESIGN

100% MADE IN EUROPE

FLOORS. POOLS. TERRACES. DRIVEWAYS.

AN EXPERIENCE Like No Other

Your private showcase awaits at a Thermador Experience and Design Center. Explore luxury bespoke kitchens and discover how true craftsmanship, design, and innovation can bring your unique vision to life.

IRONIES

Modern Forms offers effortless, uncomplicated lighting and fan designs created from the finest upscale materials and innovative technology. Our designer collections refresh and redefine luxe spaces.

ATLANTA’S FIRST IN LUXURY

Our sales associates are leading market experts that provide a luxury experience at every turn. Through our reputation, network, and relationships, you can be confident you are working with an elite agent who will help you achieve your real estate goals.

It’s your move, let us make it exceptional.

MAY JUNE

48 EDITOR’S LETTER

Scene

50 DESIGN DISPATCH

The little black book of all things new and fabulous in the local community.

Radar

58 FIRST PERSON

Stephanie Stokes’ new book is an ode to collected tabletop treasures from near and far.

60 INSPIRATION

Luxe traverses the globe to nd modern makers putting their spin on traditional craft.

68 LEGACY

At a bustling French mill, the centuries-old method of weaving horsehair still produces some of the nest textiles.

Market

82 MATERIAL

Four companies tapping talents around the world—from Ireland and Colombia to India and Massachusetts—to fashion exceptional rugs.

92 TREND

Meet three oral designers creating beautiful arrangements in unconventional ways.

100 SPOTLIGHT

The newly reimagined Hispanic Society Museum & Library opens its doors to talented Latin American furniture and lighting makers.

Living

114 KITCHEN + BATH

Elevated European in uences are the impetus for these charming kitchens, baths and debut tiles.

FEATURES

142

Lavender Haze

Homeowners with a flair for the unexpected embrace a patternpacked Charlotte redo with purple as the predominant hue.

156

Striking a Chord

Marked by quiet minimalism and the love of music, an Atlanta family’s Tudor-inspired abode extends a light, bright welcome.

Written by Laura Fenton

Photography by Emily Followill

Styling by Eleanor Roper

ON THE COVER: A Swedish-style

by

168

Something Blue

Drawing upon diverse eras and international traditions, a North Carolina ceramicist devises a distinctive take on blue and white.

172

Set in Stone

Responding to the decades-old limestone retaining walls on site, a hillside Tennessee home nods to nature as its muse.

Written by Lisa Mowry

Photography by Ali Harper

Page 142

floor covering

Rug & Kilim grounds this Charlotte family room by designers Laura Stanley and Lizzie Bailey. Robert Long Lighting’s James chandelier suspends from a coffered ceiling completed by general contractor Ben Collins. Pillows fabricated from Peter Dunham Textiles and Raoul Textiles linens top the A. Rudin sectional.

Written by Michelle Brunner

Photography by Brie Williams

Styling by Frances Bailey

Written by Monique McIntosh

Photography by Chris Edwards

DESIGN DIRECTOR

Pam Shavalier

ART DIRECTOR

Candace Cohen

PAMELA LERNER JACCARINO

VICE PRESIDENT, EDITOR IN CHIEF

EXECUTIVE EDITOR

Brittany Chevalier McIntyre

SENIOR MANAGING EDITOR

Colleen McTiernan

MANAGING EDITORIAL DIRECTOR

Kelly Velocci Jolliffe

MANAGING EDITORS

Krystal Racaniello, Clémence Sfadj

HOMES EDITORS

SOUTHEAST

Kate Abney

COLORADO, LOS ANGELES, SOUTHERN CALIFORNIA

Kelly Phillips Badal

PACIFIC NORTHWEST, SAN FRANCISCO

Mary Jo Bowling

ART

ART DIRECTOR

Maria Pluta

SENIOR GRAPHIC DESIGNER

Jamie Beauparlant

GRAPHIC DESIGNER

Ellen Antworth

ASSOCIATE GRAPHIC DESIGNER

Kyle Anderson

SENIOR RETOUCHER

Christian Ablan

GREATER NEW YORK

Grace Beuley Hunt

STYLE DIRECTOR

Kathryn Given

ASSOCIATE EDITOR

Khadejah Khan

AUSTIN + SAN ANTONIO, DALLAS + FORT WORTH, HOUSTON

Paulette Pearson

ARIZONA, CHICAGO

Shannon Sharpe

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

Jennifer Pfaff Smith

MARKET

SENIOR MARKET EDITOR

Sarah Shelton

DIGITAL

SENIOR DIRECTOR, CONTENT DISTRIBUTION

Amanda Kahan

SENIOR MANAGER, DIGITAL CONTENT

Ileana Llorens

WEB EDITOR

Michelle Yee

ADAM I. SANDOW CHAIRMAN

ERICA HOLBORN

CHIEF EXECUTIVE OFFICER

CHIEF OPERATING OFFICER

Michael Shavalier

CHIEF DESIGN OFFICER

Cindy Allen

CHIEF SALES OFFICER

Kate Kelly Smith

EXECUTIVE VICE PRESIDENT + DESIGN FUTURIST

AJ Paron

EXECUTIVE VICE PRESIDENT, STRATEGY

Bobby Bonett

VICE PRESIDENT, HUMAN RESOURCES

Lisa Silver Faber

SENIOR VICE PRESIDENT, PARTNER + PROGRAM SUCCESS

Tanya Suber

VICE PRESIDENT, BUSINESS DEVELOPMENT

Laura Steele

VICE PRESIDENT, STRATEGIC PARTNERSHIPS

Katie Brockman

DIRECTOR, VIDEO

Steven Wilsey

SANDOW DESIGN GROUP OPERATIONS

SENIOR DIRECTOR, STRATEGIC OPERATIONS

Keith Clements

CONTROLLER

Emily Kaitz

DIRECTOR, INFORMATION TECHNOLOGY

Joshua Grunstra

SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.

This magazine is recyclable. Please recycle when you’re done with it. We’re all in this together.

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NEW YORK CHICAGO DALLAS NASHVILLE BOSTON SAN FRANCISCO GREENWICH PALM BEACH SHORT HILLS CANNES JAKARTA

KATE KELLY SMITH EXECUTIVE VICE PRESIDENT + MANAGING DIRECTOR

SENIOR VICE PRESIDENT, OPERATIONS

Tanya Suber

GENERAL MANAGER

Scott MacClements

NATIONAL SALES DIRECTORS REGIONAL SALES DIRECTORS

NATIONAL PUBLISHER Michelle Blair

HOME FURNISHINGS DIRECTOR

Blaire Rzempoluch

WEST COAST DIRECTORS

Lisa Lovely, Carolyn Homestead

MIDWEST + SOUTH CENTRAL DIRECTOR

Tanya Scribner

SALES OPERATIONS DIRECTOR John Baum

EXECUTIVE ASSISTANT Bianca Buffamonte

SALES ASSISTANT Janice Hyatt

INTEGRATED MARKETING

SENIOR DIRECTOR, MARKETING + DIGITAL STRATEGY Samantha Westmoreland

DIGITAL STRATEGY MANAGER Kasey Campbell

INTEGRATED MARKETING MANAGERS Verity Lister, Frank G. Prescia

INTEGRATED GRAPHIC DESIGNER Antoinette Childs

EVENTS MANAGER Gabriella Laimer

EVENTS COORDINATOR Rachele Daszkal

PAR TNER + PROGRAM SUCCESS

DIRECTOR, SPECIAL PROJECTS Jennifer Kimmerling

PARTNER SUCCESS MANAGER + TEAM LEAD Brittany Watson

SENIOR PARTNER SUCCESS MANAGERS Lauren Krause, Susan Mallek, Molly Polo

LUXE PREFERRED, PROGRAM SUCCESS MANAGER + ANALYTICS SPECIALIST Victoria Albrecht

LUXE PREFERRED, PROGRAM SUCCESS MANAGER Stephanie Fritz

NATIVE CONTENT EDITOR + TEAM LEAD Greta Wolf

NATIVE CONTENT EDITORS Heather Schreckengast, Matthew Stewart

CIRCULATION + DISTRIBUTION

SENIOR MANAGER, MANUFACTURING + DISTRIBUTION Stacey Rigney

ARIZONA PUBLISHER Adrienne B. Honig

SALES ASSOCIATE Catherine McGlynn

AUSTIN + SAN ANTONIO PUBLISHER Jim Wilson

SALES ASSOCIATE Addie Szews

CHICAGO REGIONAL PUBLISHER Kathleen Mitchell

DIRECTORS Tracy Colitte, Carolyn Funk, Taylor Greene

COLORADO REGIONAL PUBLISHER Kathleen Mitchell

DIRECTORS Travis Gainsley, Katie Martin

DALLAS + FORT WORTH PUBLISHER Rolanda Polley

SALES ASSOCIATE Addie Szews

GREATER NEW YORK PUBLISHER Trish Kirsch

ASSOCIATE PUBLISHER, NEW YORK Donna Herman

DIRECTOR, NEW YORK Maritza Smith

HOUSTON PUBLISHER Amy McAnally

SALES ASSOCIATE Addie Szews

LOS ANGELES PUBLISHER Tiffany O’Hare

ASSOCIATE PUBLISHER Virginia Williams

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

REGIONAL PUBLISHER Stacey Callahan

DIRECTORS Jennifer Chanay, Susan Goldstein, Karina Gonzalez

PACIFIC NORTHWEST PUBLISHER Debby Steiner

DIRECTOR Cathy Cruse

SAN FRANCISCO PUBLISHER Lisa Lovely

DIRECTOR Sara McGovern

SOUTHEAST PUBLISHER Sibyl de St. Aubin

SOUTHERN CALIFORNIA PUBLISHER Alisa Tate

ASSOCIATE PUBLISHER Kali Smith

Luxe Interiors + Design (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 3, May/June, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“ Luxe ”) provides information on luxury homes and lifestyles. Luxe Interiors + Design SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without

Culture of Design

Analyze the most enduring and interesting spaces, and you’ll discover that they are often composed of a layering of cultural influences and ideas...design that preserves heritage while also pushing it to be experimental and fresh. In this issue, we report on, and praise, the people, objects and spaces that revere craft and cultural artisanship as something to be respected and lived with; rooms that offer a conversation about what came before and where things are headed. May they have everlasting appeal.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

Juliana Lima Vasconcellos’ Giraffe chairs sit beneath a terra-cotta archway at the newly renovated Hispanic Society Museum & Library.

WRITTEN BY KATE ABNEY | PRODUCED BY KRYSTAL RACANIELLO

MEET THE MAKER

JULIA DECKMAN

Although some of her earliest memories involve painting, Julia Deckman did not embrace her artistic destiny until years after college and a few setbacks. For the self-taught talent, deciding to pursue her craft meant silencing the inner voice telling her she did not belong in the art world. Thankfully, the positive reception

STATE OF THE ART IMPOSSIBLE CURRENCY

For kindred artists Sheyda Mehrara and Kristen Giorgi, establishing an Atlanta studio was bound to beget an absence of orthodoxy. “We believe in traditional gallery spaces but knew what we wanted to do was in its own lane,” says Mehrara of Impossible Currency. Ensconced in a corner suite surrounded by glass in the glamorous Buckhead Village District, the pair’s immersive concept permits passersby to occasionally catch glimpses of them actively painting. Abstractionists with differing styles (Giorgi’s looser and more ethereal, Mehrara’s bolder and more textured, both highly expressionistic), the women arrange their by-appointment space using curated objects—antique furniture, architectural accents, art books—that underscore their complementary brand identities and help keep them inspired. Beyond respective solo shows, the duo hopes to showcase sculptors, musicians and filmmakers in the future. impossiblecurrency.com

she received changed all that. Inspired by her adoptive Charleston, Deckman’s work comprises charming streetscapes, intricate interior views and abstract studies she dubs “color choreography.” juliadeckmanstudio.com

How do you choose your hues? I’m so inspired by Charleston, with its historical architecture and colors everywhere and how the light ignites them. I come up with color combos by observing my environment; I snap photos of everything.

Your abstract works are quite textural, and far more complex than they first seem. Two colors may look and feel a certain way but appear totally different in an alternate arrangement. And the same shapes might shift in mood completely in a novel palette. My process requires a lot of trial and error; it can take me weeks to get the visual relationships just right.

What’s coming up for you? My next show runs June through August at Gately Gallery in Florence, South Carolina.

INSPIRING MIND

CINDY SMITH

In 1979, Cindy Smith launched an antiques business that blossomed into one of the most beloved design brands in the Southeast. After passing ownership of Circa Interiors & Antiques to her children last year, Smith unveiled Circa II Antiques in January (simultaneously debuting a new design firm, Smith Interior Design). Soon, she had happily ramped up her number of annual buying trips, particularly to the French fairs. And although Smith’s curated finds will still sell in both the Birmingham and Charlotte locations of the original Circa, she’s also debuted a new showroom for Circa II Antiques—found on Providence Road in Charlotte—plus an e-commerce site. Below, she shares the scoop. circa2antiques.com

After so many years in the industry, why was it time for Circa II Antiques? I’ve noticed a resurgence of interest in antiques, which were always my first love. Things are changing; I think people are starting to seek true investment pieces with interesting attributes. I have all this experience, and I wanted to share that wisdom—while also providing designers with a great, curated selection.

You seem to understand exactly what those clients need. We’re designer-oriented; we know their challenges and how to be a good resource. We keep an eye out for them; I go on trips with a long list and try to come back with as many things on it as I can. Because as a designer myself, I see things from their perspective.

What’s your sourcing secret? When looking for antiques, you see the good, the bad, the ugly. But my eye has been trained to find the unique. I always search out the best from every period—whether a 17th-century refectory table or a midcentury Italian travertine console. The pieces I seek were special and unusual from the very beginning. They’re the sort of antiques that make a whole project.

OPEN HOUSE

THE DESIGN SOCIAL STUDIO

To Brooks Morrison, opening a 1,500-square-foot brick-and-mortar studio in Atlanta was a delightful detour from her usual life on the road. Following in the footsteps of The Design Social Pop-Up—her mobile event-production business for star brands ranging from Anyon Atelier and Ferrick Mason to Abnormals Anonymous and Seema Krish—Morrison more recently launched The Design Social Studio. This venture encompasses the dozen or so labels she represents as strategic partner, including her old colleagues at Moore & Giles, Alex Conroy Textiles, CW Stockwell and others. Aiming to introduce designers in the region to boutique brands that might have otherwise been obscured by bigger manufacturers in multiline showrooms, Morrison’s by-appointment West Midtown flagship instead showcases them in full glory: complete with a Rule of Three Studio wallpaper, color-coded display racks and pretty textile samples on hooks. thedesignsocialstudio.com

ONE TO WATCH

AMBER GUYTON, BLESSED LITTLE BUNGALOW

Design is a third career for Amber Guyton. The Pineville, South Carolina, native started out in advertising before thriving in the tech world of Silicon Valley. Along the way, she launched Blessed Little Bungalow, a blog chronicling her decorating adventures. Since settling in Atlanta in 2021 and debuting a design firm by the same name, Guyton has taken the industry by storm with her distinct point of view. “More than anything, I want to bring good vibes,” she says. “I just hope people see the joy in what I do.” Read on as the designer reveals her insider insights to Luxe blessedlittlebungalow.com

Keeping it authentic. Homes should be a reflection of my clients: their culture, what they enjoy, how they dress, their travels, if

RETAIL THERAPY

PATINA HOME & GARDEN

Brooke and Steve Giannetti have been designing homes together for more than three decades. During a project by the latter in rural Tennessee, the married designer-and-architect duo fell hard for the area’s natural beauty, close-knit community and friendly pace. Come late 2022, the couple departed their famed Patina Farm in Ojai, California, and moved to a 100-acre plot in Leipers Fork, 30 miles outside Nashville. Christened Patina Meadow, their new property boasts a log cabin, gardens, greenhouses and barns while granting greater possibilities than their previous location could—including the ability to host pottery and gardening classes. “Our hope is that everyone who visits will leave feeling a deeper connection to the natural world,” Brooke shares. Just in town, the pair also opened the complementary outpost of Patina Home & Garden, an equally pastoral shop offering a curated retail experience and meaningful opportunities for community connection. In store is a tactile selection of Cécile Preziosa ceramics, AquaVireo linens, Swedish antiques, handmade baskets and more alongside fresh flowers, organic produce and young plant seedlings from their farm. patinahomeandgardenshop.com

they like to entertain. For example, one of my clients has Caribbean roots, so we’re installing a botanical wallpaper in her dining room—super tropical and fun.

Colors of the moment. I’m a jewel-tone girl. I love dark, deep, bold colors. One of my favorites right now is Benjamin Moore’s Love Affair; it reminds me of a glass of wine. Another is SherwinWilliams’ Redend Point; it’s like a pastel that’s warm and bright. Navy, hunter green and taupe aren’t going anywhere, but these colors will make a splash.

Upcoming collaborations. I’m currently partnering with Room & Board on a commercial project and with Mitzi on a residential one. My dream is to have a pillow line at a major retailer, or design wallpaper murals. Licensing is something I’ve been approached about often, and I have a collection of art prints and home goods in the works.

RADAR

Go global with tabletop treasures from far-flung locales, artisans to watch from around the world and the last textile mill of its kind.

Visual Feast

IN HER SUMPTUOUS NEW BOOK, DECORATOR AND PHOTOJOURNALIST STEPHANIE STOKES MAKES THE CASE FOR SOUVENIRS.

I am a self-confessed tabletop junkie and consummate hostess. On my travels through 86 countries, I have assembled a collection of things that have caught my eye so long as they’re useful for entertaining. These “toys for my table” are for special occasions, special friends or simply because it’s Saturday, and why not have a party.

In the words of Carl Jung, “The creation of something new is not accomplished by the intellect, but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.” And I love each of my treasures. My parties usually start with a verbal table tour instead of grace. I describe how the dishes are from Bali, the wine coasters are from Istanbul’s Grand Bazaar, the tagine salt cellars are from Marrakesh, and so on.

Many of my favorite pieces come from Japan: contemporary sake cups, sonorous Bizen bowls and Oribe kitchenware, all of which are versatile. In France, I fell for Aptware pottery, simple cotton tablecloths from Provence’s outdoor markets and gray porcelain partridges from Nîmes. While exploring Budapest’s antiques district, I couldn’t resist traditional bright-red flowered plates and cross-stitched tablecloths. When I use them at home in New York City, they evoke the folk art quality of Hungarian craft in the same way the pink Fortuny tablecloth I bought in Venice recalls light reflecting off the city’s brick walls, turning its canals the soft-edged pink of Paolo Veronese’s murals.

My book, The World at Your Table, is a call to action. When something inspires you, whether across the globe or at a local consignment store, buy it. Then, set the table with your finds to transport guests into a magical atmosphere. rizzoliusa.com

photo: mark roskams, courtesy rizzoli.

A tablescape mélange by Stephanie Stokes features a tablecloth by Zsuzsanna Nyul with bamboo flatware and a folk art ceramic plate purchased in Hungary.

Imagination Unbound

LUXE CHATS WITH CREATIVES FROM AROUND THE GLOBE WHO ARE BREATHING NEW LIFE INTO TRADITIONAL CRAFT.

PRODUCED BY KATHRYN GIVEN

Klove Studio

Prateek Jain and Gautam Seth, co-founders of New Delhi’s Klove Studio, are upending the way modern lighting is produced in India with their larger than life pieces. While the dynamic duo are experimenting with size, scale and materials, their designs continue to pay homage to the artistic customs and practices that surround them at home.

What was the vision for your latest collection? Our Totems Over Time series celebrates an older way of living and, specifically, how civilizations have left their mark on society with references to ancient symbols and motifs. We wanted to achieve a harmonious balance between geometry and symmetry with bright totems devoted to abundance, vision, beauty and protection. Talk to us about the materials. These nearly 10-foot-tall pieces incorporate metal and handblown glass, a centuries-old technique that supports local artisans in India. We believe in slow design, conscious craftsmanship and dreaming up fantastical ideas that take shape by working with dedicated makers. Where do you find inspiration? From different cultures around the world, but especially in New Delhi where there is such a rich craft legacy. Good design makes life better on every level. klovestudio.com

Hamza Kadiri

Casablanca-based master woodworker Hamza Kadiri hails from a long line of makers who share a deep reverence for their materials, and he is no exception. Each piece of wood sourced for his new sculptural furniture collection was chosen for its singularity, essence and inherent beauty. Kadiri’s expertise of rare, precious varietals of wood honors natural grains and unique patterns for a one-of-a-kind result.

When did you begin working with wood? I’ll never forget the moment I entered my uncle’s workshop at the age of seven. He was one of the most respected woodworkers in the Medina of Fez. I still remember the smell, the dry air and watching each artisans’ slow movements. It was love at fir st sight. Tell us about your latest collection. As an artist, I listen to the wood—sometimes for months at a stretch. The unique forms of a plank and veins in the wood give o a particular emotion. These inspire me with original ideas, although some may be a little crazy. My six new pieces—side tables, credenzas, a bench and an armoire— are a testament to this, including the Royal Ebony credenza (shown). What’s next? Adding exciting new lighting designs to my collection with Les Ateliers Courbet. ateliercourbet.com

LagunaB

The iconic Venetian glassware company founded by the late Marie Brandolini is heralding in a second chapter under the leadership of her son, Marcantonio Brandolini d’Adda. As ceo and creative director, his vision includes investing in projects that support a range of initiatives, like the design community at large, the environment and the city of Venice.

community at large, the environment and the city of Venice.

How are you di at from Paris to was a way of her

Today, we are releasing more limited-edition pieces but still honoring her vision. is also top of mind for us with a new production that allows for more energy e cient in addition to a longstanding with Green Future to o set our emissions.

with the Pilchuck Glass School in to establish Autonoma, an international artist program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. recently introduced Vital, which aims to enhance the natural capital of the Venetian Without this our company and

How are you thinking di erently at LagunaB? When my mother moved from Paris to Venice, glassmaking was a way of expressing her creativity. Today, we are releasing more limited-edition pieces but still honoring her vision. Sustainability is also top of mind for us with a new high-energy production facility that allows for more energy e cient manufacturing, in addition to a longstanding partnership w ith Green Future Project to o set our CO2 emissions. What about the next generation? We have teamed up with the Pilchuck Glass School in Washington to establish Autonoma, an international glass artist exchange program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. Anything else? Alongside We Are Venice, we recently introduced Vital, which aims to enhance the natural capital of the Venetian Lagoon. Without this important waterway, our company and city would not exist. lagunab.com

MARCANTONIO BRANDOLINI D’ADDA PORTRAIT: ALESSANDRO TREVISAN, CONSOLE PHOTO: JOSEPH KRAMM / JARR STUDIOS FOR LES ATELIERS COURBET, ALL OTHER PHOTOS: COURTESY RESPECTIVE COMPANIES.

Inset: a few of the profiles in Vent Walnut, Earl Walnut and Rokko Cedar.

Featured: Louvers in Earl Walnut M Exterior Finish

Toast

Established in a Wales farmhouse more than 25 years ago, the clothing company Toast has grown its o ering to include exquisite homewares produced by artisans, weavers and mills around the world. Despite its evolution, the brand’s values remain steadfast: champion a slower pace and more thoughtful way of life. CEO Suzie de Rohan Willner elaborates on the brand’s mission.

What makers do you work with? We search around the world for artisans who demonstrate specialist skills and techniques. Our hope is to provide a platform for their work to be celebrated and their story to be told in an authentic way. We want to help preserve traditional techniques that otherwise may be in danger of dying out, like this glazed terra-cotta waterpot handmade in Bristol (shown) that is based on a 16th century design. Why does craft have an enduring appeal? There is a growing audience who wants a more emotional connection to the objects in their home and to the person behind their creation. An increased awareness of our environment and a rejection of “mass” has meant we are choosing to buy less and selecting long lasting and meaningful objects. The recently launched Toast Renewed provides an iteration of this idea. It’s a unique collection of creatively repaired, one-of-a-kind pieces that have been given a new lease on life, increasing their longevity and progressing our circular approach to reducing waste. Where do you find inspiration? In stillness. It’s abou t being with people and things that bring joy and make you slow down. us.toa.st

Ecru

Founded by three childhood friends raised in Kuwait, lifestyle brand Ecru draws upon the ethos and cultures of Arab and Indian hospitality for inspiration. With a dazzling shopfront in Jaipur, Ecru collaborates with craftspeople in India, Syria, Lebanon and Sri Lanka who specialize in textiles, woodworking, glass, ceramics and metalwork. Creative Director Nur Kaouji discusses the company’s roots.

How did Ecru start? Growing up (with co-founders

Noor Al-Sabah and Hussah Al Tamimi) in Kuwait, we were surrounded by expats, particularly Arab and South Asian families. We were raised with an emphasis on the importance of hospitality and tradition, including sharing meals with loved ones. Our desire to carry on these rituals led us to launch Ecru, a br and that comprises beautiful handmade objects that elevate these interactions. Talk to us about your homewares. What excites us is the incredible legacy of craft around the world. We get to work with artists who keep traditions like block printing and metalwork alive. At Ecru, we are always looking to expand our artisan directory and I’m constantly on the hunt for inspiring people. How can design make a positive impact on our lives? Life has a way of throwing things at you, sometimes turning things upside down. One of our greatest salvages is nature and through nature, design. ecruonline.in

Sanayi313

Brothers Enis and Amir Karavil helm the interdisciplinary design brand Sanayi313 in Istanbul, where they have their hands in a number of exciting initiatives: a retail store, design studio, canteen, bi-annual magazine, atelier for unique projects and a newly launched furniture line that promotes their mantra, “move forward to the future with respect to the past.”

Why is it important to champion craft today? I prefer working with local craftsmen because what they create is always unique, and in the era of non-stop production this is a di erentiator. That human touch is essential because it gives a soul and special language to the work. Talk to us about your new furniture pieces. The Oblong Collection consists of so lid

maple burl and burned oak wood designs defi ned by massive, bulky forms and rounded corners, which echoes our “maximalist expressions in minimalist details” approach. Comprising stools, consoles, low co ee tables, side tables, and a dining table, the collection is made by hand in Istanbul, adhering to the city’s artisanal traditions where woodworking dates back thousands of years. It must be inspiring to be surrounded by so much history. Turkey’s location is at the crossroads of East and West, the vast lands once dominated by the Ottomans and home to many di erent civilizations with a rich legacy of craft since ancient times. These age-old traditions and techniques are still being practiced and lauded in many areas, but I believe new ideas come from studying the past. The solutions are there, you just need to reinvent them to create something inspiring. sanayi313.com

Jomo Tariku

Jomo Tariku, African culture has

for and the contemporary of American craft.

For Virginia-based, Ethiopian American industrial designer Jomo Tariku, African culture has always played a role in what he creates. As an advocate for change, Tariku co-founded BADG (Black Artists and Designers Guild) and continues to help move the needle forward for global design and the contemporary interpretation of American craft. The trailblazing talent’s work has even landed in major institutions including the Metropolitan Museum of Art.

Where did you learn to love design? Our home in Ethiopia was fi lled with beautiful objects. My dad was an avid collector of interesting pieces from Africa and around the world. During summer break, I would sketch these objects not knowing it would eventually lead to a career in design. How do African traditions play into your work? I did my undergraduate thesis on creating a modern line of African furniture and I have never wavered from that even though it has not been easy. Design is supposed to be a global language but until recently you would be hard pressed to fi nd a contemporary African design by a Black designer. I am always referencing my heritage. Even the inspiration for my Nyala chair (shown) are the horns of shy, an elusive mountain antelope from the Bale Mountains in Ethiopia. jomofurniture.com

The Last Craft

AT THE LE CRIN WORKSHOP IN THE FRENCH COUNTRYSIDE, MÉTAPHORES IS KEEPING THE SACRED ART OF HANDWEAVING HORSEHAIR ALIVE.

WRITTEN BY MARY JO BOWLING

It seems as if a heartbeat courses through the Le Crin workshop in Challes, a village in Northwestern France. The rhythmic whooshing sound filling the space comes from the movement of looms that have been weaving horsehair into lustrous fabrics since 1814. Although this is the last outfit of its kind, the pulse isn’t slowing.

Inside, artisans sit at the looms creating textiles. Wearing earplugs to muffle the sound, their focus is total as their hands thread hairs one by one into a shuttle with seeming superhuman rapidity, turning out roughly eight feet of fabric per loom each day. After the raw material arrives from Mongolia, it undergoes a series of meticulous steps including brushing, dying and pressing. The job calls for fast-moving minds as well as dexterous fingers, since

counting and tracking the number and color of strands is essential to creating such complex patterns.

The result is a product with glossy texture and depth— qualities Le Crin executives say attracts designers worldwide. “Horsehair is as soft as silk, but extremely resistant, showing little wear after decades of use,” explains workshop manager Nicolas Pioger.

Métaphores, the fabric company producing Le Crin under Hermès’ textile division, sees new horizons for this traditional craft. “We are working with designers to create modern furniture and accessories—anything is possible,” Pioger notes. “What doesn’t change is the expertise and unique savoir faire that goes into producing the material.” metaphores.com

Make space for me time.

Page-turners are even better when read in inspired corners filled with natural light. At Marvin, we help make space for moments like these with thoughtfully designed windows and doors. Each is custom crafted with an eye toward beauty and performance for all of life’s chapters.

Explore the many ways we can help make space for what matters most to you.

marvin.com

From furniture and lighting to wallcoverings and fabrics, ADAC’s 65+ showrooms offer high-end home furnishings that are not only well crafted, they come with a unique point of view that is sure to inspire.

JOIN US IN 2023

ADAC Fall Sample Sale

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October 25

Multi-Lite by Louis Weisdorf, 1972

Available through Habachy Atelier

NOTABLES

PEACOCK PAVERS

Get the look of natural stone for the pool surround and decking, with Peacock Pavers. The company’s pavers make transitions from interior to exterior seamless and offer endless design choices of color and shape. Matching trim pieces complete unique layouts. peacockpavers.com

RENAISSANCE TILE & BATH

Introducing, the Grandview Gaylord Adour mosaic, which features Hudson White and Devonshire Blue marble. This space features the Respite tub from Renaissance’s O’Neil Ruppel bath collection. renaissancetileandbath.com

HARRY NORMAN, REALTORS ®

One Museum Place is described by John Wieland, builder and renowned architect, as “an experience that only a select few Atlantans will ever know.” This iconic penthouse is exceptionally curated, complete with views of Atlanta’s High Museum of Art. Priced at $4,500,000. harrynorman.com

PHOTO: KYO H NAM, ARTIST: KENNY NGUYEN, ART: SOZO GALLERY

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AmericasMart is open year round for you to restock inventory or source for a design project conveniently between Markets.

• Access across gift, seasonal, fashion, home décor, and outdoor furnishings with bridges connecting Buildings 1, 2 and 3

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• Dedicated designer services available onsite to help you navigate the floors and easily discover product

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PRODUCT SOURCED FROM: CAROLINE HILL, CODARUS, CURREY & CO., GABBY, ILLUME, IVYSTONE, J DOUGLAS, KALALOU, KITCHEN 2 TABLE, LEMON JELLY SHOES, LOLOI, ROBINSON HOME PRODUCTS, ROSSE & ASSOCIATES, SCHAUBEN & CO.

Walls

MARKET

Luxe explores innovative rug makers, unique floral designs and the next wave of Latin American creatives.

Completely Floored

FOUR AU COURANT BRANDS CHAMPION AN ARTISANAL APPROACH TO MODERN-DAY RUG MAKING.

PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON

WRITTEN BY GRACE BEULEY HUNT AND SARAH SHELTON

LIVING HISTORY RHYME STUDIO

“The driving force was to tell a story of authentic Irish craftsmanship with an international, contemporary twist,” shares Claire McGovern of her studio. For the New Yorker by way of Dublin, the spark that led to her foray into the rug industry was hiding in plain sight: wool—a material indelibly linked with her home country—was a dying trade, accounting for just two percent of fibers sold or traded in the synthetics-dominated market. “Wool is extraordinary. It’s nature’s miracle fiber,” McGovern says. “Here is a material t hat you can bring into your home and it will literally purify the air and last you a lifetime.” With heritage and sustainability as founding principles, Rhyme Studio was born. Today, the atelier collaborates with historic Irish mills

to process native wool before it’s tufted by hand at their farmhouse workshop near Avoca in Wicklow. Ireland’s rich cultural tapestry imbues the brand in motif as well as material, with most designs offering modern riffs on tradition. Om, a collection defined by linear patterns, was inspired by a 1,600-year-old tree alphabet found on standing stones in the countryside. Works from the Báinín line feature pure Galway wool bedecked with motifs that evoke the stitching of an Aran sweater. And in M odernity, a series of minimalist geometrics in primary colors pays tribute to artist Kazimir Malevich and prolific Irish designer Eileen Gray. “I’ve always bemoaned the idea that a rug must be beige,” McGovern says. “Art should not be limited to any one media.” rhymestudio.com

HEIRLOOM QUALITY VERDI

Tomás Vera grew up idolizing his father Carlos Vera Dieppa, who wore his hair long, rode a motorcycle, enjoyed recreational aerobatics and didn’t start a traditional nineto-five until the age of 42 when inspiration struck to create a Japanese tatami-style mat from fibers found in his native Colombia. In time, the designs progressed to include latex backing, a leather border and later, pigments, patterns and ribbon-thin strands of metal. “It was the first rug of its kind and a revolutionary concept at the time,” shares Vera, who moved home to launch Verdi, a new business built upon his father’s vision after his passing. Verdi now employs an in-house team of 75 in addition to 30 families who harvest their marquee material, fique: a soft yet resilient vegetable fiber from

the Andean region. “We have a huge natural fiber catalogue because of the Amazon,” Vera says. “We’re always discovering new materials and exploring how to weave them for a contemporary ambiance.” Recent experiments at the Bogotá headquarters have seen Colombian fibers like plantain, cumare and worm silk woven with copper, stainless steel and silver-plated metals to mesmeric effect. “We consider our rugs to be art in their uniqueness and in the way they reflect light,” he adds. That the fastexpanding studio’s moniker pays homage to Vera Dieppa’s nickname underscores the next generation’s commitment to celebrating cultural and familial le gacies alike. “Verdi is not a brand, it is a story,” Vera says. “And this is just the beginning.” intl.verdi.com.co

photo: courtesy verdi.

CULTURE OF CRAFT STARK

No rug brand has its tentacles so deeply spread, linking master craftspeople all over the world with top designers and consumers alike. From artisans in Nepal trained in Tibetan knots to weavers in India working on looms, rug seekers have access to products made by mills specializing in authentic techniques unique to their region. “We have a handful of key vendors who each have their own flavor and aesthetic,” says Stephanie Muller, Stark’s vice president of product development and strategy. “They’re artists in their own right.” Not married to one look, Stark rather does it all: from their material inventory (silk, sisal, wool, and a new proprietary performance fiber, among others) to techniques both hand-crafted and mac hine-woven, to endless styles, like striking geometrics, painterly pastels, stripes, animal prints and traditional motifs.

“It’s always exciting to see their new technical developments and creativity,” Muller says. While the third-generation family-run operation recently marked 85 years in business, their commitment to artisanship remains at its core. Take the rug shown here: a recent collaboration with German company Rug Star is inspired by desert and urban landscapes and crafted in India using hand-knotted techniques. Think of them like a great connector—a connector of craftsman to consumer, a connector of inspiration to trends, and a connector of the past to the present. starkcarpet.com

AMERICANA ETHOS MERIDA RUGS

In the mid-19 th century, Fall River, Massachusetts, was the Silicon Valley of America’s textile manufacturing industry. Fastforward through decades of shifting global economies, and few active mills remain today. But one self-described counterculture company decided to put down roots in the storied area as some of the last big mills were shuttering. “We’re not going to survive in the United States unless we’re doing something extraordinary,” admits Merida Rugs CEO Catherine Connolly. That something extraordinary, for starters, is that each of the company’s rugs is made of all-natural materials sans chemicals. Another revolutionary idea? Empower local craftsmen by creating a workplace where weavers find joy and pride in their craft. Merida R ugs HQ is part production lab and part innovation hub, where skills are honed and techniques tested. The goal is to create an environment where weavers push the bounds of their creativity in hopes it carries through to the finished product. Leading the charge is artistic director Sylvie Johnson who approaches design with the curiosity of an art student (she has been known to study out-of-print books on pigments to find fresh hues). The brand releases one new collection a year, each marking a new chapter in the Merida Rugs’ story. Their latest collection, Arte Povera, is inspired by the Postwar 1960s Italian arts movement, the story of which is as rich as the rugs themselves. “They have presence,” says Connolly. “The rugs contribute to the conversation in a sophisticated way.” meridastudio.com

photo: rug, angel tucker; spools, richard powers courtesy merida rugs.

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Hampton’s farmhouse-inspired architectural jewel with 261+ ft direct Intracoastal.

Premier Estate Properties, Inc.

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Search QENA on luxuryportfolio.com

Austin, TX | Price upon request

This luxurious estate merges modern art with contemporary architecture on +1.2 acre lot.

Moreland Properties

Eric Moreland — +1 512 480 0844

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Redding, CT | $8,500,000

Sun-filled 6-bedroom home with pool, tennis, and luxury apartment. Close to town amenities and train.

William Raveis Real Estate, Mortgage & Insurance

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Lake Toxaway, NC | $3,750,000

Luxury mountain home with panoramic views, European design, and modern amenities.

Silver Creek Real Estate Group

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©2023 Luxury Portfolio International.® Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information has been supplied by third parties and should not be relied on as accurate or complete. Equal Opportunity Employer and pledged to the letter and spirit of Equal Housing Opportunities.

FANCY FLEURS

Unrestricted the bounds of a vase, three oral

Unrestricted by the bounds of a vase, three oral designers conceive artful compositions.

WRITTEN AND PRODUCED SARAH SHELTON

Sweet Spot

Name: Anastasia Kolesnichenko @vaasialis.

Home base: Cyprus. Origin story: I always wanted to work with flowers and objects. I practiced everyday and posted to Instagram. Overtime, I got my first orders. Style notes: Dreamy, fun and playful. Known for: Creating something new and turning flowers into my own unique species. Ethos: Flowers are emotions. They are alive, agile and have the ability to be reborn. Pick a favorite: Poppies. In the works: A commission for a jewelry brand.

A commission for a brand.

Clockwise from top right: Akoya Pendant in Vermilion / From $781 / rbw.com Belmondo Fabric in Corallo / Price upon request / dedar.com Bardi’s Bowl Chair in Orange / Price upon request / arper.com

Nama Sneaker in Green-Orange / $795 / chloe.com California Table by Elyse Graham / Price upon request / cultureobject.com Memphis Raku Mosaic Tile / Price upon request / newravenna.com

Small Hooks Coat Rack by Nathalie du Pasquier / $375 / store.moma.org

Natural Progression

ID: Aiste Kuchta @aikufloral. Coordinates: Global nomad. Approach: Floral arranging inspired by the seasons. Something to reconsider: Dying flowers are beautiful; imperfect blooms are unique. Tip to try: Let flowers move in their natural direction. Memorable experience: Foraging for icicles and arranging them alongside flowers. Manifesting: The film industry is something I’d be happy to be a part of! In the works: Events and floral subscriptions. Remember to…Enjoy the process.

Clockwise from top right: Arc Handle in Travertine by Bjorn x Lo & Co Interiors / $218 a pair / sandiegohardware.com Small Teak Opal Bookcase

Panel

Shelter Cove / Price upon

Dinner Plate in Green by Pottery & Pottery / $240 set of four / abask.com

PHOTO: DENIS KUCHTA.

The Oceana Collection by Bannenberg & Rowell Design Oceana Dining Arm and Side Chairs. Cushions in Perennials

Romantic Revival

Moniker: Natasja Sadi @cakeatelieramsterdam.

Sadi @cakeatelieramsterdam. and

HQ: Amsterdam. Specialty: Arranging and photographing real flowers with sugar flowers in the Dutch still life tradition. Modus operandi: Romantic, lavish and classic with a twist—more is more. Currently inspired by: The Vermeer Exhibition in Amsterdam. I’m obsessed with his use of light. Rule to break: Let go of color charts. When it is created by nature, it’s always complementary. Proud moment: Writing my new book A Sweet Floral Life

Clockwise from top right: Paloma 2-Light Sconce / $148 / maximlighting.com Roses Pompadour Wallpaper in Blue / $140 a roll / antoinettepoisson.com Blue Fluted Full Lace Cream Jug / $340 / royalcopenhagen.com Issima Velvet Fringe Cushion in Ladakh Ceder / $90 / theitihaascompany.com Priya Table / Price upon request / butlerspecialty.net Floral Jacquard Armchair in Pink Moire / $7,500 / gucci.com Scalloped Ceramic Fluted Door Lever in Le Jardin Blue / Price upon request / sherlewagner.com 14 kt Gold Black Velvet Pearl Chocker / $780 / mateonewyork.com PHOTO:

DISCOVERIES

CHRISTOPHER PEACOCK

VISUAL COMFORT & CO.

The Cristol small double sconce by Aerin is shown here in hand-rubbed antique brass with white glass. Priced at $579. visualcomfort.com

COSENTINO USA

Cosentino’s newest collaboration with designer and architect Daniel Germani decodes three timeless Italian stones: Vicenza, Travertine and Ceppo di Gré. The collection recasts them into versatile Dekton surfaces for today—indoors or out. cosentino.com

Christopher Peacock introduces The Hudson Collection. A clean aesthetic with special details, hardware and material selections, this more modern style is perfect for an urban apartment or a large contemporary, suburban home. Custom colors and hardware finishes available. peacockhome.com

STARK

The Koa ivory rug features lush texture matched with performance. Made of 100percent STARK performance acrylic, this beautiful rug can withstand any lifestyle. Braided soumak weaving combines with high-pile shag for coziness and character alike. starkcarpet.com

PAUL FERRANTE ERRANTE

Paul Ferrante introduces a polished uces a twist on an old classic. With copper c. With copper banding, the timeless Eternity meless chandelier is elevated to a new height. to a new Item 2099-C, it can be customized. be customized. Price available upon request. e upon request. paulferrante.com ulferrante.com

WEATHEREND ESTATE FURNITURE

As durable as it is beautiful, the Westport swivel chair by Weatherend is constructed for the outdoors and finished with Weatherend’s Yacht finish. Generouslyproportioned and topped with plush cushions for extra comfort, it is available in any color or natural woods.

weatherend.com

LEGNO BASTONE WIDE PLANK FLOORING

St. Moritz-G1 is a handcrafted, select-grade finish from the European Elegance collection. This is more than just a product; it is a passion that becomes “custom-designed furniture for your floor.”

legnobastone.com

BOKARA RUG

This rug showcases a contemporary pattern of blue, ivory and black tones. Hand-knotted from the highest quality wool and silk, it provides an elegant foundation for any space. bokara.com

Sacred Storytelling

AT THE RENOVATED HISPANIC SOCIETY MUSEUM & LIBRARY, LATIN AMERICAN MAKERS SHOWCASE WORKS HONORING THEIR HERITAGES AND INSPIRATIONS.

PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON

HALLOWED HALLS

Founded in 1904, the Hispanic Society Museum & Library has emerged from a yearslong renovation at the hands of Selldorf Architects. The storied institution houses an extensive collection of art and artifacts from Spanish- and Portuguese-speaking countries. The museum aims to amplify and uplift Hispanic heritage and creativity, including Latin American artists forging their own multicultural identities.

Nestled under an ornate terra-cotta archway in the Main Court, Juliana Lima Vasconcellos’ eucalyptus wood Giraffe chairs flaunt their angular silhouettes. The Brazilian architect and designer cites her home country’s rich cultural mix— specifically African and Portuguese colonial influences—as sources of inspiration. hispanicsociety.org, theinvisiblecollection.com

WRITTEN BY KHADEJAH KHAN PHOTOGRAPHED BY THE INGALLS

GEOLOGICAL GEMS

José Miguel Schnaider considers himself part designer and part explorer of the mineral world. As the founder of Mexico City’s Sten Studio, he leans into local lapidary traditions when conceiving his designs. “I am proud to be Mexican and Latino, but I do not necessarily need to follow a specific aesthetic,” Schnaider remarks. Rather, he offers

fresh interpretations of cultural heritage. His VSII.I and VSV.III stools—placed on a stairway adorned with 3rd-century Roman mosaics from Spain—are composed of dark lava stone and red travertine and blue calcite, respectively, acting as a visual metaphor for volcanos and a tribute to Mexico’s volcanic belt region. stenstudio.com

STITCHED TOGETHER

Rhode Island School of Design alumna Alexis Tingey spent her childhood summers in Mexico where she learned embroidery from her grandmother. Tingey’s Don’t Remind Me hammock—showcased in front of Spanish artist Joaquín Sorolla’s Vision of Spain (1912-1919) in the Sorolla Gallery—speaks to the physicality of memory. The hand-welded

patinated steel base supports a hand-pleated linen fabric collage depicting “personal items intended to be forgotten.” Tingey, whose first studio collection launches this year, is eager to see more women of Latin American origin represented in design to usher in rich storytelling, new ideas and unheard voices. alexistingeydesign.com

ORGANIC STATE

Since founding Studio Galeón in 2017, Lula Galeano has watched the design landscape evolve to include more awareness around non-Eurocentric craft. A multidisciplinary designer who splits time between New York, London and her home country of Argentina, Galeano frequently collaborates with skilled artisans to enhance the beauty of natural materials used in her work. For Lampara 1 and Lampara 2, shown

here, Galeano joined forces with millworker Christopher Gatton to achieve the lamps’ perfectly unrefined shape. The bases are remnants of stone boulders sourced from Mexico which retain their jagged forms, save for polished edges. Each one-of-a-kind piece is outfitted with sleek brass hardware and a smooth blown glass opal bulb. studiogaleon.com

We understand the importance of a statement. Our extensive collection of marble, quartzite, granite, soapstone, and quartz are sourced through our trusted partners across the globe. Every material’s path to your project ensures more than a statement piece – it’s an entire story in itself.

BOTANICAL BEAUTY

Artist Lufti Janania’s childhood growing up on a rural bioreserve between the mountains and rainforests in Honduras continues to inform his eye today. Working out of a Brooklyn studio, he creates fantastical objects, sculptures and installations from botanicals and flora. His latest collection, a series of mirrors fitted on custom wood frames draped in woven

palm fiber, like the Tela, seen here, features hand-sewn, delicately pleated curled rosettes. Janania counts Latin America’s indigenous heritage and colonial history—specifically in Honduras where Mayan ruins and Baroque architecture meet—as additional sources of inspiration, taking in the visual romance and ornate decoration to inform his work. rosalila.co

CURVY CHARACTER

“I adapt and take from wherever I go,” explains artist Giovanni Valdeavellano of where he pulls inspiration. For the New York–based talent, and founder of Studio Poa, that includes fashion street style, his childhood in Guatemala and the ways in which information is readily shared and consumed. The Santiago Chair 1 and Santiago Chair 2, shown here,

are made of solid ash, stained and then finished in hard wax oil. The design explores how a seat can make one feel transformed into a different character—like how a king feels on a throne or a defendant feels in a courtroom. This particular pair are shaped like guitars, intended to make the sitter feel like a rockstar. lovehouseny.com

KRYSTA RODRIGUEZ

Actress, Stage & Screen

Founder, Curated by Krysta Rodriguez

DRESS IN: TAMBOURINE TRAPS

LIVING

From Texas to the East Coast, revel in welcoming kitchens and baths that channel a sought-after joie de vivre spirit.

Worldly Appeal

BEHOLD KITCHENS AND BATHS WHERE OLD-WORLD ELEGANCE IS ON FULL DISPLAY.

WRITTEN BY ALYSSA BIRD | PRODUCED BY SARAH SHELTON

For a Georgian-style home in Maryland,

Winsome Interior Design outfitted the kitchen with cabinetry from their line with Unique Kitchens & Baths and a custom cherrywood island. The pendant light is by Il Fanale.

CHARM CITY

WINSOME INTERIOR DESIGN

The homeowners of this Churchville, Maryland, residence couldn’t resist its Georgian-style architecture, but the dated 1980s kitchen was in need of a refresh. They called on Arianna Pannoni and Kasey Bedford of Baltimore-based firm Winsome Interior Design to reimagine the space. The result is strikingly elegant and in harmony with the structure’s traditional bones.

What were the project mandates?

Our clients wanted the kitchen to feel lived in, cozy and historic. They are casual people, but they also like a bit of formality.

Tell us about the major design elements. We kept the existing brick range niche but limewashed it and added more grout to give an ol der appearance. The cabinets are a simple, elevated shaker style that has been around for hundreds of years. We designed the island to look like a piece of furniture since kitchen islands weren’t a thing back in the day, and we also incorporated hand-distressed ceiling beams. The open shelving acts as a display area for the client’s collection of vintage china.

What other details lend to the charming feel? Hanging wood and copper pots adds warmth, while a new milk-glass fixture exudes a vintage ambiance. We also used finishes that will only get more beautiful with time: the unlacquered brass will develop a patina and the marble will gain character as it stains.

Arabescato Corchia marble countertops make a dramatic statement. The faucet is from Newport Brass and the sconces are from Visual Comfort & Co. photos: stacy zarin goldberg.

In keeping with the revamped kitchen, Pannoni and Bedford also turned their attention to the home’s mudroom and powder room, replacing dated elements to highlight the abode’s historic feel. “We wanted to have some fun in these spaces and bring out the drama,” Bedford says. They enveloped the mudroom—

including the walls, trim and ceiling—in a deep oxblood shade from Farrow & Ball and carried it through to the adjacent powder room trim. Meanwhile, a whimsical wallpaper from Osborne & Little featuring birds and lush foliage enhance the striking red tone. “The vintage-inspired console sink harkens back to

Georgian style, the classic floret penny tile is also a nod to old-world design, and the antiqued brass touches tie to the kitchen finishes,” Pannoni notes. “Our client allowed us the creativity to think outside the box,” Bedford adds. “Every space is dramatic in its own way.” winsomeinteriordesign.com

A Rejuvenation sconce illuminates the powder room, which is swathed in Osborne & Little’s Netherfield wallpaper and accented with Farrow & Ball’s Preference Red. The Vintage Tub & Bath sink console is fitted with a House of Rohl faucet.

TILE TALK

A CROP OF NEW COLLECTIONS MELDS AGE-OLD STYLE WITH MODERN-DAY FUNCTION.

FLUTES OF FANCY

Part Art Deco and part 1970s Milanese glam, the Lapidary collection from clé incorporates three di erent styles: rough-cut mosaics, smooth-cut ovals and sculpted curves (shown). Perfect for wall treatments, these concave and convex designs come in two sizes and a variety of stones, including travertine, Carrara, Calacatta and Verde marbles. cletile.com

IN BLOOM

House of Hackney teamed up with British tile manufacturer Craven Dunnill Jackfield to introduce a line of handmade ceramic tiles that evoke Victorian-era drama. The collection features 19 th -century reproductions of two Jacobeaninspired fl orals—in both monochromatic relief and vivid screen-printed versions—as well as an a rray of solid-colored square and brick tiles in addition to flat and raised dados. houseo ackney.com

GOING WITH THE GRAIN

The Helene porcelain tile collection from Ann Sacks—o ered in three oak-inspired shades and both three-inch-wide planks and 24-inch-square parquetry forms—can be used everywhere from floors and fireplace surrounds to walls and backsplashes (and even outdoors in certain climates). Better yet, this revival style synonymous with European allure is made of 40 percent recycled material. annsacks.com

ENGLISH LE SSON

MAESTRI STUDIO | GALLERY

When Dallas clients tapped local firm Maestri Studio | Gallery to rework the kitchen in their Tudor-style home, the design team kept the structure’s existing architecture top of mind. “The residence was built during the 1970s to look older than it is,” notes architect Eddie Maestri. “It’s inspired by old English estates, and there were already some nice details including arches, moldings and leaded-glass windows.” In addition to relocating the space from the back of the house to the front, Maestri’s team also added a dining nook that separates the main kitchen from a pantry and storage area. “The nook serves as a statement at that end of the room,” continues Maestri, whose team designed a custom banquette with a dramatic arch that mimics the nearby doorways. “We wanted to play up the original architecture and make the space feel cohesive. It’s like it has always been there.” maestristudio.com

For the breakfast nook, interior designer Katie Paulsen of Maestri Studio | Gallery selected a custom oak banquette stained in walnut and topped with an upholstered cushion of performance velvet and vinyl by Wolf-Gordon. The light fixture overhead is Visual Comfort & Co.

THE PARANJAPE PROJECT

BY MRS. PARANJAPE DESIGN + INTERIORS

mrsparanjape.com | mrsparanjape

WHEN ONE OF THE SOUTHEAST’S FOREMOST DESIGNERS SET OUT TO CURATE A BEST-INCLASS TEAM FOR HER OWN HOME’S CREATION, A NASHVILLE RESIDENCE WORTHY OF THE TRADE BOOKS CAME TO LIFE.

As the owner and principal of her eponymous firm, Lori Paranjape has delivered beautiful spaces to entrepreneurs, professional athletes and country music royalty. Along the way, her passion for the process of crafting those elevated rooms and residences has garnered her respect among peers—and helped her develop an unparalleled eye. So, when it was time to dive into her own design dreams, she had a running list of professionals and purveyors she’d recruit.

PAINT

BENJAMIN MOORE

EXTERIOR LIGHTING

BEVOLO GAS & ELECTRIC LIGHTS

HARDWOOD FLOORING DUCHATEAU

WINDOW + WALLCOVERINGS

FABRICUT

PAVERS

FIREROCK BUILDING PRODUCTS

RUGS

JAIPUR LIVING

DECORATIVE PLUMBING

KALLISTA AND KOHLER

HARDWARE

ROCKY MOUNTAIN HARDWARE

CASE GOODS

SHERRILL FURNITURE BRANDS

APPLIANCES

SUB-ZERO, WOLF, AND COVE BY TISDEL DISTRIBUTING

BENJAMIN MOORE

benjaminmoore.com | benjaminmoore

Paint is both a tone-setting foundation and a finishing touch in any design project, big or small. “Determining the color palette of a project is one of the most important decisions,” says Lauren Corbin, the architecture and design marketing manager at Benjamin Moore. “Paint is complementary to all other design elements—furniture, fabric, flooring—serving as a powerful connective element.” With an expansive selection of 3,500-plus unmatchable colors, Benjamin Moore has long been the designer’s paint of choice, so it’s no surprise that Lori Paranjape turned to her Benjamin Moore A&D representative, locally-owned Benjamin Moore store and painting contractor to create a custom paint specification, from a carefully-curated color palette to precise finish selections and substrate-specific products. The end result? An inviting, neutral scheme that creates a calming mood and enhances architectural interest with a subtle velvety effect by way of an elegant flat finish.

“The power of paint is its ability to transform and enhance a room.”

Main, Above left & Above right In the major living and transitional spaces throughout the home, Lori specified a perfect combination of hues: Bleeker Beige HC-80 for the walls, Bennington Grey HC-82 for the trim and Elmira White HC-84 for the ceiling. All surfaces used a premium interior flat paint that provides a uniform, decorative look.

BEVOLO GAS & ELECTRIC LIGHTS

bevolo.com | bevolo

It is often the case that the most subtle of touches can make the biggest difference in how one perceives a home. The use of Bevolo Gas & Electric Lights’ Contemporary lantern design on the Paranjape family’s new home is a perfect example. Though modern enough in style to suit the generally clean-lined facade, the fixtures give the exterior a lived-in, perpetual feel. It’s an essence that begins, well, at the beginning. “We hold true to the belief that old-world craftsmanship is what truly makes our fixtures burn for a lifetime,” says Drew Bevolo, the company’s president and owner. “By using the highestgrade materials, the most efficient, patented burners, the finest industry-standard techniques and highly-skilled craftsmen, we are able to continue providing our customers with lanterns to last generations.” The relationships Bevolo builds with its clients endure just as long, to which Lori would attest.

“We are known worldwide for our craftsmanship and attention to detail. It can not be replicated.”

Main Thanks to Andrew Bevolo Sr.’s extensive experience working with the likes of Ford, Sikorsky and Higgins, today’s lanterns feature flexible, durable joints that allow for necessary expansion and contraction of the material. Above left With Bevolo’s signature Dark Oxidation, copper finishes give the look of a 10 to 15-year age, immediately blending into a home’s design and continuing to develop a rich, natural patina. Above right In the backyard of the Paranjape home, the lanterns’ ability to burn efficiently around the clock makes nighttime entertaining effortless.

DUCHATEAU

duchateau.com | duchateauofficial

When considering a project of the Paranjape home’s size, one probably wonders what the very first step or selection would be. In this case, it was the flooring, because Lori knew it would set the tone for the entire residence’s palette. And that is where DUCHATEAU, a specialist in fine architectural finishes, came in. “She was looking for a color that had a richness and depth that would be a pivot from the farmhouse look—it needed to be warmer than that,” says Patrick Bewley, vice president of marketing at DUCHATEAU. “The color she chose, Chaparral in wide plank and herringbone for the hallway, was one of the earliest decisions made.” After selecting that hue, Lori thoughtfully planned out the herringbone design. “The result is spectacular,” Patrick says. “You can see how it moves throughout the spaces in amazing ways, picking up light and nuances of color.”

“It is thrilling to be a part of this team and see our product showcased in such a beautiful space.”

Main DUCHATEAU believes that only products that excite its team are worthy of bringing to market, and in Lori’s home, the promise they saw in Chaparral is evident. Above left This color is a part of the new Terra collection, in which each hue was inspired by a natural biome and meant to appear as though created by the elements of sun, wind and time. Above right European wide-plank oak flooring in the color Terra Chaparral and a herringbone pattern provides a warm neutral foundation for the rest of the home.

FABRICUT

fabricut.com | fabricut

Upon entering a luxury home, one is sometimes left to contemplate what exactly makes it feel so elevated. The answer often lies in carefully-chosen window and wallcoverings. Two of the main sources of texture in any space, these all-important selections can make or break that elevated ambience. For Lori, who understands this well, Fabricut was a choice partner in crafting her own home. “Our Finished Product workroom proved especially helpful on this project,” says Lisa Karban, national sales manager of finished product and hardware. “Lori needed a variety of window treatments, and our workroom handles everything from drapery and panels to Roman shades and top treatments.” Now in its third generation of being a family-run and employee-owned company, Fabricut is a value-driven company that cherishes its role in the interior design trade. In the Paranjape project, the collaboration with Lori exemplified that.

“One of the most rewarding parts of working with our designer clientele is seeing the final result come together so beautifully.”

Main In the bedroom belonging to Lori’s son, Max, Simute Navy 03 wallpaper brings a rich warmth and complements the bedding. Above left Earth Linen in Bone Salt from S. Harris proves the perfect drapery material in the primary bedroom.

Above right Nick, Lori’s husband, now has a study complete with Woodrow WP-Ink wallpaper from Stroheim and Wool Satin in Indigo drapery by S. Harris.

Photography Amy Lamb of Native House Photography

FIREROCK BUILDING PRODUCTS

firerock.us | firerock_inc

Nowadays, alfresco living is considered an essential almost regardless of climate. The ability to heat and cool in open-air environments has made it possible for most anyone, but as the Paranjape house resides in the temperate Southeast, it was of particular importance. And the pavers, Lori felt, were key in establishing a look that would be cohesive with the interiors. Enter, FireRock Building Products. A leading supplier of specialty custom building products for the luxury market, the company provided concrete pavers for the Paranjape exterior, from the screened-in living space and pool area to the front entrance. “Lori reached out to us early last year, and we are happy to have taken part in creating her awe-inspiring outdoor areas,” says CEO Bryson Edmonds. “We went with the color Ore, which is a wonderful neutral to complement any design, but paired especially well with Lori’s vision.”

“Available in a variety of colors, sizes and thicknesses, our concrete pavers add timeless elegance to any home.”

Main FireRock’s signature Ore paver, used in the pool coping and decking, is a neutral taupe that closely resembles travertine. Above left Aligning the pavers visually from the front to the back of the residence makes for a consistent, thoughtful whole-home design. Above right With a look that is refined enough to feel appropriate for the indoors but durability that can withstand the elements, FireRock concrete pavers are ideal for indoor-outdoor concepts.

Photography Amy Lamb of Native House Photography

JAIPUR LIVING

jaipurliving.com | jaipurliving

Just as the textiles of window and wallcoverings are essential to that quiet quality of a luxury space, so too are the rugs. With the added element of providing a sensory experience underfoot, this aspect of accessorizing is core to a refined and cozy space—two of the characteristics that served as guideposts for Lori throughout this project. So, when it came time to select rugs, the designer turned to her foremost colleagues in the space: the team at Jaipur Living. “We find our clients are best served at the intersection between beauty and quality,” says Lance Trachier, VP of creative. “Beautiful design becomes exceptional when it’s sustainable, ethical and made to last generations. Lori’s vision is an inspiration to the organization, and we were honored to work with her and share our love and expertise in the making of our rugs. This project has been a paramount success for our team. It is picture-perfect.”

“The layering of pattern, color and texture makes this project so unique, striking a perfect balance between classic and contemporary.”

Main Although Lori’s vision was a generally neutral palette, a few spaces feature a wider rainbow of color, and Jaipur’s selection helped to achieve the shift. Above left In the guest suite, the rug adds a decadent feel while helping to define the bed’s space from the sitting and other areas. Above right The hand-knotted, artisan-made rugs throughout the Paranjape home showcase the skill of their makers.

Photography Amy Lamb of Native House Photography

KALLISTA AND KOHLER

kallista.com | kallistadesign | kohler.com | kohler

Amid the Paranjape home’s mostly warm taupes and creamy whites, there is a dramatic visual pop: the decorative plumbing, which includes a series of dramatic black fixtures. In creating this depth-adding departure, Lori joined forces with Kallista and Kohler, which purvey hardware for the bathroom and kitchen alike. “It was a fun, collaborative process working with Lori to select products that are both beautiful and functional,” says Ericka Sprangers, senior interior designer at Kohler. “It’s incredibly rewarding to see the finished project and how beautifully Lori used Kohler products in her space.” Working closely with trade pros to recommend the best collections and finishes for a project’s aesthetic, Kallista and Kohler aim to be an unparalleled resource. For Lori, this resulted in a series of selections from the brand’s One collection—a most sought-after line with silhouettes that lend a timeless form to the modern world.

“We have exciting upgrades and collections launching in the next few years, but we’re most looking forward to more projects like this one.”

Main The One Pull Down Kitchen Faucet over the range complements the sink faucets while offering premium function. It accommodates tall pots with ease. Above left Kallista’s Matte Black is a powder-coated, lightly-textured finish that proves eye-catching in the right setting, such as Paranjape’s otherwise warm, yet bright kitchen. Above right Embracing the art of simplicity with its pure form and polished details, the One Wall-Mount Single-Control Faucet lends itself perfectly to the contemporary primary bath, which also features the Kohler Ceric freestanding tub.

ROCKY MOUNTAIN HARDWARE

rockymountainhardware.com | rockymountainhardware

As the source of a tactile experience one has throughout each and every day, hardware should never be overlooked. It might seem like a small detail, but it can add an immense level of luxury to any environment. Enter, Rocky Mountain Hardware. “We have admired Lori’s work for years, so we knew her home would be as stunning as the rest of her portfolio,” says Christian Nickum, president of the company. “We are always honored to work directly with top designers, and while we know Lori works on projects all over the country, we love that we could have the opportunity to touch her life each day through her kitchen cabinet pulls and door hardware. She selected hardware from our beloved Roger Thomas Flute collection, a collab with another amazing designer with whom we appreciate working.” With bronze that is certified to use a minimum of 90-percent post-consumer recycled content, it was the sustainable choice, too.

“Our hardware is often described as the finishing touch or jewelry on a home, and we feel the selections for this project are just that.”

Main Sleek but far from harsh-lined, the Flute collection suits Paranjape well. Above left Function meets form in the Paranjape kitchen. Above right In the impressive butler’s pantry, a pop of color has its moment, but the hardware acts

from the

SHERRILL FURNITURE BRANDS

sherrilldesigncenter.com | sherrillfurniturebrands

Once the foundational structure and finishes are complete, it’s time for furniture selection. While this is a favorite phase for many, it can also be a challenging one if the right vendors aren’t found. But Lori didn’t have that problem, because she knew she’d be working with the team at Sherrill Furniture Brands, home to Sherrill Furniture, Hickory White, Precedent and more, and with designer collections in partnership with Lillian August, Jim and Phoebe Howard and Christiane Lemieux. “We are widely known for our custom, luxury upholstery capabilities,” says Sydney Wells, director of marketing. “We were excited to partner with Lori to raise awareness of our case goods as well.” It has certainly been a match made in heaven for designer and brand, with gorgeous heritagequality pieces being shown in their best light throughout the Paranjape home.

“When our story is told through a project as breathtaking as this one, the world listens.”

Main The Avery two-door nightstand (LA26571) from Lillian August complements everything about the guest bedroom.

Above left Hickory White’s Samarkand Burl chest (875061) in P9 India Ink provides a pop of color. Above right Max’s room features the Hickory White Linden dresser (445-31) in Modern Elm. Photography

SUB-ZERO, WOLF, AND COVE BY TISDEL DISTRIBUTING

subzero-wolf.com | subzeroandwolf | tisdel_subzerowolfcove

Ah, those iconic red knobs. Ask anyone—in the industry or off the street—to name the symbol of luxury in a high-end kitchen, and they are likely to point to a Wolf range. For Lori, this recognizable appliance was a definite part of her kitchen dreams from day one. Happily, she had Tisdel Distributing, the exclusive distributor for Sub-Zero, Wolf, and Cove, on hand to make it happen. Working closely with Lori and her husband, Nick, was Tisdel’s local representative, Kate Esteller, and their dealer partner Ferguson Enterprises. Altogether, they made selections based on how the Paranjapes cook, entertain and live. The Ferguson team facilitated the ordering, install and delivery, for a smooth process from beginning to end. With strong market representation, a network of showrooms nationwide and an industry-leading warranty, Sub-Zero, Wolf and Cove meet the Paranjapes with a lifetime of support, allowing them to enjoy their appliances for 20-plus years to come.

“Turning the designer’s vision into a reality is how we define success.”

Main Serving as a focal point, the Wolf 48-inch Dual Fuel Range with monolithic custom stone hood is undoubtedly a showstopper. Within the island, a Wolf microwave drawer is seamlessly integrated. Above left Lori chose the glass-door all-refrigeration column from Sub-Zero’s Classic Series to enable family and guests to enjoy the view of beverage choices in the sitting room. Above right With Wolf’s patented, dual-stacked, sealed gas burner design, the eight-burner range provides precise high-to-low temperature control.

LAVENDER HAZE

Plush with personality, a remixed Charlotte residence layers unexpected color atop antique hallmarks.

WRITTEN BY MICHELLE BRUNNER | PHOTOGRAPHY BY BRIE WILLIAMS | STYLING BY FRANCES BAILEY

Interior Design: Laura Stanley and Lizzie Bailey, Story Street Studio Home Builder: Ben Collins, Salins Group, Inc.

A Vicki Sher painting sets a cheerful tone near the back entry, where Nobilis’ Paillotte wallcovering lends a neutral foil to Benjamin Moore’s Lafayette Green on the door. The octagonal mirror is from John Rosselli & Associates.

Arteriors’ Selma pendant shines overhead.

aura Stanley and Lizzie Bailey’s clients are the kind most interior designers dream of having. When the duo presented initial design schemes to the homeowners, a young family in Charlotte, the most daring ideas were the ones that resonated. “From the very beginning, we clicked,” the wife recalls. “We had similar thoughts about the use of space, and they understood my desire to use a lot of color.”

Having outgrown their home in Myers Park, the couple consulted general contractor Ben Collins for advice about their next chapter. Just as they were contemplating new construction for their family of five, Collins learned a house he’d recently renovated would soon become available for purchase. Built in the 1910s, the antique manse was located less than a mile from the clients’ existing home. It also exerted an almost gravitational pull on the wife—she had driven by it many times, admiring its stately brick countenance and green-tiled roof. Upon making it their own, the couple understood and appreciated the responsibility of ushering it into a new era.

“We knew we didn’t want to take this old house and make it look modern,” the wife notes. At the same time, though, she vetoed the idea of stuffy, overly formal rooms where you can’t kick up your feet and relax. “I wanted our family to use every inch of the home.”

On the heels of Collins’ previous updates— which involved revamping the kitchen and adding a family room—the residence would require only minimal tweaks. And everyone agreed that respecting the home’s age and history was paramount. Because he already knew the house intimately, “Ben let us know what was possible,” the wife says. “He remembered every detail, so he understood each barrier and was a wonderful problem solver with endless ideas.” Once architect Piper McKee Warner drew up plans for minor revisions, Collins confidently oversaw the cosmetic upgrades. These included a new bathroom on the second floor, converting another from a Jack-andJill design to an en suite version, and installing built-in bookcases throughout the house.

For the interiors, the wife wanted Stanley and Bailey to inject a bit of pizzazz. “She envisioned warmer colors. She loves coral,

aubergine and teal, which we knew would add a ton of personality,” Bailey says. The designers learned just how bold their clients were willing to go when their suggestion of an adventurous geometric rug based on a vintage Swedish design—with purple as the predominant hue— emerged as the favorite option for the family room. “We also presented a green-and-blue scheme, and really thought this one would be the outlier,” Stanley recalls. But the fact of that enthusiastic reception gave the designers the encouragement to forge ahead fearlessly.

In the dining room, for instance, the scenic silk wallpaper was a holdover from previous owners; but where the home’s prior stewards had zigged with subdued finishes, Stanley and Bailey zagged with exuberant teal trim and chartreuse curtains. “That color was risky, but beautiful with the light coming through,” Stanley says. “And it’s such an exclamation point in a room where everything was so lovely already.”

The bar’s blue lacquer also was retained, though the ceiling gained new oomph from patterned wallpaper and a starburst fixture. In the primary bedroom, the clients’ antique Oushak rug laid the foundation for a fanciful fabric adorned with flowers and birds on the settee, corralling a palette of rich sapphire and terra cotta. It’s just another example of how the designers blended old and new, allowing inherited pieces to continue telling their stories in a fresh setting.

Weaving an array of seemingly disparate elements—from treasured family heirlooms to striking finds that designer Barrie Benson chose for the owners’ previous home—into a cohesive tapestry was a challenge the designers greeted happily. “When a client has such stellar pieces, we’re delighted to incorporate them,” Stanley says. So, working with existing elements became a benefit for the design duo, rather than an impediment. “When you have a completely blank slate, the question often becomes, ‘Where do you even start when the sky’s the limit?’ ” Bailey explains. “It was fun to create within a framework that gave us a little something to push against.”

The result is an appropriately historical abode shaken up by glorious, livable color. “When I walk through the house, I feel warmth and a lot of joy,” the wife shares. And for the purple-peppered Charlotte home that’s become very much her family’s own, “That’s such a welcoming feeling.”

Thomas Hayes Studio counter stools complement the kitchen’s cream fluted cabinetry completed by general contractor Ben Collins. Benjamin Moore’s Grape Juice coats the pantry. The family room’s swivel chairs wear TylerGraphic’s Pomegranate textile.

Above: Softened by Benjamin Moore’s Misty Air, the front entry displays a ceramic candelabra from R. Runberg Curiosities atop the clients’ midcentury table. A sculptural brass ceiling fixture from Chairish hangs above the Charlotte Rug Gallery-sourced Oushak-style rug.

Opposite: Benjamin Moore’s Dragonfly graces the dining room’s millwork as draperies of Pierre Frey’s Naomie fabric in Mimosa drive home its Technicolor reinvention. Century Furniture’s Crossback chairs join the French Empire-style chandelier.

Above: The bar’s lacquered walls and cabinets brandish Benjamin Moore’s New York State of Mind. Designers Guild’s Delahaye wallpaper on the ceiling and a Visual Comfort & Co. Dickinson pendant add to the jewel-box effect. The Page Jones Davis painting at left is from Hidell Brooks Gallery.

Opposite: Farrow & Ball’s Off-Black provides a dramatic backdrop for a Chris Hayman painting in the lounge. Arteriors’ Griffith chandelier injects a dash of midcentury cool to the space, made cozier by an O. Henry House sectional, Stark’s Ellipse wool carpet and a custom ottoman.

Michelle Nussbaumer’s Cartagena textile covers a settee in the couple’s bedroom. Schumacher’s Antique Strie velvet on the custom bed accompanies draperies of Claremont wool and Scalamandré grass cloth on the walls.

Reverse

Opposite:

Right: Quadrille’s Arbre de Matisse

wallpaper in French Blue envelops the youngest daughter’s bathroom. The rattan urn is from Terrain, while the framed Kamie Rudisill mixed-media works are from Isabella.

For the eldest daughter’s bedroom, Collins constructed streamlined cabinetry painted Sherwin-Williams’ Rhythmic Blue. Modern Matter hardware and a Capiz-shell pendant from Anthropologie pair with shades of Peter Fasano fabric.

Striking a Chord

A new Atlanta residence is defined by its historic neighborhood, elegant minimalism and the owners’ love of music.

Architecture: Peter Block, Peter Block & Associates Architects, Inc. Interior Design: Anna Booth, Anna Booth Interiors

Landscape Architecture: Richard Anderson, Richard Anderson Landscape Architect

WRITTEN BY LAURA FENTON

PHOTOGRAPHY BY EMILY FOLLOWILL STYLING BY ELEANOR ROPER

Accented by Mr. Brown London’s Paris Lantern, the home’s mudroom is accessed via a Kolbe Dutch door from Premium Windows & Doors, Inc. The handmade Dutch crackle tile on the walls and checkerboard limestone flooring are both from Renaissance Tile & Bath.

reating a home that’s classically rooted, yet supports the contemporary lives of those who dwell within, comes down to more than stock ideas. Often, it’s about eccentricities, unexpected touches and, at times, a grace note that doesn’t seem like it would go, yet makes the whole composition. For an energetic family constructing a tailored abode in a historic Atlanta neighborhood, it was important that their new home not only harmonize with its surroundings but enhance them.

That challenge was music to architect Peter Block’s ears. Carefully considering the context of the neighboring houses, he decided upon an English Tudor-inspired discipline, complete with a half-timbered, steeply pitched roof. Modernized with a wash of white paint, Block’s classic gestures thread all the way from the architectural envelope to the manicured grounds updated by landscape architect Richard Anderson—adorned with appropriately English climbing roses and clipped boxwood hedges. “His vocabulary and syntax within the plant palettes and how they’re put together is remarkable,” Block says.

Quite unlike a Tudor, however, the interior rooms are flooded with natural light. Guests enter the house through the arched front door into an airy living room, rather than a formal foyer. Varied ceiling heights throughout impart a telltale sense of rhythm, while millwork moments such as oak pocket doors, curved openings and charming interior windows help break down its spaces into a more intimate scale.

“Although separated by walls, there are opportunities to peek between spaces, such as the little pivoting iron window connecting the stair hall and keeping room,” interior designer Anna Booth explains. In a similar way, placing exterior windows on two sides of nearly every room brought luminosity to the home’s coved moldings, mineral-painted walls and hand-textured tilework. “It’s a high level of finishing, without an ounce of pretension,” she notes.

While the designer already knew her clients socially, Booth was personally recommended to the project by Block, and the two enjoyed a great level of mutual respect throughout every stage. “There was a lot of back-and-forth interaction,” the

architect says. “And that’s what builds the richness of a project.” While joie de vivre was paramount for the couple, with multiple young sons, they were mindful that their busy family life could be hectic at times, so Booth and Block delivered a calming retreat with a floor plan meant to foster family unison. “It’s lively and comfortable, but quietly elegant at the same time,” the architect notes.

Intuitive and free-flowing, Block’s layout is not without a few surprises. Opposite the main living space—itself equipped with a baby grand piano—is a room dedicated entirely to the enjoyment of music. The home’s defining space makes an impression of any elegant sitting room—and that decision was intentional. Block wanted it to be “a beautiful room that you just happen to play music in.” Whether practicing instruments or listening to records, “Our clients are very musically oriented; it’s their favorite pastime,” the architect comments.

Booth, meanwhile, anchored this special space using a quartet of slipper chairs encircling an upholstered ottoman—a seating group intended to encourage musical collaboration. The chairs’ upright, armless style makes it easy to accommodate an instrument. Even the Caleb Mahoney canvas mounted above the fireplace was selected for its lyrical qualities: “The brushstrokes are almost like music notes,” the designer shares.

As for fixed surfaces, Booth and Block agreed upon selections of authentic materials—from rift-sawn white oak floors to Lace White marble countertops—destined to improve over time. These elements became the springboard for furnishings Booth placed to subtly enhance the serene palette. “Their forms are very simple,” the designer describes. In the living room, for example, a cleanlined, boxy sofa boasts prominent stitching along its edges, while the backs of the dining room’s sleek chairs feature pin-tucked pleats. Teamed with a smattering of characterful antiques, these choices bring balance to the home’s restrained countenance. Adds Booth: “When you incorporate these almost dressmaker-like details, it elevates a room; they are what make a home feel bespoke.”

So, too, does such thoughtfulness enhance the home’s sense of intimacy. From the sculptural plaster fireplace in the living room, to the carved reclaimed door in the music room, to the screened back porch contained within a faceted turret, graceful design decisions are what give this family abode its unique melody. All compositions considered, it’s a house in perfect harmony.

A Highland House coffee table and sofa join a Verellen swivel chair—all from Bungalow Classic— to accompany the living room’s baby grand piano. Benjamin Moore’s China White coats the walls throughout the ground floor.

Above: An off-center staircase lets natural light into the dining space, brightened by a Murano-glass sconce from 1stdibs. Verellen dining chairs upholstered in pin-tucked performance fabric stand up to the rigors of family life.

Opposite: Appalachian vessels attributed to DeWitt Smith—procured from Foxglove Antiques & Galleries—top the custom white oak dining table. Vintage chandeliers from 1stdibs frame designer Anna Booth’s own Kipling mirror for Holland MacRae.

Above: The scullery features an apron-front Kohler sink and Perrin & Rowe faucet. Morgan Creek Cabinet Company crafted the custom cabinetry for the space as well as the main kitchen—all punctuated by Rocky Mountain Hardware.

Opposite: A Lacanche range and a hood by DQ Ironworks Inc. form the focal point of the kitchen. Oasis glazed terra-cotta backsplash tile from Renaissance Tile & Bath extends to the ceiling as Lace White marble from Bottega Stone spans the countertops. The bench is by Lee Industries.

Above: Augmenting the back terrace footprint is a faceted screened porch, from which the family can enjoy views of the grounds finessed by landscape architect Richard Anderson. A sculptural American agave plant peeks out from a cast-limestone planter bowl by Longshadow.

Opposite: A Verellen leather ottoman and Lee Industries slipper chairs—all from Bungalow Classic—furnish the music room. Offsetting the reclaimed door from Architectural Accents, a plaster chandelier by Julie Neill and a Caleb Mahoney artwork from Gregg Irby Fine Art complete the scene.

Something Blue

In Hickory, North Carolina, a ceramicist tributes the natural world through the enduring romance of blue and white.

WRITTEN BY MONIQUE MCINTOSH PHOTOGRAPHY BY CHRIS EDWARDS

The palette we call blue and white is deceptively simple. Yet artisans across continents and centuries have fashioned intricate, fanciful realms—from Ming Dynasty porcelain to Delft pottery— using these two restrained hues. Ceramicist Maryfrances Carter perpetuates this storied art through her whimsical clay forms, many portraying hand-painted motifs plucked from her small-town life in Hickory, North Carolina. Attracted to the tradition’s rich heritage, Carter imagined creating a distinctly American version of blue and white. “In my research, I’ve found that America doesn’t really have its own unique form,” she explains. Thus, the artist’s take on the iconic style is inspired by her sojourns in Spain, England, France and Mexico, where she gleaned inspiration from the local architecture and textiles. But even more so, Carter’s blue-and-white world revels in the dream of Southern gardens. Romantic roses, delicate scrolling vines and petite lilies of the valley crawl across her vases and tableware. Seeing the world through the eyes of her four children has further nurtured her appreciation for nature, since “They see details we might pass over quickly,” she observes.

Past stints as a watercolorist and seamstress inform Carter’s artistry—from gauzy washes to lace-inspired filigrees. Her unique background ensures she “sees ceramics differently, as a three-dimensional canvas,” the artist reveals. “I look at the convex and concave curves of the piece. I think of how to make the composition look as though it’s growing along the surface.” Carter makes space for these details when wheel-throwing and hand-building shapes that allow her motifs to curl around scalloped edges, tapered corners and sloped necks.

In her terrace-level home studio, a backdrop of whitewashed brick and blue-painted window frames provides a stage for her experimental ceramics. Here, unpainted pieces can “live on the shelf for a while,” says Carter, who’s also flirted with variations ranging from stamped Jaipuri prints and soft pastel glazes to textural monochromatic reliefs. “I look at them while I’m testing different ideas, then decide what I want to do next.” Pairing a favorite silhouette with a design often depends upon how each clay base combines with her blue underglaze. In fine stoneware, the blue becomes “more creamy, not quite as stark,” the artist says. “Whereas on porcelain, the blue sings through.”

Before window frames painted her favorite shade of blue, tiered shelves (opposite) provide a home for North Carolina ceramicist Maryfrances Carter’s unfinished works. The artist’s elegant vessels (bottom) often become treasured keepsakes in her customers’ collections. A stack of ruffled stoneware plates (left) awaits her hand-brushed floral details while a sketchbook (below) keeps concepts for upcoming pieces close at hand.

Architecture: Jonathan Torode, Pfeffer Torode Home Builder: Jim Mullowney, Mullowney General Contractor, Inc.

Landscape Architecture: Ben Page, Page Landscape

Set in Stone

Nestled along the precipice of a famed Nashville park, a materials-forward abode plays to its environmental advantage.

WRITTEN BY LISA MOWRY | PHOTOGRAPHY BY ALI HARPER

Landscape architect Ben Page chose autumn ferns, hydrangeas and green gem boxwoods for this Tennessee property. His plantings frame key vistas, such as a view to twin sweetgum trees past retracted steel doors by Chris Craddock of Metal Werks LLC.

or homeowners Greg and Cristina Brophy, a tree-covered lot overlooking Nashville’s 3,000-acre Percy Warner Park was reason enough to purchase a lush property in Forest Hills, Tennessee. But equally intriguing were the man-made features found on the 6-acre site, including 64-yearold local limestone retaining walls essentially wedged into the hillside. “The stone drove so much of our home’s design,” Greg reveals. “We wanted a house that looked great with, and celebrated, those existing walls.” These components became crucial as he and Cristina set out to create a visionary residence imbued with influences of northern California, which the couple previously called home.

The Brophys requested an organically inspired house that would afford privacy while existing symbiotically with its landscape. And because an elegant swimming pool also topped their wish list, residential designer Jonathan Torode’s architectural plans evolved to become a U-shape to wrap around it, affording watery vistas from every room. “It was important to bring views of the park into the home,” adds Torode, who responded directly to the topography, then created a floor plan that allowed for strategic sight lines from key rooms. Building materials were kept intentionally neutral: stucco, concrete, wood, metal and the beloved limestone— plus a proliferation of metal windows and doors to lure the eye outside.

The lot proved challenging because of its steep slope. Problem-solving included reinforcing the foundation with micro piles of steel and concrete. For this complex but delicate task, Torode is quick to defer credit to general contractor Jim Mullowney, who—along with a team of engineers— demonstrated immense structural expertise. With the residence securely situated, Mullowney’s commitment to go the extra mile paid off. “Now, it looks as though our home was built right into the hill,” Cristina describes.

Indoors, several elements echo the old-world gestures seen outside. Character-grade oak floors and hand-hewn ceiling beams keep the look natural and understated as hand-troweled plaster walls come alive in the ambient sunlight. “We really wanted simplicity and restraint,” Cristina says, adding, “We decided against crown molding; only minimal baseboards.”

The abode is divided into distinct areas linked by broad, light-filled passages. One leading to

the primary suite even includes a vestibule as a transition space, integrating antique French linenfold doors Cristina found in Atlanta— complete with original iron hardware. “We wanted components like these to be the artwork as much as anything else in the home,” Torode notes. “Those doors add to the richness one experiences in the house every day.” Another passage leads to Greg’s office, itself a showcase of structural precision and complex materiality. Here, millwork crafted by Mullowney with fellow carpenter Kevin Yatsinko frames a 10-foot-tall steel-plate fireplace as a focal point.

When furnishing the home, Cristina was influenced by the architectural features inside and out. “I kept going back to the stone walls; that was my foundation for the interiors, because they have such a warm, organic feel to them,” she shares. An 18th-century walnut table in the dining area and a circa-1600s bench in one hallway exemplify her special selections, though she contrasted these with modern furnishings and metal fixtures to fit the scale and tone of the house.

A sprawling backyard with elaborate hardscaping rounds out the experience. Paying respect to the scope and scale of the property, landscape architect Ben Page’s team installed materials that fit the aesthetic goals and existing stone walls. “The stones used for the terraces and walkways are all indigenous to Tennessee and include a rare color of crab orchard stone endemic to the area, nicknamed ‘squirrel’ due to its subtle grays and tans,” Page reveals. The landscape architect’s most commanding vista is framed by a pair of artisan-forged, diamondpatterned steel doors. Similarly, his insertion of Slender Silhouette sweetgum trees—a favorite of Cristina’s—bring complementary structure to swaths of native plantings, including Rudbeckia daisies and other wildflowers that thrive locally. “Ben’s selections are beautiful now and will be even more so in the years to come,” Cristina muses.

For now, she and Greg appreciate how the house and yard both change with the seasons. Old-growth sweetbay magnolias flower in the spring before native grasses brandish pink plumes come fall, with winter days casting long shadows into the interior. It’s all part of the seamless link to nature the Brophys desired, and which they can enjoy whether seated around the fire pit or within the window-bordered breakfast nook. “We feel like we’re outdoors even when we’re indoors,” Cristina says. “That’s how we want to live.”

The living room features a Flexform sectional from Scott + Cooner, House of Finn Juhl’s Pelican chair and a reclaimed-oak Plinth coffee table by RH. The Dalen lanterns are by Gregorius Pineo through Jerry Pair.

Left: A custom Bjork Studio banquette in Perennials velvet sits beneath Marvin windows in the breakfast nook. The Urban Electric Co. fixture lights an 18th-century trestle table from Provenance Antiques.

Opposite: In the prep kitchen, oak floors from Jeffco Flooring & Supply coordinate with slab-front oak cabinets by Capitol Custom Cabinetry & Finishing, LLC. The Urban Electric Co. Lyford lantern glows above Calacatta Gold marble from Indigo Granite & Tile, LLC.

Right: A floor-to-ceiling steel fireplace by Metal Werks LLC punctuates oak millwork in homeowner Greg Brophy’s office. An Eames lounge chair by Herman Miller complements the Saddlemans cowhide.

Opposite: Custom steel doors by Metal Werks LLC lead to the office, distinguished by hand-troweled plasterwork on the walls and ceiling. A Terra chandelier by Laura Lee Designs from Bennett Galleries suspends overhead.

Left: Maxalto’s Alcova bed anchors the primary bedroom. Upholstery includes Holly Hunt’s iron-and-leather Arakan bench from Jim Thompson and a vintage Marge Carson slipper chair updated in Clarence House velvet.

Opposite: In the primary bathroom, a 19th-century gilt bronze chandelier from Joseph Konrad illuminates MTI’s Cáscara tub and a Holly Hunt bench. The floors and countertops both don Cremo Delicato marble from Ciot.